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#Craven Hotel
konakoro · 8 months
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Will never get over Cillian Murphy menacingly reading a Dr. Phil book to Rachel McAdams in Red Eye
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hotelbooking · 5 months
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The Craven Heifer At The Craven Heifer in Skipton, United Kingdom, guests can look forward to a wide array of entertainment facilities that are sure to enhance their stay. Whether you're in the mood for a relaxing evening or a lively social gathering, this hotel has got you covered. The bar at The Craven Heifer is the perfect place to unwind after a long day of exploring the charming town of Skipton. Step into the warm and inviting atmosphere, and indulge in a refreshing drink from the extensive selection of beverages available. From classic cocktails to local craft beers, there's something to suit every taste. Sit back, relax, and enjoy the company of fellow travelers or engage in friendly conversation with the friendly and attentive staff. For those seeking a more communal experience, the shared lounge/TV area at The Craven Heifer offers the ideal space to socialize and connect with other guests. Whether you're looking to catch up on your favorite TV shows or simply relax with a...
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cherubfae · 7 months
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Hello! I'm not sure if you do single characters or not but What if the reader (who's a big fan of horror) wanted to show Alastor some classic horror movies. Their reasoning? "So you can make fun of it," If you do a collection of characters, then it can be like a movie night for the hotel.
Hiya love!! Yes, I do! In fact I'm currently working on a longer Alastor fic at the moment :)) it's like this request was made for me bc I 100% will force Alastor to watch the Scream franchise with me 😭 it's my fave. I'm a mega horror fan, haha! Maybe I'll have to write for slashers again like I used to! I'll just write Al since he deserves some love for himself!! Pls excuse me bc now I'm gonna be thinking about 1920s GhostFace Alastor 😩😩🩷💕
What's Your Favorite Scary Movie? || Alastor x reader
tags: fluff, gn!reader, Alastor critiquing horror media, plot to the Scream franchise, my horror obsession might be showing lmao
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Getting Alastor to have anything to do with post 1930s technology was a task and a half. He might've made a deal with Vaggie not to have anything to do with such frivolous technology, but you weren't Vaggie. You were his sweet, dear partner. And he'd never admit just how tightly wrapped he was around your finger.
He seemed to genuinely enjoy the first few Halloween movies as well as the first Texas Chainsaw Massacre. Alastor took a great of interest with Hannibal Lector from The Silence of Lambs. He was deeply considering watching the television series you told him of. He thinks Freddy Krueger is a piece of shit and wished he could do him in with his own hands.
The next movie, however, seemed more susceptible to being torn to pieces by his ever-watchful eye.
"So the point of this picture show is what... Billy is angry because his mother abandoned him and he doesn't know how to deal with those big feelings at his age?" Alastor gives an indignant snort, looking bemused at the old television screen currently playing a VHS of Wes Craven's 1996 slasher classic Scream. That's as new of tech as Alastor would allow, so you made do.
Snorting out a laugh, you lean against his arm. Alastor's crackling gaze flickers to you his smile softening around the edges. He did very much adore your laugh.
"That about sums it up, yes," you grin, biting down on the corner of your chocolate bar.
Alastor leans his back against the sofa, pulling the blanket wrapped around you two closer. "I don't know how that Macher boy thinks that peer pressure is a justifiable defense for murdering people." He unwraps his own piece of bitter chocolate and pops it into his mouth. "Own up to your choices, for Heaven's sake. And people find these two attractive? Are they not in love with one another? Surely anyone with two good working eyes could see this."
The sixth Scream movie damn near has Alastor foaming at the mouth, each and every movie felt as repetitive as the last with slight twists and changes. He was polite to keep most critiques to himself, eyeing how much you clearly enjoyed showing something so near and dear to your heart. While the plot was rather lackluster, he had to admit he was interested in the severe brutality of the sixth and despite his opposition to new media, felt that it was a decent enough film. With such a repetitive storyline, he didn't really expect that sort of twist.
"There's one more we can watch!" You grin, holding up your copy of Scary Movie. Alastor's eyes look ready to pop out of his skull as if to say 'Oh god, another??' "I don't think you'll guess who the GhostFace is!"
"Is it the man called Doofy?"
|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024
"What the fuck-- how."
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cinemaworm · 1 year
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Red Eye (2005) / dir. Wes Craven
Lisa, a hotel manager, is returning home on a flight after her grandmother’s funeral. Before boarding, she meets a charming man, Jack - and just so happens to be sitting next to him on the plane. She thinks it’s luck, at first, but soon realizes it’s something more sinister when the man confesses he’s going to have her father murdered if she doesn’t follow his instructions.
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I watched this recently and I really enjoyed it. I had never seen a Wes Craven movie that wasn’t scary. Rest in Peace, sir. Cillian’s performance was incredible. (and sexy)
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Elvis Presley Publicity Promo Shoot 25th Of August In 1960;
Events In The History And Of The Life Of Elvis Presley Today On The 25th Of August In 1960.
Elvis Presley candids photographed by Don Cravens at the Beverly Wilshire Hotel In Bevely Hils CA. for Life magazine.
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onceinawhilemoon · 4 months
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Here's a fun little detail: when you zoom in on the hotel register book with ansel, you can actually see Arsene Lupin's signature. He checked into room 229 on Wednesday. Alonso mentions him staying at the hotel and I think it's neat that FW actually included his name in the guest book even though you can't actually see it in-game! (Galichi and the Cravens are also there)
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thefisherqueen · 2 months
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Halloa! Halloa! What's this?” He was carefully examining the foolscap, upon which the words were pasted, holding it only an inch or two from his eyes. “Well?” “Nothing,” said he, throwing it down. “It is a blank half-sheet of paper, without even a water-mark upon it. I think we have drawn as much as we can from this curious letter; and now, Sir Henry, has anything else of interest happened to you since you have been in London?”
Holmes has found out something, and he's doesn't want anyone to know that
I'm suspecting dr. Mortimer more and more of sending the letter. Holmes' deductions about the sender would fit him, and it makes sense it would be made in haste if it was him. I searched for the location of the Northumberland hotel, to see if it was near Charing Cross and so could have been sent from there, and the hotel that's called that today isn't (it's near st Pancras and King Cross), but I found this on the wikipedia page about the Sherlock Holmes pub (which you should totally visit when you're in London. I was there last winter, very cosy place and I liked the upstairs recreation of the Baker Street sitting room even better than the museum one):
The Sherlock Holmes was originally a small hotel, known briefly in the 1880s as the Northumberland Hotel, and later as the Northumberland Arms, under the latter name appearing in the 1892 Sherlock Holmes story "The Adventure of the Noble Bachelor". The Victorian Turkish baths that Holmes and Watson used to frequent in the stories was located right beside the hotel at 25 Northumberland Avenue. The entrance to the adjacent women's Turkish baths can still be seen in Craven Passage at the rear of the men's baths. It has been conjectured by some Holmes enthusiasts and scholars that the present building was the Northumberland Hotel which featured in the 1901 novel The Hound of the Baskervilles.
And that one is near Charing Cross station!
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flickynightdarkness · 21 days
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If my DC/Batman OCs have headcanon voices, what would they sound like?
Benjamin Williams - K1B0 (Danganronpa) [VA - Lucien Dodge]
Hallow Crane - Vulture (Spectacular Spider Man) [VA - Robert Englund]
Meredith Miranda - Maud Pie (My Little Pony) [VA - Ingrid Nilson]
Yuki Blossoms - Tiff (Kirby - Right Back At Ya) [VA - Kerry Williams]
Marcus Todd - Raphael (2012 Teenage Mutant Ninja Turtles) [VA - Sean Astin] or Red Hood (Injustice 2) [VA - Cameron Bowen]
Lauren Crane - Lilith Clawthorne (Owl House) [VA - Cissy Jones] or Loona (Helluva Boss) [VA - Erica Lindbeck]
Laurent Crane - Scarecrow (Arkham Knight Version) [VA - John Noble]
Trace Dent - Vaggie (Hazbin Hotel) [VA - Stephanie Beatriz]
Coona Walker - Sody Pop (Chikn Nuggit) [VA - Dawn M. Bennett]
Evelyn Wesker - Sage (Sonic Forces) [VA - Ryan Bartley]
Ember Lynns - Toga Himiko (My Hero Academia) [VA - Leah Clark] or Panty Anarchy (Panty and Stocking) [VA - Jamie Marchi]
Torch Lynns - Firefly (Arkham version) [VA - Crispin Freeman]
Cheryl - TSA! Amy [VA - Eileen Montgomery]
Topher Blackfire - Valentino (Hazbin Hotel) [VA - Joel Perez] or Hunter (Owl House) [VA - Zeno Robinson]
Oliver Miranda - Iscream (Chikn Nuggit) [VA - Nate Charpentier] or Cubot (Sonic) [VA - Wally Wingert]
Misty Miranda - Cream the Rabbit (Sonic) [VA - Rebecca Honig]
Spook - Collector (Owl House) [VA - Fryda Wolff]
Myers Miranda - Dr Facilier [Princess and The Frog [VA - Keith David]
Lunar Crane - Lumalee (Super Mario Bros Movie) [VA - Juliet Jelenic]
Leader Scorch - Father (Kids Next Door) [VA - Maurice LaMarche]
Harrison, Misty and Carrie - Delightful Children from Down the Lane (Kids Next Door) [VAs - Dee Bradley Baker(H) and Cree Summer(M and C)]
Craven Crane - Scarecrow (Arkham Asylum) [VA - Dino Andrade]
Clove Miranda - Stella (Helluva Boss) [VA - Georgina Leahy]
Fangs Langstrom - Cream the Rabbit (Sonic) [VA - Rebecca Honig]
Kaleb Langstrom - Thorax (My Little Pony) [VA - Kyle Rideout]
Kraig Jones - Goliath (Gargoyles) [VA - Keith David]
Tootsie Jingles - Fizzarolli (Helluva Boss) [VA - Alex Brightman]
Blade Quinzel - Secret History Tails [VA - Mick Lauer]
Harriet Miranda - Odalia Blight (Owl House) [VA - Rachael McFarlane]
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darerendevil · 8 months
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For archive purposes: March, 2013
If he has one driving goal in his film career, it's to participate in a project that leaves a lasting impression. "Ultimately what I'd like to do is leave behind a movie that's a piece of art," he says. "One movie out of however many I make that influences or has an impact or someone holds up in the future as a piece of art. That's the ultimate goal."
Chaos. Blackness. Then a pair of inconceivably blue eyes burst open, filling the screen. This is how most audiences were first introduced to Cillian Murphy three and a half years ago, when the Irish actor erupted onto the scene in the post-apocalyptic sleeper hit 28 Days Later. As Jim, a bike courier who awakens from a coma after London has been wiped out by a deadly infection, the largely unknown 24-year-old found himself as the lead in Danny Boyle's poetically terrifying film. As the audience surrogate, Murphy's face telegraphed all the confusion, innocence, and wonder we would expect of a hero-in-the-making who is realizing he might very well be the last man on earth.
After the success of 28 Days Later, a career in Hollywood films was inevitable. It's not just that Murphy looks as though his face were sculpted from marble, topped off by those aforementioned stunning eyes. As he showed in 28 Days Later and subsequent films such as Girl With a Pearl Earring and Intermission, he was a chameleonic performer, a character actor trapped in a leading man's bone structure. In 2005 he found himself starring in two blockbuster hits in which he played characters that couldn't be further from the well-intentioned Jim. As Dr. Jonathan Crane, aka Scarecrow, Murphy's silky smooth calmness was put to villainous use in Batman Begins. He followed that with a turn as Jackson Rippner, a mysterious stranger who traps hotel manager Lisa (Rachel McAdams) into an assassination plot in Wes Craven's Red Eye. While both films were unabashedly popcorn entertainment, each transcended its genre with stellar casting and sharp direction.
After these back-to-back successes, it seemed there was only one logical step for the newly minted star. So Murphy shaved his legs, plucked his eyebrows, and gamely jumped into the role of Patrick "Kitten" Braden, the transvestite orphan whose adventures with cabaret singing, prostitution, and the Irish Republican Army don't even begin to sum up the strange and delightful world of Neil Jordan's Breakfast on Pluto (opening in limited release Nov. 18). Written by Jordan and Patrick McCabe, on whose 1998 novel the film is based, Pluto is a loopy journey featuring Murphy in a bravura performance as the needy heroine who spends her life looking since he first auditioned for it four years ago. Jordan couldn't get the film financed at the time, but he never forgot Murphy--largely because the actor wouldn't let him. "I did a test with Cillian and several young Irish actors to see: Was the role even playable?" says Jordan. "Cillian was not well-known at all but gave a blistering performance. Problem was, after that he would never let it go. Every time we met, he'd ask, 'When do we start shooting?'"
Murphy got his wish in 2004, when Jordan got the money and jumped right into a 10-week shoot. It was sudden, but Murphy took it in stride.
Early Stages
In person Murphy speaks softly, his voice heavy with his native accent--one that has rarely been captured on film, as he frequently adopts English or American accents for roles. He speaks in simple, sparse terms of how he came to acting.Born and raised in Cork, Ireland, Murphy grew up on a diet of American TV and was interested in movies and music. At age 20 he was playing in a band, and he saw a play at the Corcadorca Theatre Company in his hometown. "I went up and knocked on the door of the theatre and said, 'Listen, if you have any parts in any plays coming up, let me know,'" he recalls. "And the guy said, 'There's this play called Disco Pigs. Come in for an audition.' I went in and got the part, and that was it, really."He may make landing the job sound easy, but anyone who saw the 2001 film adaptation of Disco Pigs can attest it was more than luck that got Murphy cast. As the violent and unpredictable Pig, pathologically devoted to his lifelong friend Runt, Murphy is a force of nature we can't take our eyes off of. Still, he admits that at times he felt out of his league. "I was going to go back to playing in a band; I was just acting as a laugh," he says. "But it didn't transpire like that. I don't think I realized it was a career until recently. But I don't enjoy anything as much as I enjoy acting. I never got a kick out of anything as much as I get out of acting when it's going well. You build up a real hunger for it."
For the next three years he worked in theatre, learning on the job while performing in such classics as The Seagull and Much Ado About Nothing. "I think that's the best place to learn as actor," he observes. "I consider it my training ground. I was very lucky to work with a lot of great directors and great plays. I went from smaller parts onstage to bigger parts onstage, then smaller parts in movies to bigger parts in movies. It was a very organic way to do it."
He landed his first agent, Richard Cook at The Lisa Richards Agency, when Cook saw him onstage in Disco Pigs; he remains with the agent to this day. Murphy has a Los Angeles agent, Darren Statt at United Talent Agency, whom he says "saw an audition tape I did for a movie and took me on based on that--which is actually quite unusual." He also has a London representative, Lou Coulson with The Lou Coulson Agency. As Murphy began landing various film and television roles, he had to adjust to auditioning regularly. "It took me awhile to realize auditioning is a different skill than acting," he says. "They're entirely unrelated skills. Just because you're a good actor, it doesn't mean you'll be good in a room with a director. I had to learn to audition."
It was the film version of Disco Pigs that caught Boyle's eye when he was casting for 28 Days Later. Surprisingly, Murphy's newcomer status worked in his favor. "We thought that it was more appropriate for the film that it should not be a star vehicle," says Boyle. "Rather, it should be a community of people we cast as equals." Boyle also felt Murphy displayed an innocent quality that would endear Jim to the audience. "The feeling of a child who is forced to become a man and, by the end of the film, be almost primal, I thought Cillian had that," Boyle reasons. Murphy rewarded his director's trust with a searing performance, taking Jim from wide-eyed youth to fierce protector in the space of 108 minutes. "I've been lucky to have support from great people like Danny," Murphy raves. "He let me carry 28 Days Later. But, ultimately, if you don't produce in the work, you won't get hired. You're only as good as your last job."
Armed with this knowledge, Murphy was selective about his projects after the success of 28 Days Later. "I'm aware of the system and how certain doors open when a film does well," he says. "A lot more people started taking meetings with me. And people began to pronounce my name correctly, that's always been a good yardstick for me." Although most people probably know by now, the correct pronunciation is "kill-ee-un."
Being Bad
Murphy claims he would have been perfectly happy to continue doing theatre the rest of his life; indeed, when he speaks of performing onstage, it's with a low-key but palpable passion. But he is also practical. "If there's an opportunity to do a good film with a good director, you've got to take it," he muses. "You'd be foolish not to. And if a bit of momentum builds up, you have to stick with it."
He has collaborated with some of the most prestigious directors working today, from Anthony Minghella in Cold Mountain to Ken Loach in the upcoming The Wind That Shakes the Barley. Yet he insists there's no deliberate strategy to his career. "I want to do different things and keep myself interested and keep improving," he remarks. "Wherever that takes me, I don't know. There's no plan--it's all out of your control anyway. The only thing I've ever insisted upon is diversity. Every role you take, you have to be afraid that you can't do it. Otherwise, there's no point in doing it." The primary factors that draw him to projects are the script and the director. "It's got to be a good script to start with," he says. "If it's a bad director, they can make the script mediocre pretty fast. But the combination of a good director and good script--that's the ultimate. And I can't believe how lucky I've been to have both."
When it came to auditioning for Batman Begins, Murphy didn't look at it as a blockbuster franchise that would raise his salary quote--he saw it as an opportunity to play a well-crafted character and work with director Christopher Nolan. "I would do any movie with Chris Nolan," he says. "It was a good script and a great part. I had so much fun." Nolan originally brought Murphy in to read for the role of Bruce Wayne/Batman. "I saw Cillian in 28 Days Later and was struck by the extraordinary intensity of his performance," says Nolan. "We tested him for Batman, and his presence just leapt off the screen. Everyone who saw it got very excited about the idea of casting him as Scarecrow. He has a fantastic ability to project interior passions with a power that can be by turns either chilling or seductive."
As Scarecrow, Murphy proved a hero is only as interesting as his nemesis, and his cool confidence was enthralling--just listen to the way he draws out "Batman" as two words in a cruel taunt.He brought that same dangerous appeal to Red Eye, a film in which his Rippner is more or less played as the romantic leading man--until he reveals he's a stone-cold killer. "I was very careful not to come at that character as the bad guy," he explains.
"He's been chosen for his job because he has access to this charisma and approachability. For him to be revealed too quickly would be pointless." Murphy also enjoyed being the heavy, a nice respite from saving the world in 28 Days Later. "It's fun to be the bad guy," he notes. "I thought it was a great role. Just because he turned out to be bad, it didn't represent any more or less fun than playing [Jim]. It's still a great range there to convey."Murphy also wants to make it clear that playing back-to-back villains was a fluke of distribution. "I did get very frustrated with the question, 'Why are you playing the bad guys this summer?'" he says. "I guess it's an easy in. I've made 10 feature films and played two bad guys. I think anyone who's seen the rest of my work will realize that's not what I specialize in at all."
Men Are From Pluto
If Murphy had any concerns about being pigeonholed, he certainly confounded expectations as Kitten in Breakfast on Pluto. "That role was a gift," he insists. "To work with Neil, who's a living legend--he's amazing." To prepare for the role, Murphy reread the book and talked extensively with McCabe, who was frequently on-set. "The book is a masterpiece but not always conducive to the screen, and the film has to be cinematic," Murphy notes. "I used a lot of the episodes in the book that aren't in the movie as my own research." Aware that the role was "completely transformative," he also spent a lot of time getting down Kitten's gestures and movements. "It's a long process," he says. "The physical side wasn't too hard; that's just grooming, really. The clothes and hair and eyebrows--anybody can do that. It was getting the voice and the walk and the physicality." Murphy went so far as to hit London nightclubs in drag. "It's important to do that. How much of it you use or not in the end is irrelevant," he says. "It's just important to have a reference point."
While the sight of Murphy in skirts and wigs is frequently funny, his sensitive and sweet portrayal elevates the film and engages the audience in Kitten's struggles. He is boosted by a top-notch supporting cast that includes Stephen Rea as a sad-eyed suitor, his Batman co-star Liam Neeson as a priest, and his 28 Days Later co-star Brendan Gleeson as a drunken theme-park character. It's a giddy, charming work Murphy aptly describes as "an unexpected fairy-tale disco fantasy."Murphy says he can talk about Pluto "until the cows come home," a bold statement considering that he confesses to an aversion to interviews. "I don't particularly like interviews or having my picture taken," he says, somewhat apologetically. "I don't mind it as a character, just not as myself. I don't like the perceived celebrity of it. I'm not about to become a personality or go on talk shows to entertain people as me, as Cillian." He points out he has never done a talk show in his life--mention Regis and Kelly and he pauses for a moment before replying, "I don't know who those people are."Of course, with his profile on the rise, Murphy admits he has given serious thought to how to maintain a healthy career without having his private life exposed to the world. He even discussed the topic with Batman co-star Christian Bale, whom he praises as "the best Batman" and a dedicated actor. "I actually asked his advice because you don't see him in the papers," says Murphy. "He pretty much told me, 'Don't behave like a celebrity, and you won't get treated like one.' I guess if you don't go out to a lot of parties and fall down, people don't take photographs of you."
Accent on Talent
Murphy recently wrapped Sunshine, a sci-fi adventure that reunites him with director Boyle in which he is once again saving the world-this time from a dying sun. Surprisingly--considering that Boyle gave the actor his biggest break--he still had to audition for the role. "I kind of wanted to," he says with a shrug. "That's what we do; we're actors. I don't understand this thing about actors who won't read for parts. I wanted to show him I could do it. I'm playing an American, and the movies hadn't come out yet where I'm American, so I think he wanted to see me do it." Murphy notes that early in his career he encountered resistance when auditioning for American roles. "They would hear me speak and say, 'Jesus, there's no way,'" he recalls. "But once you do it well, people accept it. And after a while it becomes second nature. That's why I think actors should never be limited by their background. This is what we do: We dress up and put on voices. So people should never be afraid to cast someone because of their accent."
Murphy isn't sure what he'll do next. He mentions taking a break, having worked steadily for the last few years. He'd also love to get back to theatre and tackle some of the great roles. Point out that a website erroneously reported that he has played Hamlet and he seems wistful. "No, I wish. I'd love to," he says. "I hope they said I did a good job." He also
acknowledges the differences between film and the stage. "Obviously, it's different vocally. If you're playing to an auditorium of 1,100 people, you've got to magnify the performance," he says. "For me, film acting is when you can see what the actor's thinking. Theatre acting, you've got to get up to the gods and let them know what's going on." Murphy doesn't mind returning to small theatres-he might even prefer it. "Disco Pigs was always in tiny little sweatboxes," he notes. "As the play got more popular and moved to bigger houses, I think it lost some of its allure. I remember doing Disco Pigs in its first incarnation and turning and getting sweat all over the front row. It was so visceral and dirty and sweaty. Then, when you start playing to bigger auditoriums, it's not as sexy."
If he has one driving goal in his film career, it's to participate in a project that leaves a lasting impression. "Ultimately what I'd like to do is leave behind a movie that's a piece of art," he says. "One movie out of however many I make that influences or has an impact or someone holds up in the future as a piece of art. That's the ultimate goal."
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phoenixwatchesmovies · 8 months
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Phoenix's Favorite Films
No special occasion, or anything. I just realized it had been awhile since I thought about this. Calculated based on my metric of "happy it's starting vs bummed that it's over" (which translates loosely to Biggest Feels), I give you the top twelve!
The Shining (1980)
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A family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future. - dir. Stanley Kubrick
Perfect Blue (1997)
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A pop singer gives up her career to become an actress, but she slowly goes insane when she starts being stalked by an obsessed fan and what seems to be a ghost of her past. - dir. Satoshi Kon
The Secret Garden (1993)
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A young, recently-orphaned girl is sent to England after living in India all of her life. Once there, she begins to explore her new, seemingly-isolated surroundings, and its secrets. - dir. Agnieszka Holland
Lord of the Rings (2001-2003)
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A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron. - dir. Peter Jackson
Dirty Dancing (1987)
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Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle. - dir. Emile Ardolino
Hard Candy (2005)
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Hayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff thinks it's his lucky night. He's in for a surprise. - dir. David Slade
The Princess Bride (1987)
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A bedridden boy's grandfather reads him the story of a farmboy-turned-pirate who encounters numerous obstacles, enemies and allies in his quest to be reunited with his true love. - dir. Rob Reiner
Labyrinth (1986)
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Sixteen-year-old Sarah must solve a labyrinth to rescue her baby brother when he is taken by the Goblin King. - dir. Jim Henson
The Lost Boys (1987)
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After moving to a new town, two brothers discover that the area is a haven for vampires. - dir. Joel Schumacher
A Nightmare On Elm Street (1984)
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Teenager Nancy Thompson must uncover the dark truth concealed by her parents after she and her friends become targets of the spirit of a serial killer with a bladed glove in their dreams, in which if they die, it kills them in real life. - dir. Wes Craven
The Lion King (1994)
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Lion prince Simba and his father are targeted by his bitter uncle, who wants to ascend the throne himself. - dir. Roger Allers & Rob Minkoff
The Phantom of the Opera (2004)
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A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House. - dir. Joel Schumacher
Synopses yoinked from IMDB, and no yelling from me this time. I'm saving that for later! :D
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triviareads · 1 year
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Could you please recommend a smutty book with a good "almost caught fucking" scene?
Sure! We love a good exhibitionist (purposeful or not) moment so here are some of my favorites:
Glory and the Master of Shadows by Grace Callaway: Wei goes down on Glory in her house and they hear creaking in the hallway and it turns out the next morning it was Glory's mom (to be fair, Maggie has zero legs to stand based on what she and Ransom get up to in their own book).
The Duke Who Knew Too Much by Grace Callaway: Fabulous blowjob scene where (I mean idk how close they are to getting caught but they definitely catch other people) they hear another man through the curtain giving instructions to a woman on how to blow him and Emma enthusiastically follows these instructions on Alaric.
The Earl I Ruined by Scarlett Peckham: Another curtain blowjob scene! This time at their own engagement party and the curtain drops juuuuust as Constances is finishing Apthorp off. Icons.
One Good Earl Deserves a Lover by Sarah MacLean: Cross is soooo jealous someone kissed Pippa before him that he eats her out in the corner of his gaming hell.
Thief of Shadows by Elizabeth Hoyt: Isabel is sneaking around a private residence and is nearly caught but is saved by Winter who drags her in a corner and then she proceeds to blow him with such feeling that they're both crying by the end.
Dreaming of You by Lisa Kleypas: In which Derek Craven is thoroughly horrified (and turned on) that the hot woman he's about to have sex with is, in fact, Sara Fielding, so he tells her to go back to where she came from but then starts fingering her anyway, and is then interrupted by an employee while they frantically try to put themselves to rights.
The Education of Ivy Leavold by Sierra Simone: Julian and Silas finger Ivy under the table in a hotel dining room and I think Silas is basically like "listen.... if the other diners have ever had an orgasm, they knew what was going on here" while they carry her out.
Chasing Cassandra by Lisa Kleypas: Tom fingers Cassandra through an orgasm while yelling at her cousin to stay out of the library when he wants to check in.
Contemporary:
lmao my first instinct was to say Lush Money by Angelina M. Lopez but they were caught by the paparazzi who all got excellent shots of Mateo eating Roxanne out from under her skirt in a car. But it's the thought that counts.
Heartless by Elsie Silver actually really surprised me because in a small town rancher romance, you generally don't expect him to gag the heroine with her panties and bend her over while a birthday party is taking place a few hundred feet away. What a winner.
Asking for Trouble by Tessa Bailey: Brent fingers Hayden in her kitchen during a dinner party and juuuuust as she climaxes a little old lady wanders in and is like "were you stealing a kiss, mister?"
The Rebel King by Kennedy Ryan: Max is fully sucking on Lennix's nipples through her sweatshirt (and then under her sweatshirt) while there's an apartment full of other people getting very turned on listening to them from the next room. So I guess technically they were caught? Or they weren't? idk but it's a fun one.
The Evolution of SIn trilogy by Giana Darling has a few nearly-caught moments, including a scene where he's fingering her in a beach in Mexico, and another where he's juuuust finished having sex with her and there's someone at the door of their hotel suite and surprise! It's her sister who's his fiancée.
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doomxdriven · 19 days
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@malafxde liked for something.
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Moving across rooftops with the wind at his back and a starry, moonlit sky above him, Jin thinks back to his and Gabriella's last encounter, to the many things he had seen while their minds were connected….
Jin had been thinking about those scenes quite a bit these last few days, about the loneliness, isolation, pain, and anguish he saw within them, especially when it came to the horrid betrayal that was thrust upon Gabriella, and the climactic bloodbath that followed. The darkness, too, that mysterious, craven force that followed Gabriella and pervaded every moment within those memories he looked upon, Jin kept going back to it in his head, ever morbidly curious about it...
There was something else, though, that had caught Jin's attention. What Jin saw in those memories of Gabriella's, the locale, Salem, it had reminded Jin of a time long ago, of a moment from his own life, and it had spurred within him the urge to seek her out tonight.
The search, strung along by traces of Gabriella's Spiritual Power that Jin had managed to pick up, led him to the building he now stood atop, a massive, well-off hotel here in the heart of Karakura Town. From here, Jin tried to discern Gabriella's location further, but something was obscuring her exact location from him (a barrier of some sort he assumed), and so he would concentrate and call out to Gabriella through his mind.
"Gabriella," Jin's psychic voice, haunting yet smooth, inviting, would be broadcast across the immediate area, able to be heard by anyone who was sensitive enough to such phenomena, though surely detectable by Gabriella herself, "where are you? I hope its not too early for us to speak again."
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Once Gabriella answered Jin, he would immediately know where in this hotel she was-- provided she didn't play any games-- but for now all he could do was wait, and listen….
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mermaidsirennikita · 9 months
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Okay but I need you to give me historical romance with the hero being Derek Craven's level of intensity!!
Then you're in luck because that's my favorite kind lmao
If you haven't read Seduce Me at Sunrise yet, obviously I've been talking about it a lot lately lol but Kev really does have traces of Derek. He's self-loathing, "coarse", he doesn't think he deserves the heroine, he is super threatening... His big spiel to Win about how much he loves her reminds me a little of Derek's "sometimes I want to punish you a little" line which... CHILLS.
Generally, Elizabeth Hoyt is a good way to go--I would recommend Thief of Shadows (Winter Makepeace, the ultimately Intense Devoted Lover Guy), Duke of Midnight (Maximus Batten, controversial king but INTENSE AS HELL), The Raven Prince (scarred self-loathing duke who wants his secretary so bad), and Sweetest Scoundrel (personally, I think Asa is in a very "Derek Craven: The Early Years" place in this book which is super interesting).
Sarah MacLean is on the record as a major Craven stan lol. I would say... Bourne from A Rogue by Any other Name gives me a similar degree of intensity, and he of course has the gambling club deal--which really means you may want to read the other Rules of Scoundrels books (One Good Earl Deserves a Lover is especially good).
Joanna Shupe has THIS. I would say The Prince of Broadway especially has this with Clay Madden, who also is self-made, tortured, and owns a gambling hell. If you haven't read The Duke Gets Even (best historical romance release of 2023 easily imo) Lockwood is not as like... self-loathing by any means, but the degree to which he LOVES Nellie is so intense.
Lol most Lorraine Heath heroes, but Ainsley from Waking Up with The Duke and Griffith from Scoundrel of My Heart come to mind in a big way, plus King from The Duchess Hunt. I don't see Scoundrel discussed enough--it's such an achingly angsty, superb book. The heroes of She Tempts the Duke and Lord of Wicked Intentions are RIDIC intense lol.
Jennifer Ashley heroes tend to be intense, but Ian Mackenzie from The Madness of Lord Ian Mackenzie is literally like glued to Beth and Hart from The Duke's Perfect Wife is SO SO SO intense about Eleanor (and everything else tbh). Like, they get engaged when they're young and dumb, break up because he's super dumb, and like... YEARS later, around or over a decade later, he sees her again and has a tiny interaction with her and is like "... I'm marrying her". Because it was never over for him!!!
Alexander from What I Did for a Duke by Julie Anne Long is real intense. Like, it's a funny book but he's a lot lol.
Umm Allegreto from Shadowheart by Laura Kinsale is one of the most intense heroes I've read ever in my life. Literally telling the heroine that she needs to go to confession because even though he's not going to Heaven she MUST!!!! (Customary Shadowheart CW for a noncon first encounter.)
Cull from Pippa and The Prince of Secrets by Grace Callaway is.... real intense.
Oh, Monica McCarty has a lot of real intense heroes--try The Chief, The Viper, The Recruit, and The Saint especially.
My Darling Duke by Stacy Reid has an incredibly intense, tortured hero. He uses a wheelchair following a bad accident and is convinced that he's impotent (he isn't).
Diana Biller's Hotel of Secrets has an amazing virgin spy hero who's super intense about the heroine while also being confounded by how she makes him have Feelings--he throws himself in front of her bodily to protect her like 3-5 times.
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melaninpozp · 1 year
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CRAZY INDULGENCE(ft.Bucky Barnes.)
(This fic is based off of the movie, Red Eye 2005! it’s so mf good)
Intro: You are the CEO of Waltonington Airport/Hotel. One of the biggest and most popular airports of all time. You were quite known and loved by few passengers who always attended the flights every few months or so. You were quite beautiful a sweetheart. One day, you planned on taking a small vacation back home, since you work and live out of state. You wanted to visit your Step-Mom. You haven’t seen her in a few months and wanted to come and see her. While boarding your plane and waiting in line, you ran into this man named Bucky Barnes. He was quite handsome, but you wouldn’t let it be known or say anything. Little did you know..he had other sadistic plans and murderous intents at hand.
(THIS FIC IS QUITE LONG BTW<3)
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(This fic is based off of the movie, Red Eye 2005! it’s so mf good) Cred to the king Wes Craven.
WARNINGS: WARNINGS: SMUT, 18+, swearing( lots of it), degrading, threatening, crime, intimidation, bucky being a charmer one minute and turning into a crazed sadistic assassin, jaw grabbing, eating out, fingering, backshots( doggy position),spiting, rudeness( from Bucky), pre-planned crime, weapon on board(knife), harassment( from a weirdo at the airport), obsessiveness, size kink, lying, mouth covering, crying, spanking, eye contact, and hair pulling.
Enjoy the flight <3
It was one of the most cloudiest and rainy days in Miami. Although it was a gorgeous city to say in and visit once in a while, it did have its rainy and thunderstorm days. You decided to go and visit your step mom for a weekend, since you haven't seen in forever. Ever since you landed that new job as a CEO at the famous Waltington Hotel, you decided to visit her and take her out to dinner and spend time with her more, and maybe catch up on anything you might've missed out on. Waltington J. Hotel was one of the most popular and well-known hotels in the whole city. Everyone who worked at the hotel knew you. You were the most favorited CEO out of the other 4 that worked there, you were the one who always fixed and resolved problems when things would go the wrong way. You always want to help people and any one that is need or unsure of something. That's what made you love your job so much.
You were currently in the back of your uber, on a call with your step-mom, discussing to her what your guys plans were and what restaurant you both wanted to visit when you arrived. You decided to wear something simple but casual, something like a fit black skirt and a white lace top, with a white buttoned up blazer and some low heels on. Your hair was done(in any way you'd like, add any makeup if you'd like.) While arriving in front of the Hotel, you pay the driver and smile giving him a 5-star review. As the driver comes on your side of the car to open your door, he gives a wide smile and offers you a hand. You take his hand and step out the car, grabbing your bags while still on the phone with your mom, thanking the uber man before he drives off. You enter the building quickly, checking in and then getting in the TSA line.
After getting your things scanned and ran through, you decided to get a quick drink of water. As you walked over to the drink stand, you dropped your passport without knowing. "Hey, you dropped this!"A deep but sly voice says. You turn around and look at the passport, before looking up into the speakers eyes. It was a tall, but buff man. He had long brown hair that stopped around his shoulders, deep beautiful bright eyes, He had a pearly white smile, and a beard that was coming in on his chin and a mustache that was slightly forming. He was quite handsome, but you didn't want to say anything about it.
"Oh my gosh! Thank you so much."Y/N says, thanking the man." I didn't even know I dropped it."She finishes, looking up at the man.
"No worries, just be more aware."The man says, looking down at you with a small side smile.
You both stare at each other before you speak up again." So, do you want anything to drink?"Y/N offers, trying to defeat the awkward silence that just happened between the two of them.
"Oh. You don't need to do that."The man says, clenching his jaw and smirking."Let me be a gentleman and get it for you."He says, walking up to the stand and buying you both a cold water.
"You don't need to-"Y/N tries before seeing the man pull out a fancy looking debit card and sliding it into the card register, paying for you both."Do that.."She finishes, scoffing at the man.
"I wanted to."He says, grabbing both the cold water bottles and handing you one, smirking widely.
You stare at him again before heading back to your guys line. You took note of how distracted and short he keeps his conversations but that quickly wiped away before he asks you something.
"So, are you traveling for?"The man asks, standing behind you with his one silver suitcase behind him. You turn back around and smile, looking up at him."Just visiting some family."You say kindly, smiling at him.
"Nice!"He says." Like family you haven't seen in a long time? Your siblings?Parents?"He says, trying to get insights. "Just my step-mom."You say, looking at him.
"Aw that's so cute!"He smirks." It's always nice to see your loved ones."The man says, dragging on the convo.
"Yea.."You smile." I didn't get your name by the way."Y/N says, looking at the man, holding eye contact.
"Billy,"He says." Billy Buck."The man says, holding his hand out for you to shake, you gladly accepting and shaking his hand back.
"Yours?"He questions.
"Y/N."You smile and look the man into his deep beautiful eyes, feeling like his name is a little odd, but you brush it off." Y/N L/N"You finish and smirk.
"That's a beautiful name."He says, smirking.
"Oh thank you."You say, laughing softly. While you two are chatting it up before the flight, a elderly woman comes over and just so happens to have the same purse as you.
"Hi, sweetheart"The smaller woman says, tapping you on your shoulder. "I don't mean to interrupt but, You and I have the same exact purse."You smile and look at the woman, nodding your head.
"Yes, but yours is way better than mine. I've had mine for a while."You laugh softly, looking at the woman.
"Aw, honey. Your purse is also nice!I just thought I should let you know."The lady laughs softly before smiling at you.
"Thank you so much."You smile at the woman, watching her walk off. The speaker throughout the whole airport rings, "May I have passengers of plane B26 start boarding. Flight will be taking off very soon."The announcer says.
"Welp, I guess that's us."You say, picking up your bags and beginning to walk forward in the line.
"Indeed it is."The brown haired man says, smirking and following you.
--
While everyone was boarding onto the flight. You were held back by the elderly woman who kept talking to you and discussing book authors and purse designers with you. You were always up for chatting, but you needed to be places to be. Of course you weren't the last one on the plane, but pretty close to it. While moving forward on board of the plane, people were getting situated in their seats, sliding their earbuds in, and sleeping. The usual plane ethics and normal thing to do when boarding.
"I'll get back to you later, hun."The elderly woman ends her conversations, sitting in the way back with her assumed to be husband, who was holding her jacket. You smile at the woman before watching her walk to the back, looking for your seat number and continuously walking down the long aisle.
It feels like a few moments before you find your seat, looking down and seeing the same man you met earlier. What was his name again? Bob? Brady? Billy? Yea, Billy!
"Oh, its you again!"Y/N laughs softly."Billy, right?"She says.
"Ding ding ding."He says with a sly tone, smirking and leaning back in his chair, trying to make room for you to get through.
"Guess we're seat buddies, huh?"Y/N smiles and grabs her small purse, scooting pass the man and sitting down, setting her purse beside her.
"Look like it."He smirks." I wouldn't care anyways, I'd like to sit with you anyways."He laughs softly, slowly looking at you.
"Same here."Y/N laugh softly and leans back in her seat, feeling like he's checking you out.
"You're really pretty."He says out of knowhere. Keeping a straight face and resting his big hands on his thighs.
"Oh.."You say, looking at him, not knowing how to respond."T-thank you."You smile, feeling good about yourself.
"No, like actually."He says, still looking into your eyes as you try to avert eye contact with him. "You need to model or be an actor. You're gorgeous." He finishes, squinting his eyes quickly.
"You really think so?"You smile cheekily and look back at him.
"I wouldn't lie to you, you could make millions..maybe even billions.." He says, facing back forward and seeing the food/drink cart come down the aisle you both are on.
You smile at his small compliments and laugh softly.
"I would like a water and Fruit snacks, please." The handsome brown haired man says, looking up at the blonde woman managing the food/drink cart." Of course." The blonde woman says, grabbing the fruit snacks and water, handing them to the man before looking at you and speaking," Anything for you, hun?" The woman questions, looking at you.
"Water and caramel crisps, please." You say politely.
"Mmh!"The blonde woman smiles, grabbing the water and crisps for you, handing them your way before walking off.
"So polite with your manners." He begins." what a good girl." He says, laughing gently.
"Oh, thanks!"You laugh, smiling at the nickname. You can't lie, you wanted to squeeze your legs together at the way he called you a good girl. "I'm just really polite, is all." You smile.
"That's what makes you a good girl, using your manners and being polite to other people." He says, looking back your way. You thought to yourself, What is this man on?Is he trying to get me riled up or something?
All you can do is nod your head and smile at his words.
"Very true."You smirk and look upon your passport.
The plan had taken off a few minutes earlier before he said any of that. You thought to yourself for a while before a thought erupted into your brain.
"So, what do you do for a living?" You look towards him, noticing that he has his phone pulled out, looking through what it looks like to be a track record of some sort. He quickly put his phone away, looking towards you and putting all his attention on you. He puts his phone into his business coat.
"I hunt people."He says automatically, not even thinking for a second, smiling with his white teeth.
You stare at him for a while and laugh, shaking your head and thinking that he's joking.
His smile started fading after seeing you laugh.
"What's so funny?" He questions, sitting back in his chair and tilting his head.
You slowly stop laughing, noticing he isn't joking, raising an eyebrow and looking at him, still having a small smile on your face. "Y-you-re being serious?" You say.
"Yes." He says flat out.
You gulp and tilt your head." Where's the punchline?" You say, smirking.
"There is not punchline. I'm being serious." He says, now folding his arms. Damn, those are some huge arms he has. You thought to yourself.
"You think you're so clever, huh? Laughing at people's job titles and thinking you're the best person out here, just because you are CEO? "He says, looking at you, scoffing," You need to listen to what I'm going to say to you."He finishes, looking at you with a scary tint in his eyes.
"I don't have to listen to anything you say.." You speak, beginning to get up from your seat, but he tugs you back down by the hem of your skirt.
"Yes you do, if you want to let your pretty little step-mom to not get harmed." He says. That made your stomach drop and your heart race. What did he just say?
You were a little taken aback." Excuse me?" You gasp out, looking him in the eye intently.
"You heard me, Y/N. You think this is a joke?" He questions, raising an eyebrow, his hair slightly covering his right eye. You gulp again and furrow your eyebrows." And you were laughing like something was was a joke, but you don't see me laughing.." He drags out, staring into your eyes deeply. "Do you?" He questions.
"I didn't think you were being serious, I'm sor-"You begin to get out before he pulls something out his jacket. Tears begin forming into your eyes, but you stay strong, He lets down your small table in front of you, setting down what it looks to be, a fancy wallet. You squint your eyes and tilt your head to the side. You've seen this wallet before, it looks oddly familiar. It wasn't yours. It wasn't your sisters. It was..It was your step-mother's wallet! You thought to yourself.
You gasp quietly, looking at the wallet that's now on the small pull out table in front of you.
"Where did you get that?" You question, almost wanting to cry.
"Oh, I didn't get it." He surrenders, smirking. "I had my agent grab it off your step-mom's table."He finishes, checking out your whole body as you sit there contemplating what to do.
"D-don't hurt my step-mom.." You begin to say, getting caught up in your throat , soft tears going down your cheeks.
"Then listen to what I have to say.." He clenches his jaw, looking around the plane and going back to talking to you." If you don't want anything to happen to you, or step-mommy.." He laughs sadistically.
"Then, you abide by what the hell I say, or suffer the consequences." He laughs and leans in your ear. "Remember what I said earlier about being a good girl." He whispers in your ear." Be polite and be nice to other people, hm? " He smirks. "Won't you do that for me?" He finishes.
"Why are you doing this?..I-is it money you want?..Billy please" You speak weakly, not bothering to make eye contact him. Tears still streaming down her face.
"Money?" He laughs out. "Oh no, honey, that's not what I want.."He smirks even more." And billy.."He scoffs." That's not even my fucking name, dumb girl.."He looks at you, slowly resting a large hand on your knee, dragging it up.
You let the soft tears trail down your cheeks. You shouldn't be liking this. This man is a psycho!
"My real name is Bucky Barnes, girl." He whispers in your ear." Billy Buck is a fucked up name, huh darlin'?" The man finishes says." And you fell for that shit.." You face your head away from him. He squints his eyes and grabs you by the jaw , making you look at him,
"You don't look away from me, girl." Bucky says sternly.
You sniffle and slowly look into his deep blue/green eyes. Feeling smothered and taking in the warmness of his body heat while he's very close to you.
"Atta girl."He says.
"Now, are you going to listen?" He says, clenching his jaw, quickly leaning back in his seat, seeing another flight attendant coming your guys way, checking on passengers momentarily.
The flight attendant looks at both, looking to you first and questioning why you're crying,
"Oh hun, what's wrong? "The attendant questions, raising an eyebrow with a worried look on her face, speaking quietly but loud enough for you both to hear.
Bucky chuckles to himself before speaking up for you,
"She's fine. She's just homesick is all." Bucky nods to the attendant, looking up at her.
He's so two-faced.
"Aw. We've all been there before. Feel better hun." The attendant says, handing Bucky a few tissues to hand to you as she walks off, attending to the other passengers.
Bucky looks behind him and makes sure she's gone before speaking to you again.
"Quit.." He leans into your ear, looking at you through your watery eyes. "Your fucking crying.." He finishes, handing you the clean clothed tissues.
"Fuck you!" You say angrily but quietly, slowly looking in his direction.
He raises both his brows, looking at you shocked.
"What was that?" Bucky says, wanting you to repeat yourself.
"You heard me." You say, glaring at him from your peripheral. He didn't like that. He didn't like you back talking him. This man has to be insane.
He scoffs, leaning back in his chair. "You don't wanna play that game wit' me." He smirks." All that smart ass talkin' "He tilts his head to the side, pulling out a lipstick from his jacket you previously dropped earlier. You didn't even notice. You always had another backup if the other got lost.
You open your mouth to say something but he stops you.
"Don't you open that mouth" Bucky says, holding your lipstick in one hand." Heard enough of that sassy ass talkin' from you." He laughs shaking his head.
You still hold a glare to him, looking at his hand and widening your eyes a little.
"Where'd you get my lipstick.." You say, reaching for it.
"Ah ta ta" He ticks, pulling his hand with the lipstick away from you, frowning a little bit. "Not so fast." Bucky glares.
"I got this while you dropped your passport earlier, guess you forgot that you heard another thing drop too, huh? He says, opening up the lipstick and examining it. "Dior rouge proof lipstick, 956"He reads the label, smirking again.
You frown and look at him, then the lipstick in his big, rough looking hands. What is this crazy man playing at? Does he think this is a joke?
"It looks really beautiful on you."He squints, looking at your lips then into your eyes with a smug look on his face." You look very kissable." Bucky chuckles out.
"What are you playing at? You don't know me-"You begin to say, feeling confident for a minute, but then Bucky brings you back down to reality.
"Oh?"He says." I don't know you?" He smirks, clutching the lipstick in his hand before speaking and clearing his throat, keeping his eyes on you." You're Y/N L/N, you lived in the city of Miami for a long while. You have 3 siblings, Your mom and dad got a divorce because your dad cheated and had an affair twice, You were a beauty for almost your whole life, You're 22, You work as a CEO at a Hotel, you like fashion, you are family and friend oriented" He speaks, leaning in a little." And you last night, after packing your bags, you were just rubbing that swollen little clit of yours, weren't you?" He scoffs, making you gasp even louder, him quickly uttering you to quiet down with his index finger over his lips.
What did he just say? How does he know everything about me and where I've grown up? And how'd he known about me..touching myself?
"Excuse me?!"You say and look at him quickly, widening your eyes and shaking your head and disbelief, having a questioned look on your face.
"Don't act like you didn't hear me." Bucky smirks," I saw you outside from your window, I was standing across the street, I saw you rubbing that little clit of yours and covering your mouth with your left hand, trying to keep those pathetic whimpers down so the neighbors couldn't hear you.." He speaks, chuckling.
"You're sick!" You say, shaking your head again, laughing at how unbelieve he's being.
"Oh, I'm sick?" He questions while raising an eyebrow, folding his arms over his buff chest." I know you better than you know yourself, y/n." He ends, biting his lip.
"You can do anything you want..to me or whatever!" You say, looking at him." Please just don't harm my step-mom.. or family." You nervously get out.
"Anything, huh?" He smirks.
"Yes!" You say, looking away out the window and into the beautiful sky, the rain had stopped a while ago. You didn't even notice.
"Hm." Bucky agrees, smirking to himself.
"I have to use the bathroom.."You speak up.
He looks at you and leans down, pulling out a random empty water bottle, handing it to you." Here." He looks back forward.
"You've got to be joking." You say, looking at the water battle and scoffing.
"I'm not letting you out my sight. God knows what you're gonna do when I'm not watching you." He says, shrugging his shoulders.
"Please..Let me use the bathroom!" You say demandingly, sighing.
Bucky squints his eyes, sighing and leaning back." Fine, go." He says." Don't make me come after you." He glares at you, letting you by and watching you walk off to the bathroom.
You arrive at the bathroom, knocking and hearing no one answer. You open the bathroom door and enter, closing it behind you and looking at yourself in the mirror, thinking of ways to go against this Bucky Barnes man. He was bigger than you, he was taller than you, and he certainly outsmarted you a little bit. You didn't actually have to use the bathroom, but you began contemplating ideas.
After a few minutes of brainstorming, You came up with an idea, You decided to fill up your hand with soap and water, writing on the bathroom mirror, "Seat 18G is a Hitman, Help." You finish writing the soapy words on the mirror, washing your hands off and wiping them. By then, you felt like it was time to go back to your seat.
You opened the shiftable bathroom door and began to walk out before seeing Bucky standing outside the door, smirking,
"I was wondering what took you so l-"He begins, seeing the big words on the mirror. He widens his eyes and grabs you jacket and covers your mouth with his other hand and shoves you against the counter, making sure the bathroom is closed behind him and speaking freely,
"What the hell do you think you are doing?!"He says, being dangerously close to you, still handing his hand over your mouth." You fuckin' whore!" He growls, looking you in the eyes.
"L-let me go!" You mummer under his hand, trying to get out of his grip.
"This was your big deal, hm? Trying to get me fucking arrested and in trouble? You sneaky, little bitch." He speaks harshly in your face, letting his hand fall from your mouth and letting go of your jacket.
"You should've known that I wasn't going to let you harass and hold me hostage, you bastard!" You say angrily at him, looking up at him.
"Yea?" He questions, invading your personal space and looking down at you, you obviously looking away.
While being close to you, he pulls out a knife and it makes you gasp, looking at the weapon.
"P-please.." You keep your eyes on the knife, tears forming into your eyes while still being pushed up against the sink.
He brings his knife up to your blazer, sliding it down a little bit and it reveals a small scar on your chest." Someone do that to you?" He questions, looking at the scar then to you.
You look up at him and shake your head." N-no.." You say, lying to his face. He clenches his jaw and lets out a sigh," You wanna know what I think?" He says, grabbing you by the neck and now has you against the wall, his mouth being directly close to your ear." Why you always fuckin' lyin' to me, huh girl?" He says, looking at you. His hand still wrapped around your neck.
"I-i'm sorry.." You gasp out, almost loosing your breath and holding on his strong arm, trying to pry his hand off of you.
"Don't you fuckin' play that shit with me, darlin'. You think I'm a fucking joke, hm?" He chokes you a little harder, making you let out a small moan, cursing to yourself in your mind.
Damnit, y.n.
He raises an eyebrow and laughs to himself. "Was that a moan, I heard?" He clicks his teeth. "Gosh, you really are a slut, huh?" He says.
"Fuck you. You don't k-now what you heard." You say, looking at him.
"Yea?" He questions, letting go of your neck and letting you breathe, coughing and feeling your now sore neck." I don't know what I heard hm?" He says, steeping back a little and staring at you.
He was checking you out.
He was taking in how tiny you were compared to him.
And he was..
He was chuckling.
You were staring to give in to how he looked. He was quite sexy. He was obviously a bad man. A fine and very attractive man at that. You were willing to do anything for your family to live. Even if it was to fuck him. Even more..
"You want this?" He asks, clenching his jaw and squinting his eyes at you. "You want me to destroy that little pussy of yours?" He says.
You clear your throat and slowly nod your head,
"Use your words, whore." He spits at you.
"Y-yes.." You say, looking up at him." I-ill do anything for you." You finally give in.
"Good.."He smirks and looks at your casual outfit.
"Strip."He says blandly.
You stare at him for a few seconds, beginning to strip off your jacket and unbuttoning it, throwing it onto the sink.
He liked that.
"Atta girl-"He smirks" Keep going f'me" He stares at you with eager intent.
You smirk and turn around, making sure your ass in on full display, slowly sliding your skirt off and revealing your white lace panties on.
You looked so good.
You kick your skirt to the side and slowly slide your lace top off, throwing it over to where your skirt is. You were in your panties and no bra.
You turn back around and faced Bucky, making him smirk,
"Jeez, you look so good, sweets." He scoffs and walks over to you, picking you up with both his hands and setting you on the sink, purposely opening your legs and leaning down towards your ear." You're so pretty, y'know that?" He speaks, running one of his big hands down your body and towards you wetness.
"Mhm, you told me." You giggle, moaning as his hand reaches your panties, rubbing over your clit and smirking down at you.
Bucky bites his lip and leans in kissing you, his other hand opening your legs wider, still rubbing your clit with his other hand and making you tremble under his touch," Mhm, that feel good, bunny?" He speaks in between kisses.
"Yes, sir." You moan softer, going back to kissing him and grinding up against his fingers.
He pulls away and looks at you unfolding under his fingers that prob against your clit. He leans down and kiss down your neck, sliding your panties to the side , using his index and middle finger to completely rub against your clit, making you gasp out loud.
"Shh, keep it down, pretty girl." He smirks and rubs your clit slower, his soft lips against your neck, making you wetter by the minute. "I know it feels good.."He rubs faster." feel good f' me.." He says.
"Oh my goodness, baby.." You moan out, tossing your head back. His warm lips still on your neck.
"Good girl.." Bucky says, pulling his fingers away and standing up straight, sliding his shirt off and unbuckling his dark belt.
You sit up and smirk,
"I'll do it for you, sir." You wink and immediately drop to your knees, unbuckling his belt and sliding his slacks down. Seeing how big and hard he is.
"Eager little thing, hm?" Bucky says, looking down at you, moving some of your hair out the way.
"Mhm" You giggle, pulling his boxers down and his cock pops out, making you gasp at how big he is.
"Oh my goodness!" You say surprised, taking his big cock into your hand and slowly pull on his cock, jerking him off. That makes his groan.
"That's a good girl" Bucky groans out, watching you play and gush over his big cock.
You lean forward and begin sucking on his swollen tip, closing your eyes. Your other hand begins playing with his balls, the other hand jerking off what you can't fit.
"So good, pretty.." Bucky groans out.
You begin to take his cock a little deeper, faint choke noises coming from all the wetness and his cock prying to go down your throat. Opening your eyes, you look up at him and begin sucking his cock more.
" Suckin' that cock so good f'me." He groans out, tossing his head back again and grabbing onto your hair, beginning to thrust in and out." Atta, princess." He speaks, thrusting his cock deeper down your throat and loving how beautiful you look for him.
You pull off of his cock, letting a stream of saliva drip from your mouth and the tip of his cock, Bucky watching you intently.
"Little fuckin' ,whore.." He looks down at you, grabbing you by the arm and bending you over the sink, slapping your ass once , making you yelp at the sting.
"You sure know how to suck cock, huh?"He smirks and gets on his knees behind you, grabbing both your ass cheeks and spreading them open, leading forward and licking up against your clit. Making you go crazy.
"Yes, sir" You moan softly, feeling his tongue against your clit, making you push up at his tongue.
He spanks you harder and begins sucking your clit, shaking his head side to side.
Fuuuck.
"Mhm." He groans against you, pulling away and wrapping his big arms up under your legs and keeping your cheeks spreaded, spitting on your pussy and going back to lapping your clit.
"So fuckin' good!" You gasp out, reaching up and playing with your nipples.
He stands up and slowly runs his tip up against your pussy lips, watching your wetness land on his tip, making him groan.
"Ready for my cock, little slut?" Bucky says, still sliding his cock up and down your wetness.
"Yes, daddy, I'm ready." You moan out, still playing with you nipples, stopping when you feel his big cock stretching you out from behind, his big hands resting on your hips.
"Mhm, take that cock for me. I know you can.." He says, sliding more into you, watching your body reaction, making sure you're okay." Doing so good, darlin' "He smirks.
"You're so big inside of me, daddy.." You moan out, looking up into the mirror and dropping your mouth in an 'O' shape.
"That's right, doll.. Look at how slutty you look in that mirror.." He bites his lip and begins moving in and out of you." Takin' such a big cock.." Bucky slaps your ass.
"Mmmh" You whine out, feeling him hitting your spot over and over, driving you wild.
He begins to go faster, pounding into your little pussy and watching you fall apart on his cock.
You keep your mouth open, mumbling small nothings about how good he feels. He made you so dumb on his cock.
"You look so gorgeous, doll.." He spanks you again, reaching down and using his other hand to rub your clit, kissing your neck while pounding into you faster.
"I-i'm gonna cum, daddy!" You moan out, making him cover your mouth.
"Quiet down, cutie" He says, feeling you tighten against his cock.
"Aww baby, you close? "Bucky smirks and kissing your cheek, "Cum all over this dick, baby, it's all yours.." He whispers in your ear, rubbing your clit faster.
"Yeeesss.."You drag out, feeling like you're going to cum. You finally let loose and cum all over his cock, making you gasp.
"Atta girl.." Bucky groans out, slowly sliding out of you, cum dripping out of your pussy, making him smirk. He reaches his index and middle finger down, wiping up the cum that's left on your pussy. He bites his lip and turns you around, sliding his fingers into your mouth.
"Just like that, suck those fingers, doll.." Bucky says, looking into your eyes as he watches you take his long fingers.
"Mhm!" You gasp at how thick and warm the cum feels against your tongue, swallowing it and smirking when he pulls his fingers out your mouth.
He helps you put your clothes back on, making sure you look fine.
"That was so good, wasn't it, hun?" He questions you, looking down at you, sliding his jacket back on. Also being dressed and looking normal as before.
"That was great!" You say, fixing your lipstick and brushing off your jacket, incase any dust got on it.
"Good." Bucky says, grabbing a few bathroom tissues and wetting it with some water, wiping off the words on the mirror you wrote from earlier." Don't think I forgot what you wrote, y/n" He says, wiping off the letters until they're gone.
"I'll keep quiet.." You sigh, clenching you jaw.
"Good girl." Bucky says.
--
I HOPE YOU BEAUTIES LOVED IT<3
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arbitrarygreay · 2 months
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MFS Division AU
Previously, I thought about a Division AU still in a world where witches exist, and the Accords happened after the World Wars, when espionage was the way for international conflict to play out. (Witch spy wars! It would be so good!)
This one is no-powers AU, because taking away the immortality aspect and having to then navigate the spans of generations to keep certain characters in the picture is more interesting.
So, Alder is still Percy, but a question of motivation does come into play, because Alder isn't driven by the same core ambition that Percy has. Maybe we tweak it so that Alder started out as Carla, and had to create Division when she got caught, but unlike Carla, didn't go away, and instead grew into buntzing out any challengers, including the original government partner. The Biddies, of course, are the Guardians of her Black Boxes.
The Bellweathers have to be volunteers rather than recruits, which means that they have to be either government or military. That maps them to either Michael or the Pierces. The Pierces allows for more family members (similar to the Scandal AU). But, the Bellweather line getting wiped out by the Camarilla could also help map Petra to Michael. (It would just no longer be a Kasim situation, unless we go with a much more roundabout fault via Division-->Spree-->Camarilla.)
Making the Bellweathers the Pierces makes it much more possible for Anacostia to become Michael, but the question becomes if she became Alder's foster child even before Division, or if Alder was just friends with her parents.
Anyways, as I said above, the ages and generations would get funky. As I noted in my PoI Nikita AU post, Roan's actor was 49 in 2010, and canonically would have been 35 when Division was founded. So, we have options. The show was set after 15 years of Division's existence.
For example, maybe Willa had Raelle as a teenager, and then got taken into Division just a few years later. That barely gives Raelle enough time to get old enough to be conscripted as a recruit, and for Willa to have escaped Division for a few years by then. Obviously this is much less possible for Petra, so she would simply have to be older than Willa in order for Raelle and Abigail to be similar ages. But then Abigail is definitely not Sean's age, so why would Petra let her near Division? Maybe Raelle and Tally's assignment during/after training is to come up through the military at Abigail's side, in order to further infiltrate the government.
The Cravens are an even weirder case to finagle. Like, Tally has to volunteer, right? So she has come in from the military, and somehow be in the know. Like the other members of the unit, the timeline simply prefers that Division is not that old (or Alder's age gets problematic), which means that their generation had to all be conceived before Division was founded, and yet for their parents to have worked there. Maybe the Cravens originally helped Alder back when she was Carla, in the social worker capacity? And then the transition into Division got some of them killed in various ways (some in power struggles like the how Amanda went after Carla, some from not learning opsec sufficiently). In this config, Tally and Anacostia would have known each other already.
Another possible setup ditches the dispensation backstory. Instead, Tally gets conscripted but very quickly drinks the Division/Alder Kool-aid, meaning the way its recruits supposedly get a better life and gain a more meaningful purpose than what they had before. Maybe Tally got conscripted from getting railroaded by a frame-up, and Alder offers her some vengeance after she's been burned by the system so. Tally said to Raelle in 1x1 that "You get to travel the world, do something great, protect the innocent," which mirrors what Robbie said in Nikita 1x7: "I'm gonna get to see the world. Fast cars, fancy hotels, Europe, Japan, whatever. […] They're training us to be James Bond. What's so bad about that?"
I think we have to dispense of Scylla's Dodger backstory. There are only so many characters we can excuse having parents related to Division. She's just straight-up Alex, a seemingly traditional Division recruit, who was actually sent in by the Spree. (Nicte, Nikita, it is fate lol!) Although, as with the Udinovs, we could have a slightly indirect parental Division connection, if they were collateral damage of a Division op, if that helps underline why Scylla joined the Spree.
The Imperatrix is Amanda! LMAO.
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movies I watched in 2023
(taking a cue from @stenka-razin)
-January
The Power of the Dog (2021, dir. Jane Campion)
Love, Simon (2018, dir. Greg Berlant)
Gamer (2009, dir. Brian Taylor & Mark Neveldine)
Men (2022, dir. Alex Garland)
The Menu (2022, dir. Mark Mylod)
Only Lovers Left Alive (2013, dir. Jim Jarmusch)
The Dead Don’t Die (2019, dir. Jim Jarmusch)
-February
A Touch of Sin (2013, dir. Jia Zhangke)
Lost Girls & Love Hotels (2020, dir. William Olsson)
Nick & Norah’s Infinite Playlist (2008, dir. Peter Sollett)
In the Mood for Love (2000, dir. Wong Kar-Wai)
The Woman King (2022, dir. Gina Prince-Bythewood)
Charlie’s Angels (2000, dir. McG)
Goodbye, Dragon Inn (2003, dir. Tsai Ming-Liang)
Nope (2022, dir. Jordan Peele)
-March
Ash is Purest White (2018, dir. Jia Zhangke)
Shoplifters (2018, dir. Hirokazu Kore-eda)
Three (2016, dir. Johnnie To)
Nobody (2021, dir. Ilya Naishuller)
Charlie’s Angels (2019, dir. Elizabeth Banks)
The Wonderland (2019, dir. Keiichi Hara)
-April
Rebels of the Neon God (1992, dir. Tsai Ming-Liang)
Tetris (2023, dir. Jon S. Baird)
There’s Something About Mary (1998, dir. Bobby and Peter Farrely)
The Whale (2022, dir. Darren Aronofsky)
The Fabelmans (2022, dir. Steven Spielberg)
Throw Down (2004, dir. Johnnie To)
Tár (2022, dir. Todd Field)
Yi Yi (2000, dir. Edward Yang)
Black Panther: Wakanda Forever (2022, dir. Ryan Coogler)
Catch .44 (2011, dir. Aaron Harvey)
-May
Spaceballs (1987, dir. Mel Brooks)
Bottle Rocket (1996, dir. Wes Anderson)
An Autumn Afternoon (1962, dir. Yasujiro Ozu)
Ant Man & The Wasp: Quantumania (2023, dir. Peyton Reed)
Flight of the Red Balloon (2007, dir. Hou Hsiao-hsien)
Dungeons & Dragons: Honor Among Thieves (2023, dir. Jonathan Goldstein & John Francis Daley)
-June
Inside Llewyn Davis (2013, dir. Joel and Ethan Coen)
Good Morning (1959, dir. Yasujiro Ozu)
Casino Royale (2006, dir. Martin Campbell)
Quantum of Solace (2008, dir. Marc Forster)
Skyfall (2012, dir. Sam Mendes)
Spectre 2015, dir. Sam Mendes)
No Time To Die (2021, dir. Cary Joji Fukunaga)
Octopussy (1983, dir. John Glen)
GoldenEye (1995, dir. Martin Campbell)
First Reformed (2017, dir. Paul Schrader)
-July
Zoolander (2001, dir. Ben Stiller)
The Quintessential Quintuplets Movie (2022, dir. Masato Jinbo)
Mainstream (2020, dir. Gia Coppola)
Charlie and the Chocolate Factory (2005, dir. Tim Burton)
Equinox Flower (1958, dir. Yasujiro Ozu)
You Only Live Twice (1967, dir. Lewis Gilbert)
-August
Guardians of the Galaxy, Vol. 3 (2023, dir. James Gunn)
The Gangster, the Cop, the Devil (2019, dir. Lee Won-tae)
Leap Year (2010, dir. Anand Tucker)
The Worst Person in the World (2021, dir. Joachim Trier)
Palm Springs (2020, dir. Max Barbakow)
Days (2020, dir. Tsai Ming-liang)
Kindergarten Cop (1990, dir. Ivan Reitman)
Barbie (2023, dir. Greta Gerwig)
Babylon (2022, dir. Damien Chazelle)
Shin Godzilla (2016, dir. Hideaki Anno and Shinji Higuchi)
The Flash (2023, dir. Andy Muschietti)
-September
Asteroid City (2023, dir. Wes Anderson)
The Super Mario Bros. Movie (2023, dir. Aaron Horvath and Michael Jelenic)
The Little Mermaid (2023, dir. Rob Marshall)
Mulan (2020, dir. Niki Caro)
A Nightmare on Elm Street (1984, dir. Wes Craven)
Fitzcarraldo (1982, dir. Werner Herzog)
Bodies Bodies Bodies (2022, dir. Halina Reijn)
Frances Ha (2012, dir. Noah Baumbach)
Master and Commander: The Far Side of the World (2003, dir. Peter Weir)
A Nightmare on Elm Street, Part 2: Freddy’s Revenge (1985, dir. Jack Sholder)
A Nightmare on Elm Street 3: Dream Warriors (1987, dir. Chuck Russell)
A Nightmare on Elm Street 4: The Dream Master (1988, dir. Renny Harlin)
A Nightmare on Elm Street 5: The Dream Child (1989, dir. Stephen Hopkins)
Freddy’s Dead: The Final Nightmare (1991, dir. Rachel Talalay)
Wes Craven’s New Nightmare (1994, dir. Wes Craven)
Renfield (2023, dir. Chris McKay)
Theater Camp (2023, dir. Molly Gordon and Nick Lieberman)
Shiva Baby (2020, dir. Emma Seligman)
-October
Friday the 13th (1980, dir. Sean S. Cunningham)
Friday the 13th Part 2 (1981, dir. Steve Miner)
Friday the 13th - Part III (1982, dir. Steve Miner)
Friday the 13th: The Final Chapter (1984, dir. Joseph Zito)
Friday the 13th: A New Beginning (1985, dir. Danny Steinmann)
Friday the 13th Part VI: Jason Lives (1986, dir. Tom McLoughlin)
Friday the 13th Part VII: The New Blood (1988, dir. John Carl Beuchler)
Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir. Rob Hedden)
Jason Goes to Hell: The Final Friday (1993, dir. Adam Marcus)
Jason X (2001, dir. James Isaac)
Freddy vs. Jason (2003, dir. Ronny Yu)
Friday the 13th (2009, dir. Marcus Nispel)
A Nightmare on Elm Street (2010, dir. Samuel Bayer)
Easy A (2010, dir. Will Gluck)
Saw (2004, dir. James Wan)
Saw II (2005, dir. Darren Lynn Bousman)
Saw III (2006, dir. Darren Lynn Bousman)
Saw IV (2007, dir. Darren Lynn Bousman)
Saw V (2008, dir. David Hackl)
Saw VI (2009, dir. Kevin Greutert)
Saw: The Final Chapter (2010, dir. Kevin Greutert)
A History of Violence (2005, dir. David Cronenberg)
Infinity Pool (2023, dir. Brandon Cronenberg)
Dracula 2000 (2000, dir. Patrick Lussier)
Mean Girls (2004, dir. Mark Waters)
Jennifer’s Body (2009, dir. Karyn Kusama)
Aguirre, the Wrath of God (1972, dir. Werner Herzog)
Nosferatu the Vampyre (1979, dir. Werner Herzog)
-November
Murder on the Orient Express (2017, dir. Kenneth Branagh)
Death on the Nile (2022, dir. Kenneth Branagh)
A Haunting in Venice (2023, dir. Kenneth Branagh)
The Last Voyage of the Demeter (2023, dir. André Øvredal)
Samurai Reincarnation (1981, dir. Kinji Fukasaku)
Legally Blonde (2001, dir. Robert Luketic)
Nancy Drew and the Hidden Staircase (2019, dir. Katt Shea)
The Last Duel (2021, dir. Ridley Scott)
Paint Your Wagon (1969, dir. Joshua Logan)
Thanksgiving (2023, dir. Eli Roth)
The Devil Wears Prada (2006, dir. David Frankel)
Shogun’s Shadow (1989, dir. Yasuo Furuhata)
The Conjuring (2013, dir. James Wan)
Win A Date With Tad Hamilton (2004, dir. Robert Luketic)
The Conjuring 2 (2016, dir. James Wan)
The Nun (2018, dir. Corin Hardy)
Le Samouraï (1967, dir. Jean-Pierre Melville)
-December
The Nun II (2023, dir. Michael Chaves)
Bottoms (2023, dir. Emma Seligman)
Annabelle (2014, dir. John R. Leonetti)
Gran Turismo (2023, dir. Neill Blomkamp)
Battles Without Honor And Humanity (1973, dir. Kinji Fukasaku)
Jigsaw (2017, dir. The Spierig Brothers)
Spiral: From the Book of Saw (2021, dir. Darren Lynn Bousman)
Saw X (2023, dir. Kevin Greutert)
Spider-Man: Across The Spider-Verse (2023, dir. Joaquim Dos Santos, et. al.)
Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, dir. Jeff Rowe)
Indiana Jones and The Dial of Destiny (2023, dir. James Mangold)
Air Doll (2009, dir. Hirokazu Kore-eda)
The End of Summer (1961, dir. Yasujiro Ozu)
Air (2023, dir. Ben Affleck)
No Hard Feelings (2023, dir. Gene Stupnitsky)
Oppenheimer (2023, dir. Christopher Nolan)
Yakuza Wolf (1972, dir. Ryuichi Takamori)
Yakuza: Like A Dragon (2007, dir. Takashi Miike)
Spencer (2021, dir. Pablo Larraín)
Moneyball (2011, dir. Bennett Miller)
Transformers: Rise of the Beasts (2023, dir. Steve Caple, Jr.)
Knights of the Zodiac (2023, dir. Tomek Baginski)
Dragonball Evolution (2009, dir. James Wong)
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