#Digital Signing of Document

[wintvies]

whenever i have to sign official documents i sadly become the dumbest person alive

[friendlymathematician]

if nothing else, spending time in academia at least taught me to not be surprised that a male who managed to obtain a phd is currently on attempt number six to follow the instructions "print form on non-hole punched paper, sign and date in black or blue ink, email a scanned copy back"

[redcheckbgv]

Digital Signature vs Electronic Signature-Understanding the Differences

[chrismcshell]

i think, if it paid well and didn't require long hours of high-pressure work, my Dream Job might be something along the lines of sorting items/boxes in a warehouse. like, pay me 50k/year to organize shit for 20 hours/week or less (and don't expect me to accomplish 40+ hours of work in those ≤20 hours). let me listen to music & podcasts while i do it. that's my dream job

[ifindtaxpro]

📝✨ Embrace the power of e-signatures! Discover how electronic signatures revolutionize document signing, offering speed, security, and efficiency in the digital age. #ESignatures #DigitalInnovation #EfficiencyBoost

[avaantares]

Fanfiction Authors: HEADS UP

(Non-authors, please RB to signal boost to your author friends!)

An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:

(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)

I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:

IF YOU ARE A FANFIC AUTHOR WITH LONG AND/OR POPULAR WORKS, PLEASE CHECK AMAZON TO SEE IF YOUR STORIES HAVE BEEN PIRATED.

You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:

HOW TO FILE A COPYRIGHT COMPLAINT FOR STOLEN WORK ON AMAZON.COM:

First, go to this form. You'll need to be signed into your Amazon account.

Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.

Enter the name of your story in the Name of Brand field.

In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.

In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:

I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.

In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.

Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.

Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!

NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!

[signitonline]

Can we apply digital signature   application Signit Onlint         

digital signature application with "Sign it Online" could be a document signing platform where users can electronically sign documents using their digital signatures.

Here's how it could work:

1. The user uploads a document that needs to be signed, such as a contract or agreement, to the "Sign it Online" platform.

2. The platform securely stores the document and generates a unique link for the user to access.

3. The user shares the link with the intended recipient(s) of the document.

4. The recipient(s) click on the link to access the document and review its contents. Visit more information your website

[monoinfotech]

Ways To #Digitalize Your #Business

1. Embrace A Digital Culture

2. Document Signing

3. Digitalization of your files

4. Employee feedback digitalization

Website - www.monoinfotech.com

Skype - live:nobal.sitlani

Telegram - NobalSitlani

#digital #culture #document #digitalization #your #feedback #employee #monoinfotech#culture #document #digitalization #your #feedback #employee #monoinfotech

[pippin-pippout]

For those following the SAG and WGA strikes there’s new shit a-brewing, this time targeting background actors (aka extras).

Some may know that one of the issues SAG is fighting is that studios want to take virtual scans of background actors and use them in perpetuity (meaning forever) without any additional compensation to those background actors. So you would just see a bunch of AI generated humans in future movies based off of a background actor that worked one day.

This is already shitty because working as an extra for 3 days on a union set (if you receive a union voucher each day) is one of the main ways to qualify for SAG eligibility. This means that a lot of actors working background do not yet have union protection and likely do not have an agent or manager to protect them. Disney has already allegedly told background actors to do this on the set of Wanda Vision: https://www.avclub.com/wandavision-background-actors-say-disney-scanned-them-1850709900

Here’s where it's worse.

There is one main company that supplies background actors for major union and non union productions. Central Casting. They love to brag about their very long influence in the industry - in old movies dating back to the 40s you can hear jokes about hiring extras from Central Casting.

Central Casting has been including an electronic document for all actors in their database to sign as part of onboarding. Signing it gives Central Casting the right to use your images, your videos, and YOUR LIKENESS in perpetuity, forever. They would OWN your likeness. Instead of it being a studio supplying the AI background actors, it would be Central Casting instead.

Receiving any work from Central Casting in the future is conditional upon signing it. No signature = no extra work = no extra income for union actors trying to make health insurance minimums, no union extra work for pre-SAG members.

SAG already reached out to Central Casting to tell them to stop. Central Casting refused.

Edit to say: this is not new. It’s part of actors onboarding and is called the Photo, Image, and Video Release. It’s phrased to sound like you are just giving them permission to use your image and video for CC’s website and promotional purposes. But the actual language is much broader. It's only recently being brought up as a point for discussion because some casting directors (who are generally supportive of the strike) started pointing it out.

Central Casting is owned by Entertainment Partners which is also a giant software conglomerate and owns a lot of the software used to organize background casting and pay actors. https://www.ep.com/company/about-us/

[get-encircle]

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[digitalsigner]

Do you have no idea how to manage a large number of documents? Signer.Digital supports bulk digital signatures of files/documents through a web server or application-based solution. There is no need for further integration, and it is simple to set up to sign digitally in bulk in a few seconds.

[mostlysignssomeportents]

"Don't spy on a privacy lab" (and other career advice for university provosts)

This is a wild and hopeful story: grad students at Northeastern successfully pushed back against invasive digital surveillance in their workplace, through solidarity, fearlessness, and the bright light of publicity. It’s a tale of hand-to-hand, victorious combat with the “shitty technology adoption curve.”

What’s the “shitty tech adoption curve?” It’s the process by which oppressive technologies are normalized and spread. If you want to do something awful with tech — say, spy on people with a camera 24/7 — you need to start with the people who have the least social capital, the people whose objections are easily silenced or overridden.

That’s why all our worst technologies are first imposed on refugees -> prisoners -> kids -> mental patients -> poor people, etc. Then, these technologies climb the privilege gradient: blue collar workers -> white collar workers -> everyone. Following this pathway lets shitty tech peddlers knock the rough edges off their wares, inuring us all to their shock and offense.

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

20 years ago, if you ate dinner under the unblinking eye of a CCTV, it was because you were housed in a supermax prison. Today, it’s because you were unwise enough to pay hundreds or thousands of dollars for “home automation” from Google, Apple, Amazon or another “luxury surveillance” vendor.

Northeastern’s Interdisciplinary Science and Engineering Complex (ISEC) is home to the “Cybersecurity and Privacy Institute,” where grad students study the harms of surveillance and the means by which they may be reversed. If there’s one group of people who are prepared to stand athwart the shitty tech adoption curve, it is the CPI grad students.

Which makes it genuinely baffling that Northeastern’s Senior Vice Provost for Research decided to install under-desk heat sensors throughout ISEC, overnight, without notice or consultation. The provost signed the paperwork that brought the privacy institute into being.

Students throughout ISEC were alarmed by this move, but especially students on the sixth floor, home to the Privacy Institute. When they demanded an explanation, they were told that the university was conducting a study on “desk usage.” This rang hollow: students at the Privacy Institute have assigned desks, and they badge into each room when they enter it.

As Privacy Institute PhD candidate Max von Hippel wrote, “Reader, we have assigned desks, and we use a key-card to get into the room, so, they already know how and when we use our desks.”

https://twitter.com/maxvonhippel/status/1578048837746204672

So why was the university suddenly so interested in gathering fine-grained data on desk usage? I asked von Hippel and he told me: “They are proposing that grad students share desks, taking turns with a scheduling web-app, so administrators can take over some of the space currently used by grad students. Because as you know, research always works best when you have to schedule your thinking time.”

That’s von Hippel’s theory, and I’m going to go with it, because the provost didn’t offer a better one in the flurry of memos and “listening sessions” that took place after the ISEC students arrived at work one morning to discover sensors under their desks.

This is documented in often hilarious detail in von Hippel’s thread on the scandal, in which the university administrators commit a series of unforced errors and the grad students run circles around them, in a comedy of errors straight out of “Animal House.”

https://twitter.com/maxvonhippel/status/1578048652215431168

After the sensors were discovered, the students wrote to the administrators demanding their removal, on the grounds that there was no scientific purpose for them, that they intimidated students, that they were unnecessary, and that the university had failed to follow its own rules and ask the Institutional Review Board (IRB) to review the move as a human-subjects experiment.

The letter was delivered to the provost, who offered “an impromptu listening session” in which he alienated students by saying that if they trusted the university to “give” them a degree, they should trust it to surveil them. The students bristled at this characterization, noting that students deliver research (and grant money) to “make it tick.”

[Image ID: Sensors arrayed around a kitchen table at ISEC]

The students, believing the provost was not taking them seriously, unilaterally removed all the sensors, and stuck them to their kitchen table, annotating and decorating them with Sharpie. This prompted a second, scheduled “listening session” with the provost, but this session, while open to all students, was only announced to their professors (“Beware of the leopard”).

The students got wind of this, printed up fliers and made sure everyone knew about it. The meeting was packed. The provost explained to students that he didn’t need IRB approval for his sensors because they weren’t “monitoring people.” A student countered, what was being monitored, “if not people?” The provost replied that he was monitoring “heat sources.”

https://github.com/maxvonhippel/isec-sensors-scandal/blob/main/Oct_6_2022_Luzzi_town_hall.pdf

Remember, these are grad students. They asked the obvious question: which heat sources are under desks, if not humans (von Hippel: “rats or kangaroos?”). The provost fumbled for a while (“a service animal or something”) before admitting, “I guess, yeah, it’s a human.”

Having yielded the point, the provost pivoted, insisting that there was no privacy interest in the data, because “no individual data goes back to the server.” But these aren’t just grad students — they’re grad students who specialize in digital privacy. Few people on earth are better equipped to understand re-identification and de-aggregation attacks.

[Image ID: A window with a phrase written in marker, ‘We are not doing science here’ -Luzzi.]

A student told the provost, “This doesn’t matter. You are monitoring us, and collecting data for science.” The provost shot back, “we are not doing science here.” This ill-considered remark turned into an on-campus meme. I’m sure it was just blurted in the heat of the moment, but wow, was that the wrong thing to tell a bunch of angry scientists.

From the transcript, it’s clear that this is where the provost lost the crowd. He accused the students of “feeling emotion” and explaining that the data would be used for “different kinds of research. We want to see how students move around the lab.”

Now, as it happens, ISEC has an IoT lab where they take these kinds of measurements. When they do those experiments, students are required to go through IRB, get informed consent, all the stuff that the provost had bypassed. When this is pointed out, the provost says that they had been given an IRB waiver by the university’s Human Research Protection Program (HRPP).

Now a prof gets in on the action, asking, pointedly: “Is the only reason it doesn’t fall under IRB is that the data will not be published?” A student followed up by asking how the university could justify blowing $50,000 on surveillance gear when that money would have paid for a whole grad student stipend with money left over.

The provost’s answers veer into the surreal here. He points out that if he had to hire someone to monitor the students’ use of their desks, it would cost more than $50k, implying that the bill for the sensors represents a cost-savings. A student replies with the obvious rejoinder — just don’t monitor desk usage, then.

Finally, the provost started to hint at the underlying rationale for the sensors, discussing the cost of the facility to the university and dangling the possibility of improving utilization of “research assets.” A student replies, “If you want to understand how research is done, don’t piss off everyone in this building.”

Now that they have at least a vague explanation for what research question the provost is trying to answer, the students tear into his study design, explaining why he won’t learn what he’s hoping to learn. It’s really quite a good experimental design critique — these are good students! Within a few volleys, they’re pointing out how these sensors could be used to stalk researchers and put them in physical danger.

The provost turns the session over to an outside expert via a buggy Zoom connection that didn’t work. Finally, a student asks whether it’s possible that this meeting could lead to them having a desk without a sensor under it. The provost points out that their desk currently doesn’t have a sensor (remember, the students ripped them out). The student says, “I assume you’ll put one back.”

[Image ID: A ‘public art piece’ in the ISEC lobby — a table covered in sensors spelling out ‘NO!,’ surrounded by Sharpie annotations decrying the program.]

They run out of time and the meeting breaks up. Following this, the students arrange the sensors into a “public art piece” in the lobby — a table covered in sensors spelling out “NO!,” surrounded by Sharpie annotations decrying the program.

Meanwhile, students are still furious. It’s not just that the sensors are invasive, nor that they are scientifically incoherent, nor that they cost more than a year’s salary — they also emit lots of RF noise that interferes with the students’ own research. The discussion spills onto Reddit:

https://www.reddit.com/r/NEU/comments/xx7d7p/northeastern_graduate_students_privacy_is_being/

Yesterday, the provost capitulated, circulating a memo saying they would pull “all the desk occupancy sensors from the building,” due to “concerns voiced by a population of graduate students.”

https://twitter.com/maxvonhippel/status/1578101964960776192

The shitty technology adoption curve is relentless, but you can’t skip a step! Jumping straight to grad students (in a privacy lab) without first normalizing them by sticking them on the desks of poor kids in underfunded schools (perhaps after first laying off a computer science teacher to free up the budget!) was a huge tactical error.

A more tactically sound version of this is currently unfolding at CMU Computer Science, where grad students have found their offices bugged with sensors that detect movement and collect sound:

https://twitter.com/davidthewid/status/1387909329710366721

The CMU administration has wisely blamed the presence of these devices on the need to discipline low-waged cleaning staff by checking whether they’re really vacuuming the offices.

https://twitter.com/davidthewid/status/1387426812972646403

While it’s easier to put cleaners under digital surveillance than computer scientists, trying to do both at once is definitely a boss-level challenge. You might run into a scholar like David Gray Widder, who, observing that “this seems like algorithmic management of lowly paid employees to me,” unplugged the sensor in his office.

https://twitter.com/davidthewid/status/1387909329710366721

This is the kind of full-stack Luddism this present moment needs. These researchers aren’t opposed to sensors — they’re challenging the social relations of sensors, who gets sensed and who does the sensing.

https://locusmag.com/2022/01/cory-doctorow-science-fiction-is-a-luddite-literature/

[Image ID: A flier inviting ISEC grad students to attend an unadvertised 'listening session' with the vice-provost. It is surmounted with a sensor that has been removed from beneath a desk and annotated in Sharpie to read: 'If found by David Luzzi suck it.']

[howtological]

Signing PDF Files: A Comprehensive Guide

Sign PDF files electronically with ease. Benefits include convenience, speed, security, and cost savings. Follow our expert tips for secure PDF signing. Sign your PDFs like a pro today!

PDF files have become an essential part of digital communication and document management. Whether it’s an agreement, a contract, or any other important document, you may need to sign it electronically. The process of signing a PDF file is easy, but there are a few things you need to know to get started. In this comprehensive guide, we’ll take a look at the different methods you can use to sign a…

[vaguelyhauntedcornfield]

if i had a dni it would include ai ‘artists’. I will block on sight. Fuck you. If you want art either pay or learn how to like the rest of us. There are so many free resources that are CERTAINLY accessible if you can use an AI generator. No way you can’t get on youtube but can spend all day harassing people on twitter. Learn with a pencil and paper and cheap paints. If you wanna do digital, save up for a cheap tablet or rent one to try it out. Reach out to local art programs/colleges idk.

[ozzgin]

Pyramid Head x Reader

Featuring Pyramid Head and a reader with amnesia lost in Silent Hill. This is Pyramid Head as originally intended for Silent Hill 2, so expect a lot of game-based immersion. Warning: NSFW, dubious/non-consent, violence, gore

[Horror Masterlist]

"Oh, for fuck's sake!"

You grunt and slap the wheel, hoping your defiant act of violence will somehow convince the car engine to start again. It remains quiet. You run a hand through your hair and sigh. The palm is mildly sticky with moisture and you realize you've been sweating a fair amount. No wonder, you're stuck in this shithole. You couldn't see a damn thing ahead with all this fog. The only discernible object was a rusty, run-down sign showing "Silent Hill". You've never heard the name before, but reading the letters and allowing the words to escape your lips has brought you an unexpected wave of panic. You quickly began hyperventilating and your arms involuntarily twitched and twisted, pulling the wheel of the car along with them and causing the car to swerve into a street barrier. And now it refuses to turn back on. Fantastic. 

You hesitantly grab the door handle. After a deep breath in, you open the door and step out. Given the car crashed sideways, you can no longer tell which way is back and which way is forward. You can only see the first few inches of the barrier in both directions, but everything else vanishes under the thick clouds of mist. You rub your temples, becoming increasingly upset with yourself.  What were you even doing, driving all the way to-

Wait. Where were you going in the first place? You recall leaving from...home? But where is that supposed to be? No, don't do this. Not now. You walk back to the car and open the glove compartment, angrily pulling out a thick stack of documents and spreading them out onto the chair. You scan over them, growing more impatient. You don't recognize anything. The names and words and addresses don't hold any meaning. You glance up to the rear-view mirror in an attempt to detect some trail of blood seeping from your scalp, as a concussion might explain your sudden memory loss, but your appearance is fresh. Almost as if you didn't just crash your car in a strange place in utter confusion. 

You check your phone. Even if you can't remember, there has to be someone in your contacts that will come to your aid. The screen glitches briefly when you unlock it and the menu is empty. No contacts, no messages, no apps. No matter, emergency will do. You type in the digits and lift the phone to your head, but quickly remove it when loud static assaults your eardrums. Why is nothing working properly? You're tempted to just slam the junk into the pavement, but find enough composure to stuff it back in the pocket for now. 

All that's left to do now is to find another human. You begin walking. The road has to lead somewhere, that's for certain. And soon enough the barrier is replaced with a different kind of fencing that you use as guidance. It seems to be a small bridge. Just a few steps further and you discover the first signs of modern, populated world: a bus stop. Behind the waiting bench is a brief map of the area and you trace the plaque with your fingers, mumbling the path to yourself. "Now let's see...This is Nathan Avenue...Rosewater Park ahead...Ah, the Silent Hill Fire Station should be very close."

You can't wait to be done with this mess. They'll call for a tow truck and get you out of here. You almost sprint to the next block, expectantly. In fact, you can already spot someone right outside the building. 

"Thank God! Listen, my car broke down before the bridge. My stupid phone is also...huh." 

Just as you mention it, the same static as previously erupts from the speaker. You're startled and fumble for your phone. You're about to apologize to the person in front of you, but upon lifting your gaze you instantly stop in your tracks. 

'Person' is a strong word for it. It resembles one, or maybe it was one long ago. What's crawling towards you, however, is not how you'd define it. The arms are melted into the torso, mimicking a straight jacket of skin. The bony, crooked legs are dragging themselves in an unnatural, unnerving way. The creature has no face, save for a gaping hole, a bizarre cavity deforming what should be a head. Your mouth grimaces with disgust, followed by fear. Terror. You have the choice of returning to your damaged car, or attempting to find actual help deeper into the town. You run ahead, praying that someone's out there. The dissonant sound of a siren can be heard, diffused into the persistent fog.  

By the time you reach the next building, you're gasping for air. You didn't expect to run this far. You went all the way around Toluca lake, avoiding the side streets. The center was swarming with those abominations. Each turn and each corner would eventually reveal its revolting murmur, that pathetic shuffle of disfigured limbs. Thankfully they're not fast, nor smart. A little distance and they lose their interest to pursue you. You fall against the brick wall of this small house and read the poster. "Silent Hill Historical Society". Doesn't look too promising, but it's surprisingly devoid of any monstrous being. At this point you'd be more grateful for emptiness. It's safer. 

You tiptoe your way in, wary of potential attackers. There's a faint buzz echoing from afar, but other than that no immediate danger. You examine the lobby and notice the paintings and old photos hanging from the decaying wallpaper. It smells slightly rotten. One of the art pieces catches your attention and you stop in front of it. "Misty Day, Remains of Judgement". 

The abstract character depicted on canvas reminds you of an executioner. The more you stare, the clearer you can feel some kind of guilt knotting inside your stomach. Your shoulders are heavy and you're overwhelmed by the same anxiety of a child about to be punished. Awaiting the belt. The calloused hand of an unforgiving father. Your throat is dry.

Your musings are interrupted by the static that - as you've since learned - warns you of approaching creatures. The rooms are cramped and the walls are narrow and you dislike the idea of calculating your escape within this claustrophobic maze, but it's preferable to being dead. You jog along slithering paths, unsure of where they lead. The threatening turbulence of your phone goes up and down, like a sine wave, with each turn into uncharted territory. In your frantic efforts to flee you don't see the large hole blocking your way, or at least not fast enough. By the time you figure out the outlines of this pitch black well, you're flooded with the light sensation of gravitational force, stretching and compressing your innards as you fall. Is this how you end?

It's not so easy. 

As soon as you open your eyes, a burning pain metastasizes through the head, digging deep into your brain. You grab onto your scalp and press your fingers over the skin, hoping for a small relief. In your debilitating migraine you don't hear the agitated flutter of limbs. They're minuscule, but so many. Thousands of sclerotized joints frothing around your limp form. You lift yourself off the rusted ground and yelp voiceless at the sight. Cockroaches. The pile of vermin lets out a deafening, high pitched screech with every movement. You drag your elbows in an attempt to get away, but the creepers almost ignore your existence. They seem to be running away from something, retreating in masses.

You don't have to wait long in order to witness their source of fear. Heavy footsteps, muffled by the grating friction of metal against metal. A corroded stench invades your lungs and you cough. Whatever is coming has instilled the utmost dread in your very bones. You want to get up and run, until your legs give up and your body collapses of exhaustion, but your limbs are petrified in panic. Your chest constricts and throbs, as if your heart is trashing to escape this prison condemned to unknown doom. 

Finally, the fiend comes into view. A tall, large man wearing a leather apron layered with grime and encrusted blood. His skin is scarred and discolored, and a bulky, dense pyramid structure rests on his broad shoulders, concealing his face. He seems to be dragging along a great knife of sorts, although on closer inspection it looks like a halved pair of oversized scissors. The edge is dulled and has splattered visceral leftovers mattifying its surface. You remember the painting you've seen upstairs. Is this what it is? Your Retribution? 

You lower yourself until your forehead touches the rusty floor. Like an animal awaiting to receive the final blow from its hunter, like a prisoner resigning to his fate under the guillotine. If only matters could be dealt with so simply! Your neck is clawed into a tight hold by the large gloved hand and you're crudely pulled back up so that you can properly face your Punisher. There's a vague grunt coming from underneath his bizarre helmet. 

He carries you to the nearest wall and slams you against it. The great knife drops to the floor with a loud crash, and the other hand, now freed, begins to search your lower clothing. You can feel the seams of the garments tear and snap with no resistance. You want to vocalize a protest, but your throat is crushed under the forceful pressure of his clasp. At best, you can exhale in what sounds like a whispered wail. His apron is nonchalantly flipped to the side and your thigh lifted over his forearm, so that his hand can adjust itself securely under your bottom for support.

Abruptly, a prickling ache crosses your entire body as if you've just been split in two. Tears automatically begin forming in the corner of your eyes and spill down your cheeks and over the pyramid that's now pressing tightly against your quivering form. It's too big and you want to push away, but with each renewed plunge you grow weaker. The small tears and rips that blossom around your abused intimacy turn into bleeding wounds. You want to sleep. 

A creature of pure instinct, serving as a reminder of human perversions and immoral desires. Travesty, corruption, sin. And what about it? Before you know it, a small moan escapes your dried lips. You throw your arms around your captor's shoulders. The sharp edges of the helmet scratch your skin, waking you back into consciousness. Your lower muscles start to relax around the massive member and allow for a smoother glide in and out. The numbness is gradually replaced by pleasant sensations. The throbbing reverberates inside your abdomen and your other leg wraps around the creature's hips, asking for more contact. Once your compliance is confirmed, the hand pinning you by the neck wanders to other parts of your body in starved desperation. Your voice returns and more lewd whines roll out one after another. If only you had a mirror so you could look at yourself in this moment. What shameless expressions are you wearing on your face? You're clinging to your violator in feverish depravity. And in return, the creature responds to your cravings with increased intensity. He seems to resonate with your wishes and stiffens his hold on you with newfound obsession. His thrusts become almost feral, with a certain possessiveness to it. 

As you're about to reach your peaks, your mind once again travels to the painting. You wonder if you'd be hung and framed just like the prisoners behind their executioner. Pleasure mixed with guilt. 

What sin is eroding your entrails?