#Dragon Fact File
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flowersforthemachines · 3 months ago
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Remembered I talked about it under one post but never actually posted this here.
Here's a (rough) visualisation of how many times Rook's faction is referenced in conversations. Based on the pics, from most to least referenced it goes like this:
Grey Wardens > Mourn Watch > Antivan Crows > Shadow Dragons > Veil Jumpers > Lords of Fortune
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leopardmuffinxo · 5 months ago
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is this all just for show? gif i made for this set, but didn't end up choosing.
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spittingspite · 5 months ago
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Update still losing it
#okami sequel#okami#okami 2#oh look she speaks#woke up and immediately rewatched the teaser#i can't stop smiling#I'm so fucking excited you have no idea#aaaaaaaa gonna keep playing today. hmm the save file with the water dragon i think#SEQUEL SEQUEL SEQUEL SEQUEL SEQUEL SEQUEL WE'RE GETTING A SEQUELLLLLLL#WE'RE FERRINF A SEWUEM WERE FETTING A SEQUEL WERE GETTINF A SEQUEL WERE FETTKMG A SEQUL WE'RE GETTING A SEQUEL WE'RE GETTING AN SEQUEL WE'RE#BARK BARK BARK BARK BARK BARK BARK BARK BARK BARK BARK BARK BARK#DIGGING. DIGGING UP TURNIPS RN. EMOTIONALLY.#AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA#I COULD CRY I COULD CRY I COULD CRY YESSSSSSSSS YES YES YES YES YES YES YES YES YES!!!!!!!#THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU THANK YOU#IT'S ALL I'VE EVER WANTED#god the new style looks more beautiful the more i watch the trailer#obviously that may not be the final style bc it's early days in development yet but if it IS the final style i think I'm gonna love it#breathes. breathes. okay.#before anyone asks i WILL be losing it at least internally every day until the game comes out#in fact. no. until. at least 48 hours after I've beaten the game when it comes out#even if I'm not actively posting about it and you don't see it. just know. Just Know.#I'm Still Losing It. Always.#WE'RE SO FUCKING BAAAAAAAAAAAAAAAAAAAAAAAAAAAAACK
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commodoresigma · 7 months ago
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[original drawing date: 11th Oct '24]
Did some slight tweaks to my two characters currently named The Empress and The Dragon. Probably gonna make a fancy proper digital version at some point before the new year, hopefully, cuz I like this too much to not try that (that, and i wanna do a couple more tweaks to their designs)
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spicyliumang · 1 year ago
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[oc x canon]
looking out for him 🥺
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pomellon · 2 years ago
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What’s the koolish height difference like in the dragon au? :3
I want to imagine that they were originally the same height but after Karl’s crystallization he can use Foolish’s toe beans as a mattress or something XD
They were really close to the same height originally, foolish just being a teeny bit taller :D
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But yeah if we count Foolish's leviathan size it's closer to this XD
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I should mentioned that Foolish don't look the same when he takes his true size btw! He would definitely look older and more worn out if that makes sense, big and longer scales, spins, fins and horn!
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thebookworm0001 · 6 months ago
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The person who figures out how to mod in the ability to alter the inquisitor’s appearance after the initial cc will be my hero for forever and ever
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flowersforthemachines · 2 months ago
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Useless Veilguard fact of the day: Day 33
There are plot conditionals for each of the 4 available lineages (Human, Elf, Dwarf, Qunari) that are used to determine if lineage-specific content should be used in a certain scene.
In addition to that, there's also a "Rook_lineage_HumanOrElf" conditional that's apparently used in twice in the game: in Harding's final romance scene and after the final battle with Elgar'nan.
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Check out the tag for more useless facts: #useless davg fact of the day!
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certifiedbundleofsticks · 11 days ago
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guys help how do i play anything other than dragon age
like i open games and play for an hour before going ":/// this isn't fun" and then I open one of the dragon age games and play that for the rest of the day
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spacetrashpile · 2 months ago
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i need to be able to be in my home and playing dragon age inqusition. right now. brigid trevelyan i need to make you real.
#space rambles#i've been rotating her in my head soooo hard these past few days#my original plan for my next few dai playthroughs was#finish my first adaar/my sera-mance -> play my first lavellan/my dorian-mance who can see the future -> play my first cadash/my josie-mance#and THEN i was gonna get around to repeating stuff (playing another human) with brigid (also this was gonna be my blackwall-mance)#unless the siren song of cassandra penteghast was too loud lol#but NOPE SHE IS BEATING THEM ALL#i honestly may have to abandon seram's playthrough for her entirely. i'll come back to you girl but THE VISIONS#i thought too hard about her its so bad. i thought too hard about the fact that she's a faithful at the start of the game and how#much the world seems determined to shake and crumble her faith.#thought a bit too hard about her and the end game and corypheus calling out to dumat#said the phrase: 'maybe her god is quiet but so is his. so are all of them.' when discussing her faith and got crazy about her#but i'm MULTIPLE WEEKS OUT FROM BREAK i don't have home xbox access until march like 14th. EVIL!!!!#AND I HAVE AN ORIGINS RUN TO BALANCE WITH HER??? cause i desperately need to work more on rhiannon and the roommate's xbox has#been nothing but problems when trying to run that disc and get save files working#(IT REFUSES TO CONNECT TO THE INTERNET SO NOT ONLY CAN I NOT ACCESS RHIANNON'S FILE I ALSO JUST CAN'T SAVE THE GAME AT ALL. FOR SOME REASON#so what i'm saying is that when i go home for break all i will be doing is doctor's appointments and dragon age#which admittedly was a lot of my winter break as well. i just was also employed during that break
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squirrelno2 · 8 months ago
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When you don't know if you have a job and the job in question starts in a week and you can't write your novel or your fanfictions because your files are inexplicably corrupted and you live alone over an hour from everyone in your life (if not significantly more) and your brain doesn't even have the decency to hang on to your most recent hyperfixation
If you have ever wondered anything about anything I've made please please tell me I'm losing my mind and can no longer distract myself without help
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notebooks-and-laptops · 6 months ago
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Why Fenris could Never Cameo in Dragon Age: The Veilguard
In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.
About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.
How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.
So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.
But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.
We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.
None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.
The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.
Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.
Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.
Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.
And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.
Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.
This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.
Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.
And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.
I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.
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kitsunabi · 2 years ago
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It just occurred to me that the CN voice actor for Wriothesly also voices for Azdaha
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officermaddie23 · 2 years ago
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Other facts about King Bluestar
He often secludes himself to his room because of the sadness of losing his wife has made him not smile for a very long time
Many of the ice kingdom’s royal guard has reported that they often hear him weeping in his room saying things like “it’s my fault she’s gone” or “it should have been me instead”
He plays sad songs on his piano about what he lost and he feels lonely
When he found out his brother refused to conquer the ice kingdom he was rejoicing that his brother had finally broken free from the high whisper dragon’s influence and welcomed his brother Clawstrike into his castle
When his brother decided to help invade Lavascale's many facilities he allowed his brother to become the general of his royal guard
King Bluestar is willing to help others escape mad scientists and keep those who escaped from mad scientists safe
Even if it means he dies
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eeldritchblast · 2 years ago
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Some misc. Wyll facts I collected while browsing his dialogue files like a madman
If Wyll dies and you ask his corpse what is ultimate goal is, his response is "Freedom from Mizora".
Wyll's mother died when he was born. Growing up, he was so close with his father that he never felt like he needed anyone else, but as an adult, he's questioned what it might have been like had she lived.
Wyll does not consider himself a man of faith - in fact, he resents "the so-called good gods for tolerating the curelty of the evil" - but rather believes "the faith that matters is that which you hold in yourself, in the ones that most matter to you."
More than one devnote reveals Wyll intentionally tries to downplay his emotions. Example: "Not too sad outwardly even though he is."
Wyll's father trained him how to use a rapier, sword, and bow.
Wyll uses "a light spritz from a vial of jasmine dust" as perfume.
Wyll considered dukes to be hypocritcal for their diplomacy with bad people.
When Wyll was a young boy, he was smitten by Stelmane.
When Wyll was eight, he snuck into the Counting House to see if the rumours of mythical treasure it held were true. The guard spotted him and took him straight back to his father.
When Wyll was fourteen, he had his first alcoholic beverage, and got so tipsy from wine that he puked in Dillard Portyr's bushes.
Wyll had his first kiss in The Blushing Mermaid when he was fifteen.
Wyll claims he's spent some time in the Underdark in his adventures as the Blade.
Wyll says he's killed a vampire-spawn before, when Player!Astarion confesses he's one himself.
Wyll claims his toughest kill was a minotaur, and one of his scars is from the battle.
Seven years prior to the game, he made his pact with Mizora to defeat the Cult of the Dragon, and was disowned and exiled from Baldur's Gate by his father. He was seventeen at the time.
Five years prior to the game, he took on the mantle of the Blade of Frontiers, after rescuing a child from a band of goblin attackers near the Cloakwood.
Karlach calls Wyll her best friend.
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ankol-heap · 2 months ago
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» in a room full of art, he'd rather look at you; itoshi rin x gn!reader
synopsis; itoshi rin is failing his art class. in order to graduate his senior year of high school, he needs to pass the class with at least a b grade. you're assigned to tutor the hot-headed soccer athlete—kind and eccentric, you throw rin's entire world off axis.
a/n; my first post on here! this is set after sae abandons rin, but he still goes to school. enter stage left, front and center—asshole, but very much in need of some love, itoshi rin!
word count: 5.0 k words | now playing every breath you take, by the police
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itoshi rin didn't have any friends. it's a fact all his teachers know by now. he's a stoic student, one that doesn't participate in group projects and eats his lunch alone in the library. normally, this type of behavior exhibited by students should have been noticed by his teachers and counselors. but rin was seemingly well behaved, and he had straight a's in most of his classes—so nobody took notice of him. he felt like a ghost, drifting through the walls of his high school without a single person by his side. it was his first day of senior year, and itoshi rin had no expectations for this year.
the phantom ache in his chest is harder to ignore nowadays. he doesn't realize he's been spacing out again until the bell rings, signaling the start of the next class period. rin is snapped violently out of his daze. he glances at the blank canvas in front of him before realizing he's spent the past fifty five minutes doing absolutely nothing. the students around him file out of the room—chatting and laughing as he stands there, a bit dumbfounded with how this class seemed to suck the life out of him.
when itoshi rin was little, he loved drawing. his imagination would run wild, and sometimes—he couldn't always act out the magnificent battles he wanted his toys to perform. dragons and princes and volcanos—his medium of choice used to be these scratchy crayons his brother, sae, would get for rin from the corner store. rin remembers how his parents had to force him to put his crayons down just to make him eat dinner. and now, he can't even manage to put a single mark on a canvas.
during his teacher's instructions at the beginning of class, he was, quite vaguely told at that, to use whatever colors and styles he wanted to on a 12 by 12 canvas to reflect his soul. bitterly, rin thinks his canvas reflects him perfectly. he'll turn this in tomorrow, he decides. a blank canvas—no feelings, no purpose, nothing. just like him.
he'll take the shitty grade and move on with his life. rin wonders if there's even a language that exists to put his feelings into something other people can comprehend. he doesn't think there is. if he wants anyone to understand how he feels, they'll have to tear his ribs out one by one to reach the barely alive beat lying inside.
itoshi rin is seventeen years old when he falls in love.
"do you need some help cleaning up?"
rin glances away from his blank canvas, looking up to meet whomever it is speaking. the class is empty now. his art teacher is busying herself in the back of the classroom, unboxing a new pack of paintbrushes when rin swallows the lump in his throat.
"i'm fine,"
your smile is hesitant. understanding, almost, as you look at rin's canvas and the tubes of unopened acrylic paint surrounding him. the window panes hanging high towards the ceiling welcome in the rising sun outside, and rin can see the light shimmering in your eyes—glittering shards of gold gleam like morning stars in your irises as you wordlessly pick up the neglected paint and brushes on his desk—carrying them over to the back of the classroom and putting them away as rin watches silently.
slowly, he picks up his own canvas—and he stares at his classmates' drying ones with an almost envious kind of sadness as he places his untouched canvas beside theirs. where they had explosions of colors, reds and yellows and greens and blues blending and combining into the most wonderful art—rin didn't. he had nothing.
rin turns around to where he'd seen you last in the back of the classroom, before clearing his throat. he doesn't lift his gaze from the tiled floor beneath him, pressing his hand flat against the surface of a nearby table to steady himself before speaking up
"thanks..." he begins, but his voice trails off when he realizes you've already left.
rin was sitting in english class when he heard your voice again. to be completely honest, he had no idea you were in this class. rin didn't talk to anyone in all of his classes, so hearing the sound of your voice was a surprise. and where he sat in the back of the classroom, you sat towards the front. you're asking the teacher a question on last night's homework, and rin takes his chance to watch you freely.
you have a tote bag slung over your shoulder. there's a landscape painted on it, with little pins placed all over. you have your hair down today compared to the updo you wore yesterday. it's only when you turn towards your seat that rin finally makes eye contact with you.
time slows, and the conversation around rin drowns out as if he's ducked his head underwater. his brain is nothing but white static for that one second you look into his eyes.
actually, you didn't even hold his gaze for a full second, it was more like a fraction of one—but rin's heart rate didn't calm until the bell rang, and he was the first student out the door. he left class that day with clammy palms and pink-tinted cheeks.
rin didn't have art class today, but he was called down regardless during study hall. his art teacher was an old woman with a wrinkly smile who always wore colorful cardigans. rin enters the room, moving through the empty desks and chairs before he stops in front of her with a quiet greeting.
"rin! it's so nice of you to come so quickly, students aren't usually so courteous! please have a seat," she says warmly, and rin eyes the blank canvas—his blank canvas—laying beside her on the desk.
rin takes a seat, fading in and out of the conversation as she talks. he already knew what to expect, and of course, he was right. akamatsu sensei had the type of voice rin imagines story tellers have, or lullaby singers do. she tells him that she's having trouble seeing signs of progress in his art and wanted him to be doing better. but her last sentence is what catches rin off gaurd. this he did not predict.
"a tutor?"
akamatsu sensei nods her head slowly, folding her hands in her lap at rin's apprehensive expression. she watches his delicate brows pinch together in discomfort, soft lips pulled into a small frown filled with silent frustration. rin didn't understand why he had to get another person to tutor him—he thought art was subjective.
"i promise you, rin, i have just the perfect person in mind. they're my best student—i think if anyone can get your imagination flowing again, it's them."
akamatsu sensei introduces you and rin to each other the following morning—and rin's learns that your name is y/n. he repeats it in his head a few times, committing it to memory before you speak his name in the sweetest voice he'll ever have the pleasure of hearing.
"rin-san, i think we're going to get along well! we can sit together in class and work on assignments with each other, but we'll also have to meet after school. what days are you free?" you question, and rin's heart positively plummets to his feet when you grab his hand and lead him towards his seat—you occupy the usually empty chair beside him, and he follows your lead.
"that's fine. i'm free every friday, every other day of the week i have football practice."
rin's hands clutch his knees under his desk when you pull your hand out of his, a fruitless attempt to try and calm himself after you so casually held his hand. your fingers curved around his perfectly—and while the gesture might not have meant anything to you, it meant so much to rin. he doesn't hold hands, he can't even hold a conversation—but you're bubbly and bright in a way that has him submitting in one second flat.
"football? that sounds like fun! i'm sorry, i'm not very well versed with sports. do you like it?" you ask, organizing the paints in front of you as rin nods wordlessly, staring at the gentle manner in which you treat the art materials. you smile at his confirmation, grabbing a tube of a radiant midnight blue and placing a dollop of it on rin's blank canvas with a grin
"when we're in doubt, it's like our minds subconsciously pull away. they shut down and sorta refuse to do anything, right? i want to push you out of your comfort zone and give you a blue canvas to work with rather than a white one. we'll see what you do with that, okay?"
rin nods, fingers moving to take the paintbrush you hand him before he turns to the awaiting paint in front of him. his brushstrokes are slow and a little messy, but five minutes later—the canvas is entirely blue.
"what do you see?" you question softly as rin stares at his canvas. he stays silent for a heartbeat, two heartbeats, and then—
"i don't see anything."
rin's inner turmoil is a storm. was he supposed to be seeing something? all he sees is blue. there's nothing coming to his mind, no connection being made—his bites the inside of his cheek, angry at himself and his clear lack of creativity.
"that's okay. let's think together, okay? what do you think of when you think of the color blue? it can be the simplest thing of all, rin-san. anything at all," you assure, gently scooting your chair closer to his as he nods, clenching his jaw as he thinks. blue. blue. blue. what the hell is blue?
"the sky."
you're silent a for a few moments before he hears it. it's soft and muffled with the back of your hand, but you're laughing at him. his cheeks burn in an instant, and his lips transform into a scowl immediately
"whatever, i know it's stupid—"
"no, no! i was thinking the same thing, that's why i laughed! now, the sky is a painting all in its own! think about it—it's orange and pink during sunrise, like a fruity drink on the beach. it can be a misty, pale haze during snow storms. but, i want you to think of a time you saw the sky like this—an inky void, like a dark blue veil's been put over the world. can you do that?"
rin doesn't respond. he stares at the sea of blue in front of him—blue blue blue.
"...sometimes, football practice gets cut short on rainy days. the sky sorta looks like this blue on those days. dark. blurry—but it's still...i can see some stars. and the moon peaking out from behind the clouds, too. i guess this kind of looks like that."
rin's brows furrow together in concentration as he stares at the canvas after speaking. he turns away from it and towards you after another moment—and he's met with your gentle lips parted in awe. he blinks rapidly a few times to confirm the sight of your awe struck face in front of him is real, not something his imagination made up, before you break into a breathtaking smile.
"well then, let's get some black to add some darker shading to the sky! and some white—for the stars and moon...come on!"
itoshi rin is attentive. it's something you would come to learn soon enough. you're an avid artist—truly, it was your passion. rin can watch you scribble away in your sketchbook from where he sits in the back. english class is droning on, and for once, he's not paying attention.
you tilt your head over your notebook, staring at your drawing before you erase something and redraw it. rin watches the way your hair shifts and moves around you as you look at your sketchbook from different angles—perfecting your art. his lips twitch at the sight of your pout when the tip of your pencil breaks. you're restless, quickly sharpening it and continuing your drawing when the teacher's voice breaks him out of his daze.
"all right class, partner up! i'll let you chose your partners this time. please don't make me regret it," she sighs, and the excited chatter of the students quickly fills the once silent room.
rin straightens in his seat. he had absolutely no idea what the assignment was since he wasn't paying attention—but, right now, he didn't care. his eyes stayed glued on you, waiting to see who you would partner up with. rin has to crane his neck a bit as his classmates moved around and shifted seats—effectively blocking his view. once everyone settled down with their partners, rin was able to see you again.
and you're sitting by yourself.
rin doesn't know what urged him to walk towards you. he can hear his heart pounding—tugging him closer and closer towards where you sat. he swallows the lump in his throat, standing behind you silently before he taps your shoulder
you turn around, obviously not expecting him—because your eyes widen a bit when you see rin. and rin just...stares. he doesn't say anything, and it's like the two of you were sucked into a bubble, separating you from everyone else—you both stare at each other, blinking blankly and staying absolutely silent
"do you want to—"
"are you—"
rin wants to crawl into a hole and die. he shakes his head, pressing his lips into a firm line before speaking again. the flush of embarrassment in your cheeks was making him feel flustered.
"sorry. i was asking if you wanted to be partners with me," he speaks. rin places an awkward palm on the nape of his neck, silently questioning where he got the sudden boost of confidence to approach you from, because it had suddenly, and very inconveniently, vanished into thin air—leaving him defenseless. you smile warmly at him, quickly moving over and beckoning to the open seat beside yours.
"yes! i'd love to be partners," you say, quickly closing your sketchbook and putting it away as he nods gratefully, taking the seat beside you.
"thank you," rin says. and then, it's quiet again. the tension is as thick as butter, and you look around awkwardly before laughing, nervously.
"so...do you know what we're supposed to be doing, rin-san?"
this was the first time you saw rin smile. and laugh. well, not laugh, per say. but he snorts, and it's almost as if he was surprised by his own reaction as he shakes his head with a soft grin.
"not a clue."
the rest of class consisted of the two of you leaning towards each other with bowed heads, you soft giggles and rin's low voice filling the void between you two.
itoshi rin has a friend.
this is what friends are, he decides. people who smile at you when they see you, people who help you with your homework and expect nothing in return. slowly, but surely, fall turned into winter, and winter turned into spring. friendship is a blossoming thing, he thinks. because it felt like every day that passed, you and rin became closer. like a knot tightening further and further—he was growing closer and closer to you.
your guidance is what rin needs. direction and kindness—you helped rin navigate his own mind through art, a language he could use to spill his heart's deepest desires. every stroke of his brush came straight from the core of his soul.
charcoal was your current medium of choice this friday afternoon. every harsh fingertip pressed into rin's paper and ever gentle brush of his knuckles against the page has its own meaning—its own purpose. his tongue is poked out in concentration, and you watch rin work quietly as the quiet sound of akamatsu sensei's record player filled the silence. rin thinks of the way your delicate fingers transverse and move when you make art, and he mimics your movements—your gentle voice reassuring him.
"beautiful," you breathe breathlessly, tentative hands carefully taking the paper rin hands you as you stare at the art piece he'd just created. a battle field—it's set up like a football field, but instead of players, there were towering presences instead. swords and shields, a storm in the background, long blades of grass and a constellation of stars—rin's spark and love for art had been rekindled.
"thank you, y/n. i...i couldn't have done any of this without you. you're the only reason i'm not failing right now," he says softly, his voice almost sheepish as your eyes flit towards his—welling with pride.
"i wish i could frame this! it's beautiful...akamatsu sensei is going to be so proud of you, rin-san! this talent has always been with you. i just got the wheels rolling. you're very talented, i hope you understand." you smile softly, your eyes crinkling with the motion as rin's heart rate spikes at the sight
"rin," he whispers, and you blink in confusion before he clarifies himself
"call me just rin, please."
"oh! okay, rin," you smile, the familiar flush returning to your cheeks as rin smiles softly. if he moves even an inch closer to you, his knee will bump against yours under the table. rin is suddenly hyper aware of the space between you two. the music playing in the back ground fades to nothing, just like the world did, when rin stares at you. your eyes soften, and rin's positive his heart is going to burst right out of his chest and into your lap.
friends don't want to kiss their friends. the realization is chilling, and rin's eyes dart towards your lips for a split second—he couldn't stop himself, and the sight makes his breath hitch. soft, pink, plump—he wants to kiss you. rin really wants to kiss you.
the screeching sound of his chair against the floor shatters the serene moment of peace. you blink rapidly from the loud interruption as rin wordlessly picks his bag off the floor, slinging it over his shoulder in a single, fluid motion before exiting the classroom. you're left stunned and alone, your smile falling as he leaves without saying goodbye,
alone again.
rin is not familiar with love, you have to understand this.
in his eyes—love was a transaction. a give or take scenario, and if you can't give something useful—you get your heart trampled on. a certain brother taught rin that. he leaves school that day sullen and empty, his heart physically hurting in his chest as he walked home.
rin started ignoring you after that day. he didn't show up to your after school tutoring sessions on friday, he stopped turning towards you when your english teacher told the class to partner up—and your seat in art class beside him was now occupied by his backpack, a clear message telling you he didn't want you sitting near him.
you have to understand—rin didn't have anything to give. he'd taken your kindness, your love, your guidance—but what did he have to offer? he's not very gentle, and as graceful as his movements may be, he can't always control the bite in his tongue. and he's sensitive. his humor borderlines between dry and downright crude. and he's not used to having a friend, forget a lover—so, itoshi rin will ignore you. he will love you from afar, but he won't so much as glance in your direction anymore. because he cares too much, and rin thinks you deserve better. he doesn't thrive like you do, he destroys. and he's certainly not your mess to clean up.
"y/n,"
you glance away from rin's retreating figure. once again, he didn't bother to look at you all day or say goodbye—he simply left class. akamatsu sensei's voice pulls you away from rin as you quickly approach her desk, bowing your head in greeting.
"sensei," you greet with a weary smile as her gaze softens. she hands you a slip of paper, her voice gentle as she speaks
"rin has been leaving class far too quickly for me to catch up with! would you be a dear and give this to him for me, please? it's a permission slip he must sign for our upcoming field trip,"
the words otsuka museum of art were printed neatly at the top. you'd been looking forward to this trip for months—you vaguely remember mentioning your excitement for it to rin at some point when he still spoke to you.
the otsuka museum of art scaled five floors, three underground and two above—of the richest art history ever. there were reportedly over a thousand paintings—masterpieces ranging from ancient times to the present day from all over the world. it was your dream to have your own art in a museum like the otsuka museum one day.
"okay! that's not a problem at all for, akamatsu sensei," you reply softly, bidding her goodbye as she waves enthusiastically to you. you manage a meek wave, offering a small smile as you exit the classroom.
this was your chance to talk to rin. determined to find him before he left school for the day, you move swiftly through the crowded hallways—keeping a firm grip on your tote bag and the slip of paper between your fingertips as you push open the front doors of the school
and there he is. his strides are slow and long as he walks on the sidewalk about a dozen meters away from you. your feet hit the pavement as you quickly make your way towards him. he doesn't look up from his path to the school's football field—his hands remain shoved deep in his pockets and completely unaware of your approaching steps
"rin! rin, wait!"
rin pauses mid step, and you watch every muscle in his back tense the moment your voice reached his ears. he swallows the lump forming in his throat, closing his eyes for a moment before reluctantly turning around. his eyes are round in an almost childlike manner as you approach him.
you take a deep breath before grabbing his hand—and he's startled for a moment before you place the field trip slip in his hand. he blinks down at it in confusion, squinting at the small text before they widen a bit in realization
"akamatsu sensei couldn't give it to you earlier, so, uh, she asked me to," you quickly say, wringing your hands together nervously as rin stays silent, blinking at the paper in his hand.
"i...i'd be really happy if you came. of course, it's a voluntary thing but..."
even though rin won't look at you, resorting to burning a hole through the paper slip in his hands again, you continue with your words.
"rin, i don't know if i did something wrong to upset you, or if i said something you didn't like—but...i'm sorry."
rin's jaw clenches, and a frown digs its way onto his face as he stares at you. he shakes his head as if to say no, and just when he opens his mouth to say something—a loud voice comes barreling your way.
"itoshi! you're late! on the field, now!"
rin's coach's voice is booming and demanding of attention—and you're startled enough to flinch. rin exhales sharply through his nose, a vein threatening to pop on his forehead as he fights to keep himself from cursing out his coach, something he'd done many times before, in front of you.
"...we'll talk another time, all right?"
he doesn't seem to want to leave until he gets your confirmation, and you quickly nod
"i...okay."
he frowns at your hesitance, taking a half hearted step back, sparing you one last glance, before walking away. his shoulders are slumping just the slightest bit with defeat, and you don't have the strength to keep watching. you begin the walk home, thoughts scattered and heart hurt.
thankfully, rin did show up the day of the trip.
your breath hitched when you saw him board the bus—his dark, inky strands mused from the wind outside as he huffed, handing akamatsu sensei his field trip form before he turned towards the open seats. yes, there was one right beside you—but rin took the seat on the other side of the aisle.
doing this, he kept himself both near you and faraway—you heart sinks at the silent rejection. you spend the bus ride sketching in your notebook, trying your best to not look at rin.
you fell asleep on the two hour drive there. rin thinks you look a lot like an angel when you sleep. your face is composed entirely of peace. your sketchbook lays idly in your lap, and rin frowns when he notices it's slipping from your grasp.
he waits for the bus to approach a red light before slipping into the vacant spot beside you. he grabs your sketchbook, prepared to close it and put it safely away into your tote bag, when he sees what you were drawing
it was him.
everyone arrives to the museum after another fifteen minutes. and after going through security, your classmates and akamatsu sensei stand in the foyer—buzzing with excitement. you leave the group the second you're given the green light. everyone is given ninety minutes to explore the museum on their own before you all have to regroup and grab lunch. you slip away as quietly as you can, moving through the crowd of people in search of some much needed solitude.
you let out a breath of relief once you escape rin's presence. now, you can't see him at all—all you can see is the hundreds of art pieces and hallways waiting to be explored. they beckon you forward and call your name. your first step is hesitant as you remember how much you wanted to explore this beautiful building with rin just a month ago, but you take it anyway.
you move through the museum slowly, allowing your body to sink into the moment and absorb the entirely new world around you. the domed ceilings themselves have art painted on them, and you twirl and waltz through the halls, taking it all in.
your heartbeat calms. your nerves, fears, sadness—it fades to background noise as you take it all in.
unbeknownst to you, rin follows you the entire time.
his movements are precise and elegant. he can duck behind a nearby family or statue the moment he anticipates your gaze nearing his vicinity. he keeps a healthy distance, his eyes never leaving your form.
there's a soft smile on your face as you explore the museum. rin can't help but watch the way you excitedly chat to the security guards posted by the arts and explain each piece's history. he watches your animated gestures to the enormous structures as you explain the myths and stories behind them.
you're far too kind for this world. truthfully, rin thinks your heart is bigger than the entire museum—bigger than the entire world, really. you give, and you give, and you give—but you don't ask for anything in return. you're selfless—offering your sweet smiles to passerby’s and dorky art facts to anyone willing to hear.
rin would soon learn the love you offered was unconditional.
you're moving from exhibit to exhibit, before you finally enter an empty one. he stands by the entrance where your back is facing him. rin is nervous beyond belief—but he takes the step inside, anyway. you don't notice him at first, too busy staring at a painting the same height as you with a feverish type of awe.
he steps beside you, not meeting your gaze as he peers up at the painting. a man and a woman sit at a piano, playing together in harmony. they're in a ballroom of some sort, both dressed in formal wear. rin can tell they're in love with the way they look at each other.
"i'm sorry."
rin can feel you go rigid beside him—he can hear the silent hitch in your breath as you keep your gaze glued to the painting, your fingers tensing at your sides as rin looks away from the painting, turning towards you.
he takes a moment to admire you. your lips, your lashes, the slope of your nose and the curve of your neck—before speaking
"i'm not good with my feelings. i push people away before they get to close, but it was like you slipped through the gaps—i...thought i'd hurt you if i stayed. but i hurt you by leaving. i like you, y/n. i like you more than any person i've ever known—i-i think i love you,"
the words fall from his lips in a broken whisper, and he wants to reach out and play with your fingers—have something to fidget with as he awaits your response. he wasn't going to shy away from admitting his feelings anymore, that wasn't rin. the only reason he messed up with you the first time was because he's never been in love before. but, he was willing to learn everything about it with you—he didn't want to do it with anyone else.
his eyes are glazed with unshed tears, because not once, not ever—has itoshi rin so clearly expressed his heart to another person.
this moment would forever be engraved into his heart, brain, and soul—but the sight of your face when you finally look at him steals the air from his lungs.
your lip trembles in disbelief for a moment, tears of joy springing from your eyes as you laugh—the sound a melody all in its own to rin's ears as you smile with all your teeth.
his mouth slots over yours a moment later. soft and oh so sweet—itoshi rin's kiss was like pressing your mouth against the petal of a flower. his hands cradle your face, his breathing coming out uneven and quick—he kisses you hard, and you laugh into his mouth as your hands wrap around his neck. he tugs you infinitely closer, molding his form against yours.
"i love you too, itoshi rin..!"
rin's eyes crinkle with a rare show of genuine joy. his eyes don't leave yours as he watches your thumb gently caress his cheek. because in a room full of art—itoshi rin would rather look at you.
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