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#ESPECIALLY WITH HOW SHY I AM AND HOW VERY NEW AND STILL IN DEVELOPMENT JOEL IS
themechaneer · 4 years
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random love from @peacefulapostle​
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T-T Monroe… Coming as a person who has been aware of you for a few months now and have only just worked up the nerve to follow you after you followed me cause your writing and characterization was just so impressive to me it means a lot. I think I’ve mentioned it before that while I’ve had oc’s in the past, and my main muse is so much mine that she may as well be an oc at this point, Joel has been the first official oc I’ve put out into the rpc. The first oc I’ve had that stuck around long enough for me to develop him into a character that FEELS like a person to me, like a genuine human being within his story instead of just a concept of one. Ngl I was terrified. I still am terrified of showing him to people cause I do worry he’s not enough, that I need to do more to make him appealing, to make him interesting, to make my original character worthy even if he already means so much to me…
Bit by bit, while I’ve built up this blog you along with others, have helped disperse so much of that initial fear. So many of those first time oc writer insecurities that I had. You and literally everyone else I follow here and interact with have all been so unbelievably kind with not only showing interest but actually offering feedback when I ask for it because honestly, it is important. We have this mindset that we shouldn’t create for others but instead create because it makes us happy and I do believe in that but—- what’s the point of creation if you can’t share it with others? If you’re the only one who knows about it? Acknowledges it? Artists no matter of what kind thrive on recognition and feedback not because we fish for praise but just because art no matter through what medium is meant to be communal and shared. It’s just another form of communication so had this blog and this muse been met with radio silence you can bet as much as I love Joel he wouldn’t have lasted long.
You have been one of my loudest supporters among the new friends I’ve made through this blog once I got over my own shyness and started speaking to you. You’re also someone whose opinion means such a great deal to me as someone who DOES respect and admire your own oc creating abilities as well as your impeccable writing skills as an rper. I don’t have the words to tell you how much I appreciate the outpouring of kindness and the genuine interest you’ve shown myself and Joel in the last few weeks. How much fun I’ve been having just plotting out little things with you in discord and verse discussion. You mean a lot to me friend and I feel truly blessed to have come to know you and to have you as this sort of a consistent bit of sunshine and good feels on my dash. In general, you make the rpc a better place by being yourself and I’m just so glad to be a part of your experience with it. Love you lots my dude, you’re a treasure, and I appreciate you.
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I was tagged by @wangxianbunnydoodles (oh my, this is long and you might regret it; also I don’t follow instructions well 😉). I tend not to be very good at these things (sorry to anyone else who has tagged me in these kinds of things before—this is a rare event happening mostly because I wanna talk about Tolkien books and ships) but here goes:
Top 3 Ships
I don’t actively ship characters that often. I’m not sure why that is. I do enjoy reading fic with pairings either canon or not, but I don’t often go “all in” on ships in most narratives I consume. There are notable exceptions (more than three but these are the three most recent—I have no idea how to identify my top ships):
WangXian (CQL). This is surely obvious from the current state of my blog, right? I blame The Untamed and its impossibly tender, only-subtextual-by-a-hair’s-breadth romance. I don’t think I’ve ever seen a show express ultimate devotion, deep affection, true appreciation, complete understanding (eventually), and the sheer *necessity of the other* between two people quite like this one has. Hell, I don’t think I’ve ever seen two characters and desperately wanted them together and happy as much as I have these two, so bravo to the cast and crew for generating such second-hand devotion in me.
Silvergifting (Tolkien). This is all @thearrogantemu’s fault. I’d read some Silvergifting before I read These Gifts That You Have Given Me, mostly out of curiosity (some good stuff, too!), but I had never read any Tolkien fic that convinced me it was *true* (on many, many levels, though the ship level is the one pertinent to this post). In any canon-like universe this ship hurts, but in the Gifts universe it hurts the most; it hurts like Hell. It hurts in the way only razor-sharp, sorry-the-universe-works-this-way, oh-are-those-my-entrails-on-the-floor-I-didn’t-even-feel-the-knife tragedy can hurt. And it’s so convincing that it’s just...a fact now. Tolkien just forgot to tell us. So now I ship Silvergifting, but most deeply, specifically THAT Silvergifting. (Meanwhile, 14 year old me continues to look at *significantly* older me like I’m insane.)
ZeLink (Legend of Zelda). Deep down I’m still 12 years old and no amount of fine lines and wrinkles is going to change that. When is Breath of the Wild 2 coming out?
Last Song
I listen to soundtracks and bombastic and dramatic orchestral pieces much more often than I listen to what people mean when they say “songs,” and a significant chunk of the “songs” I listen to are from musicals/operas.
Earlier today it was Hanz Zimmer’s soundtrack to Dark Phoenix (don’t start me up on the continuing disappointment that Phoenix adaptations continue to be to me—you don’t want to hear it; even I don’t want to hear it).
Before that it was Barbra Streisand’s The Broadway Album. (I prefer her outer space cover of “Somewhere” to the actual thing. Fight me.)
Before that it was Carmina Burana (One of my favorite things ever was when we went to a live performance of Carmina Burana and a boy who couldn’t have been more than 7 years old sat in the aisle in front of us and head-banged enthusiastically through “O Fortuna.” It was so metal. You go, kid. You get it.).
Before that it was a splattering of Billy Joel hits with emphasis on “2000 Years”, “River of Dreams”, “Scenes from an Italian Restaurant”, “The Stranger”, and “Only the Good Die Young” (thanks to that outstanding WangXian interpretation!).
Of course the soundtracks to The Untamed/CQL have been on repeat for weeks around here, particularly every single iteration of “WuJi” and the flute-heavy instrumental pieces (man, those are good!).
Not long ago I had Sarah Brightman’s covers of “Figlio Perduto” from La Luna and “Glosoli” and “One Day Like This” from Dreamchaser burning through my iPhone battery (yes, I like popera).
Enya, and especially Shepherd Moons and The Track Which Shall Not Be Named has been on repeat a lot.
Last Movie
I don’t sit down to watch movies that often any more. It just takes too much stillness and undivided attention and more resistance to multi-tasking than I have. The actual last movie that I watched (in a “have it on on another screen while I work” kind of way) was Raiders of the Lost Ark, which, of course, I’ve seen umpteen times and which followed a similar rewatch of the Back to the Future trilogy. The last movie I watched completely without distraction was Book Smart; I don’t watch comedies very often, but I really enjoyed it in an “OMG, I can totally relate to this” kind of way (except for the class president thing—that would have required that I interact with other people my own age and also not be homeschooled). Before that I think it was the Tolkien biopic. Man, I still haven’t written anything about that.
Currently Reading (in order of when I started them)
Oh dear.
The Familiar: part 1, Mark Z Danielewski. *sigh* For as much as I think Danielewski is brilliant and House of Leaves is one of my favorite books ever, I’ve just not been able to get into much of his other work. It’s universally a time and energy investment to penetrate and puzzle through, and I just don’t have as much of that as I used to. House of Leaves makes that investment worth it from early on and is absolutely a page-turner once you settle in, but other than The Fifty Year Sword I’ve just not been able to get into the rest of his work. The Familiar: part 1 is supposed to be the first in a 26 part series which is currently halted at part 4, I think. Without a guarantee of all parts ever being published, I don’t think I’m ready to invest more time into part 1 and may end up abandoning it, unfortunately.
History of The Hobbit, Douglas Anderson. Anderson did what Christopher didn’t and gave The Hobbit the HoMe treatment (if a bit less literal and opaque in format). It’s fascinating (I mean, there’s the Beren and Luthien name drop you were not expecting right there in the first draft), but reading essentially the same passages with only small changes over and over can be a slog, so reading it has been an ongoing project for over a year now.
Splintered Light: Logos and Language in Tolkien’s World, Verlyn Fleiger. This is Fleiger’s look at Tolkien’s Middle-earth in light of his association with Owen Barfield. Particularly, she is examining Tolkien’s work in conjunction with Barfield’s Poetic Diction and his thoughts on language and meaning. I have not read Poetic Diction, but I probably will now since it apparently addresses language formation as related to the origin of human consciousness which is SO up my alley.
New Seeds of Contemplation, Thomas Merton. My late sister-in-law had a masters in theology from Notre Dame and became a huge Merton fan. Meanwhile, my best friend actually spent a weekend retreat at The Abbey of Gethsemani. Between hearing about him from the two of them, I developed an interest in Merton. I happened to read “Moral Theology of the Devil” a couple of years ago. It was one of the most illuminating theological things I have read and deeply inspired my own Tolkien fic-writing (let’s just say the progress there is otherwise slow). This book is a collection of pieces which happens to contain that piece, and I’ve been skipping around through it for a while now.
The Lord of the Rings reread (Tolkien, obviously). I hate this, but I am so deep in so many critical Tolkien books that I’ve not had the chance to really sit down and relax into my reread for months and months and will likely just end up starting over. Plus I want to read it concurrently with the next entry in this list and the next entry is taking longer to get through because of its format. That entry being:
The Lord of the the Rings: A Reader’s Companion, Hammond and Scull. This is a treasure trove of data and insights for those really wanting to dig critically-historically into The Lord of the Rings on a chapter-by-chapter, passage-by-passage basis. The only issue with it is that jumping back and forth between the two (as you have to: this is a reference book) tends to kill the mood of The Lord of the Rings when read as it’s meant to be read: for enjoyment!
The Power of Limits: Proportional Harmonies in Nature, Art, and Architecture, Gyorgy Doczi. This has been an ongoing read here and there since Christmas, especially as I work on two personal projects.
The Gospel in a Pluralist Society, Lesslie Newbigin. To be honest I don’t think I am going to finish this one. I like a few of the things he says, things I think are truthful and which need to be confronted in American Christian culture in particular, but it’s just too much Calvin for my taste, too many assumptions I do not share being the heretic that I am, and I spend too much time anger-notating about theology to read it with grace.
In Full Measure I Return to You, thearrogantemu. This is a reread of the (relatively) happy AU fic for my most favoritest Tolkien fic (Gifts), but I’ve put my reread on hold while I finish one of the two projects, after which I am diving in and screw the rest of this list for the time being.
Food Craving
Sushi. My kingdom for some good sushi. I’ve only had sushi once since we got back from NY and while it was the best sushi I have had locally IT WAS NOT OMAKASE AT SUSHI NOZ. It also didn’t require a personal loan to pay for, but *shrug* I’m spoiled now and will forever crave what I can no longer have.
People I’d Like To Get To Know Better
I hate tagging people in these things because I’m awkward and shy and do them so rarely myself that it feels hypocritical for me to ask it of others. That being said: if you’re a follower of my blog and you want to do this, please do! And please tag me! I’d love to get to know more about you 😊.
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miss-m-calling · 4 years
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Shipoween 2020 letter
Canons requested: The Marvelous Mrs. Maisel, Starred Up, Witchblade (TV)
Dear writer,
Hello and thank you for writing for me. I’m very excited to read whatever you come up with.
Without further ado…
Lenny Bruce/Miriam “Midge” Maisel/Susie Myerson
Lenny Bruce & Miriam “Midge” Maisel & Susie Myerson
Lenny Bruce/Miriam “Midge” Maisel & Miriam “Midge” Maisel/Susie Myerson
I’m here for Midge’s adventures in the intoxicating, foul-mouthed, and often-frustrating world of comedy, so her dynamic with Susie and Lenny is where it’s at. I just love the interactions between these three, and between every pair combination among them: Midge and Susie bantering and swearing and tits-upping even when they irritate each other, Midge and Lenny bringing the pathos as well as the humor, and Lenny and Susie both being hardened old pros with still a little glimmer of starry eyes. I am good with either V-shaped triad/poly or hey, Susie (whom I absolutely read as gay) might find a way to be good with a full-on triangle… If you want to keep it platonic, True Companions all the way, always there for each other, even when they want to strangle each other. And as much as I like the comedy inherent in the characters, I also love that they’re all three, each in their own way, messed up people and dysfunctional to various degrees. So yeah, I just want Midge to hand the kids over to her parents, ditch Joel once and for all, marry (interpret that as literally or as loosely as you want) both Susie and Lenny, and for the three of them to ride off into the sunset to make comedy history. Canon-specific DNWs: anything above M rating, pairing any two as a / couple with the third as a & hanger-on, and while Lenny can still be his RL messed-up, drugged-up self – albeit the gentler version the show gives us – it would be good if he didn’t kick the bucket a handful of years down the line.
Most of these prompts are from before S3 dropped – feel free to work with canon or diverge however you see fit, I am all caught up now:
-Does Susie manage them both? Does Midge open for Lenny on tour? Does he open for her??? Or they become equal stars on the comedy circuit?
-Maybe Lenny joins Shy Baldwin’s tour, or they run into him while touring Europe or the US, or after Shy fires Midge, Midge and Susie cobble together a Midge-only tour of America and keep crossing Lenny’s own touring path, and they all tool around, and yes I would love as much period detail and geography porn as you can throw at me. And while Lenny and Midge have seen the world, Susie hasn’t – her reaction to different foods, languages, customs, landscapes would be spectacular to witness. Especially if “different” is someplace as close to New York as Jersey or Connecticut, or someplace as far away and different as, say, Japan.
-If they do go to Europe, somehow or other they also tour the Soviet Bloc. Cue culture clashes, getting followed (or thinking they’re being followed) by the secret police, getting hammered on vodka and herring and pickles, and then when they get back to the States, the Feds grill them. It’s all dead serious, and Midge and Lenny refuse to take it as seriously as they should, while Susie is trying but the whole thing is really pissing her off…
-Lenny’s burned out, and Midge is just getting started. This dissonance may or may not find some sort of resolution. One thing’s for sure: Susie has limited patience for both Lenny’s depression and Midge’s need to make everything pretty.
-Instead of going to Joel for a no-way-is-that-closure fling after the Steve Allen Show taping, Midge goes to have a drink or seven with the two people who have, in their own ways, always been there for her and never let her down.
-Midge goes on TV again, this time as the star: longer set, prime time slot, dressing room, the works. She’s dying of nerves. Lenny and Susie coach her through it.
-More radio work to make ends meet in between gigs: hilaribad period ads, hilaribad radio drama, running all over town to be on time, getting paid in all kinds of dubious merch…
-Midge and Susie head out west to make it big and stay with Lenny once they’re in Los Angeles, and it’s marvelous (ha ha) and disastrous in equal measure.
-More of Susie being the hypercompetent manager we saw especially in S3! (And please don’t dwell on her gambling problem, I was not a fan.)
-They all three get drunk, maybe with a hint of sadness if it’s the holidays (you can ignore my DNW about holidays, but please let that be just the background, not the lynchpin of the story) or someone’s birthday, and there’s a bar fight, running from the cops, eating greasy food at ass o’clock, and possibly kissing, not necessarily in that order.
-One or two or all three of them get arrested/have court appearances all over America and have to bail each other out, or find someone to bail them all out, or secure legal counsel – you get the drift. Or all three of them are trying to explain to a single lawyer what happened, talking over each other, the two pros not being able to resist landing zingers and Susie not being far behind, and the lawyer just getting more and more confused.
-They get in trouble some other way – offended patrons, surly management, shitty hotels, tour bus breaks down in the middle of Wyoming – and have to have each other’s backs because no one else will.
-Three-person road trip or tour, and only Susie knows how to drive. So Midge decides to learn, right then and there. And Lenny… Lenny may or may not be too lazy/hungover/lying about not knowing how. There’s supposed to be a rotation so everyone gets to stretch out on the back seat for equal lengths of time, but you know the system doesn’t work too well in practice. Also, they play games in the car to while away the time, and they do it their own way of course: I spy, cows on my side, yellow car, never have I ever, 20 questions, or riffing on whatever’s playing on the radio…
-They sit down to watch the moon landing (you can move it up a bit so it’s not happening a whole decade after S2) – by which I mean, Midge is all gung-ho about the moon landing, and Lenny and Susie are like whatever – and things don’t quite go to plan, but a good time is eventually had by all.
-It’s Yom Kippur again, and Midge wants to do the whole production: synagogue, breaking fast, the lot. Lenny and Susie would rather eat glass. Midge gets her way, of course. Does she decide to bring Susie and Lenny home to meet – or meet properly – her parents??? I bet Abe and Rose’s reactions would be something to see. (This too is an exception to my DNW about holiday settings – I just want stuff to get as crazy as it did the two times we saw Yom Kippur celebrated on the show, and for everything to still somehow turn out relatively OK.)
-Midge and Lenny have cheered each other up when the going got extra rough. I want for Susie to be especially down in the dumps – maybe her boozehound of a mother died and Susie took it worse than she does in canon, maybe some asshole told her she’s a shit manager and got her right in her insecurities – and Midge to rope Lenny into trying to cheer her up. And for Susie to fight them every step of the way but still be glad they care enough to try.
-Inspired by Susie’s brother looking just like her, by which I mean she and he and their sister look nothing alike, and by Lenny’s “she’s my mother” quip about Midge at the TV studio and then his “let me introduce my wife or maybe my sister” in Miami – Midge, Susie, and Lenny pretend to all be blood relatives, or mafiosi, or spies, or something else they’re not, while out in public, say in a restaurant. Just to be assholes and see how long they can keep it going before they break character or people figure them out, or call the cops, or something. There’s totally a bet on who corpses and breaks character first. Or, nice hotels ca. 1960 weren’t very big on letting unmarried couples, let alone threesomes stay in rooms together – pretending to be family might make that easier; forgetting what they’re meant to be to each other, or mixing up their backstories might make it harder. Or they’re just trying to save money by only getting one room, there’s only one free room in the hotel, or any other screwball reason you can invent.
-Lenny and Midge do a (comeback) tour of the Borscht Belt, and all the Steiner Mountain Resort guests (especially the gossipy old hens from the beauty salon) and staff go to see them – and heckle.
-Stuff happens and they end up performing at some hole in the wall place where no one knows who they are (or no one believes it’s really those people they’ve seen on TV) – tough crowd, but a good workout for the two comics, and if Susie gets to threaten to rip off someone’s head, all the better.
-Lenny and Midge honing their routines – and maybe developing a double act – and Susie being all “oh my fucking god, what the fuck!!! … They’re actually good. I’m so proud.”
-Sharing a bed with two other people is an ongoing project: who sleeps (or refuses to sleep) in the middle? Who gets up during the night and why? Who starfishes across most of the bed? Who snores, and how does this get handled? If alcohol or pot have happened, how does that affect the sleeping arrangements? Also, Susie and Lenny witness and react to Midge’s beauty routine, ‘nuff said. Or, for various reasons one person after another ends up decamping to another room/bed/couch, but it doesn’t help them get much sleep or even stay there very long (this is inspired by my love of Shirley Jackson and her short story/humorous essay “The Night We All Had Grippe”). If you prefer to keep it platonic, most of this would work if they’re just sharing a double bedroom on tour (I leave the reason for why Lenny is bunking with the women up to you).
Starred Up (2013 movie)
Oliver Baumer/Eric Love
Yes I do ship it, I do, I do!
Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell - yowza!
For this canon, my dubcon DNW does not apply.
Prompts:
-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.
-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.
-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.
-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.
-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.
-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.
-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.
-Role reversal: Oliver as the con (jittery, shut off, sticking out like a sore thumb in prison with all his fancy learning, yet no pushover) and Eric as the newbie counselor (kid from the wrong side of the tracks made good? Youthful hoodlum turned around his life, now trying to help others via tough love and lots of swearing and maybe a bit of manipulation when called for?)
Witchblade (TV) Sara Pezzini/Danny Woo
I used to love this show back in the day, and loved it again in all its hokey gloriousness when I rewatched it recently. Sara figuring things out and being a principled badass, but maybe out of her depth with the Witchblade, and her dynamic with Danny, whether he’s a ghost or alive, it’s all catnip to me. Sara is not extremely quippy, she has a job to do dammit! and don’t look at her vulnerable side, just don’t look at it!, and I love that about her (she’s much harsher in S1, after Danny’s death, than in S2); ditto that Danny is somewhat softer than she is, but still can hold his own thanksverymuch (well, when the plot doesn’t require him to get nabbed by bad guys) and has a bit of a deadpan snarker side too. I’d love something that plays around with their canon dynamic from either season, or uses canon as just a starting point. Some of my prompts lean dark or horror-y, so don’t be shy about going there; I’d also enjoy a story in which the Witchblade itself ends up not being very significant (say, they start to investigate a possibly mystical case and then nope, plain murder). Canon-specific DNW: Irons and any version of Nottingham appearing (you can mention them if you need to).
Prompts:
-The Witchblade is more parasitic than symbiotic, and instead of Sara learning to control it, its feeding on Sara affects her more and more over time. Or, the visions and dreams ramp up into full-blown paranoia and/or disassociation. The Witchblade’s POV, maybe (it is sentient)? Asking for help is the hardest thing for someone like Sara, but what are (more than) friends for? I’d also enjoy a dubcon scenario (exception to blanket DNW) where Sara really shouldn’t be having sex when her head is all messed up by the Witchblade’s influence, but… well… they do. The Witchblade canonically enjoys violence and bloodshed perpetrated by its wearers, so it stands to reason that it might lower other inhibitions too.
-Witchblade v. mythological monsters. In S1, even with everything else that’s going on, Sara absolutely scoffs at the possibility of vampires. So of course I want: Witchblade v. vampires! The scarier and more feral, the better. Or, it’s implied that the Witchblade was forged from a meteorite, so it’s basically an eldritch artefact from outer space. Yes, please lean all the way into the Lovecraftian tropes! (The moon is turning red, the Old Ones are back, it’s the end of the world as we know it, but Sara’s got her partner by her side.) Or something from Chinese mythology, so Danny can kick extra ass. Or, for a silly take on Chinese culture: Sara and Danny in the world of Big Trouble in Little China, another old fave of mine, the entire plot of which revolves around… a woman with green eyes and an unwanted connection to the supernatural.
-The Witchblade has a reputation for abandoning its wearers just when they need it the most. True to form, it slips off of Sara’s fist, leaving her and Danny to save themselves with good old-fashioned guns, fisticuffs, martial arts, and of course having each other’s back.
-More of the psychedelic-ness in many of Sara’s fight scenes, where now she’s a woman in a leather jacket with a gauntlet on her arm, now she’s a knight in armor! Now her opponent is human, now he’s a wolf-shaped spirit of evil and hatred! Playing around with the characters’ senses and perceptions – yes!
-Instead of seeing only Danny and needing him to play intermediary for Sara to talk to other ghosts, the Witchblade makes Sara see ghosts all over the place, and it’s getting to her. Ghost!Danny may or may not help with that. Or, ghost!Danny is basically always around, whether Sara can see him or not. He manifests when Sara is masturbating, and you can’t really feel guilty if the ghost of your dead partner whom you’ve always had a thing for helps you out, and anyway you’re probably going crazy and none of this is real, so it doesn’t count anyway… right?
-Case fic/stakeouts and banter. Flirting to pass the long and stressful days at work. Quick and guilty sex because Danny’s married. Slow and intense sex if handwave he’s not married but “oh noes we’re partners, we shouldn’t be doing this, but somehow we keep doing it anyway.” Hooking up in the car. I’ve always headcanoned that they had a thing pre-canon which ended for Reasons, but they both kinda wish it hadn’t, hence the hand kissing, and the “I can’t even touch you,” and the coffee bringing/stealing, etc. So feel free to play around with that.
-Undercover as married, undercover as a gangster and his moll (LOL at Sara as a moll, or have Sara as the gangster and Danny as her lieutenant/enforcer/arm candy), undercover as “they think we’re fucking, better fake it real good for the people listening in, oops shit got real fast, careful don’t say each other’s real name or you’ll blow your cover.”
-More timey-wimey shenanigans with the Witchblade. Maybe it allows Sara to manipulate time more than once. Maybe she starts doing it way too often, throwing the continuum out of whack (something non-linear would be very interesting). Maybe she and/or Danny remember some or all of what happened in S1. Something about all the multiverse versions of them, possibly splitting off from a dramatic moment. Time loops and feelings are a combustible mix.
-Apart from the super obvious shippiness, what I like about S1 especially is how Sara rolls with the weirdness the Witchblade has brought into her life, instead of reaching for rational explanations. More of that (I can’t think of a better way to put it), and double extra brownie points if alive!Danny figures out at least some of what’s going on with Sara’s bracelet and somehow gets in on the action. Maybe a Danny saves the day divergence? Or how about a loophole that allows a man close to the Witchblade’s wearer to wield it temporarily, but There Is a Price to Pay.
Likes:
I love pre-canon, canon, post-canon, canon-divergent, and missing-scene stories. I love character-driven and plot-driven stories equally, and I love fics which mix humor and angst/serious business when appropriate for the canon.
I love stories about characters at work and play, group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too, etc.
I love irony, snark, humor as well as angst arising from the characters rather than the plot crowbaring it in, linear, non-linear, and 5+1 stories, hopeful endings, happy endings, bittersweet endings, worldbuilding, competence, spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, characters who are their own worst enemies as well as those who can get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other.
I especially love workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters are competent and dedicated to the job, and while they may not be exactly friends and they may well irritate one another, they still manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise and sometimes reluctance/discomfort). Or, if they can’t get along, show me why not and what’s preventing them from finding common ground.
In terms of ship dynamics, I love (where it fits the characters) banter, competitiveness or antagonism shading into attraction (this tension need not be resolved), oh-god-why-did-it-have-to-be-you-what-did-I-do-to-deserve-this, bickering yet loving couples, characters who are serious about their romantic interests, characters who think they are much better at flirtation than they actually are, characters forced to work together only to prove much more compatible than they initially assumed, fics which mix an exploration of characters’ professional and everyday lives with shipping. A dynamic I cannot resist is shipping a couple who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, one betrayed the other or they betrayed each other), and while they love and want each other they’re also not willing to change sides or surrender/compromise their identity for the other’s benefit, and how they might (or not) make their relationship work anyway.
I don’t have any very specific likes for smut, other than smut fitting the characters – show me how their canon dynamics spill over into the bedroom (or other place of congress). I also like sexual scenarios that subvert expectations a little and surprise the characters themselves (e.g., the person who’s usually quiet or more passive taking charge, the more aggressive person goes with it possibly snarking or commenting on it as long as they can). And I like sexual scenarios that contain an element of competition, antagonism, oh-god-this-is-a-bad-idea-but-we’re-going-for-it-hammer-and-tongs, not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not, or just people getting way more into it or being more affected by it than they thought they would. When it fits the characters and their canon dynamic, you also can’t go wrong with we-both-wanted-this-for-forever-and-now-we-both-know-it-so-here-we-go-diving-in-headfirst. For het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) – it’s all good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.
DNWs:
MPREG, A/B/O, knotting, D/s, kinks, incest, underage, genderswap/genderbent characters, xeno, non-/dub-con, torture and abuse (this and non-/dub-con can be mentioned if the story needs it, but please don’t dwell on it in loving detail or subject any of my requested characters to it), dwelling on bodily fluids (mentions of gore/blood and come are fine), toilet humor, character bashing, issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons, unrequested ships, soulmates and soul marks, major character death (meaning my requested characters being or staying dead by story’s end), serious illness or injury, pregnancy and children, holiday or wedding setting/theme, secondary characters shipping the main pair like it’s their job, reference to RL current events, 1st/2nd person POV, unrequested crossovers or fusions, AUs which have nothing to do with canon
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beech5leek-blog · 7 years
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Several Frequent Site Problems Uncovered Through Information Audits
An advantage of performing for a business would be the level of web pages we be able to analyze. Nearly all clients who sign up for recurring Search engine optimization and/or articles options will get a content material review. Much like a practical Miami SEO Expert audit, the actual results of the content audit ought to bring in the strategies and priorities coming from the following periods of content material work. Minus the audit, you can' to build a good tactic because you 1st need to find out what types of content material you' ve received, what information you' lso are skipping, and what content you' ve bought too much of.
Although there are numerous blogposts available concerning how to implement a written content audit (and so i truly stimulate you to look at these material: Solutions to Conduct a Content material Audit and ), I am going to possibly be being focused on what my frequent success happen to be from just recently doing 15 written content audits. My plan could be to provide you much more of a structure on the way you can speak with customers relating to specific content or, for anybody who is the consumer, strategies that you should improve your web page content material to have consumers on the website more time and, inevitably, convert.
Slip-up #1: Simply no obvious telephone calls-to-action
I have still to perform a written content analysis where by generating much better calls-to-action wasn' t a focus. The purpose of a webpage must be totally obvious to any visitor (or content material auditor). What exactly is it that you want visitors who areas on this web site to perform following? Many of our purchasers aren't e-business, therefore it can experience a lot less evident; having said that , accepting you want someone to remain on your internet-site, what' s adhering to?
Regardless if response is usually " I want them to travel to their grocer, " ensure it is simple for them. Put in a well known " Take a look at Our Store" press button. If it' s a straightforward blog site web site, exactly what are the next weblog posts an individual really should go through based on whatever they just examine? Or will you be going through a related e-arrange you' d for instance these phones download and install? You received them to the finish of the publish - don' to forfeit visitors given that they aren' massive t absolutely sure what you should do next!
Blunder #2: An absence of written content for any periods in the customer quest
One thing we quite often do every time performing content material audits is observe exactly where during the income funnel just about every site is targeted (recognition, thought, acquire, or preservation). What we should at times obtain is that clients usually have the disproportionate volume of material directed at generating a purchase, however, not sufficient meant for understanding, concern, and preservation. This type of isn' t always true, primarily when they have a blog or sources centre; even so , the concern plus retention phases will often be disregarded. Because the client period is likely to be diverse for every single product, it' s still needed to have written content that deals with just about every stage, in spite of how short the cycle is.
Preservation is actually a big issue way too! It is far more charge-efficient and easier to upsell and go across-sell existing prospects than attract new. Your visitors also are a lesser amount of price tag-hypersensitive simply because they know your brand name is worth this. You certainly would like to supply content with this viewers far too to keep them a part of the brand and locate new works by using for your personal solutions. And also, you' ve already acquired their call information, so delivering information to these people is a lot easier than the usual possibility.
Here are some types of material per stage:
Knowledge: Articles or content (explainers, how-tos, and so forth), e-books, academic online seminars, infographics
Consideration: Product or service reviews, circumstance research, video clips
Acquire: Product pages, test delivers, demos, discounts
Maintenance: Articles or content (merchandise software programs, success stories, and many more), notifications, social media marketing content material
Slip-up #3: Recommendations aren' t useful to their own individual entire probable
There are plenty of pages committed exclusively to referrals around around the Interwebs. It' t hurtful. Who trusts a advice web site through ratings on next-get together internet sites like Yelp, Yahoo The Business, or Tripadvisor? No person. Having said that, there is a place for customer reviews. It' s just not using a customer feedback website.
The simplest way to utilize a suggestion would be to pair it with all the ideal backup. If it' s the recommendation precisely how simple and easy rapidly a client received their product or service, use that could with a shipping web page. If it' s a testimonial precisely how a product or service remedied a difficulty they had, make use of it after that solution webpage. It will strengthen your replicate and help you to alleviate just about any concerns a future client supplies making use of their choice to get.
Customer feedback can also help you transform your nearby relevance in search. When you have a storefront that is targeting particular places, demand the customer' s metropolis and situation if you assemble testimonials. Then, comprise of relevant customer reviews in addition to their community and also declare on the suitable position site(s). Whether or not your shop is Lakewood, Colorado, amassing reviews from clientele who live in Denver and consisting of them on your spot website page can help each engines like google and people know that Denver folks retailer there.
Error #4: Not producing articles in the community appropriate (if this type of is important)
If spot is important towards your business, you must not only use reviews to enhance any local relevance, on the other hand articles in general. Go ahead and take vehicle dealership marketplace, for example. There are many than 16, 000 motor vehicle car dealerships in the usa and they all (presumably) have internet websites. Some of them have incredibly identical articles since they are all marketing a similar or related kinds of cars and trucks.
The most effective car or truck car dealership websites, even so , are building content that matters to the close by areas. Persons who live in Denver colorado, for instance , are concerned about just what the ideal motor vehicles usually are for driving inside the mountain tops, while individuals the Los Angeles spot may choose to know which vehicles get the most effective highway gas mileage. Getting your gross sales group focus on widespread inquiries they get asked and responding to them with your content articles can do a lot to bettering near by importance and attaining dependable clientele.
Slip-up #5: Certainly not discussing charges
Quite a few firms, B2B corporations for example, typically will not would like to record costs on their own internet site. It' s reasonable, especially when the actual trustworthy reply to " simply how much performed your provider cost? " is " this will depend. " The problem with shying from costs totally, despite the fact that, would be the fact individuals are searching for charges information. It' s a massive overlooked possibility to never possess any information related to prices, and it also annoys prospective customers who will as a substitute know your cost you assortment right before supplying you with a telephone call or publishing an application for followup.
It' s mutually useful to have selling prices information and facts (or at a minimum information about how an individual determine prices) on the web site because it' ll support be considered network marketing leads. When a potential customer is aware of your price tag range and so they still attain out to acquire more information, they are a far greater steer than somebody who is contacting get costs information. This will save you your sales team the trouble of squandering their time following bad leads.
Receiving rates details on your web page also helps build believe in while using prospective client. For those who aren' t translucent of your costs, it seems like you charge nearly as much as you can get apart with. The greater amount of facts you give, the better dependable your small business appears to be. In case all your competing firms tend to be concealing their rates, you' lso are the initial 1 they' ll most likely get hold of.
Miscalculation #6: Getting dropped in jargon
There are a lot of fantastic providers in existence performing terrific function. Plus much more normally when compared to not, their web page fails to reveal this in addition to it could possibly. It isn' cash t exceptional for those given the job of developing web duplicate to be quite in the vicinity of towards the item. What often takes place is lingo and specialized words dominates, as well as the reason a client really should care could possibly get missing. In relation to talking about a product or service or maybe support, Joel Klettke stated it finest at MozCon 2017 . A web based website page ought to include:
What is the merchandise and why would the prospective client cherish it?
How can this particular product produce the prospect' t existence less complicated/superior?
What' s the next thing? (CTA)
It' s also imperative to include things like organization effects, true employ conditions, and customer accomplishments with all the current product on your internet site very. This determines additional trust and facilitates your boasts about your products. This will call your prospects in a way that vocabulary merely will likely not.
Blunder #7: Web site duplication thru migration to HTTPS
With more online websites having an SSL certification and going to HTTPS, it' s more essential than previously to ensure you have 301 redirects build from a HTTP release into the HTTPS model to avoid unintentional duplication from your whole web page. Duplicate information can effect search engine rankings as search engines like google fight to pick which model of the site is more strongly related to a certain search request. We' ve previously been experiencing quite a few websites with an total duplicate site or some isolated internet pages that didn' t attain redirects in position within their migrations. All of us also retain observing web sites that contain www and no-www models connected to internet pages with out 301 redirects very. Going regular crawls will assist you to keep over such a replicated content material.
Allow me to share a few great resources to check out when conducting a great HTTPS migration:
Miscalculation #8: Very poor inner connecting in addition web page structure
Precisely how content is well organized on a web site may be just as vital as precisely what the written content is. Without proper business, customers might fight to surf a site efficiently and also search engines have got a difficult experience determining which often pages of content are believed most vital. Ensuring your own personal most crucial webpages are organized to start to be simple to find, by listing them as part of your the navigation, for instance , is a wonderful customer experience and may help individuals pages and posts accomplish more effective.
Element of generating important webpages easy to find is by way of interior backlinking. Web content is frequently generated on an continuous basis, and obtaining sensible about interior backlinking requirements taking a few minutes to look holistically at the web site and finding out which internet pages make use good sense to url to and through. I maintain encountering site written content that fails to url to a major page on the webpage. As you don' major t want product to get the target of your blogging site, it should be easy for an end user to have within the core web pages of your website if they would like to do so. As you' re auditing an internet site, you' lmost all get pages and posts that associate to one another that don' t weblink. Make notices of such as you go allowing you to far better attach web pages in clone together with your phone calls to action.
Covering up
The points i obtain most appealing about content material audits is when subjective they can be. Identifying why are content material excellent or negative is grey in a manner that determining regardless of whether a site presents, say, a canonical label, is simply not. Because of this, I have got learned that what written content auditors concentrate most seriously following are typically a representation from the history of the person accomplishing the audit. In addition to the most commonly encountered content goof ups I have got addressed on right here represent my track record correctly, which is actually a meld of Miami SEO Expert and content material promotion.
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