#Edgar Hidalgo

[mtg-art-daily]

Dungeon Delver

You're driven not by a lust for gold or baubles, but by the thrill of danger and the excitement of the unknown.

Artist: Edgar Sánchez Hidalgo

[haaaaaaaaaaaave-you-met-ted]

The Laughing Marauder by Edgar Sanchez Hidalgo

[mtg-cards-hourly]

Shark Typhoon

Artist: Edgar Sánchez Hidalgo TCG Player Link Scryfall Link EDHREC Link

[theoutcastrogue]

MtG Art from Wilds of Eldraine

by Edgar Sánchez Hidalgo, Zara Alfonso, Nicholas Gregory, and Aldo Dominguez

[characterdesignreferences]

Art by Edgar Sánchez Hidalgo

January’s Theme: #AnimalPirates

Presented by CDQ Magazine

Discover the artists of the Character Design Challenge community and the current Theme of the Month in our Facebook Group! And when you repost your design on our Patreon page, you can also win awesome prizes every month and choose the future themes!

RULES | WINNERS | MAGAZINE | BOOKS

[heckcareoxytwit]

A preview of Ghost Rider: Robbie Reyes Special #1

GHOST RIDER: ROBBIE REYES SPECIAL #1

REV YOUR ENGINES AND GET READY TO RIDE! Robbie Reyes, A.K.A. GHOST RIDER, burst into the Marvel Universe and has been blazing his own trail ever since! Celebrate Hispanic & Latin American Heritage Month with three brand-new tales from a host of talented writers, including Carlos Hernandez, Melissa Flores and the return of Felipe Smith (one of Robbie’s original creators), as they put Robbie through his paces and he races through the Marvel Universe! PLUS, the print debut of an ALL-NEW Ghost Rider!

Written by: Carlos Hernandez Art by: Moisés Hidalgo Cover by: Humberto Ramos, Edgar Delgado Page Count: 32 Pages Release Date: October 2, 2024

[escapethemojoverse]

Episode 40: From the Ashes Month 9! X-Manhunt and all the other X-Men comics of March 2025

What a breeze! Only a paltry 18 X-Men comics in March. This month saw the second crossover of the X-Men from the Ashes era. Storm goes Dark Phoenix, Scott gets punched, frozen, and stabbed, and Charles tells his kids to try the soup!

Matt does a bit about the soup Charles mentions in X-Manhunt Omega that ends at 4:31 or you can find the recipe for Humarsupa here!

8:42 Psylocke #5 written by Alyssa Wong, art by Vincenzo Carratu and Moises Hidalgo, colors by Ker Sifuentes-Sujo, lettered by Vc’s Ariana Maher. Cover artists Mahmud Asrar and Matthew Wilson

26:26 Magik #3 Written by Ashely Allen, art by German Peralta, Color by Arthur Hesli and Lettered by Ariana Maher. Cover artist J. Scott Campbell and Tayna Lehoux

36:30 Cable Love and Chrome #3 Written by David Pepose, Art by Mike Henderson, Color by Arif Prianto, Lettered by Vc’s Joe Sabino. Cover by Ian Churchill and Morry Hollowell

44:34 Phoenix #9 Written by Stephanie Phillips, Art by Alessandro Miracolo, Color by David Curiel and Lettered by Ariana Maher. Cover by Yasmine Putri

50:39 Ultimate X-Men #13 Written and art by Peach Momoko, Script adaptation by Zack Davisson, Lettered by Vc’s Travis Lanham

56:30 Weapon X-Men #2 Written by Joe Casey, Penciled by Criscross, Ink by Mark Morales, colored by Yen Nitro,Lettered by Vc’s Clayton Cowles.Cover colorist Fer Sifuentes-Sujo

1:03:25 Uncanny X-Men #12 Written by Gail Simone, Art by Gavin Guidry, colored by Matthew Wilson, lettered by Vc’s Clayton Cowles, Cover by David Marquez and Matthew Wilson

1:16:00 Wolverine #7 Written by Saladin Ahmed, Art by Martin Coccolo, Color by Brian Valenza and Lettered by VC’s Cory Petit

1:24:31 Laura Kinney Wolverine #4 Written by Erica Schultz, Art by Giada Belviso, Color by Rachelle Rosenberg, and Letterd by Vc’s Cory Petit Cover by Elena Casagrande and Edgar Delgado

1:39:19 Deadpool/Wolverine #3 Written by Benjamin Percy, Art by Joshua Cassara, Colors by Guru-eFX and Lettered by Vc’s Joe Sabino

1:46:40 Hellverine #4 Written by Benjamin Percy, Art by Raffaele Ienco, Colors by Brian Valenza, and Lettered by Vc’s Travis Lanham. Cover artist Kendirck “KUNKKA” Lim

1:53:00 Ultimate Wolverine #3 written by Chris Condon, art by Alessandro Cappuccio, Colors by Brian Valenza, lettered by Vc’s Cory Petit Cover colorist Frank Martin

2:05:55 X-Mahunt

Written by Gail Simone, Collin Kelly and Jackson Lanzing “The Hivemind”, Murewa Ayodele, Jed Mackay, Mark Russell, Geoffrey Thorne, and Eve Ewing

Art by Javier Garron, Francesco Mortarino, Luciano Vecchio, Netho Diaz and Sean Parsons, Bob Quinn, Marcus To, Gleb Melnikov, Fredrica Mancin and Enid Balam

Colored by Matthew Wilson, Raul Angulo, Alex Guimares, Rachelle Rosenberg, Fer Sifuentes-Sujo, Jesus Aburtov, Erick Arciniega, Brian Reber

Letterer:Vc Clayton Cowles, Vc’s Joe Sabino, Vc’s Travis Lanham, Vc’s Joe Carmanga

Covers by David Marquez, Sara Pitchelli, Mateus Manhanini, Ryan Stegman and Marte Gracia, Greg Land and Frank D’AMARTA, Stephen Segovia and Rain Beredo, Gleb Melnikov and Morry Hollowell

X-Men Graphic Design and X-Manhunt Logo by Jay Bowen

If you have a comment or question, you can email us @ Mojoversepod@gmail.com 

Logo by Emily Kardamis who can be found on Instagram @corruptedgem or on Patreon at Patreon.com/corruptedgem

Our theme song is by Megan Lenius.

[soppsop]

Answer is literally truth I read Demian and The Stranger for characters I'm mentally ill over and rn I'm reading a 900+ page book for this dork

She's my ride or die my pookie bear she's my everything

And what's that after this... Ten more....

hmm i think you like this character a little (extremely real of you)

i think classic literature adjacent brainrot is the funniest one to have like ah yes i read the classic spanish book El ingenioso hidalgo Don Quijote de la Mancha. because of don quixote the anime girl. this is my blorbo Odysseus from The Odyssey. i'm a big fan of Edgar Allan Poe. no not that one.

[underworlddreams]

Season of the Burrow

Artist: Edgar Sánchez Hidalgo Set: Bloomburrow

[bodyalive]

On the Texas Border, Folk Healers Bring Modern Touches to Their Ancient Practice

Known as curanderas, they carry on a tradition long revered in local Hispanic culture.

By Edgar Sandoval

Photographs by Verónica Gabriela Cárdenas

Edgar Sandoval grew up in Mexico and the Rio Grande Valley, where Verónica Gabriela Cárdenas lives and where both covered this story.

Dec. 16, 2023

On a recent day, Chriselda Hernandez heard a knock at her door in the Texas border town of Edinburg. It was a college student who said she was suffering from a string of bad luck. A drunken driver had crashed into her car. Then someone broke into the new car she was driving and stole her laptop. “I need a limpia,” she pleaded — a spiritual cleanse.

Ms. Hernandez moved to an altar in her living room that bore an image of the Virgin of Guadalupe. Slowly, she mixed a concoction of sage and palo santo, a wood native to South America, and lit it with a match. Then she turned back to the young woman and waved the healing smoke over her body.

“You are holding on to something,” Ms. Hernandez whispered to her. “Let it go. There is no shame.”

For generations, Hispanic communities along the Southern border have turned to curanderas, or folk healers, like Ms. Hernandez, often seen in the popular imagination as old women with candles and religious icons operating in the shadows of society out of rusty shacks.

But the ancient healing art has entered the age of Instagram. More and more younger people are taking on rituals they learned from their grandmothers and deploying them against 21st century problems. They conduct limpias on public beaches, trade recipes online for blocking “envy energies” and sell artisan candles bearing the image of Our Lady of Guadalupe in shops. Their clients are often college-educated, like Clarissa Ochoa, the young woman who went to Ms. Hernandez for help.

“I think it’s an honor to be a curandera; it is something very beautiful, but also very limiting,” said Ms. Hernandez, 42. “I feel like we are breaking those boundaries, that curanderas are just herbs and little old ladies. My calling is just to heal whoever I can.”

A culture of folk healing preceded the arrival of Spaniard conquistadors to Latin America and Mexico. Over time, curanderos, a term used for healers of both genders, began mixing Indigenous rituals with elements of Catholicism and influences from Asian and African folk traditions along the way.

The practice has taken hold in Texas’ Rio Grande Valley, located a stone’s throw from the Mexican border, in large part out of necessity. Hidalgo County, home to McAllen and a majority Hispanic population, has one of the highest rates in the nation of people without health insurance, and many people rely on curanderas for lack of other affordable options, said Servando Z. Hinojosa, a professor of anthropology who teaches a class on Mexican-American folk medicine at the University of Texas Rio Grande Valley.

Mr. Hinojosa said many Hispanic residents also tend to be mistrustful of the medical establishment. This is especially true when it comes to mental health. A recent study by the Centers for Disease Control and Prevention found that while the number of Black, Asian and white people who have sought mental health care treatments has climbed in recent years, there has been very little movement among Latinos.

“There’s an element of distrust, but there is also structural alienation,” Mr. Hinojosa said. “They are a population that will seek affordable resources, and they will go to where the products are and where the advice is to be found.”

In the past, the medical establishment has warned people not to rely on folk remedies for physical ailments, some of which can be harmful. Many Latino children have fallen ill and even died after consuming such remedies known as albayalde, azarcon and rueda, powders often used for stomach-related illnesses that have been found to contain lead.

Curanderismo has become so accepted in the Rio Grande Valley that it is not unusual to see street signs and TV ads advertising folk healing services.

Ms. Hernandez said her great-grandmothers had both been parteras, or midwives. When she was a little girl, she said, she discovered that she possessed her own set of gifts; as she grew older, she said, she began interacting with an entity she believes to be the Angel of Death, Azrael. She works at a cellphone call center and lives with a girlfriend in a modern house in the suburbs of Edinburg, a city close to the border.

“You make it your own. There is no right or wrong. You do what’s right for you,” Ms. Hernandez said.

Another modern folk healer, Danielle López, 39, a former student of Mr. Hinojosa who said she also learned she had a don, a gift, as a young girl, has embraced the moniker of millennial curandera. She has combined the old traditions she learned from the grandmother who raised her, Consuelo López, and an aunt, Esperanza Rodriguez, with new skills learned at institutions of higher education.

Her academic record includes a master of arts in interdisciplinary studies with a concentration in Mexican-American literature, medical anthropology and Latin art history at the University of Texas Rio Grande Valley. She is completing a doctorate in English with a focus on borderlands literature at the University of Texas at San Antonio, where she is also a lecturer.

“For me it’s a continuity,” she said of her spiritual work. “I feel like we need it more now.”

It is not unusual for people to ask her for trabajitos, little jobs, including blessings, limpias and home remedies, when she is not buried in books. Not long ago, Ms. López got a request to bless a new business for a friend. When Ms. López cleansed the establishment with a bouquet of roses, six petals fell, prompting her to warn her friend that six people “did not have good intent.”

“They may say they are happy about her new business, but they are not.”

She also sometimes offers more science-based advice. When people tell her that they are feeling anxious or cannot sleep, she recommends that they cut their intake of sugar or caffeine. Because the advice comes from a curandera, she said, people tend to trust that she has their best interests at heart.

The concept of a curandera is so pervasive in Latino enclaves that in September the Texas Diabetes Institute, a state-of-the-art facility operated by University Health on San Antonio’s west side, a historical Mexican-American neighborhood, brought back to its lobby a sprawling wall-size painting, “La Curandera,” by the Chicano painter Jesus Treviño, who died early this year. The painting had been removed for restoration.

Still, when it comes to luck and matters of the heart, many people avoid professional help and turn to curanderas, because there is no substitute, said Sasha García, 39, a curandera who is known for her fire-red hair.

In northern Mexico, where Indigenous culture is not as widespread and the Catholic Church’s hold is stronger, Ms. García said, her ancestors often operated in the shadows to avoid the stigma associated with folk healers. By contrast, on the American side of the border, she not only feels freer to practice openly, but some Catholic priests stop by for her counsel, she said.

Ms. García welcomes clients at La Casa de la Santísima Yerberia in the city of Pharr, near McAllen, next to two imposing statues of La Santísima Muerte, skeletons each wearing red and black robes. Ms. García reminds people that while the image of La Santísima, a Latina version of the Grim Reaper, may evoke frightening emotions, death is to be revered.

“If you pray to her properly, she can heal and deliver love, freedom and wealth,” she said. “I only ask her for positive things.” (She laments that criminal elements along the border and in Mexico have appropriated the image.)

On a recent afternoon, Jocelyn Acevedo, 27, a frequent client of hers who runs a credit repair service, arrived for her monthly limpia. She had heard about Ms. García four years ago and after the first limpia, she said, she saw her business begin to boom. She was so convinced by the session that she since has regularly driven 60 miles from nearby Starr County, near the Rio Grande, for her sessions. She now has a tattoo of La Santísima.

Ms. García instructed Ms. Acevedo to rub three coconuts all over her body. Ms. García then broke them on the ground to release what she said was the negative energy her client had been carrying.

“Did it work? Of course,” Ms. Acevedo said.

Ms. García has embraced touches of modernity along with the old customs, including consultations now offered over FaceTime. Her clients have responded with their own offerings from popular culture, including a sign one brought in that now hangs on the front door: “Witch Parking Only.”

“No one listens,” Ms. García said with a smile. “The word may be becoming more modern, but we curanderas are still here. Just don’t park in my spot.”

Edgar Sandoval covers Texas for The Times, with a focus on the Latino community and the border with Mexico. He is based in San Antonio. More about Edgar Sandoval

[joelsanradar]

JUSTICIA SOCIAL PARA LOS TRABAJADORES DEL ESTADO

JUSTICIA SOCIAL PARA LOS TRABAJADORES DEL ESTADO

*Anuncia el Gobernador, importante incremento salarial Pachuca de Soto, Hgo.- En un acto calificado como de justicia social y laboral para los trabajadores burócratas de Hidalgo, el gobernador Julio Menchaca Salazar y el oficial mayor, Edgar Orlando Ángeles Pérez, anunciaron un importante incremento salarial para las personas servidoras públicas que contaban con las percepciones más bajas. “A…

[acapulcopress]

Quedó instalada la LXIV Legislatura de Guerrero

CHILPANCINGO, Gro. * 1 de septiembre 2024. ) LXIV Legislatura | Guerrero En sesión pública y solemne realizada este domingo en el Salón de Plenos “Primer Congreso de Anáhuac”, rindieron protesta de Ley los 46 diputados y diputadas integrantes

de la LXIV Legislatura al Congreso del Estado, para el periodo comprendido del 1 de septiembre de este año al 31 de agosto de 2027. El magno evento contó con la presencia de la encargada de despacho de la Secretaría General de Gobierno, Anacleta López Vega, representante personal de la titular del Ejecutivo estatal, Evelyn Cecia Salgado Pineda, y del presidente del Tribunal Superior de Justicia, Raymundo Casarrubias Vázquez. Antes de la toma de protesta, la diputada Leticia Mosso Hernández, presidenta de la Mesa Directiva en el último año de ejercicio de la LXIII Legislatura, en funciones también de presidenta de la Comisión Instaladora, rindió un informe pormenorizado de las actividades realizadas por este órgano. Acto seguido rindió protesta ante el Pleno el diputado Jesús Parra García como presidente

de la Mesa Directiva para el Primer Año de Ejercicio Constitucional de la LXIV Legislatura, mismo que se encargó de tomar la correspondiente protesta a los diputados Arturo Álvarez Angli, Catalina Apolinar Santiago, Joaquín Badillo Escamilla, Vladimir Barrera Fuerte, Marisol Bazán Fernández, Carlos Eduardo Bello Solano, Diana Bernabé Vega, Ana Lilia Botello Figueroa, Alejandro Bravo Abarca, Gloria Citlali Calixto Jiménez, Alejandro Carabias Icaza, Gladys Cortés Genchi, María Guadalupe Eguiluz Bautista, Guadalupe García Villalva, Jacinto González Varona, Erika Isabel Guillén Román, Jhobanny Jiménez Mendoza, Julián López Galeana, Erika Lorena Lührs Cortés, Violeta Martínez Pacheco, Rafael Martínez Ramírez, Glafira Meraza Prudente, María Inés Montiel Servín, Leticia Mosso Hernández, Obdulia Naranjo Cabrera, Rebeca Núñez Martín del Campo, Araceli Ocampo Manzanares, Jorge Iván Ortega Jiménez, Hilda Jennifer Ponce Mendoza, Luissana Ramos Pineda, Leticia Rodríguez Armenta, Marco Tulio Sánchez Alarcón, Pánfilo Sánchez Almazán, Pablo Amílcar Sandoval Ballesteros, Claudia Sierra Pérez, Héctor Suárez Basurto, Citlali Yaret Téllez Castillo, Aristóteles Tito Arroyo, Bulmaro Torres Berrum, Jesús Eugenio Urióstegui García, Robell Urióstegui Patiño, María del Pilar Vadillo Ruiz, Víctor Hugo Vega Hernández, Beatriz Vélez Núñez y Edgar Ventura de la Cruz. A la instalación asistieron también el senador Manuel Añorve Baños; el coordinador estatal de la Guardia Nacional en Guerrero, Ulises Orduño Ocampo; los secretarios de Finanzas y Administración, de Educación y de Planeación y Desarrollo Regional del Gobierno del Estado, Raymundo Segura Estrada, Marcial Rodríguez Saldaña y René Vargas Pineda; el magistrado presidente del Tribunal de Justicia Administrativa, Luis Camacho Mancilla; las presidentas del Instituto Electoral y de Participación Ciudadana del Estado y de la Comisión de los Derechos Humanos del Estado, Luz Fabiola Matildes Gama y Cecilia Narciso Gaytán, respectivamente; el auditor superior del estado, Marco César París Peralta Hidalgo y el vocal ejecutivo de la Junta Local del Instituto Nacional Electoral, Donaciano Muñoz Loyola, entre otros muchos invitados especiales.

www.acapulcopress.com Read the full article

[haaaaaaaaaaaave-you-met-ted]

Hamlet Glutton by Edgar Sanchez Hidalgo

[mtg-cards-hourly]

Goblin Electromancer

The Jeskai find potential recruits among all walks of life, including other clans.

Artist: Edgar Sánchez Hidalgo TCG Player Link Scryfall Link EDHREC Link

[velouriahq]

UNFOLLOW ! the following have passed 7+ days of inactivity.

analouisa corrigan (10 days) christian white (10 days) edgar cruz (7 days) lee gahyeon (9 days) lee yu-bin (10 days)

WARNINGS !

dahlia hidalgo (rolehogging, 2nd warning) @honeyscones eilidh blair (rolehogging) @iwillneverthrowtheraway handong (6 days, 2nd warning) @dongiedonuts kim jisoo (4 days, 2nd warning) @grrlathome lee siyeon (rolehogging) @moonsorbet lynn gunn (rolehogging, final warning) @glutenqueer mina myoi (rolehogging) @kissesforsharon phoebe bridgers (rolehogging) @iseaupea ramone valerio (rolehogging) @bassprcshop taylor swift (rolehogging) @dictionaryswift

[characterdesignreferences]

Art by Edgar Sánchez Hidalgo

May’s Theme: #SuperMarioBros

Presented by CDQ Magazine

Discover the artists of the Character Design Challenge community and the current Theme of the Month in our Facebook Group! And when you repost your design on our Patreon page, you can also win awesome prizes every month and choose the future themes!

RULES | WINNERS | MAGAZINE | BOOKS