#Eldritch Ball

[greenthena]

The Eldritch Ball or Aziraphale's Macabre Danse

I'm a huge sucker for dark classical music (I'm using the term "classical" broadly, not referring to the specific period. Music-y folks, please forgive.) As such, Saint-Saëns's "Danse Macabre" is one of my all time favorite pieces. It's spooky. It's intentionally dissonant. It's even got a jump scare! Like, literally, the perfect piece of music.

The story behind "Danse Macabre" goes like this: Each Halloween at midnight, Death enters the graveyard with a fiddle. As he plays, the skeletons rise from the ground and dance through the cemetery, resurrected by Death's power and possessed by his instrument.

In S2 E3, the Bentley plays "Danse Macabre" as Aziraphale drives up to Edinburgh. "What do we do? We play classical music that stays classical music." (And the Bentley listens to him! Because the Bentley is an expression of Crowley's subconscious and wants to please him and make him happy...and I'm sure you can find lots of excellent metas to that end. Or maybe you have another theory about why the Bentley is so pliant toward the angel? I'd love to hear it. But that's not what I'm talking about right now. I'm just getting distracted.)

Why is this song so perfect for a bit of subtle foreshadowing and repeated metaphor? So glad you asked. I have reasons. And evidence. Please, peruse my wares.

In the A Plot of this episode, Aziraphale travels to Scotland to visit a pub called The Resurrectionist. (Ya know, like Death? Like how Death resurrects people in the song? Okay, just wanted to really hit that nail into the coffin.) The pub is, of course, named for a certain Mr. (not Dr., he's a surgeon) Dalrymple, whom Crowley and Aziraphale meet in the accompanying flashback minisode entitled (you'll never guess) "The Resurrectionist." The minisode plot involves Crowley and his the angel encountering young Elspeth, a grave robber who, like Death, releases the bodies of the deceased from their earthly bonds of soil and stone. My interpretation is that Elspeth becomes Death incarnate, first in the process of using her instrument (her shovel) to resurrect the dead, and later when she inadvertently brings about the literal death of her partner, Wee Morag. Rather than allow Wee Morag's body to turn to dust in the ground, Elspeth "resurrects" her, selling her body to Dr. Dalrymple (sorry, Mr. Dalrymple, he's a surgeon, not a doctor), who will use Wee Morag's body for research, which will in turn save the lives of countless others by furthering the field of medicine. A form of resurrection, indeed. There's also the plot thread of Crowley and Aziraphale providing Elspeth with a nest egg to escape the cycle of poverty into which she has been born. This, too, is another form of re-birth. Or, say it with me, resurrection. Alright, you're getting it now.

Okay, now I get to delve into the fun stuff. Let's talk about that cotillion ball, shall we? You know, that danse party where Aziraphale persuades all the shopkeepers on Whickber street to attend a Jane Austen-style ball?

I personally refer to this whole fiasco experience as the Eldritch Ball. On the surface, it seems fairly innocent. The shopkeepers need a little bit of encouragement to attend the Whickber Street monthly meeting, but the angel manages to convince everyone to join with the help of some coercion-via-bribery. When they show up, they're transmuted into Austen-esque characters, from their clothes, to their speech patterns, even to some extent, their perception of reality. This is where it starts to get a little uncomfortable if you peel back the layers. Mrs. Sandwich can't talk about what she does for a living, which is a great comedy bit, but also demonstrates that her speech is being significantly censored and altered by an outside force. With the exception of Mr. Brown (hidden agendas here, Neil? I honestly don't know), all the shopkeepers find themselves in new, slightly-period-appropriate garments. What's really weird, though, is that no one notices the changes. When the dancing begins, to the music of Mr. Anderson's piano and an accompanying string quartet (strings...as in violins...as in fiddles. Remember Death's fiddle?), Nina appears to be the only one who realizes that something is off.

Maggie: This is something new.

Nina: This is something completely bonkers. Are we...? Why is everyone talking like they've escaped from Pride and Prejudice?

Maggie: Just getting into the spirit of things, I suppose.

Nina: The spirit of what things? This is meant to be the shopkeeper association monthly meeting.

Maggie: Hmm. Yes. Now that you put it like that...

Nina: Are we dancing?

Maggie: Yes.

Nina: Did you ever learn the steps to this dance?

Maggie: It's just what we do, isn't it?

Nina: No. No, it isn't. This is something mad. This is their [Crowley & Azirapahle's] fault. They're doing this.

Something is definitely mad. One might even say it's macabre. Aziraphale has become Death the Resurrectionist. He has lured the shopkeepers of Whickber Street through a portal (as Death leads his flock from the world of the dead to the world of the living.) Aziraphale's instrument is his clipboard and pen, held almost as one might hold a fiddle and bow, as he invites the various shopkeepers to the monthly meeting. Once they all arrive, he miraculously gives them new clothes (as Death knits together the bones of the dead), and then proceeds to control their bodies and minds, as though they are merely marionettes. They dance and speak in the way Aziraphale imagines, fulfilling his fantasy of a perfect Jane Austen-style ball (quite literally, the Danse Macabre.)

The shopkeepers have become the dead and Aziraphale controls them until the spell is broken--or rather until the window is broken.

To be honest, I don't think Aziraphale is really aware of how much he is able to transfigure his environment, including the humans who happen to be close by. Or, at least, I don't believe he does any of this with ill intent. He's just a bit blind to anything outside his fixation of wooing Crowley, at the moment. As a result, he creates a situation that is profoundly problematic and unnatural. Just like the dead in the graveyard have no agency when Death plays his fiddle, the Whickber Street shopkeepers are possessed by Aziraphale's intricate romantic fantasy and must dance as long as the music plays.

It is, in fact, only when the music stops, that the shopkeepers begin to realize that something is most certainly weird. The diagetic music (Mr. Anderson & Co.) abruptly cuts off when an approaching demon horde tosses a brick through the bookshop window. Now the spell, or in this case, miracle, begins to break down. While the shopkeepers still appear to be somewhat under the influence of Aziraphale's persuasive aura, a few of them glance down at their clothes in confusion and look around the bookshop, as though waking from a dream. And at this point, after a little finagling, Crowley escorts the humans out of the bookshop and out of Aziraphale's Danse Macabre.

Once the demons attack the bookshop Aziraphale's influence on his surroundings really starts to deteriorate. Throughout the season, he's been able to structure and manipulate reality (sometimes with Crowley's help) to suit his needs: protecting Gabriel, altering the Bentley, organizing the Ball, etc. But once the bookshop, his safe space, has been breached, he loses control of the situation. From this point in the narrative, nothing goes according to Aziraphale's plan. Aziraphale wants to protect Jimbriel, but the former archangel insists on giving himself over to the demons. Crowley leaves and Aziraphale has to defend the bookshop on his own, when he'd expected Crowley to come right back and save him. While defending the bookshop, Aziraphale reaches his "last" resort not once, but twice: first allowing Nina and Maggie to use his books (!!!) as weapons and then blowing up his halo in a last ditch effort to fend off the invaders. This was not on the agenda for today!

Things just continue to go downhill from there, Aziraphale losing all control of the situation. And by the time the Final Fifteen wraps up, the angel has lost his bookshop and possibly his most important relationship. By the end of the season, Aziraphale is no longer Death the Resurrectionist, the manipulator and puppeteer. Now the angel has become the puppet, dancing to Heaven's music.

[hoodedfigure-no99]

Last night was a blast. Met this cool dude, got to wear his crown and everything

[saragrosie]

As promised, incredibly stupid s4-5 drawings

[voidheartkisses]

Character who never wears pants suddenly having swimming trunks at the beach is one of my favorite tropes

[outletcrash]

i drew my john design yesterday and got inspired to draw more stuff. all but the original king doodle are inspired by bases by mellon_soup on pinterest. truly the godsend of bases

[beedreamscape]

To pair my last post, but in happier tones.

Part of me thinks Kiriona was so set up on turning John back to mortal, after any Harrowhark intentions that overrule everything else, not because she has lofty plans of ruling over anyone but because if he isn't immortal anymore, he's not god anymore, and if he's not god nor the emperor, he's free to be just her dad.

I want the griddlehark drama and angst and romance for the next book, but I also want to see Gideon experiencing some, at the very least, normal times with an adult figure that doesn't hate her, that feels responsible for her, that might even love her, in an environment that isn't 'headquarters of an empire at war'.

Which alternatively could also be achieved with Pyrrha once they overcome the larger-than-life wall that is Wake between them, but that'd still be different than the father figure of John who, in his best days, has a personality that matches Gideon's so well and could very well offer the tenderness she's never been shown before, tenderness he's very capable of when he's not drunk in his own revenge plots.

[cosbeans]

cult of the joltik behold, the little guy himself:

[itsbrucey]

Also I forgot to say this but I was thinking about Scamster as a ship and how it's so much going on at once but it made me realize that like,,,, Jodie was "with" the other dads as a Glenn replacement in the altered timeline/within his memories. He would've seen and experienced everything up to the Trial.

So that means he encountered and killed the Library with them ( all the hand bullshit included). He canonically knows who Dennis is, so therefore knows about Mark Likely. And he would've been with the dads when Scam Likely punked them when Glenn stole the van, when Scam Likely stole the gems + made them play truth or dare, and when Scam Likely DIED AND GOT REBORN AS WELL ACTUALLY.

AND HE STILLED FUCKED THAT ENTITY!!!!!!

Through it all he still looked over at Scam like " would" like GET YOUR HEAD IN THE GAME FOSTER WE'RE LOSING MONEY!!!!!! DAMN!!!!!!!!!

[drconstellation]

More Half-and-Half-A-Miracle Thoughts

Part 2: The Dark side of Aziraphale

Updated 10 Nov 2023

Part 1: Miracle Power Ranking is here. Part 3: The Third Archangel is here

There was one that thing that struck me about the miracle working scene: why did Gabriel offer crossed hands to the duo?

Gabriel offers his right, his good, heavenly angel-sided hand to Crowley first, and his left, his sinister-sided demon hand to Aziraphale.

And this is NOT an accident.

Its been observed that Gabriel, in his amnesiac state like this, has reverted back to a more base-state angelic being, one of joy, and love, and curiosity. He's acting on instinct here.

Yeah, that's exactly what I'm saying. The demon has more light in him than the angel, and Gabriel and can feel that instinctively. This really shouldn't be a surprise to us, its been in our face all along. Now don't get me wrong - Crowley is still a demon, and Aziraphale is still an angel, I'm not saying that they aren't. Mostly we talk about how Crowley isn't all that much of a demon at heart, just "going along with Hell as far as [he] can," but we don't really talk about much about that other side of Aziraphale other than wishing to see more of his BAMF! side.

You know what - its a side that thanks to all of the rest you ops and meta-ists out that that I've come to both fear and appreciate. And let me tell you, if I found myself in a dark alley on a bad night I would hope to God it was Crowley I bumped into , because I feel he would at least give me the choice to walk out alive. I don't think Aziraphale would, I would be at the mercy of how ever he decided he wanted to manipulate the situation...and I find that rather chilling.

Crowley might be the charred demon with a heart of gold, but Aziraphale is the two-sided bastard of an angel he loves. All bright light casts a shadow. Its easy for us to be blinded by the shining light of goodness and right and the side of God (er, hang on, isn't the GO God an eldritch horror in disguise...?) and not be able to see what is hiding behind it.

We rarely see the back of Aziraphale's waistcoat, because he is rarely seen without an overcoat on, a covering of social propriety. There is the noticeable occasion in S2E1 when Crowley comes back to do the apology dance then they perform the hiding miracle (see screenshot below, and it was still hard to chose a good angle for all it went on for several minutes!) and perhaps in S1 when he spends all night reading Agnes Nutter's book. Both times its only in the privacy of the book shop, under the cover of night. So its easy to miss that the color of the back panel is a most un-angelic color: a dark viridian green. I know I keep banging on about this, but its important, and in more ways than one.

[Edit: Since I first wrote this, I've written a mega-meta on all the colours in GO, and some of the following interpretation has changed a little - but the significance of the green still stands!]

All the angels wear some form of a pale colored neutral palette, ranging from white to beige to taupe (white, off-white shades and shades of brown,) with dove-grey for the known in-show seraphim, Gabriel, Michael, Uriel and Saraqael. Gold and blue are also associated with Heaven. But Aziraphale is the only angel to wear green and shades of blue-green. He's quite unique in that department.

The colors of Hell are completely different. Black, lots of black. And red, different shades of red. The demons are actually quite a colourful lot, but do tend towards the darker shades. Red is a colour of passion, not just a demonic colour, although it can be associated with the demonic sinister left hand side. The main colour of Hell is actually green - the thick green light that you almost of have to swim through in the crowded halls of Hell, and examples like the green stag on Furfur's sash. It represents chaos, in competition to the rigid lawful nature of Heaven.

So while Aziraphale mostly presents a socially acceptable angelic front, its telling only Crowley has properly glimpsed that dark, shady, bit-of-a-bastard unpredictable side to him - and likes it. (More from Cobragardens about it here in 1793 Paris and 1601 at the Globe.) I mean, come on - this is a being that sent a man to his death so he could go on lunch date? A lunch date he practically concocted just so he could see Crowley. wtf? A being of love who was about to shoot the Antichrist to stop Armageddon? A being who quietly and efficiently discouraged the mafia who threatened to set the book shop on fire from ever returning? (See, told you I didn't want to meet him a dark alley...) Plus we saw him mind-control a whole roomful of people for his Jane Austen-themed ball, just to woo his beloved demon, with no thought of the possible collateral damage. I'm sorry, is this the same "guardian angel" we were all glowing over earlier?

The coat lapel as wings theory adds some weight to this hidden dark side of Aziraphale as well. Aziraphale's lapels always point downwards, towards Hell. Particularly when he has been discorporated and returned to Heaven, where frustrated about being told he has to gear up for war, he instead wonders out loud if he can return to Earth to a possess a body, reasoning that if demons can, he must be able to as well. lmoa! You are so not an angel, my dear! Yet...he isn't a demon either. He's almost...a bit of both. Two sides to a coin. A blend of light and dark. Shades of grey...although he doesn't like to admit it.

Image by lomiel

Back to the shadow-like green panel on the back of the waistcoat.

Actually, on second thoughts, I'm going to put that in Part 3.

[ryozeki]

I can't believe both of this is the same person

I should do more Eldritch hakutaku Keine

[cewwart]

i drew @cinnotomon(tiktok+twitter)’s magic 8 ball cat!!!!

if you haven’t seen the series, you should totally check it out!!!

(°▽°)

[greenthena]

It's always Elizabeth Bennet this. Mr. Darcy that. For my money, Crowley and Aziraphale are a couple of Emma Woodhouses.

[alarminglybad]

THAT ROCK WAS INDEED COOL, MORTAL

[cits-kirby-brainrot]

I love your design of void termina and giving them more of a bird design with their mask. Do you think you do draw them more often?

Void Termina you ask, Void Termina you get.

[korcariiwitch]

Sooooo I was using fantasy name generator, as one does, just to look for inspiration for the name of my warlock's patron since I wasn't feeling any of the canon 5e options for the Great Old One. I went to the mindflayer name one, to see if there was one that sounded just 'eldritch entity' enough in my head.

Tell me why the second option was KEN 😂😂😂

I can't stop laughing, fantasy name generator really said:

Ken, the warlock patron of beach ✨

[constantron]

Lovecraftian universe gets the best Macguffins. Not a clock, not an astrolabe (though I should have looked at more astrolabes as reference probably ) - it’s the Eldritch Plotpoint from @croik ‘s R18 CYOA malevolent fic.