#Evie Cahir

[eviecahir]

My shadow, again at Wilsons Prom. I was holding a coffee and looking down to admire in equal portions the colour of my shadow on the grass and the colour of my shadow cast against the boogie-board.

[hellohaters]

Evie Cahir

[j9tea]

Evie Cahir

[fukikuro]

[smallpresspreviews]

Baltic Comics Anthology š! #37 ‘Down Down Under’

by: Ashley Ronning, Bailey Sharp, Ben Constantine, Ben Hutchings, Ben Juers, David Blumenstein, Eleri Mai Harris, Emma Jensen, Evie Cahir, Haein Kim, HTMLflowers, Kangaroo Lü. Q., Lee Lai, Leigh Rigozzi, Marc Pearson, Michael Fikaris, Michael Hawkins, Nicky Minus, Rachel Ang, Safdar Ahmed, Sam Wallman, Simon Hanselmann, Tim Danko, Tommi Parrish. Guest Editor: Michael Fikaris  

Published by kuš!

164 pages, 4” x 6”, color, softcover, perfect bound

$13.95 (worldwide shipping included)

Pre-order here

Distributed by Spit And A Half Distro

[comicslifestyle]

Book launch in Australia Friday this 17 January!

A special issue of kuš! Komikss featuring alternative innovations from Australia, Down Down Under makes its first appearance inaugurating Silent Army Storeroom in Melbourne, Australia. The NEW storeroom will feature artwork from HTMLflowers.

Cover: HTMLflowers Contributors: Ashley Ronning, Bailey Sharp, Ben Constantine, Ben Hutchings, Ben Juers, David Blumenstein, Eleri Mai Harris, Emma Jensen, Evie Cahir, Haein Kim, HTMLflowers, Kangaroo Lü. Q., Lee Lai, Leigh Rigozzi, Marc Pearson, Michael Fikaris, Michael Hawkins, Nicky Minus, Rachel Ang, Safdar Ahmed, Sam Wallman, Simon Hanselmann, Tim Danko, Tommi Parrish Guest Editor: Michael Fikaris

Order: https://kushkomikss.ecrater.com/p/35474840/37-down-under# Specs: 164 pages, Format A6 (10cm x 15 cm / 4" x 6"), full-color, perfect bound, English US$13.95 w/ Worldwide shipping included in price! The first 100 orders get a free postcard and a bookmark.

Kuš: http://www.komikss.lv

Silent Army: http://www.silentarmy.org/

[nelmdraws]

17 for Keanu, Evie, and Cardea >;)c (or like 1 wish for each LOL)

17. If they were in possession of a trio of wishes, what would their three wishes be?

(I’m doing one each u mad man)

Keanu: To free Cahir of his curse.Evie: For that shitty cult to leave her sister alone.Cardea: To bring back Keldani.

[gee2dich]

Evie Cahir 💚

[super-milkbath]

Evie Cahir

[ghostpatroladvance]

Drift Time is now complete. Super thanks to everyone who visited 😊 It's been heaps of fun. This work was made in collaboration with Vincent Conboy (@cenzo_design) + Ryan Ward (@unitedmeasures) along with a lot of help from my amazing team Sophie Harle, Kes Kennedy, Oliver van der Lught, Evie Cahir, Carla McRae, Felix Wilson, Pam Pascuzzi, Daniel + Emma, Hugo + Ceridwen - 💙✌️

[eviecahir]

Study of a willow trees branches lightly touching the ground, with the sun streaming in from behind, casting long violet shadows.

[kilalaoilpainting]

Evie Cahir

[j9tea]

Evie Cahir, Mornings #2

[safari-savant-blog]

Zine Research Task

For this research task, I have collected three zines from three different artists, taking their medium into consideration. All three of these zines were handcrafted using relatively cheap materials, which I knew would be a key element of my own zine, as I didn’t want to rush into my first solo-crafted zine using expensive materials when I had little experience in zine-making.

The first of these three zines is a booklet-style zine by contemporary artist Violet Reed, titled ‘Hedge Witch: Volume One’. It’s an illustrated compilation of original “spells” that she was created herself, ranging from love spells to cat blessings to new moon rituals. Each page includes an illustration of the herbs and other items that are essential to each spell. Each individual zine is handmade by Reed, being composed of thick printer paper, tinted a pale green, printed on, folded, and stapled. It can be purchased online on her Etsy store, ‘Leodruneshop’.

The second of these zines is a collaborative piece featuring David Booth, who did the zine’s cover, Grace Helmer and The Velvet Insides, who illustrated the inside pages, Megan James, Evie Cahir, and Nyssa Sharp, who wrote the poem featured in the zine, and Carla McRae, who came up with the original design for the zine with assistance from Tallulah Fontaine. The zine is titled ‘Home Zine Issue 3: People’, and, as the title suggests, its theme is people, following the two previous editions of ‘Home Zine’: ‘Places’ and ‘Objects’. The zine has 74 pages, very differently from Reed’s short 20 page zine, and are printed much more professionally than the others. Even though the paper is relatively cheap for a 74-page zine, the ‘Home Zine Issue 3: People’ zine has been printed in Melbourne and Toronto by the company Standard Press. This more professional route of printing was probably taken due to the mass amount of paper required. Unlike ‘Hedge Witch: Volume One’, this zine is completely in colour, with the only strict guidelines being followed throughout is usually using a limited colour palette.

The third and final zine is another hand-made zine, titled ‘Reaping Pink’, and created by Nick Melody, a contemporary illustrator and tattoo artist from Michigan, the US. This zine had no specific theme, as claimed in a quote by Melody, “Just draw from your head and have fun. Loosen up and be free of restrictions. Use little to no reference and just see what happens naturally”. This zine is made using printer paper and a long-reach stapler, features which Melody used to promote zine-creation, showing that anybody can create a zine. A one-day event celebrating the freeform expression of zines was organised by local zine artists in Michigan in October of 2016, named ‘The Zine Show!’. ‘Reaping Pink’ has a two-tone colourful front cover, using either the contrasting colours green with pink or green with blue. The cover and back cover are both fully in colour using these two-tone palettes, yet the illustrations inside are completely greyscale, mimicking his tattoo style.

[jeremystrele]

The Sleekest Apartment In West Brunswick

The Sleekest Apartment In West Brunswick

Homes

by Lucy Feagins, Editor

The impossibly cool West Brunswick apartment of Sean Fennessy and Jess Lillico, and now baby Matilda! Ceramic face by Louise Kyriakou from Modern Times. Painting by Neil Tomkins. Sculpture by Sanné Mestrom. Tulip dining table by Eero Saarinen. Restored Cesca-style chairs. Pendant by Laal. Herringbone floors by Storey. Photo – Sean Fennessy. Styling – Jessica Lillico.

The dining room. How incredible is that blush feature wall? Painting by Neil Tomkins. Sculpture by Sanné Mestrom. Tulip dining table by Saarinen. Restored Cesca-style chairs. Pendant by Laal. Herringbone floors by Storey. Photo – Sean Fennessy. Styling – Jessica Lillico.

Sculpture by Sanné Mestrom. Tulip dining table by Saarinen. Restored Cesca-style chairs. Photo – Sean Fennessy. Styling – Jessica Lillico.

TDF x Robert Gordon fruit dish. Terracotta jug from Mexico. Brass cabinet handles from Superfront. Laminex counter top in Deep Sea. Speckled 80s tiles found out the back of a warehouse in Sunshine! Photo – Sean Fennessy. Styling – Jessica Lillico.

Looking out from the kitchen to the dining space. Brass cabinet handles from Superfront. Laminex counter top in Deep Sea. Painting by Neil Tomkins. Sculpture by Sanné Mestrom. Tulip dining table by Saarinen. Restored Cesca-style chairs. Pendant by Laal. Herringbone floors by Storey. Photo – Sean Fennessy. Styling – Jessica Lillico.

Floating timber bench commissioned by Melbourne Table Co. Planter by Den Holm. Conrad sofa from Arthur G. Tojiki stool by Porcelain Bear x Tait. Photo – Sean Fennessy. Styling – Jessica Lillico.

Sean, Jess and baby Matilda on the way! Watercolour artwork from Marc Martin’s TDF Collect show, ‘Follow’. Wall colour is ‘Natural White’ by Dulux. Photo – Sean Fennessy. Styling – Jessica Lillico.

A corner of the living room. Flowerpot lamp by Great Dane. Watercolour artwork from Marc Martin’s TDF Collect show, ‘Follow’. Bari Ziperstein ceramics from Dream Collective, Los Angeles. Floating timber bench commissioned from Melbourne Table Co. Wall colour is ‘Natural White’ by Dulux. Photo – Sean Fennessy. Styling – Jessica Lillico.

The entryway. Tasmania farm bench. Artwork by Evie Cahir. Wall colour is ‘Natural White’ by Dulux. Photo – Sean Fennessy, Styling – Jessica Lillico

The living area. Conrad sofa from Arthur G. Ism wall light. Artwork by Lydia Wegner. Photo – Sean Fennessy. Styling – Jessica Lillico.

Artwork left to right: Painting by Paul Williams from Mr Kitly. ‘Pukamani’ painting by Ita Tipungwuti from Tiwi Islands. Carved timber mask from Guatemala. Radish “Kashiki-gata” (wooden mould for Japanese sweets) from Japan. Daniel-Emma Mish Mash chair Photo – Sean Fennessy. Styling – Jessica Lillico.

1970s lamp. ‘Tronco’ chair from District. Framed silk print from Issey Miyake exhibition, Tokyo. Photo – Sean Fennessy. Styling – Jessica Lillico.

Above the bed. Small framed print from Mexico. Boris Bucan framed posted from Letitia Morris. Photo – Sean Fennessy. Styling – Jessica Lillico.

Above the bed. Small framed print from Mexico. Boris Bucan framed posted from Letitia Morris. Bedhead commissioned from Melbourne Table Co. Paper lamp from Country Ltd, Los Angeles. Photo – Sean Fennessy. Styling – Jessica Lillico.

Large framed photo taken by Sean in Los Angeles. Artwork in hallway by Emily Ferretti. Woven basket from Pan After. Wall colour is ‘Natural White’ by Dulux. Photo – Sean Fennessy. Styling – Jessica Lillico.

The bathroom. Photo – Sean Fennessy. Styling – Jessica Lillico.

The apartment of Jess Lillico and Sean Fennessy is almost devastatingly sleek, while somehow remaining entirely down-to-earth and liveable. Between Jess’ styling credentials and Sean’s exacting eye – this apartment is the ideal blend of design and comfort.

Over the past five years, the couple have transformed the ‘bad faux-Tuscan 90s’ vibes they inherited when purchasing the home, through intensive renovation in the kitchen and bathroom, and repainting the space. While the pair ‘never planned to live in an apartment’, Sean explains that the late 60s red brick place suits their lifestyle: where there is no need mow the lawn, but ample opportunity to make the space feel like home.

Sean and Jess removed walls, and introduced new lighting to bring the apartment to life. Sean explains ‘we both work in the interiors world, and have seen our fair share of beautiful homes.’ While this was initially overwhelming, the couple have consolidated their extensive know-how to reach a point that Sean describes as ‘finally living in a space that reflects us.’

The apartment is filled with furniture and artwork inspired by shoots the creative couple have worked on, and friends they have worked with. Sean highlights, ‘the Daniel Emma chair is always a talking point, and was part of a trade for some photography we did for them many years ago.’ Other trades include herringbone floors from Storey, the long floating bench from Melbourne Table Company, and stunning artworks by Sanne Mestrom and Emily Ferretti. Other cherished items include the dining chairs, which Jess spotted on the side of the road and lovingly restored.

Sean highlights the ‘afternoon light and warmth’ as a favourite element of their home. Soft shards of sunlight flood the bench seat beneath the window – a perfect breakfast spot. Sean explains ‘it’s so simple, but in an apartment every extra bit of seating and storage makes a difference.’

If you peer closely in one of the photos (which we highly recommend doing, so many delicious details), there is a copy of Teju Cole’s book ‘Blind Spot’ sitting on this shelf. In this text, the photographer and writer explains ‘I am intrigued by the continuity of places, by the singing line that connects them all.’ A fitting sentiment, too, for a home that mirrors the precise aesthetic of two of Australia’s most talented image makers.

[orendamagau]

There are no rules to Market Fan Club. We simply ask that you pay your respects to the shiny persimmons, the soggy cardboard boxes, the scent of the hot jammy doughies, the Eggy-Boys, the Call and Response Team of the fruit merchants, the chaotic underbelly of the Deli, the shining beacon of hope that is the flower stand and the way the light bounces off the Jazz Apples 🍎 Portia Sarris chats with Market Fan Club artist Evie Cahir on the Orenda Blog: http://orenda.press/market-fan-club https://ift.tt/2N12z6o