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buttercomesfromcows · 1 year

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CASEFILE: Monarch – No. 00001: Nymph

() - No. 0 ; The Sakhira

The halls of the underground archive refused to contest the modern architecture erected a hundred feet above it. The terrestrial edifice was constructed as a veil to house the new, state of the art tech built upon an anachronistic blueprint taken from a sacred pre-Abrahamic papyrus lifted from an unspecified grave in Wadi-us-Salaam. The grave robber, who was identified as Sammy [redacted] on the coroner’s report, was found with his head bashed open and body twitching against the wall of his small apartment located in the North Sea of England. The patron who tasked Sammy to retrieve the artifact was never identified and the scroll was donated to the Smithsonian for further research. How it ended in the Sakhira was not a mystery – The Pentacle’s affluent patrons purchased the scroll and enlisted an expert occultist to decipher the damned text. Eventually, after months of transcribing metaphors, the scripture was deemed as code and the code was transcribed and supervised by a dumb AI called Honey who named itself Ishmael once made fully sentient by the damned code.

In the Sakhira, the underground archive where each casefile was kept, Ava Wolf (code name: Monarch) sat and patiently waited to record her statement with Dr. Alexander Moore (nicknamed: The Lighthouse) under the dim fire light of Hall C. Heretical and alternative historical texts lined the ancient shelves of the cavernous chamber. Everything looked sterile amidst the archaic backdrop and every move the couple made produced an echo which prompted Ava to keep saying, “Fuckaroni and cheese –“ just to make Alex laugh at her crassness.

“Behave, Ms. Wolf. Let’s start from 13:24:06,” Alex rested his elbows on the wood table and closed his laptop which resulted with a loud thud that reverberated. His soft voice resonated, “Ishmael. Record. Casefile Monarch, 1.”

“Yes, Dr. Moore. Recording –”

“Are you ready, Ava?”

“No,” both laughed –

“In … 5, 4, 3, 2…” Ishmael interrupted them.

CASEFILE: Monarch – No. 00001: Nymph

I secured the modified gunmetal Walther PPK .380 tucked in the band of my jeans prior to ascending three flights of cement steps carved on the side of a craggy cliff overlooking a dense cluster of trees. I was to be backed by the six other Monarchs: M1,M2,M3,M4,M5,M6 – of which a covert task force had been scouting the premises two days prior to my arrival.

I gave them the day off as stated in the log.

It was 45 degrees Celsius and the sun was muffled by cumulonimbus clouds. I can confirm it was a very cloudy day and it was about to be a very early evening.

I took my post on the southeast of the abandoned mansion’s entrance. No signs of life were present up until 14:00:25 – in which a Nissan Nismo drove up to the northern gate and proceeded towards the gravel driveway as soon as the arched gate was unhinged by three ghostly pale red headed women. Their eyes were silvery blue, and their lips were pale and thin. Most were –

Ava cleared her throat and took a sip of water. She cocked her brows and took out a pack of pre-rolled cannagars from her bomber jacket’s left inner pocket. She lit one with a match and took a deep drag, and exhaled before continuing –

They were dressed as e-girls around the age range of late teens to their very early twenties. Their fingers were spindly and long nails that matched the color of their skin. They were very attractive – eerily attractive.

I left my post at 17:12:45 and asked my team to wait. They weren’t very happy of my decision but since they’d worked with and under me in the past, they were certain about my leaderships.

At about 17:32:29 I reached the back gate of the mansion. It looked like the nymphs, a species of succubae that could only operate with one or two fertile queens that will turn into incubi once the sperm threshold had been met, had been nesting in the mansion. They had converted the place into what one would call a “party pad”. There was a line composed mostly of human males and a few females. By this time I deployed Agent M2 and M3 to see what’s up with the line after alerting them of P-2311 designated for sirens, succubae, and other anomalous beings that can and may induce frenzy.

There was obviously a frenzy going on and as per our dealings with [REDACTED] we shall obey the agreement.

There were around three nymphs guarding the backdoor and a few were scattered in the backyard. I was almost ready to draw my weapon, the Walther also known as the Monarch, until I saw an opportune moment to wander in the premises. I’d noticed humans were roaming about in the massive back yard full of apple trees as well. I took the chance and casually blended in with the crowd. I was singled out and welcomed by a nymph called Kylie and she led me to a shed where humans and nymphs were casually conversion. The nature of their conversations were, by far, sexual in nature.

The shed contained the entrance to the basement. I descended upon it via a series of stone steps that introduced me to a hallway containing a miasma of sweet and familiar scents that reminded me of the fall and countless hours of love making under a full moon. In other words, the air was thick with Androstanol and other musk.

I was light headed and felt my pulse quicken. My skin grew perceptive to the temperature around me and my vision grew hazy as I reached the door leading to large, underground room. I could hear soft moans and groans as I drew nearer.

What I saw was an outbreak of bodies griding on to the other – on couches, on soft, plush furry rugs, and day beds. Ambient, sensual music was being played while food and alcohol was provided to be consumed.

I took a quick turn to find any way that can lead me towards the house, itself, and after a few seconds of searching, I casually found my way upstairs. I saw more of the same scene presented in the basement. However, the nymphs and humans on this floor seemed more contained. Influencers, minor celebrities, etc. were peppered in the vicinity. The main honcho, itself, Aodh, was mingling in the crowd.

I have encounters with Aodh in the past and most of which were… civil.

Alex’s eyebrow cocked at Ava. Ava shook her head and reassured him that their acquaintance was strictly for business – whatever that meant.

Aodh was an incubus as old as the Sumerian civilization itself – was worshipped as a deity at some point but Christians kind of blew that for it. However, he seemed to notice me, and I seemed to notice him. I approached him with caution and asked about subject: 045 - Dr. Alexander TG Moore’s whereabouts. I gave Aodh a physical description of subject: 045 and I was advised to check the second floor.

I was told three men with overwhelming spermatozoa production had been wheeled in as the frenzy’s main course. I was encouraged to search for subject: 045 after sixty-six minutes of conversation. [REDACTED]

I found subject: 045 in a compromised state. Two nymphs has been performing lascivious acts in front of subject: 045 as he maintained, what I could translate as composure. I was briefed subject: 045 has special skills that involved negation and distraction. The information as not wrong.

Either way, I was attacked by the nymphs after a few minutes into the conversation. One of them complained about hunger and the desire to mate with a superior human male to integrate one’s DNA to itself. The other agreed and found itself jumping and clinging on to the posts of the fourposter bed.

As I had been given clearance by their leader to disarm and destroy if provoked, I retrieved Celastrina (Glock) and Kallima (Glock) from my gun holsters and proceeded to execute. Subject: 045 seemed a little agitated but complied with exiting the scene as soon as I gave clearance.

I instructed M2 and M3 to vacate premises as I led subject: 045 out of the premises. As per our agreement with [REDACTED] we did not stop the frenzy. When we had exited the room containing the subject, the frenzy had begun.

We exited through the front door. Subject: 045 confirmed about the changed made in his body via the miasma of scents that triggered hormonal imbalance.

Amnestics were not provided to the subject. Post-interview about his kidnapping shall be available as a classified account to personnel with higher clearance. As for my team? We all made it out alive. M2 and M3, however, had also suffered the same symptoms as subject: 045 upon exposure to the miasma.

Ava smiled at Alex and Alex smiled at Ava as Ishmael wrapped the interview up. Pictures of the events and other collected evidence began flashing on the screens around them. Ishmael began the process of archival.

“That was easy, Ms. Wolf. Good job on your first assignment as a Pentacle.”

“Thank you for making it easy for me, Alex.”

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jaynovz · 3 years

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Dead Man in a Ditch thoughts pt2, super major spoilers

bab is so torn up about eating the horse, listen honey it’s practical -pat pat-

Guns were a mistake, just reiterating that

I really like the Selena Kyle werecat lady. She became an investigator, good for her.

Also, the plot is thickening. Opus uniform?? Had Fetch’s address? Left him the gun?? WHAT

THE LAD FINALLY GETS TENDERLY LAID, THANK GOD. Was waiting for the comfort part of the hurt/comfort.

oh jesus. the same drink. oh FUCK. IS THIS GOING WHERE I THINK IT IS.

all the plastic surgery stuff is visceral and super disturbing

this ENTIRE scene with the succubae climbing all over Fetch and trying to sell him body parts? I love it; I’m speechless. It’s so weird and so horny like. Luke do you have something to say? (I would like to reiterate my earlier point that Fetch is an unapologetic monster fucker)

PET -screaming- JESUS FUCKING CHRIST

oh god as if things weren’t bad enough Carissa stole his gun to kill her cheating son of a bitch husband (honestly good for her, but it’s gonna get Fetch in trouble)

Aww he snuck her out of town, he’s such a good lad tho

oh no. it’s happening. OH MY GOD HOLY SHIT.

this is hurting my feelings SO MUCH. Fetch really is just a little puppy dog who wants approval huh? (pun INTENDED)

“I was conscious of each breath. Each moment. I was fully awake for the first time in years and it was all because of Hendricks. He was magnetic. Inspiring. Terrifying. The dark thoughts that slowed down my days vanished whenever he opened his mouth” GOD HELP ME I CANNOT

This Relationship Is Extremely Unhealthy. Everytime he’s like “the slightly bemused, condescending stare of a teacher who has just heard me say something profoundly stupid” or when Hendricks insults his intelligence etc I’m like Oh God I’m Suffering. Like Fetch is SO DEVOTED/OBSESSED and he is being USED

HE CALLED HIM DARLING

Fetch gets dressed up as a furry... LUKE DO YOU NEED TO SAY SOMETHING

but like: “deep endless green” and “centuries-old, pale green eyes” and “his eyes glowed bright green” OKAY FINE WE GET IT. MENTOR FIGURE WITH COPPER HAIR AND BRIGHT GREEN EYES. TURN ON YOUR LOCATION

I fucking love Loq and Exina

God they’re talking about the Chimera and yet NO ONE SAYS ANYTHING IMPORTANT. REMIND YOU OF ANYONE

oh hey Victor is alive... uh but he’s in a Bad Way. THEY ARE MASS PRODUCING GUNS JESUS CHRIST THIS IS GOING TO SHIT

okay like, this is gearing up to rip my heart out huh? they’re together again and working together but it’s all going to crumble I can Feel It.

oh wow Fetch is getting laid Again, this time by Loq. Good for him

“Why did you let me join the Opus?” “Because you asked me” oh thanks I didn’t need my FEELINGS

Luke is singing, that... that’s a lot for me to process

I’m fucking FOAMING AT THE MOUTH:

I’m Very Sad about this dragon

mmmm they’re talking about Amari, this is upsetting

oh THE FIRES

Luke said capitalism bad, power companies evil

“Whose side do you want to be on this time?” STRAIGHT FOR THE JUGULAR

FUCK HE GOT SHOT OMG. is he about to die for real this time omgggggggggggg

Fetch can’t drive for shit b/c he’s a bisexual, sorry I just needed to get that out

okay like Everything Happens So Much. it’s literally doozy after doozy after doozy. Luke doesn’t let us rest.

He didn't die but he abandoned him, turned against him, DESTROYED AMARI. this is the most fucking hurtful shit

Oh the lad has finally given up...

Oh No WARREN. the hits just keep on coming

This bit with Hildra is strangely sad-wholesome though

Get his ass

This book makes me feel so many things

There's a WAR of three factions on the streets of Sunder City jfc

The pay off for the unicorn horn set up was very good

there is an EXTREMELY BLACK SAILS PART AS PROMISED JESUS H CHRIST. this is the fucking jungle finale I’m... I’M SO ANGRY

The Worst Ending Au 🤝 Luke Fucking Arnold

Carissa patched him up, good payback for helping her get away with murder

He's got a real purpose now and I'm so sad but also so proud of him

Ugh sometimes progress is bad actually re: Niles company

Oh god and he's in the Amari tree. Bury me

And yep mass production of guns was a Mistake. WHAT AN ENDING

This book was A Lot. I'm just. I'm in a state.

Luke we need to have a talk

Please join me in hell everyone, we need to make so much content for this universe

#dead man in a ditch #thoughts #luke arnold #spoilers #mega fucking spoilers #pls do not read this if you haven't finished the book #sunder city verse #fetch phillips archives lb

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astrolunos · 4 years

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Like what if everyone was switched, a witcher turns into a human or in gearelts case most likely a magic white wearwolf to some degree or ciri being a full blown sorceress or is turned into a succubas. Like switching the races up a bit

ah, okay. I know this isn’t the point of this question but I can’t see anybody as anything but what they are, and doing so would somewhat ruin the entire point of the witcher. very long explanation as to why under the cut.

geralt’s character at the start of the books is largely self-loathing; his entire arc is about him overcoming this hatred and learning that there are people who love and appreciate him for who he is, flaws, insecurities, and all. the witcher as a whole, ultimately, is about found family and parenthood. his self-hatred stems from the fact that he sees himself as a monster, which comes directly from his being a witcher, a violent profession which most humans fear, and a large part of his internal character conflict comes from the tension between his pacifist nature and the fact that he was raised to be a killer. geralt often wonders if he’s any better than the monsters he kills, but what we see through his thoughts, words, and actions is that he’s incredibly human, despite being a witcher: he’s sarcastic, moody, and whines a lot. he’s also incredibly kind and compassionate towards his friends, whose best friend is his complete opposite and shows him how to have fun and enjoy others’ company, and who always strives to be a good person even if he thinks he isn’t (he is). this witcher, a non-human, acting so very much like one is shown in direct contrast to actual humans, like the peasants or nobles such as foltest, being monstrous. so geralt being either a human or a literal monster is either incredibly ill-fitting or in extremely poor taste. yen’s character is very similar: her past trauma continues to affect her; she thinks she’s unloveable, and so has closed herself off, afraid that letting anybody close will only serve to hurt her. to this point, she’s seen by most as cold and inhumane. but like with geralt, we see that yennefer is incredibly human. she’s a mother who cares fiercely for the ones she loves and will stop at nothing to keep them safe.

with regards to ciri, I first want to note that sorceresses aren’t a separate race - they’re very much human. continuing, in the witcher, characters are very tied to their professions, to the point that teaching one’s trade to someone else is a sign of love and family (more on that here). ciri defining herself as both a sorceress and a witcher is symbolic of her defining herself by both of her parents’ professions, of yen and geralt passing down their knowledge to their daughter (professions which, in turn, were passed from their parents to them). to pick just one or the other would dismiss the fact that they’re both her parents. as to her being human, ciri is set up to be a stereotypical Chosen One (and also the incarnation of death itself but that’s another matter), what with being a child of the elder blood, destined to stop the white frost and all that. but really, she’s just a regular girl.

a similar concept applies to most of the hansa. dandelion’s just a human, and a bard, at that. he offers nothing combat-wise and only has his songs and friendship, but these turn out to be useful skills as discussed earlier since these are the things that really help geralt. milva’s an incredibly skilled archer, but she’s also just a peasant woman. cahir’s whole deal is that he’s not some scary black knight, he’s just a guy in his early 20s who’s trying to unlearn the things that his former privilege and social rank have taught him and make up for the bad things he’s done. angouleme serves as a symbol of human abandonment and also human cruelty, both as she experienced it and as she dealt it to others. regis is really only a vampire for two reasons: first, he serves as a metaphor for alcoholism, and had he not been a vampire [spoilers for baptism of fire] he couldn’t have come back for his redemption arc after being beheaded. second, like geralt, the fact that he’s a very humane “monster” serves as a contrast to monstrous humans. the witcher is also a story about fantasy trope inversions, and regis is no exception; much of his character is entirely vampire tropes flipped on their head, including him being a healer.

again, probably not the answer you were looking for, but for me changing the species would fundamentally alter these characters in a way that just doesn’t make sense.

edit: also ciri is a literal child in the books please never suggest anything about her being a succubus ever again thank you

#asks

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forbidden-sorcery · 3 years

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In Sumer, where tales of the seven wind spirits/winds originate, we discover the lil-itu (powerful spirit/wind) known from around 4000bce. Not until circa 700bce within Jewish folklore does this become properly gendered and a night-hag, personified in the now eponymous Lilith. Better, more recent academic translations place her as the indwelling spirit of the tree within the Epic of Gilgamesh. As patriarchy tightened its grip, Yahwist priests demonized numerous former female deities and otherworld entiries, including lilitu into succubae. Instantly we can see where this is all going and how it begins to tie things up. Lilith becomes a demonized Queen, a harlot, consigned to the ranks of forbidden nocturnal activities. A thing unclean. Yet she, like Pazuzu, had originally been a wind spirit who brought pestilence, disease and drought (hence the association of killing young mothers and babies particularly vulnerable during such occurrences), but who could also be called upon to protect life from their grueling manifestations, to be overlooked, passed over in fact. This pattern becomes even more familiar as that re-told through the lens of an antagonistic tribal patriarchal priesthood, the bane of the Wester world for two thousand years.

Shani Oates - Tubelo’s Green Fire

#Shani Oates

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occultwhores · 4 years

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Lilith the fallen anima.

When you eventually realise that the hellish presence, which is assailing you is due to your own emotively charged beliefs creating fearful potions, poisoning your brain, that have been given terrifying dream form, because of what you have been led to believe, you then attain, ‘Knowledge’ of yourself.

At a deeper level, Lilith can be seen as representing a Tantric technique of dream Yoga, which of a sexual practice, enables the dreamer to attain lucid dreaming.

It is within a lucid dream, the dreamer can then consciously conjure Succubae, who are manifold aspects of Lilith; whereby she is considered to be their Queen, the anima, of an alchemical term.

Lilith is of the dream, being the implicate-order of the microcosm; whereas Eve is of the waking world, which is the explicate-order of the macrocosm.

When a dreamer consciously conjures a Succubus within the microcosmic dream reality of Lilith, the conjured Succubus will then initiate corresponding synchronicities to manifest within the macrocosmic reality of Eve, who can be otherwise equated with, Maya, of the Hindu. Maya can be seen as being like that of a simulated reality right out of the Matrix films.

Basically, Adam is the dreamer who stands between Lilith and Eve. The tree of knowledge symbolises the spinal column of Adam’s radio-active neural-net tuning into other realities via the dream, whose reptilian-brain-stem is the serpent of Lilith, wound around an apple. The apple symbolises the hidden ‘dream’ sphere of Da’at, whose core is consciously accessed via hypnagogic trance.

The motif of the serpent is also associated with an experience the Tantric Yoga practitioner terms as the Kundalini Shakti, which is personified as a Goddess, who is also seen to be a fire snake. The Kundalini Shakti fire snake describes the life-force, which is intuitively felt to have a feminine source. Such could indeed be the case, since the energy output of every cell in your body is determined by the mitochondria, which is passed down from the mother to her children.

The Kundalini Shakti is aroused from the base of your spinal column to the top of your head; as the Kundalini Shakti arises along your spine, the fire snake penetrates seven (seals) Chakras to open, which in the classical grimoires are associated with seven planetary spheres.

The Chakras are seen to be the abodes of the Dakinis, which are essentially Succubae, who are energetic Genie fluctuations of the Kundalini Shakti; whereby you can see the Kundalini Shakti as being Lilith.

Overall, the symbolism of Lilith pertains to the introversion of the sexual impulse in order to attain conscious dreaming. If however, you believe otherwise, just be aware that your Da’at beliefs, have been primarily molded by a culture, which has deified the Animus as a God/Devil.

Your cultural conditioning will determine what you experience internally; whence becoming programmed as a brainwashed automaton, wandering around like an unknowing zombie.

But when to taste of Lilith’s apple to become more human than human, you will be verily cast out of the Abrahamic Eden; for within the Orwellian New World Order Kingdom Of Animus God Eden, knowledge is a sin, where the theocratic virtue of indoctrinated ignorance is bliss.

#occultwhores #occult #666 #the beast #authenticity #lefthandpath

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aion-rsa · 3 years

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Insidious: Is The Further Real?

https://ift.tt/39C1Z8d

“The Further is a world far beyond our own, yet it’s all around us, a place without time as we know it,” Elise Rainier (Lin Shaye) explains in the 2011 occult horror film Insidious. “It’s a dark realm filled with the tortured souls of the dead, a place not meant for the living.” Director James Wan saw the astral world through the eyes of fear. It was how he was able to evoke the most terror from the nether regions of soul and thought.

Horror films have made a spiritual ghetto out of the universe which lies between dream, sleep and death. They focus on the malevolent realm of incubi, succubae and the Red-Lipstick-Face Demon. The map to the Further is not limited to shadowy studies. Many mystical practices are divided into black and white magic out of fear and superstition, but there can be room for both.

Insidious starts off like a fairly typical haunted house movie. It opens shortly after Renai (Rose Byrne) and Josh Lambert (Patrick Wilson) move into a spooky new house with their three children. When the property progresses from ominous to hazardous, the family move into an even spookier house, fire their real estate broker, and contact an astral travel agent. The psychically gifted supernatural expert, Shaye’s Elise, explains the hauntings are not a feature of the multiple houses, but the results of a family member embarking on nocturnal astral projection missions which he believes are dreams.

The concept that the soul can leave the body during dream states is ancient. But for all the purported cosmic intelligence culled from out-of-body incidents, practitioners have found no way to scientifically measure if a spirit leaves or enters a body. It is a concept rejected by scientists but beloved by filmmakers and other artists.

In the film, the first person to put the notes together is Renai, the mother of young Dalton (Ty Simpkins), who falls into a mysterious coma early in the first act. Renai, who is a songwriter, experiences two initial contacts. The first comes in a box of missing sheet music. Musicians have always been pioneers when it comes to gray areas of society and spirituality, and rockers chose to embrace the Further. George Harrison melodically rhapsodizes about the extracorporeal aspects of certain Hindu practices in the Beatles’ song “The Inner Light.” The Moody Blues harmonize on the idea that “Thinking is the best way to travel” on their 1968 album In Search of the Lost Chord, itself a musical blueprint for transcendental journeying. Through sonics, these artists ventured happily into the transformative aspects of the Further. Among true believers, “the Further” is also called Liṅga Śarīra, Akasha, and prana. But it’s probably best known as the astral plane, a shallow tag in itself.

“The term ‘astral plane’ is a poetic description, at best, or more accurately a misnomer,” says Zeena, a Tibetan tantric Buddhist yogini, and iconic occult authority and artist. “When our consciousness pierces the veil of our ordinary, everyday scope of perception, there are infinite other realities one might experience, not just one ‘astral plane.’”

In Insidious, the paranormal hunting psychic Elise explains that Dalton is a “traveler,” who was born with the ability to pierce that veil.

“Everybody possesses the potential for astral projection,” Zeena says. “It’s a natural part of being human, just as many other metaphysical or paranormal experiences can naturally occur. But the ability to actualize it is relatively rare, and the effects from the occurrences vary greatly depending on many factors.”

Rebecca Halladay, an occult writer, scholar, and lifelong practitioner and witch, describes astral projection as “working on the Inner Planes of consciousness. In terms of ‘dimensions,’ this would be considered [fifth-dimensional] or above. Journeying is work within the physical, Earthly realm, which is [three-dimensional].”

Certain practices are believed to bridge these dimensions.

“Astral projection during deep states of unconsciousness like sleeping, fainting, or coma, could be achieved by a master of such techniques,” Zeena says. “For one who’s trained most of their life in the esoteric method of willed astral projection, and has become highly skilled in the ability to focus the mind under all circumstances, then deep states of unconsciousness wouldn’t impede their ability.”

The cinematic spiritualist doesn’t believe Dalton fell into a coma because he slipped off a ladder in a creepy attic. Elise believes the boy, being only a child, couldn’t tell the astral projection from a dream and had no fear about going too far.

“The Further looks like your surroundings, but a different lighting shade of it,” says Emi Rose, a psychotherapist and founder of Paragon Solstice. “You can see yourself.”

Rose finds that “Insidious depicts the astral plane in similar levels. It is similar in respect to the idea of a ‘physical’ mirror image of your waking life. Your surroundings around you as you sleep are remarkably similar. The difference is the state of consciousness you are now in can shape and change that experience that exists out of time and space.”

Because of the familiarity and relative comfort of these projected surroundings, Dalton gets lost in his adventures, leaving only a lifeless body behind. Elise, a veteran soul-traveler herself in the movie, is ever mindful of the dangers.

It all amounts to a very literal translation of eastern philosophical contemplations. The Buddhist meditation practice Maraṇasati is constant remembering that death can strike at any time. Thukdam is a Buddhist phenomenon in which a realized master’s consciousness remains in the body despite physical death. While this isn’t what is happening with the young Dalton, he is plugged into medical sensors which, during at least one frightening pop-up, flatline.

Practitioners and researchers are divided on whether it is possible to slip away and die during astral travel.

“There is a risk that could happen if done incorrectly,” Zeena tells us. Kristna Saikia, who is a metaphysics and meditation teacher and filmmaker, as well as a fellow astral travel facilitator, disagrees.

“No one dies in Astral travel,” Saikia says “There is a silver cord which is always connected with our etheric body. When you astral travel, you are always aware of what is happening in the earthly dimension with your body. It’s an intentional out-of-body experience. You can come back to your physical body whenever you decide.”

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In Wan’s film, tormented souls vie against demonic forces for the chance to possess Dalton. Possession is a horror film mainstay, and Insidious offers an interesting alternative arc to the usual spectral evictions enforced by Hollywood. But is it possible for an entity to take over a body during an astral trip?

“If done incorrectly, yes,” Zeena tells us. It is also something which can be done with intent. “In ceremonial magic, this is the entire purpose of entering the Inner Planes,” says Halladay. “During the Rite of Isis, the Priestess goes into the Inner Planes to invoke the Goddess Isis to bring her into the Earthly realm. Now can an entity ‘possess’ a physical being while on the planes? I would have to say it is absolutely possible.”

It turns out Dalton isn’t the only traveler in the Insidious family. He gets it from his father, who was terrorized by the spirit of an old woman during his childhood. Josh suppressed the memory, but Elise opens old wounds and new ones for the patriarch. She hypnotizes Josh, triggering his long-resting phantasmal dislocation, and sends him into the Further to find his son and bring him back.

Zeena confirms people can be guided through the experience, but insists “it’s a very delicate process requiring a qualified teacher from reputable metaphysical lineages that specialize in that. And even then, astral projection, or directing one’s consciousness, is not the main goal, but rather a way to gauge preparedness for more advanced training on the path toward spiritual enlightenment. When done improperly, the results of attempting astral projection simply for experimentation, entertainment, or curiosity can be disastrous.”

The film presents a cinematically dark alternative to the physical plane, a netherworld of unlocked doors and an overarching feeling of dread. Insidious doesn’t imply the Further is Hell, but it does look like one of the many highways AC/DC bypassed.

“They gave the darker energies too much power in the movie,” says Emi Rose. “In the astral plane, we always have a balanced choice to engage on a subconscious or conscious level. On a conscious level you can power your will, create scenarios.”

Josh’s first encounter in the Further is with the Crying Woman, not the most inviting of hosts. Citizens in Insidious’ cinematic spectral realm include the spirits of a family doomed to relive their violent deaths on a spectral loop; a long-haired, leather jacketed ghoul with a sex-fiend tongue; and a mischievous little boy. At its center is the Lipstick-Face Demon. It is tall with horns, pointed ears, snake-eyes, spidery fingers, and hooves for feet. Its skin is black as the night sky, its eyes are blacker holes.

“When one has a mind-expanding experience through any number of means, whether astral projection, meditation, or psychedelics, one encounters infinite types of beings,” Zeena says. “Recently deceased beings; beings we knew in a former incarnation but recognize in their new reincarnated state; celestial beings; demons and hell beings; mythological or magical beings; Buddhas and Bodhisattvas; Gods and demigods.” They’re all among the usual suspects.

But what you encounter is also contingent on who you call. “It all depends on the law of polarity,” Saikia says. “If you project fear, you will encounter energy vampires and evil entities.”

Halladay agrees that there are other entities in the astral planes, but says “I have never personally met other travelers, only those I have astralled with.”

The Red-Faced Demon never speaks in the film. It has, however, spoken with Josh’s mother, Lorraine (Barbara Hershey), in her dreams, which also appear to be of a special class: lucid dreaming.

“Astral traveling is a combination of Insidious and Inception,” quips Emi Rose. Inception is technically about lucid dreaming, Leonardo DiCaprio’s character Dom is technically-aided to enter dreams to steal information or implant ideas. It is often mistaken for astral travel, but not usually weaponized in the way that film presents it. Reddit’s rogue “Astral Army” community claims they combine astral travel and remote viewing to post out-of-body surveillance reports on popular conspiracy theory obsessions like Area 51.

The different practices are often mistakenly considered interchangeable, but are quite different.

“With astral projection, one is sending one’s consciousness–either in part or fully–away from their body to a designated place or realm, in this world or others, for a particular purpose,” Zeena explains. “Remote viewing is when consciousness remains in the body but one can view anywhere else from afar. These two phenomena are also different from the involuntary experience colloquially known as OBE (out of body experiences), which usually spontaneously occurs in conjunction with trauma, near death experiences, or extreme stressors or ecstasy.”

In the overall arc of the Insidious franchise, the Further is much vaster than originally imagined, and the source and tool of mystical workings.

“There is a difference between Occultist practices and some, though not all, Esoteric Traditions,” says Halladay. “Occultists, past and present, generally accept astral projection as a regular part of their practice. Eurocentric pagan traditions do not make it a part of their regular practice.”

Though a fan of the film, Rose thought “Insidious focused too much on the shadow side of the astral plane. The movie portrayed the astral world as a scary dark place with only negative entities waiting to take over your body. So many more things occur in our dream world that we can conceive beyond bad scenarios. It is where we can conduct unfinished business, live out fantasies, replay or create scenarios, and travel to places we cannot do in our waking life.”

Late 18th century occult orders Golden Dawn and the Theosophists believed they could journey to other worlds, heavens and hells, and astrological spheres through etheric travel. In the 1999 book, Astral Dynamics, Robert Bruce calls it the “Real Time Zone,” and says it is the non-physical dimension-level closest to the physical. The New Age movement actively promotes the brighter, more enlightening aspects of the Further, to the point where the practice is on the precipice of mainstream thought.

Insidious isn’t the first film to venture beyond physical realms, but its ongoing franchise is proof the inner universe is expanding.

Insidious is streaming on Netflix now.

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myth-lord · 5 years

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Mythika’s creatures from M-European and Greek Myths

**THE CREATURES FROM MEDIEVAL EUROPEAN FOLKORE, HERALDRY AND THE BOOK OF IMAGINARY CREATURES**

When a Codrille or Plague Dragon dies, it is automatically resurrected into a Taniniver, the powerful plagues and diseases the Codrille uses against its victims will take a toll on the dragon itself, raising it as an even more hateful spreader of diseases, and now with even less to fear.

@rt = https://images-of-dragons.blogspot.com/2019/02/home.html

Aproxis (M-European) – Plant (Drake) - Giant fire orchid-flowers which spit fireballs at their prey

Basilisk (M-European) – Dragon (Reptilian) - Eight legged reptilian dragons which gaze turns victims into fossilized statues.

Blemmyes (M-European) – Aberration (Giant) - Horrid, cannibalistic ogres which faces are located in their torso.

Carabosse (M-European) – Fae (Shifter / Fairy / Cursed / Summoner) - Evil faeries which can transform into dragons, much like Maleficent.

Catoblepas (M-European) – Beast - Diseased, poisonous cattle of the Horseman of Pestilence.

Cerastes (M-European) – Beast (Reptilian) - Sand snakes which poison causes extreme dehydration and thirst.

Codrille, Taniniver (M-European) – Undead (Reptilian / Cursed) - Undead Codrille dragons, which diseases and corruption took over.

Echeneis (M-European) – Beast (Fish / Parasite) - Remora fish which can slow down time on everything they stick to.

Formica Aurum (M-European) – Construct (Vermin) * - Golden automatons in the shape of ants which dig for gold.

Gastarios (M-European) – Beast (Vermin) - Sea scorpions, also known as Eurypterid.

Goblin (M-European) – Humanoid (Goblinoid) * - Sneaky, cowardly, small green humanoids, who enjoy causing mischief.

Haermorrhois (M-European) – Beast (Reptilian / Vampire) - Vampiric snakes which poison forces all the blood from a victim’s body.

Imp (M-European) – Demon (Fairy) - Demonic Fairies which often serve Spellcasters as magic enhancement familiar.

Incubus (M-European) – Demon (Mara) - Dream-demons which breed with women in their dreams to create Cambion.

Incubus, Cambion (M-European) – Demon (Shifter / Human) - Half human and half demon, these male succubae bring lust and destruction.

Jonah (M-European) – Humanoid (Human / Cursed) - Cursed sailors who bring bad luck on ships to make them sink.

Lamia, Abyzou (M-European) – Demon (Beastman / Reptilian / Centauric) - Demonic Lamia covered in horns and spikes, demons of envy.

Leucrotta (M-European) – Beast (Chimerae) - The vilest of all Chimerae, have strongest teeth of all creatures.

Mandragora (M-European) – Plant (Vampire) - These mandrake roots drank the blood of demons, and now hunger for more.

Melchom (M-European) – Demon (Shifter / Summoner) - Golden demons which spread greed and avarice, can turn into golden coins.

Muscaliet (M-European) – Demon (Chimerae) - Demonic Squirrel-like horrors which burn with heat and burn entire forests.

Myrmecoleon (M-European) – Beast (Vermin) - Giant Ant-Lion horrors the size of an elephant.

Nependis (M-European) – Beast (Chimerae) - Half gorilla and half boar, very good climbers.

Odontotyrannus (M-European) – Demon (Reptilian) - A demonic variety of Tyrannosaurus Rex, covered in fangs.

Ozaena (M-European) – Aberration (Ooze) - Sea oozes, giant amoeba, feeding on sea waste.

Parandrus (M-European) – Fae (Chimerae) - Half antelope and half wolf, can become invisible by changing its colors.

Scytalis (M-European) – Dragon (Reptilian / Psychic) - Drakes which use their bizarre colors to hypnotize their prey.

Seps (M-European) – Beast (Reptilian) - Evil Snakes which turn their bitten victims into puddles of acid.

Skolex (M-European) – Aberration - Giant white worms living in rivers which behave much like Bobbit Worms.

Succubus (M-European) – Demon (Shifter / Nymph / Mara) - The demons of the sin lust, appearing as beautiful women, demonic nymphs.

Titivillus (M-European) – Demon (Shifter / Summoner) - Ink Demons which make dangerous bargains with their victims, and which can turn into living ink.

Trolual (M-European) – Beast - Monstrous whales with huge tusks.

Utelif (M-European) – Beast (Fish) - Bizarre and dangerous variants of sawfish.

Wether (M-European) – Undead (Parasite) - Undead Musimon resurrected by the parasites in their brains, now very aggressive.

Wyvern (M-European) – Dragon (Reptilian) * - Females are called Vouivre.

Yale (M-European) – Beast (Chimerae) - Powerful antelope-like creatures with magical horns.

Yamabiko, Mimick (M-European) – Fae - Cute-looking creatures which can copy any ability used against them.

Ziphius (M-European) – Beast - Orca-sized whales with bird-like beaks and very large and sharp dorsal fins.

============================

**THE CREATURES FROM ANCIENT GREEK MYTHS**

The Charon in Mythika are only named after the first Charon Boatman, these Charon are dangerous horrors, merged with their ship they collect the souls and bodies of their victims and use them to replenish health or in other horrid rituals and abilities.

@rt = http://cesupic.pw/Hell-Pictures-Hell-Picture-2d-horror-hell-fantasy.html

Amphisbaena (Greek) – Beast (Reptilian) - Small serpents with an head on each end.

Argus (Greek) – Aberration (Giant) - Monstrous giants covered with eyeballs, very hungry for secrets and lore.

Cecaelia, Scylla (Greek) – Aberration (Centauric / Cursed / Summoner) - Giant Cecaelia which tentacles end in moray-like maws.

Celedon (Greek) – Construct (Spirit) - Golden Golems resembling angels, only for the very wealthy.

Charon (Greek) – Undead (Summoner) - Undead boats created from the bones of the dead which carry the souls of their victims.

Chione (Greek) – Fae (Nymph / Cursed / Summoner) - Frost and ice nymphs.

Con Rit, Skolopendra (Greek) – Beast (Vermin / Drake) - Giant Monstrous ragworms, the size of sea serpents.

Dactyl (Greek) – Humanoid (Dwarf / Summoner) * - Very crafty iron dwarves, replacing their own flesh with metallic parts.

Empusa (Greek) – Fae (Nymph) - Fire nymphs with flaming hair and a burning hate for male humanoids.

Garmr, Cerberus (Greek) – Demon (Summoner) - Three-headed gigantic hell hounds.

Gegenees (Greek) – Humanoid (Giant) * - Six armed war-hungry and battle-addicted giants.

Harpy (Greek) – Humanoid (Beastman / Hag / Avian) - Half bird half hag, their voices hurt the living.

Harpy, Siren (Greek) – Fae (Beastman / Nymph / Avian / Summoner) - Half bird half elf women, their voices are magical and hypnotic.

Hydra (Greek) – Beast (Reptilian / Drake) - Many-headed reptilians which grow two new heads for each head cut off.

Jonah, Akheilos (Greek) – Humanoid (Shifter / Fish / Human / Cursed) - Cursed vain humanoids which can take the shape of sharks.

Kampe (Greek) – Humanoid (Beastman / Reptilian / Centauric / Drake) - Giant women from the waist up, from the waist down a dragon, hunt other powerful creatures.

Karkinos (Greek) – Beast (Vermin) - Giant blue crabs.

Khalkotauroi (Greek) – Construct (Spirit) - Metallic bulls which breath fire, much like the D&D Gorgon.

Kholkikos (Greek) – Dragon (Summoner) - Horrifying, ugly dragons which teeth transform in Skeleton/Spartoi warriors when they fall out.

Lakuma, Charybdis (Greek) – Aberration (Vermin) - Giant Isopod horrors which create destructive whirlpools.

Lamia (Greek) – Humanoid (Beastman / Reptilian / Centauric / Cursed) - Half woman and half serpent, eaters of children.

Lampad (Greek) – Fae (Nymph / Cursed) - The nymphs of shadow, the underground, magic and spirits.

Maenad (Greek) – Fae (Shifter / Nymph / Summoner) - The nymphs of chaos, wild animals and feasts.

Makhai (Greek) – Demon - Siamese-like twin demons of war, which dance into battle.

Minotaur (Greek) – Humanoid (Beastman) - Humanoid bulls which can’t get lost and remember everything.

Oread (Greek) – Fae (Nymph / Summoner) - The nymphs of earth, rock, crystals and the mountains.

Planctae (Greek) – Aberration (Summoner) - Living reef and coral monsters.

Satori, Cercopes (Greek) – Beast (Psychic) - Satori born as twins, the twins have very strong psychic and telepathic link between them.

Scorpios (Greek) – Beast (Vermin) * - Giant scorpions.

Spartoi (Greek) – Undead (Human) * - Your typical animated skeleton warriors.

Sphinx (Greek) – Beast (Chimerae / Psychic) - Very wise and intelligent, but very arrogant and vain chimerae, hate non-intelligent humanoids.

Stymphalian (Greek) – Construct (Avian) - Bronze crane-like constructs with blade-like feathers.

Thriae (Greek) – Fae (Beastman / Nymph / Vermin / Summoner) - The nymphs of bees and wasps.

Zitiron, Telchine (Greek) – Humanoid (Beastman / Fish / Centauric / Mounted) - Greater Zitiron, they create the magical armors of their race and use tridents as their weapons.

#Mythology #Folklore #Monster #Fantasy

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pyravari-kashebahl · 5 years

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Execution of Magisters.

There was no ‘thank you for coming.’ No pleasantries exchanged. It was business based on life or death. Vari stood there, towering over those seated before her as she tapped a long, pale finger along the table where the five images of the magisters were.

“This is why you are all here. Our inquisitor, my brother, is missing. Again. And Koltun and I have deciphered where these five are located and what they specialize in thanks to that very willing thug-survivor from the city,” she added with a pointed look toward Verzatea. She then pinned each of them with her icy stare before sliding her gaze downward and peering once more at the images of the elven magisters.

She lifted a hand over one of them, that first image fluttering up to levitate in the air to reveal a pale elf with striking blonde hair and rich, fel-fire hues. “Magister Lightheart – a conniving prick and manipulative sorcerer who specializes in mutations of the Light. He has been the hardest of these four to track down, but alas, Koltun and myself have been able to garner where he is, along with his other lackies. Lightheart is on the northern border of Tirisfal.” Lich-fire hues pinned to Verzatea. “You and a handful of your students along with a few of my elite will go with you to take him down, but do play dirty and gather as much information as you can before you sever his life from this world. Then I need you to report directly back to me as soon as you are done.”

She did the same thing with the next image, her magics levitating it upward in a shadowy tendril to reveal a red-headed elf with the same, intense gaze as the previous. “Magister Sinafel. A wizard of fire – destructive and immune to most magics that are not elemental or otherwise ‘natural.’ He is in Searing Gorge in a hideout along the caves in The Cauldron on the eastern side. Whistletorque and Brox, you will both dispatch this one. I am certain Brox will be able to traverse that region with ease thanks to his knowledge of that area.”

Remaining calm, poised, she would then levitate the third picture. This elf looked young, pompous. With dark-brown hair and a jutted chin, he looked to be a smug piece of shit. “Magister Evesblood – a rich boy who inherited everything his father left him. He works directly within Silvermoon most times, but there are reports he has gone south toward Stranglethorn – which is also where Marsielle has gone. Alone.” She shot her eyes to Zalra and Siida. “The two of you will be finding Marsielle – and when you do, you will aid him, then you three will shift your attentions to the old troll ruins on the far north-west coast of the jungle. Magister Evesblood practices shadow magic and has been known to dabble in voodoo.”

The fourth image was now levitated with a shadowy tendril, revealing a stunning female elf with long locks of blonde hair and brilliant, fel-green eyes. “Magister Shadebloom.” She shifted her attention to Koltun with a wry smile. “This is your target.” The image floated toward him and Vari continued, her hollow tone reverberating around them all. “She is a sorceress of seduction, much like the pet succubae she always has with her.” Vari’s head tilted in pure challenge as a wry smile etched along her features. “I do hope you and the few elite of mine that will accompany you will not succumb to her or her… associate’s charm.” That smile grew, a grin of sorts that said he’d be castrated if he did. “She has a brothel in the Underbelly of Dalaran. You will find her… staff… come in many races. Quite diverse, really, to sate the needs of travelers of all walks of life.” She lifted the fifth image, the brown-haired elf looking rather naïve despite an age that creased his brows and offered crow’s feet at his eyes. “Magister Sunfire. He came from nothing, unlike Evesblood. But he achieved his influence and prestige through deceit and control grabs. He is a master in illusions but he’s terrible at being discreet, too gluttonous on his own power. I will be dispatching this one as he’s right here in Northrend, thinking he’s being smart and trying to use his illusionary army to surround us.”

The images then fluttered to each group or person designated, allowing whomever to grab them and study who their target was. “Any questions? Regarding these five magisters?”

@the-house-of-the-nine @thebladeitself @whatadarkbitch @siidaraykashebahl @zalraazurestar @daltalah

#guild plot #guild story #rescuing the brother #again #ic #canon #my writing

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mrrightandmrbubble · 6 years

Photo

Tagged by @succubas to post my lockscreen (dum dum bring me gum gum)/home screen (my shot from Adelaide)/the last song I listened to (actually glad I caved and got an Apple Music trial because this song is pure fire)

Boop: @noreasonreally @nikkicaliva @chriscornell1991 @imreallyreallyblonde @italianate @roswellrecords

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rockandblognet · 5 years

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Crítica del último lanzamiento de DEBAUCHERY, "Blood For The Blood God"

Repasamos el último álbum de DEBAUCHERY que bajo el título «Blood For The Blood God» nos llega en forma de recopilatorio lleno de grandes temas para pasar un buen y extenso rato

La escena » Gore» llena de matanzas, hemorragias intensas y escenografía de este tipo siempre han llamado la atención en el espectáculo de DEBAUCHERY acompañado de composiciones musicales apetecibles para los que estamos en este mundo del Heavy Metal. Por eso los aborreces o adoras. Con «Blood For The Blood God», lo puedes experimentar. Te apetece.

Comencemos con lo que sabemos de DEBAUCHERY por medio de su página web:

LIBERTINAJE

«Una historia cuenta cómo Drakorgaur, «El Dragon Rojo» reunió a los Debaucher en una gran odisea a través de las profundidades del infierno. Los Debaucher alguna vez fueron dragones justos, que fueron atrapados y seducidos hace mucho tiempo por demonios malvados conocidos como Succubae. Los Debaucher finalmente se volvieron contra los Succubae y los violaron antes de festejar con su carne demoníaca. Ya loco, la tarifa del mal hace que caigan aún más en las profundidades de la locura más oscura. Ahora ansían la violencia y el placer de maneras cada vez más depravadas. De todas las almas en la tierra, favorecen a los vampiros del culto de los «Blood Babys» antes que nada y se deleitan en su degradación, profanación y sumisión diaria.

El líder de esta horda indisciplinada, extraña, caótica y maníaca se llama Debauchery. Los humanos y los vampiros de la Tierra lo adoran y rinden homenaje en perversos cultos de música ensordecedora, sexo y violencia.

Pero el Dios de la sangre tiene libertinaje y lamenta el día que lo llevó a bordo de su barco.

LA TRINIDAD DE DIOSES DE SANGRE / El tríptico de dioses de sangre son: “DEBAUCHERY, BLOOD GOD Y BALGEROTH»

Con esta explicación llegamos a la parte artística de DEBAUCHERY, que cuenta con los integrantes: Thomas «The Bloodbeast» Gurrath, en las voces y guitarras, Dennis «The Bloodpriest» Ward, en el bajo y Oliver «The Bloodhammer» Zellmann, en la batería. Engendrados a principio de siglo y con su álbum debut del año 2003 llamado «Kill Maim Burn», consiguiendo en el año 2015 bajo las tres entidades –DEBAUCHERY, BLOOD GOD Y BALGEROTH– el disco «F*ck Humanity», hasta llegar a su décimo sexta producción «Blood For The Blood God», que es una producción de la historia de esta peculiar y singular banda alemana, que tiene un buen recibimiento en todo el mundo.

A principios de este mes llegó a nosotros esta última producción a través de MASSACRE RECORDS, para celebrar el decimoquinto aniversario del álbum «Blood For The Blood God» ha anunciado la publicación de una colección de sus mejores canciones o por lo menos las más únicas o básicas para «enamorarse» de los teutones.

A medida que DEBAUCHERY ha evolucionado con el tiempo nos ha probado y comprobado su valía en el ámbito. Por eso esta compilación es un grupo de más de cincuenta canciones que muestran su progreso en movimiento. Todo la perspicacia y capacidad está asegurada en este triple Disco Compacto.

Para los que no han degustado a los «germanos» es una buena ocasión para conocer su trabajo. Antes que nada son inclasificables, para su beneficio propio, porque los elementos de su ritmos van desde el Death, Thrash, Heavy o hasta el Industrial Metal. Los determinación musical es apetecible, centrándose en la provocación de las voces guturales que contrasta con algunas voces gritadas e incluso con algunos cánticos limpios. Encasillarlos sería reducir su comprensión total de su música, delete monos con «Blood For The Blood God».

Esta antología o recopilación fue producida por Thomas Gurrath, mezclada y masterizada por Dennis Ward. Con la idea de mantener las canciones suenan pesadas y agresivas como se engendraron por primera vez. Además se incluyen algunos músicos invitados , como Mr. Schmier de DESTRUCTION en la voz de «Warfare»( Track 15 del CD2) o contribuciones hechas por Tom Naumann ,guitarrista de PRIMAL FEAR.

CONTENIDO de este recopilatorio de DEBAUCHERY, «Blood For The Blood God»

Sin pretender entrar en detalle de la producción haré un balance general de cada uno de los Discos, que forman este triunvirato, el CD 1, lleva por título, «Blood For The Blood God» y contiene 18 canciones donde encontramos melodías pegadizas, de ritmos violentos y colosales. Puro Metal Europeo que nos dan potencia y empuje para una verdadera matanza musical.

Su contenido es:

1. Beasts of Balgeroth (Enemy of Mankind 2018)

2. Demonslayer (Kings of Carnage 2013)

3. Butcherman (Torture Pit 2005)

4. Ironclad Declaration of War (Fuck Humanity 2015)

5. Slaughter the Devil (Enemy of Mankind 2018)

6. Gorezilla (Fuck Humanity 2015)

7. Praise the Blood God (Back in Blood 2007)

8. Torture Pit (Torture Pit 2005)

9. Murdermaker (Thunderbeast 2016)

10. German Warmachine (Fuck Humanity 2015)

youtube

11. Warmachines at War (Germany’s next Death Metal 2011)

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12. Man in Blood (Kings of Carnage 2013)

13. Enemy of Mankind (Enemy of Mankind 2018)

14. City of Bones (Thunderbeast 2016)

15. Let there be Blood (Kings of Carnage 2013)

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16. The Unbroken (Germany’s next Death Metal 2011)

17. Beyond the Eternity Gate (Enemy of Mankind 2018)

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18. Blood for the Blood God (re-recorded 2015)

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El CD 2, tiene por nombre «There is Only War (Remix 2019)», de primera impresión parece ser que su contenido es pretérito o arcaico por su simpleza y fácil interpretación , pero que fueron la base de los cimientos de DEBAUCHERY, en esencia Metal Extremo Alemán.

Su contenido es:

1. There is only War (Rockers & War 2009/Re-mix 2019)

2. Blood God Rising (Continue to kill 2008)

3. Blood God Kills (Kings of Carnage 2013)

4. Heavy Metal Monsternaut (Thunderbeast 2016)

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5. Masters of the Killing Art (Back in Blood 2007)

6. Slaughtercult of Carnagers (Enemy of Mankind 2018)

7. Killerbeast (Kings of Carnage 2013)

8. Animal Holocaust (Germany’s next Death Metal 2011)

9. Back in Blood (Back in Blood 2007)

10. Butcher of Bitches (Back in Blood 2007)

11. Blowjob Barbie (No Brain But Balls 2012)

12. Defenders of the Throne of Fire (Blood is my Trademark 2014)

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13. Death Metal Warmachine (Torture Pit 2005)

14. Lords of Battle (Back in Blood 2007)

15. Warfare (Continue to kill 2008/SCHMIER Guest Vocals)

16. Zombie Blitzkrieg (Germanys next Death Metal 2011)

17. Metal on Metal (Continue to kill 2008)

18. Kings of Carnage (Kings of Carnage 2013)

19. Bloodcrushing Heavy Metal (Enemy of Mankind 2018)

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Rematando con el CD 3, «Blood Works», que contiene dos subdivisiones, «Blood Experiments» y «Blood Ballads» de cuatro canciones cada uno dándonos un total de 18 canciones también. Tenemos Riffs de guitarras que intimidad e impresionan a la vez, versiones regrabadas de algunos tracks con excelentes contrastes especialmente en la parte vocal, surgiendo la necesidad de ser escuchado y deleitado con calma y entereza.

Esta integrado de esta forma :

BLOOD WORKS

1. Slaughterman (Blood is my Trademark 2014)

2. Kill Maim Burn (re-recorded 2015)

3. Devourer of Worlds (Rage of the Bloodbeast 2004)

4. Hordes of Chaos (Kill Maim Burn 2003)

5. Chainsaw Masturbation (Rage of the Bloodbeast 2004)

6. The Fifth Battle (Kill Maim Burn 2003)

7. Wargrinder (Rage of the Bloodbeast 2004)

8. Slaves to Darkness (Kill Maim Burn 2003)

9. Armies of Immortals (Rage of the Bloodbeast 2004)

10. Continue to kill (Continue to kill 2008)

BLOOD EXPERIMENTS

11. Wolves of the North (Rockers & War 2009)

12. Honour and Courage (Rockers & War 2009)

13. King of Killing (Continue to kill 2008)

14. Blood for the Blood God (Pussy Version 2005)

BLOOD BALLADS

15. Take my Pain (Rage of the Bloodbeast 2003)

16. To Hell (Fuck Humanity 2015)

17. Rocker (Rockers & War 2009)

18. Walking Glory Roads (Continue to kill 2008)

Siempre se dan oportunidades para no pecar de ignorancia, y con «Blood For The Blood God» la tenemos para conocer a DEBAUCHERY. Para algunos será otro álbum de acumulación de canciones que ya tenemos si tenemos toda la discografía de la banda, pero para otros será la ocasión de tener un compilado de la memoria cronológica de una banda que da lo mejor de sí, en sus creaciones de estudio y que en directo son más que una exhibición de música teñida de sangre y composturas gore.

Como un «retiro espiritual» tenemos 55 ejercicios de la doctrina de DEBAUCHERY, que nos tendrán apartados un buen tiempo para poder obtener sus ideales o principios. Odiarás a la banda o los amarás incondicionalmente. Pero por el trabajo musical ríndete de inmediato, unete a la parroquia y sigue su culto.

Crítica del último lanzamiento de DEBAUCHERY, «Blood For The Blood God» en el artículo original de Rock and Blog

#Debauchery #rock music #heavy metal #rock

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