#GIVE SARAH AND MATTHEW A ROMCOM NOW

[tomshivendgame]

tomshiv - romcom edit (uptown girl by billy joel)

pov: Succession AU where Tom works at Waystar Royco as Shiv’s assistant

[cantsayidont]

Recentish adventures in gay vampire movies:

THE VAMPIRE NEXT DOOR (2024): More properly a bisexual vampire movie (eventually, if you're patient), this is a dumb low-budget comedy about a 20-something dweeb, Cameron (Alex Matthews), who's persuaded to act as chauffeur/getaway driver for his hot new next-door neighbor Victoria (Jessica Ferguson) while she does some vampire murders around town. Meanwhile, Cameron is secretly in love with his hot blond bestie Diane (Bella Chadwick), for whom hot himbo Martin (Andrew Larkin) wants Cameron to do the Cyrano de Bergerac thing. An underwhelming throwback to the dopey (PG-rated) teen sex comedies of the '80s (with ONCE BITTEN an obvious comparison), the movie spends so much energy on the romcom stuff that it takes forever for the vampire stuff to come into focus, and, as in many bad '80s comedies, an awful lot of the plot hinges on Cameron being an "innocent" Peeping Tom. Sort of amiable despite having no real redeeming virtues, but it's weighed down by Alex Matthews, whose character is unsympathetic and whose head-lolling performance suggests that he's recently been hit with a tranquilizer dart.

BIT (2020): MEAN GIRLS meets THE LOST BOYS, featuring a teenage trans girl from Oregon, Laurel (Nicole Maines), who comes to L.A. to spend the summer with her brother (James Paxton) and falls in with a clique of gay vampire girls led by the sardonic Duke (Diana Hopper). Funny and stylish, it suffers from trying to cram at least five hours' worth of plot into 90-ish minutes of screen time. Many of the component pieces are interesting and fun, but as a whole, the movie feels jumbled and unresolved: Various subplots and secondary characters go nowhere; the other vampires (Zolee Griggs, Char Diaz, and Friday Chamberlain) get hardly any character development — Griggs' character Izzy is there mostly as Laurel's love interest, and Diaz and Chamberlain barely have any lines; and Laurel remains curiously underdeveloped, reducing her to a fairly generic teen movie protagonist. Maines is an appealing screen presence, but she can't compete with Diana Hopper, whose commandingly bitchy performance as Duke is the centerpiece of the movie. There's a lot to like about BIT, but it might have worked better as a TV series, giving the characters and story more room to breathe.

THERESA & ALLISON (2019): Extremely low-budget cinema verité horror comedy-drama about gay college girl Theresa (Arielle Hope), transformed into a vampire after a disastrous one-night stand, as she struggles to navigate her new vampiric existence while nursing a crush on a somewhat older vampire, Allison (Sarah Schoofs) — who is totally, definitely (not) broken up with her obnoxious boyfriend Tony (Charles D. Lincoln, who also wrote the script), who now won't leave Theresa alone. The production values are modest and the acting is uneven, but this is a much more cohesive movie than the other two, with far and away the most intelligent script and many inventive ideas (like the fact that New York City has social services for vampires, although like most urban social services, they're underfunded and totally inadequate). Its biggest strength is the way the story builds its vampire-related elements around familiar real-world gay girl travails, which is sometimes very funny as well as horrifying. The caveat is that this is still definitely a horror movie, and goes some quite dark places (requiring CWs for suicide and sexual violence, beyond the usual for vampire stories), with an ambiguous but rather harrowing ending.

[newtonsheffield]

okay so i don’t think words can describe how much i loved ‘Goose’. That chapter is so beautiful and im so happy for these fictional characters ( david can suck it).

I wonder if how matthew and eddie continue the wednesday tradition with an older (toddler and maybe speaking) edmund? cause that’s all my heart wants.

side note ‘Goose and Eddie’ would be an amazing name for a romantic 90s-2000s sitcom or a romcom movie

Okay! I cannot tell you how relieved I am about how much everyone seems to be enjoying Goose! This fic was a largely selfish venture because I made myself fall in love with Matthew Goose Bagwell who just met a girl in the museum who was smart and funny, and she made little puns about dinosaurs to her Nephew who had absolutely no idea what she was talking about, and fell a little desperately in love with the way her nose crinkled when she smiled and had no idea that she was that Edwina. The Edwina Sheffield who by this time had been voted England’s most beautiful woman thrice in a row. And then I think like a grand total of 1 person asked to see more about them and I forced this fic upon you all, in true Molly Fashion!  

David can get Wreckkkkkked. He never deserved Edwina and after she was with Matthew, take comfort in the fact that Edwina fully realised how ... unsatisfied she’d been by him. (Get it Girl) 

And YES I want to watch “Goose and Eddie”! I want to watch this fic that I wrote as a romantic comedy tbh. Is that vain? Probably. 

Now, I fully, subscribe to the fact that Edwina still takes Edmund to the museum every week, and then miles, and then Charlotte and her own Daughter Sarah, and Mary, and eventually her son. And Matthew takes a long lunch and sits with his wife’s family, more than content to watch Kate’s manic children run all over his office little hands grabbing at everything within reach.

“Auntie Eddie! Edmund is pushing!” Miles’ tiny voice called out as she shut the car door. Edwina sighed, turning towards her Nephews, Edmund looking very innocently back at her. “I wasn’t!” He said, the charming smile Anthony used to get away with things fixed on his face, slightly startling on a boy barely three years old. Edwina fixed them with her sternest look despite how adorable they looked, Miles’ electric blue glasses strapped to his face, An astronaut on his shirt. Edmund’s shoes flashing brightly as he tapped his foot excitedly. “Boys we have to behave, otherwise we’re going straight home, and Grandma Mary will probably make broccoli for lunch.” Both boys wrinkled their noses and Edwina had to bite back a laugh as though her mother would ever force Kate’s children to eat anything they didn’t like. Mary Sheffield had been a very kind mother, but stern when needed. Grandma Mary didn’t know the meaning of the word. Kate’s boys seemed to have her wrapped tightly in their little fists, all of them were trapped there really. 

“Okay, then, Hold hands.” She said, holding her hands out for the boys to take, making their way down the street to the museum. “When Mummy has the new baby, are you going to bring her with us?” Edmund asked as they made their way. Edwina hummed. “Probably. What makes you so sure it’s a girl Neddy?” Edmund grinning at the nickname only she used. Eddie to Neddy she always said when she told him faux secrets and his little face lit up with joy. “Because I already have Milo. So now I need a sister, like Mummy has you.” He said, shrugging as though that made perfect sense. Edwina chuckled to herself as they came through the door, the boys both grinning excitedly just like always.

“Where’s Uncle Matty?” Miles said, tugging on her arm as he looked around the foyer scanning for him. “Uncle Matt can’t meet us today, sweetheart. He’s a little busy setting up something new to show us next week.” Edwina said, her heart clenching at the way both boys pouted. Edmund sighed, “Is it gonna be cool?” He said sceptically a crease forming between his tiny eyebrows, and Edwina had to bite back a laugh. “I think it will be very cool.”  “Well I suppose that’s okay.” He said as though that quite settled the matter tugging his aunt and brother in the direction he had decided they should go.

“It’s bigger than Uncle Ben!” Miles practically shrieked in delight as he looked at the triceratops skeleton his little legs moving with excitement just like it always did. And Edwina felt her heart skip. This was why she loved bringing them here, watching their little faces light up with excitement, watching them discover and learn new things, it was truly beautiful. And a strange sense of longing welled in her chest. Matthew was enough for her, really he was, but recently she couldn’t stop imagining him with their own children rather than Kate’s. He was so patient and kind with them, and god she just wanted. But she’d chickened out every time the thought had pushed at the back of her throat.

“Excuse me, Miss?” A familiar voice said behind her, bringing a smile to her lips “It’s not usually my specialty but maybe I could give you a hand.”  Edwina turned to find her husband grinning broadly, his hair flopping into his eyes, that were shining at her in the bright lighting, and her breath caught a little. But even so, “Mmmm, thanks but, no. I’m waiting for my husband.” Matthew laughed. “Ooof he must be a lucky man.” He said as he leaned in and pressed his lips lightly to hers only to be interrupted by Edmund sprinting headlong into Matthew’s legs. “Uncle Goose! Auntie Eddie said you weren’t coming!” His little voice cried out excitedly and Edwina’s heart stuttered as Matthew Crouched down and let out a little honk at his nickname, grinning broadly as Miles barrelled into him as well. “Hmmm Auntie Eddie can be very silly.” He said shooting her a quick wink. “How could I not see my favourite palaeontologists today?!” both boys grinned excitedly, tugging him towards the skeleton

“Triceratops has 800 teeth!” Miles called out and Matthew gasped theatrically  “No way, Milo! You’re making that up!” Matthew said and Edwina thought, in that moment that she couldn’t be any more thankful that this man had bumped into her just a few feet away.

And that night, when the thought pushed at the back of her throat as they sat on the sofa, his head resting lightly in her lap, she let it fall out.  “Matt, I want to have a baby.” Matthew’s eyes softened as he looked up at her  “Yeah?” He said lightly his eyes staring into hers carefully. And she forced herself to nod, as nervous butterflies beat against her stomach. And then her heart skipped as a broad smile spread over his face. “Then let’s have a baby, honey.”         

[austennerdita2533]

What are your fave romcom movies? And any that you like and would recommend? Thank you!

What’s so great about this ask is that you’re about to witness how ridiculously vast my love of romcoms extends, because I have so many recs! You’ve unknowingly opened Pandora’s Romcom Box, nonnie. Anyone who knows me - either online or irl - has been subjected to my chick flick voraciousness which knows no bounds. (AKA I binge Hallmark Channel on the regular, too.) There’s a reason my friends jokingly call me Romcom Ashlee haha.

Anyway, here’s a list of a bunch of my favorite romcoms in no particular order. I included some old movies as well because they’re amazing and I have no chill:

-Any Jane Austen adaptation in existence (seriously, I have an Austen obsession problem)

-You’ve Got Mail 

“I love daisies. They’re so friendly. Don’t you think daisies are the friendliest flower?”

-When Harry Met Sally

FRIENDS TO LOVERS GOLD !!!!!!!

-Sleepless in Seattle

-French Kiss 

This stars Meg Ryan and Kevin Kline. It’s not as famous or well-known as her others, but I LOVE IT TO PIECES.

-Sweet Home Alabama

There’s a running joke about this movie in my family. I pretty much quote it from start to finish and drive everyone mad. I also went through a phase for a few years as a young teen where I’d watch it like once a week, and somehow every time my uncle would pop home for a visit over the holidays I’d have it on. So, now, almost 2 decades later, he still teases me with a “we’re not going to watch Sweet Home Alabama again, are we?” any time he visits. 

Considering I just wrote a Klaroline fusion for this movie it’s safe to say my obsession lives on! 😂

-10 Things I Hate About You

-While You Were Sleeping 

The cast for this movie is incredible. It’s one of my all-time faves. 

-Laws of Attraction

-She’s All That

-Fools Rush In

“You are everything I never knew I always wanted.” *over here crying about it*

-Ever After

-Sixteen Candles

-Crazy Stupid Love

-Clueless

-Austenland

-P.S. I Love You

I cry every time I watch this movie. Never fails.

-The Notebook

-He’s Just Not That Into You

-Pretty In Pink

-27 Dresses

-Never Been Kissed

Michael Vartan was one of my first celeb crushes and I REGRET NOTHING.

-Sabrina (with Audrey Hepburn, Humphrey Bogart, and William Holden)

-Gidget (with Sandra Dee and James Darren)

-The Philadelphia Story (with Cary Grant, Katharine Hepburn, and Jimmy Stewart)

-It Happened One Night (with Clark Gable and Claudette Colbert)

-The Shop Around the Corner (with Jimmy Stewart and Margaret Sullivan)

You’ve Got Mail is loosely inspired/based off this film. It’s a modern adaptation of it with a P&P twist

-Where The Heart Is

-Much Ado About Nothing 

It’s a period Shakespeare adaptation but IDC IT’S GLORIOUS.

-Chasing Liberty

It’s with Mandy Moore and Matthew Goode and MORE PEOPLE NEED TO SEE IT because it’s adorable. I convinced @klarolinekolvina to watch it the other day. I’m so bummed the rarely play it on TV anymore.

-Bridget Jones’s Diary and Bridget Jones’s Baby (those are my 2 favorite movies even though it’s a trilogy)

-Runaway Bride and Pretty Woman (aka it’s impossible to go wrong with Julia Roberts and Richard Gere)

-Notting Hill

-Love Actually

-The Holiday

-Forgetting Sarah Marshall 

-13 Going On 30

-How To Lose A Guy in 10 Days

-Lucky 7

-Something’s Gotta Give

-My Big Fat Greek Wedding

It’s so cute, plus Gus is a delight:

-My Best Friend’s Wedding

-The Wedding Singer and 50 First Dates (with Drew Barrymore and Adam Sandler)

-The Princess Diaries 1 & 2

-The Princess Bride

-Four Weddings and a Funeral

-Along Came Polly

-500 Days of Summer

-Silver Lining’s Playbook

-Two Week’s Notice

-Letters to Juliet

-Sliding Doors

-Only You

It’s with Marisa Tomei and Robert Downey Jr. I feel like it gets swept under the rug a lot, but I love it.

So I love the fake dating/relationship trope. Here are a few of those…

-To All The Boys I’ve Loved Before

This has been all over my blog since I first watched it over the weekend. It’s a trend which will continue because it’s beyond precious. 

-Drive Me Crazy

-One Small Hitch

This used to be on Netflix and I rewatched it so many times that were somebody tracking my viewing history he/she’d be all, “Girl, do you want anything else? Ever?”

-My Fake Fiancé

-Can’t Buy Me Love

-Just Go With It

Honestly, I never would’ve thought to pair Adam Sandler and Jennifer Aniston together but they have good chemistry.

-The Wedding Date

-The Proposal

…Okay, I will stop inundating you now. *angel halo* Rest assured I could go on for ages. I’m probably going to kick myself for forgetting something huge but this is a pretty good list. 

[chicagoindiecritics]

New from Kevin Wozniak on Kevflix: What’s Streaming This Month? – September

Here are my picks for the movies coming to Netflix, Prime Video, Hulu, Disney+, Criterion Channel, and HBOMax in September.  This month offers up many unique choices, from original films to Hollywood classics.

          NETFLIX

Full list of everything coming to Netflix in September can be found here.

  THE BACK TO THE FUTURE TRILOGY (Robert Zemeckis, 1984/1989/1990)

A trilogy that is full of life, fun, and originality.

  THE DEVIL ALL THE TIME (Antonio Campo, 2020)

An all-star cast of Tom Holland, Robert Pattinson, Riley Keough, Sebastian Stan, Mia Wasikowska, Bill Skarsgård, and Jason Clarke lead Antonio Campos’ thriller about corruption and brutality in a postwar backwoods town.

  GREASE (Randal Kleiser, 1978)

A musical classic.

  I’M THINKING OF ENDING THINGS (Charlie Kaufman, 2020)

The latest directorial effort from the great Charlie Kaufman looks like a haunting mind-bender.

  MAGIC MIKE (Steven Soderbergh, 2012)

One of Steven Soderbergh’s best features a scene-stealing performance from Matthew McConaughey.

  NOT ANOTHER TEEN MOVIE (Joel Gallen, 2001)

This comedy satire of teen romcoms is still hilarious and has aged quite well.

  RATCHED (Evan Romansky, Ryan Murphy, 2020)

I don’t usually post about shows on here, but a prequel series looking at One Flew Over the Cuckoo’s Nest villain Nurse Ratched starring Sarah Paulson in the titular role sounds too good to ignore.

  THE SOCIAL DILEMMA (Jeff Orlowski, 2020)

I heard good buzz about this documentary out of Sundance 2020, as it looks at the power of social media and the effect it can have on the world

  WILDLIFE (Paul Dano, 2018)

Paul Dano’s directorial debut is a quiet and powerful look at a crumbling family in the 1950’s.

    PRIME VIDEO

Full list of everything coming to Prime Video in September can be found here.

    THE BIRDCAGE (Mike Nichols, 1996)

Robin Williams and Nathan Lane are marvelous in this Mike Nichols comedy.

  CASINO ROYALE (Martin Campbell, 2006)

The film that introduced Daniel Craig into the Bond franchise is also the best Bond film ever made.

  GEMINI MAN (Ang Lee, 2019)

Will Smith plays an assassin who is being hunted by a clone of his younger self in Ang Lee’s technical marvel.

  THE GRADUATE (Mike Nichols, 1967)

One of the greatest films ever made.

  JUDY (Rupert Goold, 2019)

Renee Zellweger won her second Oscar for pitch-perfect portrayal of Hollywood icon Judy Garland.

  KRAMER VS KRAMER (Robert Benton, 1979)

This Best Picture family drama features stellar work from Dustin Hoffman and Meryl Streep.

  PATRIOT’S DAY (Peter Berg, 2016)

Peter Berg’s harrowing account of the Boston Marathon bombing.

  HULU

Full list of everything coming to Hulu in September can be found here.

    ANY GIVEN SUNDAY (Oliver Stone, 1999)

Olive Stone’s aggressive, chaotic look at professional football.

  BABYTEETH (Shannon Murphy, 2020)

An emotional relationship drama with Ben Mendolsohn and Essie Davis giving two of my favorite performances of 2020.

  HAROLD AND KUMAR GO TO WHITE CASTLE/HAROLD AND KUMAR ESCAPE GUANTANAMO BAY (Danny Leiner, 2004/Jon Hurwitz, Hayden Schlossberg, 2008)

Two-thirds of a classic stoner trilogy.

  HOOSIERS (David Anspaugh, 1986)

One of the greatest sports movies ever made.

  THE LAST BOY SCOUT (Tony Scott, 1991)

It’s directed by Tony Scott, written by Shane Black, and stars Bruce Willis.  We could call this the “90’s Trifecta”.

  PEE WEE’S BIG ADVENTURE (Tim Burton, 1985)

Tim Burton’s debut film is utterly insane, yet absolutely brilliant

  PRISONERS (Denis Villeneuve, 2013)

Denis Villeneuve’s best film to date is a dark, disturbing crime thriller featuring incredible work from Hugh Jackman, Jake Gyllenhaal, and cinematographer Roger Deakins.

  THE TERMINATOR (James Cameron, 1984)

One of the greatest sci-fi movies ever made.

  THE TWILIGHT SAGA (Catherine Hardwicke, 2008/Chris Weitz, 2009/David Slade, 2010/Bill Condon, 2011/Bill Condon, 2012)

I’ve only seen one of these (I think New Moon?), but want to give them a whirl at some point.  Maybe now is the time?

    DISNEY+

Full list of everything coming to Disney+ in September can be found here.

    BEND IT LIKE BECKHAM (Gurinder Chadha, 2003)

A rousing, inspiring indie sports film.

  CHRISTOPHER ROBIN (Marc Forster, 2018)

A somber, sweet look at Winnie the Pooh and the 100 Acre Woods gang.

  D2: THE MIGHT DUCKS/D3 (Sam Weisman, 1994/Robert Lieberman, 1996)

D2 is the best of the trilogy, but D3 is pretty good and bit underrated.

  MULAN (Niki Caro, 2020)

You have to pay $30 to see this one, but I have a feeling Disney’s latest live-action feature is going to be worth is.

  NEVER BEEN KISSED (Raja Gosnell, 1999)

A classic 90’s rom-com featuring a delightful Drew Barrymore.

  THE WOLVERINE (James Mangold, 2013)

One of the best X-Men films and the BEST Wolverine movie (hot take).

    CRITERION CHANNEL

Full list of everything coming to Criterion Channel in September can be found here.

*The Criterion Channel does things a little differently than every other streaming service.  The Criterion Channel, a wonderful streaming service that focuses on independent, foreign, and under-appreciates movies, doesn’t just throw a bunch of random movies to stream.  They get more creative by having categories like “DOUBLE FEATURES” or “FILMS FROM…”, giving us curated lists of films that somehow blend together or feature a specific artist.*

    BOYHOOD (Richard Linklater, 2014)

Richard Linklater’s ambitious twelve-year project is one of the finest film accomplishments of the last decade.

  THE LOVELESS (Kathryn Bigelow, Monty Montgomery, 1981)

Kathryn Bigelow’s debut is one I have been dying to see and one I am going to check out as soon as it is available.

  THE COMPLETE FILMS OF AGNES VARDA

Agnes Varda was a true artist and Criterion has put all of her work into one comprehensive collection which features all of her feature length films as well as her short films.

  SATURDAY MATINEE

DUCK SOUP (Leo McCarey, 1933)

My favorite Marx Brothers film and one of the greatest comedies ever made.

  SATURDAY MATINEE

CHARLOTTE’S WEB (Charles A. Nichols, Iwao Takamoto, 1973)

A beautiful animated film based on the classic book.

    THREE BY ROBERT GREENE

Three provocative films from a master documentarian.

Actress (2014)

Kate Plays Christine (2016)

Bisbee ’17 (2018)

  DIRECTED BY ALBERT BROOKS

Albert Brooks is one of the greatest comedic minds we’ve ever had.  This block of films looks at his genius behind the camera.

Real Life (1979)

Modern Romance (1981)

Lost in America (1985)

Defending Your Life (1991)

Mother (1996)

  DOUBLE FEATURE: TEARS OF THE CLOWN

LENNY (Bob Fosse, 1974)

JO JO DANCER, YOUR LIFE IS CALLING (Richard Pryor, 1986)

Two unflinching films delve into the self-destructive dark sides of a pair of comedy legends. Lenny features Dustin Hoffman in a jagged portrait of Lenny Bruce.  In Jo Jo Dancer, Your Life is Calling, Richard Pryor draws on his own personal demons in the only narrative feature written and directed by the comedy legend.

  BY THE BOOK

A slew of films based on legendary books, from Great Expectations to The Hours and many, many more.

The Count of Monte Cristo (Rowland V. Lee, 1934)

The 39 Steps (Alfred Hitchcock, 1935)

La bête humaine (Jean Renoir, 1938)

Of Mice and Men (Lewis Milestone, 1939)

Great Expectations (David Lean, 1946)

The Killers (Robert Siodmak, 1946)

Anna Karenina (Julien Duvivier, 1948)

Oliver Twist (David Lean, 1948)

The Heiress (William Wyler, 1949)

The Passionate Friends (David Lean, 1949)

The Idiot (Akira Kurosawa, 1951)

The Life of Oharu (Kenji Mizoguchi, 1952)

Robinson Crusoe (Luis Buñuel, 1954)

Senso (Luchino Visconti, 1954)

Pather Panchali (Satyajit Ray, 1955)

Aparajito (Satyajit Ray, 1956)

The Burmese Harp (Kon Ichikawa, 1956)

Apur Sansar (Satyajit Ray, 1959)

The Cloud-Capped Star (Ritwik Ghatak, 1960)

Purple Noon (René Clément, 1960)

Zazie dans le métro (Louis Malle, 1960)

Divorce Italian Style (Pietro Germi, 1961)

Lord of the Flies (Peter Brook, 1963)

Tom Jones (Tony Richardson, 1963)

Charulata (Satyajit Ray, 1964)

Woman in the Dunes (Hiroshi Teshigahara, 1964)

Closely Watched Trains (Jirí Menzel, 1966)

War and Peace (Sergei Bondarchuk, 1966)

Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968)

The Angel Levine (Ján Kadár, 1970)

Dodes’ka-den (Akira Kurosawa, 1970)

The Phantom Tollbooth (Chuck Jones, Abe Levitow, and Dave Monahan, 1970)

The Little Prince (Stanley Donen, 1974)

Picnic at Hanging Rock (Peter Weir, 1975)

The American Friend (Wim Wenders, 1977)

The Ascent (Larisa Shepitko, 1977)

The Getting Of Wisdom (Bruce Beresford, 1977)

Empire of Passion (Nagisa Oshima, 1978)

Watership Down (Martin Rosen, 1978)

My Brilliant Career (Gillian Armstrong, 1979)

Stalker (Andrei Tarkovsky, 1979)

The Tin Drum (Volker Schlöndorff, 1979)

Wise Blood (John Huston, 1979)

You Are Not I (Sara Driver, 1981)

Under the Volcano (John Huston, 1984)

Mishima: A Life in Four Chapters (Paul Schrader, 1985)

My Life as a Dog (Lasse Hallström, 1985)

Betty Blue (Jean-Jacques Beineix, 1986)

An Angel at My Table (Jane Campion, 1990)

The Comfort of Strangers (Paul Schrader, 1990)

Europa Europa (Agnieszka Holland, 1990)

The Handmaid’s Tale (Volker Schlöndorff, 1990)

Emily Brontë’s Wuthering Heights (Peter Kosminsky, 1992)

The Castle (Michael Haneke, 1997)

The Sweet Hereafter (Atom Egoyan, 1997)

The Virgin Suicides (Sofia Coppola, 1999)

The Piano Teacher (Michael Haneke, 2001)

The Hours (Stephen Daldry, 2002)

Gomorrah (Matteo Garrone, 2008)

Almayer’s Folly (Chantal Akerman, 2011)

45 Years (Andrew Haigh, 2015)

Certain Women (Kelly Reichardt, 2016)

Zama (Lucrecia Martel, 2017)

    HBOMAX

Full list of everything coming to HBOMax in August can be found here.

  CLERKS (Kevin Smith, 1994)

Kevin Smith’s indie sensation is a masterclass in microbudget cinema.

  THE CONVERSATION (Francis Ford Coppola, 1974)

In-between The Godfather and The Godfather II, Francis Ford Coppola made this Palme d’Or winning thriller about a surveillance expert (a brilliant Gene Hackman) who has a crisis of conscience when he suspects that the couple he is spying on will be murdered.

  THE CURIOUS CASE OF BENJAMIN BUTTON (David Fincher, 2008)

David Fincher’s gorgeous film about a man who ages backwards.

  DOG DAY AFTERNOON (Sidney Lumet, 1975)

Sidney Lumet’s best film features masterful work from Al Pacino and John Cazzalle.

  THE INVISIBLE MAN (Leigh Whannel, 2020)

Elisabeth Moss gives one of the best performances of 2020 in Leigh Whannel’s chilling remake of the Universal classic.

  JFK (Oliver Stone, 1991)

Oliver Stone’s brilliant account of the assassination of John F. Kennedy and the conspiracy behind it.

  JUST MERCY (Destin Daniel Cretton, 2019)

An inspiring film with excellent performances from Michael B. Jordan and Jamie Foxx.

  MIDNIGHT RUN (Martin Brest, 1988)

This crime-buddy-road movie is an absolute blast and features one of Robert De Niro’s most underrated performances.

  POINT BREAK (Kathryn Bigelow, 1991)

Kathryn Bigelow’s surfing-cop thriller is one of the best action movies of the 90’s.

  SNAKES ON A PLANE (David R. Ellis, 2006)

An iconic B-movie featuring a truly great Samuel L. Jackson performance.

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[tomshivendgame]

tomshiv - jealous (nick jonas)

I don’t think these two know what an open marriage is 😂