#GR Kat

[lesbiangiratina]

Sleepy and bad with numbers but i think im only missing 10/153 cards from the reload set. Which is nuts. 1 of them is a fancy full art between kliff and dizzy. And the possibility of it being a testament card is going to haunt me until i have any evidence otherwise

[clonerightsagenda]

This month’s Pasithea Powder: Sophie gets cancelled on Space Twitter

[magical-xirl-4]

If I could draw I would 10000% draw Lumine in Kat's outfit or something adjacent to hers because. to me their costumes just have the same vibe™️

[mythomannia]

Kat tag dump

[hotelekipmancom]

Otel Malzemeleri

[zarifkaktus]

Abla bana baklava tarifi verir misin ya ama basit olsun biraz hkheifhis

Aşkım açmak zor valla hiç uğraşma al baklava yufkası toplam 40 kat olcak. Sade yağ varsa kullan yoksa tereyağını erit köpüğünü al 40 kat yufkaya min 200 gr kadar tereyağı gider ama daha bol tutabilirsin. Şerbeti de 1e 1 ölçü yani 1 litre suya 1 kg şeker birkaç damla limon olacak şekilde biraz kaynatıp soğutcaksın. Her kata tereyağı sürüp 20. Kata geldiğine Antep fıstığı ceviz artık ne varsa elinde onu koyup bir 20 kat daha çıkacaksın. 200 derecede gevrekleşene kadar fırının gücüne göre kontrollü şekilde pişiriyorsun. Pişince sıcak baklavaya soğuk şerbeti veriyorsun bir gece bekletiyorsun finito 🥳😅

[eddieredmayneargentinablog]

New post: "EDDIE REDMAYNE & GAYLE RANKIN BRING AUDIENCES INTO THE KIT KAT CLUB"

FRANK DILELLA | FEBRUARY 6, 2024.

Starting April 1, a hearty “Willkommen” awaits at the enticing and electrifying Kit Kat Club (a.k.a., the August Wilson Theatre) on 52nd Street on Broadway. The London transfer of the 2022 Olivier Award–winning revival of Cabaret is one of the most highly anticipated musicals of the spring season. Tony-winning actor Eddie Redmayne is set to reprise his performance of the Emcee, a role he won an Olivier for when he opened the show in the West End. He’ll be joined by actress Gayle Rankin, who is new to this production of Cabaret, taking on the show’s leading lady, Sally Bowles. Entertainment journalist for Spectrum News NY1 Frank DiLella caught up with both Redmayne and Rankin to talk their love of Cabaret and much more.

Eddie, congratulations on the Broadway transfer of this brilliant revival. How are you feeling knowing you’re once again taking on the Emcee in Cabaret?

EDDIE REDMAYNE: Thanks so much. Honestly, this is one of the pieces that made me fall in love with theater as a kid, so the fact that I got to play this iconic part on stage professionally in London was truly a bucket-list moment fulfilled. But when I was about 9 or 10, I became oddly obsessed with New York. London was home, but I was always looking at photographs of New York, researching the place. When I eventually came to the city and went to Times Square, it was one of those completely overwhelming sensations. I remember my whole body reacting. So the idea that I now get the chance to play this part in this show that I’m so passionate about in the mecca of musical theater — which is Broadway — is beautifully daunting and also 100 percent thrilling!

Gayle, Cabaret seems to be your show. You were part of the 2014 Roundabout revival with Alan Cumming — you played Fraulein Kost.

GAYLE RANKIN: I can’t tell you how moving it is to have worked on Cabaret a decade ago, and after lovingly letting it go, it’s come back to me with the gargantuan gift of Sally. [Laughs.] It is my show! I feel wildly privileged to be able to say that. I know I have to continue to earn that privilege because of what the show is and what it means. But I have never felt more ready to do that now, inside of this amazing production and with this incredible group of artists.

Eddie, when were you first introduced to Cabaret?

ER: I was first introduced to it when I was in school; I was around 15 or 16, and there was a little production being done at my school. And that was the first time I listened to the music. I remember hunting down all the possible CD versions I could find. I remember looking for a production to see, but there were none playing in London, so the very first production I ever saw of Cabaret was, randomly, the Spanish version in Madrid — and it was the Sam Mendes version, but in Spanish! I was 19 and completely blown away. Since then, I saw Emma Stone and Alan Cumming do it brilliantly in New York, and of course Rufus Norris’s version in London. I’m a sort of Cabaret junkie.

How about you, Gayle?

GR: The first time I was introduced to it was when I was in a musical-theater program in Scotland and one of the other young women had been given the song “Maybe This Time,” and I remember being like, “Wow! What a song!” That’s when I was introduced to Cabaret as a property.

Eddie, it’s my understanding that you were instrumental with making this production of Cabaret take shape.

ER: Ha! It’s been a long old road. After I did Cabaret in school in my late teens, there was an amateur production of Cabaret going to the Edinburgh Festival, and I got cast in that, and the venue that we were doing the show in was called The Underbelly. It was dark and damp and people were sitting around tables. I loved every minute, and it affirmed my want to be an actor. The guys who set up that venue became producers professionally and the Underbelly transformed to become a brilliant venue and producing house in the U.K. They approached me about seven years ago and asked if I would ever consider doing Cabaret again. It had always been on my bucket list, and I thought long and hard about it — as I said, it’s dream territory. Then Jessie Buckley leapt into my mind, who is an extraordinary actor and singer, and she and I plotted together. We both approached the brilliant director Rebecca Frecknall, and piece by piece this thing built momentum. But it had been done so beautifully and vividly before, we only wanted to do it if we could find a new way in, something that perhaps hadn’t been explored before.  And with Rebecca, the brilliant Tom Scutt, Julia Cheng, and Jordan Fein — our designer, choreographer, and prologue director — we took on this idea of inviting an audience through the underbelly of the theatre, taking them through this experience so by the time they arrive in the theatre, they’ve truly left all their troubles outside.

Eddie, you’re taking on one of the great roles of the musical theater, the Emcee, and I have to say, having seen you on stage in London, your Emcee is different compared to Joel Grey’s and Alan Cumming’s.

ER: I think one of the reasons he’s such an appealing part is because he’s one of the most enigmatic parts that I’ve ever read, witnessed, or experienced. The Emcee was a part that was created by Joel and Hal Prince [director of the original Cabaret] to join scenes together. He has no literary basis. So in some ways, the part exists in an abstract way. One of the things that I tried to do when I first started was I attempted to rationalize him and create a backstory. But the second you try to pin him down, he falls flat — he’s too quixotic for that. In the end it became trying to find a way into him physically and through instinct alone. It felt like a high-wire act. But a thrilling one.

Gayle, Sally Bowles is one of the great female roles in musical theater. Who is your Sally?

GR: My Sally is close to me. I think she’s only to be known truly by me. Sally can infamously live in a space where she can be pitied to people, and I don’t think that’s the whole story. There’s more to be told about her. And I feel compelled to take that on.

Do you feel that your experience of doing the 2014 Cabaret revival with Alan Cumming, where you played a Kit Kat Club girl and Fraulein Kost, prepped you for Sally?

GR: How could it not? For something to live inside of you both consciously and unconsciously — I hope I’ve evolved as a person and as an artist, and I feel like I’ve never been more ready to take Sally on. And I feel like I’m a big enough girl to admit the 2014 production — I was not in a place or was the right person to play Sally even though I had the time of my life with that show.

Sally gets some amazing musical moments. “Maybe This Time,” “Cabaret,” “Don’t Tell Mama” … Favorite tune in the show?

GR: It’s always been “I Don’t Care Much” [sung by the Emcee]. Sally’s songs are almost too meaningful; I can’t pick one, they’re like children. [Laughs.] But there’s something about “I Don’t Care Much” that’s so essential to the conversation and the story and lives inside of all those characters. This longing for hope during so much horror. That song just moves me.

Gayle, take me to your opening night, when you take your bow as Sally Bowles.

GR: [Laughs.] Frank! What a question. Now I’m crying. My niece will be there, and she’s 12, and I’ll probably be looking at her. I’ll probably be tired. [Laughs.] I think I’m going to be really happy.

This show is quite the experience. Give a little preview of what New York audiences can expect once they enter the Kit Kat Club.

ER: I can’t paint that picture for you just yet because it’s in the process of being built and designed by Tom Scutt. Tom Scutt is one of the most thrilling creative minds I’ve had the privilege to work with. What his plans are for New York are completely captivating. The idea is that you’re brought in as an audience not through the conventional way of the theatre — you’re met by an entire prologue cast of dancers and musicians. You are submerged into the world of Cabaret from the second you pass the threshold. For me, I hope it makes the experience — you will feel like you’re part of an all-consuming event. You will also get to witness Gayle’s Sally — Gayle is a volcano of talent — Bebe Neuwirth’s Fraulein Schneider, Ato Blankson-Wood’s Cliff, Steven Skybell’s Schultz. A staggering ensemble — the list goes on. So many exciting things.

Eddie, you’re following in the footsteps of two celebrated actors who played the role of the Emcee: Joel Grey and Alan Cumming. Any interaction with them?

ER: I haven’t with Alan since I’ve played it. I met Alan in Los Angeles years ago and he’s just an extraordinary talent. Joel, I had never met, but then I got through the first act of Cabaret on opening night in London, and at the interval some flowers arrived and I opened the card and it was from Joel Grey. And in the midst of our opening night show, opening his generous card was one of the great moments.

I was so haunted by this production when I saw it in London. The time feels right to see and experience Cabaret.

ER: There is something so searingly relevant with this piece. And I feel like whenever Cabaret is being done, it’s relevant. But with what’s going on in the world today, I feel like it’s a cautionary tale — it sings loudly and clear and it’s this idea of the fear of the other. The political gain of “othering” people. And that constant repetition of scapegoating and hatred is what we’re seeing in our politics now.

GR: I’m not sure what John Kander and Fred Ebb and Joe Masteroff were channeling when they were writing this — they were able to tap into something that’s so cyclical. And as a humanity, I think we all hope that Cabaret becomes not as relevant as it is.

---

[esteemed-hlam]

Sims 4 CC - Gravity Rush Kat, Raven and Dusty Outfits

Teen-Elder, use as desired DOWNLOAD: http://simfileshare.net/folder/181945/

Kat Shifter 2.0 Outfit - Includes Hair / Scarf / Armbands / Bodysuit / Leg Coils / Boots Kat Jazz Singer Outfit - Includes hair and earrings only - A slitted red dress by casteru can be found here Raven Outfit - Includes Hair / Sleeves / Bodysuit / Boots / Chest Emblem Kat/Raven Skin Detail - This just evens out the complexions a bit to make the skin look closer to GR style Dusty - Requires Cats & Dogs DLC - Applied as an outfit for adult cats and a tail for kittens Original rips of GR models can be found here: https://www.deviantart.com/xxcrazypotatoxx/art/Gravity-Rush-2-Model-Pack-1-776060485

[zeytinfilizi]

sütlaç tarifi

Yarım çay bardağı pirinç

2 su bardağı su

1 litre süt

2 yemek kaşığı nişasta (30 gr)

1 çay bardağı su

Yarım su bardağından bir parmak fazla şeker (110 gr)

1 paket vanilya

Bidahaki yapışımda, şekeri biraz daha fazla ve nişastası biraz daha az olması lazım.

Pirinçleri suyla haşla, pilavdan daha yumuşak olacak şekilde. Sonra sütü üstüne kat. 10 dk bi kaynat. Sonra şekeri kat. 5 dk bi kaynat. Nişasta ve suyu aç. Ilıştırarak kat. Vanilyayı kat. Fırına atacaksan tepsiye su koy. En yüksek ayar sadece kızarması için.

[shamrock313]

🪄Tarot Readings 🪄

Tarot Tips

Physical Characteristics

Predicting Timing

Tarot Spreads

Bill Skarsgard 🤡🎪🎡🎈

Bill and Alida (Sept 4th)

Bill's Ideal Type

Bill and Alida (Aug 7, 2024)

Bill GR (July 30th, 2024)

Bill and Alida (June 27, 2024)

Bill GR (June 18, 2024)

Jensen Ackles 👻💪👿

Brewery

Jensen GR

Beautiful Queens 👑👑👑

Chappell Roan

Normani General Reading

Peanut and Maddie

Kat Graham

Simone Ashley

Nicola Coughlan and Luke Newton

Evan Peters 👻🐶🛋️

Interest

Children's Event

Evan Reading Part One / Part 2

Evan and Nat (Aug. 3, 2024)

Evan and Nat (July 30, 2024)

Evan and Nat (July 15, 2024)

Evan and Alexia Quinn (June 1, 2024) (Broken Heart Spread)

Evan and Alexia Quinn GR (June 1, 2024)

Joseph Quinn 🇬🇧👽🎭

Joe and Doja

JQ Who is He?

Joseph and Lupita

✨Others Celebrities ✨

Emma Roberts and Cody John

Chris Hemsworth and Anya Taylor Joy

Cillian Blue Eyes Murphy

Cillian and Florence

Taylor Swift

💚☘️💚☘️💚☘️💚☘️💚☘️💚☘️

🧚🏽 Upcoming Readings 🧞‍♀️ (NO KPOP IDOLS)

Doja and Joe

Evan and Emma

Evan Reading (After OTH event)

Alida, what is going on boo?

P "Baby Oil" Diddy ft. Jay -z and 50

Mike Faist Ideal Type

[autopotion]

Gravity Rush 2 rant post incoming:

The Hekseville chapter really drags in the second half /: A lot of ppl hated the last mission of the Jirga Para Lhao chapter, but I would take the living city any day over a many-headed and many-limbed blob that's constantly vomiting on you. Like it was just out of nowhere how disgusting it was

Other thoughts about the Hekseville chapter:

I REALLY loved the Jirga Para Lhao chapter, like more than anything in the first game. The world was beautiful and colorful, the NPCs had more depth than the first game's, and it was refreshingly frank about classism and imperialism. Like it wasn't perfect or even all that deep, but I was actually surprised at how much it committed to the bit. The upper class in Lei Havina were all white, blond-haired and blue-eyed, in contrast to the much more varied people on the other levels (which the latter was so cool to see in like, character portraits and stuff), and the ones that weren't rude or downright cruel were completely out of touch with how their wasteful lifestyles contributed to the violence the people on the lower levels experienced. Kat is allied with a group of folks indigenous to JPL who were kicked out, who then successfully take their city back. It was cool to see that treated as good and uncontroversial in a lighthearted fantasy game.

So I was sort of expecting those same themes to carry into the Hekseville chapter.

They did not.

Okay first: I actually really liked going back initially. For one, it was cool to see the city I'd grown attached to after all that time with the first GR, and for another, I was excited about the changes. There's a new superheroine in town, and she's doing Kat's job! Surveillance robots have taken over the street! You need a registration number to live anywhere! And worse, an entire district of the city is so impoverished, the trains don't even run there anymore! It's just like JPL! I sympathized with Kat's loneliness over no longer recognizing the city she called home and felt very curious about how all of these things were tied together--because surely they were?

They were not. It devolved into your standard mad scientist vs superhero plot, where the police are innocents caught between the horrible new government and protecting the people. It would've made me groan in anything, but after the previous chapter, I was more disappointed than anything.

A lot of the problems I had with the first GR reared their ugly heads in this chapter too, principally NPC unfriendliness. For some reason the games love the two assholes who, when Kat rescued them, blamed her for destroying their house (she did not do that). The writers thought that their continued hostility was hilarious for some reason. You interact with these two an awful lot.

If you're not interacting with them, you're interacting with Kali, who steals Kat's thunder, or the police, who are, quite literally, Kat's only positive relationships in Hekseville. Which is maddening. Like in the first game she had a wobbly relationship with the police--mostly the military--in that she got on with Syd, for example, but still butted heads with the government quite frequently on which lives were worth protecting, and directly defied them several times. Not here. In one mission, you have to protect the police from Kali, who is working for the new evil mayor (but the police aren't?).

I guess GR2 didn't want to do a rehash of "military dictator takes over Hekseville and makes things worse for everybody," but they also didn't want to discard the trappings of a military dictatorship. So all the tensions they set up wrt to that--the surveillance bots, the mandatory registration numbers, the decaying infrastructure of Endestria--are later normalized. The bots start acting nefariously (because constantly surveillance wasn't nefarious enough), someone FINALLY complains about them, and Kat has a line to the effect "well it's just a machine doing what it's programmed to do... /:" Kat tells Raven to get a registration number to avoid the hassle (even though she got hers from the overarching villain of the chapter, and that wasn't hinting at his bureaucratic malevolence I guess?). And nothing is done about Endestria, ever, until, after the end of chapter 3, Lisa and JPL show up, and teaches the police to open shelters for the unhoused. Wow. Three years of this nonsense, and they never thought of that!

The Kali and Dr. Brahman stuff never goes anywhere interesting either, but that's a rant for another post.

--Except in how it ties into the Missing Orphans stuff, which. I can't even tell what's going on there anymore? Like, what happened to the ark from the previous game? We spend a decent chunk of the first GR in the orphan town, learning about Raven's backstory, and then they completely disappear from the plot, and only are referenced again through... Kali and Cecie? I've been led to believe that Raven's DLC actually retcons the entire thing, which... okay. Lol. More reasons to not be emotionally invested in the plot of the last game, I guess.

I cannot overstate how much I hated Blob Kali. I'm saying it again because it bears repeating. She blows chunks (literally). One of the worst boss fights ever.

After this chapter I'm so ready to be done with the game, but I have Chapter 4 left, which FINALLY gets into Kat's backstory. I'm hoping that's a more enjoyable experience than the end of Chapter 3 was because good lord. Rant over.

I'm for real not a hater of GR2, like honestly, Zoe can confirm I've been singing its praises for the last few weeks. I actually LOVE the game as a whole. But this part was a huge slog so I'm complaining about it on my blog. As one does.

I saw someone on reddit say that GR2 has higher highs and lower lows than the first GR, and I 100% agree. The parts I love about GR2 I love more than anything from the first game, but the parts that are bad are really bad. The first GR was more consistent in tone and quality IMO. GR2 > GR1 for me, ultimately, but. Yeah.

[mtnkat3]

11.29pm. G'night my loves.....oh my precious handsome sexy hunky yummy spectacular trees Mavericks Beasts..... Bears..... Angels.....

Blushin cheeky mischievous wicked eyed naughty kat grin.

I hope each piece of you sleeps well & have naughty dreams with me.....

I just wanna crawl thru.....

I feel you.....

I crave you.....

I love you.....

I am SSSSSOOOOOO completely, complexly, irresistiblely, irrevocably, always & forever, Blessedly.....

Yours.....

~Tijgeress kat Phoenix.🌺✝️☸⚓⛓🌂����🙏🤲👣🐾🦉🐯🐢🐐🐛🦋🌱🌳🌹🌻🌷🌳🧶🧵🌟⚡🌠🗝🔱⚜💝🐺🦌🐻🧩♠️♾🧭🕯🕯🕯🕯🕯💫❄☺️😍😏🥰😘🤤🤭😌💓🔥🧲🛌💋

Sa.4.29.2023 11.43pm.est.

12.06am. Oh the horror! My G'night kitty is gone!😱🤔😰🤦‍♀️ & since gif police have been after my love ones.🤨 Gr.

[serapsevens]

🇬🇧⬇️ Çayınıza, kahvenize batırarak keyif yapıp yiyeceğiniz kıtır, kıtır bir kurabiye düşünün. “Cantuccini” iki kere pişen, iki kat lezzetli Toskana’nın ünlü kurabiyesini yapalım mı bugün? En güzel özelliği ise uzun süre bozulmadığından dolayı kahvenize, çayınıza siz bıkana kadar eşlik edecek olması :)) “Bence hiç bıkmayacak, hatta bitene kadar zevkle de yiyeceksiniz„ Özelliği bademle yapılıyor olması; Ama siz dilerseniz farklı yemişlerle de çeşitlendirebilirsiniz. Onları Toskana'dakiler kadar iyi hazırlamanın yolu ise aşağıda sizleri bekliyor 😉 📝MALZEMELER •500 gr un •200 gr şeker •8 gr kabartma tozu •Bir tutam tuz •70 gr tereyağı •1 limon kabuğu rendesi •3 yumurta •70ml süt •2 yemek kaşığı anason likörü “ben onun yerine badem esansı kullandım. •200 gr badem 🥣YAPILIŞI Derin bir yoğurma kabında un, şeker, kabartma tozu, tuz, tereyağı, limon kabuğu rendesi, yumurta, süt ve badem esansını karıştırın. Pürüzsüz ve kompakt bir hamur elde etmek için yoğurun. Kurabiye hamurunu düz bir zeminde elinizle yayın, bademleri içerisine dökün ve dağıtın. Videoda da gördüğünüz şekilde uzun bir çubuk oluşturacak şekilde kapatın. Hamuru 4 parçaya bölün, her birini uzun rulolar oluşturacak şekilde yuvarlayın. Önceden 180°C’de ıstıığınız fırında 30 dakika pişirip; fırından çıkarın. Hafif kızaran rulolardan verevine dilimler kesin ve tekrar fırına koyup 20 dakika daha pişirin. #cantuccitoscani #cantucciallemandorle #biscotti #cookie#cooking#toscana #italy #serapsevenstarifleri #serapsevens #foodstagram #coffee #tee #kurabiye (Mariahilf) https://www.instagram.com/p/Cn1YcnAMph3/?igshid=NGJjMDIxMWI=

[news-24gr]

Ἐν τῇ Γεννήσει τὴν παρθενίαν ἐφύλαξας, ἐν τῇ Κοιμήσει τὸν κόσμον οὐ κατέλιπες Θεοτόκε…

ΧΙΟΣ : Φτου και Βγαίνω Φτου και Βγαίνω Συνεντεύξεις Συνεντεύξεις Αρχείο Αρχείο Ταξιδεύοντας... Ταξιδεύοντας... Κατευθυνθήτω Κατευθυνθήτω Ανθρώπινες Διαδρομές Ανθρώπινες Διαδρομές Αυτοπροσώπως Αυτοπροσώπως Η επικαιρότητα με άλλο μάτι Η επικαιρότητα με άλλο μάτι https://news-24.gr/en-ti-genn%e1%bd%b5sei-tin-parthen%e1%bd%b7an-ef%e1%bd%bblaxas-en-ti-koim%e1%bd%b5sei-ton-k%e1%bd%b9smon-ou-kat%e1%bd%b3lipes-theot%e1%bd%b9ke/

[fortheloveofart1]

Check out this listing I just added to my Poshmark closet: Kat Von D Lock-it setting powder Tattoo liner and lipstick kit.

[famousangelg99]

Şimdiii sizlereeee yazın tombişleşmiş yağ hücrelerimiziii küçükltmek içinnn harika tatlııı tarifleriyle geldimmmmm...!!!

İlk tarifim MAYMUN GÖZÜ tatlısııı!! Çünkü bütün maymunlarınn gözüü bu tatlınınnn arasında saklanann muzlarrdaaa!!!☺️☺️☺️☺️☺️☺️☺️

Tercihen Dr. Oetker Vanilyalı pudingimizi (3,5 su bardağı diyor) 3,5'a az bir kala ölçüyle yavaaşş yavaaşş, bereketli ve lezzetli olmasıı için içimizden Ayet-el Kürsi okuya okuya pişiriyoruz. 10 dk soğumaya bırakırken 2 ya da 3 muzu ortadan 2'ye yarıp dilimliyoruz. Ilıklaşan pudingimizin içine dilimlediğimiz muzlarımızı döküyoruz.

Bir kat bisküvi (light olması için tercihen Burçak Yulaflı) bir kat harç olacak şekilde malzemelerimizi diziyoruz. 2 saat buzdolabında soğumaya bırakıyoruz.

Diğer tatlımız ise Cilveli Elma.

Bu tatlı kilo vermek isteyenler için birebir. Yapması da ne 5 dk ne 10 dk.🧐

1 adet elmamızı soyup rendeliyoruz. Üzerine toz tarçın gezdiriyoruz. Ve en son 7-8 adet cevizi kırıklayıp tatlımızı karıştırıyoruz. Bu kadar.

Tercihen içine light bisküvi de kırıklayabilirsiniz, elmayla çok yakışır. Ama kalorisi artacaktır. (Eti Burçak)

Bunu yedikten sonra cilveyi abartmayın.☺️☺️☺️☺️☺️☺️☺️

Bu tarif de çikolatası gelenlereee!!! Adını da çikonana koydum.

Bir kasede 1 adet muzu ez. 1 emaye kapta 7-8 parça bitter çikolatayı erit. (2 kap kullanıyoruz, alttakinde sıcak su kaynıyor, üsttekinde çikolatalar eriyor.)

Muz ezmesi ve erimiş bitter çikolatayı karıştırıyoruz. İçine yulaf ya da granola ekliyoruz. Ceviz kırıklayıp yiyoruz.

Bu da saldıra saldıra yiyeceğimiz makarna!!

Makarnamızı 20 dk haşlıyoruz. 2 parmak kalınlığında kaşar peynirini bir kapta rendeliyoruz. 1 adet konserve mısırı ağzını küçükçe açıp suyunu boşaltıyoruz. Haşlanmış makarnayı süzüp light olması için 4 yemek kaşığı zeytinyağı ve 1 yemek kaşığı tuzla harmanlıyoruz. Sonrasında rendelediğimiz kaşarları ve konserve mısırı makarnaya döküp tadı içine geçene kadar karıştırıyoruz. 10 dk dinlendirip mideye gömüyoruz.

Bu da yulaf - muz - çikolata - ceviz dörtlüsünün cookie haliii!!!!! Adı fit cookie!!

Bir kapta 2 ya da 3 adet muzu eziyoruz. İçine 1 su bardağı yulafı döküyoruz ve karıştırıyoruz. İçine 1 adet (80 gr) bitter ya da sütlü çikolatayı küçük parçalar halinde bir bıçak yardımıyla doğruyoruz. İçine 8-9 adet cevizi kırıklayıp, karışımı bir tepsiye avuç içi büyüklüğünde kurabiyeler haline gerip yağlı kağıtlı tepsiye diziyoruz.

O arkadaşı 180 derecede 10 dk ısıtılmış fırına koyup 35 - 40 dk pişiriyoruz. (Pişme süresi fırına göre değişebilir.🤫)

Bu tarifleri yiye yiye çok zayıfladınız siz ohaaa!!! 😧

ALL RIGHTS RESERVED!!!!!!! By Meşhur Melağum🥰