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#Geto Suguru analysis
lxmelle · 1 month
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Geto was loved even in death.
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Wouldn’t it be nice if he were judged by his intentions in the afterlife - wherever that was? He had suffered living with the love he had. We see through the eyes of those left behind, that the ill deeds didn’t define him, as strange as that may be to us as readers in the real human world we live in. Geto’s influence and loving nature were far reaching; Gege certainly made him so treasured by many even after his death. If Gojo was touched by his caring influence, this was also Geto’s will he passed onto his students.
NOT spoiler-free as I’ll be referring to the recent chapter, 255.
I wrote this the other day:
And honestly it’s long enough; here’s part 2.
Is it obvious I’m suffering from brainrot? All my drafts from jjk brainrot are rivalling my thesis/dissertation from way back (lol)
Here is more under the cut:
I’m really moved by the reasons for why Miguel and Larue have decided to join in the risky fight against Sukuna.
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It’s very obvious that Miguel is reluctant at first. He says he he’d rather terrible curses arrive at his shores than to fight with Sukuna, adding that he doesn’t see himself having any ties with Japan any longer.
We can deduce that this was part of Gojo’s plan for the possibility that he dies/loses, and I had a post about this saved in my drafts - but I guess I never got around to finishing it. Basically, in sum, he will achieve giving Geto a cremation (avenging him) and gets to show off to his students (which he does enjoy) by going all out (soo satisfying), and in the worst case scenario, he loses but gets to go all out, weakens Sukuna (for the rest to handle), and idk if he really is that romantic (so it’s really stsg headcanon fantasising) he will die on the same day as Geto.
The Opening theme is rather beautiful in that it interprets Gojo having the words, “we’ll meet again” stuck in his throat, which he doesn’t say. But I’m a bit weird and tend to separate anime from manga. But it’s worth noting that here.
I digress. Back to Miguel and Larue who have moved to speak privately without Yuta.
In a previous post I wondered aloud about what Yuta knew about Geto from others aside from being villainous and I guess this implies he doesn’t know much, since he wasn’t close to Miguel enough to sit around to chat with them. It makes sense.
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Miguel and Larue both agree they followed Geto in jjk 0 because they wanted to see him become King. What does this even mean, really? Gege, you’re missing stuff out again!
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Nevertheless, we understand how reluctant Miguel was. He enquires that Larue intends to do, clarifying: is it for revenge or to take Geto’s body back?
And it seems like their main motivation for putting their lives on the line... is to honour Geto’s memory. Like a traditional ritual one makes for the dead (customary in Japan on death anniversaries - not limited to the year, but also number of days).
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It’s incredibly moving how much they love him. This is actually what led Miguel to reconsider. We see him go silent as he thinks “...” before he reaches a moment of clarity/a decision.
Tbh I have issues with interpreting his statement in between the two panels (re: hell) in Japanese - it doesn’t directly indicate if he is referring to the former part of the conversation (whether he thinks Geto is in hell), or the latter (he thinks the battle will be hell). The phrasing goes like this: “no matter how I think about it: it’s hell.” - I’m not a native speaker so it’s difficult for me to be certain which is right. But the consensus is as translated above. Larue thinks Geto is in heaven, Miguel thinks it’s hell, and we see the airport scene where presumably Haibara and Riko with Kuroi have been there for over a decade. lol. Who knows!
So the bottom line is… regardless of where they think Geto ends up in the afterlife, Miguel is willing to give Geto a send off that’ll even reach hell. Or, despite it going to be hellish, he will do it. It also seems so heartwarming how they still emphasise family and friendship in wanting to fight together - perhaps things we can surmise had meant something to Geto.
They will fight Sukuna because it is for Geto. Geto was so loved that they would risk themselves - not for a title, not for revenge, but out of … love. Again. That’s pretty damn loving. Can we imagine what Geto did and was to them, for them to experience such loyalty and reverence?
Sadly, it goes without saying that Geto’s body being used as a vessel and puppet by Kenjaku has possibly evoked an emotional response by those who cared for him - namely Mimiko and Nanako, and also Gojo. Arguably, even if it were a death without his body being hijacked, Gojo did refuse to cremate his body or have it processed “by the book” of jjk high through Shoko. If that’s not out of a form of love (or “consideration” as Kenjaku put it), I don’t know what is.
The twins went against what Geto wanted for them (to carry out his will) to fight against immensely power beings in hopes they could bring him home. Those were their reasons to fight. Gojo scheduled 24th December - this was after he teleported to Kenjaku immediately upon unsealing so he could bury Geto. We saw Larue and Miguel’s. Toshihisa is alleged to be quite weak, and despite potentially being considered a son to Geto (if his life situation did mimic that of the twins’ - source: jjk character book), he opts to follow the inherited will as prescribed by Geto.
It’s all love. Geto was loved, I’m telling you. I want to shout if off the rooftops because that man just looked so darned sad and deranged after he lost it.
So. Continuing where I left off: Everyone thus far has had a reason to go into battle with Sukuna. I wonder what / who will actually reach him? I hope it’s Yuji ... and that Megumi will react again at some point. They have their own themes relating to love and purpose. I’ll leave them to someone else more familiar with their characters to write about!
And now I’m going offside quite a bit, but it’s still of relevance to Geto and the theme of love that seems to surround him. Way back to jjk 0 and Hidden inventory.
I wanted to just bring this into the picture as well now that I’m already writing a post on that topic, but please feel free to stop if you’re bored now.
So. Jjk 0!
There were direct parallels with Yuta & Rika and Gojo & Geto. This was also confirmed by the director when discussing their vision for the movie. The light novel also drew a link between Geto and Yuta where they were described as being too sincere for this world.
There is a direct theme of love - the type, is open to interpretation.
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Kenjaku also makes reference to this in the Shibuya arc. So to me, it remains relevant. Love in its many forms is somewhere in what Gege wishes to convey thematically.
Within jjk 0, Geto seemed to pursue power but this was also a symbolism where power = love. It is twisted. In light of recent events, we know that the pursuit of power leads to the dilution and even absence of love. Love that gives birth to power becomes cursed. So it seems.
As we know, Yuta bound his lover to himself to gain power.
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If only he had Rika (metaphor for love: Gojo) he probably wouldn’t have had to skulk around the shadows consuming curses which he hated doing. Geto was lamenting on the past in the above panels. He probably was determined to carry on, as he vouched to give it all he got (Haibara’s last words to him echoing here).
A flashback to the past:
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Geto doesn’t do things in half-measures. To avoid hypocrisy, and I headcanon that it was a merciful killing to protect them from him, he kills his parents. To die by his hands than to be used as a pawn to get to him. For them to see the horrors their son could be capable of. It is so very wrong, and we can see the twisted nature of his love in this interpretation.
And Gojo delivers the ultimate blow that leads to Geto reflecting - depicted by the mysterious ellipses “…..” (gege really likes the reader to work hard huh) - insinuating it is impossible for Geto, so don’t even bother trying. The blossoming possibility of discourse was nipped, as the strength differential was implied - you’re the strongest now, whereas it used to be “we”. There was no more place for Geto; it was probably a misunderstanding. Gojo was protecting everyone in his own way, and the only way he knew how.
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For power, Gojo was a source - but Geto couldn’t do that in Shinjuku, nor earlier in the arc, when Gojo himself was on the brink of insanity and deferred to Geto about annihilating humans as he held Riko’s dead body. Geto in the scene above acknowledges their different paths they needed to take - Gojo had a place as part of the elite at the school - Geto was already facing an execution order.
And after hearing Gojo’s condescending tone in an emotionally-fuelled attempt to reach out to him. He turns away to protect his friend from himself, and himself from his friend. Anyway, I touched on this in my previous post. Geto feels they had fought and didn’t deserve a place next to Gojo. But deep inside, even his body remembers the sound of Gojo’s voice, reacting to it when called despite his soul no longer being there.
sigh. Moving on... back to jjk 0:
After witnessing the bonds through willingness to sacrifice and the love between these students, Geto was really moved. Gojo trusted Geto retained his sense of humanity / love / idealism - even if it would lead to him sacrificing himself.
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He was finding it difficult anyway:
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He could always empathise with love. I suspect he tried his best, but the binding vow for Yuta’s life was also just the cherry on top to make Rika super saiyan.
Kenjaku knew Geto probably could’ve won though, had he been more selfish.
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Geto conceded without a fight with Gojo. Maybe it was a matter of trust in that they both knew his living on borrowed time. As the light novel insinuated, this was the only way it could ever end. And Gojo would have to carry the curse that was Geto. This seems... so cruel.
He did his best. He perhaps always wanted the love but set it free.
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He did so many things for others in spite of himself, in sacrificing himself, in staining himself with blood drenched hands.
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Avenging Riko by killing Sonoda. Note how manipulative “humans” are by using Jujutsu rules against them.
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He embraces a life of smoke and daggers. Living in lies and half truths in order to live, survive, and find justice in a wicked world.
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Watch me closely, I’ll protect you, I’ll avenge you, this is how you protect yourself.
This is the path I’ve chosen.
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I’m not saying he was right or justifiable. His character is just tragic. The system had set him and others to fail.
The worm foreshadows Geto’s maternal nature. Calling him “okaasan”. I mean, this very worm had a binding vow with Toji. And now it calls for a new owner? I’m not sure if Gege had anything else in mind with this... is the womb protrusion domain Geto’s? But that’s tied to a sorcerer’s soul…. Anyway, I digress again. (Sorry). Geto did have a martyr complex and was written captivatingly well by Gege. The extra touches where how he has been perceived by others and the effect he has (and continues to have) on those we see.
And I just want to leave this heartbreaking thing here:
Source from twitter/now X:
Wouldn’t it be so sweet for Geto to get one (love declaration) at the end of his life, regardless of the way you perceive Gojo and Geto’s relationship?
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Wouldn’t it be nice for him if he could know that his family who he instructed to flee had all loved him, adored him, and would honour his sacrifice in differing ways...
Instead, a form of love meant his body was desecrated and used by Kenjaku. His girls were killed, and his full potential was not quite realised at all.
If only things were different.
Gojo should have kept him in his basement!
But at least, I think, Gege is giving Geto some love even after his death.
For that I’m thankful.
And thanks for reading if you made it this far with my rambling!
If you want something more light hearted I have a fluffy fic up on AO3 (it isn’t great but i enjoyed writing it to fantasise about what happens at the airport) and if you want more angst and pain, please browse my tags (lol).
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exstasyplague · 8 months
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Just wanted to say, I have loved reading you jjk analysis while I hyperfix on the fandom. I have one question that I hope you can give me some answers to. Regarding Geto, do you believe that he's earned the title of special grade like Gojo and Yuki? I fully believe that he could reach a monster level like Gojo but I also think plot didn't let him grow more. Because people call him weak for losing against Toji (someone who also beat Gojo) and he wasn't at his prime yet bit then they also say Yuta was able to easily beat him and I think while the jjk 0 was good, it didn't utilize Suguru. Because it felt like he didn't do anything for the 10 years he defected and I think it's just because 0 was made so early on. Hope this isn't a bother, I just really like how in depth you are.
hiii. thank you for your kind words <33 it's time *cracks fingers* for a little...
Analysis on Suguru Geto's Powers
first of all. let's remember together what a special grade in jujutsu kaisen means~!
— a power so unpredictable that it's labeled as a calamity
— somebody powerful enough to overthrow a country on their own.
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so far so clear? great.
let's also look a bit into what suguru's abilities are.
CURSE MANIPULATION
as the name implies, he can absord curses and manipulate them according to his needs/ desires, with no limit on how many at a time.
doubting him comes easy now that we know what gojo suguru's full strength is, but back in their highschool days they were called the strongest for a good reason: they were on par. on balance. gojo's birth caused cruses to go crazy and the one with the most efficient skill against curses was geto. he was so powerful in a way because gojo caused so many curses to exist, widening his range of possibilities. beautiful parallel imo.
MARTIAL ARTS
no secret that my man can throw hands. not only does he have good curses, he can also fight alongside them/use them as a distraction since unlike most shikigami users, he goes into full offensive mode. that poor old man was DONE. you've also seen how well he handles cursed weapons in jjk 0 and in general how high his battle iq is. geto was a menace.
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he beat this dude so hard his literal life flashed before his eyes. and look at how casually he does that 😭 i can't. kenjaku ain't ever gonna excude this type of MAJESTY.
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even if his fight against toji wasn't as flashy as gojo's, let's not forget that he actually did have a moment where he caught fushidaddy by surprise.
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considering the fact that toji is literally a battle genius, that's very much something.
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*clears throat.*
anyway.
the destructible power of his curses is also insane. he killed a whole village like it was just play time, no advanced plotting needed. you can say whatever you want, but being able to act on a whim like that... this absolute freedom of choice only comes from strength.
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tell me that shit's not scary af.
and let's not forget that he got deemed so dangerous by the jjk society that he got put on par with a curse and even in the jjk 0 movie 'he had to be exorcised'. you know how in the manga they talk about saving riko and how because they're the strongest it doesn't matter what aftermaths they get? yeah. that's the perks of having power, the perks of being 'the most powerful'.
geto wasn't in hiding mode after his silly spree— he was easy to find at his temple and he was sentenced to death on sight yet in 10 years no fkin sorcerer was able to kill him.
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they fr knew his whereabouts.
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gege also shows him in his full splendid strength through his art.
geto was more than powerful— he was a low-key beast.
his only holdback was the world in which he lived, all the anguish and misery it brought him. he started doubting himself. he started losing faith in himself as human and a sorcerer and so he sought other paths through which he could find meaning, dooming himself beyond salvation. (his cursed technique is so shitty he can't live without giving it a meaning and clinging onto a meaning, let's not forget that manga panels about the awful taste and everything).
mentally he reached stagnation and from that point...he was meant to die.
that doesn't make him weak. he definitely deserved his title and definitely was the strongest along with gojo. hope this helped
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sasukesun · 8 months
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the directing choice of putting the soft music playing the moment kenjaku says “yo, satoru” and make it stop the moment gojou realises it was a trap, the moment he falls back into reality and asks who is he, as if in the meantime he was dumbstruck by the possibility of having suguru back while also being flooded with the memories of his first and last blue spring of youth and the warmth that those memories bring him, to make him subtly smile when his six eyes tell him that it’s suguru, and then to play the same song but in a sinister way when kenjaku reveals himself and gojou realises his best friend’s body was violated like that, the sickening feeling. you could say the music expresses how gojou was feeling inside. and would also like to highlight the excellent job getou’s va did here, he speaks in a much somber way than real getou. great choices mappa.
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justrustandstardust · 3 months
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in the season two op, we see gojo with an umbrella, rushing over to meet geto. despite the fact that he literally doesn't need one, gojo very clearly brings the umbrella for geto; this is made obvious because this scene is intercut with shots of geto impatiently waiting in the rain and holding a bag over his head.
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in the season one op, he's once again walking through the rain, but this time he doesn't have an umbrella.
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the absence of an umbrella in the rain is stark in comparison to the season 2 op, where the umbrella is the focal point of gojo's stroll through the rain. in season 1, literally everyone else in the opening has an umbrella, making the absence of gojo's even more noticeable.
in both openings, he's walking in the rain. but only in one of them does he have an umbrella, despite the fact that he doesn't need it in either of them.
if you notice something is missing from a room, it's still there, isn't it?
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ellionwrites · 4 months
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The way that Gojo cares so much about protecting his students’ right to be young and have fun…
In JJK0, with Yuta
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In JJK S1, with Yuji
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Because Gojo's own youth (especially his early years at Jujutsu high) was so precious to him. Probably the happiest times of his life.
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redrocketpanda · 10 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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bliss-in-the-void · 6 months
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The way Suguru looks at Satoru has me by the neck already, but the way Satoru looks at Suguru?? Oh my god.
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That’s his entire world right there. I don’t know how to explain it but these frames just scream “all Satoru sees is Suguru.” Like. He adores Suguru.
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Don’t get me started on the look in his eyes when Suguru expresses his concern over his overuse of his technique. The vulnerability? The way he looks surprised, the way it looks as though he feels seen for the first time ever? There is something so tender about this. I can’t even describe it but it’s just there.
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“I’m fine.”
Satoru knew damn well he wasn’t okay. No one sneaks up on him. I know he had to have been freaking out on the inside. How did he sneak in? How did I not sense him? No one gets behind me, no one is stronger than me, what’s going to happen?
But he held it together for Suguru. I feel like it’s instinct for him to automatically reassure Suguru, regardless of if it’s true or not. He schooled that expression on his face and looked so gently at Suguru…man.
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You can just see how absolutely devastated this man is in the moment he has to kill the man he loves.
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The split second he defied all logic and believed that, even though he’d killed Suguru with his own hands, Suguru had somehow survived? The elation on his face to see him one last time?
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“It might be goodnight for me, but it’s about time for you to wake up.” This is the smile he had on his face before calling out to Suguru, attempting to reach into the land of the dead for him. It’s like in this frame instead of the monster inhabiting Suguru, he just saw Suguru.
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The last thing he sees before he gets sealed is Suguru’s face, smiling. I can’t imagine the anguish he must have felt here. It’s almost as if he’s clinging to it, trying to pretend that it really is Suguru. Trying to convince himself what he knows isn’t true.
Conclusion: there is no one that loves anyone as much as Satoru loves Suguru.
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virgobingo · 5 months
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i wish people didn't try to filter geto's decision through a western lens because they're forgetting a huge part of the puzzle and it's the fact that sorcerers are oppressed by non-sorceres in the world of jujutsu kaisen. geto’s whole thing is "there's so few of us and yet we work ourselves to death for your peace of mind, while you remain ungrateful".
it's all more equivalent to health care workers trying to treat a virus. which also aligns thematically with the subject of labour across the series (jujutsu sorcerers being spread thin to the detriment of inexperienced workers, a job you value vs a job that compensates but drains you of your spirit, the myth of meritocracy) .
which is why controlling the output of cursed energy should be seen as the equivalent of being born with or developing an immunity to a disease. this is why a "culling" sounds possible to geto to begin with— people being pushed to adapt or die in their lifetime to prevent future outbreaks, like one would with a virus. strongly differing to kenjaku, because they essentially yearn for this disease to spread out of morbid curiosity (while geto wants the work to end):
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geto is a character you are meant to see yourself in. as, in all likelihood, a laborer yourself or someone that will become one. his story is that of exploitation at the hands of a system that only cares for results. leading to isolation in hopes of achieving high productivity.
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tangentially, i think a subject that is often ignored in these discussions is the financial incentive to take on more and more work onto your plate too. mei mei is perhaps the clearest example of this, no explanation needed. nobara, a second, when she explictly tells us sorcerery work is the only way a small town girl like her can make it in the big city. megumi, a third, when we learn the money the school gave him helped keep him and his sister tsumiki afloat.
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while gege does not delve into geto's past, we can safely speculate part of the reason geto keeps working day after day, after day— despite his wavering convictions is because there is something that encourages him to do so. financial stability would not be an odd motivater. after all, why do we push ourselves everyday to work jobs that no longer add anything meaningful to our lives? geto is the type of character that forces us to examine such things.
as an aside, when he first dons the robes of a cult leader, money is at the forefront of his concerns. if it wasn't obvious before, gege tells you again— choosing not to be a sorcerer, implies a serious loss of income.
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i think, all in all, geto's spiral does not hinge on the fact that he was secretly evil the entire time. it lies in disillusionment of a system that only seeks to preserve itself. note that this is why yuki works outside of it. no doubt her experiences as a former star plasma vessel informed her reasoning. it's also why gojo decides to become a teacher and change the institution from within, wielding his privilege as a shield over others.
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sugurusmoon · 13 days
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I'd be the voice that urged Orpheus
When her body was found (hey ya)
I'd be the choiceless hope in grief
That drove him underground (hey ya)
I'd be the dreadful need in the devotee
That made him turn around (hey ya)
And I'd be the immediate forgiveness
In Eurydice
Imagine being loved by me
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Lyrics taken from “Talk” by Hozier
Art from the anime Jujutsu Kaisen
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posletsvet · 9 months
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Something about the conflict which Gojo and Geto's ideologies present in the narrative being a war in the field of ethics that is deontology versus utilitarianism. The former placing value on the means, on the nature of an action, on how it is done; the latter prioritising the end, the outcome of an action, on why it is done. It is one of them choosing to tend to the younger generation in order to foster them into strong and reliable allies, no matter how much time it will take him to arrive to the finish line which is changing the system. It is the other erasing himself in pursuit of his goal, succumbing to the most wicked of ways to bring about the greater good.
It is the trolley car problem. It is Gojo refusing to accept the sacrifice of the one for the good of the many (we see him do this several times: with Megumi, then with Yuuta, then with Yuuji). It is Geto reasoning that whiping out the majority of the population to ensure the survival of the few (particularly those he holds dear) is still worth it.
They perfectly counterbalance each other while waging war not against one another but rather the system that brought them apart.
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Dunno! Just something to think about I guess.
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lxmelle · 1 month
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"When the day turns into night
And you’re way beyond my sight,
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I’ll think of you, I’ll think of you.
When the night turns into day
And you still are far away,
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I’ll think of you, I’ll think of you.
Even when I am not here
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We still can be so very near
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I want you to know my dear
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I’ll think of you."
Source: Facebook & misterrogers.org/videos/when-the-day-turns-into-night
And think of each other throughout their short lives they did.
Headcannon, analysis and theorising - more under the cut:
I’ll preface with how I’m aware there is some reaching and rambling, but there are so many interesting parallels and foreshadowing in Gege’s work that I’ll be at risk of writing my own “war and peace” with my theories and headcannon. I might be wrong as always, but I hope it makes for an interesting read even if you don’t agree! Comments and reblogs welcome!
I’ve pondered on this theme of lateness. I have another draft post on this topic, but in this scenario it illustrates the impact of riko’s death and their defeat (eventual victory for Gojo) to Toji.
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One ascended and the other descended. Arguably one saved the other, and equally debatably, they exchanged paths. However else you wish to explain it, Gojo deferred to Geto who was his moral compass, and was guided back to a sensible path. Geto did not wish to be saved by the time Gojo intervened, but ultimately was saved from himself before he could get too twisted.
Or, was it ultimately still a tale where Gojo was indeed too late, and despite everything he had, he could do nothing?
Nevertheless, their first defeat left them both scarred and changed.
Losing each other was something they never got over - Gojo and Geto had wounds shaped like each other.
One went off to find strength to change the world; the other went off to foster students to change the world. They pursued each other’s forte to make up for the sense of loss from their separation - trying to find completion within themselves and their world around them, but falling short of healing their emotions wounds - until they could meet the other once again to resolve their relational rupture.
Look at these two paralleling each other... papa Geto and Gojo sensei.
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Let me start with Geto:
In this world, Geto admitted before his death that he could never smile from the bottom of his heart.
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No matter how many people loved him, how much they were willing to dedicate to him by following and trusting him, Geto didn’t feel happy. We see, so touchingly, how much he was loved by his family - Mimiko, Nanako, Miguel, Larue.
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Did he ever feel loved? He certainly felt protective over them, but did he feel he mattered, besides being the one who gave them a vision?
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It doesn’t seem so. Geto seemed to think little of himself, for someone prideful and egotistical (by his own definition). He lost a sense of security in himself and value following Gojo’s distancing of himself too. Untethered, he probably felt like he was free falling.
I theorise that his desire for a better world was born out of a desire for redemption, and it was a curse to avenge the loss of his youth as well as those who had died under his care - Riko, “Gojo” (pre-enlightenment), and Haibara. Geto had lost himself within a spiral of depression and self-affirmation following the Toji incident.
I sense that his search for meaning and purpose through the protection of others was always an act of self-sacrifice that was exhausting and defeating for him. Just like the consumption of curses. Like a futile attempt at regaining control when he was slowly losing it even more - getting further and further away from what he really needed - to heal from his emotional wounds.
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What he needed to resolve was learning that he was loved within the world; that he had a place and belonging there. It didn’t have to be about him being a protector or making a difference. When he was feeling balanced from within (secure), existing in harmony could become possible. The rest could then fall into place.
But how could Geto have faith in the universe, after the system fails them all, his best friend now finds meaning in acting alone (being protective in his own way), he learns that riko’s death/sacrifice was inconsequential, and that his fellow peers would just keep dying if he continued powerlessly chugging on. He began to believe he can only rely on himself in a world separate from jujutsu high.
The only time he can remember feeling safe or having equilibrium was in his youth beside his best friend, Gojo. The primary source of his wound was losing Gojo and the disillusionment of their defeat was not repairable.
For Geto, despite chasing his goals to the best of his ability, he could not smile authentically for all these years. The world that was presented to him felt cruel; like a curse stuck on vengeance and justice, he kept burying himself with lies that he used to avoid facing the inevitable truth that this could only end in one way. It began and will end with Gojo.
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He could not replace what Gojo was to him, and the strength he may have envied to fulfil his goal, was a constant reminder of what he had lost - the trust and understanding of someone. His vision of clarity had become costly and darkened as time passed. To gain more power meant he’d become increasingly twisted. Knowing he was on borrowed time, that what he was doing was wrong, that it could only end one way - to Gojo’s hand.
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Did Geto, like Yorozu, need to be seen too? Was this the validation he found / sought - to be witnessed? I honestly don’t know, but whatever Gojo and Geto shared, it was more reciprocal than Sukuna and Yorozu. I do wish Geto was more honest with Gojo, but I think it was enough in itself to yield completely to Gojo and accept his end.
Geto had a Gojo-shaped wound that Gojo mercifully filled upon his last moments - showing him unconditional love and regard despite the changes between them.
We are kept out of the last words Gojo delivered, but we see that: He was recognised by the one who had truly mattered to him the most - the one whom he loved, and thought he had lost. He smiled sincerely at the very end.
Geto was shown to shed not one but two tears in Gojo’s afterlife scene. How moved must he have been to receive the regard and love from his best friend? Despite the lack of honest insight from Geto (Gege, you’re so stingy with inner narratives), it seems rather clear that there is something there that only Gojo can ease for him.
As for Gojo:
In his death dream / afterlife scene, Gojo was shown to express to Geto: If you were there, I probably would’ve been satisfied. It was received as loving, as Geto shed tears to this, and we know Gojo deflects from emotions by abruptly changing topics when he gets a bit heavy.
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Gojo also describes how, no matter how many people adored him, he felt a distance between them; although he didn’t feel lonely, he could not feel understood in all these years as the strongest.
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The line was drawn even more following his enlightenment, and his only memory of connection was with Geto, who had modelled a way for him to connect with those weaker than him and not see them like feeble dirt beneath his feet (as Hajime did) or pursue power like Sukuna did without caring about “worthless” love.
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His main reason for being a teacher was also Geto. I headcannon/theorise that it wouldn’t have been the first time Gojo missed him, imagined “what would Geto do?” or saw Geto in his students in those 10+ years. What could he do differently?
Through the impact of Geto’s loss and the power of their love within their friendship, Gojo was compelled to think about others - whether he wished to prevent it from happening again, to reform the jujutsu world, to make room for Geto to potentially return (pre-jjk 0), or to simply understand his students... Gojo stretched himself to carry the emotional and mental load that was almost exclusively Geto’s role in their friendship.
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Gojo was never the most nurturing type, but he did his very best - to advise, demonstrate, and protect the youth of these students. Giving them their own blue spring was also an ode to what he shared with Geto. Despite healing a lot and making room for others, Gojo had a Geto-shaped would that only Geto could fill.
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What Gojo needed to resolve was to learn to love others - even moreso following his enlightenment in the manner in which he did after Toji - that he did not have to be isolated and alone, that true connection (love) exists and was worthwhile.
Meaning and purpose beyond “just getting kicks” out of being the strongest or wielding his skills beyond self-fulfilment - were all possible - but Gojo only had a limited canvas to work from - it was mostly Geto’s palette that he expanded upon. That he didn’t want to repeat whatever mistakes either of them made if possible.
His main forte was being a skilled sorcerer. This was his primary focus still, because this was just in his nature. Gojo was practically bestowed with the assets for this role. Nobody can blame him for being greedy and coveting more (love/connection he once knew) or attempting more (influencing a new generation). Gojo was meant to be human with all his flaws and thankfully, he kept his humanity.
He ultimately tried to reach and connect to Sukuna - a potential peer whom he could “converse” with, but they were too different. He fulfilled a need to showcase his skill and philosophy to his students - alongside his own personal desire to “go all out” and die gloriously-victorious through giving it his all.
He found the connection he needed right upon his death; meeting Geto and his friends without the need for an encounter at death’s door with Sukuna - unlike Jogo and Hajime who spent their last moments with Sukuna in a dialogue. Gojo didn’t need to talk with Sukuna. They could not understand each other; not when Sukuna did not know real love - even Yorozu did not think so.
To know love is to long for it enough to recognise it.
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Since Gojo could not share with Sukuna what he wanted to teach (about love) he was able to tell and share it with the only person he knew who could understand - Geto. Even if Nanami and Haibara didn’t, Geto did.
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It’s enough for them, isn’t it?
And it’s enough for us to know their legacy continues. It is so heartwarming to see Gojo’s students and members of Geto’s family being there too - all fighting for their own reasons - to defend and / or in honour of their memory.
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exstasyplague · 8 months
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geto shedding a tear after gojo tells him he wished he'd be there to cheer on him will never cease to break me.
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after he got released from the prison realm, he instantly teleported where geto's body was.
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just realising that back then, his gaze was so cold because he sought suguru in the crowd is..... GEGE WHEN I CATCH YOU GEGE
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There is so much angst potential in the way that Gojo is also Tsumiki’s guardian I feel like it’s making people uncomfortable and they happily ignore if. But like idk. Like i am so insane about this. That Gojo would go and sneak some time for Suguru if not for the fact that he cares about two kids now, one of which isn’t a sorcerer. What would he do if Suguru kills Tsumiki? As a dumb show of how weak and insignificant she is? Gojo would not forgive that and he cant face the reality that Suguru would be ready to kill someone rhat close to him. But it is, thats what Suguru lives for
Idk i feel like we cant ignore how actually fucked up Suguru is. Like genocidal. Like he taught his daughters how to kill and they are legitimately the most fucked up kids in the series, actively enjoying strangling non shamans. Like there is so much shit there is just want to ignore canon entirely but also GOD just imagine Gojo and his desire to show him the kids he’s taking care of but he cant because then Tsumiki would be in danger
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justrustandstardust · 2 months
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i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.
geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.
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when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.
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gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.
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through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.
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black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.
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white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.
however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.
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after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.
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white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).
yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.
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if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.
consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.
they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.
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ellionwrites · 5 months
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Let’s talk about how much Geto (canonically) loved Gojo. He saw Gojo in a way no one else did.
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The way that Geto answers this question is deceptively meaningful. Let me explain…
This is a flashback, but we can assume this interaction is roughly 10 years after Geto’s defection, based on Nanako and Mimiko’s (Geto’s adopted-ish daughters) apparent ages. Right around the time of JJK0.
For context, let’s remember that the last time Geto and Gojo spoke as friends (KFC breakup), Geto said this:
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Geto was being intentionally hurtful here. He knew that everyone (except him) sees Gojo, first and foremost, as “the strongest.” Gojo is barely even a real person to them; he’s just a savior or threat or deus ex machina.
Geto used that to twist a knife and ask: “Is there actually anything more to who you are than just being the strongest sorcerer?” He knew this would be devastating to Gojo. Gojo’s best and only friend is saying: “even I don’t know if there is anything else that’s important about you other than your strength.”
Let’s go back to Nanako's question.
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She sets this question up in an important way. Like every (non-Geto) person, she sees Gojo’s fundamental defining quality as “strong." So, naturally, her immediate sub-question to “who is he?” is “he’s super strong, right?”
She’s asked the question in a way that Geto could very easily answer it: “yes, that’s right. He’s the strongest sorcerer.”
BUT
- - - - - Keep reading cut - - - - -
Geto gets contemplative. (“Hm…” - he’s thinking about how to answer because “Who is X?” is either a very basic question or a very philosophical question).
He ends up not even acknowledging the second part of the question about Gojo’s strength and instead tells her who Gojo is to him.
Because when they were best friends and even a decade later, he never actually thought of Gojo as just the strongest. Gojo was always something more to him.
“He was my best friend.”
As an adult, an ex-best friend from high school isn’t necessarily someone meaningful to you. Is Geto saying this actually significant? Yes.
This memory (“who is Satoru Gojo anyway?”) is what Nanako remembers as the context to this next thought:
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This is WILD.
This thought is during Nanako’s interaction with Sukuna where she is essentially blackmailing Sukuna into helping get Geto’s body back.
She loves Geto so much that she’d risk pissing off the most dangerous curse/demon/sorcerer just to get Geto’s body back. That’s how much she loves him.
But the man who actually killed Geto she will (never fully forgive but) “let things be” with. Because Gojo was Geto’s one and only best friend in a way that was deeply meaningful to him up until his death.
..
“Are you the strongest because you’re Satoru Gojo or are you Satoru Gojo because you’re the strongest?” is just what you say to someone you love when you need to hurt him enough that you can stay away from each other.
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sasukesun · 7 months
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watching this in the anime has hit me hard after gojou’s [redacted] because let’s talk about regret. at first i thought this moment could just be kenjaku’s villainous side being “ohhh i’m so evil and my plans are working well, i don’t remember what’s like to feel regret” and not to talk about directing choices again (i’m physically unable to stop), but the way the anime focuses on only one blue eye of prison realm (while the eye looks back at him) when kenjaku wonders about regrets has changed this moment for me. because maybe kenjaku himself doesn’t remember what’s like to feel it, but he is in another body now and has access to all of its memories, getou’s. is he thinking of getou’s regrets towards gojou?
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and it hits different too when you know about this moment
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or should i say… when you’re aware of gojou’s one and only regret?
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