#Hayashi Ryuta

[biasd]

Ryuta

NIK

Korean/Japanese

[banqanas]

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A post shared by 日髙竜太 / Ryuta Hidaka (@ryutahidaka.official)

Hidaka Ryuta's cover of Hayashi Kazuki's One Day

A favourite song that I've been listening to almost daily

Hayashi Kazuki-san's One Day

The original song is really good

So if you haven't heard it before, please check it out

[chowonsang]

Ryuta || Universe

[cinefilakate]

Hayashi Ryuta ❤ my pick n°1!!!

[nadaoreo]

My top picks in Produce101 Japan!

[niknet]

[#TAICHI]

I want to keep my promise to you.

[no-nakajimayuya]

#Repost @breimen_jp with @make_repost

・・・

2021.11.17(Wed) Digital Release

BREIMEN「CATWALK」Official Music Video

【Credit】

Vocal Bass : Shorter Takagi

Guitar : Katsushiro Sato

Drums : So Kanno

Keyboard : Yuta Ikeda

Sax : George Hayashi

Cast : Eru Aoba(@l_aoba )/ GON(@gonisempty )

Director & D.O.P : 2025(@2025_2050 )

Camera Assistant : Kentre Takagi(@ken_treee )

Photographer：Renzo Masuda(@renzo1101 )

Lighting Director : Ibuki Katagiri(@vucky0925 )

Lighting Assistant : Kento Fuda (@kentofuda )/ kanayoung

Stylist : Yuya Nakajima(@n.y55_77y.n )

Hair & Make up : Seiya Ohta(@ohta_seiya )

Producer : Kaishu Kamotani(@hitttyori )

Production Staff : Rei Takara(TOWERS)

Transport : Rannosuke Oyama

Special thanks : Ryuta Takagi / TOKIO / JP / Ayano Nakada / Hiroshi Kawasaki / Naomi Toyoshima

Music & Lyrics：Shorter Takagi

Band Recording & Mixing Engineer : Yu Sasaki

Band recorded at : Music Inn Yamanakako

Vocal Recorded at : MUSIC FOR MUSIC

Vocal Recording Engineer : Tomomi Ogata (MUSIC FOR MUSIC)

Mastered by 佐藤宏明（molmol）

Mastered at EELOW

#BREIMEN

#CATWALK

#breimen

[noviceaoiryusei]

MASTERPOST

| Japanese drama, movie, music, anime & tokusatsu enthusiast ( • ̀ω•́ )✧ |

I write for self-satisfaction, I translate for self-learning. Most of this tumblr contents are fandom related stuffs. (note: this is backup blog from my livejournal blog) just a reminder: I don't mind using my romanizations, translations and transcriptions but please do credit me for I take time and effort on making those. If you like what I am doing please consider donating on my ko-fi. 🥺🥺 https://ko-fi.com/aoiryusei

CONTENTS

[ FAN CLUB TUTORIALS ] (for overseas fans)

「 Hyuga Wataru Official Fanclub 」

「 Kaneko Shunya Official Fanclub 」

「 Seto Toshiki Official Fanclub 」

「 Higuchi Kouhei Official Fanclub 」

[ FAN REPORTS ]

EPISODE 28 (Kamiki Ryunosuke 28th birthday)

12th year anniversary (Yoshizawa Ryo debut anniversary)

2.0 ＝∞ (Sakamoto Shogo online live)

grand prix (Junon × Amuse Idol Audition)

online talk (Watanabe Keisuke and Koseki Yuta online talk)

GRATITUDE : a decade and a birthday (Tawada Hideya 28th birthday)

special program (Tsuburaya Convention 2021)

THE fated duel (Matsushima Shota and Mizuta Kouki online live)

bonds ✨ (STATION IDOL LATCH audition group part 1)

bonds ✨✨ (STATION IDOL LATCH audition group part 2)

CELEBRATION!! 🎉🎊 (ULTRAMAN youtube 2M subscribers celebration)

bonds ✨✨✨ (STATION IDOL LATCH audition group part 3)

most memorable day (Hirama Soichi online dance event)

I tried (Watanabe Keisuke 4th debut anniversary)

[ NOTES ]

「 baton pass 」 (Matsuoka Koudai, Hyodo Katsumi, Niihara Taisuke IG live)

「 Matsuoka Koudai no Dressing Park 」 vol. 27  

「 Koki and Izumi's instagram live 」

「 Koya's instagram live 」  

「 random IG live notes 」 (Hosoda Kanata, Ishiga Kazuki)

「 online talk 」 (Isomura Hayato, Hyodo Katsumi daigakusai guesting)

「 Matsuoka Koudai no Dressing Park 」 vol. 53

「 Watanabe Keisuke no All Night Nippon X (Cross) 」

[ SCANS ]

TVガイドPERSON 神木隆之介 吉沢亮

シネマスクエア vol. 93 大野智 (part 1)  (part 2)

シネマスクエア vol. 93 中島健人

シネマスクエア vol. 93 関西ジャニーズJr 西畑大吾 向井康二 室龍太 藤原丈一郎 草間リチャード敬太  (part 1)  (part 2)  ポスター

関西ジャニーズJrカレンダー 2018.04 - 2019.03 (part 1) (part 2) (part 3) (part 4) (part 5) (part 6)

関西ジャニーズJrカレンダー 2019.04 - 2020.03 MONTHLY JUNIORS (part 1) (part 2) (part 3) (part 4) (part 5) (part 6)

関西ジャニーズJrカレンダー 2019.04 - 2020.03 (part 1) (part 2) (part 3) (part 4) (part 5) (part 6) (part 7) (part 8)

[ TRANSLATIONS ]

JOHNNY'S WEST SPECIAL CROSS TALK

「WiNK UP! 2017.08」 Fujiwara Joichiro x Imae Daichi x Koja Nairu x Hayashi Matori Crosstalk

「Potato 2017.08」 Fujiwara, Asada, Ohashi, Hayashi, Koja, Imae, Suezawa, Kusama Q&A

「WiNK UP 2018.02」 Fujiwara, Asada, Ohashi, Hayashi, Koja, Imae, Suezawa, Kusama Interview

「WiNK UP 2018.06」 Fukui Koshiro and Fukumoto Taisei crosstalk

「DUET 2018.05」 JR. BANG (7MEN 侍)

「 TVFAN 」 TOKIO NO OSHIGOTO VOL. 86 - JOSHIMA AND MASAKADO CROSSTALK

「 WINK UP 2018.05 」 KAWASHITA GAKU, NAKAMURA RYUNOSUKE, SAWATA MASAYA AND MORIYA SHUTO INTERVIEW

「 WINK UP 2019.01 」 KUSAMA, ASADA, IMAE, SUEZAWA, HAYASHI, KOJA INTERVIEW

「 WEEKLY TV GUIDE 2018.12 」 7MEN 侍 X'MAS PRESENT FOR YOU

Johnny’s Jr. Meikan - Kansai Johnny’s Jr. Part 1, Part 2, Part 3, Part 4, Part 5

「 THE TELEVISION ZOOM 」 MURO RYUTA INTERVIEW

「 Duet 2019.06 」 Imae Daichi and Koja Nairu Interview

「 Duet October 2019 」 Imae, Koja, Kawashita and Fukui interview

「 DUET 2020.04 」 Kansai Junior interview

「 Myojo 2019.12 」 Nakayama Yuma with Lil Kansai interview

Pia Movie Special 2020 Winter Close Up Feature : Suezawa Seiya

「 TVnavi Smile vol. 25 」 Funky 8 crosstalk

「 Dance Square vol. 36 」 Johnny’s Jr. Tettei Kaibou file 23 - Daichi Imae

Dance Square vol. 32 Chain of Dance ~Johnny’s Jr. Shuffle Talk~ - Kansai Juniors

Team Handsome! 「NYLON super vol. 04」 Q&A portion

「 Isono-san grand prix 」

「 Talk Time 」 KEISUKE&YUTA FUTARI-TABI IN MIYAGI

Hosoda Kanata 「 Three Minute Question Challenge 」

「 YAMAGUCHI TAKAYA INTERVIEW 」 (2020)

「 KAMEN RIDER'S CROSS TALK_02 」 Yamaguchi Takaya × Aoki Ryo × Naito Shuichiro interview

[ OTHERS ]

「 Hyuga Wataru : A Fan Guide 」

Nada and Master Pink - Alternate Universe

[ MASTERPOSTS ]

Translation list - asadajunya (livejournal) translations

15th Anniversary SUPER HANDSOME COLLECTION 「 JUMP ↑ 」 lyrics masterpost

SUPER HANDSOME COLLECTION 「GET IT BACK !」 lyrics masterpost

HANDSOME FESTIVAL 2016 予習Sound Track lyrics [kanji/romaji]

SUPER HANDSOME LIVE 2013「LAUGH & PEACE」 lyrics [kanji/romaji]

[ KANJI / ROMAJI LYRICS ]

Actions over words - チーム・ハンサム！ parts lyrics

『トライアングル』 (Triangle) - 3LDK lyrics [kanji/romaji]

Everybody! Say!! - STATION IDOL LATCH lyrics [kanji/romaji]

REALIZE - ヒジリアキト（金子隼也） lyrics [kanji/romaji]

Dear SMILE - マナカケンゴ（寺坂頼我） lyrics (kanji/romaji)

明日見る者たち (Asu Miru Monotachi) - マナカケンゴ（寺坂頼我）、シズマユナ（豊田ルナ）、ヒジリアキト（金子隼也） lyrics [kanji/romaji]

Believer - マナカケンゴ（寺坂頼我）、シズマユナ（豊田ルナ）、ヒジリアキト（金子隼也） lyrics [kanji/romaji]

[ RANDOM SUB ]

School Of Lock - Katayose Ryota surprises Tani Yuuki

Watashi no Shite Kurenai Feromon Kareshi - Rei and Shuto's Reconcillation Gone Wrong CUT

Minato Shouji Coin Laundry - Shu and Asuka Confession and Proposal CUT

[nikturkiye]

RYUTA

Sahne Adı: Ryuta (龍太) Doğum Adı: Hayashi Ryuta (林龍太) Pozisyon:  Vokalist Doğum günü: 23 Temmuz 1996 Burç: Aslan Boy: 175 cm (5'9″) Ağırlık: 63 kg (138 lbs) Kan Grubu : O Uyruk: Japon Instagram: @ryuta_0_7_2_3 Twitter: @RYUTA38265613

Ryuta Gerçekler: – O, NIK'in 6./7. en uzun üyesidir. – 2020'de final ekibiyle çıkış yapmak için G-EGG projesine katıldı.

[officialotakudome]

New Post has been published on Otaku Dome | The Latest News In Anime, Manga, Gaming, Tech, and Geek Culture

New Post has been published on https://otakudome.com/sword-art-online-alicization-war-of-underworld-blu-ray-announced/

Sword Art Online Alicization War of Underworld Blu-Ray Announced

Aniplex of America has dated the second half of Sword Art Online’s third season Sword Art Online Alicization War of Underworld for home release. The series just recently ended it’s run on Adult Swim and will be available for purchase on June 22, 2021. Information about the set can be seen below:

SANTA MONICA, CA (March 23, 2021) – Aniplex of America is delighted to announce the next home video release of the Sword Art Online Alicization series, with the Sword Art Online Alicization War of Underworld Complete Blu-ray Set coming June 22, 2021! The complete Blu-ray set comes with six Blu-ray discs and includes all 23 episodes plus 2 recap episodes in both English and Japanese audio, housed in a stunning box featuring art by abec (Original Illustrator/ Character Design Concept). The set also includes bonus content such as trailers, commercials, textless openings and endings, as well as audio commentary by Japanese cast and staff members, along with a special booklet and an original soundtrack CD by the acclaimed composer, Yuki Kajiura. The Sword Art Online Alicization War of Underworld Complete Blu-ray Set is now available for pre-order at RightStuf Anime (https://www.rightstufanime.com/).

Sword Art Online Alicization War of Underworld is the final chapter of the thrilling Alicization arc, the longest and most glorious battle of the Sword Art Online series. Featuring animation production by A-1 Pictures (Blue Exorcist, The Promised Neverland), the series chronicles the events leading up to the final, epic battle between the Human Empire and the Dark Territory. While Sword Art Online Alicization focuses on Kirito and beloved newcomer Eugeo’s journey through the Underworld to defeat the evil Pontifex, War of Underworld follows Alice, who rediscovers her will to be a knight, as she cares for Kirito, who has lost his soul. Joined by familiar friends from the Sword Art Online series, the fate of Underworld and the future of mankind rest on the still-slumbering Black Swordsman, Kirito.

The War of Underworld arc premiered in October 2019, with the English dub airing on Adult Swim’s Toonami in January 2020. Aniplex of America released the Sword Art Online Alicization Complete Blu-ray Set on April 21, 2020, available now on RightStuf.

All episodes of season 1 and 2 of Sword Art Online Alicization are streaming now on Hulu, Crunchyroll, and Funimation, while Sword Art Online Alicization War of Underworld is streaming on HIDIVE.

For more information, please visit the official website at: sao-alicization.com

Sword Art Online Alicization War of Underworld  Complete Blu-ray Set includes:

  <Disc Specs>

Spoken Languages: English & Japanese

Subtitles: English

Aspect Ratio: 16:9 HD Widescreen 1920x1080p

Episodes: 1-23 + 2 recap episodes

Number of Discs:        6 Blu-ray Discs

Total Run Time: Approx. 610 minutes

Rating: 16 UP

<Bonus Contents>

Trailers and Commercials

Textless Openings and Endings

Audio Commentaries for 1 & 23 by Japanese cast and staff

* Bonus content subject to change. * Bonus content includes English subtitles.

  < Bonus Materials & Package>

Box art by abec (Character Design Concept)

Special booklet

Original Soundtrack CD by Yuki Kajiura

* Bonus materials subject to change.

  Product number and UPC bar code:

Title Street Date SKU # UPC SRP Store Price Sword Art Online Alicization War of Underworld Complete Blu-ray Set

6/22/2021 AOA-13002 816546024604 $299.98 $229.98

  Retailer Link: https://www.rightstufanime.com/Sword-Art-Online-Alicization-War-of-Underworld-Box-Set-Blu-ray

  About Sword Art Online Alicization War of Underworld:

“And so the grand finale of the Alicization arc begins…”

The final load test… The war between the Human Empire and the Dark Territory has engulfed Underworld entirely. The battle has shifted course with the Dark Territory army led by Gabriel, who seeks to capture Alice, the Priestess of Light, in their fight against Asuna and the Human Empire forces fighting to save Underworld.

As Kirito’s consciousness remains buried in a deep sleep, Gabriel, standing in as the Dark God Vecta, has recruited thousands of American players to log in to the Underworld to annihilate the Human Empire forces.

In this great war, the stakes are not only the Underworld’s continued existence, but also the bottom-up artificial intelligence, the ultimate AI, and even the very future of mankind!

Though he has yet to awaken, only one man holds the fate of this world: the Black Swordsman.

STAFF

Written by Reki Kawahara (Dengeki Bunko)

Original Illustration / Character Design Concept: abec

Director: Manabu Ono

Assistant Director: Takashi Sakuma

Character Design: Shingo Adachi, Go Suzuki, Tomoya Nishiguchi, Yumiko Yamamoto, Kento Toya

Chief Animation Directors: Go Suzuki, Yumiko Yamamoto, Kento Toya

Prop Design: Asami Hayakawa, Kiminori Ito

Monster Design: Toshiya Kouno

Action Scene Animation Directors: Yoshihiro Kanno, Hirokatsu Maruyama

Art Directors: Yukako Ogawa, Keito Watanabe

Art Setting: Kenichi Morioka, Yuho Taniuchi

Color Setting: Naomi Nakano

Directors of Photography: Kentaro Waki, Kenta Hayashi, Shota Kodera

Motion Graphics Designer: Hiromu Oshiro

CG Directors: Ryuta Undo, Kengo Oda

Editing: Yuji Kondo

Sound Director: Yoshikazu Iwanami

Effects: Yasumasa Koyama

Sound Production: sonilude

Music: Yuki Kajiura

Produced by EGG FIRM, Straight Edge

Animation Production: A-1 Pictures

Production Committee: SAO-A Committee

English Voice Director / ADR Script Writer: Alex von David

  CAST (Japanese / English)

Kirito (Kazuto Kirigaya): Yoshitsugu Matsuoka / Bryce Papenbrook

Asuna (Asuna Yuuki): Haruka Tomatsu / Cherami Leigh

Alice: Ai Kayano / Kayli Mills

Lisbeth: Ayahi Takagaki / Sarah Anne Williams

Silica: Rina Hidaka / Christine Marie Cabanos

Klein: Hiroaki Hirata / Kirk Thornton

Agil: Hiroki Yasumoto / Patrick Seitz

Sinon: Miyuki Sawashiro / Michelle Ruff

Selka: Kaori Maeda / Jackie Lastra

Ronie Arabel: Reina Kondo / Deneen Melody

Tiese Schtrinen: Kaori Ishihara / Kimberly Woods

Rinko Kojiro: Sanae Kobayashi / Jennifer Losi

Seijirou Kikuoka: Toshiyuki Morikawa / Matt Mercer

Deusolbert Synthesis Seven: Hikaru Hanada / Armen Taylor

Fanatio Synthesis Two: Hitomi Nabatame / Laila Berzins

Bercouli Synthesis One: Junichi Suwabe / Imari Williams

Leafa (Suguha Kirigaya): Ayana Taketatsu / Cassandra Lee Morris

Yui: Kanae Ito / Stephanie Sheh

Takeru Higa: Kenji Nojima / Brian Beacock

Golgorosso Balto: Ryo Sugisaki / Mick Lauer

Sheyta Synthesis Twelve: Lynn / Justine Huxley

Renly Synthesis Twenty-Seven: Mutsumi Tamura / Morgan Berry

Linel Synthesis Twenty-Eight: Hina Kino / Brianna Knickerbocker

Fizel Synthesis Twenty-Nine: Konomi Kohara / Michelle Marie

Eldrie Synthesis Thirty-One: Takeaki Masuyama / Ethan Murray

Gabriel Miller / Dark God Vecta: Akira Ishida / Greg Chun

Vassago Casals: Tsuyoshi Koyama / Xander Mobus

Critter: Isshin Chiba / Jon Allen

Iskahn: Taku Yashiro / Khoi Dao

Dee Eye Ell: Yuhko Kaida / Kari Wahlgren

Lilpilin: Junya Enoki / Aleks Le

About Aniplex of America Inc.

Aniplex of America, Inc. (Santa Monica, California) is a subsidiary of Aniplex, Inc. (headquartered in Tokyo, Japan), a division of Sony Music Entertainment (Japan), Inc., and a leading provider of anime content and music production and distribution in Japan. The company’s ever-growing lineup of shows includes: Sword Art Online, FULLMETAL ALCHEMIST: BROTHERHOOD, Fate/stay night [Unlimited Blade Works], Fate/Zero, KILL la KILL, Gurren Lagann, Monogatari series, anohana -The Flower We Saw That Day-, Cells at Work!, The Promised Neverland, Demon Slayer: Kimetsu No Yaiba, The Millionaire Detective – Balance: UNLIMITED and many more. In 2017, the company released the English version of the popular mobile game, Fate/Grand Order.

[yoshihiroshimizu]

MAU art festival 2017, Grand Finale Video “bibit”    【URL】

ディレクション/制作 - 清水良広 Yoshihiro Shimizu

制作 - 林賢五 Kengo Hayashi

制作 - 水口紋蔵 Monzo Minakuchi

制作 - 龍田哲郎 Tetsuro Ryuta

[keepingthespiritalive]

INOKI ISM results for July 24, 2017

INOKI ISM results for July 24, 2017

Antonio Inoki Presents ISM “10th Anniversary of Carl Gotch’s Passing & 1st Anniversary of Muhammad Ali’s Passing”, 7/24/2017 [Mon] @ Korakuen Hall in Tokyo 1,800 Spectators (1) Ryuta Hasumi (UWF Snake Pit Japan) vs. Max The Body ♦Winner: Hasumi (5:42) with a Boston Crab. (2) MMA Fighting Tournament 1st Round – 5 min. 2R: Diego Anraku vs. Nobu Hayashi ♦Winner: Diego (1R :59) with a Modified…

[micaramel]

Artist: Chim↑Pom

Venue: ANOMALY, Tokyo

Exhibition Title: May, 2020, Tokyo / A Drunk Pandemic

Date: June 27 – July 22, 2020

Curated By: Contact Young Curators

Click here to view slideshow



Full gallery of images, press release and link available after the jump.

Images:

Video:



Chim↑Pom, A Drop of Pandemic, 2020, 00:28

Courtesy of the artist and ANOMALY, Tokyo. Photos by Chim↑Pom and Kenji Morita.

Press Release:

As a state of emergency has been lifted, ANOMALY is pleased to announce the reopening of the gallery with a solo exhibition May, 2020, Tokyo / A Drunk Pandemic by Chim↑Pom. The exhibition will be on view from Saturday, June 27th to Wednesday, July 22nd, 2020.

As the exhibition title May, 2020, Tokyo / A Drunk Pandemic suggests, the presentation consists of two projects recently initiated by the artist.For the past few months, the world has been experiencing unprecedented uncertainty and fear stricken by the COVID-19 pandemics. Tokyo 2020 Olympics, the grand celebratory sports event was significantly affected to postpone as a consequent. May, 2020, Tokyo, the installation shown at the gallery was staged in May during the time of a state of emergency, when residents were asked to “Stay Home”. Various locations were chosen and remain untold. It is their attempt to confront the metropolis of Tokyo, where there are based and their creation always played on the streets and public space until today.

A Drunk Pandemic, another installation will be presented for the first time in Japan. It originates from the project with the same title they showed in the abandoned tunnels under Manchester Victoria Station last year. Commissioned by the Manchester International Festival (MIF, Manchester, UK) and Contact (Manchester, UK), a large- scale installation invited local residents to be part of the process and the guided public tours were also accompanied. The project was also selected for the cover and featured spreads in the ArtReview September issue.

In Manchester, Victoria Station is operated as one of the major stations with thousands of commuters pass by today. Chim↑Pom installed a temporary brewery in the underground space of the station, where cholera victims were buried during the outbreak in the 19th century.

The brewery Pub Pandemic was bartended by the artist and served a special beer “A Drop of Pandemic” for the visitors to drink brewed in the tunnels during the exhibition. With a visualization of the bioprocess in the making of a locally crafted beer with yeast in relation to the cholera virus, and the correlation with urban sanitation exampled by a swage system at that time, A Drunk Pandemic reconnected with their own urban theory encompassing the local history and context.

Historically, Manchester is widely known as an illustrative example of the industrial revolution. However, the rapid urbanization had poor sanitation causing a cholera pandemic. Improvements in basic infrastructure such as sewage system were taken as measures against the pandemic. Many cholera sufferers came from poorer communities: they were often older, more unhealthy, working-class or drunk. Richer people regarded cholera sufferers as morally inferior and cholera itself as immoral. In order to eliminate this ‘immoral disease’, the quality of life of these so-called ‘immoral people’ needed to be revamped. It is said that the revolution in urban hygiene and sanitation started with this kind of thinking. During cholera and plague outbreaks, people in Manchester drank beer instead of water. The water used in the brewing process was boiled, making beer safer, so at the time debated whether they should drink water or beer.

Outside the tunnels, the public and temporary toilets were built with Pub Pandemic and at the end of the extended sewage pipe from the public toilets, a brick factory Piss Building was installed, where cemented bricks were made from the urine of the people who have drunk beer there. The bricks were used on the street or the houses in Manchester as the most basic construction material or to repair upon request. Running from the brewery through the pub, toilet, swage, the factory to the city, A Drunk Pandemic was a multi-faceted project questioning the historical formation of the city and our relationship to it today.

The capitalism triggered by the industrial revolution required tremendous sacrifices in the 19th century. Manchester had witnessed a huge population increase after the industrial revolution, but the city was not well sanitized. The average life expectancy of a laborer was 22, and needless to say, most of whom were working-class and poor. The abandoned tunnels are a graveyard for about 40,000 poor people who were the victims of the social system based on factories, capitalism, labor and cities, which is now widely spread around the globe, just as “pandemic.”

The beer, urine, bricks and the drunk quietly proliferated and extricated from the forgotten underground site through the project will now take shape as an installation at the Non-Site, our gallery in Tokyo.

With previous works SUPER RAT – a pest controller and new breed of poison-immune rat proliferating explosively in urban areas as a portrait of their own generation, and the video work entitled BLACK OF DEATH featuring a flock of crows – symbolic figures associated with death signifies the plague known as The Black Death, the new iterations by the artist today extend their critical views upon uncanny and ongoing relations between the capitalism, plagues, and urbanization.

In 2018 ANOMALY opened its door to the public with an exhibition Grand Open by Chim↑Pom, refurbishing their urban theory with a notion of public/private for a recursion when the reconstruction in Tokyo relentlessly continued. This is our second to feature their ambitious works when our door reopens to unfold peculiar trace of the urbanization and a current state of human beings while the ‘new normal’ emerges in the midst of our globalized life.

The artist collective formed in 2005 in Tokyo with members Ryuta Ushiro, Yasutaka Hayashi, Ellie, Masataka Okada, Motomu Inaoka, and Toshinori Mizuno. Since their debut, their work and practice respond instinctively to the “real” of their times, Chim↑ Pom has continuously released works that intervene in contemporary society with strong social messages on the relationship in the sphere of public and private, borders, and contradiction with no prejudice.

The major solo exhibitions and presentations include Chim↑Pom (MoMA PS1, New York, 2011), Chim↑Pom (PARCO Museum, Tokyo, 2012), SUPER RAT (Saatchi Gallery, London, 2015), Non-Burnable (Dallas Contemporary, Dallas, 2017) in addition to the international biennales such as The 29th São Paulo Biennial (Ciccillo Matarazzo Pavillion, São Paulo, 2010), The 9th Shanghai Biennale (Power Station of Art, Shanghai, 2012), The 14th Biennale de Lyon (La Sucrière and the Museum of Contemporary art Lyon, France, 2017), The 6th Asian Art Biennial (National Taiwan Museum of Fine Arts, Taichung, 2017). Based in the two spaces ‘Kitakore Building’ (Koenji), and ‘White House’ (Shinjuku), they develop various independent projects to show in and out of the country. PIKA! (2008), a skywriting of the work over A-Bomb Dome in the city of Hiroshima, and REAL TIMES (2011), a series of works produced in response to the Great East Japan Earthquake, especially a panel depicting the nuclear power plant accident added to Taro Okamoto’s mural Myth of Tomorrow made controversial reactions and discussions. They also initiated, organized, and participated in the international exhibition Don’t Follow the Wind in the inside of Fukushima’s nuclear exclusion zone, where the public will not see the artworks until the blockade is released. Internationally acclaimed with prestigious art awards, their audacious activities deal with taboo subjects and social issues laced with a humorous critique.

In 2021, their solo exhibition at Mori Art Museum (Tokyo) is much anticipated.

This is our first exhibition to present after the state of emergency ended. We apologize for any inconvenience that may cause with a few requests upon your visit, but we look forward to welcoming you.

ANOMALY June 2020

Link: Chim↑Pom at ANOMALY

from Contemporary Art Daily https://bit.ly/3fwyJk9

[cinefilakate]

He's a hard working person and amazing at both singing and dancing. Please let him debut!!!!

[cancersfakianakis1]

Bowel and urinary quality of life after whole-pelvic versus prostate-only volumetric-modulated arc therapy for localized prostate cancer

Publication date: Available online 5 November 2017 Source:Practical Radiation Oncology Author(s): Kentaro Ishii, Toshiko Yamanaga, Ryo Ogino, Yukinari Hosokawa, Shun Kishimoto, Ryuta Nakahara, Chiaki Shimada, Ryu Kawamorita, Takuhito Tada, Yoshiki Hayashi, Toshifumi Nakajima PurposeThis study aimed to compare bowel and urinary health-related quality of life (HRQOL) between prostate-only (PO) volumetric-modulated arc therapy (VMAT) and whole-pelvic (WP) VMAT in patients with localized prostate cancer.Methods and MaterialsA total of 234 patients treated with definitive VMAT to 78Gy in 39 fractions were enrolled. Of these, 108 patients received PO-VMAT, and 126 patients received initial WP-VMAT to 46.8Gy in 26 fractions using a simultaneous integrated boost technique. HRQOL was prospectively assessed before radiotherapy (baseline), and 3, 6, 12, and 24months after treatment using the Expanded Prostate Cancer Index Composite (EPIC).ResultsBaseline HRQOL scores did not differ significantly between the two groups. No significant between-group differences in HRQOL change from baseline were observed for all bowel and urinary EPIC domains. The proportion of patients showing a clinically relevant decrease in bowel and urinary HRQOL scores from baseline was similar between the groups throughout the follow-up period. An analysis of individual HRQOL items showed that patients undergoing WP-VMAT were more likely to report moderate/big problems with bloody stools (P=.039) and overall bowel problems (P=.008) than those undergoing PO-VMAT at 12months. However, there was no significant between-group difference in any individual items at 24months.ConclusionsBowel and urinary HRQOL is largely similar for patients receiving PO-VMAT and WP-VMAT during 24months of follow-up, with the only differences seen in responses to specific bowel HRQOL items at 12months. http://ift.tt/2zepFid

[noviceaoiryusei]

「 WINK UP 2019.01 」 KUSAMA, ASADA, IMAE, SUEZAWA, HAYASHI, KOJA INTERVIEW

Flower Petal

6 people having a relaxing photoshoot. The interview theme is "I miss ______".

Junya

♡ I miss snowboarding

Because I can only go snowboading for a few times in a year, I miss it. Last year, I went with (Mukai) Koji-kun. This year, we had a talk with everyone but somehow, it doesn't fit everyone's schedule. (Kiriyama) Akito-kun held a barbecue (party) before but now, no one could participate so there's no gathering. We haven't done it for 4 years since Johnny's WEST-san debuted. Everyone wants to do something and you can do it if you do it now. Because of these 6 persons, I'm doing enjoyable things. Me and everyone in Kansai Juniors wants to party! To the eldest (Muro) Ryuta-kun and Matori-kun, please take care of us. (laughs) And also, I miss Ohkura (Tadayoshi)-kun. When I saw him at UmeGei (Umeda Arts Theater) I said that "you are my admired senior!" directly (to him), I'm really happy.

Seiya

♡ I miss travelling

I want to go to France or perhaps in Italy. But I don't think that I can go there this year. I'm thankful that I'm busy this winter. Since last year, I'm having lessons for "Skellig" which will occur this year so, I plan to spend it in Tokyo. (He is referring to the winter season.) I will surely miss my hometown, Hyogo. Last winter, we have "Dogfight", I went to rehearsals seeing beautiful illuminations and it also goes the same this year too. (laughs) Also, I miss Yara-kun. I told him that "I will contact you when I came to Tokyo!" because I thought that we should go out for a meal during rehearsals. And also, I'll absolutely miss (my) tiny poodle, sena-kun. Our family is madly in love with him. It has been a year and a half but it's still cute. I'm in Tokyo and it's impossible to meet even just for a while. He's absolutely cute, I really want to bring him along. (laughs)

Matori

♡ I miss the time

Firstly, I miss the time. I did lots of choreographies during UmeGei, because I had worked a lot, I thought that my experiences had increased. I want to deliver better things at Shochiku-za! But I think, I don't have much time... I miss it, I simply just want time. (laughs) Also, I miss New York, (because) I went there last year. There are lots of studios around the world that I want to visit, I got really excited when I went there. I'm studying because I really want to go there again. Also, for the choreography, I wish I could just assign one song per member to dance. It's cool when you dance it, "I want the kids to dance this!" or so, I thought. It's really funny, isn't it? In "~X'mas Party!!", I will show you something different from UmeGei!

Nairu

♡ I miss Ganban'yoku

There are lots of things but the first is Ganban'yoku. I miss it because I want to go but somehow I can't go. The other one is the stage. There's Shochiku-za, New Year concert at Osaka Jo-Hall, it's nice to appear in various ways. Because I have a desire to do directing someday, I have been thinking about the stage everyday. In that sense, I miss all the concerts. And then, I want to go to a clothing store which I can't remove as my hobby. I don't have a time now so, I miss it. Also, I miss my favorite person, (Domoto) Tsuyoshi-kun! I wanted to go to "Kogiri~" but, I can't go because of work. When I said that there will be additional performances for UmeGei, he said "that's awesome!", I was honored. I got 2 t-shirts from Tsuyoshi-kun, I think I'll wear it here sometimes.

Daichi

♡ I miss (my) high school days

Although my favorite singer is singing high school days songs while listening to that song, I wish I could be in high school. (Sorry, I found this part confusing. orz) Because I was busy with activities in Johnny's, I heard that song and I want to play it with everyone, I miss it whenever I remember those times. Also, I miss ramen. The manager of a famous ramen shop in Hyogo had already retired and the ramen that the manager has made, I can't eat it anymore. When I ate that ramen for the first time, I got really impressed. Because he had an apprentice, I went to eat at his apprentice's shop. As expected, the taste is not the same.I want to eat the retired manager's ramen, I think that I miss it.

Richard

♡ I miss the stageBasically, I miss it when it ends, (the) Shochiku-za, even UmeGei, and even "~DISCOTHEQUE". Especially (in) Shochiku-za, the performance continued for about a month. Although I got used to live with everyone, and then "it ends today" and suddenly gets lonely. (laughs) (sorry, I'm confused on how to construct the sentence.) Also, I miss the winter clothes. I don't want to put out my arms because it's thin. I love the season's clothes, now. There are various kinds that you can wear, you can wear turtleneck or a Chester coat. I like seeing the socks (that you wear) on the bottom. And now, I also miss the saxophone. I can only practice it during rehearsals, I suddenly want to cry. Staff-san said, "you can keep practicing for a while". I thought that it would be good place to show it at Shochiku-za. Also, during UmeGei, I stayed beside Suezawa. He's in Tokyo now so, I miss that, I'm feeling a little uneasy. (laughs)