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vanityangel · 2 months ago

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"Jacob Fatu is what WWE always wanted Solo Sikoa to be." The same 5 songs. The same 5 songs. Wrestling fans, they play the same 5 fucking songs. Anyway, this is my incredibly long-winded rant about wrestling fans and Solo Sikoa's character.

To me, I think if Solo Sikoa was presented just like Jacob Fatu is now it would make zero fucking sense to his character. Even, or especially, to the parts they haven't really touched on much yet. Jacob is immediately presented to us as cold, emotionless (except like. anger.), a monster incapable of morals. He tears apart whatever stands before him without thought, just destruction in its purest form. As though this is just who he is and how he always has been. Solo wasn't always completely cold and merciless, not in NXT and not when he first joined The Bloodline. He was very closed off, but he was still human. There was still warmth to him. He still gave respect to his peers who he felt earned it, laughed and joked, he made friends or at least allies he was willing to trust enough to team up with. Solo wasn't a lost soul. He slowly became more "emotionless" in time after joining The Bloodline. The more he was left alone around Roman. And big notable moment of shift in his demeanor is when Sami left. Even when Jey at the time HATED Sami and Roman was still demanding him to prove his trust, Solo took to this weird little guy anyway. They became an odd couple pair. If Solo was always presented like Jacob, his progression into becoming so frustrated at Roman that he started to raise his voice and yell at him would have been nothing worth noting. Solo was quiet, Solo was calm. Solo operated like a machine; he took orders with seeming no regard to his own feelings on the matter and thus no expected pushback. Jacob is so like a ticking timebomb with everyone always on edge when he will explode. So chaotic and dangerous that even when he displays undying loyalty people expect him to pushback at any order at any given moment. Unhinged and unable to be leashed. Jacob is reactive. Solo was not. As Roman's enforcer, if Solo ever did seem to have his own opinion on something, he would look thoughtful and considering but kept it to himself. He has started off more vocal in the beginning, carrying into when he joined The Bloodline, but over time he retreated into a shell. He said nothing more than what was needed to be said. Despite being a family outcast Solo was brought to the main roster by the Elders orders, then acknowledged Roman without hesitation. Even when he propped himself as Tribal Chief he stated he would acknowledge Roman as the rightful Chief if he were to take the Ula Fala back, as if Roman had to earn it. Though where Solo's loyalty lies is always unclear, a loyalty no one can return in kind to him, he still seems to have his own idea of being loyal and earned respect. A system he believes. And Solo still has a vulnerability to him, one he even weaponizes. For Jacob's very debut Solo fell to the ground, pleading, eyes wide and doe-like enough to create pause before breaking into a maniacal laughter. Even talking about how the streets hardened him in his early NXT promos he had a vulnerability. A "hurt people hurt people" type who still seemed stung at being left behind and going forward is trying to prove his worth, that he does have value, to the very people who discarded him. He can bring gold to the family, he can keep them at the top no matter the sacrifice. What's best for the family above self. Jacob is unpredictable because no one knows what will set him off. Solo is unpredictable because no one knows which face is sincere. Solo and Jacob are not interchangeable.

#hello i am solo sikoa's defense attorney #i wanted to say a lot more but tumblr keeps refusing to save my drafts so i think its telling me to shut up lmao #and my brain always becomes too cluttered and disorganized with all my stray thoughts and im too lazy to detangle them and give up #so this will do for now ill just make gifsets of moments and do my tags that read like an essay lmao #i started this in january and had to erase some parts i half typed and forgot where i was going do you see how i am #and even if the company regards solo like hes fucking interchangeable with jacob hes still not #jokes on you ive been watching jacob (and zilla) matches way before jacob joined wwe and guess what i still prefer solo more #so make him some new merch shirts you bums #also wwe maybe if you didnt bring him up to the roster just to have him stand and be quiet for so damn long #and that time people were kinda sick of roman bc 'whats the point of him with the belt if hes never here' and then he went awol #and it was just solo and jimmy and they kept doing the same schtick every night so all that heat went to them #and then jimmy was out and it was just solo #and he alone became the sponge for all that mess #he deserves his praise for that alone what a shit situation that heaped onto him there #i need to shut up im in chatterbox mode and i wont stop #@ wwe you dont give a shit about his character hire me to write #i have always come up with multiple direction you could take him down i could give you bums so many options to work with

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kangaracha · 1 year ago

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CATSKIN for @feelbokkie

prompt felix + twisted fairytale (catskin)

TW for blood, minor character death, mentions of sexual assault, medieval type violence

word count 4444

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When first you meet, it is like two stars colliding - like the sun and the moon dancing around each other in the sky, and love at first sight is a dream for foolish, insipid children and you know that to be true, but...

Maybe in this moment, you forget. Maybe you see his face, warm against the cold ice of the cape that falls over his shoulder, or maybe you watch the soft curve of his mouth as he laughs at something his brother says, standing so subtly apart from the crowd that no one notices they are there. Maybe your eyes meet across the room, sun-warmed brown to striking blue, and time stills and the dance stops and your heart thinks that here and now, nothing else could matter but the taste of his name on your tongue and knowing what his hand would feel like in yours.

But this isn't real. The ballroom is crowded, and he is a familiar face you have never met, and you are a stranger with the moon draped over your shoulders for the night. The band strikes up a dance, a lively rhythm that swings fast and slow, and you are swept into the rush of the current, your feet moving in a pattern that they know from heart. Your hands are still stained with coal; you take every suitor's hand palm-down, hiding the black stains that won't quite scrub from already-dark skin, and you waltz without meaning until pale, slender fingers take yours and hold them tight, tugging you from the dance before you can be passed on to the next partner in line.

"Wha-" you begin, and then you look up into the eyes you've dreamed of for days and months and years and forget what you were going to say at all.

"Sorry," he says, and drops your hand with all the haste you'd expect someone like him to once he looked close enough to see the lie shivering beneath your skin. "I just wanted to know your name, before I lost you in the crowd."

Love at first sight is a story mothers tell to put their children to sleep at night, and you have lost all your senses because in that moment, your mouth opens as if to answer him.

"There you are," a voice says behind you, too sweet to be any you know; and an arm loops through yours, and here is Hyunjin suddenly, jewels dripping from his brow and a fire burning in the back of his eye where only you know what it is for. "It's so like you to wander off. Come on; our friends are looking for us."

"Before you go-" says the mouth you'd seen laughing from across the hall, the prince it belongs to reaching out a hand - but you are already gone sliding away through the crowd that fills his ballroom from wall to wall with more dazzling finery than you've ever seen in your life.

"That was close," Hyunjin breathes in your ear, and there is the voice that you recognise, liquid fire and undertones of dark shadow. "You're supposed to avoid him, you know."

"I know," you mutter and allow yourself to be swept away, all thoughts of love and the sun and the electric feeling that had jumped from his hand to yours swept to the side.

II.

The king likes the ballroom to be full and the people to be colourful, and he likes the crowd to be lively.

The wine flows freely for the last day of the summer, the lords and ladies stripped of their cautious humours and careful tongues. Their laughter is raucous as you slip out into the garden, the sun pulled over your shoulders in lengths of fine silk that cut away the cold wind that bites at your exposed skin. Already, the trees have begun to turn and the grass is wet with the season's rain; you stand in the centre of an autumn scene and watch the leaves flutter and fall, the light of the lanterns glittering from your skirts and the swirl of beading across your breast, woven from the finest gold.

"It's you," says the man beneath the tree; and when he steps out into the light, dressed again in pure white, you forget to pretend that you hadn't seen him, or that you'd simply come out here to breathe in air that wasn't stifled by the laughs of a thousand other people. "I was looking for you, you know."

"Were you?" you ask with the curve of a smile, your tongue loosened by the quiet of the cooling night and the seclusion of the garden. "Or could you just not find someone to dance with?"

You'd seen him earlier, standing at the edge of that floor. Gently turning away the hands of countless maidens in gowns that dripped in jewels under the guise of speaking to his brothers, searching the crowd with his eyes at every moment he thought that eyes weren't watching him. The guilty smile that plays on his face says that he knows exactly what you are thinking of; the step that he takes within your reach says that he isn't going to hide it. "Maybe I was waiting for the right person," he says, and then his cheeks turn pink in embarrassment, his eyes sliding momentarily away from yours.

"You'll waste your entire night if you think like that," you tell him lightly, and then you glance over your shoulder at the doors to the ballroom - to give him a moment to himself, you tell yourself, and pretend that it wasn't because you thought you felt the creep of Hyunjin's watchful gaze over the back of your neck. There is no one at the door though, no one watching through the backs that are turned to the glass. Only he can see you here, the sun standing in the middle of the night's darkness.

"I never got to ask your name the last time I saw you," he says; and with a start that jolts up your spine like electricity, you turn back to him.

"I never got to ask yours either," you say, in lieu of the answer that you cannot give him. Never mind the danger of him recognising you too closely after this night - if he mentioned to Hyunjin the name of a girl he'd met in the garden, if Hyunjin knew what you were doing between the tasks you'd been given...

"Everyone knows mine," he scoffs; not because he thinks so highly of himself, but in the reluctant acceptance of someone who had never known a moment of privacy. "You can't have come to the woodlands knowing so little."

"And what if I didn't?" you question, playing along on this string of a conversation rather than letting him turn it back around to the question he'd really tried to ask. "What if I'd simply come here to enjoy the night, and seen a man across the room that I thought I'd like to know?"

His smile grows wider, his eyes softening. You like the way that smile looks on him. "Then I'd tell you my name is Felix," he tells you. "And I'd probably ask you to dance before we met like this, out here in the garden where no one is looking. And it probably wouldn't be such a scandal if we were seen either."

"That doesn't sound like as much fun though," you say. "Isn't it much more interesting to meet like this, than to have it all planned out?"

"Are you someone that likes trouble?" he asks, head tilted to the side in question; and the words seem cautious, probing, but he draws in closer again anyway, enough that his hand can brush yours in the folds of your dress.

"Maybe I am," you tease, your heart fluttering and jumping around in your chest like a nervous rabbit. "Aren't you?"

"I think I could be," he says, and his hand brushing your chin is followed by his lips brushing yours; and it is only a question, a stepping across boundaries that promises to rescind immediately if you push him away, but love at first sight is a dream and you think maybe, in another life, you might have been a terribly indulgent dreamer.

You kiss him with all the certainty that had driven you to this point, this garden and this night and this man, and his lips are soft and he smiles too much, and his hands are hesitant to wander, but you've already tried hot, heady passion and men who take what they want. Soft is new, and questioning sends a shiver down your spine, and you think this is a better man.

And then you stop because you remember, but you play it off as the toll of the bell startling you from a daydream. "I have to go," you say, which is true, and then, "I hope you find someone to dance with tonight," which is not.

"Will I see you again?" he asks; and it's notable, you think, that he doesn't reach out of try to stop you. That he accepts on face value that you are telling the truth and that, even though his eyes say they want you to stay, his mouth would be rude to ask.

"Maybe," you say, the word drawn out like honey dripping long and slow from your tongue. "If you have another ball."

He laughs, his eyes squeezing closed with the pain of it. When they open again, you make sure you are gone from his sight.

You're pretty sure you dropped something like your heart there in the courtyard, but you don't dare to go and get it back. Not yet.

III.

You're cutting through fine hallways of tapestry and stone from the garden, your basket filled with vegetables and your face streaked in dirt. You aren't supposed to be here - a scullery maid shhould be in the dark spaces between the walls, scurrying up and down steep and spiralling stairs, but you're late and the cook is a stone-faced woman with a tongue made for lashing, and you hadn't thought-

The prince stops to look at you, confusion furrowing in his brow as he stares at your face. Recognition; except that today you are hiding under the brown of the dirt and the mantle of wild fur, cobbled together from the backs of many animals but none so fine as te ermine that lines his coat.

Your heart sinks even as it pounds in alarm at the thought of him finding out what you are and where you've come from. It is a disaster if it happens, surely, but at the same time - maybe you'd tricked yourself into thinking that he remembered you the same way you did him. Or maybe he had tricked you, with the way he'd so quietly given you his name in the garden, the earnesty with which he'd nearly asked you to stay.

"Your highness?" Hyunjin asks at his shoulder, dressed all in his own princely regalia, and Felix turns away. And for a moment you hate Hyunjin, as you slip to the side of the hall where your feet should be, out of the way; because how could he be so beautiful, and so detached and so true to his beliefs that he could play the prince, and you are so suited to fur and treachery that you stand here a maid?

"Sorry," Felix says, to Hyunjin and not to you, and pretends to move on. You can see his eyes flick back again as he leaves though, trying one last time to see past the furs and the dirt, to place where he has seen you before.

You can see Hyunjin's too, piercing when they look directly at you. Warning, that you are overcomplicating things. That this is all about to be a mess, and you are no longer prepared for it.

Your ire rises again. You know what has to happen, and what he will do to facilitate it, and you know your own roll. You know it all has to end. Who is he, to think you can't carry through on a promise? Who is he to doubt you?

IV.

The final coat is made of feathers plucked from the birds of the sea cliffs, tawny brown and ochre and cream. Hidden in the tunnels of the castle, Hyunjin tucks a sprig of samphire into the curl of your hair, picked from the edge of the world before you had left and wrapped carefully in paper made for preserving these kinds of things. A piece of home, brushing up against your ear every time you turn; a signal to those that you have let in the back door that you are a friend, in case you are caught in the havoc.

"What happened to your hands?" he asks as he steps back to look at you, his own lifting your wrists so that he can see the black marks on your fingers.

"There was grease on the gate lock, to stop it sticking," you reply. "It doesn't wash off like blood does."

He drops your hands just as fast as he'd picked them up, his eyes scanning the feathers again. As if it was this coat that you'd worn when you'd taken a knife to the man at the gate, as if he would find evidence of the blood on your hands smeared across the vanes if he only turns you this way and that. Silly of him, really - the edge of the fur coat was the one that bared the stains. The fur was made for the work of the hands. The feathers were only sent as a signal, a draw of the eyes, dropping in the path of your feet as you walk towards the ballroom.

"Stay away from the prince," Hyunjin warns you, his attention turning in the direction of his own path to the party. "He's looking for a particular girl that he saw last time. He'll have eyes everywhere."

"Not on the ground though," you answer, shaking out the coat and watching a feather of mottled brown drift to the floor. You ignore the way that your stomach dips at the mention of a girl. You neglect to mention that the girl he's looking for might be you, and the rouge brushed across your cheeks and the glitter of gold on your eyelids will only draw his eyes.

You should have worn the dirt and hidden in the shadows, but that's not how they had prophesised it. The witches had whispered of a feather coat and a dress made of the sun and a moonlight shawl, and you'd been the one foolish enough to wear them, and no one in those rooms had been able to resist the magic of them, least of all the prince.

"Time to go," Hyunjin says as the bell tolls seven, and with one last look between you, you turn your seperate ways.

You don't know where his heart resides, but you know that yours is in your throat. You hope that he survives the night. You hope that whatever he came here for is worth what it is going to cost.

At the moment the ballroom bursts open, the black soldiers streaming in from every entrance, you are looking at the prince.

You hadn't meant to. You had taken Hyunjin's advice, as much as it grated at you to do it, and you had avoided him, skirting around the edges of the room while he searched in all the wrong places for you, dropping your feathers where the feathers wanted to fall and hiding in crowds of garish colour that sniffed and sneered at your coat of soft brown; but even though you don't wear the sun or the moon, you still orbit around him and him around you when you are in this room, and to stay away from him was-

Impossible, in the moment when you turn and there he is, right on your tail like the hunters following the birds to their nests in the cliffs, willing to jump from the rocks just to collect the eggs that might hide below. Except that he wasn't here to steal from you, or to catch you in his hands and tame you - he only thinks that you are beautiful, or that he could love you if only you gave him a chance.

And then the feathers ruffle and shift in the breeze, and the doors open, and the room fills with the men of the sea, axes and knives glinting in their hands and white teeth snarling within their faces.

Eerie silence falls as the room stutters to a halt, the shiny, red-faced aristocrats turning to stare at the army that have entered their sanctuary. The first one falls by the main entrance, his wine arcing through the air as he tumbles to the ground under the sharp blade of an axe; and then they scream, and they move in every direction, and in the maelstrom of silk and chiffon and eyes of horror you lose sight of the prince.

Slipping across the room is like fighting upstream against a raging river, ducking between bodies and around blades that don't have time to see the samphire behind your ear. You fade away into the one hallway you hadn't marked with a feather, disappearing into the black of the walls and the twisting tunnel down to the kitchens where just moments ago maids had scurried out to deliver the feast, and your heart breaks at the red-suited body that tumbles in on your heels, the eyes of a man in armour of beaten iron that take in your feathers and your face and turn away, back to the bloodbath, but you can't go back. You can't save him.

And then a gutteral cry echoes down the tunnel, and a body blocks the light that flickers from its entrance, and there he is, your prince. His eyes are scared and his mouth open as he gasps for breath, the little knife he'd used on your countryman held in a white-knuckle grip in front of him as if he thinks he might need it again at any time. Blood splatters the front of his snow-white coat, tarnishing the pearls and sinking into every fibre of the cotton and wool that holds it together.

"It's you," he gasps between breaths, the words reverberating from the stone walls. "I found you."

"You-" you begin to say, but the words are lost in the storm of thoughts that cloud your mind, the race of scenarios that you can imagine coming from this unfateful meeting, this turn in the story that was never anticipated. Every step has been told to you up until now - the coats, and the feathers, and the rush of men into the ballroom that leads to the fall of a kingdom - but no one said a word about this. About him, the prince, the hands that now cup your heart to their chest, and the knives at his back as he stands there, just one step shallow of safety.

You think too much about what has happened and what could happen next, but you don't think at all when you reach out and grab him, dragging him down the tunnel and into the darkness, where only sporadic lanterns burn to guide the way. Around this corner and then that, down a staircase so steep that countless girls have broken their necks tripping on its uneven stones, into the warmth and light of the kitchen, where the smell of the pig roasting over the fire fills the air and the stack of pots waiting for you to wash them later in the night teeters towards the ceiling, stacked in one corner by several pairs of careless hands.

No one is here. They'd timed it deliberately for the arrival of the feast, when the attendants of the ball would all reconvene from the corners of the palace to the ballroom to fill their already ample stomachs. Incidentally, this meant that the kitchen staff were all in attendance too, arranging dishes under the watchful eye of the cook, which meant that when you tried to hide a prince in the kitchen-

"Wait," he says, dragging back against your hold on his arm. "Wait, I know a way out of the castle. I can take you where it's-"

"No," you cut across him before he can finish, and you tug at him again, dragging him step by step towards the maid's quarters. "They're in the hidden tunnels too. There's no way out."

He's so surprised that he forgets to resist you, his body going slack with his jaw and his feet following you across the room. "How do you know that?" he asks.

You don't dare to look back at him as you enter the room you share with the other girls, as you open the little chest-of-drawers that holds everything you brought with you (but not everything you own) and you pull out the clothes you wear day-to-day - grey trousers and a cream shirt slowly staining brown, and the coat of a thousand furs, its edges stained with fresh blood. "Put these on," you order him, shoving them into his arms without looking him in the eye, and then you turn your back.

"I wouldn't punish you for pretending to be from the court," he says to your back as he changes, the white jacket thrown to the dusty floor and then his shirt and breeches. "Or for knowing whatever you know. You saved my life." His boots are too nice to be a servant's, but yours won't fit him; you reach for Alice's old pair while he is busy, set neatly at the foot of her bed, and hand them to him when he is done, picking up the clothes he has discarded instead.

You saved my life too, you should say of the man he had killed, to keep up the illusion, but the lie seems wan in the face of the truth you are going to have to admit to him by the end of the night. You stalk past him instead, headed to the fire with the truth and the lies still sitting sour on your tongue.

The shirt and pants burn easily, the leather of the boots slow to sink between the logs that fuel the flame. You hesitate a moment before throwing the coat in after them, eyeing its precious pearls and hand-woven patterns of leaves and swirls. A silver brooch pinned to the lapel catches your eye; your thumb runs over it, feeling the careful details its maker has pressed together and the chips of diamond that embed its surface.

"That was my mother's," Felix says behind you, a certain grief hidden in the stiffness of his voice. "But you can burn it if you have to."

"I don't have to," you reply, and you work it free of the fabric with delicate and practised fingers. The coat feeds the flame; the brooch pins onto your dress, just above your heart.

"Pretend to be a servant," you say as you turn to look at him. Your hands reach out to fix his coat, to smear the soot from the fireplace into his golden curls and down his cheeks. "I can't keep you alive if you're a prince, but if you're just a boy from the kitchens-"

His hands catch yours as they slip from his face, the ash that clings to your skin staining his as he grips them tight. "Who are you?" he questions. "What have you done?"

Tight-lipped, ashen-faced, you look up into his eyes - pale blue to forest brown, liar to honest truth. "I'm the feathercoat," you say, as if he will understand the words of a fable that people only whisper over the sea cliffs and the raging storms of the ocean. "I'm the one that brings the woodlands to their knees. I'm-"

Your voice chokes in your throat, your fingers growing numb from the force of his grip on your hands. There's a knife still tucked into his waistband - there's a knife behind him, stuck by its tip into the surface of the cutting board. You only have your feathers, and the excuses that stack up in the back of your throat; that the witches told us it would be so, or your land is the only gift my father will accept in place of a marriage to that man, or haven't you seen the way your father encroaches on our cliffs? Haven't you seen the way your farms destroy our hills and valleys and pollute our river? But those are all reasons that blame someone else, and you are the one that stands here, and the grease from the gate stains your fingers, not theirs-

"I loved you," he says, and he lets go of you like he has been burned. "I saw you across the room, and I thought no one could be so beautiful, and you can't even tell me the truth when-"

A shout echoes down the hall you'd escaped from, the rattle of armour and the thunder of heavy boots against the floor. "Wait," you say to him, a hand suspended in the air between you. You're afraid to touch him, when he could reach for that knife - when he deserves to see your blood run, for what you have done - but you can't let him run to his death all the same. "Wait until we live, and then I'll tell you, and then you can kill me. But wait. Take my hand and wait."

He hesitates, his eyes wary like he doesn't believe you, but the man on the stairs shouts again, calling for someone to follow him, and the fear shoots right into his heart and his hand slides into yours, his pulse fast but his fingers cold.

"I don't want to kill you," he says, like a promise you can't believe he will keep. "Just keep me alive, and when the sun comes up, tell me everything. Please. I don't have any reason to kill you if everyone here is already dead."

"I will," you reply, and this is a promise that will be kept, whether or not he reaches for the knife when the light of the dawn comes. "I love you too, you know. I didn't mean to hurt you."

And yet, you have. And yet, the guilt and the feathers eat you alive.

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PERMANANT TAGLIST

@amyyscorner @kokinu09 @rainfallingfromthesky @keepswingin @rylea08 @puppysmileseungmin @thatonedemigodfromseoul

#stray kids #roo writes #skz #felix #lee felix #yongbok #lee yongbok #lee felix yongbok #felix imagines #felix drabbles #felix drabble #reader x felix #felix imagine #felix x reader #felix reaction #felix reactions #lee felix imagine #lee felix reactions #lee felix imagines #lee felix x reader #written for feelbokkie and tagged with her tags because i'm way too lazy to figure it out myself #anyway #hello rain and keeps #i ahem. ahem. definitely didn't write 4k in a day on #something random #again #i did finish it though so if i could just remind you that keeps has 10 unfinished projects #double anyway here i am again with a fantasy au oneshot with way too much backstory #rain literally yesterday 'not everything has to have a whole plot' me today 'okay but it's this because of this and i don't have time to go #into this but it's this'

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