#Holdypaws

[gayocats]

barley holdypaws

[karamazovian-mess]

her: you better not be deerhoof album holdypaws when i get there

my experimentalist ass:

[rollingstonemag]

Un nouvel article a été publié sur https://www.rollingstone.fr/deerhoof-25-ans-ressort-ses-trois-premiers-albums/

Pour ses 25 ans, Deerhoof ressort ses trois premiers albums

Pour la première fois, le groupe Deerhoof va sortir les albums qui ont marqué les débuts de sa carrière en vinyles

25 ans, déjà, que le groupe de rock indé Deerhoof, tout droit venu de San Francisco et maître en la matière de Do It Yourself, existe. 25 années de musique déstructurée mais régulière, enlacée entre la scène underground – plus précisément, le noise rock – et la douceur d’une pop expérimentale. Le dernier album de la formation, Mountain Moves, est sorti en 2017. Pour célébrer l’occasion de son 25ème anniversaire, Deerhoof offre à ses fans ses trois  premiers albums, pour la première fois édités en vinyles (en collaboration avec les labels correspondants de l’époque). Les disques The Man, the King, the Girl (via Polyvinyl) sorti en 1997, Holdypaws (via Kill Rock Stars), sorti en 1999 et Halfbird (via Joyful Noise) de l’année 2001 seront enfin disponibles en vinyle dès le 22 novembre prochain.

« Je pense que ces trois albums sont les plus crus et véridiques de la carrière de Deerhoof », a déclaré Satomi Matsuzaki dans un communiqué. « Nous avions tous ces fantasmes sur ce que nous voulions faire musicalement et nous avions du mal à les réaliser. Mais j’ai l’impression que les étiquettes et les gens avec qui nous avons travaillé croyaient en notre étrange fantasme. Je crois toujours à ce rêve et même après 25 ans, j’aime toujours autant ces albums. J’espère que les gens apprécieront aussi. »

View this post on Instagram

🎂 HAPPY 25 YEARS OF @deerhoof! We’re honored to present reissues of the band’s earliest albums in conjunction with @killrockstarsofficial and @JoyfulNoiseRecs. Pre-orders are now live for ‘The Man, the King, the Girl,’ ‘Holdypaws,’ & ‘Halfbird,’ all of which are all available on insanely rad vinyl for the first time. Scoop it up at the link in our bio. 🙏 We ♥️ DEERHOOF!

A post shared by Polyvinyl Record Co. (@polyvinylrecords) on Oct 15, 2019 at 8:10am PDT

Retrouvez toutes les informations sur le groupe via les réseaux sociaux.

[theevilshoesalesman]

over and over and over

meow meow meow meow 

meow meow meow meow

[beatdisc]

Some essential new compilations & re-issues through the store this week: The Victims - s/t (seminal Perth punk band circa '78, new 2019 compilation on @intheredrecords) Turbonegro - Apocalypse Dudes + Ass Cobra (colour vinyl) Thee Oh Sees - Sucks Blood + Dog Poison (@castlefacerecs) Ryo Fukui - Scenery + Mellow Dream (half-speed audiophile remasters) Deerhoof - Holdypaws (1st time on vinyl, colour) The Chats - Get This In Ya + s/t (@burgerrecords4life) . #thevictims #ozpunk #perthpunk @turbonegrohq #turbonegro @seesohthee #theeohsees #ryofukui @deerhoof #deerhoof @thechatslovebeer #thechats (at Beatdisc Records) https://www.instagram.com/p/B5ebkqJgSO1/?igshid=1h1dg9ip7j489

[scenepointblank]

The first three Deerhoof albums are being reissued in honor of the band's 25th anniversary. Originally on CD, Holdypaws (Kill Rock Stars), The Man, the King, the Girl (Polyvinvyl Record Co.), and Halfbird (Joyful Noise Recordings) will be released for the first time on vinyl. Preorders ro Holdypaws are available now (releasing officially on Nov. 22. via Scene Point Blank music news feed

[tinymixtapes]

Deerhoof celebrate 25 years, announce first ever vinyl reissues of their first three albums

Lost but not forgotten; even Deerhoof reportedly acknowledge and accept 2002’s Reveille as a de facto(ish) beginning of the band, since that release was their “big break” in terms of hype propagated by record store clerks, radio stations, and early stage bloggers navigating their first GeoCities web page. But certainly, if we’re going to be technical about it, Deerhoof started several years before then, as Greg Saunier and Rob Fisk officially assumed the moniker in 1994, and Satomi Matsuzaki became admirably sidetracked from her film degree studies in order to record and tour internationally. Contributions from Kelly Goode also happened around this time, and before Reveille happened, three albums served as rambunctious precursors to a famously rambunctious discography. Maybe it’s time that listeners and critics give some credit to the very early days? Here’s a new opportunity to do so: three labels associated with Deerhoof over the years (Polyvinyl, Kill Rock Stars, and Joyful Noise) are reissuing, respectively, The Man, The King, The Girl, Holdypaws, and Halfbird on vinyl for the first time. The release date for all three is November 22, and pre-orders for the individuals releases + three-album bundles are open now via the individual label web stores. I’d recommend the bundle just to hear the obvious honing of the Deerhoof sound! Here’s a comment from Matsuzaki on the releases: I think these three albums are Deerhoof’s most raw and real. We had all these fantasies about what we wanted to do musically and we were struggling to meet them. But I feel like the labels and people we worked with believed in our weird fantasy. I still believe in that fantasy and after 25 years I still like these albums. I hope people will enjoy too. Stream some tracks from each down below for a preview: The Man, The King, The Girl by Deerhoof Holdypaws (Remastered) by Deerhoof Halfbird (2019) by Deerhoof http://j.mp/35KGpuD

[idontthinkitwillhurtifyousmile]

buy holdypaws

[reinventingthecuil]

Deerhoof - The Moose's Daughter Deerhoof at their sludgiest

[ambulanceinertia]

Deerhoof - "Magic Star" | Holdypaws

[theevilshoesalesman]

I took one look at my 

crazy