#I could add to this FOREVER

[cuntylestat]

i saw the tags on this post i made and i find this super interesting because i don't think the problem was actually that he just doesn't have enough light - it's a hindrance for street photography, sure, but a tripod and a shutter cable could solve that and you can take creative approaches to street photography to outweigh the lack of light. you can also shoot in well lit interiors, you can use faster lenses, faster film, etc. you could even pivot to a different type of photography. of course, as technology advances, this would become less of a problem and light is important in photography, but that's solvable. people have made and continue to make great photography in the dark. the pictures that turn out to not be taken by louis are mostly taken at night or inside.

partly, it's down to louis. as dreamstat says, louis is impatient and doesn't take the proper care, e.g. by cleaning his lens, framing his shot with care, taking enough film, or sticking around to try out different compositions in different conditions.

but this is something that he could train himself to do. the real problem (as the dealer points out) is that the compositions do not say much. louis doesn't have "the eye." the photograph they discuss is not good because it was shot in daylight, it's because it tells a story, there is depth to the image, the subjects are framed in a way that it lets you interpret the meaning. it's human.

however, it also goes deeper than that. louis cannot connect with humans to properly picture them or tell their stories because he's a vampire, and therefore there is no relationship that goes beyond predator and prey anymore. he is separated from humanity at this point, even if he doesn't want to realize it. he cannot (and does not) want to stick around to get to know humans, make a connection with them. he finds the idea of doing that preposterous and impossible - they're sustenance and not interesting enough for him to actually invest time and interest in them. i think he likes to think that he is interested in humanity, and that's why he tries to capture them on film, but really, the gap between him and them is too big at this point.

and then there's this excellent point that @feedingicetothedog made in this post. vampires are mimics but they cannot create. louis can recognize the story when it's in front of him in form of a picture, but he cannot recreate it in his own photography because he's no longer human.

so i don't think that, no matter the technology, louis will ever be the type of photographer he wants to be, the one that captures people and human life, its essence and its complexities and its emotions. he's not capable of that anymore because he's a vampire.

[landedinpayne]

thinking about how when niko says “i know what it’s like to have something you can’t have” charles starts to turn his head towards edwin….

which could mean nothing

[omaano]

If you're still taking those polyam sketch prompts...D2 for Cody/Obi-Wan/Rex?

Obi-Wan deserves a pair of handsome space heaters for the cold Tatooine nights :3 nap piles for everyone! Thanks for asking (and for adjusting the requested pose so that I can keep drawing different poses)❤️

Polyamorous/platonic poses for sketching

[plomegranate]

i love palestinian and arab culture so much.

my grandma wearing thobes around the house and making us tamriyeh. my cousins wedding when we all wore thobes and keffiyehs and took photos downtown and we danced with someone playing the guitar on the street and this lady stopping us to tell us we all looked so beautiful. walking the graduation stage in a thobe. the girl who liked to guess arab peoples ethnicities telling me "you're wearing tatreez... do you want me to write 'palestinian' on your forehead?" the keffiyeh my brother keeps on the drivers seat of his car.

my dad sending me off to my last semester of college with 2 pomegranates and a jar of palestinian olive oil. my cousins wife coming up with new ways to make zaatar and cheese pastries. me and my grandma sitting on the floor and making waraq 3neb- my job was to separate the leaves so she could roll them easier. my mom sending me and my brother to school with eid cookies for my teachers and tasking us with delivering some to the neighbors. my aunt glaring at me and piling more food on my plate and then asking if i was still hungry (i wasnt). my mom always telling me to invite my friends and cousins over for dinner and asking me what they like to eat. my family getting my dad knafeh instead of cake for his birthday. the man who told me i made the "best fetteh in the western hemisphere".

the man in the shawarma shop who gave me my fries for free and baklava i didnt order because we spoke about being palestinian while he took my order. the person on tumblr who i bonded with because we are from the same palestinian city. the girl i met on campus who exclaimed "youre palestinian? me too!" because i was wearing my keffiyeh. the girl in my class that showed me the artwork about palestine her dad made and donated for fundraising. the couple in the grocery store who noticed my palestinian shirt and talked with me for 20 minutes and ended up being a family friend. the silly palestinian kids i tutored sighing in disappointment when i told them i was born in america because they were hoping that id have been born "somewhere cooler". my friends family who bought me dinner despite me being there by chance and having met me for the first time the day before.

the boys starting uncoordinated dabke lines in my high school's hallways. the songs about the longing and love for our land. the festivals and parties and gatherings where everything smells like shisha and oud. memories of waiting in the car for an hour as my parents talked at the doorway of their friends homes. my cousins and i showing up at each others homes with cake or fruit or games as if it was the first time we ever visited even though we always say "you dont have to".

kids stubbornly helping to clean and make tea after a meal while being told to go sit down because they are guests. the necklaces in the shape of our home countries. people hugging and laughing and acting as if theyve known each other for years because they come from the same city or know people with the same last name. the day i finally got to bully my friends into letting me pay the bill because i had a job and they were still students. my moms friend who calls us every time she's at the grocery store to see if we need something

palestinian people are so resilient and hardworking and charitable. they love their culture and their community and are so quick to share and welcome anyone in. everyday i am so thankful and proud to be part of such a warm and lovely culture

[glowsticcc]

sleepy saturday mornings

[monicaeidolith]

it's been 8 years and she's still down bad for her neighbor (who wouldn't)

and so there she is: Step 3 Athena! 🌙✨

Step 1 & Step 2 here

(Infos about Athena in every steps except 4 below if you're interested)

(watch out it's long.)

Step 1 -

At 10, Athena is a very curious girl, somewhat nosey and a bit clumsy (main reason why she often has bandages). She likes puzzles, creepy stuff and drawing (but nothing that serious about that hobby yet). While she isn't very shy, she's still uneasy around people she doesn't know and moving to a new town isn't helping. She has trouble accepting changes, and this whole situation is a way too big change.

Athena is very close to her mom during step 1. Unfortunately for her, she doesn't really look like her that much and she's kind of bothered by that, especially because the person she obviously looks like, her "dad", isn't there. Not having a dad isn't really a huge problem for her, but Athena fears a little bit people's opinion on that subject: "Is it weird that I don't have a dad...?".

She's feeling sad and scared about moving out, as she has to get used to a completely different world (in her eyes). "At least I have my mom", she thinks. But if moving in Golden Grove was scary at first, meeting Qiu and Tamarack was a huge help for Athena to feel included.

She thinks Qiu, aka "Autumn", is funny but also a huge show-off, haha. She LOVES to tease Qiu. But Athena's also genuinely worried about Qiu sometimes, because that kid is a huge people-pleaser.

When it comes to Tamarack, man... Athena totally puts this girl on a pedestal. She thinks Tamarack is amazing and pretty. And should Tamarack say anything positive about Athena, you can be certain the latter will go crazy internally. At 10, Athena doesn't realize she actually has a huge crush on Tamarack yet, though.

Step 2 -

At 14, Athena became a sort of troublemaker, she barely cares about rules. She's not mean but she grew to be more blunt and direct than she was as a 10-year-old, this and her current appearance make her seem unapproachable. However she kept her soft side, a side that she ironically doesn't even keep that much hidden but that you still have to deserve. If at 10 she would often have bandages because of her clumsiness, at 14, it's mostly because she's reckless. Some things that remained are her love for puzzles, creepy stuff and drawing, in fact, she started to get interested in visual arts.

In fact, the tough side of her personality grew when her first group friends with Qiu and Tamarack slowly fell apart. She couldn't do anything to prevent that from happening, so she felt like she had to toughen up. But to be honest, she's becoming tired of being the sole link between them, she's barely trying to now. Maybe Qiu and Tamarack won't become friends again. She has to accept it... but maybe Athena still has troubles accepting changes, no matter how old she is, after all.

Despite all that, Athena still treats both of them nicely. She still teases Qiu whenever she can (watch out Athena, the teasing could backfire on you). Her worries about them are still present too, but for different reasons than in step 1. Even 4 years later, Athena still retrieve Qiu's lost papers because they would NOT do it themselves. No matter what, Autumn remains her dear friend and the feeling is mutual.

Tamarack, aka "Tam", is her best friend! ... and the girl she has a crush on, Athena realized it now. Athena doesn't know if Tam feels the same way or not, though. Athena still thinks Tamarack is the most amazing and most talented person out there, she wishes Tam could see it too. She's highly worried about Tamarack potentially leaving Golden Grove at any moment but she tries to hide it from Tamarack. "Tam probably has enough of people walking on eggshells with her", she thinks. Athena dislikes Tamarack's parents for not only never being there for their daughter but also for making her situation so uncertain, only for their own interests (in her eyes).

Another feeling started to grow: jealousy. Athena will feel jealous of anyone who seems a bit too close to Tamarack. Does she think she's no match for Tamarack? Yes. Does that stop her from being jealous? No. She knows she has no right to be, Tamarack is a wonderful girl, it's impossible not to like her, but she can't help it.

Athena grew to be even more bothered by her lack of resemblance with her mother. Some times before turning 14, she started to dye her hair cranberry, just like her mom's hair color (let's say Opal didn't really like to see that her daughter started dyeing her hair at her young age, reaction Athena didn't appreciate, all she wanted was to look like her mom, what's the problem?). Ironically, while Athena wishes so hard to look like her mom, her relationship with her became somewhat strained. As if resembling a completely unknown guy wasn't enough. Living his best life nowhere to be found, uh? Resentment is the word here. Never towards her mom, even if their relationship is not that good at this point, but towards this guy who gave her his physical traits she never wanted and started to despise.

At least she became used to live in Golden Grove.

Step 3 -

At 18, Athena is not the rough troublemaker that she was at 14 anymore. Now she's more like a silly prankster, seemingly always up to something more stupid than before, although she remains reckless and blunt (but less on purpose and more out of habit). Of course, her interest in visual arts remained intact. Her liking for creepy stuff turned into a huge love for horror and its aesthetic.

Her relationship with her mom is getting better than it was 4 years ago. Athena grew out of the resentment she had for her "dad" during step 2 and learned to accept she may not look that much like her mom, but that it doesn't cancel the fact she's Opal's daughter no matter how she looks. Plus "some bits of [Opal] did end up in [her]" after all, right?

Athena's relationship with Autumn is what you could describe as "siblings by hearts", Athena does consider them as the sibling she never had.

Athena and Tamarack are still officially "besties for life", but little do they know that they both ended up falling in love with each other, plain and simple.

Her jealousy and resentment did tone down, but when she thinks back to her 14-year-old self, she feels bad, so bad. For being jealous of Tamarack's friends, for being resentful of a random donor and basically making many things about herself. "Man, I was such a prick. And for what?".

If when she was 14, Athena felt like she was no match for Tamarack because she put Tam on a pedestal, at 18, she now thinks she's simply not good enough as a person for Tamarack. She kind of "accepted" that if Tamarack only wants to be friends, then it's fine, she cannot force Tam to love her back. It's silly to think someone like her could be extra-special in Tam's heart anyway (girl if you knew.), it's nice enough to be her best friend.

Between step 2 and 3, Athena managed to put a label on herself: she's lesbian.

[ruporas]

only human

[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.

The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]

[sebdoeswords]

HGSN images that evoke some visceral, raw emotion deep within me

[zayne-li]

Zayne and Siming

First of all, if you’re unfamiliar with the lore of Love and Deepspace, and don’t want to be majorly spoiled for just about everything (mainly Zayne’s lore), then I suggest you skip for now until you learn more. Unless you don’t care about spoilers, then go ahead.

I think that to all of us, so far, other than Sylus(who can blame him, he’s new), Zayne is the most confusing character to the Western audience. Rafayel tells us he’s a mermaid every other sentence, and Xavier has more than a few clues pointing to the fact that he’s a time traveler from another planet and possibly immortal?

Zayne’s main thing that seems to be talked about frequently in his cards and events are more so things related to Gods, fate, and fortune telling. And for me, for a while, this didn’t make a ton of sense to me, because I felt like I didn’t really have anything super specific to compare it to, but clearly he’s not just based off of anything random, you’re meant to recognize him as some specific God of Fate/reader of fate. And then Infold released this video when they released Master of Fates, and I realized that in Chinese, the myth was called Da Siming, which is a real Chinese god. So I got to work. Welcome to my Ted Talk on why Zayne’s entire story, mainly focusing on his main story counterpart, is still Siming in modern day Linkon City. 

Disclaimer: I am no Chinese mythology expert, this is simply what I’ve learned from Google and what that video Infold released tells us.

Who is Siming?

Siming is a Chinese deity or deified functionary of that title(meaning this title can pass from person to person) who makes fine adjustments to human fate (meaning you can pray to him for things as small as a chest cold etc)

He is referred to in Chinese as almost a secretary, his job in allocating human lifespans is almost a bureaucratic one. Think a guy in an insurance office.

Siming's main duty/power is the balancing of yin and yang, specifically in regards to human health/lifespans. He has the power to either shorten or lengthen life essentially as he sees fit (as long as it doesn't fuck things up too badly).

There can be more than one Siming at a time, who take on slightly different roles. Such as Da Siming(Greater Siming) acting as a Priest of Death, and a Shao Siming(Lesser Siming) acting as a Priest of Birth (this is just an example taken from a movie)

other titles (aside from Master of Fate) include Director of Allotted Life Spans, and Director of Destinies

While the 'job' of Siming can be passed down to multiple different people, the length of time they end up serving as Siming can result in different qualifying titles being added to them. 'Da Siming' (which is the one Infold told the story of when they released Shifu in that video apparently no one watched) would be more revered. "Da" means big, or greater, meaning he held that title for a great period of time. Bitch was tenured.

The 3 deathbringers

Essentially 3 spirits who take residence in the 3 energy centers of the human body. (head, chest, abdomen. probably only the chest would be relevant to us, given that Zayne is a cardiac surgeon)

these spirits enter the human body at birth, and seek to hasten the death of their hosts. 

Siming controls the process of these deathbringers killing their hosts, he may or may not permit it. 

to regulate this process, Siming relies on reports given to him by the deathbringers, which are brought to him on specific dates. Based on what he learns he may or may not use that information (and possibly other information) to decide whether or not to shorten or lengthen that specific persons lifespan. 

This bitch is not making sweeping decisions, he's looking at every individual person.

humans are believed to have various things available to alter the judgment of Siming regarding their fates, such as interfering with the reporting process, praying to Siming or his superiors, or following treatment from a doctor to improve the yin-yang balance, and thus extend their lifespan.

Other things:

There's a story about an ancient man who finds a skull on the ground, and mourns the fact that this person never had a proper burial. He lays down on the skull and uses it as a pillow, then has a dream where the skull comes to him and tells him about the tranquility and happiness found in death. The man tells the skull that he could petition Siming to bring him back to life, and then he would be able to return to his family. The skull denies he would want that, asking rhetorically to the man, 'why would anyone in such a peaceful and happy place as death ever want to return to the suffering of living?'

Where do we see these elements pop up in Zayne’s story?

Now, we already know that at the very least Zayne’s Master of Fate myth is heavily based on this deity, and you can see some elements of Siming in Foreseer as well. Foreseer most likely takes place in the far future from Master of Fates given that he resides on Philos, and we know that Philos is the planet humanity started inhabiting only after Earth was destroyed. Philos is also where both Xavier and Sylus are from. This is no Xavier lore post, but if you know anything about his lore, you know that he’s come back in time from the future. There will be a section on Foreseer below, but for now I want to focus on why I believe Zayne is still Siming in present day Linkon City.

The story of the man and the skull immediately brought me back to the World Underneath: Snowy Stairs, where Carter is actively trying to recruit Zayne to Xander Sciences for the purpose of bringing people back from the dead.

Snowy Stairs

First, we see Carter come across (well he’s kind of stalking him actually) Zayne who is consoling a child about the death of their dog, Pilot. The child is asking him to do something to save the dog, and Zayne simply tells him that he’s already dead, while Carter pulls out a Protocore and tells the child that he can bring the dog back to life with it.  

Carter and Zayne then have a mostly one sided conversation about the morals and ethics of using Protocores to bring people and animals back to life. Carter asks Zayne if the natural law is an unshakable moral boundary, or if it’s a comfort people use. 

I see two things here: As Siming, the ability for humans to bring themselves back to life despite the natural law would be a great disruption to the balance of fate, or yin and yang, which would explain why Zayne is so against this process, even though he himself was clearly interested in it at one point for the sole and selfish reason of keeping MC from dying. It seems to me that although Zayne is Siming, MC has some sort of destined death associated with her that is outside of his jurisdiction. Possibly because he has shirked his duties in order to keep her safe in the past (shielding her with umbrellas instead of killing her like he was supposed to as the Master of Fates.)

Carter then tells Zayne of a patient who is on the verge of death and asks him to come take a look and help them at Xander Sciences. Zayne does not appear, and though they seemingly have all the tools to save the man, they still fail. Is it maybe because as Siming, Zayne truly does alone have the power to control life and death? 

Carter then shouts as Zayne gets up to leave: “Our job is to save people. If we can control life and death, why shouldn’t we?!” Which is another clear reference to the job of Siming and the delicate balance he maintains. 

Side note, something else they’re referring to in this part is possibly this procedure of bringing life back has something to do with the creation of Wanderers? Unsure.

Then, Zayne oversees a couple essentially praying to have their son back. Siming controls life and death, and may respond to prayers if he so chooses to. He doesn’t bring the man back to life, but instead cleans the body so that the parents may properly say goodbye to their son. 

In this anecdote what we learn is that Zayne alone is seen as capable of controlling life and death, and it is implied that in whatever research he did on this subject, he found a solution. One that he rejects, possibly because it is a process that can and will result in creating Abominations, as seen in the Dawnbreaker anecdote. Wanderers/Abominations may be like the undead, resulting in these people not finding the proper peace in death. 

Other main story things

Mainly what I’m seeing in main story/event stories is that we are talking about Siming a lot with our present day Zayne, in terms of Gods of fate, and etc(Spceifically I’m thinking about the silk balls event, where that was the main focus of the conversation with him).

Foreseer/Master of Fates

Like I said, I don’t want to go into too much detail on Foreseer, but the fact that he has the power to see into Fate, and has superiors (Astra) tells me that he at least has some of the same powers as he did when he was the Master of Fates. Master of Fates seems to be a more peaceful era of his life as Siming, where I am assuming that all of the slips and scrolls MC is helping him record are indeed related to his ‘reporting’ as Siming, going back to the idea that Siming is more or less a sort of secretary, a record keeper. I believe he fell out of favor with the Gods when he chose to protect MC instead of killing her as he was told by either one of his deathbringers, or one of his superiors(I’m inclined to think it’s the latter).

I believe that after the moment when he chooses to protect MC rather than kill her as he said he would, he went on the run. We later find him as Dr. Zayne, and something happens in the story(we don't know yet) which results in him becoming the Foreseer. 

Foreseer was supposed to let her die as well, or possibly never even meet her, but he instead chooses to finally accept the consequences of his actions as Master of Fates and possibly Dr. Zayne and instead sacrifices himself so that she can live as a sort of. Equal exchange. 

That's uh… that's all I got right now! Will possibly add more to this post later we shall see. Basically I feel like I’m just seeing a lot of parallels between all of Zayne’s major character beats/themes and this specific Chinese deity, and by the Rafayel Precedent(telling us he’s a mermaid and then turning out to be a mermaid), I would not be surprised at all if Dr. Zayne in the main story ends up just being Siming.

[pikslasrce]

mysterious skin × armand

[secretsoftheuniverse1987]

I see a lot of references to the scene in Goodbye Stranger where Dean, on his knees, begs Cas to come back to himself (and to Dean), and I see a lot of reference to Dean referring to praying as begging, but not a lot about how these scenes are literally in back to back episodes? Dean Winchester really said I don't pray because it feels like begging, but I'll pray to you, and then in the literal next episode said fuck it, let's drop the pretense, I am begging. I need you.

[crunchchute]

Would William play regular or mini golf?

I guess he would fit the rich guy going to play golf on the weekends stereotype at some point, but to me mini golf fits him better? And it would also help hold up his "good family man" persona a bit more. (But in the end, i think he would also be having some fun playing)

[stressfulsloth]

In regards to your post “and now I'm. Just thinking about the loneliness that is SO pervasive through Elysium.”…

I have one thing to offer, or perhaps nitpick if you’d prefer it that way.

I don’t think it’s entirely fair to say the Sunday Friend isn’t a real friend. The Smoker On The Balcony believes him to be a real friend, even if he isn’t going to be there come Monday morn. But isn’t that enough? A friend on Sunday is still a friend, even if it makes waking up Monday all the worse.

Perhaps I’m biased though! Now that I think about it, most of my friends would fit the description. “Fair weather friend” feels to cold, but “sunday friend” is good enough.

And of course none of this is to say your post is at all wrong. It’s lovely and true. I just felt the need to quarrel publicly with that little detail.

To conclude, since I really just did not make myself very clear here; you are utterly correct to include the Sunday Friend in a post about loneliness but I take slight issue with saying he’s not a real friend. And so I wrote you a very long ask. And now as I reach it’s end I’m realising this was a very silly undertaking. But I’ve come this far so I’m going to grow a pair and hit “ask”.

Thank you for taking the time to read this, I hope it isn’t too desperately obnoxious.

Peace out ✌️

Ahh man I'm sorry anon but I'm going to have to disagree with you pretty strongly here 😅 tbh I was a little too easy on him in the original post. It's not necessarily the temporary nature of their acquaintance that makes the Sunday Friend's friendship questionable on its own, although it doesn't help.

The Sunday Friend is quite literally not a friend. "Friend" in his title is a euphemism; he's not coming to visit the Smoker because he's his friend. He's coming to visit the smoker to do a bit of poverty tourism, to admire the crumbling place that his beliefs have helped to destroy, and a bit of heavily implied sex tourism too. A "first world" tourist, a bureaucrat from the international government, visiting one of the most impoverished districts of Revachol to spend his nights with a student. He's not the Smoker's friend, he's a client. They're using 'friend' as a stand-in for his actual role, which is a) as a part of the moralist bureaucratic system repressing the revolution and keeping the city as a whole trapped in a laissez faire purgatory easily exploited by foreign capitalists and ultraliberals, while still maintaining a friendly respectable face, and b) as the Smoker's customer, exploiting the poverty of Martinaise's residents to get what he wants for cheap and using the easy mobility that his money and status give him. Imo he's intended narratively as a parallel for the moralist coalition government; he views from a distance, focused on money and *ze price stabilité* but entirely divorced from the poverty and consequence of his work. Happy to dip his toe in and make use of exploitable populations in Revachol, but always ready to leave too. When asked how he became 'friends' with the smoker, his response is literally to describe the coalition occupying Revachol.

He knows so little about the Smoker beyond him being there to study art, but what kind? "Perhaps graphic design? Printmaking? Who knows?" As to your point about the Smoker thinking he's a real friend, the Smoker is under no illusions about who the Sunday Friend is. An injection of money. Someone with power, someone with the mobility afforded to him by ownership of a non-Revacholian passport, someone content to watch the place decay and do nothing but indulge himself in pet projects and worry about bureaucracy. Someone with the freedom to leave when things get bad; a freedom that is narratively only assigned to a rare few extremely bourgeois characters. Dora, on her flight to Mirova, Joyce and her boat, Trant and his academic travels, and the Sunday Friend who will be out of Martinaise like a shot the moment things start to kick off despite being a part of the overarching structure that is responsible for Revachol's subjugation and rising political tensions. The Sunday Friend will use the Smoker's labour, use the vulnerability of Revachol's precarious situation to his advantage, then once it becomes too precarious or he gets bored, he'll withdraw. In answer to your question, no, I don't think that's enough. Again I probably oversimplified in my last post but the loneliness all throughout DE is not just an emotional state but a political one. Alienation is a major theme. As is the impossibility of building community in the face of capitalism relentlessly subsuming anything in its path, in the face of shallow relationships dictated by the need for survival. The Sunday Friend embodies that concept perfectly. He is exquisitely shallow in conversation, a perfect moralist who at all times strives to remain impartial and distant.

Anyway. Tldr; my point is that the relationship between the Smoker and the Sunday Friend is far more transactional, and far more exploitative, than you seem to believe. "Friend" is not being used literally but euphemistically. A 'fairweather friend' is better than none, sure, but that's entirely inapplicable to this situation. Sorry for the long post and I hope it's not too rambling- I'm surviving on very little sleep right now but I hope it clears up for you a bit why I referred to the Sunday friend in that way initially.

[ramons-elevator]

I cant wait for the new comers to see the Titan and Cellbit’s castle. I cant wait for them to pick their room in the castle. I cant wait for everyone to experience Max and how talented he is with music and roleplay. I cant wait for them to see Roiers city and how detailed it is. I cant wait for them to see the Hide and Seek arena and Murder Mystery arena and how fucking cool it is. I cant wait for them to hopefully see Bobby fields and how much love was put into it. I cant wait for everyone to Baghera’s castle and the garden the eggs worked on. I cant wait for them to see fanart of them in the museum. I cant wait for them seeing Vegettas tower and then get immediately shot by the turrets. I cant wait for them see Fit’s Fitness with the cool staircase to the fighting ring. I cant wait for them to see Forever’s mega base and the giant hole around it. I cant wait for the reactions to Felps square. I cant wait for them to see Antoine’s moon and the rainbow ring. I cant wait for everyone to go to Casalonas and get drunk. I cant wait for people to experience Abueloier and hate him.

Im so excited for newcomers to see how insane and talented everyone on the server is and how much love is getting put into it.

[frosteee-variation]

Posting here as well because why not!! Shout out to (and rest in terror 😔) Alan Curupen of Providence Al Dente. Your soul may have overflowed on lore but.

actually no yeah we don't know what terror a. ball's deal is yet so. this may or may not go poorly for us. but at least we're plot-relevant /lh

( honestly I don't know what the quality's going to be like because mspaint but uhm. I miss you alan :[ )

[nannycanes]

My friends and I are talking about how games are just dogshit and non-optimal nowadays, and I think the solution is to just go back to making games a physical media again. Limited size, forces you to clean/optimize your code, and doesn't absolutely eat your computer to install it.

Sure, games will be shorter, or look "worse"- but if developers lack the creativity to work around that, maybe they need to rethink their approach to games, you now? How integral is it to your first person shooter for it to look like the real thing? Can your game possibly function without taking up 100+GB on my computer? Why not? If your game was sold on a disc, it was sold as a finished product, or not at all.

As convenient as digital copies has been, I think stepping back from it to return to physical media should be an important step in getting games to be a functional medium again. I shouldn't have to update my computer's storage every 2 years or otherwise keep installing and uninstalling games that I can't even be certain I'll still own down the line.