#I guess I'll post this and see lol

[expelliarmus]

[victoriartdrawings]

Sketches I made before the live action release!

[hyolks]

as a thank you for 10k, i am holding an art raffle!! ✨✨

the rules are simple: you must be following me (hyolks) and please tell me a strange dream you've had!! thats it!!!

i await to hear your weird dreams o7 you have until december 1st!!

[osaemu]

so uh funny story guys. i lost interest in anime men

[brookheimer]

the one thing i feel pretty certain about for this episode is that america will not decide the election. a decision will be made, a president will be elected, but america will not be the deciding factor.

succession can’t mimic 2016 or 2020 point blank, that would be boring and have nothing to say. it can’t try to outdo trump because it’ll go too whacky and fall flat like veep’s last season (sorry conheads, no way he’s winning). but what it CAN do is illustrate the immensely corrupt, often arbitrary, and hugely influential nature of news media and conglomerations on political processes. i think probably jimenez will be in the lead, then atn/waystar does something to, i don’t know, discount votes or cast suspicion on jimenez or call the election for mencken early, and the tide will shift, even though the votes are already in. the votes don’t actually matter. the actual result doesn’t actually matter. that’s the power logan (and as an extension, billionaires and CEOs in general) hold. shiv says it herself to logan in s4e2: “just cause you say it’s true doesn’t make it true. everyone just fucking agrees with you and believes you, so it becomes true and then you can turn around and say like, 'oh, you see? see? i was right.'” but it doesn’t matter that logan’s “a human fucking gaslight,” everything he says comes true anyways. not because he was right, but because that’s how it works. he says things and then they happen, regardless of what the truth is or what should actually come to pass. that’s been one of the key throughlines since the very first episode of the entire show when, in response to kendall calling logan out of touch because times are changing and logan isn't changing with them, logan hisses that everyone always says you’re wrong until you do it and prove you were right: “you make your own reality.” you can't miss the bus if you're the one driving it. the election, the votes, the political process? none of that matters. it was always going to come down to the roys and their ilk (allies or enemies, just the top 1%) — that was the whole point of “what it takes” (the mencken episode) last season, after all.

i’ve seen lots of theories about what america will choose and how the candidates will respond and all that and i just don’t think that’s the show’s focus; i think the whole point is to demonstrate the lack of agency, the illusion of democracy. because, i mean, we’ve already seen the fall of democracy via fascist election and fascist election-denial, both in real life and in the countless (usually mid) satires created afterwards. it would be disappointing to see succession use the election to reiterate that same point of 'ohhh alt-right ahhhhh!!!' i don’t think it’ll be about ‘fascism’ at all — at least, not ‘trump-y’ fascism. it’ll be about fascism in the broader sense, the kind that doesn't sport a KKK hood (even when it keeps one tucked away in the attic). it's the fascism that every single roy (very much including shiv and kendall) aid and abet -- the fascism that so many succession fans don't seem to regard as fascism, despite it quite literally being the definition of fascism. trump wasn’t the entrance of fascism into our political process. he wasn’t the lone sign of the failing of american democracy. democracy in america has long been illusory, trump just made it more blatantly evident with his particular brand of hate-speech-ridden masculinist in-your-face fascism.

so i think that’s what this episode will hopefully focus on — america will not decide. corporations, news media, and the roys will. thus, the president will most likely become president not because the country supports his policies the most, but because he’s likely to agree to help block a business deal for a major media empire, and the other candidate is unlikely to. and this will likely come to pass due to said major media empire's interference and influence: they create their own reality. they say it, and everyone agrees with them and believes them, so it becomes true.

[huecycles]

oh hey :) thanks for the kind comments and tags left under the last post!

it's so wild how body hair in art & media in general is seen as something "disgusting" or "weird", at first i thought that maybe the way i drew it made it look confusing but no way in hell you couldn't zoom in or just... think logically to know that is natural hair? some people are hairy like that! the way i draw it is more fluffy yes because i love floof and i dont give a shit tbh lol

i knew about the "issue" of jevil being fat so the body hair one threw me for a loop like wow. idk why jevil specifically gets this type of treatment, maybe other fat characters in utdr do too but i always see toriel, asgore, alphys, lancer, king, catti, sans who is a skeleton (and i really can't see him any other way, the fandom is doing a great job in keeping him chubby-like i love that) drawn with mostly correct proportions to in game/official art, yet jevil seems to get this mixed reaction. idk why i still see skinny jevil, or why some people insist his clown clothes are just "baggy". the jester is circular, look at his torso please for the love of god. sorry but i just want more fat rep as a fat person myself. i want jevil to remain short (his sprite is shorter than kris and slightly taller than spamton) and fat like he is in game!

drawing him helped me understand a lot about plus size anatomy, and honestly i couldn't be more happy about that because i'm also dealing a lot better with my body image issues and finally bringing more diversity to my art. him being hairy too is yet another thing that makes me happy as someone with pcos, and portraying him as a fat, hairy trans man as someone who is nonbinary and for months has been wanting to experiment with different pronouns/wondering how it would be like to transition is something really special. it's messy and silly but spamton and jevil are the ultimate comfort characters/ship to me, their stories and how they were written speak volumes and resonate with me a lot + headcanoning them as t4t has been beyond freeing and making me get a lot of gender euphoria/dysphoria/envy all at the same time lmfao what the fuck.

i'm honestly glad for these characters because they're what helped me articulate my recent feelings about my gender to my mother, who has grown a lot and is making an effort to understand all of this. the reaction i sometimes get from people who talk to me, come into my inbox or just pour their feelings out in the tags about how they love my portrayal of spamton and jevil's gender identity + their relationship and how important it is to them is so so cool. yeah :)

speaking of chest hair, here's how spamton looks without the shirt. the left side of his chest has a panel for his heart (a smaller version of neo's) and of course top surgery scars, a different type. he's also hairy! not that much since he's a puppet but he still has the addison floof, it's cute

[sentientstump]

i was on the verge of losing hope xD

[graveyard-gumbo]

a small wip for birdietrait's random cas challenge

i rolled 09 — your favorite tv series 📺 accompanied by blonde hair, hazel eyes, freckles, eye bags and no make up. can you guess what show she's from?

buzz buzz 🐝

[spoondoodles]

Drawing the Sides in outfits I own, Part 2: The Creativitwins, Remus and Roman!! Part 1: Patton So I kind of alluded to it in my last post but I had these two sketched up while drawing Patton and thought I'd clean them up for posting too! Roman's outfit is a typical autumn/spring outfit for me (minus the sword) of blue jeans, green trainers and my comfy bomber jacket. Remus' on the other hand is a casual party outfit, of chunky studded belt, black ankle boots, fishnets and vest with a funny slogan. Hope you enjoy! I have an idea for Virgil already so we'll see if I get around to drawing him too...

[koko2unite]

i dont know why but im scared of visiting twitter right now... lol?

[gracefireheart]

Made a little fanfic about how Heavy and Medic's first interaction in my TF2 x Beastars AU went down.

If you don't know what Beastars is, I recommend watching at least a little of the anime to get a feel for it (tho' some of the things I mention in the fic will reference certain things that's shown in season 2, so be warned ig). It's on Netflix, but you can also just pirate it if you don't have a subscription. You didn't hear it from me tho' :)

Anyways, onto the fanfic below the keep reading line. It's over 3k words long, and 'cause of that (and how I don't have an a03 account), I'll just use pics instead for what I wrote in order to not go over the character limit :]

[r0semultiverse]

Adventure Time: Fionna and Cake finale spoilers without context

[brookheimer]

honestly, if the shiv pregnancy plotline is done well, i feel like it would end up being kind of, like, revolutionary for female characters in prestige television? 'revolutionary' is a strong word, but even so! just... prestige television is obsessed with the whole Strong Femininity-Rejecting Career Woman archetype and it's a trope that's often been lauded as empowering, as allowing women to be complex like male characters. except... often they're not complex like male characters, they're complex as male characters in that they're treated basically like a 'complex male character' stuck into a female body. the explanation is a legitimate one: the female character rejects classical femininity. sure. the better shows will depict the lengths these women will go to be perceived as 'masculine' in order to survive, to thrive in their patriarchal world. but regardless of the show, the vast majority of Strong Female Characters are never allowed a lot of things that their male equivalents would: namely, love and sometimes family. it's like we think that if a Strong Complex Female Character falls in love or wants a relationship/a family, she's no longer a Strong Complex Female Character, she's just a Female Character. that is so incredibly detrimental! it reifies the belief that love/family/etc are inherently 'feminine' things and that inherently 'feminine' things are inherently weak, and any woman who displays 'femininity' is no more Strong or Complex than a 1950s housewife.

so for shiv, a Strong Complex Female Character who admittedly has spent the majority of the series surrounded solely by men (she's had maybe three conversations without a man present?), ensconced in the 'masculine' defense she's created for herself... for that shiv, girlboss shiv, Strong Complex Femininity-Rejecting Career Woman shiv, to get pregnant and have to reconcile the version of herself she needs to present to the world with whatever she actually is or actually wants (because frankly, we as an audience have no fucking clue what shiv wants in life outside of logan and waystar royco) and her own fear of anything remotely approximating 'femininity'... well, assuming shiv remains shiv, remains manipulative and calculating and angry and machiavellian and 'masculine' and everything else she's inherited from her last name -- everything else that makes men on the internet call her a sociopath -- while also being allowed to explore her relationship with femininity, to maybe want kids or a family because that isn't just a Woman Trope that's also just a natural human desire for connection that many people experience, to be not just the woman or the anti-woman but a fully fleshed out person... i mean. that would kind of be huge, i think.

[more under the cut! like, a lot more. be fucking warned]

really, Strong Career Women were created as the antithesis of the television housewife. the housewife displays every emotion except for anger and deeply desires love and family. therefore, the Strong Woman will display no emotion but anger or pride (because those are the only masculine emotions) and have no interest whatsoever in love and family (because men don't have interest in love and family). and that, obviously, is horseshit -- men experience the entire human spectrum of emotions and desire love and family and all of that, because that's literally just part of being a fucking human. but while prestige television frequently explores the interiority, humanity, desires and dreams, etc etc etc of their complex male characters, they very rarely do the same for their women, at least not outside of the bounds of career and/or other areas where the woman in question demonstrates her power and masculinity (such as relationship power plays). we can't explore the humanity of Strong Female Characters because then they'd show emotion and desire love and connection, which would out them as women, as housewives, not Strong Female Characters.

we think emotion and yearning deepens male characters and lessens female characters, because we 'expect' that from women but not from men. when a woman cries on television, we think 'here they go again.' when a man cries, we think it's a shocking and meaningful display of vulnerability. both in-universe of the shows and in real life, in the writer's room and beyond, Strong Complex Women are only taken seriously so long as they reject 'femininity' as much as humanly possible. Strong Complex Female Characters have to be one-note, because if they show any other notes, they stop being seen as strong or complex. their lives begin and end in the office, in the presence of men, in the persona they've created for themselves. if there is a self beyond those boundaries, we never see it. we're not allowed to. Strong Women are uniquely forbidden from those basic aspects of human life, even more so than men, i'd argue, because to display any of those qualities would be to out yourself as A Woman and prove everyone right, to lose any and all credibility you've ever gained in your entire career because now they now you've been A Woman all along. but that's not realistic, that's not human. yet because they are still women and on some level do still want to be seen as women, but that's impossible to balance with the need to be seen as a man. there are almost no female characters that are allowed to simultaneously embrace 'femininity' and desire 'feminine' things such as love and family while still prioritizing their careers, being cold and manipulative and calculating, and presenting 'masculine' in the way they handle themselves.

i'm not saying shiv has been poorly written so far, or that succession has been, like, enormously sexist by keeping a lot of her interior life private. i think in large part this has been purposeful and makes a lot of sense -- after all, shiv is notoriously most resistant when it comes to self-reflection, possibly more than anyone else; kendall obsessively introspects, roman hates it and deflects but that's largely because he already knows what he is and can't bear to be reminded of it, but shiv is... well, a little delusional at times. forcibly delusional. she has to delude not only herself but everyone else around her in order to survive as a woman in a man's world, a liberal in a conservative company, a hardcore capitalist in a bernie sanders campaign. kendall wants to be a good person but knows he isn't, roman doesn't believe it's possible for him to be a normal person let alone a good one, but shiv clings onto these label of Good Person and, i don't know, Essentially A Man, with such intensity and desperation that any actual self-reflection would literally be suicide. it would burst that bubble entirely and then what's left?

well. what IS left? because, i mean, something would be. she's still a person. she's not a robot programmed to imitate men and show no emotion or desire (god knows she's not even good at pretending). but shiv would never take that step of her own volition. she'd never just sit down and think "hm, let's actually dig into what i really want from life and from myself" -- and even if she did, she wouldn't be honest about it.

then boom. pregnancy. "oh fuck i am a woman. oh fuck what if i do want a kid and this is my only chance. oh fuck" etc etc etc. it's not reducing shiv to being a womb (crazy take, by the way) but it's actually expanding her from being the lack of one. rather than simply being a Woman with a distinct set of qualities and no contradicting ones or an Anti-Woman with the opposite set of qualities and not a hint of anything that could be construed as a former, she'd become a person. obviously, you can be a person and a woman without being pregnant or wanting kids or a family, but we don't even know what shiv wants! she hasn't allowed herself to consider it seriously, because that would be betraying her Anti-Woman Survival Method! it's not saying that pregnancy/family/etc are necessary for a full and happy life, but rather, spending your entire life terrified of showing interest in anything perceived as 'feminine' and thus weak, of showing emotion or desire or love because you know how the men in the room will receive it -- that isn't satisfying! that isn't a happy life! that's a life lived in fear, denial, and repression masked as Masculine Self-Sufficiency to such an extreme extent that men don't even do that. the only thing worse than a man displaying 'feminine' characteristics is a woman displaying 'feminine' characteristics -- the feeling men talk about when displaying emotion is the disgust, judgment, and dismissal women (particularly those trying to perform masculinity/live in masculine spheres) experience on a day-to-day basis. while a man displaying emotion is met with shame in the moment, a woman displaying emotion is seen as a confirmation of what the men around her have been thinking all along: she's weak, she's not up to it, she's a 'woman.' men can shake it off. women can't. the reason displaying emotion feels uniquely hard for men is because it's their first time being treated like a woman.

anyways. i digress. succession has been hinting at things all along -- moments that show she genuinely loves tom, the conversations with her mother, etc -- and now that throughline can actually, y'know, follow through, and it might be fucking great, guys. that's what i'm hoping for with the shiv arc -- her trying to reconcile with the fact that she's a woman, and the show using it as a way to explore the bizarre and arbitrary way we assign 'femininity' to natural aspects of human life and desire, making those things impossible for women to ever even consider wanting or earnestly caring about if they want to be seen as people rather than as capital-w Women (and what is a capital-w Woman anyways?), and just, like, idk. i think it's idiotic to act like women like shiv aren't allowed to want kids and families -- and that narrative is so deeply ingrained in society that the presumably largely female/feminist/progressive online succession fanbase has been constantly reiterating that same trope as a genuine criticism levied against the writers' decision to make shiv pregnancy!

i said in another post that this plotline feels to me like... high risk, high reward. yeah, it's high risk, it could go terribly in so many ways, but to me personally as someone who has been endlessly endlessly fascinated with the internalized misogyny within so many 'feminist' narratives and the apparent belief that strong women aren't allowed to 'act like women' if they want to continue being seen as strong, as someone who has unironically written a multitude of papers and articles on this topic for college and for journals, the reward is just SO fucking high. like, this could be a fucking GAME CHANGER. if they pull this off it might genuinely alter the way prestige media writes 'strong female characters' which is something that has been needed for years. there will always be risk in storylines as historically ridden with misogyny as pregnancy/abortion/etc narratives are, but if there's any show right now i trust to approach this with care and deftness and real thought, it's succession. if it flops, it flops, and that will genuinely suck. a lot. but even if there's only 1% chance for success, that's still, like, 0.9% more than any other show i can think of. so fuck it. full speed ahead, baby. do this shit right

[thegeminisage]

i decided to make a list of 15 of my favorite plot devices

i think they're mostly in order but all things are subject to change. time to explain my passions

1. asexuals - self-explanatory. the best number one joy of all time is when there is an asexual person, canonically, and not just in my mind palace. so far no show has managed to do this except fucking shadowhunters (and bojack horseman ig but it's not my thing). i know there are people out there who can write way better than the shadowhunters writing room but i don't know why they aren't getting on this. tick tock. example: raphael shadowhunters

2. amnesia - notably different from dementia, which is depressing and bad (thinking about you, dean winchester). amnesia is only good because eventually they get it back. the best thing about amnesia is that it shows you who your Little Guy (gender neutral) is with everything stripped away from them including their sense of self. do they still go for the same kind of coffee? do they still click with the same people they used to love? can they still fight? what do they stand for? it's very rewarding when your little guy acts the same way without knowing why. it's also especially cool for action heroes bc they'll still be able to win a fight and it's like wow <3 fight scenes with emotional stakes!! also i love that it gives us a mystery to solve. sometimes a partially amnesiac character is amnesiac because they did a terrible crime. and they've got to solve it while accidentally working against their past self. fun! examples: fang from ff13. wolverine. why, who did you think i was going to use

3. brainwashing - for the same reasons as amnesia. it's the same concept: take away everything and who is your little guy? the real little guy is in there and they are working so hard to get out. also they will be sooo sad about all the crimes they did later. example: fenris dragon age. d'avin killjoys. and okay fine one other guy we're not talking about

4. enemies to lovers - what's better than two people wanting to murder each other until they don't......always a good side of bickering with this as well. main draw tho is the process of simply two people getting to know one another in the way that you can tell strangers things you can't tell your friends. it's more work to love someone when you hate them and with more work comes a better reward. also, sexual tension. example: so many. fenris/hawke. fenris/anders. botw link/zelda. john/aeryn. bonnie and damon if the cw weren't cowards and i don't even like damon i think he's unforgivably horrible (derogatory)

5. monster under the bed character - i don't know if this has a real name. it's like the One Guy (again, gender neutral) who has shaped the protagonist's whole life who is threat number one in any given situation. Primal Fear of this guy and all they represent is similar to how little kids are scared of the monster under the bed hence the name. it's not JUST an arch enemy or an antagonist it's like. the only enemy that matters. not a bad guy but THE bad guy. if you can boil someone's issues down and stuff them all into a single person and then also make that person scary. and then also they can fight!! fuck yeah fight scenes!!! if you're really lucky this will overlap with either somebody's parent or somebody's ex. examples: AUGH SO MANY. for dean winchester it's yellow eyes. for sam winchester it's lucifer. for fenris it's danarius. for jace wayland it's valentine. for dutch killjoys it's khlyen. for anakin skywalker it's palpatine. for derek hale it's kate argent. going nuts just thinking about it

6. reluctant assassins - crucially if they don't care about being assassins it doesn't work for me (sorry kassandra asscreed). i went into this in more detail here but your assassin simply Must be compromised in some way so they can regret all their little crimes later. otherwise what's the point?? this overlaps so thoroughly with brainwashed iedk if it should count as its own entry but whatever. examples: fenris dragon age. dutch killjoys. d'avin killjoys. elliot leverage. and the other one

7. two-person love triangle - this is a very specific sub-example of secret identities in general which ARE good except they're usually in superhero media and i am really just so totally fucking over the entire CONCEPT of superheroes. anyway it's when one person has a secret identity and the other person forms a relationship with their "real" identity and their "secret" one. and then they feel conflicted about loving two people at once and having to choose but SURPRISE it's the same person! i like this because it has anti love triangle energy. lots of romantic tension and none of the dumb fucking YA bullshit. (apologies to YA.) example: arthur and merlin (who is also "emrys" at least in fanfic)

8. 4th wall shit - when the piece of media is in your house with you. i don't feel i need to clarify further than this because dr gaster is probably spying on me as we speak. examples: everything toby fox has ever made. s*pernatural, sometimes. i also had a deeply haunted experience with final fantasy x.

9. last guy (gender neutral) standing - part of a team or group that got tragically mcmurder prior to the start of the story and this person is so terribly sad about it. crucially this has to be a side character whose relationships with dead people are more important than or equally important to their relationships with the current living cast members. character deaths you almost agree with because then at least they can be with their fallen buds. examples: auron from ffx, noel from ffxiii

10. immortal characters - for the same reasons as above but also they CAN'T DIE EVER so they don't even have that to look forward to. also sometimes they wind up being science experiments. examples: jesse turner from @cambionverse (sorry jesse)

11. evil doppelganger - usually this is in video games where they just take the sprite or the polygons and recolor them to be black but also you have some mirrorverse/au shit going on sometimes and then there's evil twins, and shapeshifters, and clones...i love when everybody gets tricked into thinking somebody is doing crimes but actually theyre just out here and it's their evil double causing problems on purpose and not even being the one to go to jail forever because of it. also, when the evil double has mind-reading powers or whatever b/s to 1. make them a better trickster 2. to make them better at precision-point roasting of whomstever they look like. also acceptable: when you little guy just suddenly turns fucking evil and/or gets possessed and you have to cure them to get them back. idk maybe that should go under brainwashing. examples: dutch and aneela. link and dark link. zelda and the puppet. soulless sam. demon dean. hullen johnny.

12. fire powers - WHO doesn't love a little arson...i feel like this is the same concept behind werewolves which boils down to "fear of anger" bc with anger comes the loss of control and the devastating fallout... your fire guy (gender neutral but idk any fire girls) has to have a lot of self control or they'll fuck everybody up. they're very dangerous! not unlike assassins. also, fire is pretty. bonus if they have done crimes before either on purpose or on accident. examples: jesse turner again, roy mustang aka the OG fireguy, prince zuko

13. big damn reunion - when two people are split up with little to no chance of ever seeing each other again and then they do anyway. this is why i'm never mad when they bring characters back from the dead. examples: i'm actually totally blanking on these, i feel like it tends to happen in fic so much more often. also i've been writing this list awhile

14. time travel - i love! time travel! i love when people see an apocalyptic future and go back and fix it (chrono trigger, ff13). i love when there's a stable loop (tears of the kingdom) or a paradox (song of storms in ocarina of time). i love visits to the ancient past (skyward sword). i love when there's just an actual fucking timeloop (s*pernatural). it's really good!!! examples: oops i just listed them all

15. body swap - last but not least i think it is so fun when two people wind up living each other's lives. it's more fun in tv when people get to switch which character theyre playing but it's good in any form because what a way to get to know someone and also the endless potential for shenanigans. examples: dreamless (webcomic), your name, various episodes of tv shows many of which are bad (s*pernatural's was extremely bad).

ok, that's the list. originally it was 10, then 13, then 15, so i think i'd better stop here.