I'm not much for naming things but: Danny's associated with green and M'gann's a White Martian, so... Spearmint (like the green and white mint candies)? Just a thought.
Prompt: Magic removed Amity Park from the map. JL didn't notice, but in an Alderaan type moment (Star Wars ref. yay!) The martian on Watchtower monitoring duty heard the residents get silent unanimously.
Of course they need to be investigated! So M'gann gets her watch partner to take over and flies there, discovering an odd green rift of death energy doing a black hole effect and it sucks her in. Danny gets landed on/ flown into when she tumbles through the rift. She tried getting a message through to JL when she felt herself getting sucked in, but the message was not received due to ectoplasmic interference.
So Danny has to figure out how to get her AND Amity Park back home!
(Just a thought. I'm curious how you flesh it out if you do!)
This is such an interesting idea, and it definitely deserves much more story than I can write in single prompt, so this here is just a beginning and I will continue. I hope it's up to your expectations
Also, I really love the Spearmint idea
*****
M’gann understood the importance of monitor duty in Watchtower, she really did. She also understood why they were taught it while still in this gray area between fully dependent sidekicks and fully independent heroes, that was the main reason the Young Justice Team even existed.
It didn’t make it any less boring. Even when she had a decent duty partner. Don't get her wrong, Green Arrow was a much better option than Batman or Superman, it was just awkward. At least he seemed equally done with it and didn't scold her for jumping between satellite cameras just a bit too fast to actually ‘monitor’ anything.
And it was only twenty minutes into the two hour shift.
One of the sixty (or so) screens, the one directly in front of her, blinked to the view of the American Midwest. She was about to skip further, when a sudden movement caught her attention. She clicked a few keys to review the footage and asked, still unsure if her eyes weren't deceiving her.
“Did the entire city… just disappear?“
Green Arrow nodded, equally stunned.
“I'm going to check this out” she spluttered, already flying out of the room and doing her best to get Zeta to send her as close as possible. It was a bit tricky when she couldn't see the keyboard. She managed though, so before the adult hero even finished yelling that it was above her skill level, she was out.
From there, getting to the disappeared city was a piece of cake.
She stopped right in tracks when the thing came in view. M'gann had no idea how to describe it. It was a green and white and black storm but not, glass, see-through dome but not, deep space but also decidedly not. It made her want to run away but also come closer, almost like it was tugging at her. Like some pseudo, mental in nature, gravitation.
Oh, wait, no. It was an actual, physical force that after a quick test turned out to be inescapable for her.
Green Arrow, perhaps, maybe probably was kinda right. It was so high above her skill level that a balled napkin from this height would cause serious damage. Thank Batman for comms that she could use to call a backup!
The comms, that, of course, didn't work the one time she needed them.
She sent the message anyway, describing everything to the best of her ability, even though it was only a tip of the iceberg. Just in case, if the magical storm thing just made her comm one way communication only. It was highly unlikely, but who was she, if not an optimist.
She barely closed her mouth, when she was jerked sideways before the whole world became blurred.
She later would have a hard time telling anyone how it felt, to be inside the thing. She was basically powerless, thrown around randomly despite clearly keeping all of her abilities. She couldn't see, couldn't tell which way was up and down, couldn't change direction even a little bit. The rumble of the thing was so loud she couldn't hear her thoughts, throwing her brain so off the loop she forgot what her name was. She was crying probably, almost puking, her limbs hitting any and every part of her body.
At first, she didn't even realize she was out, so dazed from the ride. She didn't even see the flying boy until a while after she crashed into him, throwing them both off the sky. Neither of them caught them before they slammed into the ground. Somehow she ended up cushioning the boy's fall. M’gann couldn’t breathe for a moment. She kinda deserved it for ramming into him in the first place though.
By the time she could use her lungs and behave like a social creature again, the boy scrambled off her and just crouched, intensely staring, anxious and awestruck at the same time. She sat up and gave him once over herself.
He was around her physical age, but much skinnier than her or anybofnher teammates, build like a twig. He had fluffy, white, almost glowing hair, caucasian complexion, and wore a black and white jumpsuit with a tool belt. Big ‘P’ on his chest indicated he was someone from a hero/villain scene, and from general vibes she got, M’gann was leaning towards a hero. He was kinda cute. She coughed awkwardly when she realized how long they just sat in silence.
“Hi?”
Apparently it was enough to release an incoherent babbling from the boy.
“Hi, um… Miss Martian, ma'am? I'm Phantom. What are you doing here? Is the rest of your Team going to fall off the sky too? Justice League?”
“Not right now probably”
She was ignored. Phantom just kept panicking.
“Is this some of your villain's schemes? Are you alright? You crashed pretty hard, sorry I landed on top of you by the way, do you–?”
“I'm fine, don't worry I got worse”
“Sure…”
“Sorry I threw you off the sky”
“Not your fault, really, it's fi–”
“You asked what I'm doing here. I went on my own to investigate when I saw the city blink out of existence and got sucked in. I'm not sure if my report from site made it through, but they know where I went, so they'll soon come to help, don't worry”
Phantom did not stop worrying.
“Alright, cool, cool” he ran his hand through his hair, tugging at them “The Justice League knows you mysteriously disappeared along with an entire city. This is fine, totally fine, absolutely–”
“You're panicking”
“No shit Sherlock. Someone kidnapped my city again and I have no idea how to fix it because my usual tactic is ‘punch the cause of the problem into submission’ and this time I can't punch the storm. Now you're here so if something happens, I’ll have pissed of Justice League to worry about because, of course, it will be my fault. You could be overshadowed and I have no clue what's going on but I have to fix it as soon as–”
“Breathe Phantom“ she interrupted again, projecting what the Team called ‘calming vibes’. Since it didn't involve outright entering someone's brain and humans almost didn't react to it, it was an okay thing to do without asking even on non-villains. “Remember, I'm a hero, not a damsel in the distress you have to protect non stop”
“Of course, you're not. You're Miss Martian. You're amazing, but it doesn't give me any more of an idea on what's going on nor what to do with Justice League when they come, obviously furious because everyone in Amity and their mother will testify that it was somehow my fault, especially if–”
“Hey, hey, none of that. I know you're a good guy and they’ll too. I will vouch for you if for some reason they get misled”
Phantom looked her in the eyes as if he was trying to read her mind himself without even an ounce of psychic powers. She could tell if he used it.
“I could be a bad guy,” he said seriously after a moment of silence.
“I know you're not”
“You don't know me”
“You spent almost all of our interaction agonizing over how to save your city. It's not typical bad guy behavior”
“I could be acting”
M’gann didn't even dignify it with her response other than an incredulous stare.
“ Alright, if I've been acting, I would be a lot cooler but still… I could be acting!”
“I'm a literal psychic, remember? I didn't read your thoughts, don't worry, I know it's invasive for humans. But I got a general overview of who you are, and your vibes matched pretty well with the vibes of good guys”
“Sure, of course, why not,” he muttered, taking a moment to reboot “Why is this my life now?”
M’gann decided it wasn't to her and well… Phantom wasn't wrong, she didn't know him, so however she'd try to answer it was pretty much hit or miss. But from what she'd seen of him, she was curious to learn more.
“Nevermind, let's get you a Specter Deflector before anyone tries to use you as a meatsuit” he said, catching her wrist to drag her somewhere.
She let him lead her. He still didn’t have any nefarious reasoning, and hey! Maybe she'll finish this adventure with a new teammate!
[Sure M’gann. Just a teammate. Don't worry, Danny won't be a panicked mess all of the time here]
93 notes
·
View notes
ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
175 notes
·
View notes
Lucid Dreamer (2/2)
part 1
Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.
It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.
But he does find the letters, in a metal box stashed away under the bed.
There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.
Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.
Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.
Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.
Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.
Gepard goes to bed, curls up under mismatched blankets and closes his eyes.
He doesn't dream.
One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.
And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.
And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.
He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.
But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.
The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.
Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.
The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.
"I'll be home in one week."
79 notes
·
View notes