Hi! I know you probably don't want art requests, but I absolutely LOVE your art and would love to see Richie in your style if possible <3
You’re wrong anon I’m very happy to do art requests hehE
Here is my best attempt at the baby boy
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gwen being trans and her dad accepting her for it, but not for spiderwoman is like, morbidly hilarious because it’s a copy paste of that one tiktok audio where it goes: “god may forgive you for being gay but NO ONE will forgive you for that haircut”
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i hate the whole "the show was cancelled" excuse that toh fans constantly use to justify poor writing choices. i'm as upset as anyone that toh was cut short, but the show writers got an advantage that a lot of other shows didn't. they were allowed to actually end the show. look at infinity train, for example. it had more seasons planned but the execs decided to cancel it without even giving the creators time to write a proper ending.
so in that case, the writers of toh should consider themselves lucky and make do with what they have. of course, it's most ideal to have the freedom to write the entire show how you want. but when you can't do that but you're allowed to give the series a proper resolution, you have to pick and choose what plot points to focus on.
instead of focusing on the important arcs and plot points (belos's backstory, the collector's origin, hunter's arc, etc) the writers decided to add completely unnecessary ships and additions to further complicate the plot. i'll say it: huntlow was unnecessary, the whole hexside and kikimora thing in s3e2 was unnecessary, the collector's rushed redemption arc was unnecessary. in fact, some of these decisions actively affected the ongoing plot badly (huntlow ruining hunter's arc and bringing him back to square one).
in the end, you're left with more questions than answers. what's with the collector's sudden switch from evil and calculating to poor innocent uwu child? what actually happened in belos's past? how did hunter move on from his trauma without getting any closure and being paired with a person who acts a lot like his controlling uncle? why did amity forgive luz so quickly for lying to her after she asked her not to? what happened to all the witches and citizens of the demon realm who actually followed and worshipped belos?
so yeah, you really can't defend toh with this excuse. if i was making a show and was forced to cut it short, i'd be angry and upset, sure. but i'd try to make the best of it. i would focus on the main plot instead of going after side characters or ships that add nothing of importance to the plot. i still like this show a lot but i'm not going to blindly defend it. it has its flaws and they need to be critiqued.
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Again I know it's supposed to be a haha reference to the turns into a bear when he's too aroused thing, but in again refusing to brush just over the surface of this character: "I must be careful or I'll lose run of myself again. An Archdruid should show *some* restraint." comes across to me as more melancholy than perhaps intended when a. You take it into consideration that several lines imply that Halsin has issues with self control and self servitude, and presenting an "acceptable" version of himself as an outwards facing authority figure, to the point where he brushes over his own feelings, or pushes things that he wants down in the effort to reflect better what others want from him.
And b. Remember that Halsin was essentially just an apprentice when he was forcibly situationally promoted to Archdruid - he wasn't taught *how* to be an Archdruid or trained for it, or mentored; he was thrust into it because they didn't have any other choice. But they needed someone, so he stepped up. Halsin has spent the last century studying and learning things on the fly or through trial and error, and in a position of leadership like that, he is aware that every failure to uphold that mask *counts* and others *are* very much affected. How many times has he muttered that same mantra? Or heard it thrown around? An Archdruid not having control over their own magic is a big deal. Even when he is no longer Archdruid, he still grumbles it to himself. He's been at it over a century and he *still* doesn't feel like he's gotten it right. Even when he is in a place of progression, of trying to gain hold of himself again, those wisps of failure and self doubt still creep into everything. And that's sad to me.
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there’s a question to be asked i think about to what extent “getting out” can be conflated with “being saved” in this show, and what freedom actually means to any of these characters.
like you can argue that shiv saved ken by voting against him on gojo, but what if your intent behind saving someone is to inflict a worse punishment than if you’d just left them trapped? can a child weaned on poison survive on milk, or are you just sentencing them to a death by inches, starved of the only thing they know? and if you save someone specifically because you know that being saved is the worst thing that can happen to them, is that kindness or cruelty? at what point does a good thing become a malicious act?
and you can say that roman is finally free, but what exactly is he free from? the company? his father? does unlocking a cage mean saving a dog, or are you allowing him out on the street knowing there’s a kill shelter nearby? if the driving anxiety behind roman is that he’s an idiot and a failure—that he’ll never amount to anything, and trying will only lead to pain—and he’s finally cut loose once all of those anxieties have crystallized into cold hard fact in his mind, what has he actually escaped from? if the cage is in your mind, is it even possible for somebody else to unlock it?
the fundamental truth of a tragedy is that even being saved can be a death sentence, if the characters are incapable of escaping the thing doing them the most harm (themselves and their childhoods)
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