#I might make a whole album...

[starkirbzz]

Did you know I can make music sometimes? Here's one here since this is one of the only music I liked

[gghero]

[ screaming at the top of my lungs in the confession booth ]

[danishphoner]

one thing that really fascinates me about alex is his devotion to art – and more specifically, how he chooses to get some inspiration from scientific works of what he aims to implement in his art. every time one gets to examine some of his lyrics, or even how he explains these lyrics in an interview, they can be greeted by some bits of actual scientific information. an example is how he named his taquería on the moon with the term “information-action ratio”, coined by the critic neil postman, and referenced it in the song four out of five, something that might also indicate an interesting articulation with postman's concept. the line “cute new places keep on popping up”, for example, can express his well-known sardonic discontent regarding the flood of information being generated and transmitted over and over and, as much as it seems visually appealing and does give the idea of benefiting from advanced technologies, it doesn't really add anything substantial to the receiver's critical thinking – and worse, it distances the information receiver from the sender in a communication channel, according to postman.

what i'm saying with this interpretation is, it's known that alex is enamoured with the idea of gathering a bunch of references and condensing them into a mixture of metaphors in his writing, but it's so thrilling how, at times, we can find some bits of science inside of it – and it's even more exciting, just like playing a puzzle game, to find these references and analyse them by doing a similar research to what he did to create his works.

[keirientez]

band au rahhhhhhhhhhh

[telesodalite]

*dragging my sleep deprived ass away from moving stress and scifi games long enough to throw this on the blog*

woe, slightly blurry, messy sketch of the crumbster <3

[copia]

SKELETA!!!!!!!!! 😭😭😭😭😭💜💜💜💜💜

[steinwayandhissons]

arctic monkeys and every time the word ‘love’ is mentioned

whatever people say I am that’s what I’m not

tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before

~ view from the afternoon

oh there ain’t no love, no montagues or capulets

~ i bet you look good on the dancefloor

all that’s left is the proof that love’s not only blind but deaf… yeah I’d love to tell you all my problem

~ fake tales of san francisco

she makes a subtle proposition, I’m sorry love I’ll have to turn you down

~ when the sun goes down

lady, where has your love gone, i was looking but can’t find it anywhere, they always offer when there’s loads of love around but when you’re short of some it’s nowhere to be found

~ no buses

well how can you wake up with someone you don’t love and not feel slightly phased by it

~ leave before the lights come on

favourite worst nightmare

it’s wrong wrong wrong but we’ll do it anyway cause we love a bit of trouble

~ balaclava

and those dreams weren’t as daft as they seem, aren’t as daft as they seem my love

~ fluorescent adolescent

there’s room for the trouble and there’s lovers to be had

~ this house is a circus

it’d be a big mistake for you to wait and let me waste your time, really love it’s fine, I said really love it’s fine

~ the bad thing

old yellow bricks, love’s a risk… houdini love you don’t know what you’re running away from

~ old yellow bricks

another roll around and another push and shove, further away from the idea of love

~ da frame 2r

the more you keep on looking the more it’s hard to take, love we’re in stalemate… you’re slacking love where have you been

~ the bakery

am I too quick to assume that the love is no longer in bloom

~ too much to ask

humbug

i had a hole in the pocket of my favourite coat and my love dropped into the lining

~ i haven’t got my strange

suck it and see

i wanna feel your love brick by brick

~ brick by brick

do you still feel love is a laserquest or do you take it all more seriously… when I’m not being honest I pretend that you were just some lover

~ love is a laserquest

your love is like a studded leather headlock

~ suck it and see

jealousy in technicolour, fear by name, love by numbers… crushing up a bundle of love

~ that’s where you’re wrong

before she showed you how to shake love’s steady hand

~ the blonde o sonic shimmer trap

your love’s not what I need, so don’t give it to me

~ evil twin

am

it’s not like I’m falling in love I just want you to do me no good… the look of love, the rush of blood

~ no.1 party anthem

love buckles under the strain of those wild nights

~ mad sounds

I heard that you fell in love, or near enough

~ snap out of it

love like locked horns, love like dominoes… love like thunder, love like falling snow

~ electricity

I know you’re nothing like mine cause she’s walking on sunshine and your love would tear us apart

~ you’re so dark

tranquility base hotel and casino

love came in a bottle with a twist off cap, let’s all have a swig and do a hot lap… but it’s alright, cause you love me

~ star treatment

when true love takes a grip it leaves you without a choice

~ golden trunks

pattern language in the mood for love

~ the world’s first ever monster truck front flip

I wanna stay with you my love, the way some science fiction does

~ science fiction

the dawn won’t stop weighing a tonne, I’ve done some things that I shouldn’t have done, but I haven’t stopped loving you once

~ the ultracheese

the car

lights out on the wonder park, your saw toothed lover boy was quick off the mark

~ jet skis on the moat

put your heavy metal to the test, there might be half a love song in it all for you

~ mr schwartz

[born-to-lose]

Went back to the record store today to impulse buy 5 more fancy limited edition records

[coulson-is-an-avenger]

man. the most persistently irritating thing about daniel emond's "kill the whale" is how fucking GOOD it is at times.

every day I think about The Quarterdeck and how phenomenally it portrays that scene and the magnetism of agreeing to Ahab's quest even despite fear, and Dusk and the subplot of Starbuck falling in love with Ahab and being terrified of what that means, but ESPECIALLY Fedallah's introduction song where Fedallah is presented as a woman with agency, who looks the audience in the face and dares us to judge her for the life she has chosen.

Fedallah is presented as the captain's lover, the captain's party trick and pleasure, and owns the shitshow she lives in, and only chooses to reject that life once she tires of Ahab's fetishization and exotification of her, and then uses the very thing Ahab fetishizes so much (her prophecies) as a way to spell her own doom and drag Ahab down with her, freeing herself. The shivers I still feel when I hear Fedallah's triumphant crow of "come back here" as she sinks below the waves and Ahab watches in horror, knowing she is next.

that fucking ruled to a degree that shook me!!!!!!!!! and hearing Grace McLean and Amber Gray (and Danielle McKnight) duke it the fuck out through song was just genuinely magnificent!!!!!!!!!!!!!!!!!!!

and then the narrative kicks you right in the throat by calling queequeg "q" for two hours straight and making his marriage to ishmael lowkey racist hate sex

[seaofreverie]

Sparkstember Day 16: Gratuitous Sax & Senseless Violins (When Do I Get To Sing "My Way")

So, well, what an era this was, right. Comeback of the century! Gratsax just has that certain *something*. It's brilliant! One of the best albums ever made if you ask me. The fully electronic style is so perfect for Sparks and they just do it here like it's nothing and like they've been at it for many years. Of course there's the hiatus that took place in the years before it to keep in mind but even then, this album is a HUGE accomplishment and an incredible standout in a catalog of releases that's already full of standouts of all sorts. And it's definitely a personal standout for me too, thinking about how it's been almost a year since I first heard it really freaks me out! It was such a different time for me I feel like, but many things are also exactly the same as back then. It's weird to feel nostalgic about it now but there's really no better word to describe what this feeling is like exactly.

I think this album is meant for vinyl listening in a way. It just fits it so well!! And it's not just the quality to the sound that it has this way (and I don't mean that it sounds necessarily "better", more like just, different and that somehow complements the music even more), but also the ability to have an actual good view of this wonderful album cover that's among my top favourite Sparks things ever. So cool looking! So funny and memorable! One of the finest instances of the music sounding exactly like what the cover looks like. (and learning that the cover is a homage to a SPECIFIC magazine rather than just tabloids in general, that only made it more amazing because it really does look so alike, stuff like this is really cool to me for whatever reason lol)

Also I like the fact that I bought this silly little "disco" lamp around this time last year, so plugging it in for extra vibes during listening makes it all just kind of perfect. And another thing on the visual aspect of it all: this is such a good era for music videos, they're all SO GOOD! Some of my very big favourites for sure and the My Way video might really be one of the best music videos EVER MADE.

But ok, let's get to the point now. Something that stood out to me right away is that every song here is so unique but they fit together so well anyway (not first instance of such thing happening either). There's really lots of variety! I also remember this album fondly because of how it was the first one I listened to with my parents and when my Sparks obsession truly started to become one of the most noticeable things about me to other people, lol. But finally feeling more free and confident with sharing my favourite things that mean so much to me with others is such a wonderful thing anyway, I'd even argue that it helped me live my life more fully than before! And yeah, it's mostly a remark they (my parents) made, that this album nails the balance between keeping to a certain style and offering something new with each song. It's such a wonderful journey!

Alright, once again getting carried away a bit here even though I had no ideas earlier for what to say today. Highlights time then, which is also a bit of a problem because besides one special favourite this album has no spectacularly outstanding highs or any lows, it's all just equally amazing. But I'll try anyway, as I always do.

Favourite songs (and other highlights):

When Do I Get To Sing "My Way": my parents absolutely love this song and well, I do too. No suprise that it's among their most beloved and well-known songs, it really has it all, and it's one of Ron's very best when it comes to lyrics, without a doubt

Frankly, Scarlett, I Don't Give A Damn: so so atmospheric and special, I really like the vocal filter of sorts that's used here, it's just, so cool sounding all around!!

I Thought I Told You To Wait In The Car: this was my LEAST favourite at first but I grew to really like its unhingedness and the part with all "the CAR!!"s on top of each other is just peak of it all and funny as heck

Hear No Evil, See No Evil, Speak No Evil: one of my favourite of Russell's vocal performances! This one and Scarlett are a bit of a duo to me, both simply beautiful songs

Tsui Hark: I LOVE the sound of this one, the piano plus the synth and the spoken word lyrics make this kind of combo that makes it feel like I've already known this one for years and it's just... always existed (which is a term that will apply to a lot of 21st Sparks material anyway, so, that's something to look forward to)

The Ghost Of Liberace: such a big comfort listen to me, I just love this one, makes me feel so at home!!

Gratuitous Sax & Senseless Violins: shoutout to these too because I feel like they might be easy to overlook as these very brief pieces, but they're that extra element that just, really cements this album as a wonderful whole with something to unify all of it into this package of wonder of all sorts

...And then there's the many bonus tracks also, which I'll just mention briefly since I almost forgot about them and because, yeah. I love them all, but the closest to my heart are Love Can Conquer All, She's An Anchorman, She's Beautiful (So What), Mid-Atlantic & This Angry Young Man (Ain't Angry No More) ((and the RON VOCAL VERSIONS OF THEM)) and Katherine Hepburn (love the whole Christi Haydon EP (and Christi is so cool and awesome I need to say that too today) and I should listen to it more, the Boris The Spider cover is fun as heck also)

And now bonus video for no reason from (almost) a year ago, because again, the nostalgiaaaa. (Back when I didn't have a shelf for my record player yet so it took up half of the space on my desk lol)

[velvetjune]

the chapter songs in Alan Wake 2,, flawless

[oflgtfol]

anyway, i’m leaving for my upstate eclipse trip on friday morning. gonna be about 8-10 hours in the car all by myself. i desperately need entertainment to occupy me during it. can i PLEASE get some music recommendations so i can check it out during the drive

[tankgotstuckinthecircusgate]

@mdemn "#i have no recollection of this guy in cannon so every time you mention him i think he is an oc" he's unfortunately real 😭😭😭If it wasn't for him and that arc "carlo killing his boss" i'm sure m2 would've left my brain a hundred times over😭😭

Tomaso Moretti was the founder and boss of the Moretti crime family until his assassination in 1933. The Moretti crime family was founded in 1913 by Tomaso Moretti and was active in Empire Bay until his death in 1933. Like most Mafia families during Prohibition, the majority of their money came from selling bootleg liquor that they smuggled in from Canada. After two years of conflict the war was brought to an end when one of Moretti's capo's, Carlo Falcone, conspired with Vinci family Consigliere Leo Galante to kill Tomaso Moretti. With the assistance of Steve Coyne, the two planted a bomb in Moretti's car outside his home, killing him instantly. With Moretti dead, Carlo Falcone took over his operations and founded the Falcone Crime Family out of what remained, bringing an end to the Moretti crime family's twenty year existence. * Carlo Falcone arrived in America in 1913 and quickly fell in with the Moretti family. He ran their bootlegging operation during Prohibition, working with Eddie Scarpa to run alcohol from Canada. Carlo secretly conspired with Frank Vinci to assassinate Tomaso Moretti in 1933, bringing the Vinci-Moretti War to an end and taking control of the Moretti family himself. An apt strategist and modernizer, Carlo has no time for Sicilian mafia traditions. He recognizes that the mob got rich through Prohibition, and that they need a similar revenue stream to stay at peace.

^ from mafia wiki

[thespamman24]

What your favorite jazzer says about you!

Louis Armstrong- You don’t know why I’ve just broken into your house and asked you at gunpoint what your favorite jazz artist is, as you don’t listen to much jazz.

Miles Davis- You’re basic.

Bill Evans- You’re racist.

Chett Baker- You want to have sex with Chett Baker. 

Sun Ra- As a kindergartner, you were reprimanded for eating paper, an event that has haunted you for life. A career as a very unique artist awaits you. Also, you can name every species of preying mantis, all 51 of them. 

Pharaoh Sanders- You don’t know shit about preying mantises. 

Alice Coltrane- You’ve been trying to find Satchinada for the last 20 years, but it continues to allude you.

Phelonois Monk- Your favorite kind of sandwich is peanut butter and jelly.

Peter Brotzmann- You didn’t stop eating paper at kindergarten. In fact, as you read this, you’re currently eating the stuff. You do you, I guess.

João Gilberto- You constantly carry around a fanny pack full of important provisions such as trail mix. You’re disappointed that no one wants to use your Netflix password.

Wayne Shorter- Everyone laughs at your pointy shoes. “What are you some kind of elf?” they ask. Then, you kick them. They aren’t laughing after that.

Duke Ellington- A prestigious career of drawing of drawing furry smut awaits you. I salute you. 

Ryo Fukuri- You keep a shotgun beneath your bed in case someone with tattoos comes too close to your front lawn.

Max Roach- You’re wondering if I may have switched those last two. No, I did not. Shut up. 

Charles Mingus- You wear a bald cap wherever you go because it increases the chances of being slapped on the head- the most enjoyable aspect of living.

John Coltrane- You’ve been kicked out of eighteen Whole Foods stores, and you plan to make that number in the triple digits before you depart this green earth. Nothing brings you more satisfaction than opening the nut dispensers and watching the waterfall of cashews descend onto the ground.

Art Blakey- Fuck if I know. 

[futurewife]

the way I'm obsessed with this thing but will probably never own it