Try list any Octo-Agents and think of an Episode you Think give them a Shining Moment
W O O F this took a while– I was thinking long and hard about this because there are SO MANY good moments and episodes 😅, and so many agents– it was difficult, but I’m happy with my answers 👀
Ranger Marsh’s Shine Episode is definitely The Monitor Lizards. I LOVE this episode, it’s one of my favourites in the whole series so far—not just because of the events in it, but as a concept. I LOVE the callback to the Great Swamp Search!! I watched the 2nd season blind, and seeing all these familiar faces was SUCH a fun surprise. It’s good for Ranger Marsh as a character, because it actually shows him doing his job as a Ranger, not as an Octo-Agent. It also reinforces the fact that he truly cares for and is friends with these creatures, even if they are invasive, and that he's willing to travel to check in on them. This is another episode that also proves (to me) that the writers know they’re dealing with an older audience for the show, and are more likely to delve into solid lore and continuity. This episode makes me really hopeful for more of that.
Natquik’s Shine Episode, WITHOUT QUESTION, is The Red Fox. Honestly I feel like I don’t need to explain why, but I will because I like talking ✨: Natquik is my favourite Octo-Agent, but overall we haven’t actually gotten that many episodes dedicated to him yet. The Red Fox gives us a close and personal look into what Natquik is like by himself (I love episodes where characters are alone 👀), how he deals with problems (by ignoring them until they get worse—which is interesting... *stares at Barnacles*...), and even hints toward his family, by showing us his family portraits, and leaving us wondering, “Where are they?” – There are so many moments I love in this episode, from when he first discovers the kits, decides to help them stay warm, rushes to protect Barnacles, to his bittersweet goodbye at the end. It’s all so perfect.
Tracker absolutely shines in The Missing Lake. Honestly, he shines a LOT in Above and Beyond, considering he never got his own episode in the main series, and was only in Operation Deep Freeze for two scenes. AnB has been really good to Tracker, and I’m so grateful they decided to make him an Agent. The Missing Lake sticks out to me the most, because for the most part he is by himself (and I’ve already mentioned my love for that <3), and unlike all his other episodes, we get to really see him be responsible and use his Polar Scout skills in action. He’s often portrayed as a follower, who just goes along with whatever he's told to do, but he takes charge twice in this episode: when he offers to help Rowan, and when he stays behind to save Buck. Love that for him.
Calico Jack. Ohhhhhhhhhhhhhh, Calico Jack....... I could talk forever about this funky old cat man. He doesn’t just shine, he GLOWS in every episode he’s in—but alas, for the sake of this post I will be focusing on The Harlequin Duck. I love the showing of his gentle parental instincts in this episode, and his singing; since we know he canonically has a theme song, that I headcanon he wrote himself. I think far too much, and often, about how he legit panicked when he realized the egg was missing. How his first instinct was to hide that fact from Captain Barnacles. He was terrified, having a full blown panic attack on screen. He apologizes to the mother duck with such genuine solace, and promises to get it back “On [his] honour as a pirate!” ...Which is extremely significant to me, considering Kwazii was the first character to EVER say the phrase: “On me honour as an Octonaut!” in The Flying Fish after Inkling’s book was lost – and of course as a final touch, I adore seeing him work with Pete to get the egg back. The way he tosses the egg in the air, fully trusting that Pete will catch it... they’re so in sync, just as pirate and parrot are meant to be ;)
Paani... I feel like there’s so much more to him than what we’ve seen so far, it almost feels unfair to assign him a “Shine Episode”. So, instead of highlighting a single episode, I’ll quickly talk about three that stick out (PS: you might sense a theme 🤣):
The Barnacle Geese - Uncle Paani. I like the “I’ll be my own uncle” joke, and the Edgar Allen Poe reference. I think Paani’s determination to help the chick (who doesn’t seem to want help) is nice to watch, and helps to prove his worthiness as an Agent—which is always fun considering his hesitance when Barnacles tried to recruit him in S1E1. In a way, this episode also makes Paani seem more like Barnacles. See my old post analyzing the show’s intro. (*Stares at the episode title* 👁️👁️)
The Arabian Camels - Take a shot of cocoa every time I mention my love for episodes where characters are forced to be by themselves. This one is especially interesting to me though, because we know that Paani was alone, for a very long time, before he met the Octonauts. He has no trouble working and getting by alone, and we get to see him exhibiting that, while being out of his element (a dry desert) at the same time; and that’s really cool.
The Lonely Frog - ...Y’know how they constantly make the Octonauts/Agents meet creatures with similar issues to them? Yeah. *Stares at the episode title.* *Stares at the end scene where he says “Kinda like when I met you guys!” before obnoxiously jumping into the lake, in response to Shellington+Peso saying “They never even knew each other existed before! [...] and now it’s like they’ve known each other all their lives!”* *STARES MORE AT THE EPISODE TITLE,,* *wonders how long Paani was actually alone before becoming an Agent...*
Pinto, where art thou? He wasn’t in S2 at all, which was a bit disappointing since we just saw him get an Octowatch in S1. I would’ve expected him to be pressing that button every chance he got, giving us a “Penguin who cried Octoalert” episode. But anyway,, The Curious Penguin is the PERFECT episode for Pinto. It shows his personality really well, and I love how his distractions and the things he learns and discovers help him to save the day in the end. I think Pinto (just like Kwazii) is a good portrayal of ADHD, and how he just needs to be in the right environment to succeed. Each time Pinto messes up or loses focus, isn’t because he was left alone and couldn’t be trusted—it’s because he was left alone and understimulated. So when he’s thrown into a sudden high-stakes situation, all of his focus hones in on the moment, and he’s able to save Dashi and Paani by himself.
AND, because you didn’t say it had to be an Above and Beyond moment, I want to throw some love at The Oarfish episode from the main series. In this episode, Pinto no longer views Peso as “less” than an Octonaut, and is so excited to watch him do his job—it’s really cute!! His impulsivity is once again a positive thing—granted, it seems to annoy Peso a little, but when you think about it he kinda saved the day by being impulsive. He sounded the Octoalert without permission, which let the captain know to come back before their radio signal cut out, and by being unafraid of the “monster” and swimming outside, he was able to discover what the problem was so that Peso could help. He did good.
Pearl.... I love Pearl a lot, but I can’t think of one specific episode that comes to mind for her. I love The Pupfish because it introduces Peri to AnB, and I love how he teaches her how to tie a knot, so she can save the algae (and Glen). I like The Bison episode because it’s interesting watching her not doing something with algae for once, and The Pink Glacier because her and Kwazii’s dynamic was something I didn’t know I needed, but now I want more of (/p).
Ryla. Possibly controversial opinion: I liked Ryla in The Caves of Sac Actun, more than I like her now in Above and Beyond. I know she’s only gotten 3 episodes so far, but she’s really missing something. Sac Actun gave us lore on her right off the bat: she’s old friends with Dashi, she’s a skilled cave explorer, she’s spunky, she’s purple. AnB hasn’t given us much yet. So far her only shtick is caves, and that’s getting a bit repetitive. Consider every moment she has in Sac Actun as her “Shining Moment”, because honestly that whole movie is a 10/10.
Koshi,,,, she hasn't gotten that much yet, but I'm gonna say The Longfin Eels is her Shine Episode. I like the way she narrates the whole episode, because it's very in-character. Plus we know she’s literally writing about this adventure in her diary as she's telling it, as if it were a mystery book. She reminds me of narrators from 1920s film noirs, and that’s cool. Also! Honorary mention of the scene when she gets her Octowatch: I loved that for her <3
Min is below the cut, because my answer for her includes some very heavy SEASON 5 SPOILERS, including SCREENSHOTS:
All of Min's appearances so far are dear to my heart. However, my favourite has to be her own introductory episode: The Giant Chinese Salamander.
The Rainforest Rescue is another amazing episode for Min—she’s a wonderful character on her own, of course—but I think we can all agree that she and Inkling are very adorable together (no matter how you interpret their relationship).
When Above and Beyond aired on Netflix, there was a lot of confusion around Min, from the younger audience and other fans who hadn’t seen S5. The Giant Chinese Salamander introduces Min with a 20-minute special; showing her in high-stakes action with Kwazii, bonding with the Octonauts, being an all-around Cool Person™, and a flashback of how she met Inkling when they were younger.
She saved his life. He was thrown far inland by a rough storm, and was trapped until she found him. I honestly headcanon that Min partially (if not outright) inspired Inkling to form the Octonauts, and this moment could have literally sealed the fate of EVERYTHING we know.
But! Until S5 comes out, that's all I've got to say~ 👋💝
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if you had to introduce someone to k project with the intention of getting them into the series, where would you tell them to start from? im honestly torn between LSW, the side:red novel or MOR
Honestly? The first season of the anime. It’s uneven but it does a good job introducing the world and the main cast, and it’s a good jumping off point to get into the other side materials based on which characters a person is most drawn to. The issue that I think comes up when you start with the side materials is they don’t all do as much to explain the larger ‘world’ of the series because it’s assumed the reader already knows about the basic Slate and Kings thing, most of that is just given a quick ‘as you well know’ nod. Season one can definitely be confusing (I think it holds up much better on second watch when you know what to look for and can see some of the more subtle stuff they’re doing) but it does at least make most of the worldbuilding stuff pretty clear. LSW I think is probably the weakest of the ones you mentioned on this point, it pretty much assumes anyone reading knows what kind of setting this is and mostly just nods at the parts that are relevant for the story, which could be troublesome for a new person going in blind.
MOR has a better sense of worldbuilding but I think still has a general ‘feeling’ of assumed knowledge, to me that one feels very much like a companion series that won’t hold up as well on its own (it also spoils the whole thing with Totsuka’s death in the final chapters, I feel like it works better reading this one after you’ve seen season one so the end scene of episode one with Colorless hits better). I also think MOR doesn’t work as well as a jumping in point because the early chapters are focused almost entirely on minor characters who barely have any lines in the series proper, I think starting with that one would give someone an incorrect idea of what/who the series is about — even DOB would technically be better here because its focus is a bit more narrowed, Awashima gets a chapter early on and Fushimi remains a consistent focus throughout and he’s at least more of a main character than the alphabet squad are. I also feel like the emotional heft of the last couple chapters doesn’t work as well if you aren’t already attached to these characters, I think it’s just stronger when there’s already a base to work from.
Side Red I think would actually be a good entry point outside of the anime though, the main drawback probably being that as a novel it might be seen as less accessible than the anime. Actually if we were going for ‘best entry point besides the anime’ my pick would probably be read Side Red and then watch the Seven Stories Side Blue. Side Red I think works really well as a prologue to the series, it brings in the worldbuilding elements and hints at future developments without outright spoiling them and gives good characterization to the Homra top three as well as Anna, Yata and Fushimi, all of whom are main characters, and it brings in things like the state of Mikoto’s Sword and the previous S4. Side Blue then makes a good prologue of the ‘other side,’ though I think the anime actually manages to do better than the novel on this one. Side Blue was written very early in the game and I think it shows, I feel like Munakata is written more manipulative and antagonistic than he is in the rest of the series and the novel has the same issue as MOR where it spends a lot of time with Hidaka and co., who then go on to not really matter all that much in the anime proper. The Seven Stories adaptation narrows that focus more around Munakata, smooths out some of the characterization issues without completely softening them, adds some flashbacks for additional world building and hints at the wider picture with the Greens at the end. If we’re not starting with the anime I would probably say start with Side Red and Blue and then go into season one, and then from there choose where to go next based on which characters caught the viewer’s eye the most.
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Ik you don't like ambigulous sexuality Mike so I would like to know, do you think canonically Mike will be explicitly gay? I don't even mean like saying the word gay I mean even just explaining that he didn't like El romantically. Bc I'm confident in endgame Byler but I find a lot of gay Mike theories far fetched in the sense that it makes sense but I don't really believe they'd do that in canon and I don't think it's what the Duffers intended (like the Phoebe Cates scene). I think that if they wanted to do explicitly gay Mike then they dragged on the Melvin storyline for way too long for it to make sense to anyone who isn't spending time analyzing Mike's behavior because so much gay mike proof is so subtle unlike general Byler proof which a lot of the GA has picked up on.
I know the show certainly shouldn't cater to the GA, but it should still be understandable to the audience even if they haven't spent hours analyzing, and I think by now they've passed the point where they could convincingly show that Mike never liked El romantically in the first place.
I know I sound like I'm repeating a lot of Byler anti talking points so sorry if I sound like a Byler anti, I promise I'm not. I just really don't understand how they would do gay Mike and would like to hear what you think.
this is from a week ago and i've talked about it again since but i was so flattered that you a) knew i don't like ambiguous sexuality mike and b) wanted to ask this to me. <3 and don't preemptively apologize omg i love you
i honestly feel like the main thing is an unhappy mlvn breakup. think this. in spirit. i am sorry to every platonic elmike enjoyer i think they could've had a relatively fun onscreen dynamic post-breakup had the s3 breakup been final i really do but this is a post-season 4 world. failed monologue and all that. only one season left. i need it to be clear somehow someway that this relationship hurt el and that their relationship was bad from the get-go. no idea how realistic this is btw but i feel like they can't afford to have them break up off-screen or to have it be vague à la season 2 stncy because it's their quote unquote main couple lol.
i feel like making it apparent that the relationship was bad for both of them would be ideal. and specifically el not being all mature all oh it's okay because i don't love you either would be good i think. we would've had that had the monologue not happened but we're past that now. i don't think they'll be on bad terms by the end of the show they're not gonna hate each other or anything but i don't see them being instant best friends after breaking up AT ALL
and yeah i agree that a lot of gay mike proof is only proof in the sense that it's in there and some of it is inconsequential. but that could also be said of some byler proof lol, like no one in the ga is thinking oh look blue met yellow in the west they're color-coded!!
i don't think they dragged mlvn on for too long and i can't for the life of me word it in a way that makes sense so i'm gonna link this post (inluding the tags from my mutual who reblogged it) :) i hate mlvn, hate with a capital h but i think them staying together this long (it's only been like a year and three months in the show which is kind of crazy) makes sense for them for multiple in-universe reasons (mike being the one who introduced the concept of romance to el, el only getting back together with mike after hopper died, i can think of about a thousand reasons for mike), but for us as viewers, yeah idk, obviously ending the season 4 with them being broken up for good would've made it easier for the ga to accept the possibility of byler being endgame and of mike being gay but it would've also been very obvious so i can see why they didn't do it. they still need people to tune in and also we needed to feel like we lost at the end of season 4 and that includes me and the other...27k tumblr bylers at the time
when you look at the facts i don't think gay mike would seem far-fetched to the average non-homophobic viewer: mike takes in a girl. kisses her after being told by everyone that he must like her, after telling her that his sister would be her sister and that and after 8 episodes of her being repeatedly mistaken for a boy and for will specifically. doesn't see her for a year, spends a season glued to will's side, kisses her again at the snow ball. pushes will away in season 3, inadvertently calls him out for being gay and for not growing up. starts having problems with his gf as soon as said gf starts to look like a girl and learns that she can have preferences of her own. lies to gf and gets broken up with, is very obnoxious about it all season. indirectly tells will he actually doesn't want to grow up and wants to keep playing with him at the end of the season. goes back to playing dnd as soon as s4 begins, which goes to show that he actually didn't mean what he said about wanting to grow up last season (either that or he's a hypocrite and hates will specifically. lol). acts weird with will again. focuses on his gf WHO LITERALLY LOOKS LIKE WILL IN A DRESS for the day. gets lied to by his gf and is then left behind by her, isn't as obnoxious about it but also keeps talking about his relationship without ever mentioning why they fought so he never has to explain why exactly he couldn't say That thing. to his boy best friend who he keeps having emotional talks with. doesn't say the thing until he gets told that he's the heart and all that by said boy best friend and still struggles to tell gf that he loves her. end of the world
i really think most of them are just not thinking about it. i remember asking my friend how likely byler being endgame was to her in august and she was like i...had never considered the possibility of el and mike not ending up together. then i talked her ear off for 60 minutes and she was like okayy i can see it maybe And she was sad for mike. so!
i think no matter how it goes we're gonna get an interview confirming it because they had to do it FOR WILL because people couldn't possibly imagine that the character who'd been called gay for the first time in the first twenty minutes of the show could actually be written to be gay
but maybe he'll tell us he's gay himself lol who knows
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@allvalley100
Prompt: Superstition
Pairing: YasMoon
This is a 3-parter--300 words total! @karatecaulfield writing Best Lesbians again <3
Anyways I wrote a YasMoon thing based on Love Like Woe by The Ready Set, because that's the first thing that popped into my head when I heard the word "Superstition" for some reason XD Damn, I haven't listened to this song in years, but it's still catchy as hell. It does sum up the S1 Moon-Yasmine fling that exists only in my overly complicated headcanons aksajdhsuoefgdu from Moon's POV surprisingly well. I imagine Yas was incredibly wild behind closed doors but super cold and controlled at school, and it drove Moon absolutely nuts because she was never sure which version she'd get. Anyways!
***
The Range Rover’s parked in her driveway again.
“Moon!”
She’s hopeless. Yasmine calls her name and she can’t fucking think.
Windswept blonde hair glows like citrine, catching sunset light. “Get in.”
Her beam’s a supernova. Worlds away from the tight frown at school, deepening as she swatted Moon’s hand away under the table.
Perhaps it’s a sixth sense, knowing she’s too ensnared in Yasmine’s aura. Perhaps it’s her superstitions overtaking her, assigning meaning to a fling with some vapid blonde who can’t make up her mind.
Moon still claims the passenger’s seat. She’s never known how to tell Yasmine no.
*
They’re going 90 in a 65.
Yasmine’s revving her engine, aggressively swerving around anyone too slow for her. Moon has to laugh as she shouts obscenities.
Yasmine whips through life like a torrential storm, hard to keep up with at the best of times. Moon’s learned the only way to handle it is to hold on tight and enjoy the ride.
It’s far from sensible, speeding down the highway at 6:00 on a school night. Moon wouldn’t have it any other way.
Even as city lights flick on in the dusk, the sun’s always shining when she’s with Yas.
*
Cool midnight air, a star-dotted sky, waves crashing, cicadas humming…
It’s all straight out of a romance movie, Moon thinks.
She and Yas sit inches from the edge of a seaside bluff, watching the water below. Moon feels soft hair and a warm chin rest on her shoulder.
She inhales sharply. Her arm circles Yasmine’s waist, but she wants to scream.
Why is this a secret? Why can’t we flaunt each other like those happy couples at school?
Moon exhales, letting the frustration wash away.
Perhaps if she’s patient, there’ll come a day when Yasmine tells everyone she’s Moon’s.
***
'Cause I've got some intuition, or maybe I'm superstitious
But I think you're a pretty sweet pill that I'm swallowing down
To counter this addiction
You've got me on a mission
Tell me, darling, can I get a break somehow?
Could I say no?
She's got a love like woe
Girl's got a love like woe
I kinda feel like it don't make sense
'Cause you're bringing me in and now you're kicking me out again
Love so strong
Then you moved on
Now I'm hung up in suspense
Because you're bringing me in and then you're kicking me out again
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