#I'VE ONLY SEEN THEIR BLUE

[scarystickers]

Media that the gay tumblr people love

[horrorlesbians]

i just kept spinning and i danced myself to death

[all films are listed in the youtube description]

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[official-williewoo]

Biscuit man demands treats. What do you bring him?

[francy-sketches]

made a pie chart of asoiaf dragon colors bc I was curious about it ^_^ my verdict is asoiaf is severely lacking in cool dragon designs why's there so much grey/brown/green I need more prettygirls. (I based this off of the books/grrm's descriptions, so vhagar is counted as bronze and vermax is undescribed even tho they're green in hotd. also quicksilver is technically undescribed but I counted her as silver bc of the name)

also heres a version not counting the undescribed ones

[tvckerwash]

you know, an interpretation of ct that I don't see that I personally really love is that she's a fuck up. like yes she's cool and she has some good fight scenes, but a huge part of her character is that she makes mistakes. the mistakes that she makes are ones that on their own aren't the end of the world, but she keeps making these little mistakes, and they eventually add up until she's out of room to make any more.

a really good example of this phenomenon in action is the actions she took leading up to her final confrontation with carolina and tex.

strike one, she thought she saw something in the water, but when asked by the leader what it was, she brushed it off as nothing when even if it had been nothing, it would've been smart to tell him what she thought she saw.

strike two, she didn't sense or notice florida's presence when the leader did, and she looks at the leader twice, once as she pulled out her magnums, and again after she did a scan of the room, almost like she was looking at him for guidance before he finds florida and takes him out with one good axe throw.

strike three, she couldn't convince the leader to leave when they had the chance to get away, and her cheap tricks were not enough to hold off either tex or carolina in a fight. they were only good for incapacitating her opponents enough for her to get away, which doesn't work when she has no escape.

ct is not tex, or carolina, or south. she is not a one woman army who can get herself out of trouble when she's stuck in tough situations. she needs people who can watch her back, she need a team who can cover her when she does mess up, and the leader and his team were not those people. she couldn't bring herself to trust them, and they couldn't bring themselves to trust her, and that cost all of them their lives.

[canisalbus]

I love the shape language for Machete and Vasco, how angular and pointy the former is VS how round and soft the other... It's so GOOD I adore that

Thank you! I like the contrast as well, it makes them very fun to draw together. I try to keep them visually distinct while still making sure that they look harmonious and complementary next to each other.

[mezzmerizd]

so funny thing that happened on twitter-

and erm, i got some help and feedback from more knowledgeable people (@leoincaps) soooo-

Young Emo Tango & Scene Skizz respectively :3

[a-really-cool-blog-name]

I think we should give Rise!Casey a little brother named Angel and do something angsty with that

[dr-oshawott-art]

Now that's a system I would have massive nostalgia for

[emptylotfiasco]

Regarding church being an unreliable narrator/Tex not being the ai for failure. I always interpreted church saying that not as the director but as a fragment of alpha. Like he knows this because he and Tex are parts of the same person and he knows how she feels because thats a piece of him, just like how he has access to other fragments (theta, delta, all of them pretty much actually) by virtue of being epsilon, the memories of alpha. when i say that he knows how Tex feels, i mean tex NOT Allison. Alpha knows Allison the same as the director does, but epsilon would know Tex more than the director, because Tex is the fragment of alpha and he has all the memories of alpha. I always saw the way he talked about her failures as really personal.

Like to me this sounds like how Tex herself would put it. it reminds me of the scene in the directors room where epsilon gets so emotional he starts switching between fragments. Epsilon was seperate from those fragments but he felt their anger.

I do think there is some merit to the failure thing not being entirely true (are Tex's feelings subjective? Are her standards for failure something the director instilled in her? If she was the fragment for failure could she outgrow it, like how delta is capable of expressing emotions that arent logical?), but if what Church said here doesn't encapsulate how Tex feels then I dont understand why she'd avoid him in the memory unit when he was trying to save her.

[kittenchrissy]

I had to do it

Christian in this outfit deserves Dino's huge attention🥰

[running-in-the-dark]

John Larroquette in Altered States (1980)

[awful-unlawful-waffle]

do people know that you don't have to marry shane to get blue chickens

[influencerpippin]

[meraki-yao]

Suddenly have a need to see Henry in a tiara