#I've wanted to do something else like it. I just wanted the design to be more refined and elaborate. However

[mymarifae]

me: i finished the latest trailblaze mission in hsr so i can look at what other people are posting now! oh boy i hope it's discussions and theories about the story. i can't wait to see what everyone thought about firefly (what was going on with you sweetie...) and A Child's Dream - that segment in particular really left a profound impact on me. like who is mikhail? the voice we hear throughout is obviously misha's - did he have a twin? does mikhail have something to do with clockie? and from what we heard and saw, misha or... mikhail. encountered the embodiment of Death that lurks beneath the dreamscape. what's... the full story there...? i can't wait to see other people's perspectives it'll help me piece a more coherent theory together-

other hsr fans: *thirstposting about aventurine and/or dr. ratio, trying to cancel sparkle even though the entire point of her character is that yes she's a horrible person because it's high time we see how DANGEROUS and CRUEL the masked fools can be - no more reducing them to the silly wacky hijinks sampo pulled on jarilo; you should be scared of these guys; the game's story never wanted you to make sparkle your next skrunkly blorbo babygirl lol, heated discussions about whether dr. ratio displayed the same racism towards aventurine that sparkle did and if that makes aventurine/ratio a bad thing to ship (??????????), more thirstposts about aventurine, 500 billion generic yaois of aventurine and ratio that don't even maintain either of their characters*

me:

[aggravatedanarchy]

Hello Kind Soul 💕

I am trying to evacuate my family from Gaza to safe area to save our lives ASAP 🙏

I Ask if you could support us by share my blog and boost my campaign?

https://www.gofundme.com/f/Stand-With-AlBalawi-Family

If you are generous enough, you can donate any small contribution, it really helps ❤

Of course!

Anyone who can donate, please consider doing so! It looks like they're currently at just under halfway to their goal.

If you're unable to donate, please consider reblogging this so that it might reach someone who can! (And hey, maybe consider reblogging it even if you did!)

Wishing you the best; I don't generally pray, but I will keep you in mine moving forward.

Here's a photo of my cat to hopefully get this more traction (and so I can put this in more tags)

[fragmentedblade]

I have so many screenshots of Kalpas' face I could reconstruct his face at this point, and I'm afraid to say I'm not sure his face is scarred

[hikayunas]

🫀

[neverendingford]

.

[gachaparadise]

ahhh the Penacony leaks are really coming in now.

*chuckles* I'm in danger.

[svtskneecaps]

i always know i’m getting stressed when my comfort fic becomes “time travel fix-it” adjacent. like honestly when i put that tag back in the ao3 include filters that should have been a red flag.

[sillimancer]

2024 us political landscape as someone on the lefter end of the spectrum feels kinda like the end of that one spongebob episode where he finally starts doing fry cook shit after pissing everyone off trying to act and sing and everyone's cheering for him as he gradually figures out people don't want him to act and sing they want him to make their fucking krabby patties

[gamebunny-advance]

I Shoulda Just Set that Poll for 24 Hours

Thanks for voting if you did~ That poll is still open if you missed it, but it's not that important, so don't worry about it too much if you did~

Anyway, I went to check on the interest check poll and the results are pretty even, all things considered. NSR is predictably first, followed by Original Content (y'all flatter me~), and Other Video Game. Everything else is kinda spread out.

(If you wanna calculate the exact numbers yourself, I voted for "other" just to check in, so be sure to subtract me from the results.)

I'm a bit curious about what "other video game" entails though, since I figured I listed everything I've ever majorly talked about (I guess I left out the Mii games, but is anyone really still here for that?). I just included it in case I forgot something, but I really don't know what I would've forgotten.

Unless, some people consider some of the Smash guys to be "other".

I had thought about adding a note that Smash included any characters that appear from that game that aren't otherwise mentioned. This included characters that are more known for their main series, i.e. Mario Bros. or Pac-Man, but that note didn't fit, and I figured y'all would know that on your own, but maybe not. I guess adding series that are represented in Smash (Animal Crossing, Pikmin, etc.) separately might have given the expectation that Smash represented Smash only content. My reasoning was that for the most part, I only talk about some characters in the context of Smash (like Red and Lucas) whereas I will talk about things like AC and Pikmin by themselves. So essentially, Smash was the "other games" option, but just for series that are in Smash.

Dunno. That's the only logic that makes sense to me for why that option came in third when I have a fairly narrow focus on the specific things I regularly talk about here. If it was something that I thought I talked about significantly, something that someone would follow me for, then I added it to the poll.

I'm also surprised that no one who voted is still here for Animal Crossing, even though that's arguably one of the big things I used to be known for. I guess I haven't really drawn it in a while, but I consider that game to be inseparable from my identity, but I guess on the outside it is.

[ivygorgon]

I made the terrarium computer desk a few years ago (https://youtu.be/UrrQodJExb0), which is still one of my favorite projects to date. I had a lot of fun with it and ever since, I've wanted to do something else like it. I just wanted the design to be more refined and elaborate. However, I've been planning for this specific build since last year and began making in May. There were a few key features I wanted to include in this terrarium table - a waterfall edge, a live edge, a stream, and an actual running waterfall. Deciding how to best construct it, while retaining a beautiful design was difficult, but I couldn't be happier with how it turned out. It's hands down one of my favorite projects I've ever done. Learn More in my Blog https://www.serpadesign.com/blog Follow SerpaDesign Instagram - https://www.instagram.com/serpadesign/ TikTok - https://www.tiktok.com/@serpadesign Second Channel - https://www.youtube.com/tannerserpa #terrarium #ecosystem #serpadesign

[akari-hope]

.

[nereidprinc3ss]

do you believe me now? | 2

in which fem!reader is feeling insecure about how inexperienced she is around spencer's friends and seeks his expertise to amend the problem

series masterlist

18+ (smut) warnings/tags: inexperienced reader, oral f receiving, (MUNCH!SPENCE RETURNS), fingering, (very) insecure reader, softdom!spencer, sub reader, nipple stuff, kinda sorta implied age gap, god i'm probably forgetting things pls lmk if i missed something important a/n: i've been laboring at this bad boy every day for so long i had to immediately post once it was completed lol. there will be a part three ... maybe i already started it ..... anyway i love u guys and i hope this is a satisfactory part two!! PLS lmk if you liked it!! hearing from u makes my day :')

When Spencer dropped you off at Penelope’s apartment for your first girl’s night—the hostess had promised you, JJ, and Emily lots of gossip sans 'icky men'—you had been ecstatic. You wouldn’t stop rambling to him about how excited you were. 

When he picks you up two and a half hours later, he can hardly get a word out of you. 

It’s not his fault, of course—well, not really, anyway. It’s just that all the girls had wanted to talk about was sex. A topic on which you held very little expertise and had essentially nothing to contribute. Out of the four, you were the only non-FBI agent, the youngest, and undoubtedly the least experienced. It was like high school all over again, except you actually desperately wanted to impress Spencer’s friends. All in all, you weaseled your way out of sharing without giving away that you were still very much a virgin. Sure, you could have said ‘we did hand stuff two weeks ago’, but you had a feeling these women wouldn’t consider that very impressive. 

But you can’t easily relay that information to Spencer—even when he immediately picks up on your sullen mood. He asks you what’s wrong as you make your way down the echoey staircase, but you hold back, muttering something along the lines of we’ll talk about it later. 

Later doesn’t come on the sidewalk outside. It doesn’t come in the car, or at any point during the twenty minute drive, but you feel it rapidly approaching as you climb the stairs to Spencer’s apartment. He unlocks the door and holds it open for you, doesn’t speak as you kick off your shoes and wander aimlessly into the living room.

“Did you eat?” He finally asks, hanging his keys on a hook by the door and glancing over to where you linger in the center of the room like a ghost. 

“Not hungry.”

You both know that wasn’t the question, but he lets it go. 

“Alright... well, I was thinking—“

“Why haven’t we had sex?”

The question flies from your mouth before you can stop it. It tastes like metal and you wish you could take it back as you stand there, cheeks hot and awaiting a reply. It seems you’ve thoroughly astonished Spencer as he gapes at you like a fish out of water for several silent moments, eventually opting to shove his hands in his pockets and shake his head at the wall as he processes the question. 

“I… I don’t know. We just haven’t. Does that bother you?”

Suddenly your whole body feels intolerably warm. Your fingers twitch against your thighs. Of course it bothers you. 

“Do you just not want to? You aren’t attracted to me like that?”

God, you despise how fragile your voice sounds—how much you obviously care, how insecure you clearly are. Spencer picks up on it, despite your most fervent wishing that he wouldn’t, and approaches, stopping a few feet away. You stare at the span of oriental design on the floor between your feet. 

“That’s not at all what I said, angel. I wish you wouldn’t put words in my mouth.”

“Well, then… say something else,” you plead quietly, childishly, still unable to meet his eyes. Prove me wrong. 

He sighs, which does not bode well for you. You wonder if you accidentally triggered the early demise of your relationship and christ do you wish you could rewind. When he steps closer, when his hands find your arms, you’re not sure where to look. But the low, sweet tone of his voice entices you to finally meet his gaze, charmed like a snake as his eyes dart between yours. 

“You know that’s not how I feel.”

You shake your head earnestly, looking up at him with wide eyes as he slowly rubs your arms. 

“No. No, I don’t know that.”

Spencer frowns, glancing at your lips as he speaks. It’s impossible to not do the same when he’s standing so close. 

“But I’ve told you. I don’t understand how you couldn’t know how far from the truth that is.”

You think back to two weeks ago—the first and only time he’d ever done anything more than kiss you. A different kind of flush replaces the shameful one in your cheeks as you try to make your case and not get distracted by the memories of his hands all over you.

“So why won’t you prove it?”

It’d been intended to come out cool, but instead you sound a little desperate, a little out of breath as you realize you and Spencer somehow ended up so close to each other you can feel the warmth radiating from his body. 

“Is that what you need from me? More proof?”

He speaks so lowly, his fingers press into the flesh of your arms portentously, and you think maybe you’ve poked the bear one too many times. But you won’t back down now—not when you think you might actually get what you want. 

So you look up at him and nod, throat too dry to speak. His eyes are deceptively soft, but you don’t miss the big bad something lurking just beneath the surface of the placid hazel. 

“And how do you think I should prove it?”

“I told you what I want,” you whisper, speaking above your pounding heart. 

“Not tonight, honey. Choose something else.”

“Well—that’s not fair,” you stammer, “the whole point is for you to want to have sex with me.”

Spencer smiles a little, tucking hair behind your ear. “I do want that. I promise you I do. But there are other things I want us to do first.”

“Then I want to do that, too! I just—I don’t know what I’m doing, and you do, and I’m already out on a limb by asking for this much. I know this is what I want but I need you to take the lead here. I trust you, Spencer.” You top off the monologue with an imploring gaze—hoping it delivers even a fraction of the impact that his puppy-dog eyes always have on you. 

He seems to study every square inch of your face as you wait in suspense for him to say something. At long last, his lips part—to no avail for several more seconds as he regards you. 

When the words finally do come, they’re an immense relief of pressure. 

“You’re going to promise me that you’ll communicate honestly. That means telling me if we need to slow down or stop, or if you don’t like something—”

“I promise,” you say, perhaps over-eagerly, offering him your extended little finger. 

An incredulous smile narrows his eyes. 

“Is this a pinky-promise?”

“It is.” You wiggle the finger in emphasis, and he shakes his head, smiling wider as you link pinkies. 

“I left you with Garcia for far too long.”

You shush him, disentangling your hands to cup his jaw and press your lips to his. It’s sweet and smiley until it isn’t—until everything slows down like sticky molasses and his hand is ghosting over your cheek, your neck, the curve of your waist, finally substantiating itself on your hip—the other encouraging you to tilt your head back as he deepens the kiss and you feel yourself melting under the heat of his touch. 

The pressure of his body against yours builds until you’re forced to take a step back, and then another, and another. Without question you allow yourself to be herded toward the bedroom, walked slowly backward as he keeps kissing you and blindly trusting he’ll make sure you don’t run in to anything. The bedroom door clicks shut behind him, and it is in all practicality a pointless gesture—but you find it incredibly comforting nonetheless.  

It’s too warm beneath your sweater and his hands are cool as they slip under the hem, sliding against the curve of your hip. Spencer’s never seen you without a shirt, you realize, as he pulls away from the kiss by only centimeters.  

“Off?” he mutters, thumbing at the knit fabric. And while you’re far from confident, you’ve certainly been making progress in this area. You help him tug it over your head without a word, noting a distinct and surprising lack of terror within yourself as you watch for his reaction to you. Hands glide slowly up your waist and you find yourself enchanted by the slight furrow of his brow, the parting of his lips. He traces down the lacy edge of your bra, skimming sensitive skin as he goes. 

“Pretty,” he murmurs. “You’re… so pretty.”

It seems you’ve rendered him uncharacteristically prosaic. The reaction might be underwhelming if it were anyone else—but Spencer Reid is a man who probably knows every synonym for pretty in the English language. Looking at you, he can’t think of a single one. In an odd way, it’s the highest compliment he could pay you. Your cheeks heat and your stomach flips as he drags a knuckle up the center of the cup, and you can feel it through the layers of lace and fabric. He leans forward, ghosting his lips over yours and continuing to run his fingers over the sensitive spot. “Do you know how pretty you are?”

This is one argument you will not be winning—one he’ll keep bringing up at the most inopportune times until he gets his way. 

“Spencer…”

“Don’t Spencer me. I’m asking you a question.”

The words don’t seem nearly as harsh as they really are when they’re delivered velvet-soft, with his lips and hands on you—when he’s so deftly popping the button on your jeans and dragging the zipper down with all the quickness of a slight-of-hand. It makes it hard to focus, even harder to speak. 

“We have… we have differing views on this matter.”

Generous handfuls of your hips and ass are taken as he helps you tug down your jeans before you kick them off, now left just in your underwear. 

“I thought I argued my point fairly well last time you were here. You didn’t learn anything from that?”

“Mm… maybe you just need to remind me.”

“Oh, I think I have to,” he agrees through a smile you can only hear. Gentle fingers skim up your back and tap the clasp of your bra. “How about this? Can we take this off?”

Any confidence from earlier crumbles and you loose a nervous hum—which is not the enthusiastic yes you’re sure Spencer will be seeking all evening. He pulls away, features etched with the beginnings of concern and a searching gaze. Asking would be unnecessary; the words simply come tumbling out of you. 

“What if you don’t like how I look?”

Spencer doesn’t even blink.

“That’s not going to happen.”

How you wish you could have the same assuredness in yourself that he seems to. 

“But what if… what if you’ve been with other girls who are more, like—I don’t know, just—better? Prettier?”

“Honey, you’re—” a sigh, a pause as he searches for the words—his eyes dart up and down your form, assessing, and when he looks back up at you, they’ve cleared and softened. He pulls you a little closer, rubbing circles into your back with his thumb. “I’m not thinking about anyone else right now. I’m not interested in anyone else right now. I already think you’re perfect, and I’m going to keep thinking that regardless of how you look. When I look at you, I’m not looking for things to critique. Do you understand me?”

As far as sentiments go, it’s a nice one. But the pressure of being seen still feels like an impossible burden. You whine, leaning your head against Spencer’s chest. He accepts your weight and runs his hand over your back as you look up at him. 

“But what if I’m hideously deformed?”

His eyebrows raise. 

“You’re not.”

“But what if I am?”

“Okay. It seems like you don’t feel ready yet, which is completely fine, we just won’t—”

“No!” you protest. “I am ready. I am. But… you have to promise to be nice to me no matter what. Or break up with me if you don’t like what you see so I don't have to wonder.”

“You’re ridiculous,” he says, kissing you, “and the only thing I’m willing to promise is that I’ll think you’re perfect. Me being nice will come as a natural byproduct of that which is very different than being nice by artifice. Take it or leave it.”

A moment of hesitance—but it’s short-lived. This is more important than your insecurities. Spencer is more important. 

“Take it,” you mumble against his lips. His fingers trace up the smooth skin of your back, all the way to the fabric and metal hooks on your bra. 

“Thank you.”

You wouldn’t have thought Spencer’s genius would manifest in being really good at undoing the clasp of a bra, but you can truly say you’re impressed by the ease with which he does it. It falls to the floor, leaving you completely shirtless for the first time in front of him. 

“Well?” you murmur, arms crossed defensively underneath your chest, because you understand overtop would sort of ruin the whole thing. “What’s the verdict?”

“You,” Spencer manages after a moment—you literally watch him memorizing every square inch of your body— “are ridiculously beautiful.”

The way his voice gets quieter makes your stomach flip. It sounds genuine. Too genuine to be faked. 

“So… no breakup?”

It seems that the more vulnerable you feel, the less likely you are to take a compliment. Spencer, who is always seeking patterns, probably recognizes this one, and doesn’t push you so hard this time. After a silent moment, he sighs and cradles your face in his hands. 

“You’re gorgeous. I hate how incapable you are of seeing that. We’re going to talk about this.”

“Yeah, but not right now, right?” you murmur, standing up on your tiptoes to kiss him. 

“Not right now,” he agrees. 

His lips are so soft and gentle against your own it feels like love, it feels like being talked down from the ledge of your own insanity. Somehow the way he strokes your hip feels more nurturing than sexual. It’s like he has sex and chaste affection on tap, able to turn them on and off at will. You’re happy to drown in either. Ideally, both.

After a while, his hands begin roaming farther, become bolder in their excursions over your flesh. Up, down, over your waist and ribs. Clearly Spencer had been trying to ease you into it, but you still can’t hide your sharp inhalation when his thumbs graze the sensitive skin of your breasts. He pulls his lips from yours, hands splayed over your sides. 

“Sit down.”

It’s much too gentle to be a command, but you frown. 

“Without you?”

“I’m not going anywhere,” he chuckles, lightly squeezing your waist. “Just sit. Utilize patience.”

You sit on the edge of the bed with an atypical reticence—you’re just a little too nervous for a snippy comeback. Spencer picks up on this, features softening sympathetically as he undoes his tie with nimble fingers. It lands somewhere on the bed and he leans over you, resting his weight on his fists and offering you a quick kiss. His voice is soft and designed to soothe as he speaks, mere inches away from your face, and so quiet it could only be heard at this range. 

“Are you nervous?” Cloth from the duvet pinches between your fingers. For a moment you don’t reply, dropping your head to watch when Spencer runs his hand over your thigh. “It’s okay if you’re feeling anxious, baby. We don’t have to do anything tonight.”

You expel a frustrated huff. 

“I want to. Just because I’m nervous doesn’t mean I don’t want this. I can handle a little bit of anxiety.”

He hums, dropping to a crouch and inserting himself directly in your line of sight. 

“I know you can. But you don’t always have to push yourself so hard.”

“I’m fine pushing myself a little. I pinky-promised I would tell you if I wanted to stop, remember?”

“Oh, how could I forget a pinky-promise?” he smiles. 

How could you forget anything, you think, becoming flushed and silently insolent at his dulcet teasing. 

“Please, do something.” It’s a whisper, brushing his lips as you lean down until you’re nose to nose. His hands are on the back of your legs. 

“I’m working on it.”

“It doesn’t look like it.”

“You’re smart, angel. Tell me why I've got you naked on my bed and I’m kneeling in front of you. Where could I possibly be taking this?”

Oh, you have a pretty strong inkling—but you’re scared to voice it and be wrong. Instead of risking it you shake your head slowly, shyly. What you’re not expecting is for Spencer to duck his head down, slide his hands up the side of your thighs and press kisses to the delicate skin there. It feels good—better than you’d have thought. 

“You don’t know?” he asks, looking up at you through burnished gold-rimmed pupils. “No guesses?”

“No guesses,” you agree breathlessly, hotter than you were when you had your clothes on and all the energy in your body condensed into one point between your legs. Spencer hums like he’s considering your answer, smoothing his thumbs over the soft skin of your thighs so gently it feels like burning. 

“I don’t think you’re being entirely truthful. Lie back, sweetheart.”

You do as you’re told, scooting up on the mattress and falling back on your elbows. Spencer wastes no time in climbing over you, leaving you in much the same position as the last time you’d been in his bed. The sheets feel cool against your bare skin, but he is exceptionally warm and solid over you. 

“I’m being honest.” Lie. “I don’t know what you’re going to do.”

Lips find the most sensitive spot of your neck, dancing over it torturously. The front of his shirt brushes your chest. Your thighs clamp together. 

“I don't like being lied to. Just say it, baby. I know you know.”

“Spencer,” you whine, fists bunching the excess fabric around his waist. Warm breath condensates on the skin of your neck as he chuckles. 

“You don’t like being teased, huh?”

“Please, Spence,” you whisper. You notice the pattern of his breathing pause momentarily before it all comes rushing out at once—and you catalogue that particular plea for later usage. 

“I can’t say no when you ask me like that.”

You push your fingers into his soft hair. 

“I know.”

It was a lucky guess. 

He’s still for a moment, relishing the feeling of your hands in his hair, before darting up to kiss you. 

“I’m going to use my mouth this time,” he murmurs against your lips. Though you knew that was what he intended, your heart stumbles in its perpetual march. “Is that okay?”

“What if I…”

You trail off. This is a very intimate situation which you’re not quite sure you have delicate enough language for. Or maybe you’re just stalling. Either way, Spencer is eternally patient with you. 

“You need to stop worrying so much, pretty girl. I’d love to do this for you. But it’s your call.”

“Love is a pretty strong word.”

“Sometimes I think not strong enough.”

The way he’s looking down at you so tenderly, brushing hair from your face, makes you think maybe he’s not just talking about how much he would love to go down on you. Regardless, it fortifies your trust in him. Spencer is the kindest person you know. He’s so clearly an enthusiastic giver. Why not allow him to give you this? 

“Okay,” you breathe. “You can—yeah.”

As usual, you’re impressively awkward, but he doesn’t seem to mind. In fact, you think he not-so-secretly delights in being the one to fluster instead of the other way around. Rarely has he mentioned his past romantic and sexual exploits, but gathering bits and pieces, you assume he was a fairly late bloomer. He probably knows what it’s like to be nervous and so deeply unsure of yourself. 

“Do you remember what you promised me?” he whispers, pressing butterfly-light kisses to your jaw. Your eyes flutter shut as his lips traverse down your neck, teeth skimming over the delicate skin while your breath catches. 

“Mhm.”

“You’re not gonna break that promise, are you?”

His voice, soft and muffled by your skin, is the most exhilarating and disorienting high. Your entire body buzzes with anticipation, satisfied only where his lips soothe and his body presses against yours. It takes a moment for you to remember to reply. 

“No.”

Reward comes in the form of his thumb brushing over the peak of your breast at the same time as he murmurs, “good girl.”

Your stomach flips at the endearment—you squeak and arch into him slightly. Spencer’s hand slides down your ribs as he chuckles, lips pressed just above your collarbone. 

“You’ve never called me that before,” you shudder as he continues kissing over your neck. 

“It’s not appropriate in most conversational contexts. But I can tell you’ve always been good.”

“Really? How?”

Spencer pauses, pushing himself up to regard you with searching eyes. The places he’d kissed feel cold without him. 

“I just can. You’re thinking too much, baby. I need your focus on me.”

“It is on you,” you huff. 

You watch his expression shift minutely. He loves games. Of course he’d love playing with you. That knowledge is why you’re only partially surprised when his thumb catches on your nipple again. 

“Is it? You’re only thinking about how it feels when I touch you here?”

A stammering nod. 

He toys with the sensitive flesh only a second more, amusement lighting his eyes, before dragging his hand down, down, down until it’s between your legs. Fingers trail over your clothed core, skimming the most sensitive part of you while your breath hitches.  

“Tell me how it feels when I touch you here.”

“Really good,” you admit, a heavy exhale escaping parted lips as he pins you with his gaze. 

“Really good, right. I can make it feel even better. Do you want me to make it feel better?”

Your thighs drop fully open and he adds just a bit more pressure until you’re pushing against his hand in search of more friction. 

“Yes please.”

“Then no more questions. I need you to trust me.”

Your answer is a breathy, dreamy sigh—you’d do anything, say anything for him. 

“Okay.”

Spencer kisses you, absorbing your noises of protest as his hand ceases between your legs and settles on your hip. But you’re trusting him. No whiny complaining. No unnecessary questions. 

Things go much quicker once you’re not interrupting him every twenty seconds to say something. His lips reattach to your neck, retracing their path (albeit quicker) until he’s below your collarbone. You watch in rapt fascination, twisted brows and parted lips as he peppers kisses down over your breast before dragging his tongue over your nipple. A jolted little moan spills out because you hadn’t been prepared to hold one in. Waves of hair fall over Spencer’s face, obscuring him from your vision, but you don’t think to push it away—your body is too busy processing the sensation to be much use on any other front. He darts his tongue over the peaked flesh, eliciting more little open-mouthed exhalations of pleasure from you. Earlier you hadn’t really thought it necessary for your bra to come off—you had no idea this could actually feel so good. A moment later he begins toying with the other nipple and you gasp as a bolt of heat goes straight to your core. 

You curse, further words catching in your throat as he suddenly switches, mouthing at your other breast and letting the cold air chill the other until you have goosebumps. It feels a little like hypnosis—you’re unable to move or speak as his tongue laves over you. Soon he’s replacing his mouth with a thumb again, sucking a mark onto your tit just above your nipple. You whimper a little at the pleasant brutality of it, hoping as he releases that it won’t soon fade. Spencer swipes over the stinging skin and presses a tender kiss to it, almost like an apology—but you sincerely doubt he’s actually sorry. 

Then he resumes his descent, leaving soft kisses down between your breasts, over your ribcage and stomach—when he reaches your hips, he doesn’t pull off your underwear all at once. Rather, he slides the fabric down centimeter by centimeter, kissing the revealed skin like it’s precious. 

This time you don’t need to be told to lift your hips. He helps you slip the final piece of clothing down and off of your legs, flinging it somewhere blindly before getting comfortable between your thighs once more. Your heart pounds with arousal and anxiety as his arms wrap around your thighs and his hands rub up and down the tops of them slowly. 

“God, you’re fucking beautiful,” he mumbles, loosening his hold on one leg to thumb at your folds. They glisten in the dim light of his bedroom as he gently reveals your clit. A soft whine escapes you when he nudges at the aching bud, slipping over it a few times and alleviating a bit of the pressure that’s been building. “Shh, baby. I know. I’m gonna take care of it. You’re being so good for me.”

Fuck. The way he talks to you makes your brain turn to mush—you’re utterly incapable of forming an intelligent thought. Spencer has rendered you a complete idiot, and you’re not upset about it in the slightest. 

He presses more gentle kisses to the creases between your thighs, just above your clit—everywhere except for where you need him most. Everything aches for him in the best way and at least you’re too turned on to be very insecure anymore. All you want is relief. But you’re trusting him. 

Thankfully, he delivers. 

The tip of his tongue grazes so lightly over your clit that if you weren’t this worked up you may not have felt it at all. In your current state, however, the stimulation echoes through every atom of your being. Every muscle is tense, frozen in place—you can’t even breathe for a second. He does it again, a little flatter, with a little more pressure, and you whimper. It’s a delicate thing, almost pained and definitely overwhelmed as he gently begins working his tongue against you. Your head cranes up to watch, your jaw drops. Approximations of curse words try to form, but come out only as, “f-fu—oh,” so whiny and soft it doesn’t even sound like you. He hums sympathetically, but you suspect it morphs into a chuckle as you continue to gasp and mewl. 

There are times where you can hold back sounds of pleasure. When you’re by yourself, it’s typically not a problem. Two weeks ago when Spencer was knuckle deep in you for the first time, it had certainly been a challenge, and you’d pretty much given up. But this—this is something else entirely. It feels like religion. It feels like compulsion. Even if you had the slightest modicum of control over yourself, which you currently don’t, you wouldn’t want to keep quiet. You want him to know what he’s doing to you. 

So you let every cry, every whine and whimper drag from your lungs, unbidden and unshaped. You’re new at this, after all—every broad lick feels so good that you have no fucking idea what do to with your hands or how to stop rolling your hips or how to censor your sounds. 

“Spencer,” you keen in one of the moments you remember to breathe. He moans against you, taking you into his mouth and sucking lightly. Your hips buck. “Oh, my—fuck!”

The hand that’s still around your thigh rubs soothing lines up and down. The one that’s spreading you open pulls your folds apart a little bit further, granting him more access to your clit. He flicks his tongue and you almost come then and there, vision going gray for a split second. 

“Wait, wait, Spence—“ you squeak, writhing and trying not to squeeze your thighs together for fear of hurting him. He pulls back and looks up at you, lips shining with your slick and eyes glazed with lust. Fuckfuckfuck he looks so fucking good. “Please, just… slow down, or I’m gonna… or it’s gonna be over.”

The corner of his mouth twitches as he rubs circles into your inner thigh. 

“It’s over when you say it’s over. You don’t have a refractory period. We don’t have to stop at one.”

“Oh—you don’t—you don’t have to do that,” you stammer. 

“I know I don’t have to. But if you want me to, I want to. You taste so good, angel girl.”

Well, shit. 

He looks absurdly sexy between your legs like this. You have no idea how you got so lucky, but you don’t plan on taking it for granted. Your fingers tangle in his hair. 

“I don’t know if I can do more than one,” you admit shyly, slightly embarrassed by how little you know about yourself and in general compared to Spencer. Hazel eyes sparkle in the warm light. 

“How about we start with one and see how it feels?”

Your voice is breathy when you respond, “okay,” already impatient for him to get back to it. Spencer seems just as eager, immediately kissing between your legs with a passion that makes your lips jealous. 

The flat of his tongue presses circles against you and your hips buck, already ramping up to that point you’d been at before calling a time-out. Slowly his fingers find their way to your entrance and he teases you with them, dipping in to the first knuckle before withdrawing again. If you could form words, you’d beg him to just do it already, but all you can manage is an affronted whine as you tilt your hips down, hoping he catches the meaning. 

Of course he does—pushing two fingers inside you at once. The intrusive stretch adds a sharp edge to the pleasure, makes it more interesting, as your brain short-circuits and you choke out a moan. It only takes a few slow pumps of his fingers in tandem with the pressure of his tongue until your hips are writhing and you’re and mewling desperately, more overwhelmed with pleasure than you’ve ever been. You push his hair back, able to see him for the first time, and fully appreciate the hollow of his cheeks, the way he looks up at you with perfect, glassy half-lidded eyes, the rhythm of his hand and tongue—he takes your clit between his lips once more, sucking lightly, and you’re done for. A pornographic sob escapes from deep within you as you come, but he doesn’t stop. The orgasm lasts longer than you knew one could—although, it’s only your second time, so you don’t exactly have a lot of data to go off of. Your entire body feels warm and floaty, and what he’s doing feels so good you want him even deeper—but you know he won’t give you that yet. Instead you focus on the slow burn of your orgasm, allowing him to carry on for a while until you begin slowly drifting back to earth and it becomes a bit too much. He recognizes the barely-there whine for what it is and pulls his fingers from you carefully, pressing one final kiss to your clit that makes your legs twitch and summons a weak little moan. 

Spencer’s lips find other avenues, over the delicate skin of your thighs and hips and stomach as he slowly drags himself up again. By the time you’re face to face again you’re still breathing hard. You sort of feel like prey underneath his weight, studied so scrupulously, known far more intimately by him than anyone has ever known you before. But there is so much light and kindness in the way he looks at you that you almost can’t make sense of it. 

Maybe it’s possible to be known and still wanted. The possibility spins like a coin on its edge in your mind. An idea you spent so much time trying to nurture and is only just now beginning to sprout. Maybe someone could see you at your most vulnerable, and still find you worthy of kindness. Appreciation. Affection. 

Spencer certainly could, it seems, as he ducks down to kiss you. You dodge it, turning your head demurely. He nudges his head against yours, speaking so, so softly, utterly cloying as he teases, “what? You’re not gonna kiss me now? Is that how it is?”

“No!” you balk, equally as quiet and especially bashful. “Not when you… no.”

“Let me kiss you,” he pleads, so earnestly you turn your head back to face him. His big eyes are hazy, reflecting all the warmth and dizziness you feel. “Let me kiss you. Please.”

You whine.

“I don’t wanna… taste… myself.”

Spencer doesn’t miss a beat. 

“Hm. We’ll need to work on that. Because one day, I’ll make you come just like that again, and then I’m going to fuck you, and you’re really going to want me to kiss you then, angel.”

Something flickers in your core. 

Suddenly you’re not so squeamish. You really want him to kiss you now. But it seems he’s going to have his fun, first. 

“Open.” Without even thinking about it, your lips part. He really ought to be careful with what he tells you to do—you’re all too compliant. Even as his fingers slip between your lips, you’re obediently hollowing your cheeks around them, watching him with big eyes as his own mouth falls slightly open. “Oh, baby,” he croons. “What are we gonna do with you?”

That flicker has returned to a full-fledged throbbing once you open your mouth again, slightly dizzy from lack of oxygen. 

“Can you make me come again right now?” you whisper, grasping lightly at his shirt. He grins like he loves the idea—and you let him have his way, accepting his lips on yours with no complaint. After a few moments, (the taste is surprisingly unobtrusive), he pulls away.

“I would love to.”

-

part three

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[mortalityplays]

You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

[bweirdart]

nearly oc-tober time again - time for some prompts for 2024

F.A.Q

do i have to draw?

not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)

do i have to make new content?

nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!

do i have to post every day?

nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want

can i start early?

you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!

can i re-upload your prompt list to another site?

i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!

event tag?

#bweirdOCtober

have fun!

image desc/text version ↓under the cut↓ or on bweird.art/october

prompts:

WEEK 1: OC INTRODUCTIONS

WEEK 2: BUILDING BACKSTORY

⭐ 1: FAV OC

what makes them your fav?

2: NEW OC

how recently did you make them?

3: OLD OC

how long ago did you make them?

⭐ 4: UNDER-APPRECIATED OC

an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like

5: RE-DESIGNED OC

an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?

WEEK 3: FUN + GAMES

⭐ 6: PAST

where is your oc from? what did they look like as a child?

7: LIKES

what do they like (and why?)

8: DISLIKES

what don't they like (and why?)

⭐ 9: RELATIONSHIPS

doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)

10: PERSONALITY

what are your oc's main personality traits

11: SYMBOLISM/THEMES

what represents your oc? is there a specific colour you associate them with, or a specific animal?

12: FUTURE

what will your oc look like in the future? do they have any plans or goals?

⭐13: MEMES

do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?

14: WHO/WHAT INSPIRED YOUR OC

are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?

15: MUSIC

share a character playlist, write a songfic, post lyrics that remind you of them, etc

⭐16: EYES CLOSED or NON DOMINANT HAND

draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!

17: DnD ALIGNMENT CHART

put all your ocs into a DnD alignment chart, or any other similar chart if you prefer

i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"

⭐18: SWAP

swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?

19: PALETTE CHALLENGES

draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)

WEEK 4: COMMUNITY

hex codes for the colours:

palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3

palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4

palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8

palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA

some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's

20-26: A WHOLE WEEK OF SOCIAL STUFF

if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!

WEEK 5: HALLOWEEN

⭐27: FEARS

is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?

28: MONSTER

what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?

29: PUMPKIN CARVING

your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!

30: GHOST

this can be literally a ghost, or a concept that haunts your oc! up to you!

⭐ 31: COSTUMES

what are your ocs wearing for halloween?