lots of speculation over how round 7 between luka and till will turn out! and its had me thinking about the presence of recurring motifs and how the main ensemble are foils of each other.
i know that many people like to joke about how sua and ivan are genderbends of each other/basically siblings... but in my honest opinion, i think the parallels between the two (similar hair styles and having the more subdued personality of the pairing) are to throw us off about what we know about hyuna and luka lol.
sua and ivan's similarities are to emphasize their situational differences, highlighted by the comic where ivan expressed envy over sua not being in an unrequited love situation (yeah i know that's literally what the definition of a literary foil is, but hear me out LOL). so in that sense i feel that they're not really as similar as it seems?
i personally think that sua has more similarities to luka than she is with ivan, excluding her relationship with mizi. both in terms of their upbringing as being treated like dolls and how their resting face is kind of empty when they're not with mizi/hyuna respectively lol. plus their listless acceptance of the lethal circumstances they exist in
tbh even the childhood dynamic between mizisua and hyuluka (before the hyunwoo thing...of course...) is pretty similar, with mizi/hyuna dragging sua/luka around
i think by emphasizing the similarity between luka and sua, it reframes the events that happened in round 5. while luka probably was purposefully exploiting mizi's grief, it does come to question how much of the cutting shots between the two was mizi seeing sua in luka.
so how does this relate to round 7 between till and luka? there's a lot of speculation that luka will demolish till by pulling the same schtick he did with mizi -- and conversely there's a lot of speculation that vivinos and qmeng will subvert expectations by having till somehow overcome his depression by becoming numb to luka's tricks.
here's a third idea i haven't seen being brought up: luka seeing hyuna in till. i propose this idea because i think we can make some comparisons between till and hyuna. both of them are the most rebellious of the ensemble, both had a tendency to roughhouse as children, and both's choice of music genre is very high-powered with a heavy emphasis on the guitar (i want to say they both have that rock and roll vibe but unfortunately music isn't my forte and i don't want the genreheads to get on my ass LOL).
and now suddenly it feels like the random tidbits we get about luka's interactions with till feels like they're hinting towards something:
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I have to say. Terry Pratchett is the only bitch in the world I will allow, as a non Scottish person, to write Scottish characters. He kens the difference between a negative stereotype and a running joke, he's pretty reliable in using actual Scots rather than whatever fuckin bastardisations we usually see, and, most importantly, every time I remember the character William the gonnagle, I laugh on and off for a week. Perfectly constructed pun. No notes. At one point Nanny Ogg's house is referred to as Tìr Nanny Ògg and I lose my shit every single time.
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hello, here for your opinion on odysseus! have you read madeline miller’s “circe”? if so, what did you think of odysseus?
Ooooohhhhhhhh you're nudging at a pandoras box asking me my opinions of Madeline Miller 🙃
To answer while holding the full ranting instinct back on a leash (partially bc I legit don't have much time for much typing rn AND I know lots of people like MM and idk I generally don't enjoy making people feel like they shouldn't like a thing, but I also love being salty and this is my constant internal struggle):
With a lot of her characterizations I feel like M.M. either goes too hard making them sympathetic (Circe and Patrocles being the top contenders who come to mind) or she swings too hard the other way. Odysseus is like....fine? He's not outright terrible? But he does fall into her "they are either sympathetic (cougboringcough) beauties with maayybe a couple Tragic Flaws (that are barely flaws, goD why couldn't she just let Circe have full agency and purposely curse Scylla why can't maybe Penelope be as much of a scheming suspicious fucker as her husband GOD these "feminist retelling" authors are too cowardly to touch Medea-nonono the rant is leashed I'm staying on target!) or they are horrible awful people." But she's made so many comments that make me baffled about her academic background in classics (why would you say all the gods are sociopaths Madeline??? that is an actual ancient cultures religion you're trashing??? do you not get how gods are used narratively in stories is not the same as they're worshipped esp in a religion without strict canon??? You know how we all understand that Paradise Lost isnt Christian canon what the F-Not ranting not ranting I'm good!!) lmao. She seems to fall into the common take I see where modern Anglo morality is projected on the characters divorced of the time/culture/narrative they are set in, and then go "omg how did people think this was a hero?"
Anyway I just don't see how people can look at Odysseus being a scheming ratfuck compulsive liar (who is also a great warrior in violent times bc it...was a warrior society who told his story) and go "um he's terrible why would anyone like him as he is originally????" while MCU Loki was so popular they kept bringing him back from the dead to continue being A Scheming Little Bastard.
(EDIT: uh tldr is I read Circe. The entire experience was me going "oooo it's about to get good" and then realizing that Circe is just boring the whole time. Came out the other end with more feelings about how M.M. writes women than Odysseus, but her Odysseus is part of a trend of doing a lot of black and white morality shenanigans)
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“Weakness ever sympathizes with vice, because vice is a weakness which assumes the mask of strength. Madness holds reason in horror, and on all subjects it delights in the exaggerations of falsehood. The cause of all bewitchments, the poison of all philtres, the power of all sorcerers are there.”
Éliphas Lévi, Transcendental Magic: its Doctrine and Ritual
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Boi John Awang, tr. & ed. Adil Babikir, Modern Sudanese Poetry: An Anthology; “Wrapped in Grief”
[Text ID: Wrapped in grief, / O thunderstorm: come die inside me. / Envelope me, O flash of lightning, like a cocoon.]
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