#Indigenous Culture

[itscolossal]

‘An Indigenous Present’ Is a Paradigm-Shifting Illumination of Native North American Art Today

[ojibwa]

Monsheeda (Dust Maker), and his wife Mehunga (Standing Buffalo), of the Indigenous Ponca tribe, posed together in their wedding photo, circa 1900

[thepeopleinpower]

Keep talking about Gaza. Keep talking about Palestine. Keep talking about Palestinian martyrs. Keep talking about Palestinian survivors. Keep talking about Palestinian children. Keep talking about war crimes. Keep talking about genocide. Keep talking about colonialism. Keep talking about forced starvation. Keep talking about forced adoption. Keep talking about Israeli occupation. Keep talking about the Nakba of 1948.

KEEP TALKING ABOUT WHAT IS HAPPENING TO PALESTINE

Keep boosting Palestinian history. Keep boosting Palestinian graphics. Keep boosting Palestinian poetry. Keep boosting Palestinian fashion. Keep boosting Palestinian textiles. Keep boosting Palestinian art. Keep boosting Palestinian culture. Keep boosting Palestinian values. Keep boosting Palestinian stories. Keep boosting Palestinian voices. Keep boosting Palestinian life. Keep boosting Palestinian loss. Keep boosting Palestinian love. Keep boosting Palestinian grief. Keep boosting Palestinian hope.

KEEP BOOSTING PALESTINIAN HUMANITY

[thenuclearmallard]

Sámi speaking up

[nikkiitalks]

2023 National Gathering of The Elders in Edmonton, Alberta, Canada.

[icedsodapop]

Just a heads up about Killers of the Flower Moon

Here Osage language consultant Christopher Cote speaking about this:

[humanrightsconnected]

It’s Indigenous People's Day! As we honor this significant day, learn about 14 influential Native American figures 👇!

[mannyblacque]

"They're all around you, all the time"

Reservation Dogs S2 E9 "Offerings"

[the-cricket-chirps]

Dolls of the Tusayan Indians, illustrations

ca. 1894

J.W. Fewkes, Author

[alinapeteart]

November is Native American Heritage Month! And if you want a great way to educate yourself and others about how Native folks are combining traditional teachings and modern pop culture, then you should check out Indiginerds!

I'm the editor on this project so believe me when I say that this book is SO GORGEOUS and each and every one of the stories is authentic and revolutionary in it's own way. Want to hear about creating VR cultural spaces? Or using pirate radio to support Indigenous resistance movements? We've got it!

My story in this book is about the infamous Star Trek: TNG episode, Dorvan V, where Native folks are being forcibly removed from the planet they resettled on after Earth didn't want them. I'll be posting pages from it here soon, and I hope you check them out!

Supporting this project means that you're directly supporting Indigenous comic artists! So please back us and share on all your socials! kinanâskomitin!

[itscolossal]

In ‘Wharenui Harikoa,’ Lissy & Rudi Crochet a Māori ‘House of Joy’ From 5,000 Balls of Wool

[hasellia]

Okay apologies for hopping on tag trending train but I have an important request.

If you don't know about the history of Aboriginal genocide in Australia, watch this program.

It's a very very hard watch but one that is important.

If you're outside of Australia, make sure to set your VPN to Aus. You may also need to set an acount for SBS but it's free viewing.

I would also recomend most of SBS's docos through NITV, as they're the National Indigenous broadcast station.

A little update on the warnings before I forget. I'm a little pressed for time so this is from my DM's with someone I've shared with.

I just wanted to give a heads up that the show contains footage of a mourning ceremony (with the grievers's permission from what I remember). There is also a segment where stolen remains are returned to their families but there is no appearence of the remains themselves on screen. From what I can tell/remember these scenes are treated with care and gravitas but I don't think I can be the one to say whether they were treated appropriately. Anything on colonialism is a hard watch, but this doco particularly follows on the unglamourised brutality of the frontier wars as well the lack of recognition on the wars from the Australian government/military and from the wider Australian public. That's on me for not disclosing that properly in the post.

[telekitnetic-art]

Hi!! Your art is so fucking cool! Can I ask what the process looks like for form line? Ex. What do your sketches look like when they are really rough? How do you go from idea -> final product. 💕

Hadih, thanks so much for your question!

Honestly, it's sort of hard to explain? I do have some sketches to sort of give an idea though.

This sketch I posted a couple days ago is a pretty good example of what my initial concept sketches sometimes look like.. As you can see, they're pretty chaotic and very rough, and usually these sketches are more about getting the idea down then actually making the formline itself. There aren't formline shapes just yet, although I do sometimes sketch out elements or shapes like eyes or bodies or paws/hands that will usually have an ovoid in it, because those elements tend to be a focus or centerpiece. The sketch is obviously not final, and things can change along the way to account for space and balance as well as what I'm trying to convey. (These sketches aren't entirely accurate of course because they're for pieces that are meant to be fusions of character illustrations and formline art, but they're the best thing I can find on my pc at the moment)

The rough sketch helps me figure out the flow of the piece, and once I'm satisfied with it I try and get to putting down the shapes and silhouette, and it's here where I try to find the balance with my rough sketch and how the shapes can fit and behave in the piece to the best of their limits while also still conveying the message I want to send. The most common shape I start with is the focus shapes, which are usually ovoids.

This rough of my harbor seal formline which I sent to my aunt for review sort of gives a better Idea of what I mean when I say I try and focus on where the centerpoints will be. Ovoids are usually a focus, so you can see them pop up a lot; in the body, the head, the eyes, the tail, etc. Ovoids are so important and probably the most common shape in formline art, and one of the most common feedback I get from my aunt is to adjust how the ovoid looks in any one of my pieces; she often compared them to a loaf of bread! You don't want your ovoids to look like a loaf of bread! (Her words, not mine). I feel like I've gotten better at drawing ovoids though, because she gives it as feedback less and less nowadays. Ovoids usually also have to have a bit of weight/perspective to them; it's hard to describe but essentially the top of the ovoid should usually be bigger/thicker/have more weight then the bottom.

From ovoids, the next shapes are usually circles, u-shapes and crescents, then usually y-shapes/trigons. It can be difficult, because the key is to make sure the shapes flow together and feel cohesive, as well as to make sure the negative/positive space balance feels right. Also a fun tidbit, trigons are most typically used to essentially fill space; it's always important to make sure that they are binding bigger shapes like u-shapes and ovoids and not stealing all the space and attention.

The lines in this stage tend to be very rough and messy, and I always try to go over the next rough draft with a smoother and cleaner pen.

Once the initial shapes are done, I'll usually send the piece to my aunt (sometimes I send them earlier on, when I'm in the middle of working out the shapes) for feedback! I am still a student in formline work after all; basically all of my teachings come from my aunt, who has a lot more years of work in formline art then me. She'll give me feedback and tips of what she thinks I should fix or experiment with. I adjust and fix and sometimes even completely delete and redo parts of the piece with her guidance. The list of things she tells me to change decreases with each piece, so I like to take that as a sign that I'm improving!

Once the black and white version of the design is done, I move onto coloring. Usually I already have a color scheme in mind when I go into a piece, so I'll mess around and put down colors and see how well they contrast before I color it. Typically, a piece will have about 3 colors; one for the background, one primary color, and one secondary color. I use a clipping layer to color the entire formline piece with the primary color, and then go in with the pen tool and bucket tool to use the secondary color. Adding in the secondary color is tricky but important because it once again falls into balancing positive and negative space/colors and the transitions between the two.

Once coloring is done, the project is basically finished! Unless there are some other plans I have for it, ie using it for an overlay in a bigger piece, colouring is usually the final stage.

And that's about it! I hope this helps you understand a bit; this isn't a perfect explanation as this is just from my own artistic POV and other nations and artists have their own process, but I hope it helps nonetheless!!

Edit: I forgot I posted other WIP formlines here before 😭 here and here!! You can sort of see me figure out the flow and balance of the designs in between the WIP and the finished piece!

[thenuclearmallard]

A Sakha film to be released in the future. This is amazing. ❤️

[latin-american-diversity]

“Lake Atitlan. Panajachel. 1992. Maya dancers in tiger costumes.” - Thomas Hoepker

[humanrightsconnected]

Today marks the first day of Native American Heritage Month! As we celebrate the rich and diverse culture, traditions, and contributions of Native Americans, discover 5 ways how you can support Indigenous communities 👆.