"Here, put this on before you catch a cold or your make-up runs out."
"Oh, thanks I-"
"What? ... Oh, I-, I can explain!"
"How many..."
"...How many what?"
"How many rappin' shampoo merch shirts did you order?"
Based on real events, but overly dramatised for your regularly scheduled Drakgo needs.
Shirt print idea by Madd!
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i’ve been loving watching critical role recently if for no other reason than because i get to watch a decent portion of viewers actively falling for cult tactics lmao
a forbes article describes cult tactics as when cult leaders “censor dissenting viewpoints, promote a distorted narrative and use relentless repetition and peer pressure”
ludinus needing to monologue at everyone he meets. cherry picking what information to let people know (ie the orb). showing popular world leaders (gods?) at their absolute worst as a means to win over the vulnerable. creating dissent between cult prospects and the people who they’re close to outside the cult. doesn’t take no for an answer. repeating his points over and over, in whatever context he thinks will be most persuasive. targeting people who’ve lost everything. convincing people that they’re special
matt is a genius.
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bathed, brushed, trimmed, and handsome after a solid grooming. he was super cooperative and it was really nice to see the training my friends and I did with him as a puppy hold up so well for some really invasive work.
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i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga
they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed
but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring
i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?
look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat
bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative
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How fucked up is it that lightning says "he likes it better this way" when he takes away jin's identity and autonomy and then jin loses his memory and yusaku and kolter are both like "it's better this way". Man what the hell
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Once again I find my story taking an unexpected turn, and once again I'm just rolling with it. I'm really not in charge here, am I? 😆
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Wait, no, I'm unwell. Neuvillette shows that he cares by being present in order to give support. Neuvillette, who doesn't accurately know how to voice his own emotions, doesn't know the "proper" way to comfort someone, goes out of his way to leave his work and be present with the people he cares about to show that he cares for them. To show sympathy for them. He views this with the upmost importance.
He understands feelings of sympathy, he knows feelings of regret. Of loss. Of mourning. He knows that often being present, even without knowing what to say, is all that is needed to show support. To show that he cares.
I need a moment, oh...
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