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#It was really fun to put together those 60s-style fits
spicyavogato · 10 months
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Buckle up, Buttercup
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ystk-archive · 6 months
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[Translation] capsule in girls '60s magazine (Feb. 2004)
When I first saw their music videos, the striking visuals immediately caught my eye. Simplistic designs, vivid color schemes on the outfits and sets… I can't describe the style as anything other than '60s-inspired. For the first edition of our "Pick Up Artist" feature, it's one whose existence fascinates me — let's take a look at the charm of capsule.
capsule is a music unit consisting of Nakata Yasutaka, whom manages the sound, art direction, design, concept work and so on, and vocalist Koshijima Toshiko. Nakata directs the image, visual aspects, and songs while Koshijima performs it all, resulting in their unique style. - original interview by Aikawa Chisato, translation by ystk-archive -
The reason behind their '60s-inspired visual style
Nakata: To be honest, I don't have any particular attachment to the '60s. I just like unique and minimalistic things, stuff with interesting shapes and clean designs and whatnot. It started when I got into interior design, and at first I especially liked Space Age furniture.¹ That's changed a little recently — I like pieces made out of wood but still with that outerspace kind of vibe. Even when it's made from wood, it doesn't feel natural, it still has this sort of odd look. When it comes to the '60s, I like the plywood that they often used. But I'm intrigued by Karimoku furniture too (laughs).²
— So would you say you're more interested in space and not the '60s?
Nakata: Yeah, and I guess sci-fi movies played a part in that. In movies like Men in Black you often see Tulip chairs, though I don't think they were used to evoke a retro or '60s feel on purpose.³ With films like that I tend to focus more on the furniture and not the overall atmosphere; if anything, I see furniture along with fashion as objects that look nice when put into a scene you're taking in as a whole. I like to come up with unconventional settings. Women are usually depicted in sci-fi films as secretaries, all wearing identical wigs and uniforms, and I like that kind of weird atmosphere. So instead of me consciously liking '60s aesthetics, I wound up thinking they were cool without making the connection that they were from that decade. I also love clothes that incorporate simplistic, striking designs, since they're like spacesuits (laughs).
— How do you feel about wearing clothes like that?
Koshijima: I'm also not obsessed with the '60s or anything, but I like to play around with that era's clothing and makeup styles. It's more fun than just wearing normal clothes.
— Have you two had similar tastes all along?
Nakata: Our tastes used to be completely different. I feel like she's adjusted to match me.
— So Koshijima-san is committed to being a model?
Koshijima: Yep. I haven't changed my approach, ever since the beginning.
— Are there times where you feel like your tastes really are different?
Koshijima: I don't think so. If we actually were fundamentally different, I don't think we'd be working together. Strangely enough, when I look at the materials I'm given, I start to think they're cute. Nakata: When I get an idea, I suggest it first. Koshijima: But he doesn't show me clothes or anything directly, instead he shows me photos and videos… Like I'm being brainwashed (laughs). The more he introduces me to all kinds of cool things, the more similar we become. After I watched the materials he gave me, poses and dance moves just started coming naturally to me without even realizing it.
— Maybe you ran across something from the '60s that left an impression and that ended up coming through in your image.
Nakata: Yeah, there are a lot of easy explanations for it. I wonder if we're more like a new product with a retro design that would fit nicely in someone's living room, rather than something that could be found in an authentic '60s vintage shop. I think even if we intentionally collected oldschool aesthetics from that era and tried to copy those, it'd still turn out differently, because peoples' concept of the '60s and the real '60s are two different things. But if you take parts of that concept people have of that decade and use them, you wind up with something that has the right feel to it. For me right now, the concept I have in mind is the "style" of the '60s. Instead of making clothes or objects to match up with the '60s aesthetic, the styles are already floating around in my head, and then I make content that reflects that. There were a lot of useless shapes — like aren't record players from back then weird-looking? The technology of them and the half-dome shape are of that time, but the way they look on the outside is as if someone was imagining the future while designing them. It's interesting how these days it's the opposite: now the exterior designs of things are retro while the tech inside is highly advanced. And I like both (laughs). I even like things that seem out of place. I'm drawn to a sense of disharmony.
— Would you say the essence of the '60s is woven into your music?
Nakata: Not intentionally. I think the things I like tend to show through my music on accident. Basically I want to make any music, as long as it's cute.
— So do you feel like music is essentially an object?
Nakata: Music is something I started doing because I thought I could create it. It was right when I was in junior high school, they'd made a lot of progress with technology so making cassette tapes became fun. Part of that was because I liked the feeling of winding a tape up. I liked playing around with machines more than the music aspect itself and, when it comes to decorating, I even like the look of a tape deck sitting in a room. So that's why I want our CDs to be sold in regular stores along with other kinds of merchandise. I don't think music should be classified as something special and separate; it's good if it's just one part of the total amount of belongings in a space. Rather than wanting people to listen to our music seriously, I'd be happy if they enjoy the atmosphere it gives when they play it out in the open.
¹ Space Age design was characterized by "sleek, aerodynamic lines and geometric forms," "dominated by bright, bold hues" and was often constructed of manmade materials such as plastic. You can read more about it here. ² Karimoku is a Japanese brand of all-wood furniture boasting superior craftsmanship. You can read more about it and look at examples here. ³ This is the famous Tulip chair.
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March 2024 Goals Update 🧸🌙🧡
Home:
Paint craft room closet doors-not until spring
New tank for the Lizard of Oz- DONE!!! ✅
Personal:
Grow out my hair, no dying or cutting it- Last haircut was February 2024
Study 30 minutes a day about spirituality- in my own way, yeah!
Go to two workshops- not yet
Go to the observatory- Summer!
Fitness:
30 minutes to one hour of exercise per day, 5-6 times a week- hoping to build a routine that works for me to be consistent!
Aim for 10k steps a day- I've been better!
Learn to rollerskate- not yet- warmer seasons
Explore two new hiking trails-warmer seasons
Hobbies:
Sewing- on hold, sewing machine is out of commission, update is sewing machine is still not good but is just waiting for a part!
Sew one spring/summer dress, bell sleeve 60s swing style dress-not yet, this might not happen and that's okay!!
Use up fabric stash with various projects or one big patchwork project-not yet
One embroidery project-✅DONE, Mom's Embroidery #2
Reading
Read 12 books in total-Started The Hobbit! Having a good time so far!
Read 3 Classic Novels-not yet
Read one old forgotten favourite-not yet
Movies and TV
Re-watch The Lord of the Rings trilogy- 1/3
Watch the Hobbit movie series-0/3
Watch the new season of Rising of the Shield Hero-not yet
Watch the new season of Kuma Kuma Kuma Bear- not yet
Spice and Wolf- not yet
Re-watch The Big Bang Theory- not yet
Watch the new season of Young Sheldon- not yet
Re-watch Toradora!- I only have like 7 episodes left, will be done by next month
Re-watch Bones-season one! Haven't watched more
Gundam series watch- finished the Advent of The Red Comet and really enjoyed it! Continuing on with my UC timeline watch list! Plus the hubby and I have been watching GBF together, it's his first Gundam anime so it's a nice starting point as a stand alone spin off! I love diving into new hobbies with him ;-;
Crafting:
Nature walk journaling (foraging, birdwatching, stargazing, etc)- have the journal, have not started lmao
Fire starter perlers- ✅ Torchic & Cyndaquil
Crochet blanket- ✅DONE! Turned into a loom knit plushie hammock for our spare room!
Complete one model kit or 3d puzzle- THREE DONE!!! ✅ Orange Haropla + Chinagguy + Beargguy III
Video Games:
Persona 3 Reloaded- Started!!! We got the physical copy of the game!
Persona 5 Tactica- dropped
Metaphor: Re Fantazio Fall 2024
Visions of Mana 2024
EC: Hundred Heroes April 23, 2024
Finish FF7R:Intergrade
SMT:3, started but then dropped for P3R
Highlights:
I quit vaping!!! March 27th!! So far so strong. I'd been without nicotine since just before the winter holidays and now going without completely!
We moved the CRT into the living room! Now we have both functional retro and modern gaming setups!! I'm obsessed, I started replaying Dead Space 2 and I love the feeling and sound of the hum of a crt and a PS3 booting up.
I made a bunch of perler bead bows and other perler crafts for the craft room walls! It's so cute and I love it so far.
We were kindly gifted a little orange and green mushroom led neon sign that we put in the craft room!
We started displaying all our cute lil pins on a corkboard in the craft room! Plus our con badges and con pins. It's nice to have memories of the summer we spent as my hubby on staff for a local con and I was a volunteer. I did maid cafe that year and it was such a fun time. It's been so long, I can't believe how much things have changed! It's been nice to be able to have those things out on display and look back fondly!
Got our sentimental stuff stored into proper boxes! Glad to have it all done.
I started connecting with people I've known for years but not necessarily very close with which has been nice! I worked with an old friend that I used to work with at a local hotel and she's just such a delight to reconnect with!
Not many more highlights to add without it being a mile long LOL so I'll keep it brief with these! April is our anniversary month 🥰 I can't wait to celebrate with my boy with some time off!
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keithanker · 2 years
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Some Interior Decorating Ideas For Much better Lifestyle
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moonchildsaurora · 3 years
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Darling, Dance for Me?
✤ sniper!San x female exotic dancer!reader ✤ genre: Mafia AU // 30% fluff, 60% spice, 10% platonic flirting with Woo  ✤ t/w: mentions of guns/shooting, mentions of alcohol, mature clubbing themes, highly suggestive in the second half (but not smut), rated M  ✤ count: 2k+
a/n - this was suppose to be for Valentine’s Day but, oh well! Enjoy some spice with one pink haired Sannie, coz we all know even though he looks soft. . . .he’s just a devil in disguise. This is probs my most suggestive writing till date as well, it was fun and am looking forward to writing more spice in the future hehet 💙
✛ play these vibes: BOBBY - ‘DeViL’, Sunmi - ‘Black Pearl’, Kai - ‘Mmmh’ ✛
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“Mother told me, never to dance with the devil, So I danced for him instead.”
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Cherry rouge.
Not your usual go-to, but a special occasion calls for some special exceptions. And damn did you look like fine wine tonight. Giving your styled curls another spritz of hair spray, you took one last inspection in your vanity mirror.  
Work was throwing a Valentine’s event and thus you found yourself having to dig through the back of your wardrobe to find a suitable outfit for tonight. Bold burgundy lace hugged tightly around your body replacing the mellower neutral tones you’d wear on any other night. Your roommate had even shoved a pair of thigh highs and heels on you to match the garter.
And cherry lips to bring the whole look together.
“You’ll thank me later! Hell everyone in the club would, for presenting god’s gift to them!”
You had laughed at her supportive enthusiasm, waving her away with embarrassment though you greatly appreciated the pre-shift hype.
When you headed for the kitchen, you could hear the TV in the lounge and glanced to see your roommate watching the evening news. She turned to call out for you but stopped mid-way upon realising you were already out of your room.
“Damn girl…you’ll sure be breaking hearts tonight with that fit!!” she yelled-gasped, brows waggling for a cheeky added effect.
“Well that’s no good. Dancers are supposed to be Cupids of the night, maybe they should’ve given me Aphrodite instead.”
A smile tugged on your lips as you saw your roommate falling back on the sofa snickering. Grabbing the bottle of Ten to One from what you both named ‘The Life Juice’ shelf, you started to fill your rose gold hip flask with the white rum. The debonair bartender at the club would usually be more than happy to concoct you a cup of much-needed poison to get you through the night. However, on such a busy event, you might not even have time to swing by the bar – so plan B was in order.
Also, whoever thought to invent garter pouches was a genius in your eyes. The amount of times you had snuck in a sip or two up on the podium without missing a beat or being noticed had to be one of your greatest feat till date.
Except maybe for the one who bought said pouch and flask for you. Seeing the shadow of their pleased smirk whenever you donned on something from them never failed to coax the goosebumps across your skin. Perhaps that garnet embellished choker would be the icing on the cake then. You made a mental note to put that on before you headed out.
“Hey honey…”
The tone of your roommate turned a little more serious.
“On the news just then, another one of those random sniper attacks happened along Soleil Street. Shit, that’s only two streets away from the club.”
The city has gotten used to such news every now and then. All leads of the serial sniper always went cold, not that they left behind any substantial traces for the authorities to begin with.
The law wasn’t the only ruling force in the area. Everyone knew that.
So long as one didn’t attract the wrong attention, they’d be free to go about their business.
“I’m dropping you off, are you ready to go?”
“Wait! It’s alright, I don’t want to trouble you.”
Your roommate gave you a look before swiping her car keys from the counter. “What would trouble me is not knowing whether you’ve made it to work and back safely. Now c’mon, the night is awaiting that cute booty of yours!”
“Yes mum.”
How lucky were you to have an angel for a roommate?
“Give me a heads up if you intend to bring anyone home tonight yeah? I’ll be sure to vacate the apartment before any sinning begins here.”
Or not.
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A euphoric buzz filled every corner of the club tonight. Whether it was due to the special occasion or not, everyone was getting drunk off the atmosphere. The bar was a never-ending fountain of liquid luck and smoke veiled corners of the venue where patrons dealt cards and wits. A sea of bodies dominated the dancefloor, curling around one another in ecstasy as the thumping bass set the rhythm for them.
The centre podium was where the real magic unfurled.
Up on there, you felt powerful. Up on there, was your domain to rule.
Long have you enticed all those who returned back to ‘The Blue Butterfly’. So close, yet so far, for most could only have the visual satisfaction. Of watching you, along with your fellow dancers weave around golden poles and offer hands to those who sat in plush velvet chairs closest to the podium. Only to sashay away the last minute.
How bees are drawn to nectar and moths to light, the people keep coming back.
Tonight the club was decked out in a more sensual feel to fit the Valentine’s vibe. Long drapes of rose silk hung around the podium and you used those to accentuate the flow and movement of your body curves. The silks caressed the bare skin not hidden underneath your outfit and you pretended to take shy peeks around the fabrics at the audience. Sending a lucky wink or flying kiss their way.
In the middle of a mid-air twirl, you saw a familiar figure heading towards your side of the podium. You slowly lowered yourself back down to the floor, using your legs to wrap around the silks as leverage. Not missing the opportunity to be playful – you mimed shooting an arrow towards the club’s top croupier.
Wooyoung instantly clutched his heart with his hand that wasn’t occupied with holding one of Mingi’s own cocktail infusion. Letting out a hearty giggle, you slid over the podium floors to the edge where Wooyoung had propped himself up on.
“Don’t you look simply irresistible?” he crooned at you.
You could’ve said the exact same for him. All fitted to a tee in Givenchy with a classic choker that demanded attention for prominent collarbones.
“Now, how may I be of service to you tonight handsome?” you spoke over the music.
The youthful charmer leaned in towards you, shaking dark wavy strands out of his eyes. Eyeing his cotton candy pink drink, you ducked your head and took a few sips from the straw before Wooyoung drew it away. It tasted vaguely like pink lemonade with hints of vodka and vanilla.
“Ah ah, this isn’t for you poppet. Besides…” he tipped your chin back up with two fingers, “…wouldn’t want to waste your appetite before your main course tonight, would we?”
That made you perk right up.
“V.I.P Room Aurora has kindly requested for you. Drinks have already been sent up and the room’s been booked for the whole night.”
Not that booking was really needed since it was your room. It was just for formality.  
Wooyoung helped you off the podium and smoothly guided you through the crowd, placing you in front of him so as to avoid being grabbed by uninvited hands from behind. You both stopped at the foot of the polished glass stairs that led up to the V.I.P guest rooms.
“Off you go now! Oh and try not to make too much of a mess for our cleaners, they really ought to get a pay rise from some of the things they’ve witnessed in those rooms.”
You would’ve kicked Wooyoung for his brazen tongue, but you did well to remind yourself that would be rather impudent on your part. Whilst you have a jovial bond with him, it still doesn’t erase his high-standing status within the inner circle. You knew better than to cross that line of respect.
“Won’t make any promises I can’t keep, Jung!”
You left him with a soft pat on his cheek and ascended towards your utopia that awaited.
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Swinging the golden embossed doors open, sultry melodious tune of a saxophone greeted you. Like molten dark chocolate, it was rich and tantalizing. The crystalline blue hue of the room’s lighting was fitting for the slow jazzy blues.
A spacious circular sofa curved around a glass table in the centre, providing a perfect view of the bejewelled podium. The wide one-way windows were especially designed for privacy. You could spectate over almost the whole club below, something you quite enjoyed during your breaks. The countless types of people that you observed stepping into your world; from the timid newcomers to the seasoned hedonists and the stories they brought with them of their journey to ‘The Blue Butterfly’.
But there was no time for that tonight. Not when you see broad sculptured shoulders that your hands have meticulously memorised the planes of – right in front of you.  
Still clad in his all-black incognito leather fit, you couldn’t help but stay by the door to appreciate his form. A huge bouquet of ivory and deep red roses sat on the glass table with an open box of what you suspected were chocolates inside. A loud pop of the champagne bottle went off. You bit your lips when you saw his toned arms flex as he gripped the bottle in one hand and tipped a stream of golden bubbles into two flute glasses in the other.
As the music picked up, you decided it was time to make your presence known. Walking with confident steps over the velveteen carpet you went to wrap your arms around his cinched waist. Resting your cheek on the cool leather vest of his back, you took his scent in.
Smoke and city musk lingered around.
You figured he must’ve come straight from his assignment. What better reason to use than to spoil him extra as post-work relaxation? His hand came up to wrap around yours and you felt the dancing of lips leaving petal kisses across your knuckles.
“You stink…” you mumbled lightly against his back.
San let out a low chuckle before setting the champagne bottle down and turning around to snake both arms around you. Calloused hands from the years of gripping guns instead of supple flesh imprinted their warm touch into your skin.
“Oh? Then I’m sure you won’t mind helping me freshen up, right Princess?”
“San!” you squealed when you felt him deliberately rub sweat against your neck before attacking it with more love bites.
“You taste like sweet temptation.”
You arched your neck out of habit when you felt his tongue swipe across it. Teeth bit down lightly around the garnet choker San bought for you for Christmas.
When you felt hands travelling down west towards your garter, you gave San a light shove backwards to the sofa.
“Not so fast, Choi.”
His predatory feline eyes took its time to rake down your body, committing every inch to memory. You made a show of bending over to grab the two champagne flutes off the table, the sharp intake of breath behind you made you preen with pride. You took your seat on your throne, not at all surprised to feel how much pent-up tension San had through the tight leather.
Clink. A toast made for the love of two.
“Happy Valentine’s, darling.”
“Thank you, San. You sure know how to spoil a lady don’t you?”
“Only the one who’s sniped right through my heart.”
Oh the irony.
You smiled when he pulled you close and claimed a proper kiss, whispering a, “You sap,” against his wind-chapped lips. Tasting the fruit acidity from the golden bubbles as you both exchanged kitten licks.
San’s rouge-stained lips chased after yours when you broke off from the kiss to place your champagne flute back down on the table. Hands anchoring your hips in place as you reached to pluck a couverture chocolate-covered strawberry from the box. Turning back round to San, your lips formed a small pout noticing that his freshly dyed hair was still hidden underneath his cap.
He let you discard it behind the sofa and you could’ve sworn he purred with satisfaction when you ran your hands through his cotton candy pink strands. Hands gave your bottom a firm squeeze and San begun to run his fingers along the hem of your lace. The husky vocals from the record player drifted back, interlacing with the saxophone.
That was your cue.
“Eyes on me.”
You held San’s gaze, fire reflecting fire. The strawberry gets slipped past the seams of his lips and all the while San chews intently, his eyes never wavered. He’s got his precious pearl all to himself, just the way he loves it. And you have the city’s most lethal hitman watching your back from dawn to dusk. San was the dangerous game you played, only to win the safest love.    
“Darling, won’t you please dance for me?”
“With pleasure, Sir.”
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canary3d-obsessed · 3 years
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Lost Tomb Lewks: Reboot Part 11
(LTL Masterpost) (All Canary Masterposts)(Part 10)
I’m making my post titles more specific because I’m loving the clothes in The Mystic Nine and in Ultimate Note, so I expect I’ll continue this series with other shows when I get to the end of Reboot Season 2. 
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Look 56 is - surprise! - a cozy sweater. This one is a deep, huggable brown in a sort of waffle stitch (OP is not a knitter; knitters pls feel free to elaborate in comments). He wears this with loose blue jeans and...shoes. This show doesn’t feature his feet often enough for proper shoe commentary. 
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This is a perfect look for pacing and talking, half to yourself and half to your buddy, as he gets absolutely, completely baked. 
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Wu Xie is doing his pacing while he gazes at an enormous pin board filled with pictures linked together with red string. The red string board is becoming one of my favorite CDrama tropes. I’ve seen it in Detective L, Mystic Nine, that new show with Wue Xie number 2 Psych Hunter, and probably a couple more shows. It’s a thing in older American detective dramas, too, but not in modern ones and not nearly as often. 
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It does look cooler than a whiteboard with magnets, but it seems like a lot of work. For this pin board, Wu Xie Wang Meng had to cut a bunch of red string and print out a bazillion cell phone pictures, which someone managed to take during all of the running around & death defying action. All so Wu Xie could theorize that everything connects to...some random point in the middle of the board? I don’t know who these guys are in the middle picture, but I don’t think they’re responsible for all of the rocks in the other pictures. 
If you change your mind about a connection, and move a pin, do you have to re-loop all the string to keep everything taut? What if you need to move an end pin when you’ve already cut the string? Perhaps OP is overthinking this. 
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This look is a comfortable one for lying on the couch when you’ve exhausted yourself with string management. 
(more behind the cut!)
I love the aesthetic of this apartment. It appears to be full of furniture taken from Wu Xie’s study in Wushanju, but because it isn’t mixed in with the fancy older antiques, the vibe is totally different. The furniture is midcentury modern, with a lot of warm tones and leather, which matches Wu Xie’s clothing choices. This quality of furniture subtly reminds us that these guys are antique dealers. Even when they’re down and out, they have discerning taste.
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The textiles, cushions, the throw blanket on the table, are all colorful, tactile, and comfortable, matching Pangzi’s clothing and overall vibe. Overall the space is a nice mix of both of their looks, which is appropriate for an old married couple long-term roommates. 
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He completes this outfit with a olive-green hooded jacket with lots of flaps and pockets. 
Side note: their buddy  Jin Wan Tang (on the left) might be officially gay? Unlike the blatant subtle queer coding that appears in a lot of CDramas, this character (and that one guy in the Rain Village section) seems flamboyant in a stereotypical “gay best friend” way. But I’ve only ever seen one acknowledged gay character in Chinese cinema--the very stereotypical tailor in Kung Fu Hustle--so I don’t know if the semiotics are the same as in western media. 
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Anyway, I dig his mix of business suit and funky jewelry, and I share his appreciation of shirtless Xiao Ge (in Season 1, not today, sorry).
Look 57 is actually a rerun of Look 45, but it’s one of my favorites, featuring a beautiful soft suede jacket in a warm camel color. This time we get a much better look at the jacket, so I’m featuring it a second time. (Previously he wore this to hijack Li Jiale’s truck.) The jacket features detailed tailoring, with pleated pockets with flaps and buttons, and a nice strong collar and lapel that contrast with the softness of the material. 
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Under this lovely jacket he wears a cream colored sweater, jeans that fit really well for a change, and work boots. 
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This outfit is good for mournfully looking at a heap of smashed ceramics. 
It’s also good for struggling through a gas attack designed specifically to destroy your unhealthy lungs...
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...and make you hork up blood, because it’s not a Zhu Yilong show if there’s no mouth blood, and it’s been at least a couple of episodes since we’ve had any. 
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This look is perfect for going to visit your snippy ex-boyfriend while you’re unconscious, so he can bitchily save your life. 
“Hey, Canary,” you might have thought up above, “with all these above-the waist shots, how can you tell his jeans fit well?”
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This. This is how. 
Oh and hey, we finally get a really good look at his shoes. His shoes, people. 
Look 58 belongs to bitchy doctor/chef Huo Daofu. 
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He’s wearing a white double-breasted chef’s coat featuring contrasting piping and buttons. It is perfectly fitted, which will will learn is true of everything this man wears. 
Over the jacket he’s got an immaculate work apron, and under it he’s wearing a thin grey turtleneck sweater with ribbed collar and cuffs. He wears turtlenecks a lot. Whoever is giving him hickeys, it’s not Wu Xie any more because he hates Wu Xie. Hates him! 
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Cue endless tender medical care and eventual deep abiding friendship. Also possibly shacking up, it’s hard to tell how many people really live in Wushanju at any given time. 
The first part of Look 59 is a deep olive-green long-sleeve tee shirt worn over a grey undershirt. 
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It’s a shirt. It’s green. 
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He looks really fucking good in it, okay? His arms are beautiful even when they’re covered up.  This shirt needs three gifs because...it just does.
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Look 60 is Bai Haotian’s awesome green satin roller-disco jacket. 
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The styling is straight out of 1979, which is long before she was born, making this a fun retro throwback. Or possibly she borrowed it from her grandma. The collar and cuffs have sporty black-and-white ribbing.
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The jacket has nice contemporary details to give it a fresh look. These include suns, moons, and mountains (I think) running down the arms in a contrast stripe, and the words “magical altitudes” in embroidered sections on the back and chest. 
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Wu Xie’s Look 59, Part 2 is also featured in these caps. He’s put a strangely short waisted grey jacket over his nice green shirt. Other than the short waist, it fits nicely. 
Those jeans, on the other hand. Wu Xie’s ass deserves better treatment than this. Paging Xiao Ge
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Periodic reminder: Xiao Bai is absurdly, absurdly pretty. 
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So is Wu Xie.
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Bonus Look 1: Okay, Xue Wu is a bad bad man but damn, his clothes are always amazing. He favors emphatically Chinese looks, but always  with contemporary tailoring details, so he doesn’t look old fashioned. For his daughter’s wedding he’s wearing a deep blue suit with blue embroidery and this cool gold collar pin. 
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Bonus Look 2 is Wu Xie in his favorite blue marl sweater. Or he has a few blue marl sweaters. Anyway, this time he’s lying down and resting his eyelashes while he wears it. 
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topweeklyupdate · 3 years
Text
TØP Weekly Update #142: A Formidable Album (5/21/21)
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So... how 'bout that album release week?
There's so much to cover; the release of nine new songs, the hype that's building for the World's Best Band to return to the stage, and (if we're able to come up for air) the massive speculation of what the future brings for our band.
I'm gonna get right into it, laying out my thoughts regarding this bold new album and covering all the most notable news from the week. I'll be sharing my (mostly) positive opinions about Scaled and Icy under the Read More line; I hope they're the start of a fun conversation with all of y'all who have stuck around through this last year.
Scaled and Icy Review
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First, my general thoughts on the album: It's good! Really good. Do I think it's a no-skip like Vessel or a cohesive piece of art like Trench? Absolutely not! But it's also not the potential misfire that I worried that we might be getting when I first heard "Saturday" (more on that later); I think all of the songs are at least good, and some of them are downright great tracks that hold up with anything else that our band has ever released. It is also indisputably very different, but I think that generally works pretty well. Many of the songs evoke '60s rock or Britpop sounds and structures that you can tell Tyler is still trying to navigate, but I think he does a very solid job at adapting them to suit his strengths- namely his lyricism and knack for melody- rather than change to suit them. Unfortunately, this does result in a bit of square-peg-in-round-hole syndrome at times; most of the rap verses on the album feel like they're here just to fulfill an obligation to fans who would be mad if they weren't here, and most of the songs that use them are the weakest ones in the project.
"Good Day" plays a major role in getting the rest of the album to work as well as it does. Its gradual ramp-up, introducing the sound that will be used throughout the rest of the album. Its playfulness belies its message about how one can project a somewhat false optimism for oneself in the midst of tragedy: the type of dark stuff in a bright package that Tyler is so so good at. It's perhaps not an instant classic, but I am excited to see how it comes across when it's eventually used as a show-opener. 9/10
I've of course already discussed "Shy Away"; an anthemic, inimitably catchy track that I just wish had a bit more going on under the hood. Still going to be so good to hear thousands of voices scream "An 'I LOVE YOU' that isn't words!" someday. 9.5/10
"Choker" definitely took a little bit to grow on me. I think part of that was a bit of disappointment from over-inflated expectations and the environment I was in when I first heard it. With further listens, I fall more and more in love with the melody of the song... well, most of it. Like the rest of this album, the biggest weakness in the song is when Tyler tries to tick the box of having a rap verse; it just feels really out of place, unfinished, and almost amateurish, and it doesn't end the song on the note that it really should. Without it, it'd be one of my favorites on the album; with it, "Choker" is a solid 8.5/10.
Speaking of unfinished-sounding songs really hurt by their rap verse: "The Outside". There's a definite something to the vibe of the song, but that seemingly nonsensical verse is one of the two weakest parts of the entire project for me. The way the song meanders only adds to the feeling that there wasn't as much energy and attention paid to it compared to other parts of the project. It's pretty easily my least favorite track on Scaled and Icy, and the only one I might regularly skip. I've also seen plenty of people saying it's the best song on the album, so please tell me why I'm wrong! 6.5/10
"Saturday", as mentioned above, had me really nervous about this album. Like "Choker", it's grown on me a bit since I first heard it, in part because it fits better with the context of the rest of the album. However, this one really does feel undercooked lyrically and overreliant on the novelty of using a disco-inspired sound that seems to chase trends more than almost any other TØP track. The inclusion of that very sweet audio clip from Jenna boosts the song in some ways, but also adds to the disappointment in others; there are many other songs on this project that would be more worth surrendering time watching Friends. Thankfully, those come next. 7/10
"Never Take It" is fascinating. I never thought I'd hear a Rolling Stones-style song from Tyler Joseph featuring a gd guitar solo of all things, and it actually sounds pretty great. However, I also predict that this song will see some of the greatest critical scrutiny out of all the songs on the album. The lyrics seem to be Tyler's criticism of the media for playing up division in our society, but he's extremely vague when discussing which entities are spreading said division and ultimately recommends that people "educate yourself, but never too much". I'll be honest: maybe it's the fact that it sounds like something my dad would listen to, but it feels like this would get tons of play on Fox News. Since it makes specific reference to the events of last summer, it's hard not to feel like song is at least partially inspired by Tyler's brush with cancellation last year. Maybe I'm reading too deeply into it, but those reservations come from the song's lack of specificity, which is an issue of songwriting more than politics. They hold me back from truly loving a song that still manages to be one of the most exciting the band has ever put out. 8.5/10
"Mulberry Street" seems like the perfect realization of the entire album's intended tone. It is so pleasant, so lush while also simply produced, full of great lyrics, metaphors, and imagery. It really brings the whole project together, even if it's missing That One Line to really move this up to the top tier of the canon. 9.5/10
"Formidable" is the best song on the album and one of two songs I would truly rank in the top tier of the band's canon. Extremely pleasant and brimming with well-crafted lines to make your heart swoon. Jenna (and Rosie) is (are) a lucky gal(s). Or is it about Josh? Who's to say? 10/10
"Bounce Man" is just plain wild. I think Tyler's smuggling someone to Mexico to escape the feds? The playfulness of it all really covers up any frustration I might have with the clarity; it makes it clear that there's not really stakes here, just vibes. 8.5/10
"No Chances" sees the album take a turn that I'm sure the Reddit Clique is going to have an absolute field day with; it and "Redecorate" both sound quite different from the rest of the album and evoke enough elements of Trench to make me think that's it's actually possible that all this 'SAI is Propaganda' stuff might actually have something to it... until I actually pick apart the lyrics, then I'm even more confused. The song has some of the best rapping on the album, though that's not saying much (the feng shui line is a groaner right out the gate) and the gentle pre-chorus is really pleasant. I still haven't made up my mind on whether the chorus is effective or just plain goofy. This one might get worse or better on repeat listens, impossible to say for now. 7.5/10
"Redecorate" rounds out the album by opening with a Clancy quote (Tyler, you bastard), firmly setting this as a coda to Trench more than the album we just listened to. The rest of the song is really storytelling, with Tyler describing a bunch of people who are struggling deeply. The idea of "redecorating" here stands for how they are faced with the option to clean and resort their own spaces and lives or leave that to their loved ones to do after they're gone. By the time it gets to the album's name drop, you begin to wonder how much of this is potential autobiographical of the last year. It's moving stuff, a callback to some of the great strengths of the band's discography. 10/10
If I average those scores all up, this project ranks below almost every album among the Pilots discography on my rating scale, very narrowly edging out Self-Titled. That's still a very solid 8.6. Scaled and Icy is a very good album on first listen. We'll see how I feel about it after having a little more time to sit with it, but I've rambled enough: let's move through the rest of the week's news.
Other News
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Of course, there was a lot else going on this week! To accompany the release of "Saturday", Zane Lowe over at Apple Music dropped an interview with Tyler. As usual, Zane did a pretty solid job of getting to the heart of the craft and the creation process. However, Tyler also wound up skirting a lot of the questions to just talk more about how much he loves being a dad, which makes me happy; if the cost of getting a little less attention and mental energy devoted to the music is that little girl getting all of his attention, that's honestly preferable for me.
The album rollout is not even close to over. Later today, the concert will be streamed live. It's our first real performance that we've gotten from the band since 2019, but the previews that we've seen have completely exceeded any of my expectations, and really anything that we've seen from the band. It appears that they've transformed the entire arena (which I think is the ol' Schott at Ohio State) into a whole TØP world, with different sets laden with Easter eggs and a cast of backup dancers. If the website can hold up to the traffic (and I acknowledge that might be a big ask), this could really live up to Tyler's promise of this being the best livestreamed concert ever.
Oh, and this guy dyed his hair pink.
What a time to be a fan. Catch you all tomorrow.
Power to the local dreamer.
|-/
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ren-c-leyn · 3 years
Note
Ren, random question about your awesome art - how do you draw those digital drawings and what does the process of learning drawing entail? I have never learned or tried so it's a mystery and I'm quite amazed of what people can do with digital drawings these days. @writingonesdreams
Perfect timing with the question XD I just popped in while taking a break from Silver's intro art.
So, it's important to note that I started art back when I was a little kid, because a lot of my relatives were really into art too. I started out with horses, and kinda branched out from there. Then I quit for like a decade, forgot a large chunk of what child me scribbled her heart out learning, and have only just recently started back into it. All to say, I don't remember where I learned everything I learned and use in my art or how, but I distinctly remember the change from traditionally art (I mostly used charcoal and pencils before this) to digital art, because it was painful and hands became 900 times harder for me than they were before XD
My lovely writing partner is the one that encouraged me to give digital art a try, after I complained about my printer not scanning anything properly and wanting to do art for The Dragon's Crown, and my first piece was a guinea pig I doodled on paint. Not a good guinea pig, mind you. He looked more like an alien, so I painted him teal and gave him an antenna. I don't remember if we named him or not, but that was it. That mutant, alien guinea pig was the beginning of my digital art journey. It was absolutely not at all what I wanted, but it was fun and I don't think I'm going to forget it anytime soon.
On Soren's recommendation, I downloaded medibang paint, it's a free to use program with a decent selection of tools and settings. It also gets updates every so often, too. I'm still learning it myself, but I think I'm finally getting the hang of it.
How I go about my digital drawing is first try to settle on a pose that 1 fits the character and 2 is reasonably within my skill range. I will pick ones that feel a bit out of my depth just to push myself. Then, I start with the head before working my way down. What comes next depends on the pose. Sometimes it's easier to do the torso and hips. Sometimes you need to do the legs first. Sometimes it's the arms.
When the body outline is done, I make several new layers. I then do the facial lines on the next one up, the hair lines above that, and then move onto the clothing lines. I'll erase any lines that are now hidden, merge them into one layer, and then move onto a clipping layer, using a bright, annoying color that I know will not be used in the rest of the piece. My personal fav colors for this are neon green, burn your eyes out yellow, or neon pink. But, really, anything you can clearly see when it isn't fully covered will work. A clipping layer is like a sturdy fence. Colors cannot show up outside of a clipping layer no matter how badly you mess up, and it is glorious. I do have to go back and adjust the clipping layer from time to time, but it's a lot easier to do that than go back and adjust all of the other color layers 500 times while working on it XD
Then, I move onto flat colors. Just the base tone of every part. I keep these on separate layers to make coloring easier. Like if I have a cloak, it's easiest to go back of cloak layer, skintone layer over it, normal clothes layer, then belts and front of cloak layer. You do still have to watch the upper layers covering more of the lower layers than you want, but it's overall a lot easier than when I was putting it all on the same layer and having them blend together. From there, I move onto shading and highlighting. Both have their own layer, and I turn down the opacity to roughly 60% and make them overlays so they blend with the colors below them. Some people use the multiply layer setting instead. It didn't work for me, but there's lots of options you can play with depending on your style. I play with the colors until I'm happy with them and then it's ready to go.
As for how I learned, it's pretty much how I learned to write, really. I kept practicing and mimicking styles until I started to build my own. It was rough in the beginning, but I as started to figure out how to do the things I wanted, it started to get a bit easier. For every piece I post here on tumblr, there's several practice pieces that will never see the light of day. A lot of my practice art pieces are actually @sorenfarwalker's OCs that she was kind enough to let me play with for the sake of learning, since I rarely have a solid idea of what my characters look like and hers always have good references and fun personalities. It's been a big help having that pressure free environment to draw characters, and then I could give them to her for feedback.
There are things to help make it go smoother, though. There's many pose references, art tutorials, and the like you can find on the internet. Not all of them will work for you, I know I had a heck of a time trying to find a method that worked for drawing braids for me, but they'll at least give you an idea of where to start.
A few tricks that worked for me -
Visual references - It can be helpful to have a visual representation of what you're trying to do to look at. Like, if you're trying to draw a horse, looking at different photos or other drawings of horses will give you a good idea of what shape goes where and can help you troubleshoot if something doesn't look right in your lines, but you aren't sure what or where.
The 's' curve - This is a trick I learned back when I was working with traditional mediums that works well in visual art too. If you draw a sort of shallow s shape to represent your humanoid character's spine, it'll help a lot with torso and hip alignment, particularly if you're trying to draw them at an odd angle.
Coloring - Generally you don't want to shade with the same color you're working with. For example, reds pop more when you shade them with purple than if you shade them with a darker red. I shaded Kitan's blonde hair with a shade of lavender purple. Reuven's scale bracers were shaded with a dark purple and highlighted with bright oranges and pinks. It just gives the color a richer tone. There are exceptions, though. You're lighting may be an odd color, you may want a flatter color, sometimes shading with a different color changes the color too much. So, it's a general rule, but break it as you please.
Brush correction - A lot of art programs, including medibang, have a correction setting. This will help reduce wobbles in your lines, which is particularly helpful for me since I'm using a mouse. The trade off is, drawing lines goes slower since it's processing your lines, and sometimes you need to fight with it to get the wobbles you want, like the fur trim in Silver's cloak. So, find a setting of it that works for you. I run with correction 40, but do change it around depending on what I'm doing.
The sharp pen - I don't know if this tool is in every art program or if it has the same name in them all, but it is my most used tool, hands down. I use the sharp pen tool for a lot of my lines, and even some of my shading. It thins out and comes to a point at both ends of your line, which is particularly useful for things like the hair and the embroidered roses I did on Kitan's shirt.
Label your layers - You'll want to keep different parts of your art on different layers for your own sanity's sake, and when you do, label them. Name them. Name them all. You will not remember which one is which and it has caused me so much grief in the past XD
And I'm sure there's more, but I can't think of them right off the top of my head.
So, yeah, that's it. There's my process. It may look different for you if you decide to give it a try, and that's normal. Every artist has their own way of doing things and their own style.
Thank you, as always, for dropping by with the ask. It was fun to kind of think back on my art journey and try to figure out how I got here. If you have more random questions, feel free to drop in anytime <3
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luciferist · 4 years
Note
Hi! Can I please request an MC who is still in college (aged like 21/22) with Jumin. And she is super stressed because of her course work and an upcoming test but doesn’t want to let him know because he is so excited to take her to this gala tonight and bought her a fancy dress. thanks!
hello!! thank you for requesting :D please enjoy !!
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– jumin + an college student mc who’s stressed but doesn’t want to tell him
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you swear you’ve never seen jumin more excited for anything, not since you first went to his house all those months ago
jumin had been talking about this upcoming charity gala for WEEKS and was preparing your outfit, your entrance, every little detail
when he first had told you about the event, you were excited too since you had never attended something so nice, but it also didn’t seem like that grand of an event. it looked like something jumin would be used to and wouldn’t even bat an eyelash at
“my sweet, this event will be the first formal event other than the RFA party where you will attend as my partner. do you understand now, why i’m so excited to show you off?”
and lord, he is just the sweetest, isn’t he? you were overjoyed that you meant so much to him and you, as well, began to count the days until the special night
sure, you had a bunch of work due the week of the gala, but you’d be fine. right?
that’s what you thought.
that is, until, the week before the gala, your professor informed you that your final would be the day after the gala at 8am.
and would be 60% of your overall grade.
seriously, who does that??? you began to think maybe you should’ve just joined the circus after high school. dammit.
and dear jumin, your sweet jumin :( he was so excited to bring you... but you just had so much work and studying to do... but the way his face lit up every time he spoke about the custom dress he had ordered just for you... well, it would be okay, right? you just had to be running on ten cups of coffee that morning.
jumin was so excited and you didn’t want to ruin that.
and so came along a week’s worth of late nights spent studying, going to class, and typing word after word after word
and finally, the day of the gala arrived
it was half an hour before the start of the event and you were putting the finishing touches on your outfit
you looked absolutely gorgeous in the custom-made floral tulle gown jumin got for you, imported from italy.
oh my god, how is this me? you look into your eyes in the mirror, taking in a deep sigh. it’s go time. let’s hope i don’t pass out in front of the class tomorrow.
while the dress looked stunning on you, fitting in all the best places, you looked sleep-deprived and hadn’t gotten more than four hours of sleep a night in the past week. every time you closed your eyes, you felt like falling asleep right there
but then jumin walked into the bathroom wearing a dark navy suit that highlighted his broad shoulders and his juicy behind
the things i do for this ass... you think as he gives you a kiss on the cheek and circles your waist from behind
“you are absolutely shining, beloved. thank you for gracing me with your companionship tonight.” you peck his cheek, blushing at his sweet words
“shall we go?” he says, taking your hand.
you follow him out into the living room, getting closer and closer to the door, until a sharp pain strikes your head hard and you stumble onto the ground, letting out a strained yelp
jumin takes notice quickly, holding you before you drop completely
“_? what’s wrong? should i call in the physician?”
you urgently tell him no, it’s not that serious, you think it’s just a slight migraine, and that you’re able to go, just give you a minute
suddenly, strong arms pick you up and place you on the kitchen countertop
“_, i need you to tell me what’s wrong now. don’t lie to me, my love. i know you haven’t been sleeping these days. please rely on me.” his eyes are filled with worry and compassion and you had honestly never felt so cared for more than in that moment
“.....” after seeing you fail to speak, jumin hugs your middle, whispering a painful “please.” into your shoulder
tears fill your eyes out of stress, fear of disappointing him, exhaust, and you spill over like an over-poured glass of water
“jumin, i’m sorry. i’m so sorry. you must be so angry at me right now... i’m so sorry. this last week has been so busy at school and-and i have my final tomorrow and i’ve been studying non-stop but i just couldn’t tell you because you were so excited for tonight and you even paid for this nice dress and i just ruined all of it and-”
he seals your panicked blabbering with a chaste kiss, quickly shutting you up
jumin pulls back, looking deeply into your teary eyes
all you can see is love and affection for the mess that’s you
“_. darling. your wellbeing is above anything else. above this gala, above this company, above the world. i couldn’t bear it if you were in pain because of my selfishness. and i could never be angry at you, so perish the thought. please do not worry about tonight. let’s go to bed and rest. consider this event cancelled and let me take care of you. and, don’t you know i plan to marry you? there will be plenty more opportunities in our future for me to show off my beautiful lover to the world and for you to attend these events. i guarantee it.”
you almost start crying again at jumin’s wonderful words. how did you get so lucky?
he carries you bridal-style to the bedroom and begins to coddle you just as he likes it. undressing you, bathing you, pampering you for all of your hard work studying the past week. he makes you a comforting plate of pancakes and you spend the rest of the night watching an old romantic movie together, falling asleep on the couch in matching pajamas
the next day, your phone alarm wakes you up at 7am and you shoot up (somehow in bed instead of the couch – jumin must have brought you, but you didn’t have time to ponder the specifics), your brain on immediate panic mode
oh man. ohhhh maaaan. _, you really f*cked up this time.
jumping out of bed, a large hand grabs your wrist
“where are you going, _?” you tug your arm away, scrambling to throw some clothes on and somehow make it to campus in time, screaming some incoherent jumble of words about a test
“oh... that. come back to bed. i took care of it last night. your professor moved your final to wednesday afternoon. how? i gave him an, ah, phone call. that’s all. now come, darling. it’s cold.”
if you know jumin han, you know that he doesn’t lie, so you slowly get back into bed after getting over your bout of suspicion and relax a little.
you just pray that you aren’t kicked out of the department wednesday because your all-too-powerful boyfriend probably threatened to sue your professor for “foresaking your student’s mental health and welfare”. damn, and i was so close to graduating too.
but whatever jumin does, he does only with the best for you in mind, so really, how could you complain?
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enjoy !! i had lotsa fun writing this 🥰 yall, get a supportive hubby like this and don’t settle for less !!!
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astralglam · 3 years
Text
𝐒𝐞𝐧𝐬𝐞𝐬 𝐚𝐧𝐝 𝐨𝐭𝐡𝐞𝐫 𝐨𝐝𝐝𝐥𝐲 𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 .
1. What does your muse smell like?
without soap or perfume, 683 smells bizarrely sterile, chemical-ish, like a dentist’s office, bleach or cleaning supplies.  like hand sanitizer that kills 99.9% of germs.  they have that faint smell of powdery clean cosmetics, only because they wear so much foundation, face powder and setting spray.  humans like things that smell less artificial, so 683 takes to using cheap perfume (think a teenager who just learned to douse themselves with axe or bath and bodyworks spray), which is artificial in a slightly more palatable way.  their clothes (which are almost all second hand) have that mothball-musty smell of a thrifted dress that hasn’t been washed yet, like an old book.    
2. What do your muse’s hands feel like?
cold, frigid and icy, almost like a mannequin’s if you left the mannequin in the freezer. their skin is tight over their tendons and fingers, with almost waxy, plasticy skin stretched over their joints and knuckles, which makes them seem very fragile.  sometimes their palms are uncannily clammy.  their skin on their palms isn’t rough or calloused but they’re starting to get scars on their fingertips from their voyages into the realm of string instruments.  they used to have very neat, clean and unpainted nails, but nowadays, they have divots and cracks because 683 is clumsy with the strings.  
3. What does your muse usually eat in a day?
683 is often at the mercy of when their friends will decide to cook for them/buy them food.  they don’t have any cooking skills and can barely wash and cut an apple (this isn’t because they’re stupid, on atomina they were used to communal dining with a designated set of people who cooked for everyone in their unit).  683 is naturally accustomed to eating plant matter and (unlike us humans) has a way better digestive system for breaking down cellulose and gets a lot more out of their vegetarian diet than you might expect (two stomachs aint for nothin).  left to their own devices they just eat Whatever (orange? handfuls of spinach, unwashed, pesticides dont hurt them.  microwave a tomato and watch it explode.  brave cutting open an avocado and just eating it with a spoon).  dinner is when priscilla either buys him take out or sid cooks something for him (and sid is an amazing cook!!!).  sid isn’t vegetarian, but his family is, so he knows how to make all kinds of dishes perfect for 683 -- substitute the dairy for nondiary alternatives and 683′s getting matter paneer (with tofu instead), malai kofta (with coconut milk), and aloo gobi (no butter), all sorts of things !!! 
4. Does your muse have a good singing voice?
sort of.  683′s voice, by itself, is nasally and weird and a little grating, but their devotion to music lets them make the most out of their “strange” voice and almost use it to their benefit to sound unique, different, super far out !11!11111  their lyrics, instrumentals and emotion combined is what makes them a talented musician rather than just a good quality voice.  so while they might not have a very pretty voice, they’re still a skilled singer due to their delivery.  
5. Does your muse have any bad habits or nervous ticks?
im assuming this is about bad (physical) habits rather than personality deficiencies (of which 683 has many).  683 stares, like, really just stares at people with reckless abandon, they havent figured out it’s rude.  they arent good at even pretending to listen so if they’re disinterested in what you have to say, they’ll look elsewhere, pick at their nails, mumble or interrupt you.  always finds a way to make the conversation about themself.  very disorganized and messy, has a hard time taking care of objects even if they value them (ex. dropping his guitar, misplacing jewelry, yanking a belt off and breaking it).  definitely self pities and has no problem trying to guilt you for everything and anything.  is a pretty frequent smoker, but is polite enough not to smoke if you ask him not to.  
683 is always a little nervous so their nervous ticks are just their baseline state of being (wringing hands, stammering, talking really fast, making insane gestures all around you but being too afraid to touch you, etc)
6. What does your muse usually look like / wear?
683 looks very put together at all times -- not necessarily polished or professional, but very intentional, in that you can tell they definitely made a conscious choice to dress the way they do.  he wore the same dumb uniform every day for the first 20 years of his life, so he’s very excited to try new clothing options.  
more femme-ish clothing preferences go to boxy, sleeveless a-line dresses, miniskirts, bright floral patterns, big plastic earrings, headbands, scarves, etc.  they like clunky platforms and prefer to wear boots.  very 60s mod and colorblocked.  she loves bright eyeshadow but tends to go for more neutral lipstick.  can never figure out what to do with her hair so she usually leaves it down or does a half-up half-down bun kinda deal.  
more masc clothing preferences are bell bottoms, button ups with butterfly collars, paisley print, turtlenecks and fringe jackets, etc. earthy tones and weird nasty olive green.  very late 60s / early 70s. prog rock flavor or glam rock flavor.  never got into the disco style only because he cant pull it off because he’s so scrawny and twitchy and has no chest hair to impress the ladies.    
one thing about 683 is that he hates tight long sleeves and goes insane if he has to wear them.  his uniform was sleeveless, so even short sleeves feel really weird and horrible on his arms.  prefers sleeveless, can do with short sleeves, 3/4ths sleeve or loose long sleeve, really tries to avoid tight/constricting long sleeves.  
i have a pinterest board of potential fits for him although i havent updated it because i barely know how to use pinterest.
7. Is your muse affectionate?  How much?  How so?
to most people, not really, he’s kind of a weird cagey asshole.  oscillates between fascinated with physical touch (suddenly wanting to hug his friends or snuggle with them or grabbing strangers when he’s trying to talk to them) to despising contact (cringes if you touch his hand when you pass him a cup).  he didnt grown up with a culture very big on it, so he isn’t sure if he likes it or not yet.  
to people he does care about, he tends to take his friends for granted but overperform affection for those he has romantic interest in.  not that he doesnt also dearly love and adore his friends, he’s just not the best at expressing his care for them other than random bursts of kindness and dissolving back into his weird normal self.  his understanding of romance has come from a very commercial, media-influenced place (he learns about it through television, novels and commercials, it’s not really inherent to his species) so he thinks romance is about buying flowers, holding hands, staring into each other’s eyes for three hours, etc. if he has romantic interest in you, he will constantly over and over again tell you how much he likes you and your company and you are soooo funny hahahhahhfhh, and will be unusually touchy (clings to your arm, sits RIGHT next to you, drops his head on your shoulder, etc).  
8. What position does your muse sleep in?
683 didnt know what blankets were until he came to earth (or deep space nine) !!! his old room was perfectly temperature controlled and he already has a lower natural body temperature, so there was no need for blankets at all.  human beds with big pillows and blankets are THE COOLEST, so he either curls up underneath a blanket with only the top of his head poking out or he sprawls out like a starfish to take advantage of as many pillows as possible.  his special move is to roll up in the blanket like some kind of little alien lumpia.  
he’s a fitful sleeper so if you sleep in the same bed as him, he’ll punch you or kick you on accident.  he does appreciate company, though, and will also plaster himself up against you and leech your body heat with his weird cold body.
9. Could you hear your muse in the hallway from another room?
depends.  they have a very average speaking voice and aren’t necessarily very loud (plus platforms dull footsteps), but if they were excited, they might raise their voice or yell or exclaim something.  and then they’re very shrill, so yes, you would hear her.  
Tagged by:  @sampati im sorry i took like a week it was really fun i love to type letters and words on the computer Tagging: @dynaura or @pataparty (for whoever you want) / @phantombs / @ofgentleresolve (for lamon? or anyone you want, really!!) / @bystcrdust / @kyrieleisen / @baelends / @bup1957
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thekillerssluts · 4 years
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Nostalgic For A Different Future: Arcade Fire's Will Butler On How His New Solo Album Finds Healing In Community
When Arcade Fire released their very first single, it came with a B-side that hit very close to home to brothers Win and Will Butler: a recording of a song called "My Buddy," credited to their grandfather, Alvino Rey. In fact, several generations of musicians line their family tree. While those historic echoes provide joy and solace for younger brother Will, the world tipping into pandemic and protests over racial injustice reinforced life’s darker cycles. On Butler’s second solo album, Generations (due Sept. 25 via Merge), he explores the ways in which we come together in community both because of and in spite of those ripples.
The video for early single "Surrender" represents that duality perfectly. The clip opens with studio footage of Butler’s band recording the jangly anthem, complete with call-and-response vocals and gospel falsetto. But much like 2020, things devolve quickly, with closed captioning-style subtitles mourning the deaths of Black men and women killed by police, calling for sweeping political change, and insisting on prison reform. Though written long ago, the album holds a special ability to tap into something boundless and timeless while simultaneously feeling entrenched in the tragic pain of the present.
Butler spoke with GRAMMY.com about the album’s similarities to Fyodor Dostoevsky, the ways in which songs take on new meaning over time, how Generations fits in with an upcoming Arcade Fire album and the healing power of community.
Did you have any hesitation about releasing the album in the midst of the pandemic?
I'm sad to not tour it. If I could wait four weeks and then tour the record... but that's not going to happen. It's actually kind of a good time to put out music. It feels morally good! People want music, so let's put out music. I've experienced that, where people put things out and it feels generous.
It truly does. You've compared this album to a novel and your debut before this to a collection of short stories. Is there a particular novelist that you feel would be in tune with your work? Do you take inspiration from fiction in that way?
It's not Dostoevsky. [Laughs.] But it is weirdly more inspired by Dostoevsky than it ought to be. It's the tumult of the 19th century, the next stage of the industrial revolution and the gearing up of socialism and anarchism. It feels related to the pre-revolutionary thing happening in Russia. [Laughs.] It's not a one-to-one comparison by any means, but it’s just the deeply human things happening in a context of the whirlwind.
Was there an experience that led you to the feeling that it was the right time to deliver such a politically driven album?
Partly, I went to grad school for public policy. I explicitly went as an artist wanting to know what's happening and why it's happening. I started the fall of 2016, which was a very bizarre time to be at a policy school. But I had a course with a professor named Leah Wright Rigueur, a young-ish professor, a Black woman, a historian. The course was essentially about race and riot in America. And since it was a policy school, the second-to-last week on the syllabus was talking about Hillary Clinton and the last week was talking about Donald Trump. It was a history class, but in an applied technical school, so it's like, "What are we doing with this history?"
We read the post-riot reports of Chicago in 1919 and the post-riot reports of the '60s, the Kerner Commission and after the Watts riots, and we read the DOJ reports after Ferguson and after Baltimore and Freddie Gray. And then Donald Trump got elected at the end of the semester. This course really trained my eyes at this moment of time, just being in that state of thinking about what's going on and why it's happening.
Right, and the album's title feels like it encapsulates not only the history that you were learning at the time but also your personal and familial ancestry.
Yes, very much so. My mom's a musician, and her parents were musicians. My grandmother grew up in a family band driving across the American West with her parents before there were even roads in the desert. Her dad got arrested a bunch of times for vagrancy or for not paying off loans. There's something very beautiful about being in the tradition of generations of musicians. That's a positive thing in this world. It's no coincidence that I'm a musician. There are, however, many more poisonous things that are also not coincidental that are rooted in both personal and political history. All of political history in America has been geared towards making each generation of my family's life better insofar as they're white men. It's been very good to my family, but that is as much of an undeniable generational heritage as music, which is this beautiful and faultless and glorious thing.
Do you see that musical tradition in your family as storytelling?
It's never been explicitly storytelling, though that is part of it. It's more about building community or building a society through entertainment. Entertainment is almost too light a word. My grandfather and grandmother did all these broadcasts during World War II, and some of it's jingoistic, some of it's incredibly moving, some of it's just dance music for people who don't want to think about the war for a minute. It's all these emotions, but still with this aim of trying to get us all in it together–which in a war context is fraught. But there's that element of always trying to make a family, make a community, learning how to bind us all together.
That reminds me of the call and response vocals you've got throughout the record. It has an especially gospel-y feeling on "Close My Eyes," which is such a clever way to paint a song about surrendering to something bigger than yourself, that communal feeling. What was the impetus for that narrative voice?
Part of it is just rooted in Smokey Robinson and the Miracles. [Laughs.] Years ago, someone mailed us the complete Motown singles on CD, just every single starting from day one. Even though there’s some garbage mixed in there, it just feels so human with those gang vocals and great singers that sometimes they just pulled off the street. You get the sense of humanity. Having backing vocals be so integral instead of just having my voice layered feels like having a community and feels very natural. It's hard for me to not just rely on that every third or fourth song. [Laughs.] It just feels like that's how it should be.
Those multi-part harmonies must be especially potent live in a room. Do you write in a way where you’re already picturing these songs live?
We played almost every one of these songs live before we recorded them. My solo band played "Surrender" live on the Policy tour for years. But even before we went into the studio last summer, I booked a weekend of shows. We did the Merge 30th Anniversary festival just to have us feel it live and have that communication. And then we went down to the basement to try to iron it out.
Speaking of "Surrender," that song took on an entire new life in the video. It starts out with videos of your band in the studio, but then quickly and powerfully gets replaced with messages mourning the deaths of George Floyd and Breanna Taylor and emphasizing the need for prison reform. You never know what life a song will have when you’re writing it.
That song is very nostalgic in a certain way. It’s looking towards the past, but not wishing to be in the past. It's wishing that we were in a different present because we had already chosen a different past. So when I was editing the video, I started it as a "making of" video. But the footage is from January of this year—five, six months old. There's this feeling of nostalgia, but also 2019 was not good enough to look back at. [Laughs.] 2019 was also horrible.
It's not like I want to go back to 2019. I want to play music with people. I want to be having fun with my friends. I want to be making a record. But I don't want it to be 2019. I'm nostalgic for a different future. And as I'm editing the video, there have been six weeks of protests of people trying to build something, and it just felt crazy to not acknowledge that. It was what people were focused on, at least the people around me.
Do you feel like you'll be infusing more overt social and political commentary into your music going ahead?
I think so. It's important that it's organic. It's part of the world I live in, part of my family and my friendships. Before the coronavirus hit, I was very much looking forward to touring and had vague plans to do town hall meetings and discussions. It felt like a rich time to do that around America, and around the world. I'm sad to not get to do that, but I think it will happen someday.
You produced the album yourself in your basement, so were you writing with the production choices already in mind or were you writing while in the studio?
I had the band come down and record for a week. And at the end of that first week, we had seven or eight songs that could be real. Some of them were clear. Some of them are simpler, like "Surrender." Others were trying to figure out where they would go. "I Don't Know What I Don’t Know" was more trial and error, trying something crazy. We'd turn everything off for two days and then come back to it and try something else. You try to be surprised by it.
I love revision. Well, I don't love it. I hate it. [Laughs.] I love the process of editing, of making a version of something and then finding something that's either better or worse. It's fun when you work with an editor that you trust, but when you're just doing it yourself, you drive yourself batty after some time. But I still love versioning it until it makes sense.
It feels like you're not too precious. You just want to service the song at the end of the day.
Yeah. I try to not be precious. I feel like the songs mostly came out with a fresh spirit. I didn't massage any of them too much. I'm very conversational in how I think of the world. Nothing is the final statement. You say something and then someone says something else and then you say something. And you have to finish what you're saying in order to hear what the other person says. So if that means putting it out into the world without rounding everything off, to me that feels right.
The record begins and ends on the same burning synth tone, like history ready to go around the loop again. What does that synth tone represent for you?
Not to get too mystical, but there's something about the bass that is so embodied. There's something about a really powerful bass that is fundamental, something that just gets to the core. I wanted that core to feel a little uneasy. It's not like the hit at the end of "A Day in the Life" where it’s this clear conclusion. It's a little bit gnarly. It's a little bit not in the right key for the song. It’s something disturbing at the very core of everything.
What has writing and producing this record taught you about yourself?
I found that while I still prize quickness and thoughtfulness and conversational life, this record took longer and took more effort than Policy. It was way less casual. It was not casual in a very good way. I realized this shouldn't be a casual undertaking—even though it can have lightness and humor and breezy elements. Even then, the whole undertaking can still be serious and grounded. It can even be quick without being casual. In the past, I've fallen into thinking, "Just do something first before you think about it too hard." But this was a reminder that you can do something more thoroughly.
Were you writing these songs while working on the next Arcade Fire album? Speaking about intention, how do you compartmentalize those two sides of your creativity?
Yeah, Arcade Fire is always very cyclical. We record for a year and a half, we tour for a year and a half, and then we're off for a year and a half. I was very conscious to do this in a moment when I wasn't distracted by something else. I wanted to focus on this.
I'm still figuring it all out. Right now I'm making a video for the song "Close My Eyes." I have children, two-year-old twins and an eight-year-old, so the spring was just complete family time—net positive, but total chaos. [Laughs.]
https://www.grammy.com/grammys/news/nostalgic-different-future-arcade-fires-will-butler-how-his-new-solo-album-finds
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zrtranscripts · 3 years
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Home Front, Mission 15: Phil & Zoe’s Cinderella Story
Once Upon a Workout
~
PHIL CHEESEMAN: Hello, ci-ti-zens, and welcome back to Radio Lock-In. I know last time it was Radio Phil, but since Zoe’s contributing via ROFFLEnet from the kennel where she's riding out the zombie horde, this felt a bit more apt. Also less likely to end in my having to fend off an attack by a pack of trained murder cats. Not that that's something I worry about late at night or anything. [laughs]
Anyway, it's time to start your warm-ups. Running on the spot, bit of stretching, whatever floats your boat. Oh, um, and uh, grab a yoga mat or um, large towel. You're going to be needing them. Because today, Radio Lock-In has a special treat: your very own Phil and Zoe-style fairy tale, with music breaks, ministry workouts, and a few minor updates to one of Ye Olde classic tales.
Uh, why fairy tales, you may ask? Well, obviously Zoe's a fan, what with all the talking cartoon animals in the Disney versions. But um, I just find them comforting. Have done since I was a kid. They're simple. Good wins, evil is vanquished, love is eternal, and magic is real. Well, I don't know about you, but all that sounds really good right now.
So without further ado, drum roll please! [taps hands rapidly on knees and makes a cymbal crash sound with his mouth] Cinderella! Or as Zoe calls it, the one with the posh outfits and the horse mice and in need of a rewrite from someone who has a better sense of women's shoe sizes.
But before we get to that, we'll start our story the way Cinderella starts hers: cleaning while wishing she was at a ball. Grab the nearest household item you can find and dance away while I play an appropriately jaunty tune. Ready? Dance!
~
PHIL CHEESEMAN: Wonderful! Now to catch you up, as our tale opens, everyone's looking forward to a lavish royal ball in the kingdom of... whatever it's called. But Cinderella can't go. Instead of dancing, her stepmother forces her to constantly tidy up.
I'll be honest, this sounds a lot like what I did as an excuse to get out of school discos. Well, at least until I learned a few slick dance moves from Daniel “Snake Leg” Simons. And uh, no, Zoe, I will not be showing you the patented Simons kick and slither. Luckily, Cinderella has her own snake legs: a fairy godmother who will whisk her away to the ball with some special fairy dust magic.
We'll be helping the fairy godmother out by distributing magic dust of our own with a few uppercuts! Get into a magic stance. Boxing stance, really, but we're in a story here. Stand with your feet shoulder-width apart, your knees slightly bent, fists up as if you're holding tight to a handful of fairy dust. Now you're ready for your magic uppercut. Rotate your body towards the arm in front and punch upwards with your back fist. Magic! Now rotate back to your starting position and you're ready for your next uppercut of magic.
I'd say it'll take about one minute to get Cinderella ready for the ball, so get to uppercutting. Start now. 15 seconds in. The dirty rags have transformed into a dress. Halfway there. The old pumpkin has become a magic carriage. Switch legs so that your other one is in front and keep the magic coming. Only 15 seconds left to go. The mice are horses now! All she needs are magic shoes! Let's turn those everyday shoes into glass slippers.
All done! Time to admire your handiwork. Feel free to keep doing magic uppercuts during this song or just twirl around as you do your own imaginary transformation.
~
PHIL CHEESEMAN: Now fully transformed, Cinderella heads to the ball, which I'd call a glamorous spectacle of light and gold and at least four different types of hors-doeuvres, but Zoe considers to be probably pretty boring, what with all the ball gowns and lack of a proper DJ.
Yeah, I'm fairly sure our Zoe always spent a lot of her youth in roller discos and is probably holding our imaginary ball to unreasonably high standards. But in honor of her anti-ball sentiments, we'll do some wall sits, just like the bored ball-goers.
For this, you'll need a wall that you can stand in front of. Stand with your back to the wall and lean back until your back is pressed against it, but you're still standing upright. Adjust your feet so that they’re shoulder-width apart and about a step in front of the wall, then slide your back down the wall until your thighs and calves make 90 degree angles with your back, head, and backside still against the wall.
We're gonna stay like that for 60 seconds, if we can, starting now. 15 seconds in. Why Zolinda, so lovely to see you here this evening. Halfway done. I know, such a boring ball. I'm too tired to even eat these delicious cheese canapes. Just 15 seconds to go. At least the prince is looking well. Maybe he'll meet his bride tonight, who decides to turn to a parliamentary system of rule! And done.
Stand back up and shake out those legs. A mysterious stranger has just entered the ballroom. Spoiler, it's Cinderella. All right, Cinderellas, I'll play an entrance song and you can do your best glass slippered red carpet walk, or another round of wall sits if you'd like. I'm gonna have some of those imaginary canapes. They imaginary sound imaginary delicious.
~
PHIL CHEESEMAN: And we're back. Just in time. Cinderella is now in the middle of an exciting tango with the prince, who wants to know more about her. Uh, naturally, per Zoe, they take the opportunity to have an in-depth conversation about ruling a kingdom in a way that allows for the voice of the people to be heard, gender equality, and whether avocado is a fruit, all while dipping and sashaying.
But uh, just as Cinderella is coming up with the excellent idea to test avocados’ fruitiness by putting it on toast, the clock begins to strike midnight. [a bell chimes twice] Once it hits 12 AM, all of that fairy magic will disappear, so Cinderella has to make a run for it.
That means it's time for high knees. Run in place, bringing your knees up with each step as if you're running back to your carriage before the clock strikes midnight. Let's go, starting now. 15 seconds in. You've made it out the front door of the palace, expertly dodging the guards. Halfway there. Uh, you're at the top of the longest flight of stairs ever. Head to the bottom. Only 15 seconds left to go. You've made it down the stairs, leaving a glass slipper behind in the process. That's okay, your carriage is just ahead. Made it! Now it's time to head home and pretend you've been cleaning all night. Practice looking casual yet hard-working during this next song.
~
PHIL CHEESEMAN: We're almost to the end of our tale. It's the next day and no one suspects that Cinderella was the previous evening's it girl, the talk of the town, the belle of the, well, ball. The prince, who Zoe notes foolishly left his glasses off while dancing and therefore couldn't see the face of the woman he fell for, is searching for her by trying to fit the glass slipper on everyone he sees. Uh, according to Zoe, that is only the fifth worst way to pick a potential mate, but she says she will not reveal one through four except to say that one of them involves lime jelly and exactly 16 eels.
And with that somewhat discomforting thought, let's help our prince out with some knee folds. They're just like lifting your foot for a shoe fitting. More or less, anyway. Start by lying down on your back. Grab your yoga mat or towel to put underneath you so you've got something comfortable to lie on. Now bring your knees up so that they’re bent and the soles of your feet are flat on the floor and your toes are pointing straight forward. Your arms should be by your sides, your shoulders relaxed and chest open. [sighs] Relaxing right?
Now as you inhale, use your abdominal muscles to lift your right leg off the floor while keeping your hips against the ground. Keep your knees bent and lift your leg until your thigh is at a 90 degrees angle from your body and your lower leg is parallel with the floor. They call this table position because, well, it looks like your lower legs are the top of a table. Now exhale as you lower your leg back down to the floor. Now do the same with your left leg, and continue alternating for the next minute.
Go! These aren't meant to be fast kicks. Keep the movement slow and controlled. Imagine someone trying endless shoes on your feet. 15 seconds in, but all the feet that the glass slipper has been tried on are too wide! Keep going. Halfway through, and now the feet are too narrow! 15 seconds of feet left to try. You're almost there. Done. That's it, that's the one. You've found Cinderella! And now you deserve a break. Shoe fitting and storytelling are both hard work. I'll put on a nice cooldown song so you can stretch out your muscles from all that fairy taling.
~
PHIL CHEESEMAN: And that's the story of a very active Cinderella. Fun! I almost forgot we were exercising. And Zoe says it went off more or less without a hitch, even if I did leave off a detailed epilogue about Cinderella teaming up with the fairy godmother to create a magical haute couture fashion line. Uh, she says half the fun of fairy tales is that they're so simple that you get to add your own spin to it, make the story your own. Works for me, as long as we still get to throw in a happily ever after. I miss those.
Anyway, let us know on ROFFLEnet if you like fairy tales as much as we do and we'll put our heads together to come up with another. Maybe... Rapunzel. [laughs] I definitely feel like I can relate to someone who spends half her life trapped in a tower and is rapidly growing a very distressing amount of hair. Whatever we do pick and however we remix it, I have to say, there's still something comforting about retelling a classic. These stories have lasted hundreds of years, through war and disease and love and zombies, and if they can keep going, so can we.
~
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Pokken is probably the biggest Pokemon let down in the history of Pokemon let downs.
I'm a passionate guy. I love and hate things pretty hard for many reasons and those reasons usually run deep even if they are only a few words. However, sometimes I'll have a passion so deep that it is specifically against the common consensus and will be viewed as "flawed" or "wrong" or "stupid" or "something I should get over". The point is this is one of those things that every time I explain it to my friends who like Pokken that they get defensive and tell me I'm wrong. Thankfully most of the times opinions can't really be wrong now can they? Firstly I would like to express I am not a game designer in any way and my opinions are just that. My opinion and if you don't like it that is fair. We can all live in the same space and not have to come to blows over these things. So why is Pokken the biggest let down at least for me in the world of Pokemon games? That's because Pokken is not what I expected and what it could have been. When I say it could have been better and possibly better than almost every single fighting game known to man as well better than even Smash than you can only assume my expectations were so high on this game that you could say it is my fault for putting them on the highest level and then being sad when the game doesn't even come to half of what I wanted. Let me take you back to the first time I saw a Pokemon fighting game. For many of you, you already know or have seen the game but maybe don't know the name. That game is Pokemon: Type Wild. Type Wild is basically like every single other fighting game in that you get a roster (9) of different fighters who all fight in their own style. Simple enough to get where anyone can pick it up but few could master. It is a simple game that strikes desire into the heart of fighting game lovers. Which I happen to love fighting games. I may not play the greatest amount of them but I am ungodly at Bloody Roar 3 to a point where picking up a controller is like riding a bike. Short side story. My first time drinking I played a drinking game with friends where if you win you take a shot of hard liquor. We had 4 different types of hard liquor such as Sake, Vodka, Whiskey, and something else I can't remember. Eventually I had won so many games that not only was I shit face to the point of barely able to sit up straight, but I drank so much alcohol that by the time I was half way through the roster people quit because I was still winning and they haven't even felt a buzz yet. We ran out of liquor that day. Point is I love fighting games so I for years hoped that we would get a solid fighting game either like a 2d styles Street Fighter or a 2.5d style in the styles of Tekken or Bloody Roar. Instead we got Pokken. So I'm sure you would ask "what is wrong with the game. I like it." and that is just fine. You can like whatever you want and we can again have different opinions. Hell even if you like a thing people think is bad or a guilty pleasure that's also fine. I love infomercials and they are stupid as hell. You are allowed to like bad things. Let's be honest though. Pokken even if a good game does have flaws. It's not perfect by far and in those flaws I find that I don't for its own merits actually like the game. This again does not make it bad. Here are the things I find bad with the game in no particular order. Fights are too short I hate the switch style of fighting and it tends to make certain characters like machamp unrealistic in that he now needs a ranged attack like everyone else thus he becomes like everyone else. This is bad because you have no choice when it'll switch styles as it sometimes happens randomly (or so I assume, it has been a hot minute since I played but I'm pretty positive it happened without me "triggering anything) It's all style and no real substance. It looks pretty but it is kind of just a flash in the pan when you've seen all the moves over and over and over again. As stated before, all the characters are pretty much the same. What I mean by that is all have a long ranged move and basically feel the same. Yes there is some rock
paper scissors but when machamp needs a long ranged move and you just make it punches then it feels more tacked on and the characters don't really shine much. The roster looks alright at best but since there are 2 mewtwos and 2 pikachus it just feels lack luster. Also the dog and the chandelier don't seem to fit. The little support Pokemon don't seem like they add that much. Lastly and the most important part is that the game seems to lack real actual depth like Pokemon games do. That's the real problem for me. You have the biggest franchise in the world and finally make the biggest spin off for it and you make it lack substance? You might be thinking "well what would you do to make the game better?" and I'm glad you hypothetically asked in this scenario I just made up and forced upon you. There are 2 ways to make a good Pokemon fighting game. One is a rip off and the other is my own creation so to speak. The first is simple. Just make another smash. Make the Kanto region its own smash areas with instead of pokeballs and items and so on (you could cut down on all the extra stuff) and focus on making a pokemon with its own move sets. You could give them each their own moves and just make them fight like they would in smash. Is it a unique game? No, but the roster would be gigantic and it would look dope having a person fight as magikarp against a giant group of people. Also think of the amount of Amiibos they could make. The game wouldn't end there. It would get DLC for each region with new pokemon every time. The problem with this is the roster would be 1000 large and counting. So making this, as fun as it would be, seems unrealistic. So let's instead go with my idea. My idea is more or less the same as the actual game but with fighting in it. What that means is you would take every main important mechanic and throw it into this game. Then you would take the game and make it into a fighting game with those mechanics. Let's start small. First we need a story to get the game rolling right? Let's make it simple. It is a fighting tournament where fighting types can come together and fight in the arena. You know, like the episode of where Ash had primeape fight a bunch of dudes. Instead of in general fighting in a ring, they would have a stage where fights would be held. The story is this is where whoever shows up wants to be the best. Let's say each character is going to also be it's own "person" with it's own personality. That way we can have entry comments when they start the fight because they are talking to each other. You can make rivalries happen, you can also in general say these are the best fighters of their kinds. You have options to make this into a grander stage than the original did by making this the first ever tournament of its kind. That's the setting but we need a roster to fill the game out. So the game could start small in that it generally would have a roster specifically of only fighting types. This means that at most we would if only using final evolutions have without different forms, and megas about 32 different characters. Suddenly we now have a larger roster compared to the actual one we got. sure it is only fighting types but if we only have fighting types no one can complain about not getting their favorite. However, I'm not gonna lie, the roster looks like it lacks main villains and leaving out legends kind of ruins the whole every fighting type and lastly, with what happened to dexit I'm sure people would be mad if they can't use megas as well. So let's instead change that roster to have EVERY single fighting type in the game. (only last evolutions though. Don't need no babies and first forms in here) Now we have a total of 52. Let's also say for fairness sakes that some characters have non fighting forms. Let's add those in if they are before a mega evolution changes them. That's 3 more for a total of 55 in the roster. Now let's also have to force a couple more in there for "reasons" such as it is Pikachu who has to be in every single game. So now it is 56 total and since in general
arceus can every type the roster would be a total of 57 characters at the end of the entire thing. That puts the current roster to shame. Sure we miss out on fan favorites but in the end 57 unique characters? That is one hell of a difference. Yeah they are all fighting types but still. It is 100% better than what we currently have. Also this can be done. There are fighting games with over 60 characters and I'm not talking about a roster of "forms" like in dragonball z games where you can change your move set that is basically the same as other peoples. I'm talking about games such as smash with 58, tekken tag tournament 2 with 59, mortal kombat armageddion with 62, def jam fight for ny with 72, naruto ultimate ninja storm with 119. Suddenly you're up there with the big boys. (at least numbers wise) Some people might say that the game would probably have bad graphics and to that I say it has a simply solution. Make the game 2d. Many people would probably say that the best thing about Pokken is that it looks "tight as fuck" or something in that regard but we all know that 3d doesn't make everything better. Old school Street fighter games look pretty good with smooth animations and also fantastic backgrounds and a lot like anime compared to now which just doesn't look the same. Good in its own ways but different. You can have more things in a game with less "graphics" while looking super great while doing so. It wouldn't lessen the game and would make future versions of the game able to add more into the game as well. It would also add for many more things to be added as well. Which is really good since in general the game is supposed to be deep and not taking the game to look amazing means you can add more into it and allow for more cool things. Let's not get into the nitty gritty just yet because there are a few things I'd like to add. Let's take a step back to the roster. Let's say that they started off with just the first gen leading us to have a total of 9 different characters on the roster. That's not bad. This leaves us open to a ton of DLC and also alternate "costumes" to make our characters look better and more in line with who they want to be. The rosters itself would also have 9 unique characters with different strengths and weaknesses compared to a generic roster who is small but also kind of the same. You could also allow for a stage for every single type to shine through aesthetically. Sure we got some nice looking stages but imagine if we had one based on each type. A normal stage on a beach where it is sandy and has a nice tropical sunny feel to it. The only thing that would make that better is if the beach had some interaction to it. What matters in the game is the style of play. Pokken allows for arena battles as well as side to side battles. Both are fine but would make you have to specifically have one main style of art and dimensions. I think that side to side is better in 2d while arena I believe can only be in 3d. This to me means that we would have a side to side fighter but if for example we did get a 3d arena match then we would get hazards on the field. There was a play at doing so in the actual game where there would be spots where vines and other explosions pop up from the ground but imagine an actual 3d arena where you can get thrown into trees, or walk on hot lava spots or something akin to that. Imagine all the actual things you can do with moves such as spikes, or actual entry hazards. The game would take on more depth and allow for cooler fights. Even then having things in 2d isn't that bad. Having the ability to actually fight in a beautiful place with the character you want there allows for better visuals. The real shame is we could have gotten a battle area for every single type of Pokemon as well as a call back to the ???? typing where it would randomly choose a place to fight. This is all visual things that would make the game pretty but the real depth of it comes from how the game is constructed. That is by it being like actual normal main stream games. So what does it mean to
be a main stream game? Let's quantify to some degree what Pokemon is. It's a jrpg with the largest party roster ever. It's a simple one on one battle style but in essence you got the fighter, the ninja, the mage, and probably a few other things. They just sometimes look like eggs or a dinosaur. Either way roster is huge. The second thing is the simplicity of type matchess and even added abilities. Stats are also a part of the game while equipment and moves that you can customize out of a set list are also there. Personalities and breeding make their way into the game. There are so many things that you can do with normal Pokemon that just allows for the most unique playthrough of the game in any way you want and matches against real people have strategies and styles you might not find everywhere else. That is unless you're not playing random children and are playing adults who use the same stuff over and over except that one guy who used pachirisu but that guy is a maverick. So how would all this work? Simple. Just do the stuff they already do. Let's look at Pokken itself real quick. You have the attack and defense stats that in general make you deal or take less damage. You have your ultimate gauge and your support gauge. Pretty lack luster stuff seeing as we get more in the regular stats of Pokemon compared to it. We have special and regular attack. Special and regular defense. Speed and Lastly HP. That's where Pokken ends in customization. Lackluster in comparison as well when you look at all the stuff you can do in regular Pokemon to build a bond with it. So how do we build into the ultimate experience that we never got but wanted? Easily. Again just do like the game. Pokemon has a couple things that it does for you to customize your single little buddy to take on anyone. Let's look at those things. You have levels, types, items, breeding, evs/ivs, abilities, unique movesets, specific stats. That doesn't seem like much but having 8 different things to do with their own large amount of things is huge. To start with lets go with levels. Levels will be exactly that. They will increase the more you use a specific Pokemon. Not to say that the character would change and then have you start at a lower level, but in general you have the 100 levels and the stats on the character would grow to be that of what you finally get. You would also in PVP be matched up to an enemy of an equal level since you would have played that character and at least that long for that level to exist on the character you are using. This means that stats would also come into play. Stats would act like they normally do however moves would dictate that thing. Normal attacks would work with attack strength while special moves that you add onto your character would use the special stat. Not moves that are special attacks but any and every move. So extreme speed and thunderbolt would both use the special stat while a normal punch or kick would be your attack. This would make moves matter and make you want to make the move set how you would like it. Moves and customized move sets would be next on the list. This would allow for you to actually help your character and yeah this would mean that some characters are more optimal in some ways. If you wanted a move based machamp over an attacker than you have the choice and sure, some characters would be horrible with special attack but in the end all moves are special and would allow certain characters who are long range attackers such as Sirfetch'd who has a sword have to get closer to a machamp who uses focus blast to hit. This would allow for actual move customization too so that things such as toxicroak who uses poison moves to really shine since if we are making the moves than we would in general also wanna add the typings into the game as well. Types would allow for certain Pokemon to shine through more. Yes ghost fighting types would be busted, but thankfully there is only one and that would mean that you would want some anti ghost stuff on your character or it would make for you to have to actually
do normal attacks with a special attacker as they are even if named normal attacks not normal type. As in regular punches and kicks. Things like typing would also come into effect because that means the moves would be of the type and you can get added bonuses such as poisoning people and flinching and so on. Which means that abilities would be handy to fight certain people. If you play toxicroak then you are going to poison people with poison point. Which would go back to typing as an important thing since lucario is part steel. You could slow the opponent with electric moves. You could flinch enemies and so on. You have so many abilities to disrupt the enemy. This will make people go and make a huge deal on trying to perfect their roster of dudes they like to not only get skilled at them but also in general make them better. This is good because items and breeding are going to be a thing in the game. If ev's and iv's are in the game with breeding then that means you can actively max out a pokemon in ways you like. You can get points by winning fights and throw them onto a pokemon and just have like levels unlocked points for that pokemon. That way when you get good stuff for the process of breeding a new version of the character you get it in a way that actually benefits you when you choose a new nature and instead of having to grind even more each time you can just in general work hard while reasonably doing so. How would you get these items? That's simple. Either through constant grind which you are already doing or through mini games. Like the ones they had back in Pokemon stadium. People have wanted those again for such a long time. Even if they are small ones where it is training based it would be something fun to do to set off the monotony of grinding a better character all the time. So since everything is unique in that way how would the roster themselves work? It's big and it seems like we wouldn't be able to make them all 100% unique and as true as that is there is one thing to set them apart like you would in a normal fighting game compared to what it seems Pokken does. EVERY POKEMON HAS A UNIQUE FIGHTING STYLE BECAUSE THEY ARE FIGHTING TYPES. If we looked at the roster some of them are going to be in general a little strange but take it from the guy who is passionate about this idea that I can in some ways write down a style for each of them and that's just what I'm gonna do. Pikachu - Let's get the first and most obvious one out of the way and the most blatant problem in the only fighting type roster. Let's just say Pikachu libre was raised by some fighting types. Hawlucha to be exact and it got let in as an honorary member. It would be a fast attacker and have some good jump attacks. Primeape - A berserker style fighter who attacks very well but lacks real use of the special moves. It can still do them, but it may be open to failing. Like the trip mechanic in Smash cause fuck you it's funny. Poliwrath - A heavy hitter who does big attacks. Poliwrath doesn't have a style so much is just a big beefy dude. Would probably make him a little better at doing specials because of his lack of finesse and real inability to kick well. Machamp - Based on body builders and "able to know every fighting style" kinda makes machamp a little bit of an "eh" choice. Instead of making him fully aggressive and E Honda someone with 1000 punches we could also make him have special button inputs to pose and get power ups. This would make him actually stronger on specials if you wanted to do a special attacker or something else of the like. Hitmonlee - A kick boxer style where he would hardly use his hands. He would still be able to do special moves like the punches but in general this would mostly mean he would just kick normally and have extra blocks with his arms. Hitmonchan - If they can make steve fox do dodges with his feet then they can make hitmonchan the exact same way. Galarian Zapdos - Look, it's stupid that it is a fighting type but it is what it is. So let's just roll with it and say he does a lot of kicks.
Like can't really punch but would use his beak for pecks. They wouldn't be flying attacks but in general would allow for a little long range. Mewtwo - Our first non fighting type (not pikachu) to hit the scene and a real boss. See as much as Zapdos is a boss, Mewtwo would also in general be like the larger boss at the end. A real contender for difficult since his stats would push him a little over. The real threat is when you look at his mega form which would not require an item on the boss in the game and would allow him to not be stopped from this form. He also has a different move set meaning he is just in general a different fighter as well. You could also have it to where they don't even need the players to need to mega evolve and they just choose him. Heracross - This would be a little tricky as beetles generally just fling their enemy. He would probably have moves that did that while also being able to grapple well. His mega form would allow him to hit better like he normally does with multi hit moves and would probably have a better grab based move set. Hitmontop - Being short is its own special thing since he would be harder to hit with high attacks but he also has capoera style. Blaziken - Blaziken seems like it would be another strong boss in that it literally gets faster as the battle goes on and his mega does the same thing. It also has muay thai style fighting. Breloom - It's literally a kangaroo. It punches, it kickes really hard with its tail as support. It's a kangaroo. Hariyama - Besides Ehonda strikes it is also a sumo wrestler. So throws would be a thing it can do. Medicham - One of the more difficult to place styles. Its mega form would allow for also easy punch combos but I think this would be one of the more wonky styles of fighting. Each fighting game has a yoshimitsu style of fighter and I'm sure this would be it. Infernape - Monkey style kung fu. Loppuny - Loppuny is strange in that it is not a fighter. So it should have a generic not that strong looking style of fighting but when it mega evolves it learns Tai Bo and generic defense class style. Lucario - Also strange to place but could have something like Tai Chi or something of the like. Toxicroak - A dirty fighter and probably like that of a yakuza. Gallade - Would be really good at counters and uses a gentlemans style of fighting. Arceus - I don't know man, it's a horse. The people making the game would figure it out. Just steal the horse style from the JOJO fighting game or something. Emboar - Based on chinese symbols and also wrestling. This could be a grappler as well with a greco roman style and theme. Conkeldurr - This would have range over most of the others as well as strength, it would be slow moving but could swing fast. It also uses centripital force. Throh - It knows judo and would be good at grapples and blocks. Sawk - It knows karate and would be really good at strikes and counters. Scrafty - Would use headbutts and kicks. Nothing other than what it says since inner city youth generally don't have a fighting style. Mienshao - Shaolin style kung fu. Cobalion, Terrakion, Virizion - Each would have the same style of fighting. The difference being is Cobalion would have average speed and attack while terrakion and virizion would be slower or faster while weaker and stronger. Keldeo - Would have a style like the others but with some variations to it. It would be kind of bad in comparison as it is not as old and skilled but it's resolute form would make the style come together and make it better. Meloetta - Would have a buff system like Machamp but could also change style to allow it to do better at fighting but lose the ability to make buffs Chesnaught - It's a noble knight. Give it a graceful style that doesn't fit its huge armor or make it a power house. The choices are up to the developer at that point. Pangoro - Big punches and wild swings. Like Poliwrath but handles different. Hawlucha - Luchadore style wrestling, but has a high jump allowing for aerial attacks. Crabominable - Just punches. It
can't do anything else but it should have strong hard to stop punches. Bewear - Based on bear wrestling and bear hugs. It is your modern wrestler. Since we won't have incineroar in the game this would be the closest we get to WWE style of wrestling. Passimian - Tackles and moving. It's a football player. What else would it do? Kommo-o - Honestly this one eludes me since it just is a fighting type and I don't think it was inspired type wise by anything. Buzzwole - Just like Pangoro and Poliwrath. Would just be a big buff fighter. Pheromosa - Would be a kick fighter like Jenny from Bloody Roar 3. Marshadow - Since it mimics it would just be the random fighter each time. Grapploct - A grappler. Sirfetch'd - Uses his spear/sword for doing long range styles of poke. Shield would help block better. Also is small. Falinks - What could it do? I have no idea. Zamazenta - It has a normal non shield form, and it has a shield form. It could be slower in non shield mode but also when in shield mode be harder to hurt. Urshifu - Urshifu has 2 forms. One which would be single strike which is precise and accurate trying to end the fight in as few hits as possible meaning dealing more damage or something like that while rapid strike form could just be an unending combo like Maxi does in Soul Calibur 2. The real thing to know is that in general certain pokemon could have unique abilities not explained. Such as better blocks where they take less damage to no damage compared to other fighters or even more damage even if at the same number or other things like that, This would also make the boss battles more unique. That's mostly how the game would be made. At the end of the day we lost out on what could be the most deep fighter ever made. What saddens me more is that had we gotten this game it would have probably made Nintendo do better with their online services. Either way we will never know what truly could have been.
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chappedandfadedvds · 3 years
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Nov 30th, Monday 19:12
Jens was nervous.
They had booked the train tickets to Utrecht this afternoon. And that meant that Jens would not only get to see the city his boyfriend came from, but also meet all of his friends for the first time. People he only had heard about in stories and seen through the few posts and chat messages on instagram, that Jens had been shown by Lucas here and there.
He hoped he would fit in, make a good enough impression on friday. Especially with Isa, the girl who was one óf his best friends and was going to pick them up, as well as let them stay over at her place. Lucas was already so very excited to go, talking about little else since saturday.
The fact that they had to bring Lotte, didn’t seem to bother his boyfriend at all. Which Jens was really grateful for. He had hoped that Lars would be able to take his little sister for the weekend, but unfortunately he could have only watched her on sunday. So his sister would come with. It probably would be fun for Lotte as well and with the 5th happening on saturday, Jens was actually happy to have her there too. He had bought her some special set of coloured pancils that Sander used and he knew she wanted so badly too. They were only the base six colours, because holy shit were art supplies apparently expensive. How the hell did Sander afford this? Parents for sure.
Lucas also had planned to come out to his friends, the second he would set a foot in the city, which would mean that they could just enjoy their first trip together as a couple. And wasn’t that the best thing to look forward to?
Considering all, it was a good nervous feeling. More equaling excitement.
Jens smiled as he sat at the table, watching his boyfriend sway in rythym to some song, that Jens would assume was soul, it resembled the style of one or two songs of Lucas’s playlist for him last week. Lucas was swining to the music instinctive, while washing the pots and pans in the sink they had used for dinner. Lotte was upstairs watching something on her switch, simply leaving the boys to clean up on their own.
Lucas had put on a playlist before he had started. A playlist he had created the second after they finished Queens Gambit yesterday So of course it included an unfathomable amount of songs from the 60s and 70s, and his boyfirend was living for it. Right up his ally, as he already had vibed to every single one of those included in the soundtrack while watching.
His head was bobbing up and down, his foot tapping on beat with the drums, as he moved his shoulders and hips from left to right. He was definitely dancing as he rinsed of the soap from a pan and placed it on a kitchen towl to dry next to him. If Jens listened closely, he could even hear his boyfirend very faintly sing along.
Was it even possible to fall any harder in love then he already had at this point?
Apparently, as Jens felt his heart could explode at the sheer sight of Lucas enjoying himself.
Who obviously had to spin around just that moment to greet Jens with an overly charming, yet gleeful grin on his lips, as the playlist jumped to the next song.
One that Jens knew, and he already hated it, as much as he loved it.
„You are the worst. I hate you.“
„You fell for me the second I stepped in your life. This song is you, so much. “
Of course it wasn’t. Jens didn’t really believe at love in first sight. Never had. Not with Britt, nor with Jana. Attraction. yes. Love, no.
„It’s not. I didn’t even know you, I just thought you were hot.“ Jens therefore stated smirking. He had told Lucas about his exact thoughts he had had that morning on the school’s courtyard. How mesmerised he had been by Lucas’s blue eyes. How he had waited impatiently the next day for the lunch break to see him, his now boyfriend, again. A bit cringy perhaps, but hey, it worked out perfectly well in the end.
„Same thing.“ 
Lucas shrugged, snapping his fingers to the beat, while laughing at Jens snorting. The older boy only shook his head way too happy on a monday evening. His silly boyfriend, before just faintly whispering under his breath, now full on singing along as the chorus hit. Thank god no one was around to see Jens look at Lucas. The adoration he felt was definitely embarresing and definitely showing on his face.
„Not a trace of doubt in my mind
I'm in love, I'm a believer!
I couldn't leave her if I tried.“
Lucas wasn’t a great singer, that was for sure. At least he hit most of the notes. But damn, did this boy have the energy and passion for it, as he gestured for Jens to come over and join, absolutely delighted, carried away by the music alone.
Jens would strongly blame the lack of actual parties in the last month, as he found himself getting up from the chair and actually moving over. He started to sway slowly to find the beat and rythym his boyfriend was somewhat dancing to.
The last dirty pot was forgotten in the sink behind the two boys. Who only had eyes for each other in that moment, busy to get the words right, between giggles and catching breathes. Jens took hold of his boyfriend’s hand, to pull him closer and spin around on his feet, catching him with a stolen kiss, before he pushed him back gently. Only to do it all over again. __ __ __ tagged: @odi-et-amo85, @tayspots So, in our house we sing and dance a lot. I always put music on to clean and cook, so do my sister and her husband. I love these moments the most, when all of us stand in the kitchen for our private, spontaneous karaoke sessions. I had to include it in a clip. Probably gonna do it again. Oh well. Hope you are having fun right now too. Out on some music and sway along.
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grailfinders · 4 years
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Fate and Phantasms #20: Cú Chulainn (Prototype)
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Welcome back to Fate and Phantasms, where we’re bringing every servant in Fate Grand Order to life in D&D 5e! Today we’re building Ireland’s Child of Light (again)! We have three goals for this build:
Rune Magic: Cu needs some magic mojo. Not as much as Cascu, but enough for a little spice.
Warp Spasm: You don’t think of them as anger issues, more like anger solutions.
Hound of Culann: You’re still training the puppies of that dog you killed, which is all the justification I need to give you cool stuff that is barely touched on in-game.
As usual, a spreadsheet for the build can be found here, and an explanation is below the cut!
Race and Background
Since you’re the same person, your background is going to be pretty similar to original flavor Cu (shocker, I know). You are a Fallen Aasimar thanks to your Godfather, giving you +2 Charisma, +1 Strength, 60′ of Darkvision, Necrotic and Radiant resistance, Healing Hands (Touch to give your level in HP), and the Light Cantrip, which uses your Charisma. You’re a Soldier, giving you proficiency in Athletics and Intimidation. We said this the first time around, but while you’re technically a knight in name, you kind of just go around whaling on whoever pisses you off the most, so that background doesn’t really fit you.
Stats
We’re using the standard array for consistency, feel free to roll if you want to, but keep multiclassing in mind. Put Strength first, chucking a spear straight through someone’s rib cage is pretty labor intensive. Then Dexterity; you’re supposed to have a higher dex than your other self, but that would give you an odd strength score, and odd numbers make me sad. Wisdom is next for multiclassing, followed by Intelligence. Chalk the latter up to having less time for drinking. Put your next score in Constitution because we don’t want to dump that, and finally dump Charisma. You’re still a teenager, which means you’re pretty awkward. Don’t worry, you’ll grow out of it. Probably.
Class Levels
1. Ranger 1: As a Revised Ranger you have proficiency in Strength and Dexterity saves as well as three skills from that list. Pick Animal Handling to make raising those puppies easier, and Survival and Perception for hunting prowess. 
You get a Favored Enemy, pick beasts because this time it’s not a funny coincidence, you’re actually good at hunting animals. You get a +2 bonus to damage when attacking your favored enemy, and have advantage on checks to track and recall information about beasts. You also learn one extra language, but since beasts don’t have one feel free to pick what you want.
You’re also a Natural Explorer, letting you ignore difficult terrain, have advantage on initiative checks, have advantage on attacks against creatures who have not gone yet, ignore difficult terrain while travelling, avoid getting lost, stay alert while traveling and doing something else at the same time, move stealthily at normal traveling pace while by yourself, gather twice as much food, and track creatures with greater skill.
2. Ranger 2: You get a Fighting Style, grab Defense for the extra AC. You’re clearly wearing armor this time around, which is precisely why monk is out of the question. You also gain Spellcasting, using wisdom as your ability. Grab Hunter’s Mark for more damage and Longstrider for more movement.
3. Ranger 3: You gain a Primeval Awareness, letting you convey simple ideas to animals, figure out their short term needs, and sense your favored enemies within a 5 mile radius. That last part probably isn’t super useful for you, considering 9 times out of 10 the answer is just going to be “there’s a lot of them”.
You also have a Necrotic Shroud, courtesy of being half-god. At this level, you can use your action to transform yourself, forcing every creature within 10′ to make a charisma save vs. a DC of 8 + your proficiency + your Charisma modifier or become frightened until the end of your next turn. This transformation lasts a minute or until you end it, and during it you can deal extra necrotic damage equal to your level once per turn. You can only use this once per long rest.
Third level rangers get a subclass, and your’s is the Beastmaster. You get yourself a wolf pup at this level, which uses your proficiency for its attacks and skills, and also adds that to its damage and AC. It has proficiency in all saves and two skills (for simplicity’s sake I went with what it already has in its stat block, Perception and Stealth), and also receives ability score improvements when you do. It also gains an extra hit die, and the HP increase that comes with it when you level up. In combat the wolf has its own turn, with its actions decided by you. Who needs extra attacks, when you can just have extra characters? You do. Don’t worry, we’re getting both by the end of this.
For your spell this level, grab Cure Wounds in case you have any issues taming your buddy early on.
4. Ranger 4: Use your ASI to improve both your Strength and you wolf’s more more damage and accuracy. I know it’s a bit underwhelming compared to last level, but I’m glad every level doesn’t need that much text.
5. Ranger 5: You and your wolf now have a Coordinated Attack. When you attack and your wolf is nearby, they can use their reaction to attack as well. It doesn’t have to be the same target either, so feel free to divide and conquer.
For your spell this turn, grab Pass Without Trace to make you an even better hunter.
6. Fighter 1: Moving to our next class, fighters get another Fighting Style. Grab Dueling for an extra two damage while using your spear single-handed. You also get a Second Wind, letting you use an bonus action to heal 1d10 + Fighter level HP.
Because Revised Ranger hasn’t been balanced for multiclassing yet, there isn’t a hard and fast rule about whether or not taking other class levels will give your companion more HP. You should have a talk with your DM about it, but since the RAW don’t specify Ranger levels we’re going to say the wolf gets the health. They’d be pretty anemic otherwise.
7. Fighter 2: You gain an action surge, letting you add an extra action to your turn once per short rest. This doesn’t give your wolf another reaction though, so they won’t get another attack with you.
8. Fighter 3: We already have one UA class, so why not two? (Not any more, Rune Knight’s in Tasha’s) Grab Rune Knight as your next subclass. Is it insulting to lump norse mythology and celtic mythology together just because they use runes? Almost definitely. But we needed runes, and here they are. (Also untrue; Scathach taught Cu norse runes. This is surprisingly in character) As a rune knight, you can carve runes into weapons, armor, or handheld objects(once per rune per day) to give them special effects while the object is being carried or worn, and can be invoked by the wearer once per short rest for further benefits. Any saving throws made thanks to runes have a DC of 8 + your proficiency + your Intelligence modifier. 
You start with two runes, so grab the Frost and Cloud runes. The former gives advantage on animal handling and intimidation checks while worn, and the wearer can invoke the rune as a bonus action to increase their strength and constitution saves by 2 for 10 minutes. The cloud rune gives advantage to sleight of hand and deception checks, and you can react to invoke the rune when someone within 30′ of you is being attacked, redirecting the attack to someone else within 30′ of you, regardless of the attacks normal range.
Finally, you gain Giant Might, making you a large creature for one minute as a bonus action. This gives you advantage on Strength checks and saves, and you deal an extra 1d6 damage when making a weapon attack once per turn. You can use this a number of times per long rest equal to your proficiency modifier.
9. Fighter 4: You get another ASI, use yours to buff your Constitution and your wolf’s to buff their Strength.
10. Ranger 6: You gain a Greater Favored Enemy. Unlike the last one, there isn’t really a best canon pick, so pick whichever of the following suits the campaign better: Aberrations, Celestials, Constructs, Dragons, Elemental, Fiends, or Giants. You get a +4 bonus to damaging the enemy you choose, another language, and you have advantage against saving throws caused by those enemies.
11. Barbarian 1: Because you didn’t have enough super modes yet, you now have the ability to Rage, using a bonus action to get advantage on Strength checks and saves, deal an extra 2 damage with melee attacks, and resist bludgeoning, piercing, and slashing damage. Rages last for one minute, or until you’ve gone a full round without attacking or being attacked.
You also have Unarmored Defense, making your base AC 10 + your dex mod + you con mod. This might not come in handy that much since your armor can hold your runes, but it’s nice to have something to fall back on.
12. Barbarian 2: You might not have Gae Bolg yet, but you can get close to it with a Reckless Attack, giving yourself advantage on attacks now in exchange for enemies having advantage on you until your next turn. You also have Danger Sense, giving you advantage on Dexterity saves caused by effects you can see.
13. Barbarian 3: You become a Totem Warrior and Spirit Seeker, letting you use Beast Sense and Speak with Animals as rituals. You also gain a Wolf Totem, giving allies advantage on attacks when they’re aiming at something within 5′ of you. Now the whole party can get in on the fun you and your wolf buddy have been having this whole time!
14. Barbarian 4: Use this ASI to improve you and your wolf’s Constitution for more health all around.
15. Fighter 5: You gain an Extra Attack (I told you we’d get around to that).
16. Fighter 6: Use another ASI to improve your Intelligence for better runes, and round out your wolf’s Intelligence and Dexterity.
17. Fighter 7: You learn how to make a Runic Shield, letting you use your reaction to force an attacker to reroll their attack if they’re targeting someone within 60′ of you. You can use this a number of times per long rest equal to your proficiency modifier.
You also gain a third rune. The Fire rune doubles proficiency on tool checks, and you can invoke this rune on an attack to shackle the target. They must make a Strength save or become restrained, taking 2d6 fire damage at the start of their turns. They can repeat the save at the end of their turn to try and escape.
18. Fighter 8: Use your last ASI to improve your Intelligence for better rune magic, and your wolf’s Constitution for more health.
19. Barbarian 5: You get an Extra Attack, which is worthless to you, and Fast Movement, adding 10′ to your speed as long as you aren’t wearing heavy armor.
20. Barbarian 6: Use your final level to gain an Elk Aspect, doubling your travel speed.
Pros: Having two bodies on the field is pretty useful, not only is your wolf an extra two attacks per turn, it can also be a help action, or running away with an enemy wizard’s spellbook while you fight them. You’re also pretty good as a noncombat support role, giving your runes to other party members to improve their strengths. I mean, doubling the thieves’ tools proficiency of a rogue who probably already doubled it on their own? Nice. Finally, you have a pretty strong super mode available. All your transformations stack, so you can be a large, scary monster that can deal an extra 1d6+24 damage per turn, with a bunch of resistances to make things harder for your enemies.
Cons: If you can’t talk your DM into fudging the rules even further than UA already takes it, your wolf is going to be pretty anemic. You also don’t have much in the way of magical or ranged attacks, so magic enemies will probably give you plenty of trouble. Using your full Warp Spasm is also going to take a while. You need two bonus actions and a normal action, meaning you’re going to waste a full turn beefing yourself up before you can even use it. Finally, your turn is going to be super crowded. You have bonus action transformations, reaction runes and defense buffs to worry about, and an entire other turn and character to work with too. I guess you should enjoy burning the candle at both ends while you’re young enough to do so.
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spellmanmortuary · 3 years
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To be fair Miner is a typical Halloween costume, Nick dresses like a normal person, don’t know how you can find Caliban’s clothes unless it’s the pac sun looking shirt. At least Part 4 can deliver Jock Nick and Cheerleader Sabrina costumes.
ok this ask made me crack open my computer so it should tell u how much i care abt fashion 
but basically !! no one is wearing the miner look. the harvey costumes are the plaid shirt, the jeans and the sneakers with the boy next door hair + the brown leather jacket. so basically the look he’s had throughout the show’s run. 
the problem is that nick and caliban don’t have noteworthy style. harvey’s isn’t exactly noteworthy or groundbreaking, but, it’s identifiable and he has a signature look going. like if you prop any dude dressed in the plaid + jeans + jacket combo next to a girl dressed as sabrina, you’ll know it’s harvey. 
however: the other guys don’t have this kind of signature style. 
take nick. in p1 his style ? mess. he had this schoolboy thing going ? like he was wearing the white button up shirt with the sweater and they had him wear that in the promo material for some strange reason. but then in p2 they found his groove and had him in the dark turtlenecks and all black outfits, which were honestly ?? great. but then for p3 the style said 😌 it was nice to meet u 😌 and they had a weird regression where they started putting him in the ill fitting jeans with boots but occasionally in the white shirts again ?? and like in my opinion his style throughout the 3 parts has been kind of inconsistent to the point where the Nick Scratch Signature Look is just. him shirtless in dark pants. which again, might be great for like character development ( which i’m not sure of either lmao ) but it isn’t great when you’re trying to build a costume. 
as for caliban ? missed potential tbh. like i get that they had to have him in the whole hell attire but couldn’t they make it a bit more fashionable ?? like. even beelzebub has that great fun flesh crown and he has those fur coats that he wears with skull belts and stuff. i think that what went wrong with calibans lack of ~iconic style-ness~ is that they put him in this ugly ass vest without a shirt for most of p3. and his style was not cohesive at ALL. like. we had the vest thing and then we got this amazing romantic novel prince moment but then we got this 70′s looking ensemble that looks like it could have been worn by logan lerman in hunters. so tell me, caos wardrobe department, what is caliban’s style ?
in my opinion, it was wasted potential lol. like look at the fashion warlocks wear in ahs: apocalypse !!! i think that the show and even nick’s character could have been a lot more stylish if they had given him the same style he had in the first two parts for the third one, but in colors that went from dark to clear. like i know the show loves the 60s so why did we never get a short sleeved turtleneck moment ? we know gavin would’ve looked really good in one of those. we could have gotten a preppy striped cardigan with a black tshirt underneath. we could have gotten long black coats and blazers in interesting cuts. we could have gotten a tie moment. but no.... ill fitting jeans we know he’s short you don’t have to spell it out for us with those jeans that looked like he took them from harvey but had to fold the legs so they would fit him. 
i love ambrose’s style but like it could have been a lot more fun and iconic. if they loved the psychdellic 70s menswear for him they could have leaned into it more and given him corduroy vests with funky print shirts/bellbottoms/funky colored blazers and big collars. 
for caliban they could have given him a much more regal signature look, which would have made sense because he wanted the crown so bad it was natural that he would want to look the part. they could have given him a campy ass wardrobe with like. over the top embroidered shirts/some bejeweling/some faux fur and like. an actual hair look bc that just looks like sam combed his hair and showed up to set. some guyliner even. 
because look, it doesn’t matter if they dress like regular people because if the character has great style that looks recognizable, people will want to dress up as them, like the euphoria characters, or buffy the vampire slayer, or even sabrina herself. sabrina has a ton of signature, identifiable looks and moments despite the wardrobe departments’ best efforts so people want to dress up as her. she looks cute, she looks fun, it works if you want to make it sexy or spooky or conservative or a combination of the three. you can pick the plaid skirt + turtleneck, the red peacoat, the cheer uniform or if you want to go all out, you can do the whole I AM THE DARK LORD’S SWORD thing. you can wear the red off the shoulder top from the promos or the black queen of hell dress. same goes for the weird sister’s dresses. they’re cute, relatively easy to copy, and they can be as fun and flirty as u wanna make them. 
to be honest, to me the problem is that the style in caos is.... a bit messy. it’s confusing because characters look like they all came from different eras and their styles ( except ambrose, who stays pretty on brand with the 70s ) blend together in the most boring, print crazy, muted tones ( which. why??? they’re teenagers why are they always wearing autumnal colors ), sometimes they put the actors in things that are unflattering to their body types like sabrina’s valentine’s day ruched red dress atrocity that shit belongs to in a middle school spring fling dance or nick’s weird carnival canadian tux, and sometimes they mix eras? like with sabrina’s style, which inexplicably jumps from 60s to 70s but nothing she wears looks like what her aunts would have worn at her age so where and how did she even get those ?? were those like... her mom’s ?? if they were, why has the connection never been made ? it could have been great for emotional depth.
but anyway, the characters that we see on halloween or at comic cons are usually the weird sisters ( specifically prudence ), hilda, zelda, lilith, harvey, sabrina, and occasionally ambrose. this is most likely due to the fact that they have the more signature, noteworthy, recognizable clothes. the weird sisters have that one signature look and they ROCK it, hilda and zelda both dress like different kinds of stereotypical witches with identifiable hairstyles and are a fun friends/sisters costume, and lilith had that MOMENT with the demon face. harvey’s style is cute and consistent and pretty much timeless, maybe sometimes 90s inspired-ish. sabrina has an identifiable look with the hairstyle even if that wig is awful. 
so yeah, that was my long way of saying that the reason why people aren’t dressing up as nick or caliban even if theyre in a couples costume with a sabrina is because those two have unidentifiable, non cohesive style. 
caos could have been a fashion show.... could’ve brought 60′s/70′s inspo in fashion back... but for some reason it didnt rlly do that lol 
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