#Jacket Condition

[vinylarchavist]

Blue Öyster Cult’s debut album Blue Öyster Cult released in 1972 on Columbia Records. Let’s dive into the details of this album, focusing on the catalog number KC 31063, its significance for vinyl collectors

Album Overview

Title: Blue Öyster Cult

Artist: Blue Öyster Cult

Label: Columbia Records

Catalog Number: KC 31063

Release Year: 1972 (original release; KC 31063 may indicate a specific pressing or reissue)

Producers: Murray Krugman, Sandy Pearlman, David Lucas

Genre: Hard Rock, Heavy Metal, Psychedelic Rock

Length: ~36 minutes

Format: 12" Vinyl LP (stereo)

Clarifying the Catalog Number

The catalog number KC 31063 is associated with Columbia Records’ stereo LP release of Blue Öyster Cult’s debut album. Columbia used catalog prefixes like “C” (mono) and “KC” (stereo) in the early 1970s. The number C 31014 was the original mono catalog number, while KC 31063 typically denotes the stereo version of the same album, though some sources suggest it could also indicate a later pressing or regional variant (e.g., a Canadian or export pressing). Since your description of the cover art—doors in rooms under a starry sky through a circular frame—matches the debut album’s iconic Bill Gawlik design, KC 31063 is likely a stereo pressing of Blue Öyster Cult from 1972 or a closely related reissue.

Key points about KC 31063:

Original vs. Reissue: KC 31063 is generally tied to the 1972 stereo release, but Columbia’s cataloging practices mean it could also appear on early reissues (e.g., 1973–1975). Check the vinyl’s deadwax/runout etchings (e.g., “AL 31063” or “BL 31063”) to confirm if it’s a first pressing. First pressings often have “P” (Pitman plant) or “S” (Santa Maria plant) in the runout.

Label Design: Original 1972 pressings have the red Columbia label with “360 Sound Stereo” text and the “walking eye” logo. Later pressings may have a simpler red label with “Columbia” repeated around the edge.

Cover Art

The album’s cover, designed by Bill Gawlik, is a striking black-and-white illustration of arched doorways in a labyrinthine perspective, leading to the band’s hooked-cross logo under a starry sky, framed in a circular lens. This surreal, cosmic design perfectly matches your description and is a collector’s favorite for its bold, monochromatic aesthetic and occult undertones. The back cover typically features band photos, track credits, and liner notes by Sandy Pearlman, reinforcing the album’s mythic vibe.

Track Listing

The album includes 10 tracks, consistent across pressings:

Transmaniacon MC (4:15) – A biker anthem inspired by Altamont.

I’m on the Lamb but I Ain’t No Sheep (3:10) – Bluesy proto-metal, later reworked as “The Red & the Black.”

Then Came the Last Days of May (3:30) – A somber ballad about a fatal drug deal.

Stairway to the Stars (3:42) – Upbeat, cosmic rock.

Before the Kiss, a Redcap (4:56) – Bluesy with cryptic lyrics.

Screams (3:10) – Dark, keyboard-driven atmosphere.

She’s as Beautiful as a Foot (2:56) – Surreal, psychedelic oddity.

Cities on Flame with Rock and Roll (4:02) – Iconic proto-metal anthem.

Workshop of the Telescopes (4:00) – Sci-fi-themed with complex instrumentation.

Redeemed (4:00) – Melodic, optimistic closer.

Musical Style and Themes

Blue Öyster Cult blends raw hard rock, proto-metal, and psychedelic elements. Buck Dharma’s searing guitar leads, Eric Bloom’s commanding vocals, and Allen Lanier’s moody keyboards create a sound that’s heavy yet cerebral. Lyrically, the album explores dark and enigmatic themes—motorcycle gangs, cosmic mysteries, and surreal imagery—crafted by manager Sandy Pearlman and critic Richard Meltzer. Tracks like “Workshop of the Telescopes” hint at the band’s “Imaginos” mythology, a sci-fi narrative developed in later albums. The raw production captures their early live energy, distinct from the polished sound of later hits like “(Don’t Fear) The Reaper.”

Vinyl Collector Details

Significance of KC 31063: As a stereo pressing, KC 31063 is desirable for its fidelity compared to mono C 31014 pressings, which are rarer but less sought-after due to the era’s shift to stereo. The catalog number confirms it’s an early pressing, likely from 1972 or shortly after, making it collectible.

Condition and Value: On Discogs, original KC 31063 pressings in VG+ condition typically sell for $15–$40, with near-mint or sealed copies fetching $50–$120 (as of 2025). Prices depend on jacket condition (prone to ring wear) and vinyl quality. Check for matrix numbers (e.g., “AL 31063-1A”) and pressing plant marks in the runout to verify authenticity.

Rarities: Promotional copies with “Demonstration” stamps or white-label pressings are scarce and valuable. The hooked-cross logo, later controversial for resembling a swastika (though intended as an occult symbol), adds historical intrigue to early pressings.

Jacket and Inserts: Originals may include a lyric sheet or Columbia promotional insert. The jacket’s heavy cardboard is durable but susceptible to seam splits or corner dings.

Reissues: Later editions (e.g., Columbia PC 31063 or Friday Music’s 2016 180-gram vinyl) use different catalog numbers but retain the same artwork. KC 31063 is closer to the original release, enhancing its value.

Reception and Legacy

Released in January 1972, Blue Öyster Cult peaked at #172 on the Billboard 200, reflecting modest initial success. Critics lauded its raw energy and unique lyrical vision, though some noted its unevenness compared to later albums like Secret Treaties (1974). Over time, it’s been hailed as a proto-metal cornerstone, influencing bands like Metallica and earning praise for tracks like “Cities on Flame with Rock and Roll,” a live staple. The album’s gritty sound and cosmic imagery make it a touchstone for 1970s hard rock collectors.

For Vinyl Collectors

Why Collect KC 31063: This pressing captures BÖC’s raw debut with iconic artwork and historical significance. Its stereo mix offers better dynamics for audiophiles, and the catalog number ties it to the original 1972 release cycle.

Where to Find: Check Discogs, eBay, or Reverb LP for KC 31063 listings. Local record stores or flea markets may have copies, but inspect for scratches or jacket wear. Amazon lists reissues, but originals are rarer.

Care Tips: Store in a polyethylene-lined sleeve to protect the jacket. Clean the vinyl with a carbon-fiber brush or professional solution to preserve the warm, analog sound of Columbia’s 1970s pressings.

Companion Albums: Pair with Tyranny and Mutation (1973, Columbia KC 32017) and Secret Treaties (1974, Columbia KC 32858) for BÖC’s early trilogy, all featuring Gawlik’s art and similar proto-metal vibes.

Connection to Your Query

The KC 31063 pressing aligns with your description of the cover art: Bill Gawlik’s design of arched doorways under a starry sky, framed in a circle, is unmistakable. If you’re referring to a different album (e.g., Imaginos or Secret Treaties, which reference starry skies lyrically but have different art), let me know. The catalog number confirms this is the debut, not a later release.

Additional Notes

If you have the physical LP, check the following to assess its value:

Runout Etchings: Look for “AL 31063” or “BL 31063” with suffixes like “-1A” or “-1B” to confirm a first pressing.

Label Condition: Ensure the red Columbia label is intact, with no writing or tears.

Jacket: Check for ring wear, seam splits, or fading, as the black-and-white art shows wear prominently.

[quaranmine]

i keep seeing that poll post where everyone is talking about leather vs pleather on my dash the past two days so i just wanted to share the biggest atrocity that i recently witnessed at my local antique store

the scene? one of those coop antique stores where each seller gets a booth, in a booth with clothing

the object? an ugly old pleather jacket that is just absolutely horrifically peeling to the point where it's more peeling spots than normal jacket

the price? $75.

[warpedwings]

How have I never noticed this before?

Misha at the Television Critics Tour in 2013, and Jensen in Mint Condition in 2018.

More Jensen in Mint Condition, and Misha at AHBL in 2013.

[shamedumpster]

would you put jehan in one of these all over the place fits 👀 it's what he deserves

Here you go comrade! I got a few asks about Jehan, so I'm gonna try to do a few for him if I can ^^ He's a great dress up doll. Today, have cowboy Jehan 🤠

[parkparks]

it's actually crazy that i still have to do my college coursework while i am still mourning lottie. i should get a week off at least.

[neverendingford]

.

[abluescarfonwaston]

To the gentleman riding down the 4 lanes of traffic road (despite a perfectly functional sidewalk) on an electric scooter with nothing but a knitted cap on his head: I hope your organs go to someone who values their life.

[vinylarchavist]

The Great Doctor Dolittle Songs by The "Bugs" Bower Orchestra & Chorus featuring Ron Marshall, released on the Pickwick/33 label (catalog number SPC-3088). This is a 1968 vinyl LP featuring songs from the 1967 Doctor Dolittle film musical, composed by Leslie Bricusse.

Below is a detailed overview based on the information available:

Album Details

Title: The Great Doctor Dolittle Songs (also listed as Songs from Doctor Dolittle on some platforms)

Artists: The "Bugs" Bower Orchestra & Chorus, featuring Ron Marshall

Label: Pickwick/33 Records

Catalog Number: SPC-3088

Release Year: 1968

Format: 12" Vinyl LP, Stereo

Manufacturer: Pickwick International Inc. (distributed in the UK by Pickwick International Inc. (GB) Ltd., and in Australia by Basic Books Pty.)

ASIN: B00GGNXWGO (Amazon listing)

Content and Nature of the Album

This Pickwick/33 release is a budget album, likely a sound-alike or cover version of songs from the 1967 Doctor Dolittle film, rather than the original soundtrack featuring Rex Harrison, Samantha Eggar, and Anthony Newley. Pickwick Records was known for producing affordable LPs, often with in-house artists covering popular songs to capitalize on a film’s or musical’s success. The “Bugs” Bower Orchestra & Chorus, led by arranger/conductor “Bugs” Bower, and featuring vocalist Ron Marshall, performs these covers. Ron Marshall also appeared on other Pickwick releases, such as a 1967 Oliver! album (SPC-3135), suggesting he was a regular vocalist for their budget recordings.

While the exact tracklist for The Great Doctor Dolittle Songs isn’t fully detailed in the provided sources, it likely includes popular songs from the 1967 film, such as:

“Talk to the Animals” (the Oscar-winning song)

“My Friend the Doctor”

“Fabulous Places”

“Doctor Dolittle”

“Like Animals”

These tracks are inferred from similar Pickwick releases and other budget albums like Hits From Doctor Dolittle and Other Favorite Animal Songs by The Hollywood Sound Stage Orchestra, which included these songs. Pickwick’s albums typically focused on the most recognizable tracks to appeal to casual buyers, so less prominent songs (e.g., “The Voice of Protest” or “Where Are the Words”) may have been omitted.

Key Features

Sound-alike Nature: This album does not feature the original film cast (e.g., Rex Harrison) or the original orchestrations by Alexander Courage and Lionel Newman. Instead, “Bugs” Bower’s arrangements and Ron Marshall’s vocals provide a budget-friendly interpretation of Bricusse’s songs.

Production: The album was produced by Pickwick International, known for cost-cutting measures like simplified arrangements and minimal packaging. The vinyl is noted for being in good condition in some listings, though Pickwick LPs often had basic cardboard jackets prone to wear.

Availability: The album is available on platforms like Amazon and was listed as a vintage sealed vinyl LP (SPC-3088) on sites like Toad Hall Online. It’s also referenced on Discogs, though specific tracklists and credits are limited.

Additional Context

“Bugs” Bower: Maurice “Bugs” Bower was a conductor and arranger for Pickwick, often working on their budget soundtrack and children’s albums. His orchestra and chorus were used to recreate the feel of popular musicals.

Ron Marshall: A vocalist featured on multiple Pickwick releases, including Oliver! (1967), where he performed alongside the Pickwick Children’s Chorus & Orchestra, also arranged by Bower.

Pickwick/33 Practices: Pickwick’s budget releases sometimes misled buyers by mimicking original soundtracks in cover art or titles. This album’s title, The Great Doctor Dolittle Songs, suggests an attempt to evoke the 1967 film’s popularity without explicitly claiming to be the original soundtrack.

Purchase and Condition

Where to Find: The album is listed on Amazon (ASIN: B00GGNXWGO, available since November 5, 2013) and vintage record sites like Discogs, eBay, and Toad Hall Online. Etsy also lists Pickwick/33 records, though specific availability for this title varies, with some items marked unavailable.

Condition: Listings note that the vinyl and label are typically in very good condition, though jackets may show light storage wear, stains, or small paper pulls. Check photos on Discogs or eBay for specific copies.

Price: Prices vary based on condition and whether the LP is sealed. As a budget release, it’s generally affordable, though rare sealed copies may command higher prices on collector sites.

Comparison to Original Soundtrack

For contrast, the original 1967 Doctor Dolittle soundtrack (20th Century Fox Records) and its 2017 50th Anniversary Expanded Edition (La-La Land Records) feature the authentic performances by Rex Harrison and others, with lush orchestrations and additional demos. The Pickwick album, while charming for collectors of vintage vinyl or budget releases, offers a more economical, less polished take on the same material.

Recommendations

If You’re a Collector: This album is a great find for fans of 1960s budget vinyl or Pickwick curiosities. Check Discogs, eBay, or Amazon for available copies, and verify the condition of the jacket and vinyl before purchasing.

If You Want the Original Songs: Consider the 1967 original soundtrack or the 2017 La-La Land Records expanded edition for the authentic Doctor Dolittle experience, including unreleased tracks and demos.

Further Details: If you have the album or a specific copy in mind, I can analyze images or listings (e.g., from Discogs or Etsy) for tracklists or condition details. Alternatively, I can search for additional listings to help you find a copy.

[bacchuschucklefuck]

I love how you completely changed everyone’s wardrobe for the Beach Episode, save for gorgug’s hoodie (do they take it in the water?) do you wanna talk about the outfit choices at all?

I mean there's not a lot to talk about there I think? I'm a big fashion-focused character design artist, I'll say that, but a lot of that I can't really translate into words sadly... there are just certain character-specific silhouettes that once u've picked out u can hang onto to give them new clothes and it'll usually be good that's kinda how I do it. I fully see gorgug going Anywhere in that hoodie tho I think by this point babygirl's like I have a theory it's indestructible and I intend to test it

[souenkun]

It's my birthday today, and I'm now as old as kita shinsuke in the timeskip! 🥳

[today-i-am-thinking-about]

air conditioning dead zones and blast zones

[girlypopmoomin]

Guys I’m scared :))))

[romancestual]

one of my new year’s resolutions was abstaining from shopping till mid year. of course, i have fallen off the wagon numerous times that i am no longer ashamed. i revel in my failure.

[cr0wc0rpse]

I finally own leather pants now and oh babey you bet I’m going to wear them as much as possible

[vinylarchavist]

The World Of Vera-Lynn (LONDON STEREO SPA 103) Vinyl Album

The World of Vera Lynn (London Records, SPA 103, Stereo, 1968) is a compilation vinyl LP featuring songs by Dame Vera Lynn, the iconic English singer known as the “Forces’ Sweetheart” for her World War II-era performances. This album, released on London Records (a Decca subsidiary in the U.S.), collects some of her most beloved recordings, showcasing her clear, emotive voice and nostalgic appeal. Below is a detailed overview tailored for vinyl collectors and fans of Vera Lynn, incorporating relevant information from the provided search results and your interest in vintage vinyl albums like The Great Doctor Dolittle Songs and Blue Öyster Cult.

Album Details

Title: The World of Vera Lynn

Artist: Vera Lynn

Label: London Records

Catalog Number: SPA 103 (Stereo)

Release Year: 1968 (some sources note 1969 for certain pressings)

Format: 12" Vinyl LP, Stereo (Mono version exists as Decca SPA 12)

Genre: Traditional Pop, Vocal, Easy Listening

Country: UK (primary release, also distributed in the U.S. and other markets)

Condition Notes: Vinyl and jacket conditions vary; commonly found in VG to NM condition, with jackets prone to ring wear or seam splits due to age.

Background and Context

Vera Lynn (1917–2020) was a cultural icon whose music provided comfort during and after World War II. Known for hits like “We’ll Meet Again” and “(There’ll Be Bluebirds Over) The White Cliffs of Dover,” she performed for troops through the Entertainments National Service Association (ENSA) and remained popular post-war with radio, TV, and recordings. The World of Vera Lynn was part of Decca/London’s “The World Of” series, a budget-friendly compilation line launched in the late 1960s to capitalize on artists’ catalogs. These albums targeted nostalgic audiences and collectors, often featuring reissued tracks from earlier 78 rpm singles or EPs recorded with orchestras like Mantovani’s or Robert Farnon’s.

Track Listing

While exact tracklists for SPA 103 vary slightly by pressing, Discogs and other sources indicate it includes Vera Lynn’s signature songs, likely drawn from her 1940s–1950s Decca recordings. A typical tracklist, based on similar “World Of” compilations, includes:

We’ll Meet Again

(There’ll Be Bluebirds Over) The White Cliffs of Dover

A Nightingale Sang in Berkeley Square

There’ll Always Be an England

Auf Wiederseh’n, Sweetheart (her 1952 U.S. #1 hit)

My Son, My Son (her 1954 UK #1 hit)

Other tracks may include wartime or post-war standards like “The Homing Waltz,” “Yours,” or “As Time Goes By.”

The album typically features 10–12 tracks, arranged for stereo to enhance Lynn’s crystalline vocals and orchestral backing. Since the World of Vera Lynn series spawned multiple volumes (e.g., Vol. 2 on London SPA 159), tracks may vary, but SPA 103 focuses on her most iconic hits. For a precise tracklist, check the specific LP’s label or jacket on Discogs.

Musical Style and Production

The album showcases Vera Lynn’s traditional pop style, characterized by her warm, clear soprano and sentimental delivery. The recordings, likely from the 1940s–1950s, feature lush orchestral arrangements by conductors like Mantovani or Robert Farnon, emphasizing strings and brass for a cinematic, nostalgic sound. The stereo mix of SPA 103 enhances the orchestral depth, appealing to audiophiles compared to earlier mono 78s or EPs. As a compilation, it’s a curated snapshot of Lynn’s career, designed for fans and casual listeners seeking wartime classics.

Cover Art and Packaging

The World of Vera Lynn cover typically features a portrait of Vera Lynn, often in a glamorous or nostalgic pose, with simple typography highlighting the “World Of” series branding. The jacket is standard cardboard, typical of 1960s budget releases, with liner notes on the back detailing Lynn’s career or song highlights. The stereo designation (SPA 103) is prominent, distinguishing it from the mono version (Decca SPA 12). Collectors should note that jackets may show ring wear, creases, or seam splits due to age and budget production.

Vinyl Collector Details

Catalog Number SPA 103: The “SPA” prefix indicates a stereo release in London/Decca’s “The World Of” series. The mono version (SPA 12) was released concurrently, but stereo pressings are more common for this title.

Pressing Details: Original 1968 pressings feature the London Records blue/silver label (U.S.) or Decca’s red label (UK). Check runout etchings for matrix numbers (e.g., ZAL-8498 for Side A) to confirm first pressings. Some copies may have “Made in England” or “Made in USA” on the label, indicating regional pressings.

Condition and Value: On Discogs and eBay, VG+ to NM copies of SPA 103 sell for $5–$20, with sealed or mint copies fetching $25–$50 (2025 prices). Prices are modest due to the album’s commonality, but signed or promotional copies are rarer and more valuable. Check for surface noise or scratches, as 1960s vinyl was often heavily played.

Rarities: Promotional copies with “Not for Sale” stamps or white labels are scarce. Signed copies (Lynn occasionally autographed records) can significantly increase value, as seen with her signed Christmas with Vera Lynn LP.

Availability: Available on Discogs, eBay, and Etsy (though some listings are unavailable). Check Popsike for auction history to gauge value trends. Local record stores or charity shops may carry copies, given Lynn’s popularity in the UK.

Reception and Cultural Significance

Released in 1968, The World of Vera Lynn capitalized on Lynn’s enduring popularity, especially among older audiences nostalgic for wartime and post-war music. It was part of a wave of compilations celebrating her as the “Forces’ Sweetheart,” whose songs like “We’ll Meet Again” became anthems of hope. The album wasn’t a chart-topper but sold steadily due to Lynn’s legacy and the budget-friendly price of the “World Of” series. Its stereo mix made it appealing for collectors transitioning from mono 78s to LP systems. Lynn’s cultural impact was reaffirmed in 2020 when she passed away at 103, with tributes from Queen Elizabeth II, Paul McCartney, and others, and her songs recharted in the UK.

Connection to Your Interests

Your queries about The Great Doctor Dolittle Songs (Pickwick/33) and Blue Öyster Cult (Columbia KC 31063) suggest a passion for vintage vinyl from the 1960s–1970s, spanning diverse genres. The World of Vera Lynn fits this interest as a collectible 1968 LP from a major label (London/Decca), offering a contrast to the proto-metal of BÖC and the budget sound-alike Doctor Dolittle. Its nostalgic appeal and stereo pressing align with the era’s vinyl culture, making it a complementary addition for collectors of 1960s compilations or wartime music.

Recommendations for Collectors

Why Collect SPA 103: This LP is a budget-friendly way to own Vera Lynn’s iconic songs in stereo, with historical significance tied to her WWII legacy. Its affordability and availability make it accessible for collectors, while the cover art and “World Of” branding add retro charm.

Where to Find: Search Discogs (r3492568 for stereo, r2714639 for mono), eBay, or Etsy for listings. Local thrift stores or UK charity shops may yield copies due to Lynn’s popularity. For pristine copies, seek NM or sealed versions on auction sites like Popsike.

Care Tips: Store in a polyethylene-lined sleeve to protect the jacket from ring wear. Clean the vinyl with a carbon-fiber brush to preserve the stereo mix’s clarity, as 1960s pressings can accumulate dust.

Companion Albums: Pair with other Vera Lynn LPs like Hits of the Blitz (1962, HMV OCSD-1457) or Vera Lynn in Nashville (1970s, EMI) for a broader collection. For similar “World Of” series LPs, explore Decca’s compilations of Mantovani or Tom Jones.

Additional Notes

If you have the SPA 103 LP, check the following to assess its value:

Runout Etchings: Look for matrix numbers (e.g., ZAL-8498 or ZAL-8499) to confirm a 1968 pressing.

Label: Ensure the London Records logo is intact, with “Stereo” clearly marked.

Jacket: Inspect for wear, as budget jackets often have seam splits or fading.

[ghost-of-you]

One thing will always be true, 5sos are never dressed for the same event or the same weather.