#Jane Antonia Cornish

[onenakedfarmer]

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Jane Antonia Cornish CONTINUUM

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[genevieveetguy]

. A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore but to be in the lake, to luxuriate in the sensation of water. You do not work the lake out, it is a experience beyond thought. Poetry soothes and emboldens the soul to accept a mystery.

Bright Star, Jane Campion (2009)

[ariasmontage]

I'm once again at your shrine

My feet had a mind of their own. They jerked to a stop as I entered the living room (we must only walk in with naked feet) only to find you turning it to a shrine.

You sat on the sofa, fingers strumming the strings of your guitar.

I caught you in your prayer. Once again, I'm at your shrine.

Bowed down, murmuring, to your instrument and instead of rosary beads, the strings become ceremonial. They hum with you in your prayer.

I'm at your shrine, hiding in the shadow of the room. The soft glow of sunset falls over you. How did I end up here?

Here you stay, and here I hold the lost memory of an ache.

I'm at your shrine and you pray.

[vxctorx]

What does your muse falling in love sound like? Name the soundtrack that would play in the background, or in your muse' head in the precise moment that they fall in love.

Jane Antonia Cornish: Continuum I

tagging: @richardxoliverxmayhew, @ronmanmob, @smallergcd (Alfred), @id1eyouth (Zach), @thecockysniper

[ulkaralakbarova]

In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife. Credits: TheMovieDb. Film Cast: Fanny Brawne: Abbie Cornish John Keats: Ben Whishaw Mr. Brown: Paul Schneider Mrs. Brawne: Kerry Fox Toots: Edie Martin Samuel: Thomas Brodie-Sangster Maria Dilke: Claudie Blakley Charles Dilke: Gerard Monaco Abigail: Antonia Campbell-Hughes Reynolds: Samuel Roukin Reynolds sister: Amanda Hale Reynolds sister: Lucinda Raikes Mr. Severn: Samuel Barnett Mr. Hunt: Jonathan Aris Tom Keats: Olly Alexander shopkeeper: Roger Ashton-Griffiths Mrs. Bentley: Eileen Davies Mr. Haslam: Sebastian Armesto Mr. Taylor: Adrian Schiller Charlotte: Theresa Watson Dr. Bree: Vincent Franklin Film Crew: Writer: Jane Campion Producer: Jan Chapman Producer: Caroline Hewitt Executive Producer: François Ivernel Executive Producer: Christine Langan Line Producer: Emma Mager Executive Producer: Cameron McCracken Executive Producer: David M. Thompson Director of Photography: Greig Fraser Editor: Alexandre de Franceschi Casting: Nina Gold Costume Design: Janet Patterson Art Direction: Christian Huband Set Decoration: Charlotte Dirickx Stunt Coordinator: Glenn Marks Supervising Art Director: David Hindle Sound Re-Recording Mixer: John Dennison Visual Effects Producer: Steve Dunn First Assistant Director: Michael Elliott Makeup Artist: Fulvia Bartoli Hair Designer: Konnie Daniel Makeup & Hair: Jane Logan Makeup Artist: Laura Schiavo Hairstylist: Anita Anderson Foley Editor: Leon Anderson Sound Recordist: Angelo Bonanni Foley Artist: Helen Brown ADR Mixer: Peter Gleaves Foley Artist: Paul Huntingford Foley Artist: Dan Johnston Foley Recordist: Duncan McAllister ADR Mixer: Chris Navarro Sound Effects Editor: Sean O’Reilly Dialogue Editor: Tony Vaccher Art Direction: Stefano Maria Ortolani Casting Associate: Robert Sterne Original Music Composer: Mark Bradshaw Movie Reviews: Andres Gomez: Good performances from Cornish, Whishaw and Schneider for a folks and costums movie. You will enjoy it if you like the genre. If not … well, probably it would be a slow and dull romantic drama for you. tmdb28039023: Bright Star is the rare biopic of an artist that actually provides some insight into its subject’s craft. Usually, a film about a writer, including such recent examples as To Olivia (Roald Dahl) and The Laureate (Robert Graves), will approach the creative process as 99-percent inspiration and 1-percent actual work – and sometimes not even that. Writing is taken as matter of course; poems come out straight out of the author’s mouth, fully formed like Athena emerging from Zeus’s forehead. Bright Star doesn’t dismiss the notion of divine inspiration, but it does not tacitly take it for granted either; on the contrary, it acknowledges and articulates it (“If poetry does not come as naturally as leaves to a tree, then it had better not come at all”). Moreover, even though it declares “Poetic craft is a carcass, a sham,” it does so perhaps out of modesty (after all, “A poet is not at all poetical. He is the most un-poetical thing in existence. He has no identity”), before diving right into the crux of the craft itself (“A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore but to be in the lake, to luxuriate in the sensation of water. You do not work the lake out. It is an experience beyond thought. Poetry soothes and emboldens the soul to accept mystery”). This is all great stuff, and writer/director Jane Campion displays a sincere love for poetry with which she infuses her characters (who not only commit their favorite poems to memory, but can even recite verbatim from literary reviews). The problem is...

[singeratlarge]

HAPPY BIRTHDAY to Lili-Babs, Samuel Barber, Carl Betz, the late, great guitarist Chris Bovard, Trevor Burton (The Move), John Cale, Robert Calvert (Hawkwind), Ornette Coleman, Jane Antonia Cornish, Jim Cregan, Jerry Eubanks (Marshall Tucker), Jimmie Fadden, Linda Fiorentino, Martin Fry (ABC), Will Geer, Mickey Gilley, Zakir Hussain, Raul Julia, Kato Kaelin, Laura Lee, Mahler’s 3rd Symphony (1897), Mark Mancina, Jeffrey Osborne, Lloyd Price, Bobby Sands, Thomas Schippers, Bodhi Setchko, Keely Smith, Taeyeon, Chris Thompson (Mannfred Mann’s Earth Band), Diego Torres, Robin Trower, U2’s 1987 JOSHUA TREE album, Gary Walker (Standells, Walker Brothers), Paul Winter, and one of the greatest frontman in rock’n’roll: Mark Lindsay, best known as the singer for Paul Revere & The Raiders. In their major label era of the 1960s and early 70s, PR&TR were one of the tightest and most visible acts in the business. They were the first real rock band signed to Columbia Records, and their garage band energy and declarative stage look pushed back on the British Invasion bands of 1964.

The Raiders kicked out hit after hit in multiple genres including bubblegum, country rock, hard rock, psychedelia, and soul/r’n’b, all with dazzling excellence. They cut the first definitive version of “Louie Louie” before leaving their Oregon base for Los Angeles, joining Terry Melcher (Byrds producer) to launch a prolific and innovative run of great records that still play today: “Just Like Me”, “Kicks” and (recently in the film ONCE UPON A TIME IN HOLLYWOOD) “Good Thing,” “Hungry,” “Mr. Sun Mr. Moon,” etc. Between 1965 and 1970, as Dick Clark expanded his jukebox TV empires, he hired PR&TR to host three TV shows. Before The Monkees even twanged “Last Train to Clarksville,” PR&TR had already set the bar for TV bands, gluing pre-adolescent me to the tube with rock’n’roll comedy and ear candy—and there was eye candy for 1000s of girls screaming for teen idol Mark Lindsay. He set the bar as a powerhouse vocalist, able to croon soft sensual pop ballads then flip to paint-peeling bluesy growls.

The Raiders crested in 1971 with the #1 hit “Indian Reservation,” which was a repackaging of a Mark Lindsay solo recording (backed by the Wrecking Crew). As a solo act, Mark was already charting with “Silver Bird” and the hippy girl anthem “Arizona.” He branched into other music business roles, composing jingles and songs for films and TV shows. Legendary author Stephen King expressed his fan-dom with Mark’s 2001 cover of “Treat Her Right,” backed by Los Straitjackets. 

Meanwhile, Mark’s career intersected with The Carpenters, The Chesterfield Kings, Eric Johnson, Carla Olson, Gerry Rafferty, Barbra Streisand, Dionne Warwick, and The Monkees, whose orbit led me to cross paths with Mark a couple of times, and he always treated me like a gentleman. I first saw him in concert in 1993, and it was a rock solid show loaded with the hits and deep cuts. Lately he’s been active doing radio shows and webcasts, the latest being “The American Revolution” on Sirius XM.

If I had to pick one Mark Lindsay track, it’s "Too Much Talk.” It blew my mind when I was a kid—my 45 of it cracked but I kept pressing it with my fingers till the vinyl tissued. The fidelity on this clip is a tad distorted, but the visuals speak volumes. 

https://www.youtube.com/watch?v=EG30aN53GkY Meanwhile, HB and thank you Mark for continuing to inspire and entertain with your skills and talents.

#marklindsay #paulrevereandtheraiders #vox #davyjones #monkees #garagerock #countryrock #terrymelcher #birthday #psychedelic #bubblegum #silverbird #arizona #tvrock #keithallison #johnnyjblair #mickydolenz

[jgthirlwell]

playlist 04.27.22

Julia Wolfe Oxygen (Cantelope) Johnny Heartbreaker Cult Aesthetics (Johnny Heartbreaker ) Nadia Sirota Baroque (Bedroom Community) Thom Yorke Suspiria OST (XL) Jherek Bischoff Cistern (Leaf) Theodore Shapiro Severance OST (Endeavor Content) Croation Amor Remember Rainbow Bridge (Posh Isolation) Jack White Fear Of The Dawn (Third Man) Jon Spencer and the Hitmakers Spencer Gets It Lit (Bronzerat) Jane Antonia Cornish Constellations (Bandcamp) Kee Avil Crease (Constellation) Kill Alters Armed To The Teeth L.M.O.M.M. (Hausu Mountain ) Wet Leg Wet Leg (Domino) Lovely Little Girls Glistening Vivid Splash (Skin Graft) The Protomen Act I / Act II-The Father Of Death (Sound Machine)

[rivermusic]

Yūgen by Jane Antonia Cornish

The subtle and the profound.

[whateverbringsyouthroughthenight]

Jane Antonia Cornish

[fourorfivemovements]

Films Watched in 2020:

45. Bright Star (2009) - Dir. Jane Campion

[rosiekay]

Here's another.....

[13melekradyo]

Güncel modern kompozisyon kayıtlarından bir seçki // A selection of recent modern composition recordings. Download.

01 – Dustin O’Halloran & Volker Bertelmann – Running In The Rain 02 – Arovane & Mike Lazarev – Us, Inside 03 – Julian Loida – Ashé 04 – Tambour – Orion (Mythologies) 05 – Snorri Hallgrímsson – Imperial 06 – Tom Adams – Particle VIII (The Light Before the Rain) 07 – Ed Carlsen – Words 08 – Jane Antonia Cornish – Seascapes III 09 – Olivier Deriviere – The Inquisition 10 – Matt Stewart-Evens – Retrospect 11 – Outer – Le Mouvement De La Valse 12 – Hugar – Órói 13 – Leo Svirsky – Trembling Instants

[thelowdownunder]

Review: Citizen Jane: Battle for the City

Review: Citizen Jane: Battle for the City

Documentarian Matt Tyrnauer’s latest work may be about events that took place over 50 years ago, but the results are very much around today to be enjoyed. The in-built drama of the subject make Citizen Jane: Battle for the City a crowd-pleaser, and will particularly appeal to the town-planning geek inside many of us.

The Jane of the title is Jane Jacobs, a New York resident who in the 1960s…

[bushdog]

(innova Recordings)

[kinglazrus]

Thanks @grimgrinningghoul for tagging me!

Rules: Tag the peeps you want to know better and ask them if they’d like to answer these questions!~

Relationship:

no

Favorite color: A nice, dark red

Top 3 ships: Too many ships to choose from, so I’ll limit my self to DP. Danny and Valerie, Johnny and Kitty, Clockwork and being cryptic

Last song: Journey to the Abyss by Daniel Law Heath & Jane Antonia Cornish

Last movie: The Lego Movie 2: The Second Part (I loved it, btw)

And now for tagging...

@q-gorgeous @phantasmapurple9 @wolfsongroar @ghostgothgeek @little-egg-buddy

Sorry if you’ve already been tagged!