#Kathleen Kenny

[darkmovies]

The Bell Keeper (2023) Date de sortie : Prochainement Réalisateur : Colton Tran Scénario :   Joe Davison, Luke Genton Avec : Randy Couture, Kathleen Kenny, Reid Miller

[moviesandmania]

SORRY, CHARLIE Horror thriller - reviews and free on Amazon Prime and Tubi

‘He’s quite the gentleman’ Sorry, Charlie is a 2023 American horror thriller film about a remote helpline volunteer who is targeted by a stranger who lures women from their homes with a recording of a crying baby. Produced, directed, edited by and co-starring actor and filmmaker Colton Tran (The Bell Keeper; Snow Falls; Sorry, Charlie; Spook; Raising Kayn) from a screenplay written by executive…

[movienized-com]

Sorry, Charlie

Sorry, Charlie (2023) #ColtonTran #KathleenKenny #ConnorBrannigan #MarisaBrown #DArquoiaConnor #HenriDouvry Mehr auf:

Jahr: 2023 (Oktober) Genre: Horror / Thriller Regie: Colton Tran Hauptrollen: Kathleen Kenny, Connor Brannigan, Marisa Brown, D’Arquoia Connor, Henri Douvry, Antoinette Gelmont, Zachariah Guin, Travis William Harris, Jordan Jude, Kyle Kamphaus, Olivia Khoshatefeh, Kyle Kittredge, Cathy Marks, Monrok … Filmbeschreibung: Eine Freiwillige an einer abgelegenen Hilfehotline gerät ins Visier eines…

[migueruta]

A minha nova t-shirt depois de ver o filme "South Park: Joining the Panderverse"✌️🤣

My new t-shirt after watching the movie "South Park: Joining the Panderverse"✌️🤣

Migueruta

[subjectivecuriosities]

Read this review on Letterboxd: https://letterboxd.com/TrashVHS/

Twitter: https://twitter.com/TrashVHS

[victimized-martyr]

Sorry I never gave a proper update on tumblr——

here’s some brainstorming doodles from Keo and me on the white board and some examples Keo made in my notebook. I won’t forget it, one of my harshest note was “NEVER draw Kenny in 3/4!! Trey hates that!” 🤣 The story leads stressed that Trey is very particular with acting decisions and poses, most of which don’t translate into the animation. It’s for him at the editing stage, to “make his voice sing”. Getting into Trey’s head, funnily enough, requires FEELING. Feeling what he’s going for in terms of delivery, to learn what not to take literally in his script (when trey says “kathleen kennedy is like terminator” it’s not what you initially think it means), what emotion or gesture to put in to elevate a joke, to get the message through. It’s so fascinating!

In short, I didn’t make the cut. I was “too fresh”, and needed more experience with the technical aspect of storyboarding…. but I was complimented by Keo for my intuition, something that can’t be taught. I was over the moon when I was told I got the style of the show, whereas other trainees with 10+ experience couldn’t. Some of them tested but don’t even watch the show!! That’s crazy, but I guess that’s to be expected. My knowledge of the show and deep love for the characters got me this far, but I need to work on my actual story boarding skills (keo said my struggles are in composition and scaling) to stay!! 💪🏼 I’m taking this… as a not yet, not a no. I’m already on their radar, in their database, I’m incredibly lucky I got to make my THIRD connection in the studio, I just need to work on myself until I can arrive. I’m so grateful for all the support from friends family and industry moots to get me this far, it’s only the beginning of the year but I don’t think anything could top what happened to me this March!!!!!

[lostloveletters]

Leave a Tender Moment Alone (John Brady x OFC)

Summary: Private Kate Woodward and Lieutenant John Brady are reluctant to wear their hearts on their sleeves, but they're each starting to wonder if maybe they should.

Word count: 1k

Note: Meet Woody! Title comes from the Billy Joel song. For a little bit of context, this takes place before Damn Yankees, but you don't need to read that to understand what's going on in this fic. Do not interact if you’re under 18, terf or radfem, or post thinspo/ED content.

Warnings: Light period-typical misogyny. Inevitable historical and technical inaccuracies.

Private Kate Woodward had a child clinging to her leg, another hanging onto her back, both attached to her like little monkeys. 

The village kids were always in the mechanics’ orbit. Woody wanted to be a good role model for them, even if she didn’t quite know what that looked like. She wasn’t exactly keen to admit it to anyone except Holly, but offering her expertise as a mechanic to the WAC wasn’t entirely out of love for country.

After years of wandering aimlessly up and down the West Coast, she woke up one morning and realized she didn’t like her friends (if she could even call them that), working almost exclusively on stolen cars because she couldn’t hold down a legitimate mechanic job, and especially not the type of person she’d become. So she signed up, expecting to be working on jeeps or trucks, but instead found herself applying her knowledge to planes. 

Her first commanding officer, Lieutenant Deanna Seberg from Glendale, designated her Woody to differentiate her from the dozen or so Catherines and Kathleens who used Kate as a nickname.

She liked being Woody. Woody was tough and competent yet approachable, likable, even. She tried to be good. Helpful but not too imposing. Kept her cursing to a minimum. Checked her temper. Had to. She was part of something bigger than herself, bigger than any of them could have ever conceived of. Finally found a way out through it. She couldn’t afford to fuck it up.

While the handful of other mechanic girls had gotten their experience through family garages or the odd trade school, they accepted her claim that hers came from messing around with friends’ cars. She was good at what she did. No need to push it. 

Thankfully, Kenny had their backs, the young Arkansan drawling that where he came from, women weren’t afraid of getting their hands dirty to get the job done by the end of the day, whatever it may be. If that also involved entertaining English laborers’ kids, fascinated by Americans and their planes, she’d try her damnedest.

“Miss Woody!” Billy shouted, making a running start toward her. 

“Wait!” she yelled. “I can’t—“

Just before impact, which would have surely sent her directly to the ground with three children in tow, Billy was scooped up in Lieutenant John Brady’s arms. 

“You could take off with that speed, buddy,” he said, flying the boy around for a moment before setting him on his feet and ruffling his hair.

Woody smiled as the other two children climbed off of her. “You saved the day, Lieutenant.”

“Miss Woody, now you’ve got to give the hero a kiss!” Sarah, the young girl who’d been hanging off her back exclaimed with a flourish of her hands. “That’s what happens in the stories.”

Brady shook his head. “Miss Woody doesn’t have to—“

Woody gave him a quick peck on the cheek, their small audience of Billy, Sammy, and Sarah giggling and cheering in delight. “Why don’t you kids go make some trouble for Mr. Kenny?”

The children ran off, arms spread out wide as they imitated planes themselves. God, had she ever been that carefree as a kid?

Brady cleared his throat. “I came by to see how the fort’s doing.”

“And just in time. That would’ve been a hell of a tumble if it weren’t for you,” she said.

“You’re great with those kids.”

She smiled. “Thanks. I try to be the kind of adult I wish I had around when I was their age, you know?”

“That’s good of you.”

“C’mon, I’ll show you what we’ve done so far.”

He stuck close to her as they made their way around the damaged plane, Woody taking care to let him know exactly what had been fixed so far and where they were having a bit of trouble. Shuffled a little closer to her when she pointed at one of the engines.

He smelled nice, a reprieve from the mix of fuel, motor oil, and sweat. Not to mention the occasional whiff of cow manure drifting through the air on a strong breeze. For a moment, she envisioned her arms around him, burying her face in the crook of his neck while something soft and slow filled the room. Wondered how he’d hold her.

Shit. Stop daydreaming.

She glanced at him every so often. His expression didn’t change much. Brows furrowed, handsome face etched with concern as he scrutinized the state of his plane.

“Really, I’ve seen worse,” she said.

He scoffed. “That’s reassuring.”

“You didn’t do anything wrong.”

“I don’t need you to tell me that.”

Certainly wasn’t the first plane he crash-landed, but as soon as the words left his mouth, he could practically hear his mother’s voice, ‘John Brady, I did not raise you to speak to young ladies that way.’ Except he’d hardly consider Woody a young lady. She was a mechanic with a mouth when she got a few beers in her. More rough-and-tumble than any of the girls he grew up with.

Everyone seemed to like her, though. Hell, he sure did. Hambone already made a stupid comment about how he should ‘ask Woody to kiss it better’ when his fort, so comically named Brady’s Crash Wagon, went up in smoke. Probably why it smarted to feel like she pitied him or something.

Smarted worse to see the way her lips pressed in a thin line. Kept her gaze anywhere but him.

“Kenny told me you stay out here late working on it. Thank you,” he said, a stubborn substitution for an apology. “I appreciate that.”

“You’re welcome.”

Silence. 

Wasn’t sure what else he could say, and she was doing everything but telling him to buzz off. 

“Well, I’ll let you get back to it, Woody.”

She nodded. “See you around, sir.”

He tried not to kick himself too much as he walked off, not entirely sure where he was going.  

“Hey Lieutenant!” Woody shouted when there was a few yards of distance between them.

He stopped in his tracks, turning around to look at her. “What is it?”

“You got something—“ She gestured to her own cheek.

He wiped the spot on his cheek where she had kissed him and fought back a smile at the grease smudged on his fingertips.

[lesmiserabelles]

cable street, southwark playhouse - 24 February 2024, evening (previews) Joshua Ginsberg (Sammy Scheinberg), Danny Colligan (Ron Williams), Sha Dessi (Mairaid Kenny), Debbie Chazen (Kathleen Kenny), Jade Johnson (Rosa Scheinberg), Aoife Mac Namara (Orlaith Kenny/Violin), Ethan Pascal Peters (Moishe Scheinberg), Sophia Ragavelas (Edie Williams), Max Alexander-Taylor (Sean Kelly), Sarah Leatherbarrow (Rachel Scheinberg), Jez Unwin (Yitzhak Scheinberg)

since it's been stuck in my head, sharing the opening number of new musical cable street, feat. a couple of former les mis cast members for those who are interested in such things

[kwebtv]

Finding John Christmas - CBS - November 30, 2003

Drama

Running Time: 91 minutes

Stars:

Valerie Bertinelli as Kathleen McAllister

David Cubitt as Noah Greeley

Peter Falk as Max

William Russ as Hank McAllister

Jeremy Akerman as Antonovitch

David Calderisi as Dr. Merkatz

Patricia Gage as Eleanor McAllister

Michael Hirschbach as Dr. Flynn

Jennifer Pisana as Soccoro Greeley

Maria Ricossa as Marcy Bernard

Kenny Robinson as Pawnbroker

Cassie MacDonald as Tribune Assistant

Justin Blackburn as Young Noah

Brian Heighton as Police Officer

Craig Wood a Fire Chief Vasquez

[southpark-source]

South Park: Joining the Panderverse drops on Paramount+ today and in this clip, Cartman realizes his greatest nightmare where he’s replaced by a “diverse woman.”

“It wasn’t just me, they were taking all my favorite people and replacing them with diverse women complaining about the patriarchy,” says a stirred Cartman to his mother.

But co-creator Trey Parker and Matt Stone dig further:

“Will you check under the bed and make sure there are no Disney executives under there?” says Cartman.

“I’m scared Mom! Will you please just look and make sure Kathleen Kennedy isn’t under my bed!” he pleads.

“Kathleen Kennedy is not under your bed” responds Cartman’s mom.

“I’ve told you there’s no such thing as Disney executives who replace everyone you love with diverse women who complain about the patriarchy. Now be a big boy,” she adds.

In South Park: Joining the Panderverse, the adults, too, are also wrestling with their own life decisions as the advent of AI is turning their world upside down. Why is Kennedy a target? Cartman blames her for “why the Disney movies all suck now.” In the special, Kennedy and Disney CEO Bob Iger reveal that they’ve been using a devise known as “the Pander Stone”, a piece of AI that makes the same movie over and over again, appealing to the masses. Kennedy use of the Pander Stone in the episode fractures the multiverse with Cartman and Kennedy sent to the wrong universe.

The special is part of several exclusive Paramount+ South Park events including South Park: Post Covid, South Park: Post Covid: The Return of Covid, South Park the Streaming Wars and South Park The Streaming Wars Part I.

In 2022, South Park the series celebrated the 25th anniversary of its August 13, 1997 debut on Comedy Central. Stan, Kyle, Cartman and Kenny were first seen in the animated short “The Spirit of Christmas,” and from there were launched into television history. Co-creators Parker and Stone are EPs, along with Anne Garefino and Frank C. Agnone II. Eric Stough, Adrien Beard, Bruce Howell and Vernon Chatman are producers. Christopher Brion is the Creative Director of South Park Digital Studios. 

[eyzoa]

Hey, could you do names for a fictionkin of Kenny McCormick? Doesn't matter if it's masculine or feminine.

╚»★ KENNY MCORMICK NAMES

DEANGELO (from the angel)

OZ (strength, courage)

RYDER (warrior, messenger)

LIBRA (balance, justice)

AZRIEL (angel of god)

DABRIA (angel of sorrow, demise)

ODON (immortal, undying)

MALAKI (messenger of god)

JUSTINE (fair, just)

KATHLEEN (strength)

AMARA (endless, no beginning or end)

CLAY (doomed to fail)

[moviesandmania]

THE BELL KEEPER (2023) Reviews of demonic slasher horror plus trailer and release news

‘Don’t ring the bell’ The Bell Keeper is a 2023 American horror film about a group of friends who travel to a secluded campsite to film a documentary. What they find is something much more sinister than they could have ever imagined. Directed by actor and filmmaker Colton Tran (Snow Falls; Sorry, Charlie; Spook; Raising Kayn) from a screenplay  written by Joe Davison and Luke Genton. Produced by…

[livvyofthelake]

like. ok so i watched 15 movies (barbie) in which kathleen over here did a little voice. under the radar girlboss i guess! and of course my director of the year is kenny <3 i knew that would happen i am SUCH a kenny ortega girl

[yahoo201027]

Introducing the Group D Candidates...

Ham Tobin (The Great North): One of the main characters on the show. Student who attends Lone Moose School as a high schooler with a habit of baking. Boyfriend to Crispin Cienfuegos. Son of Beef and Kathleen. Brother of Wolf, Moon, and Judy (the incumbent champion from the 2022 season). (Voiced by: Paul Rust)

Stan Marsh (South Park): One of the main characters on the show. A fourth grader who attends South Park Elementary in South Park, Colorado. Son to Randy and Shannon. Brother of Shelly. Friend to Kyle (best friend), Kenny, and Cartman. (Voiced by: Trey Parker)

Hunter (The Owl House): Former member of the Emperor’s Coven as Belos’ right-hand man as the Golden Guard. Originally as Belos’ nephew before revealing to be a clone of Philip Wittebane’s brother. And friend to Luz, Amity, Gus, and Willow (love interest). (Voiced by: Zeno Robinson)

Philip J. Fry (Futurama): A delivery boy for Planet Express who used to reside in 1999 before being frozen for 1000 years and one of the main characters of the series. (Voiced by: Billy West)

[ulkaralakbarova]

In 1978, a Kiss concert was an epoch-making event. For the three teen fans in Detroit Rock City getting tickets to the sold-out show becomes the focal point of their existence. They’ll do anything for tickets — compete in a strip club’s amateur-night contest, take on religious protesters, even rob a convenience store! Credits: TheMovieDb. Film Cast: Lex: Giuseppe Andrews Trip Hurudie: James DeBello Hawk: Edward Furlong Jeremiah ‘Jam’ Bruce: Sam Huntington Mrs. Bruce: Lin Shaye Beth Bumsteen: Melanie Lynskey Christine: Natasha Lyonne Amanda Finch: Shannon Tweed Barbara: Emmanuelle Chriqui Cashier: Kristin Booth Father Phillip McNulty: Joe Flaherty Chongo: Matthew G. Taylor Elvis: Miles Dougal Kenny: Nick Scotti Bobby: David Quane Mr. Stewart Bumsteen: Rodger Barton Mrs. Stewart Bumsteen: Kathryn Haggis Detroit Priest: David Gardner Little Kid: Cody Jones Study Hall Teacher: Joan Heney MC: Ron Jeremy Kiss: Gene Simmons Kiss: Paul Stanley Kiss: Ace Frehley Kiss: Peter Criss Scalper: Richard Hillman Guy in Red Track Suit (uncredited): Jason Biggs Beefy Guy #1: Kevin Corrigan Six Year Old #2: Ryan Letriard Beefy Guy #2: Steve Schirripa Ticket Taker: Julian Richings Film Crew: Casting: Valerie McCaffrey Editor: Mark Goldblatt Costume Design: Rosanna Norton Executive Producer: Michael De Luca Director of Photography: John R. Leonetti Original Music Composer: J. Peter Robinson Director: Adam Rifkin Production Design: Steve Hardie Writer: Carl V. Dupré Producer: Gene Simmons Executive Producer: Brian Witten Producer: Kathleen Haase Producer: Barry Levine Editor: Peter Schink Set Decoration: Carolyn A. Loucks Art Direction: Lucinda Zak Associate Producer: Tim Sullivan Stunt Coordinator: Alison Reid Co-Producer: Art Schaefer Movie Reviews: Wuchak: _**Great 70’s songs, sometimes amusing, but basically an insult to KISS fans**_ In 1978, four teenagers from Cleveland plan to go to a KISS concert in Detroit and have many misadventures reaching their goal. The four are played by Edward Furlong, Giuseppe Andrews, James DeBello and Sam Huntington. “Detroit Rock City” (1999) features great rock/metal from the 70s by KISS, AC/DC, Blue Oyster Cult, Van Halen, Sweet, Thin Lizzy, Nazareth, Styx, David Bowie, Cheap Trick, Black Sabbath, Ted Nugent, the Ramones, etc. There are some fun moments, but the tone is too over-the-top for its own good and the story isn’t very compelling. Couple this with some odious bathroom non-humor, a lack of attractive women beyond Natasha Lyonne and the negative one-dimensional depiction of the protagonists and you have a curiously disappointing teen flick. The focus on pot-obsessed dudes is disingenuous since Paul Stanley and Gene Simmons were never into the drug culture; their idea of a party was working hard creating music, performing, touring, making money and celebrating gorgeous women. Unsurprisingly, mind-blowingly beautiful females were always attracted to KISS and frequented their concerts; so were dynamic, talented males. I’m not saying pot-worshipping, denim-clad waifs weren’t an element of their fan base, but KISS devotees always involved WAY more than this. No wonder Paul Stanley lamented: “To call it a KISS movie does it a disservice, because it does a disservice to the KISS fans, which is what it’s really about.” The film runs 1 hour, 35 minutes, and was shot entirely in the Toronto area. GRADE: C-

[whereareroo]

MAKE GOD SMILE

WF THOUGHTS (6/16/24).

I recently watched a fascinating documentary about the recording of the song “We Are The World” in 1985. The project presented many huge challenges. I’m amazed that they got the job done. It was a miracle.

You may not be familiar with the backstory. There was a famine in Africa. Harry Belafonte, a highly influential musician and activist, came up with the idea of putting together a “supergroup” of American superstars to record a song to benefit famine relief in Africa. To attract the superstars, Harry knew that he would need an impressive leadership team for the project. He convinced Michael Jackson and Lionel Richie, the reigning megastars, to write the song. He convinced Quincy Jones, the #1 record producer, to produce the song. That was the easy part.

The project was a logistical nightmare. How was anybody going to get 45 of America’s greatest musicians together at the same time for a recording session? They decided to do it in Los Angeles on the night of the American Music Awards. After the awards show, the artists secretly went to a local recording studio. Most of them got there at about 9:00 p.m. It was the first time that they saw the song. (In fact, the song itself was only completed that very day.) They started recording at about 10:30 p.m., and they worked through the night. They finished at 8:00 a.m.

The participants were a who’s who of American musical greatness. The first verse was performed by Lionel Ritchie, Stevie Wonder, Paul Simon, Kenny Rogers, Tina Turner, and Billy Joel. The first chorus was done by Michael Jackson and Diana Ross. The second verse was done by Dionne Warwick and Willie Nelson, followed with a chorus by Bruce Springsteen, Kenny Loggins, Steve Perry, and Daryl Hall. The main vocals were completed by Huey Lewis, Cyndi Lauper, Kim Carnes, Bob Dylan, and Ray Charles. The background vocalists included Harry Belafonte, La Toya Jackson, Randy Jackson, Waylon Jennings, Bette Midler, and Smokey Robinson. All of those superstars were together in the same room for almost 12 hours. Isn’t that a miracle? The song raised more than $80 million for famine relief.

Last week, another miracle happened. A group of 107 comedians, from all over the world, gathered in the same room for a two hour meeting. This wasn’t some ragtag group of comics. It was the biggest names in the business. The American comedians included Conan O’Brien, Stephen Colbert, Jimmy Fallon, Whoopi Goldberg, Chris Rock, Julia Louis-Dreyfus, Jim Gaffigan, Kathleen Madigan, and David Sedaris. (If you’re not familiar with the last three, take a look at some of their stuff.) It was a room of heavy hitters.

Who had the power to gather this impressive group? The Pope! He has more power than the combined forces of Harry Belafonte, Michael Jackson, Lionel Richie, and Quincy Jones. When the Pope calls you to a meeting, you go. No questions asked. Getting called by the Pope isn’t a joke.

Why did Pope Francis want to meet with 107 funny people? The Pope wanted to thank them for bringing joy and laughter to the world. He praised them for using their artistry “to spread peace and smiles.” He reminded them that comedy promotes unity because “laughter is contagious.” He noted that laughter “helps to break down social barriers” and “create connections amongst people.” The Pope asked the comedians to spread cheer throughout the world, “especially to those who have the hardest time looking at life with hope.” The Pope blessed the comedians and closed by saying: “Remember this: when you manage to draw knowing smiles from the lips of even one spectator, you also make God smile.”

I’m thrilled that we have a Pope who appreciates comedy. The Catholic Church needs more laughter. The Pope’s blessing of the comedians included a joke: “I ask you to please pray for me- -FOR, with a smile, NOT AGAINST.” I’ll happily pray for any Pope who promotes smiles and laughter.