#Kazuyoshi Kumakiri

[zegalba]

[shihlun]

Kazuyoshi Kumakiri

- Sketches of Kaitan City

2010

[cinemaronin]

[antinousamongthereeds]

[genkinahito]

Hole in the Sky (2001) Director: Kazuyoshi Kumakiri

Hole in the Sky (2001) Director: Kazuyoshi Kumakiri

Hole in the Sky    空の穴　「Sora no Ana」 Release Date: September 29th, 2001 Duration: 127 mins. Director: Kazuyoshi Kumakiri Writer: Kazuyoshi Kumakiri, Akihiko Akizuki (Script), Starring: Susumu Terajima, Rinko Kikuchi, Bunmei Tobayama, Ryo Kase, Shunsuke Sawada, Akemi Kobayashi, Megumi Asaoka, Website IMDB That long face. That thin mouth. That implacable stare. Once seen, never forgotten. Susumu…

[cinemaobscura]

Nonko 36-sai | ノン子 36 歳 (2008) dir. Kumakiri Kazuyoshi

[shiningwizard]

Hole in the Sky (Kumakiri Kazuyoshi, 2001)

Ray of light. How to keep it?

[rikeijo]

Today's translation #396

Ferbi vol. 41, Sayo Yamamoto's interview

Part 8.

-- That's was how the world of "Michiko and Hatchin" was born.

Y: In addition, in case of "Michiko", that I've met with Ujita-san also had a big impact on this work. When I was wondering, who should I ask to write the screenplay for "Michiko", I had a few potential candidates, but no-one really stood out to me as the right one. I was worried that if I decided to work with an anime scriptwriter, then the project would take a turn into a different direction compared to what I wanted to do. So I decided to look for a scriptwriter in a different place. And then I found out that one person on the production team was on the same year at Osaka Art University as Ujita-san and director Kumakiri Kazuyoshi.

-- This is how Ujita-san appeared as a potential candidate?

Y: I had seen a few works that Ujita-san wrote a script for - I think "Antenna" and "Green Mind, Metal Bats". There was a lot of lines that really spoke to me. In "Green Mind, Metal Bats", there is that female character, Eiko, voiced by Sakai Maki - she's a women, who drinks a lot and makes trouble (laugh). I really like it when women act violent like that, not just Eiko (laugh).

-- By any chance, is it the reason why the character, Atsuko, in "Michiko and Hatchin" is voiced by Sakai-san?

Y: Yeah, it is. It was also because wanted to make "Michiko" into an anime that you watch feeling a kind of tension, and I wanted my voice actors to have a certain rawness in them, so I cast more live-action movie actors. I didn't have any actors among my acquaintances, so Ujita-san helped me here.

[double-croche1]

[BERLIN 2023] SÉLECTION

La Berlinale débute ce jeudi et se déroulera jusqu’au dimanche 26 février. Rendez-vous à partir de jeudi sur notre page dédiée pour suivre en direct notre couverture de cette édition ! COMPÉTITION Films datés : 08/03 : ‘Music’ d’Angela Schanelec 12/04 : ‘Suzume’ de Makoto Shinkai 19/04 : ‘Sur l’Adamant’ de Nicolas Philibert 03/05 : ‘Disco Boy’ de Giacomo Abbruzzese 06/09 : ‘Le Ciel Rouge’ de Christian Petzold 06/09 : ‘Le Grand Chariot’ de Phillipe Garrel 11/10 : ‘Mal Viver’ de João Canijo 13/12 : ‘The Survival of Kindness’ de Rolf de Heer 13/12 : ‘Nos vies d’avant’ de Celine Song 14/02/24 : ‘20 000 espèces d’abeilles’ d’Estibaliz Urresola Solaguren Films non datés : ‘Someday We’ll Tell Each Other Everything’ d’Emily Atef ‘Manodrome’ de John Trengove ‘Ingeborg Bachmann – Journey into the Desert’ de Margarethe Von Trotta ‘BlackBerry’ de Matt Johnson ‘Till the End of the Night’ de Christoph Hochhäusler ‘The Shadowless Tower’ de Zhang Lu ‘Limbo’ d’Ivan Sen ‘Art College 1994’ de Liu Jian ‘Tótem’ de Lila Avilés ENCOUNTERS Films datés : 11/10 : ‘Viver Mal’ de João Canijo 17/04/24 : ‘White Plastic Sky’ de Tibor Bánóczki et Sarolta Szabó Films non datés : ‘In Water’ de Hong Sang-soo ‘Orlando, ma biographie politique’ de Paul B. Preciado ‘The Adults’ de Dustin Guy Defa ‘The Echo’ de Tatiana Huezo ‘The Klezmer Project’ de Leandro Koch et Paloma Schachmann ‘Here’ de Bas Devos ‘In the Blind Spot’ d’Ayse Polat ‘The Cage Is Looking for a Bird’ de Malinka Mustaeva ‘Mon pire ennemi’ de Mehran Tamadon ‘Family Time’ de Tia Kuovo ‘The Walls of Bergamo’ de Stefano Savona ‘Samsara’ de Lois Patiño ‘Eastern Front’ de Vitaly Mansky et Yevhen Titarenko ‘Absence’ de Wu Lang PANORAMA Films datés : 28/06 : ‘Passages’ d’Ira Sachs 28/06 : ‘La Sirène’ de Spidah Farsi 05/07 : ‘Au cimetière de la pellicule’ de Thierno Souleymane Diallo 16/08 : ‘La Bête dans la jungle’ de Patric Chiha 23/08 : ‘Reality’ de Tina Satter 20/09 : ‘Silver Haze’ de Sacha Polak (DVD) 18/10 : ‘A l’intérieur’ de Vasilis Katsoupis 25/10 : ‘Sisi & I’ de Frauke Finsterwalder 29/11 : ‘Kokomo City’ de D. Smith Films non datés : ‘Perpetrator’ de Jennifer Reeder ‘Adversaire’ de Milad Alami ‘After’ d’Anthony Lapia ‘All the Colours of the World Are Between Black and White’ de Babatunde Apalowo ‘Al Murhagoon’ d’Amr Gamal ‘Ambush’ de Chhatrapal Ninawe ‘And, Towards Happy Alleys’ de Sreemoyee Singh ‘El Castillo’ de Martin Benchimoi ‘Do You Love Me?’ de Tonia Noyabrova ‘Drifter’ de Hannes Hirsch ‘The Eternal Memory’ de Maite Alberdi ‘Femme’ de Sam H. Freeman et Ng Choon Pin ‘Green Night’ de Han Shuai ‘Hello Darkness’ de Soda Jerk ‘Heroic’ de David Zonana ‘Joan Baez I Am a Noise’ de Karen O’Connor, Miri Navasky et Maeve O’Boyle ‘Matria’ d’Álvaro Gago ‘Property’ de Daniel Bandeira ‘Sages-femmes’ de Léa Fehner ‘Sira’ d’Apolline Traoré ‘Stams’ de Bernhard Braunstein ‘Stille Liv’ de Malene Choi ‘Transfarina’ de Joris Lachaise ‘The Teachers’ de Loungeİlker Çatak ‘Under the Sky of Damascus’ de Heba Khaled, Talal Derki et Ali Wajeeh BERLIN SPECIALS Films datés : 31/03 : ‘Kill Bok-soon’ de Byun Sung-hyun (Netflix) 07/04 : ‘Du tennis à la prison : l’histoire de Boris Becker Pt. 1’ d’Alex Gibney (AppleTV+) 07/06 : ‘Dernière nuit à Milan’ d’Andrea Di Stefano 26/07 : ‘La Main’ de Danny Philippou et Michael Philippou Films non datés : ‘Infinity Pool’ de Brandon Cronenberg ‘Laggiù qualcuno mi ama’ de Mario Martone ‘She Came to Me’ de Rebecca Miller ‘Superpower’ de Sean Penn et Aaron Kaufman ‘Golda’ de Guy Nattiv ‘Kiss the Future’ de Nenad Cicin-Sain ‘Loriots große Trickfilmrevue’ de Peter Geyer et Loriot ‘#Manhole’ de Kazuyoshi Kumakiri ‘Ming On’ de Soi Cheang ‘Seneca’ de Robert Schwentke ‘Sonne und Beton’ de David Wnendt ‘Der vermessene Mensch’ de Lars Kraume A&B

[rndyounghowze]

Review 533: Yoko

Written By:

Kosuke Muroi and Namiko So

Directed By:

Kazuyoshi Kumakiri

Presented By: Japan Society

@jsfilmnyc @rinkokikuchi tinyurl.com/JS-Family-Flux-Tix

The term “emotional rollercoaster” is a highly overused phrase. However, in the case of this film rollercoaster is the only proper way to describe it. In the course of two hours, we went from laughter to terror, to tears, and back again. What you’re going to see in this film is a story so organic, natural, and real that it feels very authentic and sincere. This is the story of a woman who went to bury her father but along the way unearthed herself.

The camera was able to create a sense of loneliness even in scenes where Yoko was with people. By using wide shots and extreme close-ups we were in Yoko’s world and it was lonely. Kumakiri’s shots were such painted pictures that any shot in the film would remind you of where you were in the story. By using the backdrop of Japan and regular locations, nothing fancy or overdone, he was able to tell a whole story.

Kazuyoshi Kumakiri

The best decision in this screenplay was the inclusion of the silent Dad apparition that followed Yoko everywhere. It seemed like he was a hitchhiker in her brain. We caught a glimpse of what their relationship must have been like. It makes the audience beg the question, “Why is she going to his funeral in the first place?” In essence, we learn that she has to. Not just for a family obligation. She needs to finally face him after twenty years and bring closure to her life. By burying her Dad she’s also burying the past and moving on. It just so happens that on the way she also finds her voice as she hitchhikes the hundreds of kilometers to see him to the afterlife.

Rinko Kikuchi

If you don’t understand film acting at all you might miss the sheer amount of skill and talent that Kikuchi brought to this role. She is the central focus of the audience’s full attention for nearly two hours. She has to take up the space of a confident person while still appearing like she’s trying to make herself small. If any part of her performance slips. If her acting wasn’t on point we the audience would lose our only handhold into the film. There is no one else to relate to. For that alone she gained two fans for life.

This movie is almost literally the Hero’s Journey. You could put Yoko’s journey up against Odysseus, Perseus, Jason, or anybody else in Greek mythos and it would line up almost beat for beat. One of the two of us (it’s Dana) sat through six years of film classes and thought that this was the perfect film for teaching proper story structure. Yoko travels and learns and grows as a person and becomes different from the person we started the movie with. No matter what we think about the decision to go to her father’s funeral the journey wasn’t about him it was about her.

[faniacmag]

Sitges2023 - ¡Películas confirmadas!

Sitges alza el vuelo con el anuncio del programa completo

Los últimos trabajos de Hayao Miyazaki, Yorgos Lanthimos, Takeshi Kitano, Hideo Nakata y muchos más, anidarán en nuestras salas. Queda menos de un mes para el inicio del SITGES – Festival Internacional de Cinema Fantàstic de Catalunya y sabemos que tenéis ganas de conocer todos los títulos para ir poniendo apunto vuestras listas. ¡Ya no tenéis que esperar más! Os traemos una larga batería de nombres y títulos, con la que cualquier fan del género va a estar salivando, ya que llegan algunas de las películas de terror, ciencia ficción y fantástico más esperadas y prometedoras del año.

Sección Oficial Fantástico Competición (SOFC)

‘ACIDE’ - Just Philippot (Francia)

‘BEST WISHES TO ALL’ - Yûta Shimotsu (Japón)

‘CLUB ZERO’ - Jessica Hausner (Austria/Reino Unido)

‘CONANN’ - Bertrand Mandico (Francia/Luxemburgo/Bélgica)

‘CUANDO ACECHA LA MALDAD (WHEN EVIL LURKS)’ - Demian Rugna (Argentina)

‘DIVINITY’ - Eddie Alcazar (Estados Unidos)

‘EL REINO ANIMAL’ - Thomas Cailley (Francia)

‘IN FLAMES’ - Zarrar Khan (Canadá/Pakistán)

‘VIVE DENTRO’ - Bishal Dutta (Estados Unidos)

‘KUBI’ - Takeshi Kitano (Japón)

‘LA ESPERA’ - F. Javier Gutierrez (España)

‘LA MORSURE’ - Romain de Saint-Blanquat (Francia)

‘LATE NIGHT WITH THE DEVIL’ - Colin Cairnes, Cameron Cairnes (Australia)

‘LES CHAMBRES ROUGES’ - Pascal Plante (Canadá)

‘MOSCAS’ - Aritz Moreno (España/Argentina)

‘OMEN’ - Baloji Tshiani (Congo/Países Bajos/Francia/Bélgica/Alemania/Sudáfrica)

‘RIDDLE OF FIRE’ - Weston Razooli (Estados Unidos)

‘ROBOT DREAMS’ - Pablo Berger (España/Francia)

‘ROMANCE ASESINO’ - Lee Won-suk (Corea del Sur)

‘SALEM’ - Jean-Bernard Marlin (Francia)

‘SLEEP’ - Jason Yu (Corea del Sur)

‘SORCERY’ - Christopher Murray (Chile/México/Alemania)

‘STOPMOTION’ - Robert Morgan (Estados Unidos)

‘THE SEEDING’ - Barnaby Clay (Estados Unidos)

‘THE THEORY OF EVERYTHING’ - Timm Kröger (Alemania)

‘THERE’S SOMETHING IN THE BARN’ - Magnus Martens (Noruega)

‘TIGER STRIPES’ - Amanda Nell Eu (Malasia/Taiwan/Francia/Alemania/Países Bajos/Indonesia)

‘VERMIN: LA PLAGA’ - Sébastien Vanicek (Francia)

‘VINCENT DEBE MORIR’ - Stéphan Castang (Francia)

‘WAKE UP’ - François Simard, Annouk Whissel, Yoann-Karl Whissel (Francia)

‘WHITE PLASTIC SKY’ - Tibor Bánóczki, Sarolta Szabó (Hungría/Eslovaquia)

Sección Oficial - Sesiones Especiales

‘ALIENS ABDUCTED MY PARENTS AND NOW I FEEL KINDA LEFT OUT’ - Jake Van Wagoner (Estados Unidos)

‘AMELIA’S CHILDREN’ - Gabriel Abrantes (Portugal)

‘AWARENESS’ - Daniel Benmayor (Estados Unidos/España)

‘BLOOD DE BRAD ANDERSON’ - Brad Anderson (Estados Unidos)

‘EL CHICO Y LA GARZA’ - Hayao Miyazaki (Japón)

‘LA ERMITA’ - Carlota Pereda (España)

‘LA SOCIEDAD DE LA NIEVE’ - J.A. Bayona (España)

‘POBRES CRIATURAS’ - Yorgos Lanthimos (Reino Unido)

‘THE TOXIC AVENGER’ - Macon Blair (Estados Unidos)

‘UFO SWEDEN’ - Crazy Pictures (Suecia)

Oficial Fantástico - Especial Mitjanit

‘LA BALA DE DIOS’ - Nick Cassavetes (Estados Unidos)

‘THE DEEP DARK’ - Mathieu Turi (Francia)

Òrbita

‘BLACK FLIES’ - Jean-Stéphane Sauvaire (Estados Unidos)

‘CONCRETE UTOPIA’ - Um Tae-Hwa (Corea del Sur)

‘DIABOLIK: GINKO ALL’ATTACCO’ - Marco Manetti, Antonio Manetti (Italia)

‘FUERZA BRUTA: SIN SALIDA’ - Lee Sang-yong (Corea del Sur)

‘JACKDAW’ - Jamie Childs (Reino Unido)

‘JERICHO RIDGE – Will Gilbey (Kosovo/Reino Unido/Irlanda del Norte)

‘LA EXTORSIÓN’ - Martino Zaidelis (Argentina)

‘LOS OJOS DE LA NOCHE’ - Ahn Tae-jin (Corea del Sur)

‘LUMBERJACK THE MONSTER’ - Takashi Miike (Japón)

‘MAD FATE’ - Soi Cheang (Hong Kong)

‘NIGHT OF THE HUNTED’ - Franck Khalfoun (Francia)

‘PRORIEDADE’ - Daniel Bandeira (Brasil)

‘SMUGGLERS’ - Ryoo Seung-wang (Corea del Sur)

‘THE CHILDE’ - Park Hoon-jung (Corea del Sur)

‘THE LAST STOP IN YUMA COUNTY’ - Francis Galluppi (Estados Unidos)

‘WHERE THE WIND BLOWS’ - Philip Yung (China/Hong Kong)

Panorama

‘#MANHOLE’ - Kazuyoshi Kumakiri (Japón)

‘APPENDAGE’ - Anna Zlokovic, Alex Familia (Estados Unidos)

‘BLACKOUT’ - Larry Fessenden (Estados Unidos)

‘BROOKLYN 45’ - Ted Geoghegan (Estados Unidos)

‘EL EXORCISMO DE EASTFIELD’ - Nick Kozakis (Australia)

‘HOOD WITCH’ - Saïd Belktibia (Francia)

‘LAST STRAW’ - Alan Scott Neal (Estados Unidos)

‘LET IT GHOST’ - Hoi Wong (Hong Kong)

‘NINA DEI LUPI’ - Antonio Pisu (Italia)

‘ONYX THE FORTUITOUS AND THE LALISMAN OF SOULS’ - Andrew Bowser (Estados Unidos)

‘PROJECT SILENCE’ - Kim Tae-gon (Corea del Sur)

‘RABIA’ - Jorge Michel Grau (México)

‘RESTORE POINT’ - Robert Hloz (República Checa)

‘SUPERPOSITION’ - Karoline Lyngbye (Dinamarca)

‘THE FORBIDDEN PLAY’ - Hideo Nakata (Japón)

‘THE SACRIFICE GAME’ - Jenn Wexler (Canadá/Estados Unidos)

‘YOU’LL NEVER FIND ME’ - Josiah Allen, Indianna Bell, Josiah Allen (Australia)

Panorama – Fuera de Competición

‘CUANDO LOS AMOS DUERMEN’ - Santiago Alvarado (España)

‘IMMERSION’ - Takashi Shimizu (Japón)

‘THE PRIMEVALS’ - David Allen (Estados Unidos)

‘TOKYO REVENGERS 2: PART I’ - Tsutomu Hanabusa (Japón)

‘TOKYO REVENGERS 2: PART II’ - Tsutomu Hanabusa (Japón)

Noves Visions

‘EL DESPRECIO’ (4K) - Jean-Luc Godard (Francia/Italia) (Sesión Especial)

‘EMBRYO LARVA BUTTERFLY’ - Kyros Papavassiliou (Grecia/Chipre)

‘EN ATTENDANT LA NUIT’ - Céline Rouzet (Francia)

‘HALFWAY HOME’ - Madarász Isti (Hungría)

‘HUMANIST VAMPIRE SEEKS CONSENTING SUICIDAL PERSON’ - Ariane Louis-Seize (Canadá)

‘HUNDREDS OF BEAVERS’ - Mike Cheslik (Estados Unidos)

‘IN MY MOTHER’S SKIN’ - Kenneth Dagatan (Filipinas/Singapur/Taiwán)

‘LA ÚLTIMA NOCHE DE SANDRA M.’ - Borja de la Vega (España)

‘LUKA’ - Jessica Woodworth (Bélgica/Italia/Países Bajos/Bulgaria/Armenia)

‘MIMÌ - PRINCE OF DARKNESS’ - Brando de Sica (Italia)

‘MONDAYS: SEE YOU “THIS” WEEK!’ - Ryo Takebayashi (Japón)

‘MONOLITH’ - Matt Vesely (Australia)

‘MOON GARDEN’ - Ryan Stevens Harris (Estados Unidos)

‘MOTEL MELATI’ - Mike Wiluan, Billy Christian (Indonesia, Singapur)

‘MY ANIMAL’ - Jacqueline Castel (Canadá)

‘PANDEMONIUM’ - Quarxx (Francia)

‘RAGING GRACE’ - Paris Zarcilla (Reino Unido/Irlanda del Norte)

‘RIVER’ - Junta Yamaguchi (Japón)

‘TELA DE ARAÑA (COBWEB)’ - Kim Jee-won (Corea del Sur)

‘THE FUNERAL’ - Orçun Behram (Turquía)

‘THE INVISIBLE FIGHT’ - Rainer Sarnet (Estonia/Lituania/Grecia/Finlandia)

‘THE LAST ASHES’ - Loïc Tanson (Bélgica/Luxemburgo)

‘THE UNCLE’ - David Kapac, Andrija Mardesic (Serbia/Croacia)

‘THE VOURDALAK’ - Adrien Beau (Francia)

‘WHERE THE DEVIL ROAMS’ - Zelda Adams, John Adams, Toby Poser (Estados Unidos)

Anima’t

‘DEEP SEA’ - Tianxiao Peng (China)

‘FOUR SOULS OF COYOTE’ - Áron Gauder (Hungría)

‘HEAVIES TENDRES’ - Joan Tomàs, Carlos Pérez-Reche, Juanjo Sáez (España)

‘KOMADA - A WHISKY FAMILY’ - Masayuki Yoshihara (Japón)

‘LONELY CASTLE IN THE MIRROR’ - Keiichi Hara, Takakazu Nagamoto, Keiichi Hara (Japón)

‘MARS EXPRESS’ - Jéremie Perin (Francia)

‘ROBOT DREAMS’ - Pablo Berger (España/Francia)

‘SAND LAND’ - Toshihisha Yokoshima (Japón)

‘TONY, SHELLY AND THE MAGIC LIGHT’ - Filip Posivac (República Checa/Hungría/Eslovaquia)

‘WHITE PLASTIC SKY’ - Tibor Bánóczki, Sarolta Szabó (Hungría/Eslovaquia)

Anima’t - Sesiones Especiales

‘PHOENIX: REMINISCENCE OF FLOWER’ - Shojiro Nishimi (Japón)

‘THE FEAST OF AMRITA’ - Saku Sakamoto (Japón)

Anima’t - Sitges Clàssics

‘LES MAÎTRES DU TEMPS’ (4K) - René Laloux (Francia/Hungría/Suiza)

‘THE SOLDIER’S TALE’ - R. O. Blechman (Estados Unidos)

‘100 AÑOS DE WALT DISNEY ANIMATION STUDIOS: UN HOMENAJE A SUS CORTOS’ - Varios Autores (Estados Unidos)

Sitges Clàssics

‘ACCIÓN MUTANTE’ - Álex de la Iglesia (España)

‘ANGUSTIA DEL SILENCIO’ - Lucio Fulci (Italia)

‘CALÍGULA - THE ULTIMATE CUT’ (4K) - Tinto Brass (Estados Unidos/Italia)

‘LOS NUEVOS EXTRATERRESTRES’ (4K) - Juan Piquer Simón (España)

‘EL RESPLANDOR’ (4K) - Stanley Kubrick (Estados Unidos)

‘EL EXORCISTA’ (4K) - William Friedkin (Estados Unidos)

‘ENTER THE GAME OF DEATH’ - Tso Nam Lee (Hong Kong)

‘LAKE MICHIGAN MONSTER’ - Ryland Brickson Cole Tews (Estados Unidos)

‘PSYCHIC VISION: JAGANREI’ - Teruyoshi Ishii (Japón)

‘KING KONG’ (1933) - Merian C. Cooper, Ernest B. Schoedsack (Estados Unidos)

‘EL HOMBRE DE MIMBRE’ (THE WICKER MAN) (4K) - Robin Hardy (Reino Unido/Irlanda del Norte)

‘LA MÁSCARA DEL DEMONIO’ - Lamberto Bava (Italia)

‘DRAGON LIVES AGAIN’ - Chi Chih Lo (Hong Kong)

‘MUNDO CANÍBAL, MUNDO SALVAJE’ - Ruggero Deodato (Italia)

‘THE RAID’ - Gareth Evans (Indonesia)

‘STAR TREK – THE MOTION PICTURE – THE DIRECTOR’S CUT’ - Robert Wise (Estados Unidos)

‘SIESTA’ - Mary Lambert (Estados Unidos)

Sitges Documenta

‘A DISTURBANCE IN THE FORCE’ - Jeremy Coon, Steve Kozak (Estados Unidos)

‘DARIO ARGENTO PANICO’ (4K) - Simone Scafidi (Reino Unido/Irlanda del Norte)

‘DREAM TIME’ - Claudio Lattanzi (Italia)

‘ENTER THE CLONES OF BRUCE’ - David Gregory (Estados Unidos)

‘KAIDAN. STRANGE STORIES OF JAPANESE GHOSTS’ - Yves Montmayeur (Francia)

‘KIM’S VIDEO’ (4K) - David Redmon, Ashley Sabin (Estados Unidos)

‘LIVING WITH CHUCKY’ - Kyra Elise Gardner (Estados Unidos)

‘LOCH NESS: THEY CREATED A MONSTER’ - John MacLaverty (Reino Unido)

‘MUJERES SIN CENSURA’ - Eva Vizcarra (España)

‘OTRA PELÍCULA MALDITA’ - Alberto Fasce (Argentina)

‘THE HISTORY OF METAL AND HORROR’ - Mike Schiff (Estados Unidos)

‘SATAN WANTS YOU’ - Sean Horlor, Steve J. Adams, Sean Horlor (Canadá)

‘SHARKSPLOITATION’ - Stephen Scarlata (Estados Unidos)

‘SPOOKTACULAR!’ - Quinn Monahan (Estados Unidos)

‘THE DARK SIDE OF SOCIETY’ - Larry Wade Carrell (Estados Unidos)

‘THE J-HORROR VIRUS’ - Sarah Appleton, Jasper Sharp (Japón, Reino Unido)

‘UN MILLÓN DE ZOMBIES: LA HISTORIA DE PLAGA ZOMBIE’ - Nicanor Loreti, Camilo de Cabo (Argentina)

‘YOU CAN CALL ME BILL’ - Alexandre O. Philippe (Estados Unidos)

Retrospectiva - Ciudad Pánico

‘AMENAZA EN LA SOMBRA’ - Nicolas Roeg (Reino Unido)

‘HOLLYWOOD 90028’ (4K) - Christina Hornisher (Estados Unidos)

‘PÁJAROS DE CIUDAD’ - Jose María Sánchez Álvaro (España/Italia)

‘EL ALMUERZO DESNUDO’ (4K) - David Cronenberg (Canadá/Reino Unido)

‘LA CASA SIN FRONTERAS’ - Pedro Olea (España)

‘GOD TOLD ME TO’ - Larry Cohen (Estados Unidos)

‘LOS ÚLTIMOS DÍAS’ - Àlex Pastor, David Pastor (España) 

Midnight X-Treme

‘ALL YOU NEED IS BLOOD’ - Cooper Roberts (Estados Unidos)

‘KILL’ - Nikhil Nagest Bhat (India)

‘MAD CATS’ - Reiki Tsuno (Japón)

‘OS REVIENTO’ - Kike Narcea (España)

‘THE WELL’ - Federico Zampaglione (Italia)

‘THE WRATH OF BECKY’ - Matt Angel, Suzanne Coote (Estados Unidos)

‘TRIGGERED’ - Richard V. Somes (Filipinas)

‘WE ARE ZOMBIES’- François Simard, Anouk Whissell, Yoann-Karl Whissell (Canadá)

‘WINNIE THE POOH: MIEL Y SANGRE’ - Rhys Frake-Waterfield (Reino Unido)

Brigadoon

‘IL BOSS’ - Fernando Di Leo (Italia)

‘OTRA PELÍCULA MALDITA’ - Alberto Fasce & Mario Varela (Argentina)

‘ALGUIEN TE ESTÁ MIRANDO’ -Gustavo Cova & Horacio Maldonado (Argentina)

‘AUXILIO’ - Tamae Garateguy (Argentina)

‘UN MILLÓN DE ZOMBIES: LA HISTORIA DE PLAGA ZOMBIE’ - Nicanor Loretti & Camilo de Cabo (Argentina)

‘PLAGA ZOMBIE’ - Pablo Parés & Hernán Sáez (Argentina)

‘LA DAMA ROJA MATA SIETE VECES’ - Emilio P. Miraglia (Italia)

‘THORNS’ - Douglas Schulze (Estados Unidos)

‘SHARKSPLOITATION’ - Stephen Scarlata (Estados Unidos)

‘MONSTER HEAVEN: GHOST HERO’ - Makoto Tezuka (Japón)

‘CUT AND RUN’ - Ruggero Deodato (Italia)

‘MUJERES SIN CENSURA’- Eva Vizcarra (España)

‘TAKE A HARD RIDE (POR LA SENDA MÁS DURA)’- Antonio Margheriti (Italia)

‘MARIA’S STOMACH’- Hideyuki Hirayama (Japón)

‘LOS INVASORES DEL ABISMO’ - Ruggero Deodato (Italia)

‘TINTORERA’ - René Cardona Jr (México)

‘ALLA RICERCA DEL PIACERE’ - Silvio Amadio (Italia)

‘SAMURAI NINJA ONIMANJI’ - Yoshihiro Nishimura (Japón)

‘TIBURÓN 3 - L’ULTIMO SQUALO’ - Enzo G. Castellari (Italia)

‘DOOR’ - Benmei Takahashi (Japón)

‘MILÁN CALIBRE 9 (MILANO CALIBRO 9)’ -Fernando di Leo (Italia)

‘BLOOD SUCKING TREE’ - Shunji Iwai, Masaharu Ota & Akira Yoneta (Japón)

‘EL PANTANO DE LOS CUERVOS’ - Manuel Caño (España)

‘THE DARKSIDE OF SOCIETY’ - Larry Wade Carrell (Estados Unidos)

‘MARIA’ - Gabriel Grieco & Nicanor Loreti (Argentina)

‘LA VENGANZA DE LA MOMIA’ -Carlos Aured (España)

‘IL MUSEO DEGLI ORRORI DI DARIO ARGENTO’ - Luigi Cozzi (Italia)

‘THE BARN PART II’- Justin M. Seaman (Estados Unidos)

‘OLDBOY’ - Park Chan-Wook (Corea del Sur)

‘LA TARÁNTULA DEL VIENTRE NEGRO’ - Paolo Cavara (Italia)

‘SANTO CONTRA LOS ZOMBIES’ - Benito Alazraki (México)

‘HUMANOID PUPPET’ - Hidehiro Ito (Japón)

[ridethepunkhorse]

#Manhole (Kazuyoshi Kumakiri, Japan, 2023)

[cinemaronin]

Nonko, Age 36 (Domestic Worker) (2008)

ノン子36歳（家事手伝い） Nonko, Age 36 (Domestic Worker) (2008) directed by Kazuyoshi Kumakiri cinematography by Ryūto Kondō

[antinousamongthereeds]

sora no ana (空の穴), 2001, kumakiri kazuyoshi

[latestmoviesblog]

Confined Space Thriller That Will Keep You Guessing

Home Movie Reviews ‘#Manhole’ Review: Confined Space Thriller Will Keep You Guessing Until the End | Berlinale 2023 While its many plot shifts might challenge the audience, those willing to embrace its bonkers energy are in for a good time. Image via Gaga Corporation/J Storm Inc. On the surface, Kazuyoshi Kumakiri’s #Manhole seems like yet another take on the formula that puts a helpless…

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夏の終り The End of Summer [2013] Director: Kazuyoshi Kumakiri