#KondZilla Records

[dan6085]

Top 20 YouTube channels of all time, based on subscriber count, listed in descending order from 1 to 20:

1. T-Series: An Indian record label and film studio with over 263 million subscribers as of April 2024.

2. MrBeast: An American YouTuber known for his large-scale philanthropy and challenges, with over 251 million subscribers as of April 2024.

3. Cocomelon - Nursery Rhymes: An American children's channel that produces animated nursery rhymes and educational content, with over 143 million subscribers as of April 2024.

4. SET India: A Hindi-language television channel that produces and airs a variety of programming, including movies, TV shows, and sports, with over 115 million subscribers as of April 2024.

5. Felix Arvid Ulf Kjellberg (PewDiePie): A Swedish YouTuber known for his gaming content and commentary, with over 111 million subscribers as of April 2024.

6. Like Nastya: A Russian-American YouTuber who produces children's content, including nursery rhymes, educational videos, and vlogs, with over 101 million subscribers as of April 2024.

7. Vlad and Niki: A Russian-American children's channel that produces animated and live-action content, with over 92 million subscribers as of April 2024.

8. Zee Music Company: An Indian music label that produces and distributes music for Bollywood films and independent artists, with over 86 million subscribers as of April 2024.

9. WWE: An American professional wrestling promotion that produces and distributes wrestling content, including matches, interviews, and backstage segments, with over 84 million subscribers as of April 2024.

10. BLACKPINK: A South Korean girl group that produces and performs K-pop music, with over 76 million subscribers as of April 2024.

11. Goldmines Telefilms: An Indian film production and distribution company that produces and distributes movies, TV shows, and other content, with over 75 million subscribers as of April 2024.

12. 5-Minute Crafts: A DIY and life hacks channel that produces short, instructional videos, with over 74 million subscribers as of April 2024.

13. Big Hit Labels: A South Korean entertainment company that produces and manages K-pop artists, including BTS, with over 67 million subscribers as of April 2024.

14. Justin Bieber: A Canadian singer-songwriter who produces and performs pop music, with over 66 million subscribers as of April 2024.

15. Konrad Cunha Danta (Canal KondZilla): A Brazilian record label and music video production company that produces and distributes music videos for Brazilian artists, with over 65 million subscribers as of April 2024.

16. Shemaroo Filmi Gaane: An Indian music label that produces and distributes music for Bollywood films and independent artists, with over 63 million subscribers as of April 2024.

17. Movieclips: An American channel that produces and distributes movie trailers, clips, and behind-the-scenes content, with over 62 million subscribers as of April 2024.

18. Dude Perfect: An American sports entertainment group that produces and performs trick shots, comedy skits, and other content, with over 58 million subscribers as of April 2024.

19. Ed Sheeran: A British singer-songwriter who produces and performs pop music, with over 57 million subscribers as of April 2024.

20. Ariana Grande: An American singer-songwriter who produces and performs pop and R&B music, with over 55 million subscribers as of April 2024.

These channels primarily produce content in English and Hindi, and have surpassed 49 million subscribers each.

[yessadirichards]

KondZilla, the entrepreneur of Brazilian favela funk

RIO DE JANEIRO

They say everything he touches turns to gold: KondZilla, the man behind the most popular YouTube channel in Latin America, has revolutionized Brazilian funk music, taking favela beats to a massive online audience.

The 34-year-old entrepreneur, who grew up in the slums himself, launched his "KondZilla Channel" in 2012. At the time, the music industry had barely taken notice of Brazilian funk, a Rio de Janeiro-born hip-hop style known as the fuel for all-night-and-into-the-next-day parties in the favelas.

Today, KondZilla -- whose real name is Konrad Dantas -- has more than 66.5 million subscribers on YouTube, and favela funk is mainstream music in Brazil.

"The big multinational record labels were ignoring that segment of the market," Dantas told AFP in an interview.

"The only way to get this content out there was YouTube," he said after giving a talk this week at the Rio edition of Web Summit, the world's biggest annual technology conference.

Dantas grew up in a favela in Guaruja, a seaside city in the southeastern state of Sao Paulo.

He got his start directing music videos for "ostentation funk" artists, a sex-and-bling-heavy subgenre that emerged in Sao Paulo in the 2000s.

"I like telling stories and connecting with young people from the hood," he says.

His audience soon exploded.

His 2015 video "Baile de Favela," for funk artist MC Joao, racked up more than 100 million views.

It hit the height of mainstream success when Olympic medallist Rebeca Andrade, Brazil's most famous gymnast, used it in the soundtrack for her floor routine at the Tokyo Games in 2021.

Forbes Brasil named KondZilla to its list of the country's most influential people under 30 in 2017.

Today, he runs a business empire that includes a record label, TV and film production company, music news site, and an institute to train talented young artists.

His TV series "Sintonia" is the most widely watched Brazilian show on Netflix, and his most-watched music videos each have more than a billion views.

Despite his stage name -- a reference to movie monster Godzilla -- Dantas is a small, laid-back man with a gleaming smile.

At the Web Summit conference, he patiently signed autographs, posed for pictures and took time to speak with fans seeking his advice.

He says one of the keys to his success has been the democratization of technology, which has allowed people in Brazil's impoverished favelas to consume and produce whatever content they want on their cell phones.

"When we have the chance to choose what we consume, we don't pick the story of the firefighter in New York. We pick stories that look like ours, that we can identify with," he said.

Dantas is known for his savvy at reading the market, and adapting as it changes.

"One minute, you're on top. The next, you fall. Everything changes fast, and you have to adapt," he said.

One of his key transitions was launching "light" versions of songs, replacing the "indecent" language that permeates the genre with safe-for-work lyrics, he said.

He credits that with expanding his subscriber numbers from six million in 2016 to 22 million in 2017.

Dantas says he was always interested in music and visual media.

He got his professional start at 18, after his mother died. He received some money from her pension and life-insurance policy, which he thought about using to buy an apartment and get out of the favela, he said.

Instead, he took a risk: he used the money to pay for production equipment and professional training.

He turned out to have a flair for directing irresistible, visually seductive music videos -- and discovering new talent.

To help promote the next generation of "KondZillas," Dantas launched a "Creators School" last year to train video and music artists from his hometown favelas.

But in business terms, he sees people over 50 as his next growth market, he said -- an unusual statement at a tech conference, especially from someone in an industry obsessed with youth, TikTok and trends.

"They say the first generation that will live past 100 has already been born," Dantas said in his talk. "I'm aiming at them."

[gazeta24br]

O maior hit de funk relacionado a futebol do mundo, "País do Futebol" ganha uma nova versão por Dubdogz e Watzgood para animar as torcidas e celebrações das próximas semanas. Originalmente assinada por MC Guimê e Emicida, dois artistas que estão entre os maiores nomes da cena do funk consciente e ostentação de São Paulo e do rap brasileiro, a música marcou gerações e virou um verdadeiro hino na Copa do Mundo de 2014. Agora, ela volta com tudo, recebendo um toque bem especial desse timaço que faz a faixa funcionar tanto nas pistas de dança, quanto nas comemorações da Copa em geral. Desde novembro, com as partidas rolando no Catar, a versão de 2013 de “País do Futebol” cresceu nas plataformas de música, além de virar parte de trends e inúmeros conteúdos pelas redes sociais. Os gêmeos do Dubdogz, na busca por músicas para tocar durante os jogos do Brasil, se uniu ao Watzgood para produzirem juntos um remix da música em tempo recorde. E o MC Guimê gostou tanto da versão em música eletrônica, que ele mesmo fez de tudo para viabilizar a oficialização o mais rápido possível. “Foi tudo muito rápido. No flow, como a música pede, né? E foi demais que o MC Guimê curtiu tanto a ideia, que fez questão de regravar os vocais o quanto antes. Pudemos dar uma atualizada em algumas coisas e tivemos a experiência incrível de estar todos juntos trabalhando nos estúdios do Kondzilla”, contam Marcos e Lucas, irmãos que formam o Dubdogz. “Foi engraçado que num dia a gente estava mandando para ele e, pouco tempo depois, ele já estava no nosso show na Arena Brasileira fazendo uma participação especial, e no dia seguinte já estávamos nos estúdios do Kondzilla para regravar os vocais”, completam. Mantendo a essência do pop e do funk da música original, os duos mineiros deram mais energia para a faixa, tornando-a mais dance. Ela tem um bass marcante e um groove que se encaixa muito bem nas pistas de dança e nas celebrações em geral das vitórias que, se depender das duplas, terá uma trilha sonora de comemoração à altura. Watzgood compartilha que "Guimê e Emicida trazem uma mensagem com a letra da música que, independente do seu sonho – seja MC, DJ, jogador ou qualquer outra profissão –, basta acreditar nisso e seguir em frente que você pode conseguir tudo". Com a nova versão de “País do Futubol”, o hexa está mais perto do que nunca. Aproveitando que as expectativas estão altas, corra já para conferir a collab de MC Guimê, Dubdogz, Emicida e Watzgood nas principais plataformas digitais.

[0000saudadedoi]

Saudade? Saudade dói sim e esssa saudade só vai multiplicando ao passa os dias, as vezes me pergunto porque tudo tem que ser assim porque a pessoa que mais amo mora a km de mim, deis que você partiu meu mundo se desmoronou, sabe quando você não sabe qual o sentindo que vai tomar agora sem aquela pessoa pois seus planos era com ela, as vezes temos que deixa ela ir para descobrir que é com aquela certa pessoa que você quer ficar se sente confortável ao lado dela, construir uma família, e foi simplesmente vendo aquela pessoa partindo eu percebi que não tem mais jeito eu não sou mais nada sem ela se eu pudesse aproveita cada momento fazer 1 momento virar mil ao lado dela eu voltava no tempo e fazia tudo diferente sentiria o abraço quentinho o beijo maravilhoso e além disso os carinhos tudo agora só se passa de uma grande saudade que ficará em meu coração a grande saudade que sinto do meu amor de olha nos olhos dele e fala o quanto amo ele de sorrir olhando para ele, sem contar a sensação maravilhosa em chega na rodoviária e espera o seu grande amor ir te busca e quando vê-lo abraça e não solta mais eu faria de tudo para sentir isso novamente faria de tudo para acorda ao lado dele e ver a cara de sono dele quando acorda, eu não sei mais como sentir sem ele não vejo mais um humo uma caminhada apenas exergo diversos obstáculos em nossa felicidade e pessoa nos afastando e nos mesmo não sabendo lidar com tudo isso ou apenas aceitar que esse é nosso fim, um fim de uma história linda com saudade brigar , momentos felizes recordações maravilhosas e que sempre permanecerá em nossas lembranças, e meu grande amor que ficará aqui e meus braços aberto caso um dia queira voltar para recomeçar a nossa história de um jeito diferente em nosso mundo onde ninguém estraga o que conquistamos porque uma coisa que sempre falo eu acredito em nós sempre vou acredita porque é com você que quero casar e nada e ninguém vai impedir minha vontade de tentar, só espero está aos seus braços novamente imaginando o quanto eu sou a mulher mais sortuda por ter você em minha vida, eu te amo @, eu te esperarei o tempo que for necessário mesmo que minhas forças falha eu estarei aqui te esperando de braços aberto para te dar todo amor desse mundo! Meu maluco eu amo você de sempre a sempre!! Obrigado por você existir/// carta #saudade #amor

[mpaulinact]

(KondZilla Records)

[ladoobies]

te mamo mwah

TE AMO LINDA

[artefeedme]

MC Kekel lança "Não Volta Mais" em nova parceria com DJ RD Música traz beat misto e une elementos de Funk "malado" mineiro com pontinho clássico de São Paulo em hit novo na área! "Não Volta Mais" é o novo single do MC Kekel, fruto de uma nova parceria com o DJ RD, e já está disponível nas plataformas de áudio pela Som Livre e KondZilla Records. A faixa traz beat misto e une elementos de Funk "malado" mineiro com pontinho clássico de São Paulo @djrdreal www.youtube.com/ArteFeed #show #musica #musica #rock #live #entretenimento #televisao #eventos #sertanejo #concert #dj #rap #hiphop #banda #song #singer #teatro #broadway #cultura #Teatro #musical #musica #teatromusical #cantor #cantora #ator #atriz #artefeed #djrd #live #noticias #imprensa #mckekel https://www.instagram.com/p/CTxS3nSPdlp/?utm_medium=tumblr

[bmundodiverso]

Quem é a cantora famosa que Arón Piper, de ‘Elite’, teria ficado no Brasil

Quem é a cantora famosa que Arón Piper, de ‘Elite’, teria ficado no Brasil

A vinda do Arón Piper ao Brasil, rendeu muito mais que uma gravação de videoclipe com Jottapê e Kevinho. O ator, além de curtir uma resenha na Kondzilla Records, também teria dado uns beijinhos em uma cantora enquanto estava por aqui e estamos chocados! Inclusive, estão dizendo por aí que esse momento aconteceu quando os dois estavam em um estúdio gravando uma música. Lara Silva, participou de…

[thepachanga]

Rob Stringer's End of the Year message for Sony Music employees

Dear Colleagues,

With the 2019 calendar year coming to an end, I’d like to reflect on the journey we have shared this year. Our creative and business strategy this year was as wide, dynamic and complex as any year in our history.

The creation of the Sony Music Group with the collective power of our world class recorded music and music publishing companies has enabled us to share new growth and coordination opportunities whilst maintaining the unique identity of each company. The exciting arrival of Jon Platt to head our global publishing division has also strengthened our wider company.

On the recorded music side we have achieved our objective from the start of the year to dramatically expand our roster by 30 percent to meet the demands of the increasing distribution of music globally through streaming platforms. Every market in the world can now find their own local content and, as a truly global player, we need to reflect this whilst continuing to find true worldwide artists and songs. Hits can come from anywhere as exemplified by the range of countries that produced global hits for us in 2019 from Korea to Holland to Colombia!

We are all motivated by the success of our artists and repertoire and this year we were able to promote some exceptional and fresh talent.

Of course, SMG artist Lil Nas X dominated the no. 1 position on the global singles chart with the innovative genre-blending “Old Town Road.” Sony/ATV songwriter Ed Sheeran was in the top 5 global streaming artists of 2019. SMG artist Camila Cabello’s duet “Señorita” streamed more than one billion times this year. Apache 207 has dominated the German streaming charts in recent months. And, the list goes on, right up to Harry Styles who is expected to have the no.1 album in multiple major global markets this week and Arizona Zervas being no.1 on the U.S. Spotify charts most of this month. Festively, we are thrilled that Mariah Carey’s perennial hit “All I Want for Christmas Is You” is currently no. 1 on the Billboard Hot 100 chart.

Childish Gambino won Record and Song of the Year at the Grammys. Rosalía won Best Album at the Latin Grammys. Maren Morris and Luke Combs won high profile awards at the CMAs. Tom Walker won Best New Artist at the Brit Awards and Tones and I won key awards at the ARIAs.

The incomparable Rihanna joined the Sony/ATV family and we signed superstars Ozuna, Kang Daniel and Nicky Jam to long term recording deals.

We also extended our long-term catalog arrangement with the legendary Barbra Streisand. Kygo continued his relationship with us as an artist and through a label deal and, now we distribute one of Brazil’s most important entertainment companies, Kondzilla.

As part of our growth strategy, we continued to increase our presence in every emerging market, illustrated by our new, more creative-based headquarters in Beijing which opened earlier this year. This growth will remain a priority for us next year as exemplified by continuing to expand our content studio network globally, building new creative spaces in every region around the world.

We have more digital partners than ever before, and we make more audiovisual content than ever before which has broadened our potential content distribution options. We have been determined to expand our business operations beyond the core of the recorded and publishing businesses.

Our merchandising division has acquired key companies so we now represent the rights of Led Zeppelin and P!NK and many other artists. We recently signed the North American rights to The Beatles as well as Jimi Hendrix’s global merchandise rights.

We have started a huge podcasting strategy that has included joint ventures with some of the leading audio content providers in this space on a global basis. We continued to search for maximum efficiency and transparency with new tools and portals such as Real Time Royalties and Cash Out. Our new, more artist-friendly recording agreement templates were very well received by the industry and we have continued to aggressively invest in our data and analytics capabilities.

As Rolling Stone magazine recently highlighted, the concept of One Sony is no longer just an idea. We make television programmes together with our sister Sony TV division such as the recent Brad Paisley TV special. We make exclusive musical content for our partner PlayStation’s games such as Death Stranding. We co-sponsored Pharrell’s innovative music festival in Virginia with all our Sony partner companies. These types of partnerships will only grow in the future.

Importantly, across the Sony Music Group we all made important strides in the key areas of culture, diversity, inclusion and staff development. We are constantly improving the gender and diversity balance in our workforce. We have further modernized our family friendly benefits and programmes. We have created employee resource groups to give our team members space to come together and advocate vital issues. We have bolstered our global training programmes to create better internal development opportunities for you as well as being more strategic with our communications both internally and externally.

We must continue to strive to be not only bigger but, more importantly, better in all aspects of our business strategy so we are primed for sustainable success over the next decade and beyond. With your collective talent and hard work we are building a creative entertainment company of the future and giving our artists, songwriters and creators the partnerships to thrive in this evolving industry.

Thank you for your incredible support this year and I wish you and your families and friends a happy and peaceful holiday season.

See you in the next decade!

Rob

note: the highlighted part in bold is mine

[yessadirichards]

KondZilla, the entrepreneur of Brazilian favela funk

RIO DE JANEIRO

They say everything he touches turns to gold: KondZilla, the man behind the most popular YouTube channel in Latin America, has revolutionized Brazilian funk music, taking favela beats to a massive online audience.

The 34-year-old entrepreneur, who grew up in the slums himself, launched his "KondZilla Channel" in 2012. At the time, the music industry had barely taken notice of Brazilian funk, a Rio de Janeiro-born hip-hop style known as the fuel for all-night-and-into-the-next-day parties in the favelas.

Today, KondZilla -- whose real name is Konrad Dantas -- has more than 66.5 million subscribers on YouTube, and favela funk is mainstream music in Brazil.

"The big multinational record labels were ignoring that segment of the market," Dantas told AFP in an interview.

"The only way to get this content out there was YouTube," he said after giving a talk this week at the Rio edition of Web Summit, the world's biggest annual technology conference.

Dantas grew up in a favela in Guaruja, a seaside city in the southeastern state of Sao Paulo.

He got his start directing music videos for "ostentation funk" artists, a sex-and-bling-heavy subgenre that emerged in Sao Paulo in the 2000s.

"I like telling stories and connecting with young people from the hood," he says.

His audience soon exploded.

His 2015 video "Baile de Favela," for funk artist MC Joao, racked up more than 100 million views.

It hit the height of mainstream success when Olympic medallist Rebeca Andrade, Brazil's most famous gymnast, used it in the soundtrack for her floor routine at the Tokyo Games in 2021.

Forbes Brasil named KondZilla to its list of the country's most influential people under 30 in 2017.

Today, he runs a business empire that includes a record label, TV and film production company, music news site, and an institute to train talented young artists.

His TV series "Sintonia" is the most widely watched Brazilian show on Netflix, and his most-watched music videos each have more than a billion views.

Despite his stage name -- a reference to movie monster Godzilla -- Dantas is a small, laid-back man with a gleaming smile.

At the Web Summit conference, he patiently signed autographs, posed for pictures and took time to speak with fans seeking his advice.

He says one of the keys to his success has been the democratization of technology, which has allowed people in Brazil's impoverished favelas to consume and produce whatever content they want on their cell phones.

"When we have the chance to choose what we consume, we don't pick the story of the firefighter in New York. We pick stories that look like

ours, that we can identify with," he said.

Dantas is known for his savvy at reading the market, and adapting as it changes.

"One minute, you're on top. The next, you fall. Everything changes fast, and you have to adapt," he said.

One of his key transitions was launching "light" versions of songs, replacing the "indecent" language that permeates the genre with safe-for-work lyrics, he said.

He credits that with expanding his subscriber numbers from six million in 2016 to 22 million in 2017.

Dantas says he was always interested in music and visual media.

He got his professional start at 18, after his mother died. He received some money from her pension and life-insurance policy, which he thought about using to buy an apartment and get out of the favela, he said.

Instead, he took a risk: he used the money to pay for production equipment and professional training.

He turned out to have a flair for directing irresistible, visually seductive music videos -- and discovering new talent.

To help promote the next generation of "KondZillas," Dantas launched a "Creators School" last year to train video and music artists from his hometown favelas.

But in business terms, he sees people over 50 as his next growth market, he said -- an unusual statement at a tech conference, especially from someone in an industry obsessed with youth, TikTok and trends.

"They say the first generation that will live past 100 has already been born," Dantas said in his talk. "I'm aiming at them."

[topdatainsights]

KondZilla YouTube Power Bi Infographics [Video Counts, Views and Subscri...

[melhorde10]

Os 10 maiores youtubers brasileiros em 2021

Os 10 maiores youtubers brasileiros em 2021

1. Canal KondZilla Mais um ano sem grandes surpresas. O maior canal de música do mundo, continua no top 1. O Canal faz parte da produtora de música Kondzilla Records, da propriedade de Konrad Dantas mais conhecido por Kond. É um canal de funk brasileiro, sendo que é um dos grandes responsáveis pelo sucesso alcançado do género em todo o mundo. O vídeo com mais visualizações do canal ultrapassa os…

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[guinariz]

Meu mano @castrotatts já decorou meu som 🙌 .. Gratidão irmão 🙏 . . . . . . . . . #tattoo #tattooagem #castro #castrotattoo #musica #music #song #som #trap #trapsoul #trapmusic #rnb #rnbass #cantor #singer #hungriahiphop #tribodaperiferia #kamikaze #alvorada #portoalegre #riograndedosul #brasil #trapportoalegre #raplongavida #rapbox #kondzilla #gr6 #eusoumasterbeats #chicomorbene (em Master Beats Recordings) https://www.instagram.com/p/BoHXtefAJ3p/?utm_source=ig_tumblr_share&igshid=sc8k2rf0k057

[portfoliofabiowertheimer]

No dia 11 de janeiro de 2021 a Anvisa aprovou o uso emergencial da Coronovac, a vacina contra a Covid-19, a ser produzida em solo brasileiro pelo Instituto Butantan. Surgia enfim, uma arma para combatermos o Coronavírus.

O Instituto Butantan iniciou a produção da vacina e precisava, ao mesmo tempo, começar a divulgar uma das maiores conquistas da medicina brasileira das últimas décadas.

Voltando um pouco no tempo. Em 2017, Mc Fioti havia gravado um clip com o nome BUM BUM TAN TAN.

Eureca! E porque não remixar a letra da música, colocando a Coronavac nesta história, criando um hit para a primeira vacina contra a Covid-19? Assim nasce o remix da VACINA DO BUM BUM TAN TAN. Contatamos a Kondzilla Records, em 1 dia reescrevemos a letra junto ao Mc Fioti e em 3 dias gravamos o clipe com o remix da vacina do VACINA DO BUM BUM TAN TAN.

O sucesso foi arrebatador. Mais de 12 milhões de views no YouTube, centenas de milhares de comentários, mais de 8 milhões de likes no Instagram e mais de 4 milhões no Facebook.

O sucesso da campanha foi matéria em mais de 30 redes de televisão no mundo como CBS, France 24h, CNN, NHK, em sites de noticias como Reuters, AFP, The Guardian, BBC, The Indepedent, em mais de 15 revistas e também em jornais como o Jornal da Band, Jornal da Record, CNN Prime Time, Jornal Nacional e Fantástico. 

Uma campanha de vacinação criativa, contagiante e irreverente. 

[tudodosfamosos]

MC Fioti lança remix de ‘Bum Bum Tam Tam’ gravado no Instituto Butantan; assista ao clipe

Desde que o Instituto Butantan liberou os resultados dos testes e a Anvisa aprovou a vacina Coronavac, produzida pelo Instituto em parceria com o laboratório Sinovac, o hit ‘Bum Bum Tan Tan‘, de MC Fioti, lançado em 2017, voltou a fazer sucesso. A associação do refrão com o Instituto foi instantânea e deu tão certo que o funkeiro gravou uma nova versão chamada “Vacina Butantan” e com o clipe gravado nas dependências do centro de pesquisa, em São Paulo. “Essa vacina é saliente, vai curar nóis do vírus e salvar muita gente”, canta o MC. O clipe foi dirigido por Kaique Alves do KondZilla Records e traz uma letra adaptada de incentivo e valorização à Ciência.

Leia também

Apresentador Larry King morre aos 87 anos, em decorrência da Covid-19

Confira 11 curiosidades sobre os bastidores da série ‘Fate: A Saga Winx’

‘A Fazenda 12’: Biel e Tays Reis comentam suas participações no reality: ‘Recolocou a gente no mercado’

Logo no início do clipe, Fioti encontra um gênio da lâmpada e faz dois desejos: “a cura do coronavírus” e que ele “traga paz, amor e saúde para a humanidade”. O gênio então concede os desejos e o jovem acorda na escadaria do Instituto – um dos maiores centros de pesquisa do Brasil, reconhecido mundialmente. A partir daí o cantor aparece em salas de laboratório e os funcionários do departamento aproveitam para dançar. Segundo a nota do Instituto Butantan, o clipe é uma “homenagem” e a gravação “foi marcada por sorrisos, animação e a esperança de dias melhores”.

Assista ao clipe de “Vacina Butantan”, do MC Fioti:

The post MC Fioti lança remix de ‘Bum Bum Tam Tam’ gravado no Instituto Butantan; assista ao clipe first appeared on Tudo dos Famosos. from WordPress https://ift.tt/2O73HH7 via IFTTT

[publicidadesp]

MC Fioti lança remix de ‘Bum Bum Tam Tam’ gravado no Instituto Butantan; assista ao clipe

Desde que o Instituto Butantan liberou os resultados dos testes e a Anvisa aprovou a vacina Coronavac, produzida pelo Instituto em parceria com o laboratório Sinovac, o hit ‘Bum Bum Tan Tan‘, de MC Fioti, lançado em 2017, voltou a fazer sucesso. A associação do refrão com o Instituto foi instantânea e deu tão certo que o funkeiro gravou uma nova versão chamada “Vacina Butantan” e com o clipe gravado nas dependências do centro de pesquisa, em São Paulo. “Essa vacina é saliente, vai curar nóis do vírus e salvar muita gente”, canta o MC. O clipe foi dirigido por Kaique Alves do KondZilla Records e traz uma letra adaptada de incentivo e valorização à Ciência.

Leia também

Apresentador Larry King morre aos 87 anos, em decorrência da Covid-19

Confira 11 curiosidades sobre os bastidores da série ‘Fate: A Saga Winx’

‘A Fazenda 12’: Biel e Tays Reis comentam suas participações no reality: ‘Recolocou a gente no mercado’

Logo no início do clipe, Fioti encontra um gênio da lâmpada e faz dois desejos: “a cura do coronavírus” e que ele “traga paz, amor e saúde para a humanidade”. O gênio então concede os desejos e o jovem acorda na escadaria do Instituto – um dos maiores centros de pesquisa do Brasil, reconhecido mundialmente. A partir daí o cantor aparece em salas de laboratório e os funcionários do departamento aproveitam para dançar. Segundo a nota do Instituto Butantan, o clipe é uma “homenagem” e a gravação “foi marcada por sorrisos, animação e a esperança de dias melhores”.

Assista ao clipe de “Vacina Butantan”, do MC Fioti:

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