#Laura Anderson Barbata

[wausaupilot]

Activist, artist, educator to curate Community Conversations in Wausau

Two events are scheduled; both are free.

MADISON – The University of Wisconsin–Madison’s Division of the Arts will bring global interdisciplinary and community artist Laura Anderson Barbata to Wisconsin for a short-term residency in early March. While here, Barbata will curate a series of Community Conversations in Wausau, aimed at bringing together people from indigenous, immigrant and refugee communities to tell their stories and…

[sexypinkon]

                                   S    E    X    Y    P    I    N    K

                         Congratulations Laura Anderson Barbata

[iris-at-sca]

Wk 9 - Assemblage

Abraham Cruzvillegas "The Autoconstrucción Suites" (2003 - present)

Jimmie Durham "St Frigo" (1994)

Laura Anderson Barbata "Intervention : Indigo, Bushwick" (2015, 2020)

[obrasdeartecomentadas]

Laura Anderson Barbata, Remedios, 2006

Una Virgen de parafina en tamaño natural que se extingue por su propia luz.

[escarabaja]

Laura Anderson Barbata, Remedios, 2006

[app-ara-tus]

Laura Anderson Barbata

[larryland]

The magical Concrete Temple Theatre returns to Catskill’s Bridge Street Theatre this coming weekend, November 22-24, for a three-performance run of PACKRAT, a new multi-media puppet extravaganza that contemplates humanity’s relationship with the natural world.

Inspired by the classic survival and adventure novel “Watership Down”, the play follows the adventures of Bud, a peculiar rodent with a penchant for hoarding humankind’s goods. When a discarded cigar sparks a wildfire, the animals in the desert where Bud lives blame him for the human-made disasters infiltrating their lives and ban him from the community. What will he find in the Land of the Big Sagebrush? PACKRAT is a poignant account of Bud’s journey to find his place in the world and his ultimate realization of the interconnectedness of all life. This Concrete Temple Theatre production for audiences of all ages is written and directed by Renee Philippi and designed by Carlo Adinolfi, with original music by Lewis Flinn. Performances will be held on Friday November 22nd and Saturday November 23rd at 7:30pm and on Sunday November 24th at 2:00pm. Advanced tickets can be purchased at packrat.brownpapertickets.com or by calling 800-838-3006. For more details, visit the theatre’s website at BridgeSt.org. Don’t miss this opportunity to introduce your kids to the excitement and wonder of live theater at this enchanting new show!

This slideshow requires JavaScript.

Events at Bridge Street Theatre are supported in part by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature and by Public Funds from the Greene County Legislature through the Cultural Fund administered in Greene County by the Greene County Council on the Arts.

Performance Calendar:

Concrete Temple Theatre’s PACKRAT Created by Renee Philippi & Carlo Adinolfi Written & Directed by Renee Philippi Designed by Carlo Adinolfi Original Music by Lewis Flinn Friday November 22 @ 7:30pm Saturday November 23 @ 7:30pm Sunday November 24 @ 2:00pm Bridge Street Theatre Mainstage 44 West Bridge Street, Catskill, NY

Tickets: Advance tickets available at http://packrat.brownpapertickets.com or by calling 800-838-3006 General Admission $20, $10 for students and children ages 21 and under

BIOS: CONCRETE TEMPLE THEATRE is a multi-disciplinary company, committed to the creation of compelling new theatrical works, incorporating drama, dance, puppetry, music and the visual arts. Since 2004, the company has created devised visual theatre that challenges the traditional relationship between design and text. Through touring original works and presenting workshops in NYC, nationally and internationally, we strive to bring myth and ritual back to the center of dialogue, by presenting works and workshops that address real issues within communities (grief, family relationships, environmental stewardship). We have presented our work for NYC audiences at venues like Ohio Theatre, HERE, and Barrow Street Theatre and have been artist-in-residence in NYC at The Flea Theater, Dixon Place, Mabou Mines, St. Ann’s Warehouse and chashama. Concrete Temple has toured work nationally at venues like: The Yard, Bard Summerscape, Detroit Institute of Arts, Pontine Theatre, Dairy Center for the Arts, Amphibian Stage Productions and internationally: London, Sri Lanka, India, Bulgaria, Turkey, Italy, Scotland, South Korea and Costa Rica. www.ConcreteTempleTheatre.com

CARLO ADINOLFI (Puppets/Scenic Designer/Puppeteer) has worked in the theatre for 32 years and is fluent in Italian. Along with Renee Philippi, Carlo is Artistic Director of CTT.  He was born in Italy and received a BSc in Mathematics, Warwick University. Carlo is a Dancer, Designer, Actor and TD and CTT’s Set Designer and TD. Most recently, he has been performing solo as Geppetto in GEPPETTO, touring nationally and internationally, most recently London (January 2018), Korea (January 2017). Carlo designed and built the set and puppets for GEPPETTO. Carlo has taught set design at Simon’s Rock and at Sarah Lawrence College and Stagecraft at Community Roots Middle School. He is a recipient of the Bel Geddes Design Enhancement for his design of THE BELLAGIO FOUNTAIN HAS BEEN KNOWN TO MAKE ME CRY, an Independent Artists Challenge Award, Henson Foundation Grants, an EST/Alfred P. Sloan Foundation Science Commission, and a Berkshire Taconic Foundation Commission. The Scotsman (UK) said Carlo Adinolfi exudes “strength, grace, and agility” on the stage, The Independent (UK) praised him as a “beguiling and versatile entertainer,” and Daily Mail (UK) cheered his “astonishing artistry,” calling him a “skillful actor/choreographer.” As designer NY Theatre Review said: “Adinolfi’s design is thrilling;” One Magazine wrote: “The most inventive, wondrous sets in NYC are being created by Concrete Temple Theatre…their work is extraordinary.” Carlo has been resident artist: The Yard, Flea Theatre, Flint Institute of Arts, Hudson Opera House.

LAURA ANDERSON BARBATA (Costume Designer) was born in Mexico City, works in Brooklyn and Mexico City. Since 1992 she has worked primarily in the social realm, and has initiated projects in the Amazon of Venezuela, Trinidad and Tobago, Mexico, Norway and the USA. Among them is her ongoing project The Repatriation of Julia Pastrana, 2004. She is also known for her project Transcommunality(ongoing since 2001), with traditional stilt dancers: The Brooklyn Jumbies fromNew York, West Africa and the Caribbean, and los Zancudos de Zaachila, from Oaxaca, Mexico.  This project has been presented at various museums, public schools and avenues, among them The Museum of Modern Art New York; TheModern Museum Fort Worth Texas; Museo Textil de Oaxaca, México; Museo de la Ciudad de México; BRIC, New York and Rutgers University, among others.  http://www.lauraandersonbarbata.com/

LEWIS FLINN (Composer) has worked as a theatre professional for the past 25 years. He is the composer and lyricist of the Broadway musical Lysistrata Jones (with a book by Douglas Carter Beane) that also ran at The Dallas Theater Center and Off-Broadway with the Transport Group.  Other current projects with Beane include Hood (Dallas Theater Center, Best Musical 0f Dallas 2017) and the upcoming To Wong Foo.  Other musicals include Like Love (NYMF) and The Winner (Lyric Stage, Dallas).  Flinn has composed scores and songs for over 50 Broadway, Off-Broadway, and regional productions including TONY nominated The Little Dog Laughed, Charles Busch’s Die Mommie Die, The Divine Sister, The Tribute Artist (Drama Desk Nom for Best Music) and The Third Story.  Other theaters include Playwright’s Horizons, MCC, South Coast Rep, The Geffen Playhouse, The Cleveland Play House, The Old Globe, La Jolla Playhouse, Lincoln Center Theater, 2nd Stage Theater, and the Drama Dept.  He has been a guest artist at Cornell, Dartmouth, The Boston Conservatory, The Royal Academy London and The American Academy of Dramatic Arts.  He composed the themes and music for the TV shows Power of 10 and Million Dollar Password as well as scores for dozens of national commercials.  He is a graduate of Princeton University and lives in New York with husband, Douglas Carter Beane, and their children, Cooper and Gaby, and dogs, Lucky and Albert.

ERIC NIGHTENGALE (Dramaturg/Lights & Sound Designer) has worked as a theatre professional for the past 29 years, serving as Artistic Director of 78th Street Theatre Lab in NYC, 1995-2008, directing over 50 productions and overseeing the development of countless others. Other New York directing credits include: Circle Repertory Theatre, The Acting Company, Circle in the Square, The River Ensemble, Ensemble Studio Theatre, HERE, and Classic Stage Company. Eric has served as Artistic Director for Anchorage Theatre, Louisville, Zone 9 Productions, Indianapolis and Actors Repertory Theatre, Chicago. Chicago directing credits include: Victory Gardens Theatre, Bailiwick Repertory Theatre, Steppenwolf, Chicago Dramatists Workshop, Broadway Arts Center and Second City. He has served as Associate Artistic Director for the Developing Artists Series at the Drama League of NY and developed work at New Harmony Project and Last Frontier Theatre Conference. He has guest directed at universities including Indiana University, Brooklyn College, Towsen University, Evansville University and St. Johns University, among others. Radio drama credits include work broadcast nationally over NPR affiliate stations, and in the UK over BBC channel 4. He has worked as a teaching artist for the Lincoln Center Institute, Theatre Development Fund. His work at the Edinburgh Festival Fringe has resulted in three Fringe First awards, eight published scripts, four adaptations for BBC radio, a Best Ensemble award, and a London transfer. Recent work includes, The Frog Singer, an electro-luminescent-wire puppet play, and The Natasha Plays, currently performing in Bratislava, Slovakia and Varna, Bulgaria.

RENEE PHILIPPI (Writer/Director), Co-Artistic Director of Concrete Temple Theatre: for over 25 years, Renee has been writing and directing in NYC and has toured work nationally at venues like: The Yard, Bard Summerscape, St. Ann’s Warehouse, Detroit Institute of Arts, Pontine Theatre, Dairy Center for the Arts, Amphibian Stage Productions and internationally: Sri Lanka, India, Bulgaria, Turkey, Italy, Scotland, Germany, South Korea and Costa Rica. Renee has created 13 original works in the past 15 years. Her newest work “The Waitress and The Robber” will premiere at the Seoul Performing Arts Festival, South Korea, October 2019. Renee is a member of Spiderwoman Theatre, Women’s Project Directors Forum, Lincoln Center’s Directors Lab, New Georges, LPTW and has been Artist-in-Residence with Mabou Mines, Playwrights Center Minneapolis, Directors Company, Nantucket Historical Association, The Flea, The Yard, Dixon Place, and Directing Fellow, Williamstown Theatre Festival. Her work has been described as: “Thought-provoking and emotional” “Explores what it truly means to be human.” (TheatreScene.net), “Drama, as it should be, with fine writing and flawless direction.” (Talkin’ Broadway) “…A world that is vast and sprawling, spanning continents and cultures” (Off Off Online).

PUPPETEERS BIOS: Carlo Adinolfi: http://concretetempletheatre.com/new/wp-content/uploads/2012/03/Carlo-Bio_website_rev2015.pdf

Sabrina DeWeerdt: n/a

Margaret Gayford: https://www.maggiegayford.com/about

Jenny Hann: https://www.jennyhann.com/puppetry

Kayla Prestel: http://www.kaylaprestel.com/

Alanna Strong: https://www.alannastrong.com/

PACKRAT is supported in part by: The Jim Henson Foundation, The Hellen Plummer Foundation, Lake Placid Center for the Arts, Lake Placid, NY, The Access Theater Residency Program, Emerging Artists Theatre, Dixon Place Puppet BloK, as well as The Nancy Quinn Fund, a program of the A.R.T./New York and subsidized studio space provided by the A.R.T./New York Creative Space Grant, supported by the Andrew W. Mellon Foundation and public funds from the New York City Department of Cultural Affairs in partnership with the City Council and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Concrete Temple Theatre Brings “Packrat” to Bridge Street Theatre The magical Concrete Temple Theatre returns to Catskill’s Bridge Street Theatre this coming weekend, November 22-24, for a three-performance run of PACKRAT, a new multi-media puppet extravaganza that contemplates humanity’s relationship with the natural world.

[nataliefenglin]

Ocean Calling – A performance by Laura Anderson Barbata

http://www.lauraandersonbarbata.com/

[elzorab]

Indigo Laura Anderson Barbata @mucaroma Segunda Parte II #indigo #mexicocity🇲🇽 #cdmx #art #museomucaroma #mucaroma #indigo #artist #indigenous #ciudaddemexico #mexico #mexico🇲🇽 https://www.instagram.com/p/B4tgiFxAmFt/?igshid=3ih7daybdmox

[virgilortiz]

🔴The Future Is Now and I Am It: A Parade to Mark the Moment🔴 AGHHHHH...here we go. Super pumped to create a custom Aeronaut stage outfit for the legendary Nona Hendryx. Love that she is a fashion risk taker, I hope my costuming lives up to her caliber! If you are in the DC area this Saturday...come check out the opening parade and performances at the #KennedyCenter. Guest artists to include: Nona Hendryx, Andrew Ondrejcak, The Griggs Brothers, Marlon Taylor-Wiles, Laura Anderson Barbata, Sheldon Scott, Stephanie Mercedes, Vanessa German, Hoesy Corona + Carlos Nazario To open the REACH, the Kennedy Center gathers artists from far-flung corners of the artistic landscape together with young people to walk, march, and dance into the future in this parade curated by multi-disciplinary visual and performance artist Carrie Mae Weems, in collaboration with David Ross of The MusicianShip and Funk Parade. Link up there☝🏽 cheers! #ladymarmalade #dc #fashion #music #art (at The John F. Kennedy Center for the Performing Arts) https://www.instagram.com/p/B2BIDWqAvOQ/?igshid=1nz9wcab1b08a

[king-galaxius]

An Artist Repatriates the Body of Julia Pastrana, an Indigenous Mexican Woman Exhibited as a “Freak” — Hyperallergic A new book chronicles how artist Laura Anderson Barbata led the repatriation and burial of Julia Pastrana, a 19th-century indigenous Mexican woman exhibited in life and death for her excessive hair. via An Artist Repatriates the Body of Julia Pastrana, an Indigenous Mexican Woman Exhibited as a “Freak” — Hyperallergic

[sexypinkon]

                                     S  E  X   Y   P   I  N    K

“[A]rt making is much more than a profession. It is, first and foremost, a calling.   This also means that becoming an artist is usually less of a career choice, and more an instinctive act of recognition. It chooses you, even if you think you chose it.”~Pablo Helguera through Laura Anderson Barbata

[shenzhenblog]

艺术中的墨西哥女性

艺术中的墨西哥女性 | Mexican Women in Art

Elizabeth Ross

Elizabeth Ross 是墨西哥艺术家、艺术项目负责人、策展人、国际记者，墨西哥国家艺术创造者体系（SNCA）成员。她的先锋社会文化活动涵盖艺术、调查、新闻与社区的发展，她坚持不懈地研究艺术、环境、记忆、女性主义、政治与社会之间的相互作用关系。

Elizabeth Ross的个人作品一直关注女性问题，自2018年来，她致力于对移民现象和穿越不同地域女性的生存状态进行探究，最近的相关项目名为“领域转移”，获得了墨西哥一个重要奖项SNCA奖，以及SNCA的成员资格。同时，她也是墨西哥中国女性录像艺术节的负责人。

同时，她也非常热爱中国文化，长期修学于墨西哥孔子学院，是一名中西文化交流使者。近年来她组织策划多项中国艺术展览和活动，向西方世界推介中国文化。曾在墨西哥、德国、威尔士、西班牙的许多大学和美术馆发表演讲，并为多家专业杂志写作，传播中国文化。

主要内容

这次讲座旨在让我们了解当代墨西哥女艺术家的作品，以及墨西哥社会和艺术世界是如何因其活跃的存在而丰富起来的。此外，更希望能够在中墨两国女性艺术家之间搭建知识的桥梁。

上个世纪初，墨西哥艺术史上出现了一个转折点。1917年革命结束，新墨西哥共和国诞生之后，艺术领域被男性所主导，所有的画家、壁画家都试图在当下的转变中教育人们。这些壁画家中包括了著名的里维拉、西奎罗斯和奥洛斯科，他们是墨西哥著名的绘画学校的创造者，给墨西哥艺术水平设定了一条标准线。

这时，一个瘦小的、孱弱的年轻女子出现在了现场。弗里达卡罗是一名共产主义者和画家，她既没有画大墙，也没有把她的研究对象集中在历史或社会问题上，而是用自己生活中的困难和痛苦取而代之，将墨西哥人和女性性别作为她艺术创作的主要身份。弗里达于1954年去世，被公认为伟大的艺术家和共产主义者。

她并不是那个时代唯一的知名女艺术家，因为那时还有其他女性的摄影师、舞蹈家、作家、演员们发起了新的运动，代表着共产主义意识形态的平等，并在多个领域为之后的女性艺术打开大门。从那时起，我们可以说墨西哥的女艺术家们除了在传统领域工作外，还在其他不同的打破陈规的领域发挥创造力。她们通过对媒介的把握和不断的实践，创造出自己的艺术语言并获得了国际上的赞誉。

Dulce Pinzón

Frida Kahlo

Laura Anderson Barbat

Laura Anderson Barbata

Marcela Armas

Remedios Varo

Remedios Varo

艺术中的墨西哥女性｜讲座

Mexican Women In Art

主讲人 Speaker

Elizabeth Ross

时间 Time

2018.3.25（周日）15:00

门票 Ticket

免票

主办方 Organizer

ART23当代艺术馆

地点 Venue

广州越秀区东山口启明社区

启明三马路23号ART23当代艺术馆

ART23当代艺术馆位于广州市中心老城区——东山口,由具有 英国顶尖艺术学府高等学历和丰富海外展览工作经验的精英团 队在2015年创立。

Art23当代艺术馆提供一个国际标准的开放艺术工作室、专业 展览空间和学术研讨交流平台。为世界优秀的艺术家举办展览 以及策划海外艺术家驻留项目,致力于推广和推动当代艺术, 促进国际艺术交流。

If you any information regarding this event,

Please contact us

Email art23gz@163.com

Tel 18819805255.

艺术中的墨西哥女性 was originally published on Shenzhen Blog

[movingthings]

12.6.2017 Crafted Strangers is curated by the 2017 CCCD Curatorial Fellows Matters Unsettled (Cass Gardiner @cashgardiner and Quizayra Gonzalez @quizayra) and organized by CCCD. Honored to have been the mentor on this project for these two brilliant young curators. Link here: http://www.craftcreativitydesign.org/crafted-strangers/. 1)Installation view; 2)Daisy Quezada Urena, Arbil de Violencia, 3)Joiri Minaya, #dominicanwomangooglesearch, 4)Wendy Red Star, 5)Jaret Vadera, No Country, 6)Indira Allegra, Aufenthaltsgestattunh, 7)Installation view, Laura Anderson Barbata 8)detail Barbata, Vida y Muerte, 9)detail Barbata, Columnas Novohispanas, 10) detail Barbata, Ballarina Oacaquena @centerforcraft @marilynzapf (at The Center for Craft, Creativity & Design)

[nofomoartworld]

The World's Artists Pay Tribute to the Sea for Ocean Week

On June 5th and 6th, a group of scientists, environmental activists, and artists met for a two-day conference about art and the environment. Scheduled to overlap with the UN's first Ocean Conference in New York City, Ocean Week was organized by TBA21, a contemporary art foundation dedicated to uncategorizable work. Conversations during the two days addressed subjects including the role of the artist in oceanography, climate change, and ancestral knowledge in modern exploration, as well as other issues at the intersection of art and science.

Joan Jonas, Oceans – Sketches and Notes, Kochi Convening, 2016. Photo: Francesca von Habsburg

Ocean Week is part of The Current, a program designed to take artists, researchers, and scientists, on exploratory trips to study the ocean. Artist participants in the week included Sissel Tolaas, a smell-scientist and artist who has completed "smellscapes" for cities including Paris, Oslo, Cape Town, and Istanbul; artist Laura Anderson Barbata, who is known for her successful project which demanded the relocation of Julias Pastrana's body from an Oslo museum to an official burial in Sinaloa, Mexico; and Joan Jonas, video and performance art pioneer, and the US representative at the 2015 Venice Biennale. In addition to the lectures and discussions, Ocean Week had two installations: an ocean smell-scape created by Tolaas; and South Pacific Migration Party, a sound installation of blue whale recordings by Peter Zinovieff. On June 8th, Barbata performed Ocean Calling, a work that studies intersecting identities and our emotional relationships to the ocean. The performance, which combines spoken word, dance, procession, music, and costume, was performed at the UN headquarters, and Barbata describes the piece as a protest.

Ocean Calling, 2017 by Laura Anderson Barbata. Photo: Frank Veronsky

The environment has always been a crucial focus of her work, Barbata tells Creators. "I initiated community projects in the Amazon of Venezuela that combined environmental protection and the preservation of oral history through paper and book making," Barbata says. Barbata traveled with The Current to Kingston last year. "We met, discussed and presented our work and findings not only amongst ourselves but also with the local community," she explains. By combining protest art and scientific research, The Current hopes to create new spaces for knowledge production. Their interdisciplinary approach more important now than ever.

TBA21–Academy expedition, B-17 "Black Jack" wreck at Boga Boga, 2015. Photo: Francesca von Habsburg

Learn more about Ocean Week here.

Related:

A Roaring Ocean in the Middle of Times Square

Sick of Landfill, Artists Turned E-Waste Into Floral Mandalas

This Drinkable Bubble Could Kill The Plastic Bottle Once and For All

from creators http://ift.tt/2skwvzr via IFTTT