#Ld 4 Machine

[kashdra]

Transforming the Future of Manufacturing

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Initial Setup: Begin by installing the necessary software and hardware components. Ensure compatibility with existing systems.Step-by-Step Guide to Using machine

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As you embark on your journey to embrace the future of manufacturing, consider partnering with leaders like Kashdra Groups, who are at the forefront of Ld 4 innovation. Whether you're seeking to optimize your production processes, enhance product quality, or pioneer sustainable manufacturing practices, our team of experts is here to guide you. Contact us today to learn more about how Ld 4 technology can revolutionize your industry. Together, we'll shape a future where innovation knows no bounds.

[sursa1997]

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[rainbowdaisy13]

TTPD The Anthology Summary Part 1 *IMO*

This is viewed through a queer lens because I believe she is fucking done playing nice so now she’s throwing it in our faces—FUCKING SEE ME

1) Fortnight—

I was supposed to be sent away but they forgot to come and get me/I was a functioning alcoholic till nobody noticed my new aesthetic

*MIGHTY GOD we start right out the gate sad as hell—no one noticed her queer flagging both quiet and loud and that pushed her from being a functioning alcoholic to a not functioning one. She then says to the fans who refused to acknowledge her truth “I hope that you’re ok but you’re the reason” FOR ME BEING INSANE

*Mentioning wanting to kill people that’s a first and I love it

*I love you it’s ruining my life OUCH 🤕 yes that sounds like something straight people deal with 😑

2) TTPD-

*I’m sorry I can’t remember what mutual said this, but I love love this as coming from Karlie’s perspective. It absolutely fits. She ground Taylor in a way no one else can

*First mention of suicide—both can’t live without the other

*Were crazy—owning the demons together

*The wedding ring line—GOD

3) MBOBHFT—

*I see this one as Taylor viewing herself as a commodity, also as someone who is broken and needs to be fixed so that she remains lovable. It also gives me Cardigan vibes without the redemption arc

4) Down Bad—

*Love this Alien Abduction theme. Melody is even spacey sounding. The entire song uses alien motifs and I adore it. Fave line “they’ll say I’m nuts if I talk about the existence of you” Brilliant 👽 Also the concept of an Out of this World Love

5) So Long London—

*Cool opening—beautiful when they layer her own voice

How much sad did you think I had in me? 😫

*I see this song as a My Tears Ricochet 2. Taylor giving all her youth to someone for free. You say I abandon the ship but I was going down with it—I truly believe she tried and begged them to let her come out for years and she was always shot down—2 graves 1 gun, more murder imagery

*So Long London, so long Big Machine

6) BDILH—

Absolutely beautiful and heartbreaking song

These people only raise you to cage you 😫

*Sarahs and Hannahs/braided hair/church/Elders making decisions—giving cult/LDS vibes

Stay away from her -Elders are yelling this—to who? Taylor? So Taylor needs to stay away from HER interesting

*Shed rather burn it all down than listen to them complain about her sexuality and how it impacts them

My good name, it’s mine alone to disgrace —absolutely shots fired at Scott Swift

*Soliloquies line is incredible—“I’ll never see” is such a burn 😆

*This isn’t a phase, this is who she is!!

*YOU AINT GOTTA PRAY FOR ME!! GET THEM ALL BITCH—SHOW THEIR ASSES

*This is my choice!!

GET 👏🏼 THEM 👏🏼 ALL

NO YOU CANT COME TO THE WEDDING PERIOD

7) FOTS—

*Pretty Baby, much like Babydoll is reserved for women and gay men and theys and thems. We don’t call straight men this 😒

*Fresh out the slammer—realllly trying to get these idiots to understand that she’s felt jailed /caged/trapped

My friends…Watch me daily disappearing 😫 fuck

Wearing Imaginary rings 😫😫😫 Says hello to paper rings says hello to imaginary lockets

*It’s gonna be alright she did her time!! 🥹

8) FLORIDA!!!—

I adore this song—my second fave on the album and absolute fucking banger. So glad Florence agreed to this they makes an amazing duo vocally—main vibes—Florida is the place Taylor wants to go to fucking escape the mess she lives in day to day. Anything goes, everyone is there hiding from something—the law, family, winter—nothing is too weird or unaccepted—and a certain someone has a house there 😎

My friends all smell like weed or little babies 😆

Florence’s verse is chefs kiss—Earl had to die vibes, watching bodies sink into the swamp, just full on misandry I LOVE IT—is that a bad thing to say in a song?? 😆 GET THEM ALL

Also I bet this song made Swifties uncomfortable 😆

FUCK ME UP FLORIDA 🤘🏼🤘🏿🤘🏾

9) Guilty as sin?

The Gay Longing/Gay Sex Song

*Another* suicide reference—but she’s just joking right swifities?

👀

No no that’s fine she just described an orgasm and if she’s not touching the person, let’s assume the pic below ⬇️ is like HEY THIS IS THE SEX IM SPEAKING ABOUT—it’s very much giving The Man pose for getting dome👀

And then the Jesus reference is just chefs kiss—gay sex is seen as sin and unholy by idiots and she said ok then bitch, what if I tell you the sex is so good we ARE what’s holy??

👀

She literally said messy top lip kiss and got away with it like 😆😆😆😆😆😆😆

10) WAOLOM—

I just……this may be my favorite song of hers ever. It’s absolutely incredible in its intensity, rawness, and truth as well as being a banger

Every lyric screams her pain

My bare hands paved their path/you don’t get to tell me about sad/ If you wanted me dead you should’ve just said

I leap from the gallows and I levitate down your street —Witch Imagery again!!

WHOSE AFRAID OF LITTLE OLD ME

👹YOU SHOULD BE 👹

Shots fired again at Scott Swift!! Let’s hear one more joke—they mocked her pain because they truly thought they could convince her she wasn’t gay 🫥

GODDDD 😫

Put narcotics into all of my songs—“a drug or other substance that affects mood or behavior and is consumed for nonmedical purposes, especially one sold illegally—a drug that relieves pain and induces drowsiness, stupor, or insensibility”

SHE SAID I HAVE TO USE MALE PRONOUNS AND FAKE REFERENCES TO MEN IN MY LYRICS SO YOU IDIOTS STAY STUPID AND HAPPY

and that’s why you’re still singing along 😎

Just WOW

Brilliant and Heartbreaking and RAW

🤍🤍🤍 We love you Girl 🤍🤍🤍

[su-itca-se]

Dear Brother (Oniisama e…) LaserDisc scans and machine translations

These past few years I have fallen in love with the work of director Osamu Dezaki. Alongside Tomorrow’s Joe (Ashita no Joe), I hold Dear Brother in the highest regard.

It was a 1991 anime based on Riyoko Ikeda’s 1974 manga. You should watch the anime. It’s on Tubi for free. But really, just trust me. Buy the Blu-Ray from Discotek.

This anime came and went. There isn’t any merchandise besides some phone cards. Decaying fan sites and discourse is out there, but it’s a bit of a hunt.

Some time ago I saw a fan letter written by Hideaki Anno, apparently from the LaserDisc releases. From what I could tell, the LaserDisc packaging featured a treasure trove of notes from the staff that I just had to read. But I couldn’t find them!

If you’re not aware, LaserDiscs are one step above burnable trash in Japan — often on sale for 200 yen or less in heavy boxes shoved into the corner of second-hand anime stores. So I bought all five volumes of the 1993 Dear Brother LaserDisc release, was thrilled to notice unique letters from staff and industry luminaries in the interiors, and I scanned everything! And machine translated them.

I hope this (long, comprehensive) post brings fans of Dear Brother the same pleasure it brought me to compose it!

Note: I cannot read Japanese. I’ve used Google Lens for OCR, and GPT-4 for translation. My scans are good (and you can get them on Archive.org in high res) but these translations are not archive-quality and should not be depended on without verification. I’ve done my best to make corrections and have attempted to wrangle the correct tone and meaning out of the AI, but they’re essentially just for fun. Corrections of the most egregious stuff would be welcomed, email me: suitcase@soaringrabbit.com.

Volume One

Each disc is themed after a character and colour. The back is peppered with screencaps and notable quotes (“Anata wa dare?” says little Nanako) as well as series credits. The two notable parts to translate are the disc synopsis, and the subheading (seen here in pink on the far left.) Maybe it’s a pull quote? Not really. So I called it a subheading.

Volume One Subheading

A forbidden cult anime masterpiece born of satellite broadcasting is finally available on LD.

Volume One Synopsis

Private Seiran Academy. A story of beautiful love and deep hatred unfolds at this prestigious all-girls high school steeped in tradition. The protagonist, Nanako Misonoo, who is thrilled to enroll in the high school division of her dream academy, encounters three stunning individuals: Miya-sama, Sanjust-sama, and Sho no Kimi. She also gets introduced to the glamorous world of Seiran Sorority, a society that only the chosen few are allowed to join. As a freshman granted unexpected membership in the Sorority, Nanako begins to take a deep look at love, friendship, and the essence of being human, all while being surrounded by envy and jealousy. She confides her various experiences at the academy, along with unspeakable worries and hardships, in letters to her elder “brother” and a young man named Takehiko Henmi… A masterpiece anime born of satellite broadcasting. It is a work by Riyoko Ikeda that the Dezaki-Sugino duo took on for the first time in 11 years since “The Rose of Versailles.” It is considered a unique work that brings a fresh, unprecedented shock by transcending the framework of TV anime with its aesthetic world.

The disc looks like this:

An “obi” (sash that covers the spine) is included. Of course, it says “My tears won’t stop!” in huge text, sells it as the latest Dezaki/Sugino collaboration, and describes it as tanibi na sekai — a poetic concept of a romantic, sublime world of aesthetic beauty.

There are two paper inserts in each volume. The first one looks like this, and is an index of LaserDisc chapter markers based not on plot developments, but notable character quotes.

There’s also a form you can fill out to get a telephone card. Simply cut out a coupon from each volume to prove you bought the full set. Be quick, entries are due end of March 1994.

The interior is the best part. Here’s the spread for Volume One.

I haven’t translated episode synopses, but I’ve attempted to translate both the staff letter and the “letter to dear brother” from someone external to the production. There’s a bio for each author.

Volume One’s “From the staff to all the fans”

Bio:

Osamu Dezaki Joined Mushi Production in 1963. After directing series like “Astro Boy” and “Goku’s Great Adventure,” he was selected as the general director for “Tomorrow’s Joe” in 1970 at the young age of 26. Born on November 18, 1943, and hailing from Tokyo, he has received high praise as a director. Subsequently, he has brought numerous masterpieces into the world, including “Aim for the Ace!”, “The Adventures of Ganba,” “Nobody’s Boy,” “Treasure Island,” “The Rose of Versailles,” “Space Adventure Cobra,” “BB,” and more. He is also referred to as “Sakimakura” and “Mataba Sakimakura.”

The letter:

This is my second time working on Ikeda-san’s work since “The Rose of Versailles.” Her works have a unique aroma, whether you call it a theme or a world. They seem to pursue the literary aspect of the story. When I read the original work of “Dear Brother,” I was very drawn to these aspects, and at the same time, I felt a sense of anticipation that it would be difficult, but perhaps various images could be created. It’s not just about being cool or intense; it’s about creating images that resonate more and more with people’s hearts. Fundamentally, there is an original story, but when the characters start to move, and each begins to live, the story could go anywhere. I always had that sense of tension. So, rather than sticking to the original work, I placed more emphasis on the directorial focus of the reality of the characters who had started to move. As for the techniques, it was not something I was particularly conscious of, but I used a lot of completely black shots simply because I honestly felt they needed to be black. Whether or not it was successful, I wanted to effectively overlap the visuals with the characters’ psychology by delivering such physiological shocks. The psychological fluctuations of the people are indeed the overall aroma of this work. How the audience perceives that aroma is something I want to leave up to each individual’s free sensitivity. - July 8, 1993, at Tezuka Pro

Volume One’s “Letter to Dear Brother”

Bio:

Mutsumi Inomata Born on December 23 in Kanagawa Prefecture. After working with Ashi Production and Kaname Production, she is currently freelance. After going through Ashi Production and Kaname Production, she is now a freelance artist. Mutsumi Inomata is her real name. She was born on December 23 in Kanagawa Prefecture. She is active in both the fields of anime character design and illustration. In the realm of animation, she served as the character designer and chief animation director for works such as “Plawres Sanshiro” and “Genmu Senki Leda,” and as the character designer for “Future GPX Cyber Formula.” As an illustrator, she has also provided numerous illustrations for novels, including titles like “Prince of the Universe,” “Dragon Quest,” and “Continent of the Wind.”

The letter:

Comics are way hard to translate without actually knowing Japanese. Here’s my best effort to uncover some meaning.

For several years, I had stopped watching anime and stuff… Living a hectic life, it’s been like this for a while now. Having a set day and a set time to watch a specific program (not just limited to anime), had become impossible for me. Recording videos is also a hassle, and first and foremost, I just don’t feel that “I must watch the next episode!” kind of emotion anymore. Ah well, I was thinking maybe I’ve just become an adult. Heh heh heh. I’m such an idiot. No, that’s not it.

The blonde guy in the bottom-right is labeled as her friend, and she’s saying something about “Poupee-chan”. I think in the second panel he’s yelling saying “But that doll is supposed to be a girl!”

The final monologue starts with:

By the way, I have a container for “dangerous items” at the corner of my work desk. I keep things like cutter blades in it, so that I don’t accidentally drop them on the floor and cut myself or something. The “dangerous items” container I’m using now has a sticker with Saint-Just-sama’s “Nanako’s Eyes,” heh heh heh ♡

That’s about all there is to note about Volume One, besides the fact it comes with an enormous poster (it’s the same art used on the cover of the Discotek Blu-Ray.)

Volume Two

Volume Two Subheading

Those eyes of that person, mysteriously and beautifully shining. Why these feelings? Why...? The increasing heartbeat, the endless tears of adolescence. A masterpiece of forbidden cult anime born from satellite broadcasting! The second installment on LaserDisc!

Volume Two Synopsis

Nanako’s life at school, after being chosen as a sorority member, was not all glitz and glamour. There were misunderstandings with her best friend Tomiko, and jealousy and slander from other students, including Misaki Aya. And then there was the obsessive love from her fellow sorority member, Nobuo Mariko. “What is a sorority? Is it really that important?” Nanako began to question the very existence of sororities. Yet, she tries to look straight into herself, even while confused. Always before her were the mysteriously beautiful and shining eyes of Saint-Just. Drawn to those eyes that seemed to peer into a distant past, Nanako attempts to uncover their secret. Then, by chance, she finds out about the special relationship between Fukiko and Saint-Just. Could it be that Miya-sama and Saint-Just-sama are…? The complicated interplay of relationships and the previously enigmatic characters start to become a little clearer in “Volume 2: The Chapter of Freezing Rain.” The subtle breaths of the people surrounding Nanako can be heard.

Volume Two’s “From the staff, Dear Nanako”

Bio:

Hideo Takayashiki Born in 1947, native of Iwate Prefecture. After passing through Osamu Tezuka’s Mushi Production, became a scenario writer. Known for scripts of theatrical anime films such as “Hang in There, Tabuchi-kun!”, “Barefoot Gen”, and the “Phoenix” series. Also worked on numerous TV anime scripts like “Gutsy Frog”, “Gamba’s Adventure”, and “Tomorrow’s Joe”. Additionally, wrote scripts for original videos and TV dramas like “The Laughing Target”, “One-Pound Gospel”, and has written many novels, actively contributing as a versatile scriptwriter. Member of the Japan Broadcast Writers Association.

The letter:

Dear Nanako Misonoo, How are you? How is university life? It’s hard to believe that three years have passed since then. I was involved with you and those around you for just one year, but in retrospect, it was a very intense year. In any case, I did something terrible to you. It may have been the extreme form of “bullying” in some sense. My work as a scriptwriter involved probing and expanding the uncharted worlds between the frames of original works, constructing new narratives. In a sense, it was a painful job. And for you, it was excruciating. But now it’s a wonderful memory. I am filled with the feeling that I did some real work after a long time. How is your best friend, Tomoko? What about Mariko? I assume Fuki is becoming more and more beautiful? Do you occasionally receive letters from Kaoru? This summer marked the third anniversary of Saint-Just-sama’s passing. Thinking back, it was an unusually hot day. Your anguished form, waiting alone at the platform while listening to the chirping cicadas and the sound of the sea, is still etched in my memory. I hear that there has not been a single day without flowers at the electric pole where Saint-Just-sama fell. I am grateful for the chance to have met you and the people around you. Autumn, 1993

Volume Two’s “Letter to Dear Brother”

Bio:

Kazuhiko Shimamoto Born April 26, 1961 From the hinterland of Hokkaido After being selected as an honorable mention in the 9th Shogakukan Newcomer Comics Award Debuted with “Hissatsu no Transfer Student”. His masterpieces include Gyakkyo Nine’ and Moeyo Pen. Examples include Flame Transfer Student’ and Kamen Rider ZO.”

The letter:

Another piece directed by Osamu Dezaki and supervised by Akio Sugino has become a permanent edition (converted to LaserDisc)! (Hooray!) From the anime “Ashita no Joe” (1), the unique and beautiful way of life portrayed in anime is so intense that it has consistently given us dreams, hopes, despair, loneliness, friendship, love, perseverance, and revival! These works have even surpassed the original works in the emotional impact of their final episodes. I continue to be captivated by the atmosphere conveyed by these works. The reason I enjoy drawing the final episodes of my own works is entirely due to Director Dezaki’s influence! Currently, Osamu Tezuka and Ikki Kajiwara, the two individuals whom I revered as gods in the manga world, are no longer with us. Even now, these works, which possess added charm, continue to provide us (even those who have become professionals) with anticipation for the next episode, life lessons, and motivation for creating works. Seagulls, dance! Liquids, shine!! Wind, blow and then, “Why go to such lengths?” Charafo! Go as far as you can go! Mariko, somehow you’re really scary, Mariko.

Then the words scribbled next to the drawing of Mariko:

You are the protagonist of this work! I’m paying the most attention to you. You’re not alone! That’s right! Make me Mariko’s ‘older brother’… ‘older brother’…

Mariko is saying (OCR mangling here, sadly):

Thank you… I just feel… that’s special… Why not? If I had to say, maybe it’s a ‘woman’s world’…

(Clearly a reference to Rikiishi Toru of Dezaki’s earlier anime Ashita no Joe, who intensely speaks of a “man’s world”. He and Mariko love a good starvation diet!)

The little chibi version of Shimamoto(?) in the bottom left is saying:

But everyone, don’t easily become someone’s ‘older brother.’ It’ll be troublesome later!

GPT-4 noticed a cute reference it couldn’t include in its translation. Its note:

The text seems to be OCR scanned partially, and hence some meanings might be missing or distorted, such as “マンガ界のジョン・シルバーだ!!”, which appears to compare Dezaki and Sugino to a ‘John Silver’ of the manga world.

Volume Three

Volume Three Subheading

It’s not too late; our beautiful time can still be preserved, forever unspoiled, just like this white snow… A forbidden masterpiece of a cult anime born from satellite broadcasting! The fourth release on LD!

Volume Three Synopsis

Suddenly summoned to the sorority house, Nanako is pressured by Fukiko to end her relationship with Hemimi. Upon hearing this, Saint-Just confesses her complicated relationship with Fukiko. The shocking truth behind why “Miya-sama” wanted Nanako in the sorority unfolds, leaving her deeply shaken. Meanwhile, Saint-Just is tormented by the realization that the stronger her feelings for Fukiko, the more she ends up hurting her. The complex relationship between Saint-Just and Fukiko has a tragic past involving a near-suicidal event. On another front, Mariko causes an incident by attacking Misaki, motivated by slander about her parents’ divorce, which leads to a movement spearheaded by Kaoru to abolish the sorority. Amid the crumbling sorority, Fukiko remains composed. The fourth volume, “Chapter of Snow Dance,” captures her frightening yet noble confidence and deep sorrow. In the snow that never melts, remains the sad yet beautiful promise of Saint-Just.

Volume Three’s “From the staff to all the fans”

Bio:

Tomoko Konparu Born on March 13, 1956, in Nara Prefecture. Pisces. Blood type AB. A fan of both manga and anime, she became a screenplay writer and debuted during her university days with “Ikkyu-san.” Anime works include “Urusei Yatsura: Only You,” “Urusei Yatsura: Remember My Love,” “Touch 2: Farewell Gift,” “Phoenix,” “Cat’s Eye,” “Hime-chan’s Ribbon,” and more. Novel works include “Mystery at the Tower of London,” “Mystery at Nara’s Great Buddha” (published by Kobunsha Bunko), among others.

The letter:

When I heard that this work was going to be turned into an anime, I was shocked. I’d known about the series since its serialization, so my reaction was something like, “What!? Are they really going to do it!? And on NHK of all places!?” Expanding on the original work and filling in the parts that hadn’t been depicted was incredibly challenging, but also enjoyable. What surprised me was that, around the midpoint, the characters started to assert themselves, taking actions that were entirely different from what I had planned. The princess would say, “My pride isn’t so easily swayed,” San Just would insist, “I’m not going to commit suicide,” and even the older sisters of the sorority were like, “We can’t back down now.” Every time this happened, I had to rework the composition. This phenomenon of “characters moving on their own accord” was a first for me in an anime series, and it was an incredibly fresh and pleasant experience. That being said, it’s rare to be so emotionally invested in characters while working, to the point of even role-playing their lines. To be honest, this was a work that got my inner anime fan excited. Ah, I want to do work like this again!

Volume Three’s “Letter to Dear Brother”

Bio:

Keiko Fukuyama Born on September 7. From Tokyo. Currently, she is working as a manga artist, authoring works like “Ruru-chan of Star Island” and “The Tale of Appfelrant.” She also illustrates for children’s stories, including the “Mama Ghost Series.”

The letter:

It appears to be titled “To the Unforgettable Older Sister”. Much of it is too hard to OCR. It opens with this caption:

“To My Older Brother…” is so melancholic and sentimental that it instantly takes us back to our student days where we felt we were tossed around by fate for no fault of our own…

Here’s some of the text beside the character drawings:

Fukiko/Saint-Just: Reputed as the most beautiful sisters in school Mariko: The most popular Mariko-san who lured our tears. There’s a lot to think about! Tomoko: A straightforward, kind friend Nanako: So there I was, fully embracing my Nanako persona, reaping all the sorority perks you could imagine. (I mean, they even say they’ll hook me up with a dreamy guy!) 💧 And just when I’m soaking up that sorority vibe, guess who’s set to make a surprise appearance right after the teaser for the next issue!

Text coming out of the TV:

It was “Oniisama e”!!!! Poor Mariko-san, right~ Misaki-san also, there was no need to say that much, you know.

Volume Four

Volume Four Subheading

It’s not too late yet, our beautiful time can still last forever, unspoiled by anyone, just like this white snow… A forbidden cult anime masterpiece born from satellite broadcasting! The fourth installment on LD!

Volume Four Synopsis

Suddenly summoned to the sorority house, Nanako is pressured by Fukiko to end her relationship with Hemmi. Hearing this, Sanjust is compelled to confess his relationship with Fukiko. The shocking truth makes Nanako reel in disbelief. He deeply ponders that the stronger his feelings for Fukiko, the more he ends up hurting her. The unusual relationship between Sanjust and Fukiko reveals a tragic past of a failed double suicide. Meanwhile, in the school, an incident occurs where Mariko, slandered for her parents’ divorce, attacks Misaki, leading to an anti-sorority movement centered around Kaoru. Fukiko still acts nonchalantly in front of the crumbling sorority. The volume unfolds displaying Fukiko’s terrifying yet noble confidence and deep sorrow. A beautiful yet sad promise lingers in the snow that never melts.

Volume Four’s “From the staff to all the fans”

Bio:

Kenichiro Haneda Born on January 12, 1949. Graduated from Toho Gakuen College of Music in the Piano Department. An accomplished concert pianist, Kenichiro Haneda has a broad range of experience, including composing and performing music for movies and TV themes, as well as acting as a musical director for musicals and commercials. He has worked on numerous soundtracks such as NHK’s morning drama “Youth Family,” TBS’s “Women Work Hard” and “Life Is Full of Demons.” With his genre-defying approach to music and his bright, humorous personality, he is a sought-after multi-artist in various fields.

The letter:

I’ve worked quite a bit with Music Director Seiji Suzuki in the past. Suzuki gives me the music menu, and I’m the one who creates it. We’ve had some pretty detailed discussions about it. Of course, I’ve read the original work as well. When I read it at home, my daughter gives me a puzzled look, as if to say my interests have changed quite a bit (laughs). I think I wrote around 40 songs in total. The music is meant to have a Baroque sound while also feeling contemporary. The order was for something classical yet with a pop atmosphere. The image that immediately came to my mind was a rhythm section, with a harpsichord playing the melody. String instruments intricately marking the rhythm, much like Vivaldi’s Four Seasons. And on top of that, a flugelhorn playing the melody… Regarding the scenes where the piano is played, I played all of it myself. I often compose and perform my own pieces. It’s less about talent and more like playing two roles; maybe I contribute quite a bit to cost-saving (laughs). In any case, this work has a unique atmosphere. If the music I created successfully captures that, then I must again express my gratitude to Suzuki for coordinating everything. October 28, 1993, aired on NHK

Volume Four’s “Letter to Dear Brother”

Bio:

Hideaki Anno Born on May 22, 1960. Originally from Ube, Yamaguchi Prefecture. Height is 180 cm; weight is a secret. Debuted as an animator during his time at Osaka University of Arts, working on the TV version of “Macross.” Later worked on “Nausicaä of the Valley of the Wind,” the film version of “Macross,” “Royal Space Force,” and others, before directing “Gunbuster” and “Nadia: The Secret of Blue Water.” Currently planning new projects.

The letter:

Way to go!! Oniisama e… Wow!! The long-awaited, tumultuous Volume 4!! This volume shows us the peak of the series, from Mariko-san’s stabbing incident to the dissolution of the sorority. Amazing, this is really amazing!! Yes. Especially the heartbreaking breakdown of Nobuo’s family, and the portrayal of the sorority’s downfall reminiscent of the French Revolution, are things that are indescribable with words. Yes. The highlights this time are– Brilliant! Highly sophisticated direction and high-quality animation in Episode 27! Tear-jerking! In Episode 28, Mr. Nobuo Hikawa’s soul-stirring outcry!! Upon hearing those lines, my tears really wouldn’t stop. Seriously. Amazing!! Oh, so moving! The heartfelt words of Miya-sama at the end of Episode 32. The sight of Miya-sama waiting alone in the Sorority House and those lines really hit me hard. Moreover, as always– Incredible!! The world that reminds me of ‘Aim for the Ace!’ and ‘The Rose of Versailles’!! Impressive!! The drama unfolds only in limited settings, like homes, trains, buses, crossings, schools, and other familiar places!! Very Sophisticated!! The direction, composed of stillness and motion, light and black, feels so mature. As expected, Dezaki-san! And, Powerful!! Nanako-san is turning into an adult right before our eyes. Moreover, the music is also great!! I wish the BGM CD would come out soon. The use of chimes and telephones remains clever as ever!! Ah, the only thing missing is a bit more on the background elements… by H. ANO ‘93 10/27

The tiger is saying “It’s awesome, isn’t it!”

Written above the drawings of Mariko and Saint-Just: “These two are definitely the ones. Yes.”

Volume Five

Volume Five Subheading

The summer full of light ends, the eventful summer ends… And then the cherry blossoms bloom again… Brother, I am now… A satellite broadcast-born forbidden cult anime masterpiece! The final chapter on LD!

Volume Five Synopsis

Finally, the petition to abolish the sorority has garnered signatures from over two-thirds of all students. As the campus is in a state of upheaval, Saint-Just is lost in thought alone. One day, he calls Nanako out and promises to take her to the beach where he used to go often with his mother when he was younger. However, on the promised day, Saint-Just never shows up. His sudden death plunges many people, including Nanako, into the depths of sorrow. Among them, Kaoru, who is battling cancer and fearful of its recurrence, takes the news of Saint-Just’s death most seriously. She finds comfort in the warmth of Takahiko Henmi, but continues to stubbornly refuse his love, thinking about his future. Love, friendship, bonds… The fifth volume, titled “Chapter of the Fireflies,” explores the dignity, beauty, and value of human life. Seasons turn, and the cherry blossoms bloom again, bringing back familiar scents to Nanako. All of this is accompanied by the most beautiful “love.”

Volume Five’s “From the staff to all the fans”

Bio:

Riyoko Ikeda Born December 18, Showa 22 (1947). Native of Osaka City. Blood type AB. Graduated from Tokyo Metropolitan Hakutsuru High School and went on to the Philosophy department at Tokyo University of Education (now Tsukuba University). Began drawing manga during her time in school and debuted with “The Girl in the Rose Mansion.” In 1972, she achieved great success with “The Rose of Versailles,” acquiring a broad fan base that transcended the realm of girls’ manga. Known for her keen historical perspective and deep insight into human nature. Active as a writer and essayist as well. Her hobbies include Nihon buyo (Japanese traditional dance), oil painting, movie appreciation, vocal music, piano, cooking, and knitting. Her work has been selected for the 76th Nika Exhibition. Major works: “The Rose of Versailles,” “Window of Orpheus,” “Empress Catherine,” “To My Brother,” “At the Ends of the Sky,” “The Blue Pomegranate,” “My Manga” Books: “If Only Life Could Be Lived Once,” “Women of the French Revolution,” “Women Who Wrote Masterpieces” Currently writing “Eroica” and “Prince Shotoku.”

The letter:

As one who has journeyed far from that radiant chapter called youth, a time that shone with an almost awkward brilliance, I find myself in a peculiar blend of bewilderment and nostalgia. Seeing my old ideas of high school life come to life as animation almost 20 years later is surreal, to say the least. Still, it’s exciting: hearing voices given to these characters, seeing them talk, laugh, and get angry. Watching them come alive is truly a thrilling and satisfying experience. Ah, adolescence — everyone’s inescapable stairway to adulthood. Some people take each step slowly and carefully, while others rush ahead, ending up out of breath or even lost. And then, there are those who may lose their direction, standing still, contemplating each step. Wrapped in the love of family, meeting various people, nurturing friendships, experiencing love, and going through the ups and downs of hurt and forgiveness — it would be wonderful to climb those steps in such a way.

Volume Five’s “Letter to Dear Brother”

Bio:

Rumiko Takahashi Born in Niigata Prefecture. Debuted in 1978 with “Katte na Yatsura,” submitted while still in college, in Shonen Sunday. Famous works include “Urusei Yatsura,” “Maison Ikkoku,” and others. Currently serializing “Ranma 1/2” in Shonen Sunday.

The letter:

A masterpiece infused with the creator’s soul. When I heard from the staff that “Oniisama e…” was getting the anime treatment on satellite TV, I was surprised. I’d delved into the original comic before and it’s quite an eccentric story. “How are they going to pull this off?” I thought. But learning that the script was in the capable hands of my acquaintance Tomoko Konparu, I was very excited. In fact, the anime that aired was genuinely captivating. The characters are so larger-than-life that they electrify the screen the moment they step into frame. It’s been a long time since an anime had that kind of presence. I believe the animation is done by the same people who worked on “Tomorrow’s Joe 2.” The scenes are so visceral that you can almost feel the punches land and see the fighters hit the mat. I kept asking myself, “Why isn”t a mouthpiece flying out?” (laughs) My favorite character in the work is Nobuo Mariko. The scenes where she bites her lip until it turns a flushed red, I find it really cute. But what blew me away was the show’s emotional intelligence. Just when the heroine seems on the brink of breaking, a lifeline is thrown her way. This nuanced touch prevents the darker, more harrowing elements from overwhelming the viewer. It’s as if you can feel the sincerity of the creator throughout the piece.

And that’s it. Again, check out the full scans on Archive.org, and remember to encourage all your friends to experience this beautiful anime!

[murderofsomeone]

What's up Mos, its me, creature, back with another interview, this time its lemon related

What music (genres and/or specific artists) do the characters like?

Does anyone in funkytown have unique clothing/jewelry?

Who is Garrett talking to in hip hop cherry pop?

What song have you had the most fun coming up with a story for?

What was the first song you came up with a story for?

What song has been the hardest to fit into the storyline?

What arc has been the most enjoyable to write so far?

What are some LD songs you want more people to listen to?

What items are baby lem not trusted with?

What are some items unique to funkytown?

If you could physically eat lemon demon songs what ones would you eat and why?

ironically a large amount of the cast don't really listen to music/have strong opinions on it, LD himself is one of the few denizens to have specific tastes (TMBG, Oingo Boingo, Talking Heads, Faith No More, DEVO, etc etc you know the pipeline). another character with defined music taste is indie cindy who likes lo-fi (obviously), hyper pop, and other scenecore genes.

funkytown is in a constant state of returning to a lack of identity, so as of right now most culture is just taken from human culture, but it definitely gets more abstract the longer something doesn't get interfered with.

zordechai the magnificent (wizard from the view-monster promo) has a side gig on running an ice cream shop, which is loosely based on the film. garrett is aware of zordechai's true identity during the song, hence why he's there to begin with.

lifetime achievement award and completely because the animation in my head is killer.

mold en mono is the reason the ncu exists beyond a simple concept. it was the first time I stylized Neil as he is now, drew the office fruits, "baby" lemon, and lucifer (who fun fact did not used to be a fruit object head, he was a demon in similar appearance as diablo).

I definitely end up having the most issues with bonus tracks (I don't think I used hardly any from damn skippy besides the instrumentals), but those are kinda an outlier since they aren't my focus to begin with. ones I particularly struggle(d) with are: chu chu rocket (got removed entirely since it's a cover), movie night, fire motif, hazel's modus operandi, bill watterson, consumer whore, between you and me, flamingo legs, everybody loves raymond, goosebumps (entirely because I don't read goosebumps), and ancient aliens (it's on its 3rd or 4th rewrite). this does NOT mean I don't like the songs it's just hard to write for them.

dinosaurchestra was complete smooth sailing and honestly my favorite arc, it's a nice change of pace from how serious things become and have been.

oh boy oh boy, listen to these: toy food, bottom line, funkytown (obviously), mold en mono (obviously), matches and nails, pineapple, behold the future, the machine with live backing, creepy, I know your name (crappy 4 track version), and happiest shit ever (some of the links might be broken/link to the wrong somgs my apollo cheese

lemon demon is actually a horrible influence and does not care if he carries any sharp objects, in fact he encourages it. baby lemon is smart enough to not do something stupid but that doesn't make him immune to getting grounded. I think the car keys and anyone else's phone is what he's banned from having access to, but this will not stop him

like I mentioned before, funkytown has an inherent lack of it's own culture, so any unique items would probably be the god relics like the magic 8 ball and spirit phone.

the machine because mmmm sheet metal

[the-corvus-luna]

Remember when I linked the Rayearth: Wings of Hope LD rip from internet archive? Well, the rough cut of the subs have been finished!

I'd consider this a version "0.9" since I'm not a native speaker. I use machine translation and my limited Japanese knowledge. I do subs as a means to make sure that media doesn't fall into obscurity.

LINKS BELOW!!!

Information about Rayearth: Wings of Hope from ShidouHikaru15's wordpress: The Untold Cephiro.

Here is the movie! Thank you, VCRWashington!

The subtitle file: srt format, made using Subtitle Edit by me (NoxLunae on IA, CorvusLuna on Tumblr)

[SUBTITLE LINK HERE]

Any questions, comments, and concerns are encouraged... especially if there is a translation mistake as I'll get those fixed ASAP.

<3

BTW, Happy Bunny Weekend and HAPPY CLAMP DAY (4/1)!

[cantfuckbracket]

Can't Fuck/Bad In Bed Bracket. Round 2, Side A

Light Yagami (Death Note) versus LD Curtain (The Mysterious Benedict Society TV)

[ID: The unfuckable pride flag overlaid with the "no bitches" meme. Over it are pictures of the contestants. Light is a pale Japanese man with brown hair, shown with an exaggerated grimace; and Curtain has hair slicked to the side and is shown pursing his lips and throwing his hands back. Over them are sparkles and a heart with a butt, and in between them are peach emojis crossed out with the word "vs" in them. End ID]

Propaganda:

Light Yagami: "Man is too up his own ass for anyone else to be." / "everyone wants to be his bitch but hes gay and obsessed with the second worst guy ever (light himself is the first worst guy) women are THROWING themselves at him but he just doesnt care if he saw a vagina he would kill himself immediately and he hasnt seen a single dick in his life either not even his own"

LD Curtain: "He's both a cringefail loser (See: 1. repeatedly beaten by a group of literal children, at one point even saying "they have proven to be my only worthy adversaries" (<- man talking about a group of eleven year olds), 2. screaming at a child, while visibly tearing up, "I AM NOT SAD! I AM *FINE!*", 3. genuinely thinking he can simply say no to having narcolepsy, 4. keeps little painted figurines of his brother and co and does magic tricks with them to intimidate an eleven year old, sincerely thinks this is an extremely cool thing to do), a bad dad (terrible both in the sense that he's emotionally abusive and in the sense that he thinks he's doing suuuuuuuch a good job and he very much isn't), and just like. evil?? but not in the sexy way. and also he's in denial about it which makes it even LESS sexy. Negative sexy if you will. "I'm not bad. who thinks that" sir you are standing in your mind control machine. "Sticky! Friend! Evil is a bit harsh!" sir you psychologically tortured him. anyway he does stupid little magic tricks and is a complete failure but somehow manages to convince everyone that he's charming and actually very cool. while obviously like, starting a cult or being just visibly a cringefail maniac two seconds from flying off the handle. anywya this got out of hand the point is: UNFUCKABLE."

[womanexile]

Lol - I wonder if this was intentional? For 1989 listening party - 89 guests per location. 5 (LA, NY, TN, RI, London): 89 x 5= 445. [4+4+5=13] youtube.com/watch?v=ozrrUio3AB0

She met Jack late '12 and met Lena (@ Grammys) early '13. Worked with JA in '13. But I guess LD listened to her pre-SN era? AW from Girls produced M3GAN (the one with TS song in trailer). LD has casted some good talents on her projects that have gone on to do well.

Lol- LD post- I can see how her humor would appeal to TS: "Judging by how much she's helped me thus far, Taylor Swift is going to write the song that finally gets me comfortable with death."

Speaking of some of TS's oldest friends. ES met Jamie Foxx in 2010. (Foxx was also on Valentine's Day film, VD soundtrack was released via Big Machine- Amy Winehouse covered "Cupid" & Chris Stapleton co-wrote a song that was covered). Lol- I wonder who Ed contacts 1st? JF or TS share birthday 12/13

More funny ES stories: people.com/music/ed-sheeran-crazy-stories/#:~:text=%22Ed%20Sheeran%20slept%20on%20my,to%20some%20of%20his%20music.

Speak Now tour arm lyric: “If things go right we can frame it and put you on a wall.” – Ed Sheeran, Lego House. Allphones Arena in Sydney, Australia on March 10, 2012.

Random thoughts- not related, but reminded me of some lyrics:

The 1

We never painted by the numbers, baby, but we were making it count

Lego House

I'm gonna paint you by numbers and color you in If things go right we can frame it And put you on a wall

And it's so hard to say it but I've been here before Now I'll surrender up my heart and swap it for yours

Signs of the Times

We never learn, we been here before Why are we always stuck and running from The bullets? The bullets

Bad Blood

Band-aids don't fix bullet holes (Hey!) You say sorry just for show (Hey!) You live like that, you live with ghosts (Hey!) Hm, if you love like that blood runs cold

What if I told you none of it was accidental

[whatdoesshedotothem]

Tues[day] 25 October 1836

7 35/..

12 40/..

V

V

No kiss out at 8 35/.. – H[a]d Mr. Husb[an]d - Bairstow the ten[an]t  h[a]s joiners - he to do the Wat[e]r lane

mill work for fr[om] £30 to £35 - I s[ai]d H- [Husband] c[oul]d n[o]t do bet[te]r than this - H- [Husband] to go to Leeds this aft[ernoo]n –

ga[ve] orders for lock for my dress[in]g r[oo]m etc - told h[i]m my intent[io]n of mak[in]g h[i]m h[ou]se-stew[ar]d

and hav[in]g him and his fam[il]y in the h[ou]se dur[in]g my abs[en]ce – s[ai]d he need[e]d n[o]t be uneasy - I w[ou]ld n[o]t

leave him in the lurch - I s[ai]d noth[in]g of incres[in]g his sal[ar]y – b[u]t s[ai]d I w[oul]d pay the rent of his

cott[age] and allow coals and candles and soap for him and the h[ou]se - the 2 wom[e]n serv[an]ts left on board wages –

he to ha[ve] author[it]y ov[e]r all the serv[an]ts – br[eak]f[a]st at 9 40/.. - A-  [Ann] d[i]d h[e]r Fr[en]ch – aft[e]r br[eak]f[a]st h[a]d Oddy

and look[e]d ov[e]r my a[un]t’s clothes till call[e]d d[o]wn to Booth the mason ab[ou]t (bef[ore] 12) - He want[e]d

so[me]bod[y] to pull d[o]wn the old cot[tage]s at Hill top - told h[i]m to s[e]nd Ch[arle]s and Ja[me]s How[ar]th and pay them hims[elf]

then w[i]th the gard[ene]r plann[in]g the new gard[e]ns till n[ea]r 1 - then w[i]th A- [Ann] at her lunch[eo]n – h[a]d Mr. Jubb bet[ween]

1 and 2 for n[ea]r 1/2 h[ou]r - out ag[ai]n at 2 - A- [Ann] rode to Mrs. Ann Lees’ – b[a]ck bef[ore] 4 – w[oul]d n[o]t go to Cliff Hill

bec[ause] saw Mrs. Dysons’ carr[ia]ge going there and d[i]d n[o]t wish to meet Miss Harr[ie]t Parkhill – w[i]th the workmen

248

1836

Oct[obe]r

one or the oth[e]r till ca[me] in to A- [Ann] at 4 for 1/4 h[ou]r - then w[e]nt to the meer-drift - and went int[o] it

1st ti[me] – w[e]nt to the far end of the arch[in]g – ab[ou]t 50 or 60 y[ar]ds w[hi]ch ga[ve] me a heat[in]g - hot in the mine

and my back alm[o]st broken w[i]th stoop[in]g - the arch[in]g beaut[ifull]y done (no mortar - dry wall stone) –

by Jos[e]ph Mann - he n[o]t there – on[l]y his son John – ga[ve] h[i]m a shil[lin]g for light[in]g me, carry[in]g

the candle bef[ore] me all the way in and out - then al[on]g the walk, and to the Low[e]r brea r[oa]d to the Lodge –

met Mawson n[ea]r his h[ou]se - he gi[ve]s 9d. p[e]r load as m[u]ch as a 2 horse load break[in]g rubble – b[u]t it is hard

cross st[one] - thinks the st[on]e now cart[e]d fr[om] N[or]thow[ra]m and brok[e]n for me at the Lodge worth on[l]y

7d. p[e]r one horse l[oa]d (ab[ou]t the sa[me] quant[it]y as Mawson’s loads - for all d[o]wnhill) – Matt[hew]’s

broth[e]r left Mawson in the sa[me] sort of way as he is now to leave me – n[o]t satisf[ie]d w[i]th the

wages – 1/4 h[ou]r at the Lodge - Matty told me Ja[me]s Greenw[oo]d of Godley cot[tage] w[oul]d like to be und[e]r

the gard[ene]r - I s[ai]d I d[i]d n[o]t mean to hire anyone who must ha[ve] drink[in]gs d[i]d n[o]t kno[w]

wheth[e]r the wages that w[oul]d be giv[e]n w[oul]d be en[ou]gh - Matty s[ai]d she th[ou]ght he w[oul]d be gl[a]d to

‘fall int[o] my will’ for the best of weav[in]g w[oul]d be tak[e]n away by the new sort of machin[er]y –

ho[me] at 5 40/.. - all the workmen just gone or go[in]g – Rob[er]t Mann + 4 low[erin]g and levell[in]g in front of the h[ou]se

Ingh[a]m + 2 men and a boy at the dry cross arch s[ou]th wall - Frank cart[in]g rag thoroughs

for him - the gard[ene]r and Rob[er]t Schof[iel]d and Jos[e]ph Sharpe tak[in]g th[in]gs up in the gard[e]n- Rob[er]t Schof[ie]ld build[in]g wall

for the new court coal-place roof-pillars to st[a]nd on – Ja[me]s Sharpe and Ab[raha]m Murgatroyde

at the wom[e]ns’ necess[ar]y and ash-pl[a]ce and then flagg[in]g 3 or 4 y[ar]ds length of the road in the court to the serv[an]ts hall door –

Amos and Joseph Sharpe all the day and Booth w[i]th them in the morn[in]g at the west tow[e]r – g[o]t all

the cellar rag-covers on and wall[e]d up a lit[tle] r[ou]nd ab[ou]t them - 2 hewers as us[ua]l hew[in]g for the west tow[e]r –

Mark Hepw[or]ths’ 4 carts cart[in]g fr[om] N[orth]g[a]te and he levell[in]g up aft[e]r them und[e]r the r[oa]d wall in

front of the h[ou]se - Booth at Hill top this aft[ernoo]n – pull[in]g d[o]wn the cott[age]s etc. vid[e] line 9 of today –

din[ner] at 6 1/2 - A- [Ann] wr[ote] to Miss Rawson – coff[ee] upst[ai]rs - A- [Ann] r[ea]d her Fr[en]ch – 1/2  asleep on the sofa till ab[ou]t 9

then wr[ote] all the ab[ov]e of today till 9 20/.. p.m. ver[y] fine day - then r[ea]d a few p[ages] of

the alph[abe]t of electric[it]y - then A- [Ann] and I look[in]g ov[e]r my a[un]t’s pap[e]rs till 11 35/.. p.m. at w[hi]ch h[ou]r F[ahrenheit] 47°

and ver[y] moonlight night –

 w[e]nt int[o] the meer-drift

 Ja[me]s G- [Greenwood] offers

to be und[e]r the gard[ene]r

[akiropes]

Monofilament Extrusion Plant Manufacturers | Aawadkrupa Plastomech

Monofilament Extrusion Plant Manufacturers | Akiropes

At Aawadkrupa Plastomech Pvt. Ltd., we're a top manufacturer of monofilament extrusion plants in India. Our machines are top-notch and go all around the world. They work really well and save time and energy because we use the latest technology. We can even customise our machines to fit exactly what you need. Plus, we're always here to help you with setup and maintenance. We've been doing this for a long time, and we're always trying to make our machines even better for you. Key Features

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Use a friendly touch screen display with a separate desk.

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"Aawadkrupa" survey no-131-A,Navagam Bhavnagar-Rajkot highway Bhavnagar, Gujarat 364060

9510186014,9879615963

info@akiropes.com

export@akiropes.com

[kashdra]

LD 4 Machine: Revolutionizing Modern Manufacturing Processes

LD 4 Machines are a type of CNC (computer numerical control) machine used for cutting, drilling, and shaping metal, plastic, and other materials with extreme precision. The term "LD" stands for Laser Drilling, which refers to the use of lasers in the machining process. The machines are controlled by a computer program that guides the laser beam to perform the required operations on the material. LD 4 Machine can be used for a wide range of applications, from creating intricate designs on jewelry to cutting complex parts for aerospace industries. These machines are considered one of the most accurate and efficient tools in modern manufacturing processes. Kashdra Group is a leading name in the manufacturing industry, providing cutting-edge solutions to businesses looking to streamline their processes and improve productivity. One of the most significant contributions made by Kashdra Group to the industry is the introduction of these Machines.

The Benefits of Using an this Machine

Using these Machines in manufacturing processes has several benefits, including:

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The need for specialized knowledge and skills: These Machines require specialized knowledge and skills to operate and maintain, which can be a barrier to some businesses.

Maintenance and repair costs: While These Machines require minimal maintenance, they can be expensive to repair if they break down.

If you're interested in learning more about LD 4 Machines and how they can benefit your business, contact Kashdra Group today. Our team of experts can provide you with the information and support you need to make an informed decision about whether LD 4 Machines are right for you. Don't miss out on the opportunity to streamline your manufacturing processes and increase your productivity - contact Kashdra Group today.

[sursa1997]

Somani Industries: Grease Type LD-4 Machine Manufacturer in India

If you're looking for a heavy-duty solution for drilling granite, marble, and sandstone, look no further than the Grease Type LD-4 Machine. Manufactured by the renowned Grease  Type LD-4 Machine Manufacturer in India, this machine offers superior performance, durability, and reliability. It is one of the most popular options for drilling hard materials due to its heavy-duty design and efficient operation.

[adroitextrusion]

Supplier of Monolayer Blown Film Machine in Kerala

Adroit Extrusion is a Manufacturer, Exporter, and Supplier of Monolayer Blown Film Machine in Kerala. Adroit Extrusion specializes in manufacturing Monolayer Blown Film, ABA, and AB Blown Film, as well as Multilayer Blown Film. We provide a diverse range of customized Monolayer Blown Film Lines tailored to meet each customer's specific needs. Our highly acclaimed Monolayer Blown Film Plants offer outputs ranging from 35 kg/hr to 450 kg/hr, with lay-flat widths spanning from 50 mm to 6000 mm, suitable for processing LD, LLD, HM, and HDPE polymers. You can configure our Monolayer Blown Film Plants to process wide-width HDPE film and include up to 4-color inline flexographic printing capabilities. Incorporating advanced features such as grooved feed barrels, barrier screws, dosing systems, Liquid PIB dosing systems, manual and automatic screen changers, rotating dies/platforms, internal bubble cooling, automatic bubble cages, online thickness monitoring and control, 2/4 station surface and center winders, auto tension control, and corona treaters. This process allows for precise control over film thickness, width, and properties, empowering manufacturers to customize the film to meet specific packaging requirements, including barrier protection, puncture resistance, and clarity. Compared to alternative packaging materials, monolayer blown film offers a cost-effective solution, delivering superior strength and barrier properties at a competitive cost per unit. Adroit Extrusion is a Supplier of Monolayer Blown Film Machine in Kerala and various locations like Barauni, Begusarai, Bettiah, Bhagalpur, Bihar Sharif, Bodh Gaya, Buxar, Chapra, Darbhanga, Dehri, Dinapur Nizamat, Gaya, Hajipur, Jamalpur, Katihar, Madhubani, Motihari, Munger, Muzaffarpur, Patna, Purnia, Pusa, Saharsa, Samastipur, Sasaram, Sitamarhi, Siwan. For further details and inquiries, please feel free to contact us. Read the full article

[atexshop7894]

ATEX 60 Series Tunnel Laser

MCE LD.60.IS laser allow tunnels to be constructed true where being driven by tunnel boring machine, drill and blast, pipe jack or conventional hand techniques. MCE LD.60.IS is intrinsically safe, i.e. it does not require an explosion proof containment when working in gaseous environments such as methane/air mixture, thus it is well suited to underground conditions. The unit is waterproof and made of rugged stainless steel and brass body. The laser is based on diode technology and powered through 4 ‘D’ cell batteries.

With MCE designed adjustable gimbal, the laser is easy to install on tunnel walls and adjust to target.

[murderofsomeone]

do you have any ld song that just really resonates with you. also album teirlist? also what album has the most bangers compared to which bangers are more important. how do you feel about damn skippy

idk I haven't really related to any lemon demon songs, I just have my favorites and I will be obnoxious about them (like mold en mono, the machine, spiral of ants, and funkytown

I made a tier list ages ago, but my opinions have since changed, it'd probably be like: 1. Damn Skippy, 2. View-Monster, 3. Spirit Phone, 4. Dinosaurchestra, 5. Nature Tapes, 6. I am Become Christmas, 7. Hip to the Javabean, 8. Live from the Haunted Candle Shop, 9. Clown Circus. based roughly on how enjoyable/coherent the album is and how many songs I particularly like/return to. all the albums/eps are good in my opinion though (didn't count almanac 2009 or live only not because they're in a weird spot

Damn Skippy has a very consistent quality, but View-Monster has some songs I like far more.

when neil wrote dead sea monkeys I don't think he was in school anymore. he lied to us. I like to eat the album aesthetic with a fork

[josiahreckons]

Modernising the standard works with machine learning (part III): LDSBot

In part II, I used ChatGPT to modernise verses from the LDS standard works. ChatGPT is a fine-tuned GPT-3.5, trained using supervised learning and reinforcement learning. I recently read about LDSBot, an OpenAIAPI project that uses the ChatGPT-4 model. LDSBot is part of the Mormonr project by the B. H. Roberts Foundation. I wanted to see how LDSBot would modernise these…