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#León Klimovsky
weirdlookindog · 2 months
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The Werewolf Versus the Vampire Woman (La noche de Walpurgis, 1971) - Pressbook cover
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classichorrorblog · 2 years
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The Werewolf Versus The Vampire Woman Directed by León Klimovsky  (1971)
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gatutor · 7 months
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Cartel película "Viaje de novios" 1956, de León Klimovsky.
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triste-guillotine · 2 years
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“La noche de Walpurgis” (1971) aka “The Werewolf vs. the Vampire woman” aka “Nacht der Vampire” aka “Werewolf Shadow” aka “La furie des vampires”, directed by León Klimovsky, with Paul Naschy, Gaby Fuchs, Barbara Capell, Patty Shepard...
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moviesandmania · 9 days
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DANZA MACABRA VOL. 3: THE SPANISH GOTHIC COLLECTION Severin box set
DANZA MACABRA VOLUME 3: THE SPANISH GOTHIC COLLECTION is the latest in Severin’s acclaimed series of Gothic Horror Blu-ray box sets and the first to focus on Spain’s tradition of Gothic Horror, which – particularly during the Franco dictatorship – was characterised by daring concepts, lush visuals, extreme sexuality and a startling aesthetic all its own. These four classic shockers from the 1970s…
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screenshothaven · 7 months
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La Noche de Walpurgis (1971)
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weirdlookindog · 2 months
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The Werewolf Versus the Vampire Woman (La noche de Walpurgis, 1971)
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doe-eyedwerewolf · 8 months
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The Werewolf Versus The Vampire Woman (1971)
dir. by León Klimovsky
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uncannyarchive · 2 years
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Shadow of the Werewolf / La Noche de Walpurgis / The Werewolf vs. The Vampire Woman (1971), dir. León Klimovsky
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vilecreeper · 9 months
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Fear || La Noche de Walpurgis aka The Werewolf vs. the Vampire Woman (1970) This is the fifth film in the series about Mr. Waldemar Daninski, an unfortunate man who turns into a werewolf on a full moon. When I watched León Klimovski's work again, I was surprised by how sleepwalking and dreamlike it is, which, apart from the slowdowns, is largely due to the spooky, slightly psychedelic music (a lot of it, more than in the previous films in the series). Most of my favorite scenes from this work are those with the red-haired Barbara Capell. I wouldn't mind if she bit me with her rubber teeth.
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gatutor · 7 months
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Analía Gadé-Fernando Fernán Gómez "Viaje de novios" 1956, de León Klimovsky.
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cleoenfaserum · 7 months
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El túnel (1952)Ernesto Sábato
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No a todo el mundo le gusta leer. Por eso existen otras opciones, como por ejemplo, convertir el libro en una película. Muchas veces el libro pasa desapercibida convertido simplemente en una película mas. La cuestión es que el libro tiene que transformarse en guion, y el guion en imágenes surgido de la imaginación del escritor plasmado a través de la imaginación del director de la película y el resultado final no lo conocería ni su propia madre. Recuerdo a una estudiante que tuve que odiaba leer hasta que le enseñe en dos clases de una hora como interpretar y visualizar lo que leía en imagines que inducia a la imaginación. El cambio fue casi dramático. También existe la opción de audio-libro, que es la opción que mas me gusta, y llevándolo a lo superlativo, leer el texto a la vez que lo escuchas. Toda estas divagaciones mías obedecen a una compulsión de escribir porque con ello me hablo a mi mismo creando historias como soñando despierto sin volverme loco, aunque a veces me he escuchado hablándome en voz alta, solo. ¡Que horror!
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El túnel es una película argentina película dramática en blanco y negro de 1952 dirigida por León Klimovsky sobre su propio guion escrito en colaboración con Ernesto Sabato, y basada en la novela homónima de Sabato. (Wikipedia)
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792-1 https://youtu.be/cc44RQi16fI (La soledad consume, la soledad absorbe. La soledad te completa y te hace sentir incompleto. El viaje dentro de este sentir impresiona y trastorna, vida y muerte no se dividen entre sí respiramos o no, se divide entre los que se sienten solos (muertos) y los que no (vivos). Video: Hassler Resillas Música: Mariano Martínez
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792-2 https://youtu.be/1oVhsGwV0HU
Director: León Klimovsky. Argentina. 1952. El guion fue escrito por el mismo Sabato. El túnel (1952) - IMDb valoración: 6.4
Sumergido en un lento proceso de locura, un joven pintor maquina la muerte de la mujer que ama y cuya infidelidad sospecha.
792-2 https://ok.ru/video/3184578923032
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AUDIO-LIBRO
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792-3 https://youtu.be/E1fzgw5KgFI
EL LIBRO EN PDF: El túnel- Ernesto Sábato.pdf - Google Drive
792 NOTAS
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Hay otra versión fílmica de la novela, El túnel (1988), producida en España y dirigida por Antonio Drove –quien rodó en 1987 en Buenos Aires y en Madrid–, la cual es protagonizada por Jane Seymour y Peter Weller y es hablada en inglés.
792-4 https://ok.ru/video/6087081855628
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moviesandmania · 2 months
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DR. JEKYLL AND THE WEREWOLF Reviews and Blu-ray news
Dr. Jekyll and the Werewolf, Paul Naschy’s fifth Waldemar Daninsky outing is being released on Blu-ray by Mondo Macabro on May 4, 2024. The disc includes both the Spanish version and the rarely-seen racier export version. Special features: Paul Naschy on Doctor Jekyll. Interview with Sergio Molina. Jack Taylor, testigo del fantástico, directed by Diego López-Fernández. Jack Taylor on…
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allieatthemovies · 8 months
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Movie Review: Trauma (1978) León Klimovsky - 2 / 5 Stars
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This is a movie that really asks the important questions like: is imitation truly the sincerest form of flattery or us it just and excuse to be lazy? In this case I put my money on the latter. This is Psycho in a hotel - no, wait, Psycho was already set in a hotel. Let me think... ah, I have it: This is Psycho in a Spanish hotel. Now it’s completely different. Anyway, heads up there are spoilers from this point on, I guess. I don’t think I could talk about this movie without it because the twist is so fucking flagrant.
Now, I didn’t hate this movie exactly. I’ve watched and enjoyed plenty of derivative movies, but there was something uniquely bland about this one. Since the twist is so obvious the tension is virtually nonexistent so you’re left to rely on the characters for engagement. Unfortunately, the characters are not particularly engaging. The film follows a writer - it’s been a few days, I don’t remember his name - who holes himself up in a remote bed and breakfast in the Spanish countryside. The hotel is run by a mysterious woman who seems curiously obsessed with marriage and whose mysterious husband is bedridden in a room on the top floor. Inconsequential tertiary characters come along throughout the movie and are quickly violently dispatched.
The innkeeper takes an immediate liking to her writer guest, particularly when she discovers he’s married. They seem to bond, at least vaguely, over undisclosed marital problems that simmer just beneath each characters’ surface. The film’s major fumble is taking us into the room of the innkeeper’s bedridden husband. We get a low angle shot of her towering over an old, upholstered chair of which we can only see the back and she engages in a tirade at a man we never see. It’s embarrassing how quickly this single scene gives away the whole movie; it’s not even trying to be subtle. The movie makes a pathetic attempt to trick the audience into thinking the writer might be the actual killer, but by that point we’ve had several more scenes of the innkeeper with the husband we never see. It’s hard to guess why the filmmakers even bothered attempting to lure us away from the real murderer. Perhaps they hoped no one in Spain had seen or heard of Psycho despite it being eighteen years old when this movie was released. Whatever the case, the only thing I felt was impatience for when the writer would figure out he’s living with a schizophrenic murderess.
The title of the movie is apparent in a series of intermittent flashbacks that show the mistreatment the innkeeper suffered at her husband’s hands. Whether it was the trauma of the abuse or the trauma of killing her husband that drove her to insanity, the movie never specifies. Had the movie focused more on this - maybe shown the flashbacks in a way that tricked the audience into believing they were happening contemporaneously - and certainly never shown the room the husband “occupied” there could have been an interesting and engaging examination of marital trauma. As it is, the movie feels half formed and little more than a cheap, late entry knock off to the Psycho craze.
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"LA BARRACA"
Es una serie de televisión dirigida por León Klimovsky y estrenada por Televisión española en 1979. La serie se basa en la novela homónima de Vicente Blasco Ibáñez, adaptada por Manuel Mur Oti y con música de Alfonso Santisteban. La sintonía de apertura, Si al final, estaba cantada por Victoria Abril. El 30 de marzo de 2009 la serie fue reestrenada en la página web de Radio Televisión Española,​ donde se pueden ver íntegros todos los capítulos y de forma permanente.
 
Créditos: Tomado de Wikipedia
https://es.wikipedia.org/wiki/La_barraca_(serie_de_televisi
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weirdlookindog · 6 months
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Patty Shepard in The Werewolf Versus the Vampire Woman (La noche de Walpurgis, 1971)
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