#La furie des Vampires

[nemonclature]

GUYS. I HAVE A THEORY. IT’S SUCH A GOOD THEORY. ACTUALLY IT’S THE BEST. Actually I’m just gonna go ahead and call this canon. I’m staking my entire identity on it.

So, I was gonna do an in depth art post bouncing off this excellent bit of research. I was expecting some thematic hints a la Hannibal and much fun to be had.

I decided to start with this:

Francis Bacon’s Three Studies for Figures at the Base of a Crucifixion, which hangs on the wall in the Dubai apartment.

Let’s sidestep the Christian connotations of the crucifixion* IMO the Christ bit is misdirection (mostly. We’ll come back to that)

Armand: Witnesses to Christ’s agony. Mr Bacon also referred to these as the Three Furies.

Who are they? The Furies/Erinyes are Ancient Greek Goddesses of vengeance. "The Erinyes, that under earth take vengeance on men, whosoever hath sworn a false oath" ... They are traditionally depicted as … preoccupied with avenging patricide and matricide by hunting down and killing violent criminals ... Their task is to hear complaints brought by mortals against the insolence of the young to the aged, of children to parents, of hosts to guests.” (wiki)

Kinda on point for a vampire that tried to kill his maker, no? Or for a vampire that’s abusing the guests in his home? Or an old man shit-talking two much older vamps. (lol jk not you Danny boy, you trash them all you want bb).

Armand: We’ve received an aggressive offer for the Bacon triptych.

Louis: Oh? I didn’t know we’d made it available.

Armand: It’s a new name, so I’ll have to run due diligence.

Hmm, who could possibly be being setup to enter late season under cover as some innocuous buyer? Who would Armand let into his theatre home in order to wreck it? Who’s presence/interest/existence would he keep from Louis? Who better to complete Bacon's intention and provide the crucified final figure of the set, but...

YES! Our favourite victim of patricide. The ultimate Daddy Vampire. Lestat de fucking Lioncourt.

Guys there’s a reason I’ve been calling him White Vampire Jesus and it’s not (just) because I find myself hilarious.

Real Rashid: The lawyer for the buyer is ready for the teleconference.

Not a massive deal, rich people make lawyers do things for them. But so do VAMPIRES WHO DON’T WANT TO BE IDENTIFIED.

But yeah, lets’ get into that phone call. Mr Philips, the lawyer, is introduced to Mr du Lac (like, in case anyone was wondering how Lestat knew it was Louis who owned it, just fucking use your real name Louis, sure.) The buyer wants it for her husband (GUYS. HE WANTS IT FOR LOUIS).

This is episode 2.03 and, guys, Lestat is EVERYWHERE in this episode. We get Armand opening up, but not about his full past, just about his past with Lestat.

Dreamstat dogs Louis’s footsteps

Louis admits to Armand that Lestat was his maker in this episode.

And the scene directly before the lawyer calls?

Louis and Claudia are talking about Lestat, it moves on to Bruce, but it starts with Lestat.

We could also talk about how, this season, as the focus has moved away from Loustat to Loumand, the action has moved away from the main room with the Triptych, to the tree room and the dining room.

Lets start with the tree room, where Armand (the clinging vine) reaches, but never touches Louis (the tree).

"For woman is a branching tree, and man a clinging vine. And from your branches carelessly, he’ll take what he can find."

(Let no man steal your thyme, trad)

Too much? Then how about the dining room of equally symbolic paintings. (and, side note. Paintings have been IT this season. This is the Armand season, the Amadeo season, the Louis photographer season, the breaking into museums to look at or steal art season. If S1 was music, S2 is art).

The dining room where we find the Ron Bechet, Transformation (A TREE AND VINES FFS), representing Louis (or Loumand) and the (stolen - can we take a moment to appreciate the hilarity that is Louis and Armand dressing up as police officers to carry out one of the biggest art heists in recent history?) Rembrandt, Christ in the Storm on the Sea of Galilee representing Daniel (Fear and Faith).

You can see them more clearly in the S1 scene where Dan and Louis are at either end of the table, each before their own painting.

But also in S2 in combo with the Marius christ-and-demons, representing Armand (or representing Armius?? Lol do they have a ship name? kill me now). I find it very interesting how Armand is sometimes framed with Dan's painting behind him and at other times with Louis', almost like he's being pulled between the two.

Anyway. Point is the GIANT RED ORANGE LESTAT CHRIST SYMBOLISM is suspiciously out of frame this season.

See the difference in framing here in Season 1: (note, this is DanLou first meeting. It's BEEN THERE FROM THE BEGINNING)

And this itty bitty corner shot in Season 2:

And when does the triptych come back into frame? Oh just DIRECTLY AFTER THIS BIT OMFG:

Me too, Dan. Me too.

The triptych has been on the wall from the start of the show. Looming over everything, haunting the narrative, like a giant bleeding meta signpost.

[the-vampire-queer]

The Vampires Digital Media Poll: Round 1, Bracket 6

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Results get posted on December 10th. at 5PM CST.

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If you wish to learn more about your options, either as a refresher or an introduction, press the "Keep reading" button.

What is What We Do in the Shadows (2019) about?

Summary: "Based on the feature film of the same name from Jemaine Clement and Taika Waititi, "What We Do in the Shadows" is a documentary-style look into the daily (or rather, nightly) lives of four vampires who've "lived" together for hundreds of years in Staten Island.The self-appointed leader of the group is Nandor the Relentless, a great warrior and conqueror from the Ottoman Empire. Then there's the British vampire Laszlo -- a bit of a rogue and a dandy and a fop, he might say. He's a lover of mischief and a great soirée, but not as much as he loves seeing Nandor fail miserably in every attempt. And then there's Nadja: the seductress, the temptress, the vampiric Bonnie to Laszlo's Clyde. Also cohabiting in the vampire household is Guillermo, Nandor's familiar; and Colin Robinson, an energy vampire and day-walker of sorts -- he feasts on humans, but not on their blood." Source: Rotten Tomatoes

Source: What We Do in the Shadows (2019)

Cast:

Kayvan Novak - Nandor the Relentless

Matt Berry - Laszlo Cravensworth

Natasia Demetriou - Nadja ...

Harvey Gullién - Guillermo de la Cruz

Mark Proksch - Colin Robinson

Additional information: This tv series is based off of the 2014 Taika Waititi and Jemaine Clement film of the same name.

What is Renfield (2023) about?

Summary: "In this modern monster tale of Dracula's loyal servant, Nicholas Hoult (Mad Max: Fury Road, X-Men franchise) stars as Renfield, the tortured aide to history's most narcissistic boss, Dracula (Oscar® winner Nicolas Cage). Renfield is forced to procure his master's prey and do his every bidding, no matter how debased. But now, after centuries of servitude, Renfield is ready to see if there's a life outside the shadow of The Prince of Darkness. If only he can figure out how to end his codependency." Source: Rotten Tomatoes

Source: Renfield (2023)

Cast:

Nicholas Hoult - R.M. Renfield

Nicolas Cage - Dracula

Awkwafina - Rebecca

Ben Schwartz - Teddy Lobo

Shohreh Aghdashloo - Bellafrancessca Lobo

Additional information: There was a video game that released on Steam for this movie, titled Renfield: Bring Your Own Blood.

[myrandomthoughtsblog]

A very big list of characters from different fandons that I headcannon as being aro or in the aro spectrum with no explanation at all

Some of them are even cannon :)

Dc comics -

Selina kyle

Damian wayne

Cassandra cain

Blue beetle

Zatanna

Raven

Harry potter -

Charlie Weasley

Neville longbottom

Marvel -

Yelena belova

Gweenpool

Bucky barnes

Nick fury

Nebula

One piece -

Luffy

Ordem paranormal-

Kaiser

Thiago fritz

Sherlock Holmes -

Sherlock Holmes

Mycroft Holmes

Teen wolf -

Stiles

Malia Tate

Cora Hale

Truly devious -

Nate fisher

Stevie bell

Haikyuu -

Kageyama

Kenma

Yaku

Akaashi

I wish the world would end tomorrow -

Carson

Monster high -

Cleo de Nile

Operetta

Spectra

Cupid

Heath burns

Ever after high -

Briar beauty

Lizzie hearts

Sparrow wood

Ladybug -

Alix

Luka

Boku no hero -

Mina

Todoroki

Jiro

Hatsumo

Addams family -

Wednesday

Stranger things -

Will

Max

Alice in boarderland -

Chishyia

The order -

Lilith

The umbrella academy -

Ben

Hunger games -

Katniss everdeen

Percy jackson -

Artemis

Disney -

Elsa

Isabella

Rosetta

Zarina

High school musical -

Sharpay evans

Violetta -

Camila

The walking dead -

Michonne

Carl grimes

My babysitter is a vampire -

Erica

Gossip girl -

Luna la

The Loud house -

Lynn loud

Your headcannons?

[whomstwedointheshadows]

Season 6 Nandermo Prediction: Monty Python to Seinfeld to the Office Finale

In Honor of Reality TV House Flippers, I Present Vampires in Court TV

*CRACK ATTACK*

To honor Serial Killer Guillermo and the show subverting the reality/ sit-com format, I need the Staten Island Gang questing to face off the Big Bad. The Big Bad has a Network. They track them down, expanding their own territory, nutty vampire death sentences and leaning in to dark humor. Gore, bodies, glory everywhere. Evidence to one former familiar, everywhere, as vampires now help with cleaning up as as they are more equal in the house.

The Big Bad is revealed to be a holy terror and also cute as a bloodthirsty bunny. Bunnicula, the Big Bad, if you will.

See Murder Husband dream fighting together, Guillermo pledging to do whatever it takes to survive and come home together, overcoming this comically adorable foe. The fight is more glamor shots, inspiring questions of fan service and striking home Yes This Is Homoerotic and Camp until they win, plot feels rushed to audience but it’s clearly just a set up for Big Confession Time. Obviously they are Fully Realized and Ready for It, now show us!!

Vampires done vamping with the fallen head home, masses of dead-dead/undead cut up, ready for further dumping. Incriminating, but just the usual work for a familiar now shared. Matching gore and relief for Nandor and Guillermo, a picture of intimacy.

All these dead in the name of Flirting, they openly acknowledge, laugh together. Nandermo is here, the scene is tipping in to a Big Confession, Big Kiss… something…

In swarm the police, Humans, incongruous immediately with sense of culmination of fifteen years of pining. Trucks, helicopters, tanks against stakes. Completely lost the romance, dark humor into a Gritty True Crime NARRATIVE.

Narration of Colin Robinson expressing ACAB, but an energy vampire has to feed, won’t it be great when this airs? First acknowledgment the footage is broadcasting somewhere and he feeds from the viewer.

Too tired to kill them all, too many to immediately hypnotize. Nandor bats, at Guillermo insistence, now begins comical on-the-run and hypnosis witness tampering from the vampires. Wackiness includes decorating courtroom based on family side, sculpture and blood fountain delivery… but Guillermo somehow gets one day house arrest with his mother, Nandor does his best to arrange a tender Spa Day and they’re summoned back to night court. Night Court is of course, more nebulously supernatural and quickly kicks out of Mortal Prison into Farce with Consequences.

Mainly: Can someone explain the relationship of a rampaging slayer to his vampire former-master-warlord as they’re claiming new territory? How safe is the wider supernatural community, and are they like, a new conquering force or …another Thing? What to do about this?

Return of lawyer Lazlo, reference to hating the English during all the court proceedings (and damn isn’t this the ending of Monty Python and the Holy Grail? Seinfeld? -that was only because they were cowards that ran out of budget or wouldn’t get characters together, classic comedy half hours end with a wedding), public acknowledgement Guillermo’s a fucking slayer/serial killer to Silvia de la Cruz, seemingly friendly with Nandor and show of being peaceful amongst the crowd of supernaturals and, rather than fury of a Van Helsing, she shares she knew Memo had it bad for his boss. (Clearly, the Slayer bloodline doesn’t activate into killer mode, or is more controlled, when she understands them and isn’t surprised.)

Cue talkback scenes about an effing clip show in court as evidence, Nadja mostly focused on famous like OJ and explaining the web of who was horny when because what when presented with evidence, wearing matching wigs with Lazlo. Mimics Office Finale allowing for further commentary, still centered around present character interests. Definitely charting the course of Nandermo, getting more off camera stories of observing the Pining. Murder is framed in the context of caretaking and making Nandor horny, like they’re going out of their way to explain (to Silvia?) how involved her son is in their unit and vampire relations. Also, he’s a badass so no one fucks with him or those under his protection. Thank g- there’s this badass footage that doesn’t show Memo in too much danger or really, really hurt.

Cross examination of Nandermo by Lazlo, first kiss revealed years ago off screen, fucking all season, I love you’d exchanged but ‘I’ll be with you forever, whatever it takes’ WAS exchanged in the previous episode before battle, thus honeymoon glow and downright joyous-sexually charged battle.

Lawyer Lazlo: Do you think we have a fucking documentary crew and now we worry about courtrooms? Gizmo killed a theatre of vampires to save us and we took over the fucking council. Yes, we’re callous, we’re cruel, we’re insensitive to mortal and immortal suffering if it doesn’t concern ourselves. We’re killers, including our dramatic slayer here who’s the youngest but catching up on body count, and we’re a family. We love each other. We will protect each other. We’ll end anything that gets in our way, whatever it takes. Nandor, you’re up.

Nandor: *to put a button on the unable to drink blood, totally able to slay Guillermo arc, see previous fights up to Bunnicula, reference to be together forever, whatever it takes.*

Obviously Nandor has already discussed a big celebration for a possible yet-not-planned turning, but Guillermo suggested simple and ‘like a courthouse wedding, yes’ - Both understand the offer is on the table and Guillermo just says when he’s ready, and it’s okay if that turns out to be never. His hesitation has remained his ties with his Mom. It’s yes to all his life with Nandor, vampirism second concern when he’s accepted and ready as he can be for the consequences, specifically loosing his mom, who is not brain scramblie’d and here today, seeing all of Guillermo and his vampires.

Nandor, a strategist: welcome to our wedding!! Look at the public awe of your many conquered foes! You’re so amazing as a warrior and my closest friend. I am PROUD for EVERYONE to know you’re incredible and I’m head over heels for you, forever. Everyone includes your mom, as my family too, who is not killing all vampires on sight now! And everyone knows if they fuck with your vampire or slayer family, we’ll kill them and enjoy it together! Do you appreciate my intricate ritual of planning a wedding after you went and said yes to forever before I could propose after our many escalating battles together?

Guillermo: so, even with the documentary crew, we’ve always kept our intimacy for us. Yes, it was kinda toxic, but Nandor is my idiot, except when he’s a genius. And it feels good. To be proud of us. They celebrated me. So, let’s party.

Cut to everyone dirty, raunchy dancing, sloppy kissing, exceedingly graphic reception cut for rating. New glitter portrait of vampiric Nandor and Guillermo, kissing, sparkly bare chests in the Tigris, captioned ‘Honeymoon’

___

++Would love to see a parallel for the death of the historian in Monty Python leading to an arrest of King Arthur/Knights and the dead camera crew members leading to excessive workplace safety fines being the only lasting damage determined by the court.

+++Collin Robinson is somehow working for the prosecution, a corporate media outlet, and as expert testimony. No one is ever clear what the ‘trial’ actually is, he’s just fond of objections. Framing moves from court tv to royal wedding coverage, slowly edging the viewer wanting Nandermo confirmation about [yes, that is a glitter portrait from Nandor to Guillermo on 10 anniversary as master and familiar and here’s another one from later on their second anniversary.. of what? Well, how one can define a relationship is complex… oh! Let’s go frame by frame on these clips of their hands! ] confirming the bigger picture, Has segments devils advocating himself against Nancy Grace angry emotional vampire.

*** this is specifically a Crack!fic ideas playing with the idea all of Nandermo must be on camera, the viewer is primed for the next big step to be a confession or kiss, but what if we just jump straight to just married the dirty grinding, sloppy drunk kissing in public with all your family watching. Strikes me as a f-you to all the sweet chaste network gays, this is the suck and fuck show, babe

**** this is also a subversion of Guillermo resolving his arc as a vampire, having to be ‘ruthless’ enough, instead it’s about being assured in himself, what he wants, and cherished by those he loves. His found family accepting and making space for his family, because they care about his decisions and maybe he doesn’t have to choose, so they try. He’s gained the confidence in himself and is celebrated, welcomed, and supported by those he loves.

*****Listen, Nandor, was it kind of toxic to let your boyfriend get arrested and did you maybe plan a slaying rampage for the ‘gram- no one can quite prove, but good thinking if it was spur of the moment after the arrest, it tracks that a former warlord would yell about how awesome his spouse is and don’t fuck with us so they can have a bubble of peace due to the terror

[sunnydaleherald]

The Sunnydale Herald Newsletter - Monday, October 2

AIMEE MANN: Man, I hate playing vampire towns.

~~Sleeper~~

[Drabbles & Short Fiction]

Forego Empty Promises (JoJo's Bizarre Adventure crossover, T) by arcanedreamer

O Christmas Tree (JoJo's Bizarre Adventure crossover, G) by arcanedreamer

Jolyne and Buffy: Spirit Cousins (JoJo's Bizarre Adventure crossover, G) by arcanedreamer

Blowing Off Steam (Resident Evil crossover, T) by arcanedreamer

Swoon (Spike/Drusilla, T) by a_sort_of_friendly_ghost

Lover’s Walk: Lucidity (Spike/Joyce, E) by LoTJ

Passing Mistakes (Gen, T) by NAOA

everything in the world changes, and nothing changes at all (Spike/Buffy, R) by disco-tea

[Chaptered Fiction]

Presumably Dead Arm Chapter 15 (Buffy/Spike, NC-17) by Tragic

A Marriage of Inconvenience Chapter 15 (Buffy/Spike, R) by all_choseny

Of Things That Would Never Be Chapter 55 (Buffy/Spike, NC-17) by Blond Goth Girl

Surviving Together Chapter 1 (Buffy/Spike, Adult only) by ionlylikebadboys

Buffy's Spooky Birthday Chapter 25 (Buffy/Spike, R) by VeroNyxK84

Buffy's Spooky Birthday Chapter 25 (Buffy/Spike, R) by VeroNyxK84

What the Drabble? Chapter 14 (Buffy/Spike, R) by VeroNyxK84

I remember who you are Chapter 5 (Buffy/Spike, PG-13) by Desicat

A Place in the Sun Chapter 24 (Buffy/Spike, NC-17) by honeygirl51885

Autumnal Shorts Chapter 2 (Buffy/Spike, NC-17) by VeroNyxK84

Vamp for Rent Chapter 3 (Spike/Xander, R) by forsaken2003

Lock the Door Chapter 2 (Faith/Buffy, T) by arcanedreamer

Meet & Greet Chapter 2 (JoJo's Bizarre Adventure crossover, G) by arcanedreamer

Kinktober 2023 Chapter 2 (Buffy/Giles, E) by Skyson

Post-Grave Chapter 1 (Buffy/Giles, Not rated) by Skylark62

[Image, Audio & Video]

Art: Faith by pocketsizedann

PODCAST: Normal Again S6 E17 (Buffy and the Art of Story Podcast) by lisalilly

[Reviews]

Spuffy, trauma and the Bathroom Scene by Flow

season 1 episode 4: teacher’s pet by slut-jpeg

season 1 episode 5: never kill a boy on the first date by slut-jpeg

[Fandom Discussions]

the incestuous, wrong connotations david fury is trying to implement between buffy and spike by silvermars

the amount of nasty thoughts i have about s4ats-s7btvs spangelus by fblckt

it would have been a better idea for Oz to also be gay by hermyohkneegranger

Spike and Harley Quinn are the same character by goodolreliablejake

Never forget that Buffy wanted her wedding photos to be taken at the cemetery by aphony-cree

Episode Battle: Goodbye Iowa vs Dirty Girls continued by multiple posters

Positives and Negatives - S6 continued by multiple posters

How Evil Was Spike? continued by multiple posters

Who did Angel hate? continued by multiple posters

FFH: Did Fred's Death Make An Impact?) by nightshade

How many seasons by Jakarisoolive

Are the later seasons shot with 4:3 in mind depsite also releasing in 16:9? by EgonHeart123part2

Random sad thought of the day by WhatName230

Favorite rivalries in the Buffyverse? by zmuda1234

Tabula Rasa - head cannon by johnnyorac

Gunn and Fred did what Tara did for Dawn with Connor by The810kid

I think I just traumatized my boyfriend by RaspberryMonkey5723

I would’ve loved to see Gwen and Angel as a couple by Sweet-Siren

XANDER - COMPLICATED OR BADLY WRITTEN by EstablishmentMost397

Thoughts on why Angel / Angelus seem so separated. (It's all about Dad and the religious upbringing) by greenisthefutureAMA

Can we talk about the Angel feeding off Buffy scene? by Hopeful_Routine8942

What’s a metaphor you think the show did really well with? by Anyanka_Tin

Buffy always questions popular expressions by Tsole96

Second time watchers- does it bug you how much they dumb buffy down? by Hopeful_Routine8942

Could this be the moment Angel stopped drinking human blood? by rfresa

Xander was an underrated hottie by Sweet-Siren

[Essay rec, French language] Buffy ou la révolte à coups de pieu, déconstruire le réel par le surnaturel by RadiKultMag

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[tafadhali]

I posted recs of 25 of my favorite fanworks produced this year over on my DW and thought I should cross-post them here! List is arranged alphabetically by fandom and is a mix of fic and vids from 2023 (that weren't created for Festivids or Yuletide, because I always rec a lot from those challenges).

The Shipping Forecast series by leupagus (Broadchurch, Alec Hardy/Ellie Miller, 23k)

Ellie Miller and Alec Hardy, drifting together.

📺 I Wanna Be Evil by lilly_the_kid (Child’s Play | Chucky, Tiffany Valentine, fanvid)

You're sweet, my dear. Prim and proper.

beneath your weary heart by waveridden (Dimension 20, Ricky Matsui/Esther Sinclair, 10k)

It’s a comfort, having a name that is right. It is a comfort knowing that she is Sorrow and sorrow is her and they are one and the same. This is who she was meant to be. It is always who she was meant to be. And yet. (Or: Esther becomes the fury of Sorrow.)

📺 Mastermind by BeatriceEagle (Dimension 20, Brennan Lee Mulligan, fanvid)

"We support you as a DM and as our friend, but also you're our enemy." —Siobhan Thompson

Not According to Their Fanfiction series by AgentStannerShipper (Dimension 20, Evan Kelmp/K Tanaka, 63k)

Five tropes that did not live up to the fanfiction, and one that did. Spring semester at Gowpenny, a lot of feelings, and a lot of growth. Also featuring Evan's shadow (my beloved), true jock Jammer, Sam being the figurative wine aunt friend, Evan being a Good Boy, and K being exactly as horny as canon made them.

your heart, love by ASongofSixpence (Dimension 20, KP Hob/Delloso de la Rue, 8k)

Rue learns about something special that happens to goblins on All Hallows' Eve, and has big feelings about the use of the word 'monster.'

📺 After All by periru3 (Everything Everywhere All at Once, Jobu Tupaki, fanvid)

It felt like a winter machine that you go through and then / you catch your breath and winter starts again / and everyone else is spring bound

Chemistry by Twilightcitysky (Good Omens, Aziraphale/Crowley, 122k)

Aziraphale and Crowley have been living among humans for 6000 years, but there have always been parts of the human experience they've chosen to avoid (like allergies, head colds, and having to use the loo). They've also never let hormones get in the way of making rational decisions, because they didn't have any hormones to speak of. That's all about to change.

come raise your flag upon me by trinityofone (Good Omens, Aziraphale/Crowley, 5k)

Aziraphale persuades Crowley to accompany him to Heaven, to be Forgiven. Things get...weirder before they get better.

Covenant of Salt by thingswithwings (Good Omens, Aziraphale/Crowley, 18k)

Aziraphale's hand slides down past Crowley's hip to fist his cock in time with his thrusts, and he bites again, and again, down to Crowley's naked shoulder, up to his earlobe, not meaning to be sexy, just biting like he's eating, tasting the salt on Crowley's skin, like he might consume Crowley entirely if given enough time. "Talk to me," he gasps, between thrusts, between bites, his voice shaking. "No," Crowley grits out, just before he comes.

📺 Hate Me by killabeez (Interview with the Vampire, Lestat de Lioncourt/Louis de Pointe du Lac, fanvid)

“I love you with my whole soul, and I will always love you,” he confided to me. “You are my life. I have hated you for that and love you now so much that you’ve been my instructor in loving." —Blood Communion: A Tale of Prince Lestat

Bones and Blood: A Jurassic Park Survivor’s Story by avocadomoon (Jurassic Park, Billy Brennan/Alan Grant, 10k)

Billy was still staring at him. His face looked narrow and shadowed in the spotty kitchen lighting. Alan always thought about geometry when he looked at Billy: angles and rays and points and transversals. He was beautiful in the way that math was beautiful: like an equation that was beyond Alan's abilities, too complex for him to handle. But there, nonetheless. Holding all the secrets of the universe, if only Alan could figure out how to solve him.

Extended Disconnection by lick (Murderbot Diaries, Ayda Mensah, 91k)

Dr. Mensah's perspective from Chapter 8 of All Systems Red through Exit Strategy.

📺 They Don’t Care About Us by avg (Murderbot Diaries, “Human One” Refugee, animatic)

The story of a refugee.

Friday Keeps Coming Next by rattyjol (Nine Worlds, Artorin Damara & Cliopher Mdang, 38k)

Cliopher and his Radiancy break time. Again.

Embers by alfgifu (Nine Worlds, Cliopher Mdang, 126k)

A novel-length prequel to Hands of the Emperor about Kip's early years in service

A Most Restful Vacation by Quasar (Nine Worlds, Jemis Greenwing, minor pairings, 106k)

Jemis is invited to attend the investiture of the Viceroy of Zunidh, which promises to be a delightful trip with Almost No Adventures along the way.

An Officer and a Gentleman by cedarboots (Persuasion, Anne Elliot/Frederick Wentworth, 47k)

“Eight years changes a person, but not beyond all recognition. Fred Wentworth and Anne Elliot, years after a final break, find that they are more alike, in some respects, than they thought before.” (Butch4Butch AU)

first base by octothorpetopus (Sports Night, Casey McCall/Dan Rydell, 118k)

Dan Rydell was born in 1969 in Hartford, Connecticut. He came to life in Minneapolis in 1988. When he met Casey.

Sugar in Your Hand by WerewolvesAreReal (Star Trek, James T. Kirk/Spock, 13k)

Kirk meets a Vulcan, marries a Vulcan, and apparently outrages the entire Vulcan government in one day. He's an overachiever like that.

📺 Hate to Say I Told You So by findmeinthealps (Taskmaster, Alex Horne, fanvid)

Alex Horne being Alex Horne.

home is where by oliviacirce (Ted Lasso, Trent Crimm/Ted Lasso, 6k)

“Ted learns that sometimes when you ask people what they want, you (just might) get what you need.”

in the cards by jedusaur (Ted Lasso, Roy Kent/Jamie Tartt, 4k)

Whenever he says he's not feeling anything, that's when Dr. Sharon pulls out the fucking cards. Roy can't fucking stand the fucking cards. They're plain white with plain black text, each displaying the name of a different emotion, and he's supposed to go through them and decide whether he's feeling each thing or not. It's fucking stupid, it makes him feel like a fucking toddler, and worst of all, it fucking works.

Second Nature by MoreThanSlightly (Ted Lasso, Keeley Jones/Roy Kent/Jamie Tartt, 27k)

The first time they switch, Jamie’s fucking Keeley. It’s amazing, best sex of his life, and he wonders what it feels like for her—good, by the sound of it—and then a second later, he’s looking at his own face. He’s lying on his back staring up at himself. “What the fuck,” he says in Keeley’s voice.

📺 Cockroach Motherfuckers by eruthros & thingswithwings (Multifandom, fanvid)

A celebration of all the queer characters you can't bury. Or, if you do bury them, they don't stay down for long.

[manue-ringo]

Chapitre 8 : La poursuite

Parker était en furie. Sa voix, tremblante de colère, éclata dans l’habitacle de la voiture :

- C'est de votre faute, tout ça ! C'est vous qui avez attiré leur attention avec vos histoires de vampires et d'occultisme ! Vous nous avez mis sur leur radar !

Son partenaire, Mulder, répliqua, sa voix empreinte de frustration et d'animosité :

- Moi ? Mais c’est absurde ! Ce sont eux qui nous ont piégés ! Ils nous ont surveillés depuis le début, c’est tout !

- Et vous ne vous en êtes pas rendu compte ? Vous n’avez pas été assez prudent ? Vous n’avez pas vérifié si on était suivis ou écoutés ? Demanda Parker, les traits déformés par la tension.

- Non, je ne m’y attendais pas ! Je pensais qu'ils étaient discrets, mystérieux. Je ne savais pas qu’ils étaient aussi dangereux et organisés ! Sa voix avait un ton condescendant, comme si la gravité de la situation était une simple mauvaise surprise.

- Eh bien, vous vous êtes trompé ! Et maintenant, nous sommes dans de beaux draps ! Parker avait accentué ses mots avec une véhémence qui trahissait sa panique.

Ils atteignirent enfin leur voiture. Mulder démarra le moteur avec une précipitation nerveuse, quittant le parking en trombe. La voiture fonça à travers la nuit, vers le domicile de Skinner. Mulder était à bout de nerf, ses mains tremblaient sur le volant, et la terreur qui l’envahissait s’ajoutait à la discorde entre lui et Parker. Cette femme, qui semblait se délecter de le juger et de le critiquer, ne faisait qu’accentuer sa détresse.

La tension entre eux était palpable, une électricité chargée de colère et de peur. Ils espéraient arriver à temps, avant que le Cercle de Salomon ne les rattrape.

Les premières minutes de conduite semblaient avoir apaisé un peu leurs angoisses. Ils pensèrent avoir semé leurs poursuivants et respirèrent plus calmement. Mulder murmura, comme une tentative désespérée de trouver du réconfort :

- On va s'en sortir, on doit s'en sortir.

Mais Parker, les yeux rivés sur la route, lança d’un ton sarcastique :

- C'est vous qui le dites.

Le soulagement fut de courte durée. Une voiture noire surgit brusquement derrière eux, fonçant à toute allure. Mulder reconnut immédiatement le symbole du sceau de Salomon sur le capot.

- Merde ! C'est lui ! Cria-t-il, la panique dans la voix.

- Quoi ? Qui ça ? Demanda Parker, son anxiété augmentant.

- Le grand-maître du Cercle ! Il nous suit ! Précisa Mulder, le cœur battant à tout rompre.

- Comment il nous a trouvées ? Parker était maintenant accrochée à la poignée de la portière, son stress palpable.

- Je ne sais pas ! Il a dû nous pister ! Répondit Mulder, son esprit essayant désespérément de trouver une solution.

- Et maintenant, qu'est-ce qu'on fait ? Demanda Parker, l’urgence de la situation l’atteignant de plein fouet.

- On essaie de le semer ! Accrochez vous ! Ordonna Mulder, la voix rauque.

Il appuya sur l'accélérateur, le moteur rugissant sous l'effort. La voiture zigzagua entre les autres véhicules, les pneus crissant sur l’asphalte. Mais le grand-maître du Cercle restait collé à leur pare-chocs, klaxonnant furieusement et leur lançant des appels de phares menaçants. Il essayait de les forcer hors de la route, percutant et dépassant leurs trajectoires avec une agressivité effrayante.

- Il est fou ! Il va nous tuer ! Je vais lui faire la peau ! S’emporta Parker, la peur se mêlant à une rage désespérée. - Il faut tenir bon ! On n'est plus très loin ! Tenta de rassurer Mulder, ses yeux fixés sur la route, espérant que Skinner soit là pour les sauver.

Le domicile de Skinner n’était plus qu’à quelques kilomètres. Mulder priait pour qu’ils arrivent avant que le grand-maître ne les rattrape. Mais les espoirs furent brusquement anéantis lorsque le grand-maître, ne montrant aucun signe de ralentissement, sortit une arme de sa voiture. Les balles sifflèrent dans l’air, crevant les pneus de leur véhicule. La voiture, désormais incontrôlable, dérapa et se mit à tourner en rond.

- Attention ! Baissez-vous ! Cria Mulder, la terreur dans la voix.

Il tenta de redresser la voiture, mais les roues, sans adhérence, perdaient toute maîtrise. La voiture fit une embardée violente avant de heurter un poteau électrique. Le choc violent les projeta en avant, leur vision se brouilla alors que l’obscurité les engloutissait, les faisant sombrer dans l’inconscience.

[triste-guillotine]

“La noche de Walpurgis” (1971) aka “The Werewolf vs. the Vampire woman” aka “Nacht der Vampire” aka “Werewolf Shadow” aka “La furie des vampires”, directed by León Klimovsky, with Paul Naschy, Gaby Fuchs, Barbara Capell, Patty Shepard...

[lyzacide]

Rencontrez les Erinyes dans la dernière chambre du Tartare. C'est Mégère qui vous "accueillera"... Et elle a vraiment une appétence pour le goût du sang. Après un certain temps, ses soeurs Alecto et Tisiphone seront susceptibles de faire leur entrée. Pour votre plus grande joie, bien sûr.

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Meet the Furies/Erinyes at the final Chamber of Tartarus. First, it'll be Megara that will "welcome" you… She definitily have some taste for the blood. Only after some time, her sisters, Alecto and Tisiphone, will appear. For your greatest joy, of course. //////////////////////////////////////////////////////////////////////////////////////

Téléchargements requis / Donwload required :

• vampire eye • beloved eyeliner • headband • RoM bracelets • jane dress • bat wings • mia teddy • tamara coat • uma top • aloha eyes • gun show vamp fangs AU • miami eyeset • to the bone nosemasks all • under your spell pupil overlays

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[the-literata-letters]

reading list - gothic

CLICK HERE TO ACCESS MY OTHER READING LISTS.

✵ ACTIVELY UPDATING ✵

☐  ALDERMAN, Naomi – The Lessons ☐  ATWOOD, Margaret – Lady Oracle ☐  AUSTEN, Jane – Northanger Abbey ☐  AZEVEDO, Álvares de – Noite na Taverna ☐  BECKFORD, William Thomas – Vathek ☐  BIERCE, Ambrose – The Death of Halpin Frayser ☐  BIERCE, Ambrose – The Spook House ☐  BLACKWELL, Anastasia – The House on Black Lake ☐  BLACKWOOD, Algernon – The Listener and Other Stories ☐  BRONTË, Charlotte – Jane Eyre ☐  BRONTË, Charlotte – Villette ☐  BRONTË, Emily – Wuthering Heights ☐  BROWN, Charles Brockden – Wieland ☐  BROWN, Charles Brockden – Ormond ☐  CAPOTE, Truman – Other Voices, Other Rooms ☐  CARTER, Angela – The Bloody Chamber ☐  CATHER, Willa – My Ántonia ☐  CAZOTTE, Jacques – Le Diable amoureux ☐  CHAMBERS, Robert W. – The King in Yellow ☐  DANFORTH, Emily M. – Plain Bad Heroines ☐  DANIELEWSKI, Mark Z. – House of Leaves ☐  DICKENS, Charles – Oliver Twist ☐  DICKENS, Charles – Bleak House ☐  DICKENS, Charles – Great Expectations ☐  DICKENS, Charles – The Mystery of Edwin Drood ☐  DOSTOYEVSKY, Fyodor Mikhailovich – The Double ☐  DOSTOYEVSKY, Fyodor Mikhailovich – The Landlady ☐  DOSTOYEVSKY, Fyodor Mikhailovich – Bobok ☐  DOSTOYEVSKY, Fyodor Mikhailovich – The Brothers Karamazov ☐  DOYLE, Sir Arthur Conan – Lot No. 249 ☐  du MAURIER, Daphne – Jamaica Inn ☐  du MAURIER, Daphne – Rebecca ☐  du MAURIER, Daphne – My Cousin Rachel ☐  du MAURIER, George – Trilby ☐  FARING, Sara – The Tenth Girl ☐  FARRELL, Henry – What Ever Happened to Baby Jane? ☐  FAULKNER, William – The Sound and the Fury ☐  FAULKNER, William – As I Lay Dying ☐  FAULKNER, William – Light in August ☐  FAULKNER, William – Absalom, Absalom! ☐  FLAMMENBERG, Ludwig – The Necromancer ☐  GARSHIN, Vsevolod Mikhailovich – The Red Flower ☐  GAUTIER, Theophile – The Mummy's Foot ☐  GILMAN, Charlotte Perkins – The Yellow Wallpaper ☐  GOGOL, Nikolai Vasilievich – Evenings on a Farm Near Dikanka ☐  GOGOL, Nikolai Vasilievich – Mirgorod ☐  GOGOL, Nikolai Vasilievich – Arabesques ☐  GOGOL, Nikolai Vasilievich – The Nose ☐  GRACQ, Julien – Au château d'Argol ☐  HAWTHORNE, Nathaniel – Young Goodman Brown ☐  HAWTHORNE, Nathaniel – The Minister's Black Veil ☐  HAWTHORNE, Nathaniel – Edward Randolph's Portrait ☐  HAWTHORNE, Nathaniel – The House of the Seven Gables ☐  HAWTHORNE, Nathaniel – Rappacini's Daughter ☐  HILL, Susan – The Woman in Black ☐  HOFFMANN, E. T. A. – The Devil's Exilir ☐  HOFFMANN, E. T. A. – The Entail ☐  HOFFMANN, E. T. A. – Gambler's Luck ☐  HOGG, James – The Private Memoirs and Confessions of a Justified Sinner ☐  HOLT, Victoria – Mistress of Mellyn ☐  HOLT, Victoria – Kirkland Revels ☐  HUGO, Victor – Notre-Dame de Paris ☐  HUYSMANS, Joris-Karl – Là-bas ☐  INGOLDSBY, Thomas – The Ingoldsby Legends ☐  IRVING, Washington – The Adventure of the German Student ☐  IRVING, Washington – "The Legend of Sleepy Hollow" ☐  JACKSON, Shirley – The Lottery ☐  JACKSON, Shirley – A Visit ☐  JACKSON, Shirley – The Haunting of Hill House ☐  JACKSON, Shirley – We Have Always Lived in the Castle ☐  JACOBS, W. W. – The Monkey's Paw ☐  JAMES, Henry – The Turn of the Screw ☐  JELINEK, Elfriede – Die Kinder der Toten ☐  LATHOM, Francis – The Midnight Bell ☐  le FANU, SHERIDAN – Uncle Silas ☐  le FANU, SHERIDAN – In a Glass Darkly ☐  le FANU, SHERIDAN – Carmilla ☐  LEE, Harper – To Kill a Mockingbird ☐  LEIGH, Julia – The Hunger ☐  LEROUX, Gaston – Le Fantôme de l'Opéra ☐  LEVIN, Ira – The Stepford Wives ☐  LEWIS, Matthew Gregory – The Monk ☐  LEWIS, Matthew Gregory – The Castle Spectre ☐  MACHEN, Arthur – The Great God Pan ☐  MARRYAT, Florence – The Blood of the Vampire ☐  MARRYAT, Florence – The Phantom Ship ☐  MATURIN, Charles – Melmoth the Wanderer ☐  MEANEY, John – Bone Song ☐  MÉRIMÉE, PROSPER – La Vénus d'Ille ☐  MOORE, John – Zeluco ☐  MORRISON, Toni – Beloved ☐  NERVAL, Gérard de – Les Filles du feu ☐  OATES, Joyce Carol – Bellefleur ☐  OATES, Joyce Carol – Night-Side ☐  OATES, Joyce Carol – A Bloodsmoor Romance ☐  OATES, Joyce Carol – Mysteries of Winterthum ☐  OATES, Joyce Carol – My Heart Laid Bare ☐  O'CONNER, Flannery – Wise Blood ☐  ODOEVSKY, Vladimir – Russian Nights ☐  PARKER, Gilbert – The Lane that Had No Turning, and Other Tales ☐  PARSONS, Eliza – The Castle of Wolfenbach ☐  PARSONS, Eliza – The Mysterious Warning ☐  PEACOCK, Thomas Love – Nightmare Abbey ☐  PEAKE, Mervyn – Gormenghast ☐  PHILLIPS, Arthur – Angelica ☐  POE, Edgar Allan – "Berenice" ☐  POE, Edgar Allan – "Ligeia" ☐  POE, Edgar Allan – "The Fall of the House of Usher" ☐  POE, Edgar Allan – The Narrative of Arthur Gordon Pym of Nantucket ☐  POE, Edgar Allan – "The Masque of the Read Death" ☐  POE, Edgar Allan – "The Oval Portrait" ☐  POE, Edgar Allan – "The Pit and the Pendulum" ☐  POE, Edgar Allan – "The Black Cat" ☐  POE, Edgar Allan – "The Tell-Tale Heart" ☐  POTOCKI, Jan – The Manuscript Found in Saragossa ☐  PUSHKIN, Alexander – The Bridegroom ☐  PUSHKIN, Alexander – The Undertaker ☐  PUSHKIN, Alexander – The Queen of Spades ☐  RADCLIFFE, Ann – A Sicilian Romance ☐  RADCLIFFE, Ann – The Romance of the Forest ☐  RADCLIFFE, Ann – The Mysteries of Udolpho ☐  RADCLIFFE, Ann – The Italian ☐  RAY, Jean – Malpertuis ☐  ROCHE, Regina Maria – Clermont ☐  ROCHE, Regina Maria – The Children of the Abbey ☐  ROSTOPCHINA, Yevdokia Petrovna – Poedinok ☐  SETTERFIELD, Diane – The Thirteenth Tale ☐  SHELLEY, Mary – Frankenstein ☐  SHELLEY, Percy Bysshe – Zastrozzi ☐  SHELLEY, Percy Bysshe – St. Irvyne; or, The Rosicrucian ☐  SLEATH, Eleanor – The Orphan of the Rhine ☐  STEVENSON, Robert Louis – Strange Case of Dr Jekyll and Mr Hyde ☐  STEWART, Mary – Nine Coaches Waiting ☐  STOKER, Bram – Dracula ☐  STOKER, Bram – The Lair of the White Worm ☐  STORM, Theodor – Der Schimmelreiter ☐  TARTT, Donna – The Secret History ☐  TARTT, Donna – The Little Friend ☐  THOMAS, Elisabeth – Catherine House ☐  URBAN, Miloš – Sedmikostelí ☐  WALPOLE, Horace – The Castle of Otranto ☐  WILDE, Oscar – The Picture of Dorian Gray ☐  ZAFÓN, Carlos Ruiz – La sombra del viento

[coppolesque]

Book list

Miss peregrine 5 / Let it snow / Histoire de Lisey / Le seigneur des anneaux 2 / + LSDA 3 / Twilight 1 / + Twilight 2 / + Twilight 3 / + Twilight 4 / Running man / Rêves et cauchemars / Le fléau / Insomnie /Différentes saisons / Orgeuil et préjugés / Emma / Raison et sentiments / Histoire de la Russie / Suzon / Claire / La Voleuse de Livres /Histoire de L'Europe / La Couleur des Sentiments / La servante écarlate / + Les Testaments / Alias Grace / Effacée / + Brisée / + Fracturée / Summerset Abbey / Olympe / Roméo et Juliette / Voyages de Gulliver / Anna Karénine / Le roi fantôme / La guerre et la paix I / + La guerre et la paix II / Dictionnaire de la mythologie / La mythologie Gréco-romain / W ou le souvenir d'enfance / Journal d'Anne Frank / Le monde de Sophie / Find me / Divergente 2 / + Divergente 3 / Carpe Diem / The Great Gatsby / The Virgin Suicides / Marlena / Girl, interrupted / The language of thorns / The Picture of Dorian Gray / Voyage au centre de la terre / Le Fantôme de l'opéra / Madame Bovary / Marie-Antoinette: femme réelle, femme mythique / La fille du train / The ballad of songbirds and snakes / Les contes des frères Grimm / Contes des particuliers / Les contes de Beedle le Barde / Traité sur la Tolérance / 20,000 Years of Fashion / Gravity Falls: Journal 3 / Oliver Twist / Tout savoir sur les vampires /Amour et Autres Enchantements /Atonement / Picnic at Hanging Rock / Macbeth / Hamlet / Lolita / Carrie / Frankenstein / L'histoire de l'art en BD / The Bell Jar / Valley of the Dolls / The Little Dictionary Of Fashion / Le monde de Charlie / The song of Achilles / Narnia 1 / + Narnia 2 / + Narnia 3 / + Narnia 4/ + Narnia 5 / + Narnia 6 / + Narnia 7 / A Series of Unfortunate Events 1 / + ASOUE 2 / + ASOUE 3 / + ASOUE 4 / + ASOUE 5 / + ASOUE 6 / + ASOUE 7 / + ASOUE 8 / + ASOUE 9 / + ASOUE 10 / + ASOUE 11 / + ASOUE 12 / + ASOUE 13 /The Secret Garden / Anne Of Green Gables / Black Beauty / Heidi / Percy Jackson 1 / + PJ 2 / + PJ 3 / + PJ 4 / + PJ 5 / Harry Potter 4 / + HP 5 / + HP 6 / + HP 7 / The Secret History / Le siècle des excès / Little Women / Histoire de l'extrême droite en France / L'Iliade / L'Odyssée / The Oxford Book Of Japanese Short Stories / D'une / Sense and Sensibility / The Complete Sherlock Holmes / Dracula / 1984 / Da Vinci Code / Don Quijote De La Mancha / Romancero Gitano / Le Monde selon Flaubert / La gauche en France / Histoire des États-Unis De 1492 à nos jours. /Manifeste du Parti communiste (Karl Marx) / Pensées pour moi-même (Marc Aurèle) / Le socialisme en France et en Europe: XIXe-XXe siècle / Sans raison (Mehdy Brunet) / L'Ami Prodigieuse 1 / + L'Ami Prodigieuse 2 / + L'Ami Prodigieuse 3 / + L'Ami Prodigieuse 4 /Middlemarch / I'm thinking of ending things / Bunny / Then She Was Gone / The Silent Patient / Evelina / Basic Writings on Politics and Philosophy /The Works of Lord Byron / The Four Fondamental Concepts of Psycho-Analysis / The Night Circus / Circe / All the light we cannot see / The Invisible Life of Addie LaRue / Turtles All The Way Down / Renegades / The Starless Sea / Legend Born / To Best The Boys / Stalking Jack The Ripper / The Betrayals / The furies / The woman in cabin 10 / Lovely War / Cruel Beauty /Luckiest Girl Alive / Some kind of happiness / Le diable s'habille en Prada / Vengeance en Prada / Sharp Objects/ Black Butler/ Valkyrie Apocalypse/ Les paradis perdus/ Le goût de Marie-Antoinette/ Coraline/ Rebecca/ Nevermoor 1/ N2/ N+7/ spirou et fantasio (55 tomes) / dents d'ours x 6/

[uncomicmas]

Reseña de DIE!NAMITE LIVES #3 a la venta el miercoles por Dynamite Comics ¿De qué viene? La exitosa serie regresa, porque no puedes matar a un ejército interminable de zombis ... Después de perder trágicamente a su primer Elegido contra la plaga de zombies, Vampirella, Miss Fury y lo que queda del Proyecto Superpoderes buscan un nuevo salvador, ¡pero Ash Williams es un cazador de Deadite aún más reacio que de costumbre. Esta vez, el Ejército de las Tinieblas tiene pistolas de rayos, superpoderes y un nuevo y brillante general: Evil Sonja, ¡que se toma muy en serio su papel de Reina de Hel! Trama Andrew Bryant, el Captain Future, desarrolló una estrategia para detener a los zombies usando zombies creados por laboratorio que no puede controlar Evil Sonja, sin embargo ella los vence con facilidad, aunque la estrategia de Future es distraerlos para que ataquen un satélite y enviarlos a lo lejos del espacio, su plan es algo torpe e ilógico. Pantha, Vampirella, Miss Fury y Death-defying Devil llegan hasta el trabajo de ASH para usar el libro Necromicon y deshacer el conjuro Ex Mortis y así acabar con los zombies, pero Ash piensa que quieren usar el libro para algo malvado y escapa para llegar a las manos de otra persona peligrosa. Miss Fury es mordida por un zombie... Este capítulo posee una narración muy dinámica que no pierde el tiempo con rellenos. Arte Posee mucha textura, que se mueve entre el terror y la acción. Resumen Ash tiene sus dudas en entregar el Necromicon a Pantha y Vampirella mientras Evil Sonja recibe un ataque inesperado Calificación 4.5 de 5 Créditos Escrito Fred Van Lente Arte Vincenzo Carratu Fecha de lanzamiento 18 de agosto Editorial y fuente de imagen @dynamitecomics #conanthebarbarian #redhead #conan #marvel #cosplay #indigonails #hrabia #sexappeal #rednails #indigo #comics #art #vampirella #drawing #dynamitecomics #comicbooks #comicart #redsonja #illustration #fanart #artist #draw #sketch #marvelcomics #vampire #dccomics #comic #pinup #dynamite https://www.instagram.com/p/CSstpB6Niw5/?utm_medium=tumblr

[tatyana-dreaming]

Potenza irresistibile: Leonora is Unstoppable

aka an empowered reading of (yet another) tragic opera heroine

aka my thoughts on Il Trovatore pt 3

(title from Manrico’s line in Act 2: Potenza irresistibile hanno de' fiumi l'onde! - The waves of the rivers have an irresistible force!)

with pictures because I have provided you ample walls of text as it is

Quick aside before we get into the libretto: in part 2 I concluded that both Azucena and Leonora are the only ones who really get what they want in this opera, and I think it’s pretty clear with Azucena... “Sei vendicata, o madre!” (even if we are unclear if she intentionally organized Manrico’s death and/or was conflicted by it or not).

Leonora. “I just came out to have a good time and honestly I’m feeling so attacked right now.” @ Ines, @ di Luna, even @ Manrico at the end

Because, out of everyone in this opera, Leonora is... happy? (I mean, yeah, she’s kind of set 100% of her hopes and dreams on this guy, and when she thinks he’s dead, she’s ready to head to the convent to pray to God until she can be reunited with him in death, saying “un riso, una speranza, un fior la terra non ha per me!”  - earth no longer has for me laughter, hope, or flowers! But look at her circumstances and context, and it’s still a choice she’s making, herself, about how she wants to live. Respect.)

[sociological examination about religious/cultural factors influencing WHY she would make that particular choice: coming to a bookstore near you in 2022]

“I swear go God, Ines (literally, I just did) can you just support me for once and trust me on this” (jk I love Ines she’s just doing her best too)

Okay, but to get back to the point... Leonora just has this sparkle. She’s filled with life and joy and happiness in the beginning (and - while yeah, my 21st century feminist me is like *facepalms* don’t make it dependent on another person, especially not a guy, especially not a guy who isn’t really even that focused on you as a person, but more as a possession he has to jealously protect from Rivals - her joy is revived when Marico returns and honestly thank gosh he does, since otherwise di Luna was gonna wreck those convent plans.) ANYWAYS  - di Luna clearly sees and wants to possess this sparkle, clearly having none of it himself.

Some exerpts from the libretto of this sparkly joy none of the characters ever get....(di Luna tries, haha...“la gioia che m'aspetta, gioia mortal, non è!“ but learns that maybe trying to seize someone against their will isn’t the best way to Spark Joy)

We’ve got Act 1 - “Gioia provai che agl'angeli solo è provar concesso! ...Di tale amor che dirsi mal può dalla parola...”  Joy only the angels can feel...such love that cannot be described by words! - Act 2, upon rescue by/reunion with her beloved - “Non regge a tanto giubilo rapito il cor, sorpreso!”  My surprised heart cannot bear such joy! - and finally, Act 4, once she is certain of saving Manrico - “ Vivrà! Contende il giubilo i detti a me!” He’ll live - my joy strips me of words!

Gosh, for such a tragic opera (if you take it seriously), Leonora is just this bundle of joy. Even in Act 4. It’s impressive.

She just has this energy, and I think it’s some sort of radiance from self-awareness and knowing exactly what she wants. You also may notice Leonora doens’t leave a body count the way di Luna, Manrico, and Azucena do. Well, unless you count herself :( but my point is she’s not about hurting people to get what she wants. And Leonora makes it explicitly clear from Act I: “ S'io non vivrò per esso, per esso morirò” - if I cannot life for him, I will die for him.

Leonora knows what she wants and nothing, NOTHING, and NOBODY is going to get in her way! And HOO BOY does di Luna try! So the convent kidnapping shit he tried to pull with the “not even God can claim [Leonora]” attitude didn’t pan out... but it also proved to Leonora that God wouldn’t necessarily save her (convent-style at least) so she leveled up and remembered OH YEAH PLANTS! *cue Juliet line*:

“ I'll to the friar, to know his remedy: If all else fail, myself have power to die.“

And honestly, she’s badass about it, too. From Act 1, she’s pretty fearless, from the moment Ines expresses fear and doubt about her infatuation with Manrico -

INES: Quanto narrasti di turbamento m'ha piena l'alma! Io temo...   What you say disturbs my soul, I fear [for you!] LEONORA: Invano! [You fear] in vain! (or: don’t fear!)

Leonora’s not afraid. She’s simply on a mission. Once Shit Gets Real and di Luna promises to kill Manrico, maintaining strict alignment with Mission “S'io non vivrò per esso, per esso morirò,”  asking di Luna to “Piombi, piombi il tuo furoresulla rea che t'oltraggiò, vibra il ferro in questo core che te amar non vuol né può”- Let your fury fall on the evil girl who offended you; plunge your sword into this heart that cannot, will not love you!

[again, not condoning Leonora’s choices, such as throwing herself under the ‘di Luna is going to blame Leonora for all his psycho actions’ Bus, but I respect her making her choices and fighting back]

Of course, di Luna is like “YOU CRAZY!” and literally tells Leonora her blood wouldn’t be enough to quell his rage. “l tuo sangue, o sciagurato, ad estinguerlo fia poco!” - Your blood, wretch, would hardly be enough! ~really playing the romance here~ :)

Leonora doesn’t get the point, since in Act 4, she repeats her pleas to exchange her live for Manrico’s - still not getting the Blood is Not Enough memo, apparently - “Svenami, ti bevi il sangue mio!” - Take me out**, drink my blood!

**no, di Luna, she isn’t asking you out on a date (sorry it’s so hard not to just 100% shitpost this opera) - but I couldn’t find a better translation. You don’t really say “faint me” in English and I don’t think the direct translation is “kill” but “take me out” seemed like an acceptable euphemism.

Of course, Leonora ultimately ends up accomplishing her Mission. [Like I said in part 1, my initial reaction to her self-sacrificial death was just anger and disappointment. But in context, she’s pulling a valid Juliet move... her circumstances are awful and suffocating and there are very few ways out for her in the world she lives in... but she ends up exiting the game on her terms.

{At the subjective level, at least. Objectively, her only choices are a vampire who will suck her life dry [di Luna] - in which life might be merciless - or choosing to withdraw from life with Help from Plants [poison] - in which death is merciful. Again, sociological exploration of Leonora’s CHOICE ARCHITECTURE coming to booksellers near you. Might even include Alternate Ending: running away into the mountains with the gypsies instead, but we all know that isn’t part of Mission “S'io non vivrò per esso, per esso morirò.” Plus I think we are all familiar with the concept that as humans we are more likely to stick with the evil we know rather than strike out into the great unknown. Heck, somebody stop me, these asides will be the death by boredom or exasperation of us all. Wait, are you reading this!??! WOW and bless you!! Thanks and I’m sorry}

Unfortunately, Manrico has to be a little turdball and start cursing Leonora, being the jealous self-centered guy that he ultimately is, before he realizes what she’s done to save him. “Manrico I’m literally dying FOR YOU and this is how you repay me?”

In Act 1, she begs di Luna to see reason through his jealous rage, but by Act 4 it’s her own beloved, the person she’s organized her Life Goal around, who is displaying the same jealous, blinding rage, refusing to listen to her. “Oh come l'ira ti rende cieco! Oh quanto ingiusto, crudel, crudel!” Oh how rage blinds you, how injust, how cruel you are [Manrico]!

Oh, the sweet and cruel irony Leonora getting her unconditional, immense, “eternal” love dismissed because Manrico doesn’t get it the way he wanted it [i.e. uh oh are we going to circle back to possessiveness/jealousy? Is Leonora the only one - and granted, she is a little psycho/obsessed/infatuated à la di Luna, but without trying to POSSESS her object of affection -- who can love in a semi-healthy way in this opera?? apparently]. My poor girl. At least Manrico Comes to his Senses before she dies (just in time for him join Leonora’s fate himself). *sad cheering*

Let me end by emphasizing that Leonora did not die JUST to “save Manrico.” Yes, the libretto says “Prima che d'altri vivere, io volli tua morir! “ - Rather than live as another’s, I wanted to die yours. But to me, it’s pretty clear she’s dying for herself - dying as her own self, as hers (I mean, technically she never became Manrico’s “legal property” anyways if we want to get into the morbid lack of womens’ rights, so she wasn’t even “his” in that way). And in the end, choice architecture aside, the point is that all the way, Leonora knew what she wanted, made her own decisions, stayed true to herself, and accomplished what she set her mind to. Nothing and nobody stopped her. Who’s to say what else she might have wanted if she had had different opportunities, choices, knowledge, or most importantly had been born in a different context.

(*faceplams* had been born?!! She’s a fictional character god Karo go to bed already) (*peels hands off face* it’s okay you are processing outrage over the Female Experience and Leonora represents a lot of real women, living and dead)

I conclude. LEONORA IS UNSTOPPABLE. Let’s part with some lovely lines from our complex (if a bit compulsively devoted), tragic, yet joyful, empowered, and fearless heroine:

Tu vedrai che amore in terra mai del mio non fu più forte: vinse il fato in aspra guerra, vincerà la stessa morte. 

You will see that never on earth was there a stronger love than mine; it defeated Fate in violent strife, it will defeat death itself.

*              *              *              *              *               *              *             *  ��     

Screencaps from IL Trovatore (Met 2011) ft. Sondra Radvanovsky, Dmitri Hvorostovsky, and Marcelo Álvarez

[sunnydaleherald]

The Sunnydale Herald Newsletter, Saturday, May 7th

WESLEY: Oh, God! Oh, God! GILES: (calmly) It doesn't seem too promising, does it? WESLEY: Stay calm, Mr. Giles. We have to stay calm. GILES: Well, thank God you're here. I was planning to panic.

~~Bad Girls~~

The Sunnydale Herald is looking for at least one new editor! Contributing to the Herald is a great way to get your Buffy on! Find out more here.

[Drabbles & Short Fiction]

Family's Fragrance (Buffy/Angel, G) by janas (angelthehero)

Reunited for eternity (Willow/Tara, T) by Aragorn_II_Elessar

Accismus (Angel/Spike, T) by Gabriel_Is_My_Guardian_Angel89

Good Work Deserves a Reward (Buffy, Stargate crossover, FR21) by cmdruhura

Superchaosvirgitasticexpealidoorbell (Xander, multiple crossovers, FR21) by Sithicus

[Chaptered Fiction]

Jojo's Bizarre Adventure: Shadowed Suspicion, Chapter 342 (Ensemble, Jojo's Bizarre Adventure crossover, T) by madimpossibledreamer

To Live In The World, Chapter 42 (Buffy/Faith, M) by IvorySteel92

Once More, With Fury, Chapter 7 (Willow/Tara, T) by Rutkowski

Alternating Skies and, of course, the Hellmouth, Chapter 20 (Buffy/Spike, E) by Popsy

Mon Coeur Battant, Chapter 13 (Giles/OC, not rated) by melancholyrises

Sandy Places in Tomorrow, Chapter 11 (Xander/Spike, M) by Raihne

Love is Blind, Chapter 4 (Buffy/Spike, M) by Cyllene

The Time Vampire, Chapter 1 (in Italian) (Drusilla, Doctor Who crossover, not rated) by Sayman

You Don't Know What You've Got, Chapter 20 (Buffy/Spike, NC-17) by lex_hex

Le chemin de la destinée, du courage, et la force de ses convictions, les chemins de son cœur... Le commencement, Chapter 62 (Buffy/Spike, Adult Only) by Violette-Milka

Bleeding Poetry, Chapter 31 (Buffy/Spike, NC-17) by Dusty

Falling in Love, Chapter 23 (Buffy/Spike, NC-17) by Wonder and Ashes

First Alternate, Chapter 4 (Buffy/Spike, NC-17) by Soulburnt

Inhuman Behavior, Chapter 2 (Buffy/Spike, PG-13) by violettathepiratequeen

United We Stand, Chapter 13 (Faith, Nikita crossover, FR15) by batzulger

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[Reviews & Recaps]

I just finished season 4 of angel and I have some thoughts by notlikethegardensofbabylon

BB Discusses: 5x13 “Why We Fight” continued by multiple posters

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Fic rec: Three Little Words by Walutahanga (Lindsey, Angel, G) recced by avatarskywalker78

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[Fandom Discussions]

things that totally happened in angel btvs: Gun helped an old black lady from his neighbourhood by angel-thoughts-dump

Wide shots showing the interior spaces [in Smashed] by chasingfictions

Them fucking the house down as destroying the domestic space... by anonymous and chasingfictions

the reason spike’s old desoto never shows up again after ‘crush’ by july-19th-club

What would Joyce have done if she found out about Faith’s living conditions in S3? by melonsmessymusings

Buffy/Doctor Who parallels by burrunjor

Titles of episodes in English and others languages: Season 7 (part 1) by Antho

The Writers treated Gunn better before he joined the team by The810kid

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The way the Summers girls grieve by Legitimate_Bug5604

What were the elements that made people continue to watch [BtVS] that differed from other shows? by Excellent-Durian-509

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Xander As A Stand-In For Joss Whedon: Source? by Paranormal_Nerd_Girl

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[aion-rsa]

What We Do in the Shadows Season 3: Harvey Guillén Wants Buffy to Train Guillermo

https://ift.tt/eA8V8J

This article contains spoilers for What We Do in the Shadows season 3 episode 3.

Things have changed for the Staten Island vampires on What We Do in the Shadows season 3 as they step into positions of power. This may not make much of a difference for Colin Robinson (Mark Proksch), whose new job as secretary of the Vampiric Council, is much like his fake job, at a cubicle in an office. But Laszlo (Matt Berry) may spend a little more in the potting shed. His love Nadja (Natasia Demetriou), is running the council, along with Nandor (Kayvan Novak), who’s familiar, Guillermo (Harvey Guillén), has been promoted to the position of bodyguard. It was easier than killing him.

Based on the 2014 feature film by Jemaine Clement and Taika Waititi, What We Do in the Shadows follows four vampires, who have been roommates for longer than anyone cares to remember, as they cope with life in the modern world. Which is not held up on the shoulders of four horses.

Nandor the Relentless was a fierce and terrible Ottoman warrior, known for pillaging villages and turning the Euphrates red with blood. Guillermo worked at Panera Bread. The bond that ties vampire to familiar is a strange one. The pay isn’t great, the hours are daunting, and they don’t get employee-of-the-month plaques. The only real incentive is the promise of everlasting life as a ravenous bloodsucking fiend, and there is something of a hiring freeze at the moment.

British Iranian actor and voice artist Kayvan Novak co-created and starred in the British prank show, Fonejacker, and also can be seen alongside Matt Damon and George Clooney in Syriana, as well as the films Cuban Fury and the Walt Disney live action remake of Cruella. He plays three different characters in Men in Black: International. Harvey Guillén acted in the movies The Internship and in Netflix’s Truth or Dare, and his TV works include The Magicians, and Zoey’s Extraordinary Playlist. He earned a GLAAD Media Award his role in the “Don’t Ask, Don’t Tell Me What to Do” episode of Raising Hope, and made LGBTQ+ Latinx history by becoming the first queer Latinx actor to be nominated for Best Supporting Actor at the Critics’ Choice Award for his role as Guillermo de la Cruz. Starting Sept. 2, Guillén will also host After the Shadows, a new talk show following and discussing What We Do in the Shadows.

Novak and Guillén hovered over Den of Geek to speak about Nandor and Guillermo’s new job descriptions, as well as old habits, cloaks of many voices, and Van Helsing DNA.

Den of Geek: I wanted to congratulate you on your characters’ new duties. Is it more fun running vampires or running from them?

Kayvan Novak: Has Nandor run from a vampire? I guess I have. I think they’re equally as exhilarating and frightening.

Harvey Guillén: I would say fighting the vampires is exciting with all the combat when that opportunity comes up. Yeah.

Guillermo took out the entire local vampire command, but couldn’t stake a vampire council docent. Is Guillermo getting soft?

Guillén: I don’t think he’s getting soft. I think the only reason that he even put himself in that scenario is because he knew that his old housemates, because remember he moved out of the house, his old housemates were in danger. I think at the end of the day we forget that he had mostly only humans in the house. And you know, what separates us from everything else in the world is that humans are driven by emotion and have a conscience and have a heart. So he couldn’t live with himself, if he knew that they were set up by the Vampiric Council to be eliminated at this theater. That’s the only reason he goes and saves his chosen family. Even though they’re total assholes to him, he is still loyal at the end of the day. He’s still loyal to these four vampires, especially Nandor. I think that he’s not getting soft. He’s just starting to see what’s important to him and what’s worth fighting for.

Did the “Cloak of Duplication” episode come up because you were already doing the impressions?

Novak: I guess the writers had an idea. They had a sense that I was a bit of a mimic and I liked doing impersonations. And I think they decided to kind of craft an episode around that. I was slightly apprehensive of the number of impressions that they thought I could do considering I had to do all of my castmates who, although I could do impressions of some of them, I’d never done it to their faces. So it was a new challenge. Not only to learn very quickly how to impersonate them with their help, because they helped me along the way, and they told me how to deliver some of the lines. But then having to do that in front of them, it took some concentration.

Whose voice was the easiest?

Novak: I guess the easiest, or the one that I had done was Colin Robinson. Because he’s got a very specific [voice]. It’s kind of the closest to mine in a way. And the rhythms of it, very specific. Nadja’s voice and Kristen [Schaal]’s voice, I couldn’t actually do. I can only kind of do their physicality. So, the voices you hear are not my voice. They’re the voices of the actual actors. Guillermo’s voice, Guillermo’s delivery, that took a minute to kind of get into that groove. And then Matt Berry, Laszlo’s character, I’d never really tried an impression of him. And it was really more the physicality that I got into to deliver those lines in that rhythm, that really was the key in. Because you’re always trying to find the key in.

Harvey, what was it like hearing Guillermo come out of Novak’s throat?

Guillén: It was great. Because I’ve seen Kayvan do impersonations of everyone, he’s a master. I don’t think I’ve ever seen him do me in a full scene. Like he would make a good joke or mimic me and say, “Yeah, yeah, now my friend,” and he does like a caricature of my voice, which is always fun, but yeah, “you’re my best buddy,” that’s like an ongoing joke on set that he always does. But to really kind of do it and kind of really capture Guillermo’s inflections and the volume where he placed him. I was like, oh my gosh, this is great. I was in awe. Like I was like, this is great. I had to do a double take, like that’s not me. That’s wait. That’s not me. Okay.

Blade, Buffy, the Frog brothers, and now Guillermo. Guillermo is the descendant of the greatest Slayer of all slayers. Is this nepotism?

Guillén: I don’t know if it’s nepotism because I don’t think he’s gotten anything handed to him. And he’s worked really hard for everything he has, and even now being the descendant of Van Helsing, it’s still not easy. Now, it comes with another wagon full of problems and choices to be made and predicaments that he now has with his housemates. But I would love to see some of those legendary slayers and chosen ones make an appearance and guide him, maybe help him out. Maybe Buffy pops in and says, I’ll show you how it’s done. That’d be great. Or Blade comes back, Wesley Snipes comes back. We’ve already had him. Who knows? But yeah, I would love to see someone show him the ropes or take them under their wing or, he’s learning by trial and error. And I think so far he’s doing okay. So maybe he’s a self-made Slayer in his own way.

When Nandor and Nadja were introducing themselves to the rogue vampires, you are each soloing, but hitting the beats at the same time. Can you just walk me through the rehearsal of the timing?

Novak: I think to really nail a scene like that, we’re both kind of focused on the direction of, I think Yana Gorskaya directed that scene. And that was just a case of us kind of working together, but also allowing her to kind of pull us through the scene to make sure that we hit those marks perfectly. It took some practice, took a few takes, took rehearsal, but you always know you’re going to get it. And you know that if you’ve got to get something that’s a bit of a challenge to get to, you want to be in the right company. And, and thankfully, we are because we’re in each other’s company.

Harvey, when you interject objections and you break and you look at the camera, they’re like hi-hat taps, are these scripted or are you doing it strictly on an intuitive basis?

Guillén: No, I don’t think I’ve ever seen it scripted for Guillermo that he looks at the camera. I think we do, as we do a rehearsal and we have our DP and our director follow us through rehearsal and whatever feels organic in the moment, there has to be an organic beat. Right? So, if it’s, most of the time it is Guillermo, because he’s the only human in the room, aside from the camera crew. And so, when he looks at the camera crew, it’s like, oh God, you’re going to film this, aren’t you? And the camera catches that moment. And it zooms into it. It’s like, you’re not, oh no, it’s incriminating. And so, as you connect with another human. Did you hear what he said? Or did you, I can’t believe they’re talking like this because who are you going to connect with the vampires who live in their own world of lust and pleasure and feeding. They don’t care, they’re immortal, but the humans in the room are like, we can go to jail at any moment for a lot of these things. I can get in trouble myself.

So, most of the time, when Guillermo looks at the camera, it’s either out of fear or it’s either like I’m smarter than them and you see that, right? So it’s like you saw that, right? But he can never say it. So he can’t verbally say what he’s feeling. So, their face does it all for you to the camera.

Did Guillermo and Nandor meet at Panera Bread?

Guillén: We talked about this. I think the idea that, if he was working at Panera Bread, it must have been shortly after high school or something. And somewhere along the lines, he must’ve met Nandor, he must’ve come in when Panera was closing and maybe tried to feast on him? Maybe, I don’t know. The backstory I gave myself was, he convinced Nandor not to feast on him and kill him, but to service him in return to become a vampire. That’s the backstory I gave myself. But Kayvan, what do you think?

Novak: I think whatever happened there’s CCTV footage of it-

Guillén: Somewhere. Yeah.

Novak: And I think that would be the best way of revisiting that because, if they didn’t have a documentary crew following them, then they’re relying on kind of just, incidental cameras, capturing stuff. I think it would be cool.

Guillén: I think that’s cool. Yeah.

Nandor is 758 years old, and going through an eternal life crisis. Is he becoming too Americanized or does Nadja have a point about there not being anything more to existence than just slaughter?

Novak: It’s a funny one because he’s been around so long, you’re supposed to eventually just blend into your environment and be taken over by and become an American or become a Staten Islander. And for some reason they live in such an insular world that they resisted this. But now for some reason, whether it be an emotional light that’s gone off in his head, he’s decided that no, he wants to humanize himself more and, yeah, be more like the people that he kills, almost. The world that he feeds off. He wants to be part of that. And I think, Nadja, she’s the cynic she’s like, stop dreaming. Stop. You know, there’s always that person that’s like, yeah, you could do that. But there’s lots of people that want to do that too, you know? And you’re like, oh, you’re right. I better not waste my time chasing pipe dreams. There’s always that person in the room and that person, for Nandor, is Nadja.

What’s it like to act against Nadja’s doll?

Guillén: Such a diva. Yeah. Difficult. Late to set. She always has to be carried. I don’t know if it’s in her rider, but the doll has to be carried by two, like men-

Novak: Dressed in green.

Guillén: Dressed in green. Yeah.

Novak: I actually did have to do a couple of scenes where there’s a montage sequence with me and the doll and we actually got onto some really funny stuff. I was teaching her sword fighting, a bit of a spoiler, but it’s very quick. I don’t know if it made it in but I was teaching her sword fighting and then I was like, well, we might as well have a sword fight. And then she disarms me and then she chases after me and I run. But I don’t know if that made it in the cut. I just decided that would have been a funny thing to do. To be disarmed by this doll. I think Nandor has a soft spot for the doll. Obviously, it’s a cool bit of special effects that’s for sure. It’s awesome.

What will you be getting Colin Robinson for his hundredth birthday?

Novak: A new contract. You know, his management team has been slacking.

I was talking with Mark Proksch about the physical comedy and Harvey, yours is particularly perilous. What’s the choreography prep like and making those fight scenes hit their funny marks?

Guillén: Well, I think physical comedy is just as good as you know, anything we do, so I mean, a lot of us do physical comedy in the show, but you never see Guillermo really in motion to do physical comedy most of the time it’s because he’s always so put together. So even with the combat and fighting, the note that Jermaine gave me for the finale was, Harvey doesn’t know he’s been at this. All right. So he doesn’t know what’s happening. So it was more of an idea that his face is like “what’s happening?,” But his hands were coordinated and bad-ass, and that’s the way I’ve been playing him. And now that he’s coming into his own, now he’s more relaxed into his own power of Van Helsing. But it’s also funny. It’s just funny to see someone who’s like a baby duck, like learning to walk for the first time. It’s like he’s trying. And you know, so that physical comedy comes in hand.

Kayvan, can you tell me what it was like working against Aida Turturro and learning to love after, after 37 wives?

Novak: Aida was a riot, from day one. She was a fan of the show, which is always wonderful and incredibly flattering. She was so into the show, she was so into the world and into us as performers. And I think that just, she had so much fun when she was there and we had some intimate scenes. The first time you see us, she’s on her back and I’m on top of her. And that’s quite an introduction. But she just went with it, you know? And it was just a lot of fun, a lot of fun with her and yeah, we just spoke to her today actually, and she was singing the show’s praises again. And she’s genuinely so excited. She’s not keeping her cool or trying not to be a fangirl about it. She was just super enthusiastic to be there. And you feed off that. You love that.

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What We Do in the Shadows airs Thursdays at 10:00 p.m. on FX.

The post What We Do in the Shadows Season 3: Harvey Guillén Wants Buffy to Train Guillermo appeared first on Den of Geek.

from Den of Geek https://ift.tt/3niKJN3

[lencir]

( NADIA HILKER, 254, SHE/HER ) We opened the gates to the seelie court for GENEVIEVE LENOIR and we are curious to see how the VAMPIRE, that is often described as the tempest, will contribute to the new era ━ are they the hunter, or are they the prey? We will find our answers in due time and until then, we hope that they can keep their little secret from getting exposed. It could be dangerous if everyone knew what we know…

FULL NAME: genevieve lenoir

AGE: 25 (apparent), 254 (actual)

SPECIES: vampire

SEXUALITY: bisexual

BIRTH DATE: dec. 1, 1766

GENDER: cis female

PRONOUNS: she/her

HEIGHT: 5'8″

MBTI: entj, the commander

From what she can recall, Genevieve had an unremarkable childhood. Her father Henri, a French soldier, died from tuberculosis when she was twelve, and her mother, a German midwife named Syele, never remarried. She adored her brother, Félix — a boy nine years her minor with curls so much like her own. Together, they lived in an unassuming cottage in Château-Chalon, a small commune in Eastern France.

Her uncle, a hunter by trade, would visit often, feeding her love for the wilderness. From an early age, she was taught how to listen for animals, anticipate their movements, and, most importantly, shoot. By the time she was fourteen, she could easily outshoot her uncle with the beautiful red oak crossbow he’d made for her. She had the patience of an experienced hunter too, a valued asset when hunting season came around and the town required the thinning of rabbit populations. But, for Genevieve, there was more to life than killing.

It might surprise people to know that she wasn’t always the gruff, stoic figure she is today. She wanted to practice medicine with every fiber of her being and would often stay up at night practicing her stitches. Her mother would often call on Gen’s help, teaching her the skills necessary for a successful midwife. That all ended the night Syele uncharacteristically arranged for one of her patients to deliver in the Lenoir family home.

It was a difficult delivery for both mother and baby, and Syele sent Gen to fetch the village’s other midwife to aid in the delivery. She was only gone for a few minutes, having run the entire way, but she returned to a massacre. The front door had been kicked in, furniture overturned, and amongst the wreckage lay the drained bodies of the two people she loved the most. For years, there had been rumors of vampyre killings throughout Europe. Neighbors would return from travels claiming sightings and strange disappearances. It was out of curiosity-laced shock that she bothered to check… only to find small puncture wounds in the necks of each of the bodies.

Something broke in Genevieve that night. She gave herself the night to mourn and by sunrise, she abandoned her home with only a crossbow and the family’s stallion. Medicine was no longer an option.

She met her mortal end a year later at the hands of nomad clan who had caught her scent just outside of Écrille. They ambushed her horse, slipping a sack over her head and dragging her into the night. For four agonizing nights and five balmy days, Genevieve found herself locked in a cellar. The vampires’ sadistic goal was simple: to punish her. And they dealt the final blow in the form of dripping blood into a just barely conscious Genevieve’s mouth.

She tried to resist her thirst, fought against the temptation to drain the innocent they brought in to tempt her. It almost worked, until the opening of the door blew the fragrant scent she’d longed for into her nostrils.

When she awoke into her new life, the house was empty with only blood-splattered curtains to show for the temporary vampiric guests. Alone and forced to teach herself, Gen stole away to the mountains. She remained in isolation for five months, coming to grips with her newfound immortality while feeding solely on hunters who strayed too far from the village. The adjustment period was difficult and filled with bloodshed. Needless to say, her attackers didn’t survive her vigilante justice once she found them. Killing her sire was painful, but what he had taken from her was worse. She gave their followers a choice: die or join her.

The newly formed clan —named Lamoura for the lake where Gen spent her first months of vampirism— made its way through the French countryside with sights set on Paris. After all, 1792 was a great year to be a vampire, and the violence of the revolution blurred with her own reign of terror; no one had the time to notice all the missing people. She made a name for herself across Europe, becoming known as la femme sanguinaire des boucles.

Neutrality suited Gen best, so the Lamoura would never pick a side in any of the battles they joined. As a result, she attracted the most ruthless members of her kind and had no choice but to enforce order. Those were the bloodiest years, constant challenges of her authority driving her to take more lives than she would have liked. Her form of justice was strict but fair; loyalty was rewarded and betrayal of any sort was unacceptable. The ultimate betrayal being the killing of families. A husband at war? Fine. Following someone home to where they lived with their spouse and child? Banishment or worse. The latter became a less likely punishment as her reputation came to precede her.

The same is true today, which has made her stay at court… manageable. The years have certainly hardened Genevieve, shaping her into the blunt, battle-worn woman she is today. She’s indifferent to anyone she meets until proven otherwise, existing in a moral gray area. She can recognize that she has done things that others might deem distasteful but in the name of survival, who can judge?

Her sense of humor is sarcastic, her form imposing, and she generally does little to discredit assumptions made about her. She’s passionate about the causes she believes in and is willing to give anyone a chance — one chance.

It’s a misconception that she makes rash decisions, especially given her past. On the contrary, she carefully thinks through all of her moves. It’s key to how she’s been able to maintain leadership for over two centuries.

Restlessness is something that has never sat well with Gen, and it shows the longer she stays at court. Where once she was keen to bide her time, she is now coiled and ready to seize any opportunity to escape. She has always been sure in her aims, confident in her, at times, brutally selfish way of life. Like a poison seeping into her pores, the court is slowly starting to change that, and she wants out.

THE GREAT ESCAPE x someone who’s part of her clan – esp. a. someone she’s trying to recruit (she is careful about every aspect of her life, especially who she puts in her inner circle. now that she’s established, she doesn’t want any threats to her authority) b. someone who’s been in her clan for years (either a positive or begrudging relationship) ❛ This rage will lead us through the burning plains. No matter what they say, we're heroes. ❜

AIN’T NO REST FOR THE WICKED x someone with whom she crossed paths during her “bloody” period. she didn’t use much discretion at this time so anyone who knew her then l i k e l y would’ve perceived her as a strong cold bitch ❛ There ain't nothing in this world for free. Oh no, I can't slow down, I can't hold back. Though you know, I wish I could. ❜

VENUS x gen doesn’t have many longterm ties outside of those she believes can help her down the road. that said, this is someone she seriously considered changing her rule for. she has a heart??? ❛ At first I thought you were a constellation. I made a map of your stars, then I had a revelation. ❜

BANG BANG YOU’RE DEAD x she hates this person’s guts. do with it what you may, but this is someone who really makes her wish she was as vicious as the stories say. ❛ I knew all along but I was loathe to believe. There was nothing but spite, fury, and lies in the words that you weave. ❜

hey guys! i’m taylor and i’m super hype to write with all of you :) this is my sarcastic asshole gen –  feel free to like this and i’ll hit you up for plots