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#Location for the TV and Film versions of
renaultphile · 9 months
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Castle Howard location for Brideshead Revisited
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And that iconic fountain.....
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mimi-0007 · 20 days
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FATHER & SON: James Earl Jones with his Father Robert Earl Jones on Stage in the 1962 Production "Moon on a Rainbow Shawl."
Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent Black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career.
Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985).
Jones was born in northwestern Mississippi; the specific location is unclear as some sources indicate Senatobia, while others suggest nearby Coldwater. He left school at an early age to work as a sharecropper to help his family. He later became a prizefighter. Under the name "Battling Bill Stovall", he was a sparring partner of Joe Louis.
Jones became interested in theater after he moved to Chicago, as one of the thousands leaving the South in the Great Migration. He moved on to New York by the 1930s. He worked with young people in the Works Progress Administration, the largest New Deal agency, through which he met Langston Hughes, a young poet and playwright. Hughes cast him in his 1938 play, Don't You Want to Be Free?.
Jones also entered the film business, appearing in more than twenty films. His film career started with the leading role of a detective in the 1939 race film Lying Lips, written and directed by Oscar Micheaux, and Jones made his next screen appearance in Micheaux's The Notorious Elinor Lee (1940). Jones acted mostly in crime movies and dramas after that, with such highlights as Wild River (1960) and One Potato, Two Potato (1964). In the Oscar-winning 1973 film The Sting, he played Luther Coleman, an aging grifter whose con is requited with murder leading to the eponymous "sting". In the later 20th century, Jones appeared in several other noted films: Trading Places (1983) and Witness (1985).
Toward the end of his life, Jones was noted for his stage portrayal of Creon in The Gospel at Colonus (1988), a black musical version of the Oedipus legend. He also appeared in episodes of the long-running TV shows Lou Grant and Kojak. One of his last stage roles was in a 1991 Broadway production of Mule Bone by Hughes and Zora Neale Hurston, another important writer of the Harlem Renaissance. His last film was Rain Without Thunder (1993).
Although blacklisted by the House Un-American Activities Committee in the 1950s due to involvement with leftist groups, Jones was ultimately honored with a lifetime achievement award by the U.S. National Black Theatre Festival.
Jones was married three times. As a young man, he married Ruth Connolly (died 1986) in 1929; they had a son, James Earl Jones. Jones and Connolly separated before James was born in 1931, and the couple divorced in 1933. Jones did not come to know his son until the mid-1950s. He adopted a second son, Matthew Earl Jones. Jones died on September 7, 2006, in Englewood, New Jersey, from natural causes at age 96.
THEATRE
1945 The Hasty Heart (Blossom) Hudson Theatre, Broadway
1945 Strange Fruit (Henry) McIntosh NY theater production
1948 Volpone (Commendatori) City Center
1948 Set My People Free (Ned Bennett) Hudson Theatre, Broadway
1949 Caesar and Cleopatra (Nubian Slave) National Theatre, Broadway
1952 Fancy Meeting You Again (Second Nubian) Royale Theatre, Broadway
1956 Mister Johnson (Moma) Martin Beck Theater, Broadway
1962 Infidel Caesar (Soldier) Music Box Theater, Broadway
1962 The Moon Besieged (Shields Green) Lyceum Theatre, Broadway
1962 Moon on a Rainbow Shawl (Charlie Adams) East 11th Street Theatre, New York
1968 More Stately Mansions (Cato) Broadhurst Theatre, Broadway
1975 All God's Chillun Got Wings (Street Person) Circle in the Square Theatre, Broadway
1975 Death of a Salesman (Charley)
1977 Unexpected Guests (Man) Little Theatre, Broadway
1988 The Gospel at Colonus (Creon) Lunt-Fontanne Theatre, Broadway
1991 Mule Bone (Willie Lewis) Ethel Barrymore Theatre, Broadway
FILMS
1939 Lying Lips (Detective Wenzer )
1940 The Notorious Elinor Lee (Benny Blue)
1959 Odds Against Tomorrow (Club Employee uncredited)
1960 Wild River (Sam Johnson uncredited)
1960 The Secret of the Purple Reef (Tobias)
1964 Terror in the City (Farmer)
1964 One Potato, Two Potato (William Richards)
1968 Hang 'Em High
1971 Mississippi Summer (Performer)
1973 The Sting (Luther Coleman)
1974 Cockfighter (Buford)
1977 Proof of the Man (Wilshire Hayward )
1982 Cold River (The Trapper)
1983 Trading Places (Attendant)
1983 Sleepaway Camp (Ben)
1984 The Cotton Club (Stage Door Joe)
1984 Billions for Boris (Grandaddy)
1985 Witness (Custodian)
1988 Starlight: A Musical Movie (Joe)
1990 Maniac Cop 2 (Harry)
1993 Rain Without Thunder (Old Lawyer)
TELEVISION
1964 The Defenders (Joe Dean) Episode: The Brother Killers
1976 Kojak (Judge) Episode: Where to Go if you Have Nowhere to Go?
1977 The Displaced Person (Astor) Television movie
1978 Lou Grant (Earl Humphrey) Episode: Renewal
1979 Jennifer's Journey (Reuven )Television movie
1980 Oye Ollie (Performer) Television series
1981 The Sophisticated Gents (Big Ralph Joplin) 3 episodes
1982 One Life to Live
1985 Great Performances (Creon) Episode: The Gospel at Colonus
1990 True Blue (Performer) Episode: Blue Monday
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nightingaelic · 3 months
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Things that are Now Fallout Canon
(according to the Special LIVE Report from Galaxy News that preceded the Fallout TV series' teaser trailer release on December 2, 2023)
Vault 33, the focus vault of the Fallout television series, is located beneath Santa Monica, California. It's also implied to be very, very expensive to get into.
Bottle and Cappy, the mascots for Nuka-Cola and its theme park, Nuka-World, were about to embark on a seventeen-movie-long series of animated films before the bombs fell.
The sinking of the RMS Titanic happened in Fallout's alternate universe. The news announcer jokes about the world going down like the infamous ship, including the deadly lack of lifeboats.
Camels exist in this universe, too! The news announcer actually fucks this one up, because he says dromedary camels have two humps - dromedary camels have one hump, while Bactrian camels have two. Or maybe we'll get a sound bite from Todd Howard in a few months where he claims the camel breed names are swapped in Fallout, who knows.
Pets were not allowed in the commercially-advertised vaults. The news announcer regrettably informs listeners that they can't bring their cats, dogs, or even fish with them due to logistical concerns and safety hazards, but they are more than welcome to purchase Vault-Tec-branded gravestones and hold pet funerals before they move underground. Hypothetically-speaking, it wouldn't surprise me if people tried to smuggle their animals in, anyway.
Someone stole the Fallout universe's original moon landing flag from the Museum of Technology in Washington, D.C. - another headline report, with no further details. It was in the same exhibit as the Virgo II lunar lander, which stayed put for at least 200 years.
Vault Boy was named "World's Sexiest Man" in 2077 (when the report is being aired) - no word about which publication or organization bestowed this title upon an animated mascot.
Vault-Tec trademarked the thumbs-up emoji in the Fallout universe - which is very much in character for the company, but something about there being emojis in the world at all hit me wrong.
Vault-Tec instituted a "breeder search program" alongside vault placement purchases, and encouraged polyamory to get people to procreate (and buy more vault spots). I'll admit that this one seems plausible but shaky, because by this point in the report the news announcer is losing his mind while stalling for the vault door to open, and he might just be making shit up.
Nuka-Cola ran its own version of the Pizza Hut "BOOK IT!" reading program, called "ZAP IT!" Kids were required to read over 10,000 books to win rewards. If we use picture books for the math, and allow for five minutes to read each book, that's about 833 hours (34 straight days) of reading to get some soda.
Moby-Dick by Herman Melville and the ancient Greek myth of Daedalus and Icarus both exist in the Fallout universe.
Resulting Thoughts
"The ghoul" in the show is possibly named Howard - unsure if that's a first or last name. In the teaser trailer, Walton Goggins (who plays the ghoul) is shown dressed like a Hollywood cowboy on the day of the Great War, riding a horse to try to escape the nuclear bombs that hit Los Angeles with an unidentified child. Meanwhile, the Galaxy News headlines report that a box office hit called "The Man From Deadhorse" is getting a sequel, which is currently filming at California Crest Studios, and the news announcer says the film is "Howard-led." Whether the ghoul is the lead actor, we don't know, but it seems like a solid enough hint at his origins.
I'm glad that the show is going to delve more into the idea of the haves and have-nots, what with vault entrance being both selective and expensive. The most recent games in the series don't talk about this enough, in my opinion.
This isn't specific to the show adaptation, but it's becoming more noticeable to me that the Fallout series is crawling forward in terms of relating to modernity. I'm not sure how to feel about this - for example, I don't really mind if the soundtrack of Fallout 76 features the Beach Boys and other 1960s songs when it used to be strictly limited to 1930s and 40s music. On the other hand, I thought that using a news announcer that sounds more like a modern podcast host than a Transatlantic-accented journalist was an odd choice, and as I said above, I really did not like the idea that pre-war America knows what an emoji is. I'll get over it, but I'm anticipating that there will be some more artistic choices in the adaptation (and future games) that rub me and others the wrong way because they don't fit our definition of what Fallout "is." I'm not saying anything new, people have been arguing about that forever.
Overall, I'm excited. We're probably not getting a new Fallout game until 2030, so I might as well try to enjoy this. I will be keeping my bingo cards handy, though.
Anyway, I transcribed the damn report because I'm very normal. Feel free to use!
Fallout - A Special LIVE Report from Galaxy News
with occasional commentary from yours truly
[An upbeat, strings-led orchestral jingle plays, and black-and-white picture focuses on a spinning, silver globe. The globe is being circled by a vintage toy rocket. The words "GALAXY NEWS" fly in, and are quickly wiped and replaced by script declaring "Vault-Tec Presents..." The picture is circle-wiped and transitions to a high view of a vault entrance, with no visible script or markings to indicate which vault it is. The large, circular vault door is closed, and the access bridge to the door is not connected. A timer counting down from 60 minutes is overlaid in the bottom left corner, just above the Galaxy News globe logo and a signal tower graphic next to the word "LIVE." News headlines scroll along the bottom of the screen, the first of which reads "GALAXY NEWS SIGNS 10-YEAR PARTNERSHIP DEAL WITH VAULT-TEC." The headlines are separated by small lightning bolt graphics. The music continues throughout, and a male news announcer's voice cuts in.]
Good morning! Or, afternoon! Or evening, depending on where in the world you are. If you're just tuning in with us now, you're in for a treat. Welcome to the unveiling of Vault 33, one of the flagship vaults of Vault-Tec's arsenal of vaults.
[The second scrolling headline reads "VAULT-TEC VOTED AMERICAN COMPANY WITH BRIGHTEST FUTURE."]
Galaxy News is here live with an exclusive look at the next generation of apocalypse-proof, purpose-built luxury housing, sponsored by our friends at Vault-Tec. Vault-Tec: Revolutionizing safety for an uncertain future.
[The third scrolling headline reads "ROBCO INTERPLANETARY PROBE PROBES DEEPER INTO SPACE THAN ANY PROBE HAS PROBED BEFORE."]
If you're a regular viewer of our programming, we consider you an astute, engaged citizen, doing your part to stay informed on the latest news impacting this beautiful country of ours, and so it will be no surprise to you that we are on the precipice of a nuclear armageddon. But, fear not, Vault-Tec is building the ultimate shelter-in-place solution for the more doomsday-savvy customer: A veritable ark meticulously designed to weather the geopolitical storm surely headed our way any day now. And for the first time on live broadcast, the fine folks at Vault-Tec will be giving you a tour of their newest product unveiling, from the comfort of your home.
[The announcer takes a break, and the music swells. The vault remains closed, and no activity whatsoever is visible around it. It might as well be a static image. The fourth scrolling headline reads "NUKA-WORLD BREAKS ATTENDANCE RECORD FOR FOURTH STRAIGHT YEAR. GALACTIC ZONE GIVEN CREDIT FOR INCREASED NUMBERS." The initial song ends, and a new strings song with a more staccato rhythm begins. The news announcer returns.]
Welcome, once again, to Vault 33, nestled in the coastal west side of sunny Los Angeles County, and minutes from the yet-to-be-destroyed, bustling downtown promenade. Should nuclear annihilation one day come for this quiet beach-side town, you can take comfort in knowing you are safely buried deep, deep below what numerous trade publications once called "one of the best places to live." Right now, ladies and gentlemen, what you're looking at is peace of mind. Billions and billions of dollars and decades of R&D funneled into the high-grade protection engineering that only Vault-Tec can bring you.
[The fifth scrolling headline reads "WE ASKED OUR VIEWERS TO ANSWER A SIMPLE QUESTION: WHAT IS THE GREATEST NATION ON EARTH AND WHY IS IT AMERICA? HEAR THE RESULTS TONIGHT AT 10PM EST." At this point, the news announcer starts to sound less formal and more excited.]
Aren't we a bunch of lucky ducks! Vault-Tec has tapped us into their closed loop security feed to bring you a sneak peek behind a vault entrance airlock. That large, fortified steel blast door you see there is the only thing standing between you and the rads.
[The sixth scrolling headline reads "UNITED STATES AGAIN ACCUSED OF ATMOSPHERIC COUNTER-ESPIONAGE BY THE REDS."]
Very soon - very soon, I'm told - Arnold? Are we - yeah - and we're very soon, and we're very soon. Very, very soon, I'm told, that gear door will open, and Galaxy News will be on the ground to give you all a walking tour of the facilities! Including the accommodations one might expect in a state-of-the-art, modern residence thanks to a partnership with RobCo Industries and some of your shelf-stable forever favorites like BlamCo and Sugar Bombs! There's nowhere to hide from explosive good taste! Boom!
[The news announcer disappears again, and the strings conclude and are replaced with a meandering clarinet-led number. Several scrolling headlines go by: "U.S. RENEWS DEFENSE CONTRACT WITH WEST TEK, HERALDS VALUE OF POWER ARMOR IN ALL THEATERS OF WAR." "ESPIONAGE THREAT SUBDUED IN DOMESTIC URANIUM MINES." "PRESIDENT DECLARES NUCLEAR STOCKPILE 'SAFE ENOUGH.'" "BULLETIN OF THE ATOMIC SCIENCES SETS DOOMSDAY CLOCK TO HALF A NANOSECOND TO MIDNIGHT." "ATLAS OBSERVATORY CHRISTENS NEW TELESCOPE, RE-COMMITTING TO A NON-VIOLENT PURSUIT OF KNOWLEDGE." The song ends, a new one begins, and the news announcer returns. The vault still hasn't opened, and he's dropped what was left of his professional tone.]
And we are... stalled out. We're still... having technical difficulties. You know, sometimes things go bad and there's just no way you can plan. It's kind of like what's happening with the world right now, there's no way you could've been born into the world and know how you were going to end - know how the world would end. How will the world end, in fire or in ice? Well, it turns out -
[laughter]
It turns out it's gonna be fire...
[The twelfth scrolling headline reads "CHRISTMAS TOY TRENDS: RETAILERS REPORT SHORTAGE OF POWER ARMOR FIGURINES."]
Arnold! What's that? Okay. Yes.
[sound of paper pages being flipped through]
Okay. Arnold just handed me a fun fact. We're gonna do fun facts, fun facts.
[The thirteenth scrolling headline reads "NUKA-COLA QUANTUM GETS FDA APPROVAL, FOUND TO CONTAIN 'HEALTHY AMOUNT OF RADIATION."]
Fun fact about the construction of these massive vaults: They use concrete. Hm. That hardly counts as a fun fact, Arnold. Now is there an update on when the door... the door's gonna be open? Arnold? I'm sorry, is there an update on the door? Is there an update on the crane? Is it a crane problem, or a door problem? Is it a pr- is it a crane problem, or a door problem? Arnold? Arnold! Arnie!
[sigh]
Okay...
[The news announcer gives up, and a song with a lot of muted trumpet comes in to serenade more scrolling headlines. "NO ONE'S BEATING THIS DEADHORSE. 'THE MAN FROM DEADHORSE' TOPS BOX OFFICE. A SEQUEL IS ALREADY IN THE WORKS AT CALIFORNIA CREST STUDIOS." "ATLAS WEATHER EXPERIMENT BELIEVED TO BE THE CAUSE OF UNEXPECTED SNOW FLURRY IN LOS ANGELES." "DEVELOPING: REDS CONTINUES TO DENY EXISTENCE OF STEALTH SUBMARINES, US INTELLIGENCE SUGGESTS OTHERWISE." Woodwinds replace the trumpet, and the news announcer returns, pivoting to an unrehearsed sales pitch for his sponsor.]
If you have the money, please - please, guys - get a Vault-Tec vault. Get in there! Think of it as a life raft, a bit. Our country is the Titanic, and these vaults are the life rafts - right? - attached to the side of it.
[The seventeenth scrolling headline reads "NUKA-COLA MASCOTS 'BOTTLE AND CAPPY' TO APPEAR IN ANIMATED FILM FROM CALIFORNIA CREST STUDIOS. WILL BE THE FIRST IN A SEVENTEEN PICTURE DEAL BETWEEN THE COMPANIES."]
Now, were there enough life rafts on the Titanic? If you remember - no, no there weren't enough, and so many, many people died, and so, it's a nice allegory actually, because they're not going to die in the freezing ocean, which would be - actually, it's a little faster to die by fire than it is by drowning in the cold, so it is kind of an advantage to be dying now, th- rather than on the Titanic, the RMS Titanic.
[The eighteenth scrolling headline reads "SUPPLY LINES FOR RED FORCES BREAKING DOWN." Sort of like this announcer. He pivots again.]
Now - can you call a survivor of a nuclear holocaust a person, anymore? I don't know. Their brain is going to be cottage cheese, and they will be crawling... crawling on the ground, stuffing sand in their mouth, their blind eyes melted out, like the white of an egg, just dripping and dribbling out of their eye sockets.
[The nineteenth scrolling headline reads "VAULT-TEC ANNOUNCES COMPLETION OF VAULT 33 UNDER SANTA MONICA, CA."]
They raise their face towards their... god... and scream, "Nooooo! Whyyyyyy! What did it all mean?" It turns out it didn't mean much if you didn't get a spot in a Vault-Tec vault."
[The twentieth scrolling headline reads "MILITARY UNITS SENT TO QUELL UNREST IN SEVERAL STATES."]
"Now, let's talk about the luxury interiors of Vault-Tec vaults. We have camel leather. You've heard of cow leather. Probably. Camel leather is a great deal softer, isn't it? It comes from the camel, who keep their water on their backs in a hump. Sometimes two, if they're a dromedary. Now, let's talk about camel leather and why it is more supple, and why it is cooler to the touch, and we can talk about it forever but what you want is luxury, what you need is safety: Where you go is Vault-Tec. That's it.
[I feel like I need to point out that dromedary camels only have one hump, and no camels store water in their humps: It's actually just fat up there that they can live off of while traversing deserts. Regardless, the announcer is gone again. The scrolling headlines remain. "NUKA CORP SPINS OFF ATOMIC RESEARCH ARM INTO SEPARATE CORPORATE ENTITY AFTER SEC APPROV." "SUPER DUPER MART ANNOUNCES RECALL OF BLAMCO MAC & CHEESE FOR TRACE AMOUNTS OF DAIRY." "VAULT-TEC STOCKS SOAR AS US ECONOMY BECOMES FEAR-BASED." "BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND LASERS TAKE DOWN NATIONWIDE WEAPONS SMUGGLING RING." Another woodwind-heavy song starts up, and so does our announcer.]
Um... Arnold?
[throat clearing]
Arnie! Can we- do- do we have a- can we start a clock? Can we - is there, like, anything we can do? I feel like people need something to hold onto, there's a lot of empty air. There's a lot of dead air, here. People need something to hold onto, people are freaking out, and I'm freaking out because I like to have - I like to bring people comfort - uh, in, in this crazy time. There's, there's only a few things you can predict -
[laughter]
In - in the world, and uh, I thought that opening the vault on time would be one of those things.
[The twenty-fifth scrolling headline reads "MILITARY SETS THREAT LEVEL OF POSSIBLE BIOLOGICAL WEAPON ATTACK FROM REDS TO HIGH."]
I was kind of counting on it as a - a thing that would bring some amount of normalcy, some amount of comfort. Something happening the way it's supposed to in a world that feels like it has been turned upside down by evil. But, unfortunately that is not the case. Here we are. Another thing we don't know. Another thing we have to grapple with.
[The twenty-sixth scrolling headline reads "TEDDY FEAR MANUFACTURER SETTLES CLASS ACTION LAWSUIT, DENIES TOY BEAR CAUSES SLEEP PARALYSIS NIGHTMARES IN CHILDREN."]
This particular vault and these technical difficulties that we're having right now have absolutely nothing to do with the product that you will buy when you buy a Vault-Tec vault. Now, Vault-Tec vault living is living the dream, and it's the only way to safety unless you're... the President of the United States, or something like that, and you have a mountain in Colorado to go under and direct the events of the world. Not many of us are that, there's only one of those... uh, and his various and sundry advisors, I'm sure they'll be fine, but you won't! You won't be fine!
[The twenty-seventh scrolling headline reads "WERE TEDDY FEAR BEARS MISUNDERSTOOD? ONE PSYCHOLOGIST THINKS SO."]
If a vault is out of your price range, there are lower-cost alternatives to purchasing a spot with Vault-Tec. They don't sound... good, if you ask me. Anti-radiation pills? Good luck with that. Not sure how anti-radiation pills will hold up against temperatures rivaling the surface of the sun, for example. But maybe that's just me!
[He's gone again. We're 15 minutes into the countdown, and the woodwinds have really started to outdo their own whimsy, at this point. Headlines continue. "TEDDY FEARS SKYROCKET IN POPULARITY AND PRICE DUE TO SCARCITY CAUSED BY RECALL." "VAULT-TEC ANNOUNCES NEWLY AVAILABLE SINGLE VAULT SPACES FOR SALE." "THIS YEAR'S FALLOUT SUIT DESIGN FEATURES ENHANCED PROTECTION, 20% MORE ZIPPERS." The whimsical woodwinds finish up and a bouncy, brassy horn piece takes over. This summons the announcer.]
When you see that vault, it's all gonna be worth it, fellas. It's all gonna be worth it when you see that vault. Now kids, you're probably wondering: Can I bring my pet doggy, or my pet kitty, into the vault? You can't. Unfortunately... it's a hazard in so many different ways. Uh... tch, uh, their hair can get caught in the ventilation system, you'll have endless problems, where do you put their waste? Where do you put... their food? So many, so many problems, so... we have specially-made Vault-Tec gravestones.
[The thirty-first scrolling headline reads "VIRGO II LUNAR LANDER NOW ON DISPLAY AT MUSEUM OF TECHNOLOGY IN WASHINGTON, D.C."]
We have specially-made Vault-Tec pet gravestones for your children to have many funerals for their pets before you go into your Vault-Tec vault. Memorialize your pets now with Vault-Tec mini pet gravestones! Dig a hole in the sand, put the pet in there, and put that gravestone - and it's got a space where you can write the pet's name - right before you go in the vault, no pets in the vault. Not even fish. No, not even fish.
[The thirty-second scrolling headline reads "FLAG FROM VIRGO II LUNAR LANDING STOLEN FROM MUSEUM OF TECHNOLOGY." The news announcer is really getting aggravated.]
What is happening? What is - Arnie! What is - what is happening? Okay - okay! Alright!
[The music and the headlines fill the space again. "NUKA-WORLD TO RAISE TICKET PRICES FOR UPCOMING SEASON, EXPECTING AN 'EXPLOSIVE' YEAR." "GWINNETT ANNOUNCES NEW PALE ALE SO PALE IT'S TRANSPARENT." "HAPPY NATIONAL SOCK HOP DAY!" "VAULT BOY NAMED WORLD'S SEXIEST MAN." The news announcer tries again, attempting to play up the complete inactivity happening onscreen.]
So much is happening here, we've got... the crane, as you can see, it's - it's about to be lowered, and I'm told - and I'm told... the weather. The inclement weather is - keep - I think the weather... there's a pressure cha- it needs to be - yes, of course. The pressure needs to be right to open the vault, or else the differential pressure between underground and overground will cause... a, uh... uh, the furniture to, uh...
[The thirty-seventh scrolling headline reads "VAULT-TEC REGISTERS TRADEMARK ON THE THUMBS UP EMOJI." This one made me physically recoil.]
L- Look... get a Vault-Tec vault. If you can't afford a whole vault for your family, that's fine. Buy time in a timeshare, one of our timeshares. And it's not the kind of timeshare you're going to regret, this is one that's not a scam, because you can look down at your intact body in a Vault-Tec vault and say, "Look at me! I'm whole!"
[The thirty-eighth scrolling headline reads "NUKA-COLA PATRIOTICALLY SALUTES SUCCESS OF NEWEST FLAVOR LAUNCH - NUKA-COLA VICTORY. EXCLUSIVE REDESIGN COMING NEXT YEAR WITH 'A TASTE AS SWEET AS FREEDOM.'"]
Stay whole in a Vault-Tec vault! Keep it together, meaning your corporeal form! Keep it together in a Vault-Tec vault! You'll be skipping around in a workout area, and... check out those barbells! Why not work those biceps while you're down here? What if there's an emergency, and somebody breaches your Vault-Tec vault door? Well, you're gonna want to be in shape to fight off that rageful beast!
[At this point the scrolling headlines loop back to the beginning.]
Now, is it a human? If you kill it, will its soul go to heaven or hell? Don't worry about it! Just get it out, because even its presence in your Vault-Tec vault could kill you and your entire family! These people are irradiated. It's not healthy, right? It's like putting your hand on a radiator. Don't do it.
[Music break. That vault still isn't opening. The song ends, and the news announcer clears his throat.]
We don't... have the exact scoop yet, ladies and gentlemen, so Arnie, why don't we put some music on while we wait for the skinny?
[noticeable pause]
I- I- I- I- don't know what song, put on anything, I'm dying up here.
[The next song opens with energetic trumpets that sound like they're charging through a movie theater snack stand. It's followed by a big band track that seems to re-energize the announcer.]
And, if you're just joining us, we're preparing to head inside the latest and greatest product offering from Vault-Tec. Vault 33, a pristine subterranean society purpose-built for America's best and brightest to wait out the nuclear fallout. There's no telling what will remain once this global conflict reaches its inevitable conclusion: That's why it's important for patriots like you to purchase a guaranteed spot in America's future. It's up to you to keep our golden society going, propagating forth until we have the ranks to repopulate the world outside.
"What if I don't have a partner or family right now?" you may be asking. "Don't give up on love so soon!" I say. Where better to meet eligible partners than in a cherry-picked community of like-minded individuals? If you find you need a bit more assistance, Vault-Tec has breeder search programs to help you find the one, or the two, or the three, four, five! Vault-Tec is a very open society, so go ahead and purchase that single vault space, and that single may become a double before you know it! And what better place to find someone to love, than safe underground?
Please stay tuned as we prepare to bring the crew, and the world at large, inside our Vault-Tec facility.
"But what if I don't have the money for a vault right now?" you may be thinking. You should never let not having the funds today stop you from reaching your dreams. You can always pay tomorrow, into perpetuity. Vault-Tec is reportedly constructing financial packages that allow for customers to continue payments on select economy vaults, in the event of total societal extinction. So don't worry, purchase away! Vault-Tec upholds traditional American values, and they believe no one should be excluded from the pursuit of life, liberty, and debt.
[Music break, wherein the song concludes and switches to something more pensive and staccato.]
A- Alright? Yes? Arnold is telling me - yes? We are moments away! Moments away - from having some kind of movement here. I'll believe that when I see it. Sorry Arnie, but your credibility with me could not be any lower at this point.
Let's talk about the amenities in these concrete miracles. Radiation King will be providing television sets, modern kitchen appliances.
[throat clearing]
The sofas will be... I'm sorry, do we know who makes the sofas? I'm sorry, do we - do we know who makes the sofas? Do we know who makes the sofas? Arnold, do we know who makes the sofas?
[Arnold does not reply. The announcer is miffed.]
What else is new. Yeah.
[Dejection turns to anger immediately.]
If you could please just give me something? If you could please just give me something to update? I'm sitting here with nothing! I'm sitting here... with nothing! This isn't my job! I'm a journalist! I report things, I don't... vamp! Is there even a - is, is there a clue? Is there, do the crane people - have the crane people chimed in? Have the door people chimed in? Is it all one person?
[Arnold presumably says some inaudible form of "I don't know." This does not please the news announcer.]
Well maybe con- maybe connect yourself to them. You should get yourself a radio. Get yourself a radio, Arnold. That's your job, to communicate with me the facts about what's going on, and it's my job to communicate to the people who are watching - we're trying to save their lives - you know, and this isn't advertising for me. This is a product I believe in!
Arnold, what do you do? What skills do you - are you somebody's son? Are you - are you somebody's kid, or something?
[Arnold can finally be heard, somewhat garbled from distance or technology: "My uncle is, uh, is the general manager of Galaxy News, your employer." The news announcer considers this.]
Your uncle is the manager of Galaxy New - mmm. Well, that explains how you got this internship. I'm sorry for everything I said, but... you can understand my frustration, here.
[The music concludes, but the announcer keeps going.]
The, uh, vault foreman is out here, and he is, uh, uh, doing hand signals. Ooh, yes, it's going to be a while, let's play some music for the people, Arnie.
[A new song starts. We're nearly 30 minutes into the countdown before the song switches over and the news announcer starts up again.]
All right folks, we have an update! They've got eyes on the gatekeeper out walking the grounds. It appears he was attempting to retrace his steps after misplacing the key and his wallet - still no word on the key itself, please stand by for more on the wallet, as this story continues to unfold.
Still on standby as we wait for the situation in the vault to resolve, but folks, there is plenty to get the American public up to speed on in the meantime. World news stories! Breaking, breaking news from the international desk. Peace negotiations between America and her adversaries crumbled in Anchorage, Alaska, this past weekend, a city recently liberated from foreign occupation, leading experts to believe nuclear war is indeed on the horizon. One more reason, America, to tune into the presentation Vault-Tec has for us today. Preparation, resilience, and smart spending are the only way our precious republic makes it through that long, dark night.
[This revelation approximates the date of the broadcast, which is happening not long after the Battle of Anchorage. The clash in Alaska officially ended on January 10, 2077: This news bulletin proves that attempted peace negotiations followed, then failed.]
Going the way of the dinosaurs has never felt this fun! If only the dinosaurs had Vault-Tec technology. Now, the dinosaurs died because... a meteor came from space, right? They had nothing to do with it. We have everything to do with our own demise. It's almost like… people are a virus that is destroying the Earth, we're a planet-killing virus. And people do say, "Oh, well, you know, well, the cockroaches... will outlive us and the the aardvarks or whatever will outlive us." Well, they won't. They're going to die too, because this is the real deal, guys. This is the end. So if you're not underground, I don't know what you're doing.
I wonder how we'll evolve. Will we develop a different kind of skin, some kind of leathery, plastic skin to fight off the nuclear fire? Who knows, but the only way to find out is to purchase a Vault-Tec vault, or a space in one of our timeshares.
[Music break again. It's a rather lively waltz.]
For those gathered around their Radiation King TV sets today, thank you for your patience. Rome wasn't built in a day!
[laughter]
Very soon you will witness… one of the greatest modern advances since the Virgo II moon landing - you won't want to miss this, the future of you and your future children depends on it.
[Exasperation sets in.]
Honestly, who wrote this copy?
[Arnold presumably raises his hand.]
You did, Arnold? Well, that's not surprising. It leaves… yes, well, it leaves a lot to be desired. They couldn't hire a professional writer? You look like you're 15 years old.
[Arnold inaudibly corrects him.]
You're 23? Yeah, well, 23-year-olds look like they're 15 now, still too young. What could you know about the - what could you possibly know about the written word, Arnold? Goddamn it. What could you - what do you know about writing and oratory? Nothing, I'll answer y- for you, nothing. The lack of professionalism - myself not included - disgusts me. The lack of professionalism disgusts me, Arnold!
Speaking of nuclear fire, you should see the muffin tray they left out for me. People want a blueberry mu- you want a muffin, okay? A muffin. Not a little squirt of dough, with a little powdered su- give me a muffin, give me a real thing, okay? Give me some snacks! You're going to give me some coffee? Good. I need a snack, to balance it. I'm not the only person in the world who needs a little bit of fat in their stomach when they eat a... big haul of caffeine.
[throat clearing]
Stand by as we wait for the situation in the vault to resolve.
[The music does some flourishes, then finishes.]
Ladies and gentlemen, it's official: We're experiencing some technical difficulties. And before we can open the vault - Vault 33, our flagship vault, full of the, uh, finest luxury items available to mankind, a- as of now - maybe we could put something on to keep people company while we figure out the technical difficulties. Sorry, these difficulties of course have nothing to do with Vault-Tec's vault tech. In- in- indeed…
Look, I need to have a whole cigarette right now. Just put on the song. Where are my smokes?
[The music starts up again while the announcer burns through a cigarette at the speed of a Corvega.]
Well, well, well! Here we are again! Ladies and gentlemen, we're dealing with a hiccup. Now, hiccups... might seem like a momentary stoppage, but this is a big hiccup. It's like God is hiccuping.
Vault-Tec is reporting that there's only one gatekeeper and one key on this vault model. The keys for these vaults are one of one, it fits like a glove, but it's - it's - these - these locks are very, very complicated.
God, it's so good to be on the other side of this. I don't think people know. People really don't know what's coming, and that's probably good. If you haven't watched… if you haven't watched the news up to this point, don't pick it up. Don't… just try and stay ignorant, uh, really don't find out what's going to happen because… it's bad, um, it's over.
[laughter]
The Earth is a slaughterhouse, and we are cattle!
[laughter]
We- we'll go back into, uh, a society resembling Bronze Age Mesopotamia. That's where we're going. It's not fun. Um... disease is… really prominent, um… we don't treat women well - let's just face it, it's - they - we don't treat them well now, but back then… oof. Rough. Rough treatment of women. You think we're racist now?
It's going to get bad. Where you want to be is underground. Vault-Tec vaults.
[A really tinny muted trumpet rises to its occasion as he disappears again for a bit.]
You know what else is great about Vault-Tec vaults? The air purification system. Let's talk about air. You need air to breathe, I need air to breathe, we need air to breathe. Vault-Tec's got it in spades! We've got oxygen candles straight from our finest nuclear submarines that you can burn, that turn nitrogen and carbon dioxide into oxygen molecules. Perfectly breathable, perfectly safe for your children, and your children's children, and your children's children's children in case we're there for three sweaty generations of sweaty living underground! In a fresh vault!
In fact, we put a family in a vault for 10 years and let them out just to see how it would go… and here they are now! "We loved it, uh… We loved it! That was great!" Uh… that's - I'm making it up! I'm making that up. I am imagining what could happen if I had more information about the vaults, but I don't have that information, so I'm making it up! Ha! Vault-Tec vaults, yes. Say yes to the tech!
[The music saves us for a bit.]
Unfortunately, we are back, the vault hasn't opened, and we have had absolutely no movement towards the vault opening, so! Hope you enjoyed that music. I know I was tapping my feet. Let's get back into it, where are we?
The US government has been quietly testing T-60 power armor suits as part of their long-standing defense contract with West Tek, following up the T-45 and T-51 efforts in the ongoing war with the People's Liberation Army.
[hisses through teeth]
How about that? How about that. The Man from Deadhorse gallops to a fast start at the box office! The Howard-led western is said to be the next smash for California Crest Studios.
[So the ghoul's name is probably Howard Something, or Something Howard. Interesting, but the announcer doesn't care and decides to throw another tantrum.]
Am I crazy or is this taking forever? I don't think I'm crazy, but I feel crazy! In fact, I might be the only person involved in this whole production who hasn't lost his mind! I'm looking at you, Arnie, I'm looking at you!
[Looking at Arnie yields nothing, again.]
"You don't know what to do, you don't know what to do." You idiot! I can't even get the word- I can't even get the information from you. Worthless!
[grunt of rage]
It's just me and Arnie here, I'm in hell, he's sitting there smiling at me, I'm in absolute hell!
Do you have a spot, Arnie? Do you have a spot in a vault? Oh! You do! What vault is that?
[long pause]
Oh, that's the one I'm in. Oh. Dear God.
[deep breath]
I guess we should get to know each other.
Ladies and gentlemen, we don't even know what's wrong here… but I can assure you that what isn't wrong is Vault-Tec technology, this has nothing to do with Vault-Tec's patented lock technology and everything to do with stupid people and human error. If you're this inefficient at work, what is home li- do - how do you wipe yourself?
[Uncalled-for, news announcer man.]
Ladies and gentlemen, please enjoy this music while we figure out what's going on.
[Musical break number who knows. Just over 11 minutes remain on the countdown.]
In other sponsored news, Nuka-Cola is celebrating the success of one of their newest flavor launches, Nuka-Cola Victory, with an exclusive redesign release later next year. Students that read over 10,000 books can be part of the ZAP IT! Program, rewarding literacy with sugar!
[deep breath]
I don't like Nuka-Cola. Personally... I don't like Nuka-Cola. Too sweet. I don't drink it. But it's popular, I have stocks in it, I invest - I invest in it. I don't drink it. It's the way the world is. Just because it's popular, doesn't mean it's good, just because it's good, doesn't mean it's popular. A can of Nuka-Cola, what is that, it's energy slowed down, right? It's the energy of the universe slowed down, right? What are we, what am I? We are energy slowed down into the form of a human being. All that's about to stop.
[laughter]
All that's about to stop! All that's about to go away! Maybe there's life on other planets. Maybe there's not. Are they going to come save us, no! If I were on another planet, and I came here, I would have an endless belly laugh at our folly, I mean, the folly of man! It's funny, there's so much written about the "folly of man." I mean, read Moby-Dick. Read… uh… what di- what happened with the - the wax wings, the wax wing guy? Wax wing man, Mr. Wax Wings, Daedalus. What's his name?
[Arnold hazards a guess we can hear: "Shakespeare?"]
Arnold, Shakespeare? Arnold, Arnold, good god… Shakespeare? Where did you go - you went to one of these hippie schools...
[Arnold tries again: "I think it was Icarus?" The announcer is ecstatic.]
Icarus! Icarus. Wow! You are good for something. Wow, Arnie!
Now, Icarus, he was close to the sun. In a Vault-Tec vault, you'll be as far from it as possible. You will be up to 50 feet underground, in a Vault-Tec vault, safe and sound in the knowledge that the wax on your wings will not be anywhere close to anything that will make it melt, except our new Vault-Tec oven!
[The horns come in again.]
Where are you f- what's your family situation? Do you have kids or…
[Arnold probably shakes his head.]
No kids? Good for you.
[laughter]
Are you single?
[Arnold: "Yeah."]
Ahh, yeah. I wouldn't recommend going into a vault single. You might want to lock someone down and take you in there - if only to help you fight - and, uh, survive, it's good to have a partner. Yeah… oof!
Anyway, glad I'm safe and secure in my vault! Um… I'm in the tax bracket that kind of... automatically gets a vault, so, sorry everybody. Uh… I'll be, uh, doing this thing called surviving, while you are all burning.
[deep breath]
What's the point of any of this? What's the point of any of this? Nobody - nobody listening to this can afford one of these things. Everybody listening to this is about to turn into an idea!
[laughter]
Instead of a being! But, here we are! Let's whoop it up! Let's whoop it up! It's a big parade… for the end of mankind! It's a big parade! Here's the final celebration, Arnie! Here we are!
Let's stake our claim in a dying planet! Let's plant our flag in a dead rock, and see how we feel. Let's see how we feel after the flag is planted, Arnie.
[a deep sigh]
I don't know how much longer I can do this, man.
[another deep breath]
My voice hurts, I'm thirsty, we're out of water, the muffins they laid out at the top of the day are dry and old, I feel dry and I feel old.
I give up! I give up.
[chuckles]
What's the point of this? I mean, what's the point of anything? I'm... I'm broken.
[Emotion creeps in.]
I'm broken. I'm changed. I am broken and I have changed. I…
[one more deep breath]
Thanks to you, Arnie. Thanks to you, man. Thanks, you're the best, yeah, thanks to you, pal. Thanks to you, buddy boy. You are just awful. You disgust me. Yeah, I'm just - I'm sorry. I'm - I'm just… I'm fried, man. I'm - I'm fried, pal. I'm fried. Dead. Gravestone, dead. Oh yeah, that's, okay.
Oh, god. Where are we in the process of the door opening?
[Arnold: "Yeah, it's over."]
What?
[A record scratch stops the music. Two minutes remain on the countdown.]
What's that? Oh!
[The announcer clears his throat, and the music changes to a triumphant fanfare.]
Ladies and gentlemen, I'm getting word. Ladies and gentlemen... I've gotten word that we are star- we are starting, ladies and gentlemen. It's happening! Here we are! Here we are, we got it, we got it, and now…
N- and now, this afternoon is unlike any other afternoon, ladies and gentlemen. It was the morning, now it's the afternoon - here we go! The crane is loweri- Here we go!
[relieved laughter]
Okay! Really close to the time where I can go, and get out of here! The crane is lowering, it is happening, the tumblers are tumbling! The crane is lowering, the tumblers are tumbling, we are… go! We're going! It's opening! It's opening!
[The static image of the vault has not changed in the slightest bit.]
You try doing this! You try doing this, Arnie! You try filling the time! Next time we'll switch places, Arnie, and you can try it! Oh boy, oh boy, here we go, thank god we're doing it and it's happening. I see motion, I see- I see Vault-Tec… I am convinced! Guys, this is great, it's been great, Arnie? It's been great. Arnie, it's been great. You know, I hope we are in the same vault. I'd like to spend the rest of my life with you, Arnie.
[slightly unhinged laughter]
As long as this happens right now, I am fine with spending the rest of my life with you! As long as the vault opens right now. The fact that nuclear fire could fall from the sky at any moment has made this broadcast that much more important. Thank you, thank you so much for joining us!
329 notes · View notes
wlwcatalogue · 3 months
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Chinese GL Webseries & Shorts for the Wuxia-Uninclined
Have you ever wanted to venture into the world of Chinese GL webseries and short films, only to find yourself at a loss about where to begin, or intimidated by the unfamiliar tropes and terms of the wuxia genre?
Well, worry no more! Here's a selection of non-wuxia webseries and short films curated by yours truly. Now you too can enjoy the lavish costumes and location shoots of these Chinese productions, so rarely seen in F/F works outside of feature films and the occasional TV series~
By the way, these are all translated and subbed by the inimitable Douqi (@douqi7s), whose immense contribution to the English-language baihe fandom is surely in breach of anti-monopoly laws. Offer up your thanks at her Tumblr and Twitter!
At-a-glance list
Webseries:
Ye-Mu Season 2 (1 hr 20m total, 2023) - standalone
The Vampires (41m total, 2022)
Ye-Mu Season 1 (27m total, 2022) - standalone
The Lost World (1hr 5m total, 2023)
Short films - order corresponding to the pictures above:
A Tale of Yearning (5 mins, 2022)
"She Brought Colour Into My World" (2.5 mins, 2023)
"I'm Her Weapon" (3 mins, 2022)
Miss Shen and the Woman Warlord (6 mins, 2023)
Women's Script (5 mins, 2023)
The Caged Canary (5 mins, 2023)
The Beauty of the Law (6 mins, 2023)
Flowers Bloom; Flowers Wither (9 mins, 2022)
Commentary under the cut!
FYI, I've opted to link directly to the subtitled versions since they're probably more difficult to find than regular anime, TV series, movies etc. If a link is broken, please refer to Douqi's blog directly.
Important note for the uninitiated:
It’s a bit difficult to talk about canonicity in relation to live-action works made in the PRC, as things which would normally be used as evidence of canonicity all fall under the censorship regulations— explicit references to romantic relationships or queerness, declarations of love, kissing etc. are all off the table. So while these may not look canon in the most traditional sense, they are intended to be read as such and should certainly not be dismissed as queerbaiting or yuribait. Also, the creators can get very imaginative, so this is less of a problem than you may think – see the entries on Ye-Mu Season 2 and The Lost World in particular!
1. Ye-Mu Season 2 / 叶穆 2 (32 episodes / 1hr 20m total, 2023, dir. Zhang Zhiwei) - MyDramaList
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(Note: Despite the name, Ye-Mu Season 2 is completely unrelated to the first season; the only thing the two share is the cast, crew, and focus on Penthouse-style melodrama.)
Determined to take revenge for her mother's death, Xu Baiqing (Sheng Wei) marries a wealthy and much older businessman in the hope of finding evidence to put him behind bars. But first she must assuage the suspicions of his cheerily hostile second daughter, moody youngest son, and estranged eldest daughter (Ye-Mu Zhixia, played by Wang Laoji), the latter of whom Xu Baiqing dated in university and who is currently seething at the sight of her former girlfriend marrying her father...
If you want to get a sense of the potential breadth of Chinese GL webseries, this is a pretty good place to start. It does a decent job of matching the tone and presentation of a melodrama you might catch on TV (and in fact looks higher-budget than some I can think of), while committing to something that can’t be done on TV yet— namely, featuring an F/F exes-to-stepmother storyline and delivering on the drama inherent in such a premise. Of particular note is how the framing and behaviour of Ye-Mu Zhixia is very much consistent with that of a male romantic lead; thanks to some clever writing, it’s basically impossible to deny the nature of her relationship with the main character. They don’t even lean on the plausible deniability afforded by the label of “friendship”— in fact, in an early scene she is incensed when the protagonist refers to her as “[her] only friend”. There are a few caveats – the main character ends up in a lot of scrapes that her ex-girlfriend has to save her from, the reveals are often rather unsurprising, and the story shifts more to a mystery focus around halfway – but it’s still worth checking out if a Korean-style melodrama with an F/F take on a romantic storyline sounds appealing.
 (CW: violence, murder, attempted sexual assault)
Note: See The Lost World (below), from the same creative team, for an even more impressive example of Chinese GL pushing the limits of censorship.
Links: MEGA / Internet Archive (compilation)
2. The Vampires / 吸血鬼鬼盲盒 (7 episodes / 41m total, 2022, dir. Zhang Zhiwei) - MyDramaList
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(Note: Spoilers for the first 15 minutes or so, because otherwise the summary would be “They end up locked inside with the monsters on board”, which wouldn’t tell you much more than the title already does)
Every night, Tianyue (Ye Miao/夜喵) has been having dreams about the mysterious cruise ship docked at the pier. Convinced that there is treasure hidden inside, she and her exorcist-cultivator girlfriend Xiao Ling (Wei Miao/微渺) sneak on board only to find that they are trapped there until the sun comes up. Things don’t seem too bad at first: although they run into two vampires – the cute, cheeky Xingming (Yang Fuyu) and her elegant mistress Su Tanya (Sheng Wei) – they are able to call a truce, on the condition that the humans help search the ship for the latter’s beloved (Fu Cha, played by Wang Laoji). But when Fu Cha wakes up without her memories, it is clear that something is terribly wrong, and that the ship and its inhabitants harbour more secrets than expected.
For a webseries, The Vampires takes a while to get started— it’s a bit difficult to tell what kind of story or indeed what kind of tone it’s going for just based on the somewhat campy and comedic first section. But after that wobbly beginning, it manages to pull itself together to tell a compelling – and sometimes genuinely tense – tale about a motley band of humans and vampires, and the truths they have to face together. While the ending is no happily-ever-after, I found it satisfying and hopeful, and surprisingly affecting. Also, a bunch of the characters have real polyam energy, and this is reflected in the narrative beyond mere flirting!
(CW: abusive parents)
Links - MEGA / Internet Archive (compilation) / YouTube (compilation)
3. Ye-Mu Season 1 / 叶穆 (12 episodes / 27m total, 2022, dir. Zhang Zhiwei) - MyDramaList
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(Note: Ye-Mu Seasons 1 and 2 are standalone stories; each season is entirely self-contained and the second season is not a continuation of the first.)
The head of the Ye-Mu family has died, leaving the next generation to squabble over the inheritance. It's a web of secrets, lies, and hidden resentments, as the characters dig out old grievances and fresh accusations in a desperate attempt to one-up each other. They're tangled up together to an almost incestuous degree, and indeed, the F/F subtext here is the ambiguous relationship between eldest daughter Ye-Mu Nanzhu (Sheng Wei) and second daughter Ye-Mu Nanmo (Wang Laoji) (rest assured that they are at least not biologically related).
Those who prefer darker stories and don't mind the pseudo-incest or other content warnings will find a melodrama which makes good use of its short runtime to deliver on twists, turns, and an explosive - if tragic - conclusion. That being said, the story is about the family drama in general, so do note that while the relationship between Nanzhu and Nanmo is narratively important, it is not fleshed out in great detail and certainly not the focus of the series.
(CW: suicide, ableist trope (spoiler – disabled character turns out to have been faking it), ableist language)
Links - MEGA / Internet Archive (compilation)
4. The Lost World / 夏夜知道风的甜 (1hr 5m total, 2023, dir. Zhang Zhiwei) - MyDramaList
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(Note: Spoilers for the purpose of flagging triggering content, as it’s particularly easy to trip into for this show. Also, some vague spoilers for later episodes in order to highlight in order to highlight the themes etc.)
This webseries feels like two shows smushed into one: apart from the very beginning, the first half is a gritty, bullying-focused take on university life, while the second is a true-blue romantic comedy (aside from one blip – see the note below for details). But even if you’re wary of the bullying, I would still recommend watching the back half – which is basically standalone – as it’s a very funny and heartfelt story about two childhood friends finally getting their act together. Without further ado, here’s two blurbs!
From episode 1 onwards: After saving a classmate from the class bully, popular college student Xia Huaichu (Yang Fuyu) is subjected to a lengthy harassment campaign by the latter. She is suddenly faced with having to protect her reputation in the face of false allegations and fake nudes– despite the fact that all she wants to do is focus on reconciling with another classmate, a high school best friend whom she had previously lost touch with (Mu Qingfeng, played by Wang Laoji). From episode 14 onwards: Childhood friends Xia Huaichu (Yang Fuyu) and Mu Qingfeng (Wang Laoji) are caught in a weird gay purgatory where each has feelings for the other, and suspects that the other has feelings for them too. But both are exceedingly stubborn and want the other one to take the initiative in confessing, leading to ridiculous displays of I-don’t-care-isms and lots and lots of UST. (Does anybody use that term anymore??)
As you may have guessed, I’m not too keen on the first part of this show, nor the decidedly unnecessary attempted rape segment, though that’s partly on me for not checking the content warnings beforehand. And yet I’m very glad to have stuck with it, because the second half is not only hilarious, but also a masterclass in censorship-dodging that needs to be seen to be believed. Not just in terms of the suggestive scenes, of which there are many, either— the story is literally about two women starting a relationship and having to reckon with parental disapproval, homophobia, and other obstacles which platonic friends wouldn’t have to deal with. I honestly don’t know how this ever got approved, and can only applaud. Bravo.
Note: For those who want to avoid the triggering content, I’d recommend starting at episode 14, but make sure to skip episodes 19 and 20 as there is a foiled rape attempt.
(CW for entire series: bullying (incl. violence, fake nudes), sexual harassment, attempted sexual assault, fatphobic language, homophobia
CW for episodes 14-24: attempted sexual assault in episodes 19-20, homophobia)
Links - MEGA / Dropbox
SHORT FILMS
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Quick note: Click on the English titles for the subtitled versions, and the Chinese titles (which are really just the video titles) for the originals. And yes, although the majority of these are shampoo commercials, they really do hold up as short films in their own right. Give them a try, you might be surprised!
A Tale of Yearning / 一见误终生,不见终生误 (5 mins, 2022, dir. Liu Yun Rui/流云蕊) – A bittersweet story about a literature-minded young woman (Sheng Wei) and a Chinese opera performer (Ai Ye) who bond over their love of fiction, only to be torn apart by harsh reality. Tragic ending, but I liked the more literary turn of the dialogue. Shampoo ad. (CW: homophobia)
“She Brought Colour Into My World” / “她走后,我的世界又失去了颜色” (2.5 mins, 2023, dir. Zou Hui Qu Le/走回去了) – A very restrained short film (actually, more like a music video) set during the late Qing era, wherein a sheltered young woman (Xiao Yu Za/小宇咂) falls for her female neighbour, recently returned from studying abroad (Sheng Wei). Lovely use of music and visuals to create a dreamlike atmosphere. Tragic ending. Not a shampoo ad.
“I’m Her Weapon” / 我是你手里的一把刀 (3 mins, 2022, dir. Liu Yun Rui/流云蕊) – A moody, interior piece about an assassin (Ai Ye) who yearns for some sign of affection from her handler (Sheng Wei), only to be left devastated by her new assignment. Surprisingly not a shampoo ad.
Miss Shen and the Woman Warlord / 我们是孤独行走的钟,但也要做敲响希望的钟 (6 mins, 2023, dir. Liu Yun Rui/流云蕊) – I’d like to describe this as being inspired by the story of Mai Jia’s novel The Message and the aesthetics of Kawashima Yoshiko (1990), but most Tumblr users would probably find those references deeply unhelpful. Basically, a female spy (Sheng Wei) disguises herself as a male soldier and infiltrates the mansion of a Republican warlord. There, she meets the warlord’s daughter (Ai Ye), who quickly realises that there is more to the promising young officer than meets the eye. Shampoo ad.
Women’s Script / 纵使“科考”无女子,无碍红袖书香,星辰有光 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – While sailing down a river, a girl (Zhi Chun He/至春禾) catches sight of a woman writing poetry on the riverbank (Sheng Wei), and is fascinated by both her beauty and her flaunting of the rules against women’s literacy. Shampoo ad. (CW: domestic violence)
The Caged Canary / 如果这是一场骗局,那我也只愿意输给你 (5 mins, 2023, dir. Liu Yun Rui/流云蕊) – The protagonist (Ai Ye) is sent by her parents to beguile a wealthy young man into marriage, but ends up developing feelings for his modern-woman sister (Sheng Wei) instead. Shampoo ad. (CW: attempted sexual assault)
Flowers Bloom; Flowers Wither / 她们一个被铁链禁锢,一个被男装束缚,直到救赎彼此 (9 mins, 2022, dir. Qian Li Min/千里明) – Takes the romance between a cross-dressing noblewoman (Du Ruo/杜若) and her supposedly-mad stepmother (Rou Lian Cheng/肉脸橙) to tell a story about the restrictions placed on women in historical times, and how resistance, even when futile, can still have meaning. Tragic ending, obviously. Not a shampoo ad. (CW: domestic violence, misogyny, accidental misgendering, gender dysphoria)
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seat-safety-switch · 1 month
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"I hear there's a whole crew of eager young faces out there just ready to ride the rapids!" hollers our rafting guide, a man who I would later discover from the TV news was actually named Ralph. This man continued to give us a short-form version of his life story, before instructing us on the proper way to wear a life vest (or "personal flotation device," if you're German.) The tourists around me oohed and aahed and snapped pictures, enough to be already halfway through what, in a simpler time, would have been a roll of Kodak film.
Why was I engaging in this pursuit, one which was not just dangerous but without the involvement of any motorized transportation whatsoever? Simple. I had gotten a free ticket from a coworker who "couldn't make it," and I had heard that there were some old hoopties crashed in the forests around the white-water rapids.
See, way back in the era when old cars were new cars, there was no good way to recycle them. Tow truck technology was in its infancy. Junkyards were just called "yards." And China hadn't been invented yet. Or it had, but they were probably also busy building their own new cars and didn't want to take some idiot's old Ford Business Coupe off his hands. So folks just left that shit on the side of roads, in forests, or pushed them off a cliff and watched what happened before driving off in their new car. Tragic, I know, but it means that lots of perfectly good running gear is all over this part of the country.
Ralph led us out on the water. He was pretty good, except for the part where he kept yelling at me to perform manual labour for which I was receiving no compensation. After a couple hours into the trip, I had seen no cars whatsoever and was beginning to lose hope entirely. I was damned to be stuck on this orange pool toy as we shot down the water in order to be rewarded with yet more water. Thrilling though it may be to some people, I was perfectly familiar with going dangerously fast and getting uncomfortably wet from any daily commute in my harem of rusty cars.
That's when I saw it. Anyone else would have easily missed a glimpse of the fender of a 1929 Chevy International roadster. I pulled my backpack off, discarding my oar to do so, and retrieved my homemade grappling hook from within. With a quick burst of compressed air and a not-so-quick burst of nitromethane-fuelled Sanden air-conditioning compressor exhaust, I was flown from the piteous grasp of Mother Kinda-Wet to the warm embrace of Mother Earth. And boy, did she ever have that fender. Not much else, of course, but if you squinted, you could kinda see part of the headlight was now being adopted by the accumulated moss.
After guessing the vague location of it, I dug in and left with my quarry: one extremely rusty, pig-iron "Oakland" vee-eight engine. It was really light, because almost none of it was left, which is good because I had a long way to walk home. A chipmunk kept me company along the way, probably because he used to live in #3 before I picked up his whole sub-development.
As for the other occupants of the river rafting tour, I'm told that at least half of them, perhaps deluded by hours of direct sunlight and lack of access to proper nutrition, believed my sudden escape was actually proof of my having been abducted by angels. I rolled that into a few other paying gigs upon my return to civilization, but it didn't really do much for the fleet. Tax-exempt crooked megachurches have very strict rules about only buying new cars.
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mirai-e-jump · 9 months
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Hero Vision Vol.9 (2003/Winter) ft. Kamen Rider Ryuki Cast Members Pre-Final Episode Interviews (translations below)
Takamasa Suga (Shinji Kido) Interview (page 22,25)
"Recollections, within the calm after the war" Takamasa Suga
After a year of playing the star role of the protagonist in "Kamen Rider Ryuki," Suga-kun finally has time to get back to regular life…
Looking back, from season to season, what were the most emotional scenes that still remain in his mind? On an off day before recording the final episode, we asked him to look back on those passionate days.
...
"I always wanted to die. I wanted to fulfill my role within the show"
...
Suga: (niho~)
If the sound of Suga-kun's smile could be written out, it would look like that. It gives off a calm, quiet and tender feeling. At first glance, the main character of Ryuki, the annoying (?) Shinji Kido, doesn't seem to resemble him, but as the story progresses, we think they are very similar on the inside. It's impressive in the fact that he always tries his best to think about the challenges that appear before him while also moving forward, even when he "doesn't know what to do," he somehow manages to find integrity within the many possibilities, and puts them into action.
"You were so busy this past year, that you didn't even have much time to sleep. What memorable moments will stay with you forever?"
Suga: What made me happy was the movie "Episode Final." I'm very happy I was given the opportunity to play the lead role again, and that it was released nationwide. Since becoming an actor, it had been a dream of mine to do opening day stage greetings.
"However, in parallel to shooting the TV version, the movie was performed within a hellish schedule. It wasn't enough to just act happy or even be "enraged" about it, rather, it was physically demanding."
Suga: Man~ I couldn't understand the reason for anything that was happening at the time (laughs). Filming for the movie would start in the morning, then we would return to the hotel at midnight, sleep for about an hour, and then start filming on location again for the TV series.
"Every day, you had almost no private time. But even so, you said you never felt stressed because "doing the performance in and of itself was fun."
Suga: It's an unusual experience for an actor my age to be able to devote an entire year to a single role, isn't it? When playing a role, conveying the "joy" and "fun" of something was much greater than the "difficult."
"I see. It seems that Suga-kun's "pleasure" is being an actor itself. Then, on the other hand, were there any sad moments?"
Suga: Hmmm…The scene where Ren dies in the TV Special was really sad. While we were filming, I was thinking about everything that had happened up until that point…it felt like it was the final episode.
"There are multiple final episodes of Ryuki. There's the movie, the special, and the main show. As those who have seen the broadcast already know, there was an unprecedented development in the main story where the main character dies before the final episode."
Suga: I always wanted to die. If I could die in the show, then I could fulfill my role within in it…is the feeling I had. I didn't know I was actually going to die until I finally saw the episode's script. I read it for the first time on the travel bus, and cried straight throughout. As for the way in which he dies, it's entirely convincing.
Shinji, who had been in agony up untill that point, was finally able to let go of the burden he carried for so long and die. Shinji followed what he believed in, and in the end death awaited him…or rather, Shinji's Survive, wasn't it? (laughs).
Before, I would've been lost in all my choices, but now I was finally able to choose and follow through with what I believe in…like Shinji, I'm satisfied with it. Shinji had "nothing to point to," but in the end, I think he was able to show off "the strength that comes from having nothing"…is what I feel when filming (laughs). That's the point I hope to get across.
"You said you thought deeply about the theme of Ryuki for a while, and when producer Shirakura explained that among other things, the show was made based on the recent terrorist attacks in New York, you read articles on the subject."
Suga: It's becoming more difficult for people to understand what is "justice" and what is "evil" in the world. The same can be said about the world of Ryuki. I can't say for certain if what Shinji says is right. I can't really say if what Ren says is right either. Even now, I still don't have a clear answer as to what's right or wrong. But, I have a feeling like I'm starting to understand. For this, I think it's important for each and every one of us to ask ourselves, "What is justice?" I hope that through Ryuki, we've been able to convey these feelings to the audience.
"Many of the themes dealt with in ordinary televised dramas are that of love affairs. It's unique because usually, we only see such major themes taken seriously in longer running programs."
Suga: That's right. It can be hard for people to watch things that they don't understand. Even so, it's something that everyone should think about more!
The way Suga-kun makes his strong arguments seem to overlap with Shinji. His manager looked at him and laughed saying, "He seems to have grown a lot as a person over the past year." He was also praised on the set of another production, saying, "You're young, but you're good!" He feels that he has gotten alot out of Ryuki.
Suga: Even after the broadcast is over, I hope people will remember that this show existed and think, "This is what they were trying to say." As time passes and children become adults, I hope that they will still remember.
_
Satoshi Matsuda (Akiyama Ren) Interview (page 27,29)
"As human" Satoshi Matsuda
At a glance, Akiyama Ren of Kamen Rider Ryuki looks really cool. But, he is in fact, a very compassionate person. So what kind of person is Matsuda-kun, who played the role, really like? He says, "I don't like showing my true self," and we felt that there were no lies or bad faith in his words.
"In the past, I always looked at the people around me as rivals. It's much easier to think of them as enemies"
Matsuda: Good Morning.
The way he arrived made us feel as if an old acquaintance had come to visit. After hearing his voice, the nervous staff on set became oddly relaxed. He seems to be an unusual type an actor. When I told him that he was very natural, he laughed and said, "Yeah, my managers used to tell me that alot, they said I should become aware that I'm a celebrity.
Seeing him with relaxed shoulders, people say, he's a "nice guy," and "looks full of confidence." But what kind of person is the real Satoshi Matsuda?
"You write essays once a week on your blog "Matsuda Lab." Even when we read it, we can't see your true emotions."
Matsuda: Is that so? In the "lab" I intentionally write in such a way that the "image of Matsuda" is not particularly set. I thought it wouldn't be interesting to show my true character. If I did, I would lose the image of playing the role of "Akiyama Ren."
"Since the Fall, he's appeared in the Kansai regional TV program "Asa Cafe," which is an informational program, but he's also an actor, as he acts as the viewer's lover."
"Every 2 weeks he shoots 2 episodes while also filming Kamen Rider Ryuki. The opposite of Ren's character, he plays an upbeat and energetic character that speaks for 30 minutes straight. It's also understood that the script is as long as one episode of Ryuki."
Matsuda: At first I was under a lot of pressure, because all those lines were my lines. The crew comes from Osaka to Tokyo to shoot the program, and if they push back because the scene is NG (no good), they won't be able to make the last train home.
"Although he's busy filming every day, he's had his own TV show and has been featured in magazines and other media, over the past year, his popularity has increased rapidly."
Matsuda: I have to admit that the sudden boom worried me. I never thought I would be on an 8 a.m. Sunday morning show and not be able to walk the streets like a normal person…hmm.
"He had been aware of the recent tokusatsu boom from its start, which is why he took the audition. He had actually hoped this would boost his popularity. Still, he was baffled by the public frenzy."
Matsuda: One time, I was on site with a fever of 40C (104F). With the exception of the scenes I appeared in, I had to sit in a chair and cool my head with ice due to how bad it was. Then suddenly, while laying down, a random fan lifted my head with her hand and took a picture next to me. She and her friends then left saying, 'bye, until next time~." At the time, I got really angry. I was skeptical that such intense fans even existed…
"When something like that happens, I think, "What a weird world we're living in." On the flipside, he also has plenty of supportive fans that are loyal and kind."
Matsuda: I like to play games of catch when meeting with fans. I also write on the official fan site every day, so I'm close to them (laughs). I write at least 30 replies to fan letters every week.
"By the way, when you write for "Matsuda Lab," you don't reply to letters that end with "please reply."
Matsuda: I think that's what makes even the most favorable messages feel dull. I can't help but think they're thinking more about themselves than about me.
"He doesn't acknowledge those who call him "Knight," as he thinks, "they don't even know my name." Matsuda-kun is very sensitive to other people's feelings. Whenever someone offers true affection, he is almost like a cat, looking up at you as if asking, "Do you really mean it?"
Matsuda: I've always been sensitive to other people's feelings. Since I come from a single mother household, I felt as though I had to support my mother and sister. In the past, I always looked at the people around me as rivals. It was much easier to think of them as enemies. Especially when competing……
"Competing? Have you always competed with friends and the very world around you?"
Matsuda: I always thought so. However, when I came to Tokyo……on that day, I realized. I've noticed that "those guys I don't get along with," I ended up getting along with well later on. I thought to myself, "I've wasted time." Since then, I've never made assumptions about other people by our first meetings. I'm having a lot of fun meeting people, and opening one new door after another.
"And Ryuki, which brought you many good encounters, has also come to an end."
Matsuda: By the time this issue releases, the broadcast will be over. I wonder how everyone did…..There's always a discrepancy between the performance I imagine in my mind and the one that I actually do. This has been a difficult time for me, as I've been in a slump for over a month. The TV Special was the one were I made the least mistakes. It wouldn't be an exaggeration to say that I was able to create exactly what I had imagined in my mind. Where do I go from here? I have to develop into the person I see in my mind.
We're still uncertain of the type of person he is really is, but we really sensed his sincerity.
_
Ryohei x Takashi Hagino Interviews (Page 31)
"Heinous Men" Ryohei x Takashi Hagino
Zolda (Kitaoka) and Ouja (Asakura), arrived as two dark "Kamen Riders." Evil men who fight not for justice, but for the sake of his own desire. Money, appearance and of course, power. They already have these things, but are still hungry for more. And yet……women, for some reason, find men like them attractive? …
"I was certain I was a rider who would die much earlier (laughs)" "Well, it's a good thing you didn't die so easily"
… Hagino: Have you seen the script yet?
Hagino-san called out to Ryohei-san as soon as he arrived at the studio. He appears to be very enthusiastic. It's no surprise, the script for the ending had been delivered just yesterday. From the start, I asked them a very important question.
"Did you ever think that Asakura (Takashi Hagino) and Kitaoka (Ryohei) would be among the last riders that made it to the end?"
Hagino: Ah, no, not really (laughs)
Ryohei: Honestly, until just recently, I was certain I was a rider who would die much earlier (laughs).
Hagino: Well, it's a good thing you didn't die so easily (laughs). Don't you think overall, it expanded the story and made it more interesting?
"Asakura and Kitaoka are very involved with each other, but what kind of relationship do these two really have?"
Ryohei: I think maybe Asakura is instinctive, while Kitaoka is rational? They always get involved with each other because they're complete opposites. That's the kind of relationship they have.
Hagino: "Asakura is the kind of guy who just wants to fight. He thinks fighting has meaning, and will go off like a tea kettle at a moment's notice. So, when he goes to Kitaoka he'll say, "Oi, let's fight."
Ryohei: Kitaoka didn't want to help Asakura with his sentence, so he's the kind of guy who'll fight just for that reason. On top of that, Kitaoka is always provoking me (laughs).
Hagino: Yeah, and no matter how many times I'm caught, I'll just keep breaking out (laughs). In the first scene when Kitaoka and Asakura meet, the contrast between the inside and outside world, with a sheet of glass separating them, was very interesting to see.
"Come to think of it, it was impressive to see Asakura wearing a seat belt while driving the hijacked vehicle as he was trying to escape from prison (laughs)."
Hagino: Yeah, Asakura likes to wear a seat belt or even straitjackets. Even when he sleeps, he needs to be tied to something in order to feel safe (laughs).
"Regarding Asakura's character, wouldn't he have had plenty of chances to kill Kitaoka when he was in person?"
Ryohei: Like when he was on his knees (laughs). But for Asakura, fighting as a rider is far more pleasurable for him than fighting untransformed. That's why he brings out his Card Deck.
Hagino: Asakura naturally chooses to fight for the superior pleasure of fighting. He isn't afraid of dying, much less surviving to the end as a rider.
Ryohei: That's the difference between Kitaoka's and Asakura's fighting style. Kitaoka, who is fixated on living, tries to win by fighting as little as possible.
"Leaving the roles of Asakura and Kitaoka aside, how do Hagino-san and Ryohei-san feel about each other?"
Hagino: This type of question, it's not really a conversation, saying such stuff in front of each other like, "Well, Ryohei-san is (…), isn't he?"
"…No, that is a conversation (laughs)."
Hagino: "Well, Ryohei-san is cheerful and is the complete opposite of me. His character is so loud, that I once told him to shut up (laughs). But, I can't remember what he said in response.
Ryohei: Hagino-san doesn't say much, but his personality is that of a big brother.
Hagino: "Eh?! That's just not true. I'm just lonely. But, Ryohei, he makes everyone feel at ease."
"Do the two of you ever discuss your roles together?"
Hagino: We don't, and it's because I don't want to. If we talk about what we want to do or how we want to do it, how we plan on performing may need to be constantly adjusted. I think it's interesting to see how the two of us have developed separately when we end up bumping into each other. If the action is going to be intense, we'll talk about it beforehand.
Ryohei: I have no prior experience as an actor, so I just have to rely on my intuition. I didn't really understand the process of creating a role. But, thanks to the influence of Hagino-san, I think I'm beginning to understand a little more now.
"Finally, What are both of your future prospects, as well as a message to your fans."
Ryohei: Specifically, I'm scheduled to perform on stage this coming March, and would like to try out the realism of a live performance. I have not yet decided how I will proceed as an actor, so I'd like to challenge various other projects and improve my career in order to decide where I'd like to go from here.
Hagino: Any message for the fans?
Ryohei: "Ah, I will do my best in the future, so please lend me your support.
Hagino: Hey now, answer more thoroughly (laughs). I'll be releasing a photobook, so you'll be able to see Takashi Hagino from various different angles. I would like to play different roles in the future, so please continue to support me! To all the fans of the Ouja, I will show you all the final special attack of Genocider! It's going to be a blood bath…… I haven't seen Black Hole myself because it's CG, so I'm looking forward to the airing, and I'd personally love to put all the fans in that hole! (laughs).
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atamascolily · 6 months
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One thing that I've never seen anyone adequately explain (and rarely if ever comes up in fanfiction) are Walpurgisnacht's trees. What's up with those things, anyway?
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They don't seem to fit with either the cogs or the circus motif or anything, they're just kind of... there. So why the arboreal theme? Kinda random, right?
They also seem to persist after Walpurgisnacht herself has vanished.
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Seriously, what is this tree doing here??? Why would Walpurgisnacht make these in the first place? They certainly don't show up in Homura's big showdown later on. And okay, fine, maybe Homura intercepted Walpurgisnacht before she could start causing botanical mayhem, but still... their presence in these scenes perplexes me.
It took me a ridiculously long time to figure out the connection, but I think the trees represent branching timelines radiating out from a single point--just like a model of parallel universes. And of course, the fact that its branches are bare and seemingly dead implies that none of these timelines will bear fruit. No life can arise out of the wreckage, just as there is no future for Homura in any of these timelines.
The only other time in PMMM we see this same tree imagery is with Homura. In a scene added for the Blu-Ray (not sure if this is the original series or recap movie), Homura walks through a grove of similar trees immediately after confronting Kyubey about Kyouko's death.
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A similar mist appears right before Walpurgisnacht arrives in episode 11, but I don't know if that was meant to be an intentional reference. Regardless, the monochromatic palette in all of these scenes is evocative of depression and despair as the world is literally drained of life, vibrancy, and hope. This is Homura's existence now, trapped in an endless series of loops she cannot break and unable to do anything but keep on fighting.
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In keeping with my theory that trees = branching timelines, the next shot immediately afterwards begins to flicker like a piece of film (another recurring visual motif in this series, especially with Homura), eventually resolving into multiple silhouettes of Homura.
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After that, we cut to a series of film leaders (the numbered countdown signs), which are yet another visual parallel between Homura and Walpurgisnacht, and one not included in the original TV broadcast.
Similar trees also appear in Rebellion. The first one is in the glass dome where Homura meets with Kyouko, its branches full of bells. Notably, it's by the river, which is likely where the trees from the original series were located (at least the second and third examples above).
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The second one is... in Homulilly's skull:
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And this is where it gets interesting, because this is immediately after Homura has burst free from her purple-goop-form at Madoka's touch. The tree is either the result of their combined magics, or triggered by it, because it immediately bursts into bloom--the first time we've ever seen one do so over the course of this series.
It's a cherry tree, of course, with all the symbolism that comes with it--full of pink ephemeral flowers (just like Madoka) that bloom on otherwise bare branches. Beauty has emerged from ugliness as the result of Homura's love for Madoka, just as she herself has emerged from her grief thanks to that same emotion--which she will later describe to Kyubey as "more passionate than hope, far deeper than despair".
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Thus, it's not surprising that when Homura remakes the world, the first thing we see are blooming cherry trees--even though they were always green and leafy in earlier versions of this scene. The flowers are a symbol for her love even if no one else recognizes it.
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So here's the question I wonder about: what would it take for Walpurgisnacht's trees to finally bloom? Or is such a thing even possible in the first place?
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pilferingapples · 6 months
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Hello! I'm having a hard time finding GOOD adaptations of Les Mis (apart from the musical of course) because so far I have only managed to run into the bad ones (BBC 2018, the Liam Neeson one, the whole nightmaris works). Anyway, I figured this would be a good place to ask for recs of adaptations that aren't just a complete butchering of the source material! (Oh and I HAVE seen Shoujo Cosette). Thank you :)
Ooh! I have some favorites!
Just good all around:
1925 , French(silent film! there's a fan copy going around with subtitles but honestly , it's a silent film; you'll be fine if you already know the story)
1934, French (ABSOLUTELY not 1935) - this one's a Criterion release so it's not too hard to find it subbed!
1964 Italian miniseries -ten parts, fantastic all the way through, actually paces itself well enough to spend real time on the politics in the second half! Good in Certain Specific Ways 1972, French: lots of focus on the Amis and Gavroche and Paris! Not so much on Valjean, Cosette, and Fantine. But what it does do well is SO good even if they keep stealing Bahorel's lines for other characters, do NOT talk to me about how he's a Minor Character when apparently he has enough scenes to feed an army , and not something easy to find in adaptations, that I think it's worth watching.
1967 BBC, English: a tv miniseries that is half about the best English adaptation I've ever seen, and half ...very not that. The original writer genuinely died halfway through the making of this and whoo boy you can tell, but those first few episodes are really good and in particular have some of the best work with Javert's character that I've ever seen. 1995, French: set in the first few decades of the 20th century, not a direct adaptation but rather a study of how the themes in Les Miserables repeat across multiple eras and lives. One of the most intense and painful Les Mis films I've seen but also one that really digs into its meaning , and the importance of how a story can affect people. VERY worth seeking out.
Not a Filmed Adaptation But Genuinely One of the Best:
The manga by Takahiro Arai, available in Japanese, French, and English ! the last of the 4 volume English omnibus editions is coming out this winter. Arai is a clear fan of the novel and there's so much care put into this, it's a great adaptation and a great manga in its own right.
As to where to find all these--well the English manga omnibus is being released by Seven Seas, but the others, it's going to kind of depend? There's so many Issues with various videos being available only in some locations, but I bet if you ask other fans here who are watching or have watched versions you're interested in, they can help you!
I hope you find some new favorites here!:D
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sgiandubh · 6 months
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Lionsgate/*** quarter call - not so good as it seems
While I am still fumbling around with the strike's aftermath, let me just quickly say a word or two about ***'s last quarter call, yesterday. Nobody does it as @cb4tb, but FWIW, here goes:
I should immediately say I could not watch the replay on the link provided by the initial press release (here: https://investors.lionsgate.com/news-and-events/press-releases/2023/10-19-2023-140125017), despite my total good will to take one for the team, go to bed early and wake-up at ungodly hours. I have no idea why - maybe access is somehow limited? I would never know, I had no 403 error in my browser, so... 🤷‍♀️. Instead, I could peruse the paper version of the standard Company Quarterly Report (US SEC Form 10-Q), along with some scarce press comments, for a bit of context.
The document is damn long (94 pages) and it reads exactly like I presumed: a kidney stone would be easier to pass (https://investors.lionsgate.com/financial-reports/sec-filings). It's perhaps worth for this phrase alone (on page 43), which really made me stop in my tracks:
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At the time of the document's public release, it is technically true and accurate that the tentative deal between AMPTP and SAG-AFTRA still has to be approved by the union's members. However, given the horrendous impact of the strike on almost all things Hollywood and California, for that matter (more on this in a separate post), it's more than likely the deal will hold. The rest is dire: more slashing of content to come, 'if the Company is unable to efficiently complete the production of the film, TV show or program or decides to abandon the production'.
While this does not seem to affect Season 8, this could (I repeat: could) mean that: a) BOMB is gone and b) MIK3 is no longer a priority (the fact that MIK 2, as OL, was listed among the last quarter premieres is not a guarantee it will be continued - not the same amplitude as OL). If so, Season 8 might start shooting as soon as January 2024, since it already has all the needed infrastructure and staff readily available at Cumbernauld (yes, Mordor, the peasant you all love to hate managed perhaps to save the day again!). So OL is doing ok on that side, unlike other productions of other studios, who reportedly started a mad scramble for location scouting and staff recruiting, just before the festive season - that is a big competitive advantage and one of the main reasons I believe it's still entirely possible to pull it off.
The 'thriving' future (according to Feltheimer, that genius 🙄) of *** as a standalone company is still something we severely lack data on, as Lionsgate kept its commitment to go on with the acquisition of Entertainment One (you know, the Peppa Pig people), for a mere 375 million USD, to be completed by January 31, 2024. At the same time, *** is not the only actor on the US media & tech market to proceed to lay-offs and it seems to fare better than many, as I already supposed and told you:
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(Sourced at: https://variety.com/2023/tv/news/starz-layoffs-exit-uk-australia-lionsgate-1235779627/).
Something to be closely monitored in the upcoming weeks. I think it's going to be worth it. Sorry for not bringing any sensational content today and I know it's dull and probably uninteresting AF, but it's there and it has to be taken into account, for sure. So yes, 'not as good as it seems' (profit is now mainly driven by motion picture, not television production), but not as bad as expected by the prophets of doom across the street, who - as usually - have no damn idea of what they are talking about.
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delyth88 · 6 months
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My immediate I-just-finished-watching-Loki-episode-4 reaction post
There be spoilers ahead.  Oh damn there be spoilers!
Okay.  Firstly, AAAAAAAAAAAAAAAHHHHHHHHHHHH!!!!!!!!!!
Secondly, that was awesome!
Thirdly, so many things!  In no particular order…
Did they just create the Kang problem?  By spagettifying Timely near the Loom did they just somehow seed the multiverse with Kang variants who know more than they should?
“I don’t know”. Agh!  What does this mean! Why is this important to Loki?  What has he just realised? “What’d we do wrong?” “I don’t know”.
The time loop scene was just beautiful! I loved how they cut to Loki from the past and it took me a couple of seconds to realise that wasn’t our present Loki. (Not that I’m complaining, I could happily watch him running desperately through the TVA for a long time lol.) I’d had a feeling the show was going to tie back to the time slipping thing more strongly in this episode so had just rewatched episode 1, for which I am very glad. Made following things a little easier. But it was also great to be able to more closely compare the scene to the on in my memory from ep 1.  I totally thought it was going to be Loki on the phone too though, so that it was OB was almost a disappointment lol!  I’d thought perhaps it was going to be a future version of Loki making the call at that time to bring his past self to that location to be pruned. But unless things are even more convoluted than they appear it seems it wasn’t a call from anyone with that purpose in mind.
The music that starts playing as present Loki realises what’s going on and makes the decision to prune his past self – is that the beginnings of a heroic theme for him!?  Eeeee!  (I feel like it’s going to be my deathbed wish to see Loki straight up play the hero in something, lol!)  Even if not, the music here was great!  From tense and creepy to determined and uplifting!  I didn’t notice it on first viewing, it was just there unconsciously guiding how I felt, but clearly being very effective!
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So. That ending eh? OMG! I was NOT expecting that!!!
I was genuinely shocked at the spaghettification.  And then how quickly the Loom went critical and that they actually showed us how everyone handled their last moments.  Mobius disbelieving, Sylvie and OB quietly resigned, B-15 terrified, and Loki, with tears in his eyes, facing death head on.  Lmao.O does that count as another death for Loki? *cackles madly* Also, so THAT’S what that shot from the trailer was from.  No wonder he looked so… much.
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And then OMG!  The flickering lights! That was so well done!  Now you’re gonna laugh, but my TV and living room lights regularly flicker and the TV turns off. Something about the wifi and picking up signals from phones and alarms.  For instance it always turns off at 9pm when my alarm goes off.  So you can imagine why it took me watching the final scene three times before I was convinced it wasn’t a technical glitch at my end.  LOL! 
I love how it’s tied in with the flickering of the lights in the TVA itself. And I love how it works as a symbol for a glitch in time itself – which is what I assume these events have caused.  And the music over the end credits – good lord I still have shills! It’s all so very wrong! Like reality is disintegrating. Like a Dali painting. It’s sooo uncomfortable!  And so very, very, well done!  Such a fantastic blend of the show with reality!  Agh! I love it!  I also love that this is something new, something I’ve never experienced in film or TV before and it’s going to stick with me for life.
So did Timely sabotage things, or do something other than what OB was expecting? Or was he just bluffing with Renslayer? Did he volunteer for the reasons he said, or was he planning something? I want to give him the benefit of the doubt, but I’m just… not… sure.  Did he intend for that to happen to him?  Or did he miscalculate? Or was everything played straight?
I’m sympathetic towards Timely.  The trouble is we haven’t seen him for long enough to really know who he is. In the brief time we’ve been shown conflicting things – he’s a confidence trickster, but he seems harmless enough in the scheme of things. His wonder at all the things in the TVA (including the hot chocolate machine) are very endearing.  He seems genuinely scared of… well… pretty much everyone at some point (except OB), and the way Loki and Mobius show him trust and are kind to him is sweet. But then he hadn’t really been around the TVA long enough for us to see what sort of schemes he could think of to work to his advantage, so perhaps it’s just a matter of time.
So where to from here?  I can see why they showed the press up until this point, and I can see why some of the reviews talked about how episode 4 turned things on it’s head. 
I’m going to assume that episodes 5 and 6 are about Loki working out how to fix things. Or maybe not quite fix, but at least not completely destroy. I feel like things at the TVA won’t be the same by the end of the season.
Something makes it so that Loki starts timeslipping again, and into the branched timelines too.  Or is it perhaps just along his own timeline?? We’ve heard him asking how they could do things differently, so I assume that’s what he’ll be trying.  Maybe many different attempts.  Maybe all of those in the room are now unstably jumping about within their own timelines.  I don’t know, but there certainly look to be lots of super cool possibilities!  I half expect the start of the next episode is Loki opening his eyes to find himself in another place/time, and then working out wtf is happening. 
Also, we’ve been working on the premise that Timely is a variant, but what if he actually is He Who Remains? What if HWR is in a permanent time loop? (That is of course assuming that Timely somehow didn’t actually die. Or at least not permanently.)
I think I might have to stop thinking about it there or else I might go mad. *cackles*
Some other things:
OB learning everything from Timely!!!  OMG!  I didn’t expect that but I love it.  That was never fully explained, was it?  Does someone take Timely’s TVA book waaay back into the past? They were as cute as imagined in their meeting.  Part of me is still sad they never signed each other’s copy of the TVA book.  But if Timely’s book goes back to OB then it couldn’t be signed by OB I suppose.
Renslayer and Miss Minutes going outright evil.  Well at least I know what side of things she’s on now, I guess. I’m glad they never showed us the results of the machine, because the expressions of those watching was terrifying enough.
Dox defending B-15’s integrity was great. I should have known she wouldn’t live after that.
Nice to have the memory erasing confirmed.
Interesting convo between Sylvie and Mobius. I thought that was interesting and reflected their experiences and positions well.  I really feel for Mobius. I think I’d probably react similarly to him and just not want to know for fear of it being better than the life I knew.  So I have a lot of sympathy for him, but I can totally see Sylvie’s point.  But sometimes you have to narrow your scope of caring to survive.
Loki and Sylvie’s conversation in the Automat may actually be my favourite interaction between them so far.  Loki seemed to be more confident in himself.  He wasn’t trying to please her or desperate for her to do/not do something. It seemed a more mature conversation where he recognised there was no right answer, and was prepared to walk away rather than try to convince her, and equally, she didn’t just push him away or run herself. I might actually be starting to buy the fact that these tow have a history of some sort.
The fact that OB can reset the TVA’s system and enable magic to be used within the TVA – and Loki and Sylvie’s shouted response – Brilliant!!!  I feel like that’s going to be significant later on.  I mean it did allow Sylvie to enchant X-5, so maybe that’s the payoff already, but maybe it also allows Loki (or Sylvie) to do something bigger in that brief window if he’s jumping through time again. I wonder f also it’ll turn out that some other people in the TVA will turn out to be magic users? (I’m assuming not Mobius because of the 90’s and jetski thing, but maybe?)
So I had really quite low expectations for this season.  As I’ve said before I didn’t like several fundamental things about season 1, but we’re 4 episodes in and I am *almost* confident enough to say that most of those are absent from season 2. Or at least so far.  They key thing being Loki’s characterisation – it’s still not entirely consistent with OG Loki, but it’s no longer excruciating to watch him clown about. There are still a few moments this season that have been beyond my comfort zone, but 90% of the time he’s been more assured and has been treated seriously by the show.  He’s also been the driver of events and the eyes through which we see things more than in the first season. And I am so thankful for this.
The tone of this episode is more aligned with episode 1, but that makes sense because it’s both more similar in topic and by the same directing team.  And given Episode 1 was my favourite before this, I’m more than happy!
There’s still a couple of episodes to go, but 4 episodes in and I’ve gone from, ‘yeah, I’ll watch it but only out of curiosity and some weird lingering sense of obligation because I’m a Loki fan’, to ‘this is actually potentially great and I can’t wait to see what happens next’.  Which has been a bit of a shock.  Lol!  I’ve been a Loki fan for too long to have the confidence to call it yet, but I’m leaning more towards the optimistic end of ‘cautiously optimistic’.
Okay, my mutuals and anyone else who wants to discuss – what did you think?  :D
Tagging a few folk since I’m a day or so late.  But please let me know if you’d rather not be tagged (or would like to be added). @sparklegemstone @pinkpondofasgard @woodelf68 @galaxythreads @ladyofthestayingpower @scintillatingshortgirl19 @projectprotectloki
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oldshowbiz · 4 months
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San Francisco's strip club row is in nearly every movie or TV show filmed in the city in the 1970s.
This streak of colossal old signs - The Condor, Big Al's, the Roaring 20s, and the strip club version of the Hungry i - are all located at the corner of Columbus and Broadway.
They were the first legal topless clubs in America and they are often used in films to indicate societal depravity.
They are featured in the opening credits of the Streets of San Francisco and can be seen in many movies including Dirty Harry (1971), The Laughing Policeman (1974), and Hardcore (1979).
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galexystern · 9 months
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island of love masterlist;
a steve harrington/reader love island au. (completed)
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pairing; steve harrington/reader, eddie munson/chrissy cunningham, robin buckley/nancy wheeler; eddie munson & reader, chrissy cunningham & reader
rating; T
warnings; Fluff, Angst, Hurt/Comfort, Swearing, Alternate Universe, Cuddling & Snuggling, Modern Era, Everyone Is Alive, Falling In Love, Friendship, Friends to Lovers, Fake/Pretend Relationship, Getting Together, Happy Ending, Humor, Banter, Flirting, Jealousy, Betrayal, Kissing, Hugging, Reality TV, Alternate Universe - Reality Show, Pining, Mutual Pining, Romance, Parenthood, Slow Burn, ish, No Smut, Implied Smut, minor use of y/n, girls supporting girls, Heartbreak, Heartache, Plot Twists
word count; 35k
desc; "So, Steve, what brings you here?"
"An SUV," he responds, deadpan, and you laugh again. "Oh, you meant the villa?" He asks exaggeratedly. "The usual: love."
"I guess that is a basic question," you concede. "It is called Island of Love."
"Not everyone comes for love," Steve protests. "But I doubt they'd tell you that."
You narrow your eyes. "Then you could be lying."
"Nah, I'm as honest as they come." It's obviously something a liar would say, but there's something in his eyes that makes you believe him. Maybe it's the hope. Maybe it's the excitement. Maybe it's the way he's looking at you. One of those. "And I'm honest when I say I like you." Maybe it's that.
~aka the love island au nobody asked for~
a/n; 
i've been working on this for a long time and i'm really proud of it! i hope you like it :)
love island is a british/uk reality dating game show where couples compete to win £50,000. wiki here
there are us and au versions as well. this story is set in the us but it's pretty vague on location.
recouplings, challenges, dumpings, etc. are all tests for the couples and entertainment for the audience. casa amor comes halfway through a season and splits the boys and girls to test their loyalty in their couples by putting them with new islanders of the opposite gender.
none of the drinks contain alcohol, as that is a show rule.
raunchy races; snog, marry, pie; baby day; the general format of challenges, recouplings, and dumpings; and the live finale are all taken from the show. specific themes and actions are mine.
there would definitely be producers onsite during filming and no secret conversations would be allowed in real life, but i needed them for the plot so take that with a grain of salt lol.
y/n is only used at the end of part two, during an outside pov (you'll know what i mean).
the show usually lasts like six weeks but this is obviously less than that because i said so.
naomi is not a real person but based off the hosts of the show.
i definitely implied the audience is way dumber than they are. don't sell yourself short as a love island fan!
read on ao3
part one (17k) part two (18k)
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chernobog13 · 2 months
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Ron Ely as Tarzan, and his chimp co-star Cheeta. Though they look like best friends, Ely suffered several bites from the little guy during the course of their two years working together.
For kids in the mid-to-late 1960s, Ron Ely WAS Tarzan.
Ely was the star of the 57-episode Tarzan TV series that ran two seasons, from 1966 to 1968, and then in near continual syndication for several years afterward.
The television series was executive produced by Sy Weintraub, who had been producing the Tarzan films since 1958. Weintraub was responsible for replacing the monosyllabic persona of Tarzan, made popular by the Johnny Weissmuller films of the 1930s and40s, with the educated, well-spoken character from Edgar Rice Burroughs' novels. True Trazan fans were delighted with this move, and I'm sure Burroughs himself would have been as well had he lived to see it (he died in 1950).
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Tarzan about to demonstrate his vine swinging skills.
Weintraub also filmed his Tarzan movies on location, as opposed to in a studio with stock jungle footage. This made for some spectacular scenes, but it was rough on both the crew and his Tarzan actors: Gordon Scott, Jock Mahoney, and Mike Henry.
When he decided to make the Tarzan television series, Weintraub wanted Henry to continue in the role. However, Henry had made 3 Tarzan films back-to-back in 1965 and was physically exhausted. Thus the TV role eventually was awarded to Ely.
Like the Mike Henry films, the TV series was filmed in Brazil (first four episodes) and Mexico (the remainder of the series). This explains why the scenery, while lush and exotic, sometimes doesn't quite gel with images we'd seen of the African wilderness. It also explains why many of the extras appeared Latin as opposed to African.
Ely insisted on doing his own stunts for the series, a decision later on he would come to regret. He suffered more than two dozen serious injuries, which included two broken shoulders, lion bites, and several bites from his co-star, Cheeta the chimp. Allan Sherman, in an issue of the Tarzan comic book when it was published by DC, wrote an article and chart detailing all the injuries Ely incurred in the two years of production. Unfortunately, I have not been able to find the article to include here.
The one thing Ely could not do: the famous Tarzan yell. The production ended up using a recording of Johnny Weissmuller's version of the yell.
Ely's other co-star in the series was Jai, an orphaned boy (played by Manuel Padilla, Jr). Jai took the place of Boy, Tarzan's son from the Weissmuller films, and gave the ape man someone to protect and/or rescue every episode.
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Manuel Padilla, Jr. as Jai, Tarzan's companion throughout the TV series, with Ron Ely as Tarzan.
As in Weintraub's films, the character of Jane was not present. Weintraub preferred a Tarzan who was a lone adventurer. The TV Tarzan was not a globetrotter like his film counterpart; his adventures were limited to a fictional African country.
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The Tarzan series had several high profile guest stars including, believe it or not, Diana Ross and The Supremes: Cindy Birdsong, Mary Wilson, and Diana Ross as a trio of nuns.
The series got off to an uneven start, as the location shooting took longer than anticipated. Early episodes show signs of hasty, almost haphazard editing as they were assembled at a breakneck speed to meet NBC network's broadcasting schedule. Luckily, the production eventually found its footing, and things smoothed out quickly.
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For a brief time Tarzan's TV adventures took over the cover spot on the Tarzan of the Apes comic book.
Warners Brothers has released the series on DVD back in 2012 and 2013. To my knowledge (which, admittedly, is faulty) it is not currently streaming or available on any cable channels.
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samuelturn · 8 months
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Aight so now that I have finished Brothersong I have THOUGHTS on further logistical breakdowns of how Green Creek could be adapted to a GLAAD Award-Winning HBO TV show. Spoilers so here is a cut for anyone who wants to be fresh to the series.
PRE-PRODUCTION
OKAY SO! The filming block for Season 1/Wolfsong would MOST LIKELY be the biggest, especially for scenes involving younger versions of the actors. As these are spread out across, like, all four books, some are just “scene we’ve seen but from a different perspective or with ‘Dream Seauence VFX’ so we just need more blocking/extra takes to make it all seem believeable using B-roll” to “yeah this requires Young Thomas and various child actors so we’re filming this beforehand so that everyone looks the same when these scenes come up later” to “ah hell we gotta shave their heads anyways might as well film the revenge road trip.” Thus, basically everyone but, like, Dominique would have to be cast by Season 1, and probably all of Season 1 and half of season 2 would need to be written and finalized and drafts/outlines of Season 3 and 4 would need to be made before casting would begin. Writer’s room would include TJ and a racially-diverse LGBT staff.
Caswell wouldn’t need to be fully built but enough of a location would be needed to film individual scenes with the younger actors and scenes set in the big house at Caswell (ie arguments between Mark and Thomas, Joe being taken, Thomas in the woods with the kids, Thomas writing the letters)
Title sequence would be based on the lovely new covers for the hardcover editions from Tor. They’d get longer with each season and by the end we see the whole pack in the papercraft style of the covers.
CASTING
Yeah we’d need a big ass cast. With multiple actors to play different characters at different ages.
Babies:
Carter, Kelly, Joe, maybe also Gavin depending on things
Children:
Gordo, Gavin, Mark, Rico, Chris, Tanner, Carter, Kelly, Joe, Robbie
Young Adult (ie Teen to Mid 20s) and Adult (ie by the Rough Present of when Ox first discoveres the secret of the Bennetts)
Basically everyone else
The tricky part will be that, yeah, there will probably need to be different actors for 20s Thomas, Elizabeth, Mark, and Gordo because while a 20-something can play 16 or so, its harder for 30-40 year olds to play 20-something. The upside being that an older actor CAN play Gordo for the scenes after Ox’s dad leaves (also Ox’s dad will need a name lol). You would need to switch to older actors for the Bennett kids and Ox basically once Ox graduates high school. But then you can keep all the same actors for the rest of the “present” set scenes. Osmond, and Robert Livingstone would also need younger actors. Richard Collins would only need one actor he’s barely in the flashbacks as it is.
STRUCTURE/PLOT RAMBLINGS
There are a few things that would need to be done in order to improve the pacing for TV, imo. Mainly, that the handing off of Alpha of All to the Fairbanks pack needs to feel more earned and less semi-random. Like, show them taking in Omegas at the end of Season 2, have them be allies at Caswell in Season 3 and the final battle in Season 4. Flesh them out a bit more. Also some continuity smoothing would be needed (ie clarifying that Gordo refused Mark’s MATE bite not Thomas’s BECOME WOLF bite).
Some more forshadowing of Robert’s failsafe in Season 2 would help. Obviously SHOW Gavin’s timber wolf in the attack on Jessie (and ideally have the actor be the body actor wearing the CGI ball suit moving all wolf-like in the scene) in Season 1.
I’d personally add in more of a wrap-up in Caswell at the end of Season 4. And also an extended aftermath scene or episode after Ox’s resurrection. Joe’s wolf is still bigger than almost everyone else, but not as big as it was when he was Alpha. One thing that I’d ask to be added is, maybe with the death of Robert and the ressurrection of Ox there’s a big ass magic pulse and we get a follow-up with the new Alpha of All from Alaska training Betas who have become Alphas thanks to Mystical Moon Magic as they rebuild packs across the continent. Idk the story needs more of a denumont. Alpha of All making more of an effort to try and bring Omegas back from the brink before just automatically deciding to kill them.
Dominique could have human bite marks on her to show thar Jessie tried to “Mate Bite” too even as a human. Bambi and Rico too.
He/They Gavin? Maybe? Gavin feels very he/they. Also Elizabeth showing affection to Maggie (hey if we’re gonna imply that Thomas and Richard had a kind of romantic love for each other in Brothersong before he went Omega Lizzie can make side-eye at Maggie).
Show more of the three year gap between Ravensong and Heartsong (not a lot but more than just one bit when Robbie is kidnapped). And the new story in the deluxe hardcover books too. The myth or whatever. That can be animated in a sketchy style (think Princess Kaguya or Wolfwalkers) with VO from Elizabeth.
Anyway rambling over I love these books so much. TJ I woudn’t say no to a LIGHT DRAMA/mostly fluff 5th book or short story. Maybe from Chris or Tanner’s perspective? Or Jessie’s?
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tame-a-messenger · 15 days
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just read the ask about what the announcement could be and how you said it wouldn't take long to organise SSG.
I work in immersive theatre and events, an undertaking like SSG even within an internal company would be a massive undertaking and could take between 3 months to 6 months to plan properly depending on where it's taking place.
You have to book the site where it's taking place, making sure no one else is around because Smosh are notoriously loud while filming. You have to make sure everyone is available, as a business they need to transport everyone out to the site and if it's far enough away put the cast and crew up in hotels as it's going to be a multi-day shoot and it may be too far for them to get back home. You also have to advertise it well in advance to maximise the excitement and views of SSG. There are also a ton of other details that I have no clue about because I don't work within film/TV/digital content. (Also call me stupid, but I think a sleepaway camp themed SSG would be hilarious)
I'm glad we can talk about this!
I also was taking into account most of the things you mentioned (booking a site that would be unbothersome, the hotels/lodging, everyone being available for at least a week straight(?), and the actual process of getting all the cast and crew to location) and I still believe that is something they could get done, with a lot of hard work.
My biggest worries regarding it (and the biggest reasons I feel they haven't done it already) are making sure everyone gets to go, with most of the cast being freelance and therefore busy.
Another BIG thing is having enough crew to film IRL content. Since most of the crew works with 3 steady-cams and the occasional hand-cam, it is a big undertaking if they tried to film anything as chaotic as SSG Wild West or any of the other Games versions.
I don't think they currently have enough people to film it well. (meaning they would have to hire on more camera operators and everything else) Which I'm imagining is not only a big chunk of change $ but also hiring new people could make for an uncomfortable atmosphere.
As for them advertising it- I haven't seen ONE person that's in the Smosh fanbase not want them to continue doing SSG/SWG. I'm EXREMELY CONFIDENT that if they did some crowd funding they would hit the goal. No question. Which leads me onto the next big thing-
I'm curious if they haven't done it because of legal issues regarding health and safety.
Most of the games they would do involved a lot of potentially harmful 'stunts' that the cast did themselves (obviously), like the mouse trap blindfolded thing they did in SSG Camp, or the mechanical bull riding in Wild West (pretty much every season had some sort of dangerous activity) so I could see them not wanting to have someone get hurt and have legal action taken. (obviously I wouldn't want someone to get hurt regardless, but we're talking about absolutes)
I still think it's possible for them to do it, it would just take someone with gusto to head the whole thing (something Smosh has been missing recently). It makes me really miss some of the old producers.
I think I mentioned that if they were going to do SSG they would have already been planning it for at least a month (so that would be the minimum you said- 3 months) so I'm starting to think because that wasn't what they were teasing today that we aren't going to get SSG but SWG is still on the table?... maybe...?
So biggest things I can see causing trouble-
Not enough crew
Cast having enough freetime for a week(?) of videos
Legal is scary
Not having someone willing to lead the charge (it is a big undertaking)(but not impossible)
If they wanted to they would. But benefit of the doubt says timing is a cold hearted bitch.
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sophie-st-2002 · 19 days
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Roundtable Presentations 2: The Monkees, Episode 19, Find the Monkees
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The Monkees (1966-1968) is a comedic sitcom with musical elements, follows the adventures of the real American rock band, The Monkees, as they navigate humorous and absurd situations while striving for success in the music industry. In episode 19, "Find the Monkees," the band's quest for recognition intensifies when they learn about a TV producer auditioning rock bands for his new show. Desperate for an invitation, they resort to unconventional methods, leading to comedic mishaps. Meanwhile, the producer becomes determined to locate a mystery band, resulting in unexpected outcomes.
How does the series use dual-focus narrative as a strategic storytelling tool beyond heteronormative romantic pairings?
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In “Find the Monkees”, the series utilizes a dual-focus narrative free from heteronormative romantic pairing, particularly in the dynamic between television producer Hubbell Benson and the band, The Monkees. While the primary plot revolves around The Monkees humorous misadventures and attempts to gain recognition from Benson in order to get onto his new TV show. The subplot involves Benson’s frantic search for the mystery band, which is of course The Monkees, who he heard and wants for his show. The dual-focus narrative highlights both sides of the equation: Benson's persistent efforts to locate the band responsible for the captivating recording he heard, and The Monkees' unwitting involvement in Benson's search while pursuing their own aspirations. This narrative technique not only enhances the comedic elements of the episode but also underscores the interplay between the characters and their respective goals, ultimately driving the storyline forward.
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The producer, Hubbell Benson.
What are the “inevitable” couplings within the series and how are they accentuated through “cinematic” similarities and contrasts?
In episode 19  the " inevitable” coupling is between the television producer Hubbell Benson and the four main characters – Davy, Mikey, Peter, and Mike– is emphasized through specific visual motifs, camera angles, and editing techniques. The producer is depicted in basic formal office attire, visually contrasting with the bright color and patterns of clothes worn by The Monkees. One similarity that they share is the red tie Hubbell wears and the bright red shirts of The Monkees. Red is a very prominent color in this episode.
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The attire of The Monkees helps with the comedic and whimsical tone of the show. Humorous editing techniques like jump Cuts or visual gags enhanced comedic moments, further accentuating the contrast between the professional producer and the amateurish  main characters. These visual and technical elements contribute to the episode's comedic tension, the cat and mouse chase between the two.
How does the series use musical numbers within and beyond the narrative world to replicate fairy tale, backstage, or folk musicals?
It’s difficult to classify The Monkees'  as a TV musical due to its deviation from conventional musical formats. While it bears resemblance to backstage musicals, it evades simple categorization by blending elements of comedy, musical, and television sitcom. Inspired by The Beatles' film "A Hard Day's Night," the series integrates musical performances seamlessly within its narrative. However, unlike typical jukebox musicals, the music serves as a promotional tool for the real-life band's albums rather than an integral part of the storyline. The band was formed for the television show and later left NBC to create their own music as a group, foregoing the fictional version of themselves. The on-screen musical scenes lack immersion, with evident dubbing of final tracks over the performance of “Sweet Young Thing”,
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and montage sequences with no reality within the narrative of the show with shots of performances reminiscent of The Ed Sullivan Show as seen in the number “Papa Gene’s Blues”,
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Yet, the narrative utilizes musical numbers to showcase the band's talent and appeal to potential viewers and buyers. Furthermore, the lengthy epilogue tag featuring an interview with the band and producer Robert Rafelson discussing real-life events adds another layer to the show's complexity. This blurred line between reality and fiction underscores the band's status as both performers and characters within the comedic sitcom setting, contributing to the show's unique status within this discussion.
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