Mark Rothko, Untitled, c. 1949
Oil and watercolor on watercolor paper
40 3/4 x 26 3/4 in. (103.5 x 67.9 cm)
Inscription Verso in black crayon: MARK ROTHKO
Estate/Inventory Number1240.52
CollectionCollection of Christopher Rothko. © Kate Rothko Prizel and Christopher Rothko
Thank you to @glorioustwentyfifth for taking this picture at the Oslo exhibit last week
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Nobody:
Absolutely nobody:
Blink-182 after going to an art museum:
Because I fell in love with a girl at the Rothko
Asked her what it means and she told me that she didn’t know
Modern art is subjectively beautiful
Everything’s better in abstract space
A big red square smile on my face
I fell in love with a girl at the Rothko
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I am entirely obsessed with this person's hand designed/knitted Rothko inspired sweater. I'm going to be thinking about this for days
The artist's instagram is here!
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MIKE KELLEY (1954–2012)
More Tragic! More Plangent! . . . More Purple! 1985
Photographs of Rothko paintings from a book
Sotheby's
six Ektacolor prints, flush- mounted on museum board, printed 1996
each signed, dated and numbered '4⁄5' in pencil (flush mount, verso); each credited, titled, dated and numbered on affixed Sir Elton John Photography collection and gallery labels (frame backing boards)
each image approximately.: 26 5⁄8 x 20 (67.6 x 50.8 cm.)
each sheet/flush mount: 30 x 24 in. (76.2 x 60.9 cm.)
(4)This work is number four from an edition of five.
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Nobody in the Glass Onion tag is talking about the fact that the Rothko painting on the wall is UPSIDE DOWN.
Truly shows that Miles Bron is just a rich dumb twat
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Mark Rothko, Sketch for the Harvard Murals, 1961
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Free Rothko; found on oak street art on X
Mark Rothko; Blue & Gray, 1962
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Mark Rothko (1903-1970)
Pink,Purple,Blue 1961
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No. 61 (Rust and Blue), 1953
Mark Rothko
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Mark Rothko - Untitled (1948)
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have you been to his chapel? any thoughts? 👀
I was there once before the renovation, I'm not sure how different it is (Some lighting differences) but it was a great experience for me.
It's hard to tell anyone what to expect from art. I know people who have actual life changing experiences there and people who were underwhelmed. If you're a fan, I think you will get something rewarding out of it. The sheer size of the artwork all around you is an experience itself.
Most of the complaints I have heard have been that it's too dark in there. I think now it actually is lighter than it used to be , but this is a familiar refrain about Rothko which I heard from a lot of people at the LVF show too. Rothko liked it darker and not everybody does.
Personally, I feel you just need to get used to the light. You get bright light on things, it gives them a certain impact. It exposes detail and contrast. But Rothko thought of it as twilight. He felt you can't see what he saw under too bright light. (ironically at one his first shows he requested bright light from a single, central source and this request was refused, but he never wanted that again).
It is a (nondenominational) chapel and as such the mood is quiet and reflective. You wouldn't go to the Rothko chapel to party (it's not the Andy Warhol Chapel) but Rothko himself would tell you to get whatever you can out of it. That's good advice for any art, I think. You bring yourself and, like music. as you change, the art will change with you offering you new things.
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Look guys I color corrected this Rocko. I think it looks cooler with those tones. Let me know what you think. This is the original, I think, I found it at google images:
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Mark Rothko
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Mark Rothko, Untitled (Black and Gray), 1969
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Mark Rothko, No. 7, (mixed media on canvas), 1964 [National Gallery of Art, Washington, D.C. © Kate Rothko Prizel and Christopher Rothko / ARS, New York]
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