#Macro

[seabeck]

Slime mold

[lazchance]

mangrove jewel bug

shiny ass bug that stood out on the railing like a piece of forgotten jewellery... its so round... imagine wearing it as a pendant

incredibly glam bug... of course i had to cop a few shots of it...

WAHOO!

[yume-aeae]

beh

[textless]

[herestonow]

Unfurling

Bluesky | Website

[thesecretgoal]

Nikon D7200

Nikon 50mm af-d (1995)

1/400 F5 ISO 200

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I tronchi degli alberi sono separati, ma le radici si tengono strette le une alle altre e i rami in alto si intrecciano. Sono uniti a livello profondo ed a quello più elevato. Gli uomini dovrebbero essere come un’immensa foresta.

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The trunks of the trees are separate, but the roots hold each other tightly and the branches above are intertwined. They are united at the deepest level and at the highest. Men should be like a vast forest.

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[fishbphotography]

Brown bonnet

Yokosuka, Kanagawa, Japan

[imiging]

by @t13shoots

Daily original photographs and creations selected by the imiging team!

[seabeck]

Slime mold

[lazchance]

hello my dears... my first stickbug sighting

ive never been too great at spotting things that are well hidden... ive always wanted to spot a stick bug but i didnt think i would see one unless someone else spotted it for me. but i heard this gorgeous critter rustling in some dried leaves... and that gave away its disguise

this poor thing is missing a leg but its still doing okay! it was walking around okay and seemed very curious to wander around my hand

(Carausius nodosus)

[constantlyfalling]

went for a walk yesterday...

[grouper]

The work of Amanda Ba!!!

River Titan, oil on canvas

Blueprint titan, oil on canvas

Titan City, oil on canvas

From Juxtapoz magazine, on Titan City

Shaquille Heath: Do you feel like the settings where these works take place are the beginning of a development, or at the end, when things are smashed to pieces?

Amanda Ba: I think it's all stages. Across the paintings, the environment portrays all different stages of construction development. There's some in which the city is fully formed and it's shiny. And then there's some where it's all rubble, which is a really big motif in this show. It's all rubble, or sort of old, dilapidated buildings. And then there's one painting in particular that is tapping back into the red palette that I used to use. It's of three red women standing in this cityscape, and actually within that, every stage is portrayed. There's one figure sitting on top of a pile of rubble, and then sort of layered in between is an old dilapidated building that's about to be torn down. You have a building with scaffolding that's about to be constructed. And then you have shiny high rise apartments in the background. So you have all different stages of construction. I think part of what I was looking at was, you know, an erotic aspect of the construction developing these apartment complexes-erotic, not necessarily in purely sexual mode, though I mean, of course it can be interpreted that way; but more as a theoretical eroticism in which desire is this frustrating entity that can never be fully satiated because what we desire is this amorphous feeling inside. The way we attempt to make sense of that is bv attaching obiects or people or things. But those are not representations of our desire, you know what I mean?

Hello. I think giantess women could become very topical. I think we need kaiju and giantess women now. I think we need big women to fight big monsters, and save the city.

[wallofbubbles]

Eel buried under the sand. This one looks a lot like a bamboo shoot.

Puerto Galera, The Philippines, 2024

[miamaimania]

Parrot Toadstool (Gliophorus psittacinus)