#Major Paul Davis

[hearteyesmcgarrett]

July 8th is a very important day

[nonsensicalvulpes]

me and @malunk just think hes neat

[spockvarietyhour]

Major Davis, welcome back!

[brothelfan]

Hellsing fancast

[hotvintagepoll]

Propaganda

Bette Davis (All About Eve, Now Voyager, Jezebel)—She is a bitch and I like her so much. Also: unf. She does it all: rage, vulnerability, romantic passion, hauteur that invites beholders to say "step on me" under their breath. Her work in the 1930s, from melodramas to romantic comedies, is excellent, but I've mentioned 1940s films above because I feel that she really was at her best once the studio allowed her star image to get edgier. Also her decades-long platonic friendships with male co-stars (e.g. Paul Henreid, Claude Rains) are very important to me. Anyway: bow down before Bette Davis, HBIC.

Vanessa Brown (Tarzan and the Slave Girl)—Was fluent in several languages, wrote and directed school plays in high school, was a movie critic and feature writer for the campus newsletter while she was majoring in English; had a career in film, television, radio, stage and was also talented in painting

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Bette Davis propaganda:

"The absolute GOAT of vintage cinema. An icon. Her EYES. Any time you see Bette on screen you know she's about to steal the spotlight. Her range is incredible, she can play coy, shy, mischevious, innocent, evil, hideous, beautiful, cunning, and wise all with the same self assurance and talent. I live in awe of her ability. And, of course, she's gorgeous. I think she peaked in 1950 with "All About Eve", at the age of 42- she was in full control of her craft, she's a milf, and her scratchy voice makes me nervous in a good way."

"She’s Bette fuckin’ Davis! She had a great sense of humor and a lovely pair of eyes! She was a camp icon and fuckin’ knew it. And she wasn’t afraid to make fun of herself!"

"shes got a whole song of saying how hot someone is bc they look like her"

"She's got Bette Davis eyes! Incredible character actress, charming, witty as all hell. Her favourite accessory was a lit cigarette."

[paulrobinsonshotel]

Steven Moffat

Gives Ten an equally important role to Eleven in his anniversary special, Makes RTD's Time War central to the episode's storyline, and resolves it in a way that doesn't undermine Nine and Ten's character arcs, gives Billie Piper a major role without infringing on Rose's storyline, gives Paul McGann the regeneration story he deserves, gets Tom Baker back on the show one last time, and gives us one very brief, tantalising tease of the next Doctor. And all this was while having no actors under contract, and BBC executives constantly interfering.

Chris Chibnall

Used his final story to bring back two beloved companions from the classic era, and gives them closure with their respective Doctors. Brings back several Classic Doctors and the Fugitive Doctor to aid Thirteen in her final battle, and revealed that companions from throughout the Doctor's life have been getting together and supporting each other, as they will now do for Yaz. And this was in the aftermath of the pandemic, and at a point when a new showrunner couldn't be found, with no idea what future the show had.

Russell T Davies

After getting near complete creative control of the show in time for the 60th anniversary, burns the Thirteenth Doctor's outfit away, immediately pivots back to his Doctor and his companion, with just some old villains to represent the other 55 years of the show. Doesn't bring back any other elements from the show's history until the third episode, and even then, has Mel and Kate play second fiddle to his characters. Doubles down on the self-indulgence of The End of Time by refusing to have Tennant regenerate at all, uses the Fifteenth Doctor's introduction to give Ten a happy ending rather than letting Ncuti Gatwa define his character on his own terms as every one of his predecessors has done. And writes the Nobles (his characters once again) as the one true found family the Doctor needs, as though the Ponds and River and Clara and the Fam were just passing acquaintances.

Two of these are constantly accused of trying to undermine the show and making it all about themselves. I'll let you decide which one it isn't.

[vintagetvstars]

Hot Vintage TV Men's Bracket - Round 1 - Part 1/2 (Polls 1-99)

Round 1 (All Polls)

Ted Bessell Vs. Dick Van Dyke

Jonathan Frid Vs. William Hartnell

Claude Rains Vs. William Hopper

Eric Idle Vs. Peter Tork

Henry Winkler Vs. Tom Smothers

Martin Kove Vs. Tom Selleck

Jeff Conaway Vs. John de Lancie

Dave Foley Vs. Michael J. Fox

David Hyde Pierce Vs. Tony Shalhoub

Jason Bateman Vs. Rob Lowe

Ted Cassidy Vs. Boris Karloff

Eddie Albert Vs. Russell Johnson

Bobby Sherman Vs. Micky Dolenz

Robin Williams Vs. Fred Grandy

Kevin Smith Vs. Bruce Campbell

Brad Dourif Vs. LeVar Burton

Seth Green Vs. Brandon Quinn

Matthew Perry Vs. Tim Daly

Mike Farrell Vs. Judd Hirsch

Matt Bomer Vs. Timothy Olyphant

Larry Hagman Vs. Kent McCord

Fred Rogers Vs. Bobby Troup

David Cassidy Vs. Luke Halpin

George Takei Vs. Richard Hatch

Ricardo Montalban Vs. John Forsythe

Richard Dean Anderson Vs. Bruce Willis

Anthony Head Vs. Paul McGann

Thorsten Kaye Vs. Michael Horse

Darren E. Burrows Vs. Dana Ashbrook

Adam Brody Vs. Milo Ventimiglia

Adam West Vs. Richard Chamberlain

Randy Boone Vs. Dean Butler

Clint Walker Vs. George Maharis

Erik Estrada Vs. Paul Michael Glaser

Billy Dee Williams Vs. Rock Hudson

Ted Danson Vs. Jameson Parker

Sylvester McCoy Vs. Armin Shimerman

Joe Lando Vs. Spencer Rochfort

Ben Browder Vs. Keith Hamilton Cobb

Richard Ayoade Vs. Kevin McDonald

Patrick McGoohan Vs. Robert Vaughn

Chad Everett Vs. DeForest Kelley

Jon Pertwee Vs. Mark Lenard

Darren McGavin Vs. Peter Falk

Terry Jones Vs. Alan Alda

Michael Tylo Vs. Timothy Dalton

Sean Bean Vs. Valentine Pelka

Ioan Gruffudd Vs. Colin Firth

David Tennant Vs. Robert Carlyle

Jason Priestley Vs. Tom Welling

Martin Milner Vs. James Garner

David Soul Vs. Lee Majors

Derek Jacobi Vs. Andrew Robinson

David Hasselhoff Vs. Stephen Nichols

Jimmy Smits Vs. Hal Linden

Brent Spiner Vs. Ted Raimi

Patrick Troughton Vs. Andreas Katsulas

Miguel Ferrer Vs. Mitch Pileggi

David James Elliot Vs. Andre Braugher

Blair Underwood Vs. Mark-Paul Gosselaar

Don Adams Vs. Cesar Romero

Bob Crane Vs. John Astin

Walter Koenig Vs. Davy Jones

Tom Baker Vs. Jamie Farr

Woody Harrelson Vs. John Schneider

John Goodman Vs. Joseph Marcell

Danny John-Jules Vs. Marc Alaimo

Michael Praed Vs. Kevin Sorbo

Mark McKinney Vs. Colm Meaney

Neil Patrick Harris Vs. David Schwimmer

James Arness Vs. Robert Fuller

Clint Eastwood Vs. Robert Conrad

Jonathan Frakes Vs. Michael Hurst

David Duchovny Vs. Michael T. Weiss

Luke Perry Vs. Jeremy Sisto

Matt LeBlanc Vs. John Stamos

Reece Shearsmith Vs. Alexander Siddig

Eric Close Vs. William Shockley

Daniel Dae Kim Vs. Robert Beltran

Scott Cohen Vs. Scott Patterson

Dick Gautier Vs. Michael Landon

Wayne Rogers Vs. Alejandro Rey

Gerald McRaney Vs. Robert Wagner

Simon Williams Vs. John Cleese

Brian Blessed Vs. James Earl Jones

Noah Wyle Vs. Kyle MacLachlan

James Marsters Vs. Paul Gross

Paolo Montalban Vs. Robert Duncan McNeill

Garrett Wang Vs. Nate Richert

Christian Kane Vs. Michael Vartan

David McCallum Vs. David Selby

Leonard Nimoy Vs. Colin Baker

Randolph Mantooth Vs. Michael Nesmith

Demond Wilson Vs. Tony Danza

Ron Perlman Vs. Mr. T

Ron Glass Vs. Dirk Benedict

John Shea Vs. Michael Ontkean

Jeffrey Combs Vs. Rowan Atkinson

Tim Russ Vs. Bruce Boxleitner

Round 1 Polls 100 - 128

[panelshowsource]

rather than who you would like to see on the next taskmaster series, who do you think will be on it? like just your predictions or any inklings you may have!

anon if you're still around then you'll know i really took my time with this hahaha so sorry! i hope anyone reading this takes it as just a bit of fun and nbd, who knows who we'll get or who alex & the network have in mind! i'm answering thoughtfully (bc i always feel guilty not to 😩 so sorry this is long lol) but it's really just fun!!

i will say, of the more recent-ish series, i did get a few right!!! krishnan guru-murthy, nicola coughlan, alan davies, judi love, sue perkins, john robins, and joanne mcnally were people i just knew would eventually be on if the show could get their schedules right, and i was also certain sarah millican and dara ó briain would be asked — though not necessarily that they'd actually agree. when you have a level of seniority and esteem, the "it's such a great opportunity" aspect of the show isn't such a draw 😅 for some reason i feel SO PROUD about guessing nicola! i was just WAITING and wish sooooo much she had done a full series 😭😭😭 (how fun would saoirse-monica jackson be too!)

anyways, as for people who haven't been on yet — and this isn't to say i want them all to be, just that i think it's likeliest they have been asked or will be asked; i talked about who i want to see a little while ago here — it's important to consider the casting 'roles' the network has in mind when working with the producers to form a series, so i will keep that in mind too!

established comedian, typically a straight white man over 40: bill bailey, vic reeves, harry hill, geoff norcott, kevin bridges, adam buxton, ade edmondson, paul whitehouse (tommy tiernan? god i feel bad for not saying ed byrne but why do i feel like he's not gonna make it in the next few series? i'm on the fence with nick helm — unless he's friends with alex, then his chances go up significantly imo — and tom allen for some reason, and i feel like john bishop is almost too much of an ask?)

fresh talent comedian, typically a man under 40: rhys james, huge davies, ahir shah, darren harriott would be my top guesses but tbh any of the semi-recent edinburgh comedy award finalists are good bets as a majority of the winners from the last ~10 years have been on the series + throwing out tom rosenthal (i know he's not fresh fresh and also mostly an actor)...and, like, jazz emu?...just because if taskmaster know how much its audience adores weird little white twinks then they'll cast them

female or non-binary comedian: 100% sarah keyworth + harriet kemsley, maisie adam, jess fostekew, suzi ruffell. i've shifted away from betting on cariad lloyd and catherine bohart for some reason... (joanne was my no.1 lady bet for the last like 4 series hahaha)

non-comedian: this is very, very hard to predict because between comedy actors, non-comedy actors, tv presenters, news people, reality & social media stars... the potential predictions are just so endless! logically, the most likely is an established actor with a lot of comedy connections (think sally phillips, lolly adefope, liza tarbuck, sian gibson, daisy may cooper, susan wokoma; this category is where tm gets quite a few of its female contestants): matt holness, kevin eldon, amanda abbington, tom davis, sharon horgan, kathy burke, georgia tennant (also friends w alex?), su pollard, tom basden, apparently anyone from the cast of ghosts, and so on and so on and so on... + i'll also throw out maggie aderin-pocock as a serious contender + i really feel like one of the spice girls will be on new years treat

friend of alex: john robins was the prediction for the past few series, so just worth keeping in mind other people in this circle include elis james, matthew crosby, tom neenan, and so on

freebie answers because alex/greg have mentioned them before: jack dee, lorraine kelly, joanna lumley (i want jennifer saunders SO BAD give us an epic series w both ade and jen pleaseeee tm gods!!!!)

complete wild card bets that are either my instincts kicking in or my bias taking over: limmy, adam buxton, paddy mcguinness, diane morgan, daniel sloss, joel dommett, jess hynes, spencer jones??, alasdair beckett-king or josh pugh + if suzy izzard wasn't doing a big nyc show i'd say that's a good guess if only bc you know greg & alex grew up big fans

did i mention too many people?? if i had to put my money behind a single person it would be either ahir shah or sarah keyworth

these are almost all of my fr big heavy hitters when it comes to placing bets! but there are of course so many people i didn't name who i could totally see on either a main series or the ny treat — so many people just make sense and that's the beauty of taskmaster!!

[bluehome91]

B.T. Express (originally named Brooklyn Transit Express) was an American funk/disco group, that had a number of successful songs during the 1970s.

The group was part of the "Brooklyn sound" of the early 1970s, formed from three players of the group King Davis House Rockers. The House Rockers were a local dance band who had released a couple of obscure singles (1967's "We All Make Mistakes Sometimes" on Verve Records, 1972's "Rum Punch") The three players (guitarist Richard Thompson, tenor sax player Bill Risbrook, and alto sax player Carlos Ward) formed Madison Street Express along with bassist Louis Risbrook (later Muslim-monickered Jamal Rasool), percussionist Dennis Rowe, drummer Terrell Wood, and vocalist Barbara Wood. They along with producer Jeff Lane signed with production company Roadshow Records to record writer Billy Nichols "Do It ('Til You're Satisfied)." The record was shopped around to major labels until it was accepted at Scepter Records. Scepter suggested the group change its name from Madison Street Express, hence the Brooklyn Transit Express. The single was released in August 1974, and reached the top 10. Lane took the group back into the studios at that point to record a second single and pitch a full album to the label. Scepter agreed to the LP and to Roadshow Records having its own label within Scepter Records.

The first two singles were hits, both number 1 R&B releases and both Top 5 pop singles in the US. The album hit number 1 on the R&B album chart and number 5 on the Pop album chart of the US. These recordings were also hits in the spreading disco culture, "Do It" peaking on club playlists before Billboard started a separate disco chart, but the follow-up single sat for five weeks at number 1. They were certified gold releases.

BT Express released an album per year through 1978. With the third album, Leslie Ming was brought in as drummer and keyboardist Michael Jones was added as keyboardist. Jamal, who had converted to the Muslim faith, gave Jones the name Kashif Saleem, which he used after departing the group, in 1979, to pursue producing ("Mighty M Productions" with Morrie Brown and Paul Laurence Jones) and solo recording ventures. That year songwriter Billy Nichols and drummer Leslie Ming also departed the group. In 1976 Scepter records was experiencing business difficulties that soon ended the company, and BT Express was given a distribution deal with Columbia Records, which, though it gave them greater exposure, resulted in less attention being paid to their production, since they had so many acts to concentrate on. The group did not achieve the level of radio or sales success on Columbia that they had on the more nurturing but by-then defunct Scepter. They stayed with Columbia for five years, with Lane producing through 1978, then Nichols producing their fifth album before he departed for solo work, and Morrie Brown producing the sixth LP and several follow-up tracks. The group switched labels to Coast To Coast Records for the 1982 LP, to Earthtone Records for a later 1982 single, and to manager King Davis' own label in 1985.

[onyxsboxes]

After a bit of delay, here are the songs titles from the LCAPT Clegan playlist

1. Learn to Fly by Foo Fighters 2. Clearest Blue by CHVRCHES 3. I'm Not In Love by 10cc 4. Death and All His Friends by Coldplay 5. Til Kingdom Come by Coldplay 6. The Queen Of All Everything by Ott 7. Love song from a dog by Shovels & Rope ft. gregory alan isakov 8. If we were vampires by Jason Isbell and the 400 Unit 9. Passenger seat by Death Cab for Cutie

10. In our bedroom after the war by Stars 11. Early mornin’ rain by Peter, Paul and Mary 12. I was made for loving you by Yungblud cover 13. Visions of Gideon by Sufjan Stevens 14. Fourth of July by Sufjan Stevens 15. Lover, You Should've Come Over by Jeff Buckley 16. The Roads by Jonah Kagen 17. Next to You by John Vincent III 18. Seen My Man (Wisconsin Demo) by Trixie Mattel 19. Beneath Oak Trees by Dylan Gossett

20. Heaven is a Bedroom by TV Girl 21. Wicked Games by The Weeknd 22. Itchy Teeth by Marika Hackman 23. Breakup by Ashton Irwin 24. Work Song by Hozier 25. I’m Low on Gas and you Need a Jacket by Pierce The Veil 26. Betting On Us by Myles Smith 27. I'm the Sinner by Jared Benjamin 28. Running to You by Jamie Drake & Jamie Jackson 29. Look After You by Aron Wright

30. Smokestacks by Layla 31. Run To You by CJ Starnes 32. Gale song by The Lumineers 33. White Ferrari by Frank Ocean 34. Can You Hear the Rain Love by Richard Hawley 35. Say Yes To Heaven by Lana Del Rey 36. Talk Show Host by Radiohead 37. Untold by RY X 38. Lovers Rock by TV Girl 39. Waiting Room by Phoebe Bridgers

40. I Will by The Beatles 41. Glimpse of Us by Joji 42. Somethin' Stupid by Frank Sinatra & Nancy Sinatra 43. When the party is over by Billie Eilish 44. I love you by Billie Eilish 45. Blue jeans by Lana Del Rey 46. The secret marriage by Sting 47. Wicked game by Ursine Vulpine 48. Love Me Like You Used To by Lord Huron 49. Need you Now by Lady A

50. Strange Birds by Birdy 51. Old Money by Lana Del Rey 52. The Night We Met by Lord Huron 53. Piano Man by Billy Joel 54. Alley Rose by Conan Fray 55. Good Luck, babe by Chappel Roan 56. Be Nice To Me by The Front Bottoms 57. Saturn by Sleeping At Last 58. So Long, London by Taylor Swift 59. From Eden by Hozier

60. I Should Live in Salt by The National 61. Demons by The National 62. Graceless by The National 63. Your Mind Is Not Your Friend by The National, Phoebe Bridgers 64. Don’t Swallow the Cap by The National 65. Dreaming by The National 66. This Isn’t Helping by The National, Phoebe Bridgers 67. Issues by Julia Michaels 68. Gorecki by Lamb 69. Ends Of The Earth by Lord Huron

70. Dark Red by Steve Lacy 71. Fireproof by Coleman Hell 72. Heavydirtysoul by Twenty One Pilots 73. All I Want Is You by Barry Louis Polisar 74. I Found by Amber Run 75. Beautiful by Josh Zandman 76. Budapest by George Ezra 77. Be Together by Major Lazer 78. On The Nature Of Daylight by Max Richter 79. Guiding Light by Mumford & Sons

80. My Blood by Twenty One Pilots 81. My Madonna by Dexter Freebish 82. Chemicals Between Us by Bush 83. Protect Me From What I Want by Placebo 84. I Feel Loved by Depeche Mode 85. Gimme Some Lovin’ by The Spencer Davis Group 86. Little Light Of Love by Eric Serra 87. Fire and Flood by Vance Joy 88. Pride (In The Name Of Love) by Clivillés & Cole 89. Holdin’ Out by The Lumineers

90. If I Go, I’m Goin by Gregory Alan Isakov 91. Letting The Cables Sleep by Bush 92. This Feeling by Chainsmokers 93. Me And You by Barry Louis Polisar 94. Silver sable by Cigarettes after sex 95. How I Learned to Love the Bomb by Glass Animals 96. Hellofazoo by Until the Ribbon Breaks 97. Mr. Forgettable by David Kushner 98. John My Beloved by Sufjan Stevens 99. Alan by Perfume genius

100. One line by PJ harvey 101. Putting The Dog To Sleep by the antlers 102. In My Arms by Alex g 103. Certainty by Big thief 104. Angel In The Snow by Elliott smith 105. Nothing Matters by The Last Dinner Party 106. The Loneliest by Måneskin 107. Till forever falls apart by Ashe, Finneas 108. Whish that you were here by Florence + The Machine 109. I Forget Where We Were by Ben Howard

110. Bite by Troye Sivan 111. Lowlife by Poppy 112. Real Love Song by Nothing But Thieves 113. Like You Do by Joji 114. Be My baby by The Ronettes 115. Burn by Tom Walker 116. Lucky by Bif Naked 117. Fair by The Amazing Devil 118. Bitch by Meredith Brooks 119. I wish you were a girl by 12 RODS

120. All i think about now by Pixies 121. I know by Fiona Apple 122. Sweet tooth by Cavetown 123. Flawless by The Neighborhood 124. Can’t Help Falling In Love by Elvis Presley 125. Simply the best by Billianne 126. I remember everything by Zach Bryan, Kacey Musgraves 127. Coal by Dylan Gossett 128. i am not who i was by Chance Peña 129. I Bet On Losing Dogs by Mitski

130. Two slow dancers by Mitski 131. Lucky to get him by Aly and AJ 132. Crack baby by Mitski 133. I don't smoke by Mitski 134. Smoke gets in your eyes by Helen Forest 135. Love by Daughter 136. Can’t Help Falling in Love - DARK by Tommee Profitt, brooke 137. Chills - Dark Version by Mickey Valen, Joey Myron 137,5. Skyline by Sibewest 138. Beautiful Crime by Tamer 139. Act natural by Margaret Glaspy

140. Betray my heart by D'Angelo 141. I will be your friend by Sade 142. Can’t Take My Eyes Off You by Frankie Valli 143. I Didn’t Know by Sofia Carson 144. You by A Great Big World 145. This Woman’s Work by Kate Bush 146. Can't you see - acoustic by Matthew and the Atlas 147. Cowboy by Jack Van Cleaf 148. Feels like Home by Caamp 149. Carry You Home by Alex Warren

150. Belong Together by Mark Ambor 151. The First Day of My Life by Bright Eyes 152. Kaleidoscope by A Great Big World 153. Monsters of the North by The National Parks 154. The great war by Taylor Swift 155. Free by Florence + The Machine 156. I know the end by Phoebe Bridgers 157. Another Man’s Jeans by Ashe 158. I’ve Told You Now by Sam Smith 159. Love Me by Elvis Presley

160. Moment’s Silence (Common Tongue) by Hozier 161. Ocean Eyes by Billie Eilish 162. Take me home, country roads by John Denver 163. Army Dreamers by Kate Bush 164. I'm No Angel by Dido 165. We’ll Meet Again by Johnny Cash 166. Cowboys are frequently secretly fond of each other by Orville Peck 167. If We Were Vampires by Noah Kahan, Wesley Schultz 168. You Belong To Me by Jo Stafford 169. Goodnight Irene by Frank Sinatra

170. All I Want by Kodaline 171. Me and my Husband by Mitski 172. The Predatory Wasp of the Palisades is out to get us by Sufjan Stevens 173. As the World cave in by Sarah Cothran 174. Dead of Night by Orville Peck 175. invisible string by Taylor Swift 176. The Ghost of You by My chemical Romance 177. We'll Meet Again by Vera Lynn 178. Love in the Time Of Socialism by Yellow house 179. Northern Downpour by Panic! At The Disco

180. Better in the Morning by Birdtalker 181. doomsday by Lizzy McAlpine 182. Guilty by Al Bowlly 183. Heat Lightning by Mitski 184. everything i wanted by Billie Eilish 185. Blood Moon by Josiah and the Bonnevilles 186. Night Terror by Laura Marling 187. Vengeance Is Sleeping by Neko Case 188. Finally Stop Dreaming by Dylan Gossett 189. The Yawning Grave by Lord Huron

190. Learning To Fly by Tom Petty and the Heartbreakers 191. Hounds of Love by The Futureheads 192. Now I'm in it by HAIM 193. Stand Back by Stevie Nicks 194. Moonlight of Your Room by Joe Pug 195. Blue by Mai Yamane 196. Call Your Girlfriend by Robyn 197. Unchained Melody by The Righteous Brothers 198. Summer Of '69 by Bryan Adams 199. Fix you by Coldplay

200. Sun Bleached Flies by Ethel Cain 201. I walk the Line by Halsey 202. The Greatest by Billie Eilish 203. I'll be seeing you by Billie Holiday 204. We will not be Lovers by The Waterboys 205. Triptych by Samia 206. In a Jar by Dinosaur Jr. 207. Dionne by The Japanese House, Justin Vernon 208. Nothing Like by Mannequin pussy 209. True Love Waits by Radiohead

210. Weird Fish/Arpeggi by Radiohead 211. I’m a Fool to Want You by Billie Holiday 212. A Life of Arctic Sounds by Modest Mouse 213. Soldier Boy by The Shirelles 214. Casual by Chappel Roan 215. Ruined by Adrianne Lenker 216. Without You by Tobias Jesso Jr. 217. That's Where I Am by Maggie Rogers 218. Die Young by Sylvab Esso 219. Violet hill by Coldplay

220. You made me love you by Patsy Cline 221. Smoke gets in your eyes by Eartha Kitt 222. Piece of my heart by Erma Franklin 223. Love and anger by Kate Bush 224. Guilty by Johnny Desmond 225. I Can’t Begin to Tell You by Bing Crosby 226. People Will Say We’re in Love by Frank Sinatra 227. You’ll Never Know by Dick Haymes 228. You’d Be So Nice To Come Home To by Dinah Shore 229. Speeding Cars by Walking On Cars

230. Girl Crush by Harry Style 231. Fine Line by Harry Style 232. Bittersuite by Billie Eilish 233. Et même après je t'aimerai by Hoshi 234. Tourner dans le vide by Indila 235. What was I made For? by Billie Eilish 236. Maybe by James Arthur 237. Happy Together by Gerard Way, Ray Toro 238. Dandelions by Ruth B. 239. When the Darkness Comes by Shelby Merry

240. Silver tongues by Louis Tomlinson 241. Telepathic by Starset 242. Always by Isak Danielson 243. Like real people Do by Hozier 244. Iris by The Goo Goo Dolls 245. Can you hold me by NF, Britt Nicole 246. Moondust by Jaymes Young 247. Maps - triple j Like A version by Camp Cope 248. We made it by Louis Tomlinson 249. Adore you by Harry Style

250. Love song by Lana Del Rey 251. Satellite by Harry Style 252. Late night Talking by Harry Style 253. Home by Edith Whiskers 254. Guilty as Sin? by Taylor Swift 255. The Light by CHPTRS 256. Started With You by CHPTRS 257. City Lights (Symphonic Version) by HAEVN 258. This Is Why I Need You by Jesse Ruben 259. Never Stop (Wedding Version) by Safetysuit

260. Sacrifice by Elton John 261. Who we are by Hozier 262. Politik by Coldplay 263. All I need by Radiohead 264. Can't pretend by Tom Odell 265. Would Anyone Care by Citizen Soldier 266. Hold My Hand by Lady Gaga 267. Warriors by Willyecho 268. Brother by Kodaline 269. Protector by City wolf

270. Texas reznikoff by Mitski 271. Pin by Grimes 272. I'm your man by Mitski 273. Haunting by Halsey 274. Twin flame by Weyes blood 275. Why Can’t The Dark Leave Me Alone? by Toni Fisher 276. No Other Love by Jo Stafford 277. Your Best American Girl by Mitski 278. Careless Whispers by George Michael 279. Sailor Song by Gigi Perez

280. Sidelines by Phoebe Bridges 281. not a lot, just forever by Adrianne Lenker 282. forwards beckon rebound by Adrianne Lenker 283. Norman fucking Rockwell by Lana Del Rey 284. Long Long Time by Linda Ronstadt 285. Break by alex_g_offline 286. Some Velvet morning by Nancy Sinatra, Lee Hazlewood 287. Overtime by Rainbow Kitten Surprise, Kacey Musgraves 288. The John Wayne by Little Green Cars 289. Pale blue Eyes by The Velvet Underground

290. You'll Never Know (78rpm version) by Frank Sinatra, Bobby Tucker Singers 291. Come on Mess me up by Cub sport 292. While I can by Keaton henson 293. Flying :)) by Tom Odell 294. Cornflower blue by Flower Face 295. Remember by Seinabo Sey, Jacob Banks 296. Once more to see you by Mitski 297. Back to the old house by The Smiths 298. Symphonia IX by Current Joys 299. So real by Jeff Buckley

300. Half return by Adrianne Lenker 301. Fade into you by Mazzy Star 302. All We Ever Do is Talk by Del Water Gap 303. Dirty Little Secret by Artemas 304. Too Sweet by Hozier 305. Anyways I Love You by Wild Rivers 306. like you’re god by Mehro 307. Size too small by Sufjan Stevens 308. Cheers Darlin' by Damien Rice 309. Lotus Flower by Radiohead

310. Twilight Time by The Platters 311. Because of You by Tony Bennett 312. if i needed someone by The Beatles 313. Standing next to You by Jungkook 314. Falling away with You by Muse 315. Exist for Love by AURORA 316. Sata vuotto by BEHM 317. Blood Sport by Sleep Token 318. Oblivion by SYML 319. Timezone by Måneskin

320. Own my mind by Måneskin 321. Pushing Up Daisies (Love Alive) by Brothers Osborne 322. Unbroken by Tim McGraw 323. I Was Born To Love You by Queen 324. You’re My Best Friend by Queen 325. Think I’m In Love With You by Chris Stapleton, Dua Lipa 326. Something To Talk About by Bonnie Raitt 327. Parachute by Chris Stapleton 328. Love The Lonely Out Of You by Brothers Osborne 329. Here Tonight (The Acoustic Sessions) by Brett Young, Charles Kelley

330. Stay A Little Longer by Brothers Osborne 331. The End by Halsey 332. Birds of a feather by Billie Eilish 333. Found Heaven by Conan Gray 334. Down bad by Taylor Swift 335. I do by Renee Rapp 336. The good I'll do by Zach Bryan 337. Half Light by BANNERS 338. Resistance by Muse 339. Far from home (the raven) by Sam Tinnesz

340. Francis forever by Mitski 341. I love you by RIOPY 342. This must be the place (naive melody) 2005 by Talking Heads 343. Maps by Yeah yeah yeahs 344. Cinnamon Girl by Lana del rey 345. I'm on Fire by Bruce Springsteen 346. Fire on Fire by Sam Smith 347. I'm Making Believe by The Inkspots and Ella Fitzgerald 348. Watch Over You by Alter Bridge 349. Summer song by Remy bond

350. Off to the races by Lana Del Rey 351. Almost (sweet music) by Hozier 352. giveuwhatuwant by The Driver Era 352,5. Birds of a feather by Billie Eilish 353. Big Mike’s by Dijon 354. Simulation Swarm by Big Thief 355. I Wanna Be Yours by Arctic Monkeys 356. Little Bit More by Mk.gee 357. Be Well by Ama Lou

[hearteyesmcgarrett]

Stargate Character Birthdays

Ever wondered what Stargate characters' birthdays were? Or their zodiac signs? I offer you this:

SG-1

Daniel Jackson - July 8th, 1965 (Cancer)

Major Paul Davis - July 8th, 1969 (Cancer)

Sam Carter - December 29th, 1968 (Capricorn)

Jack O'Neill - October 20th, 1952 (Libra)

Teal'c - no date, 1899, though Chris Judge's birthday is October 13th (Libra)

Jonas Quinn - no date, but Corin Nemec's birthday is November 5th, 1971 (Scorpio)

General Hammond - no date, but Don S. Davis' is August 4th, 1942 (Leo)

Cam Mitchell - no date, but I was told that it was May/June, 1970 (Taurus or Gemini, depending)

Vala Mal Doran - no date, but Claudia Black's is October 11th, 1972 (Libra)

General Landry - October 6, 1945 (Libra)

SGA

John Sheppard - June 14th, 1970 (Gemini)

Rodney McKay - April 18th, 1968 (Aries)

Teyla Emmagan - no date, but Rachel Luttrell's is January 19th, 1971 (Capricorn)

Ronon Dex - no date, but Jason Momoa's is August 1st, 1979 (Leo)

Elizabeth Weir - October 14th, 1974 (Libra)

Evan Lorne - July 22nd, 1970 (Cancer)

Radek Zelenka - February 7th, 1967 (Aquarius)

Aiden Ford - no date, 1979, though Rainbow Sun Francks' is December 3rd (Sagittarius)

Richard Woolsey - no date, but Robert Picardo's is October 27th, 1953 (Scorpio)

Carson Beckett - January 5th, 1967 (Capricorn)

Jennifer Keller - no date, but Jewel Staite's is June 2, 1982 (Gemini)

SGU

Nicholas Rush - no date, but Robert Carlyle's is April 14, 1961 (Aries)

Everett Young - no date, 1968/1969, but Louis Ferreira's is February 20 (Pisces)

Matthew Scott - no date, 1983, but Brian J. Smith's is October 12 (Libra)

Tamara Johansen - no date, 1983, but Alaina Huffman's is April 17th (Aries)

Eli Wallace - no date, 1984, but David Blue's is January 17th (Capricorn)

Ronald Greer - no date, but Jamil Walker Smith's is August 20th, 1982 (Leo)

Chloe Armstrong - no date, 1986, but Elyse Levesque's is September 10th (Virgo)

Camille Wray - no date, but Ming-Na Wen's is November 20, 1963 (Scorpio)

David Telford - no date, between 1969-1974, but Lou Diamond Phillips is February 17th (Aquarius)

All dates were taken from the SGCommand Wiki!

[racefortheironthrone]

What texts would you recommend to develop the sort of general knowledge needed to write something like your economic development plans? I am currently trying to write a setting which has a few major reformist leaders with big plans, and it would really help to know a bit more about how to come up with a workable economic development plan for a fantasy region - I really admired your work on the subject, and thought you were the person to ask.

This is a great question!

Something I've discussed before wrt economic development, is the need to avoid presentism as much as possible. So I've always taken as a central limiter of my economic development proposals that they have to fit within the boundaries of what was known/technologically feasible during the Late Middle Ages through to the Early Modern period.

In this fashion, I try to avoid the Connecticut Yankeee in King Arthur's Court scenario where all of the sudden steam engines appear hundreds of years early out of nowhere - because we shouldn't be assuming that economic development is some teleological process that has to go through the same stages as Western European economic development did in our timeline. The result is that I got really into reading about the Commercial Revolution and the technologies that drove economic development during that period - hence why I became obsessed about canal-building, because canals were a key technology that the Early Modern nation-state used to create and reshape markets.

So here is a meta-list of books I'd recommend on economic development in the Middle Ages through the Early Modern period:

books about medieval and Renaissance governments.

William Cronon’s Nature’s Metropolis, Lawrence Goodwyn's The Populist Moment, and Will and Wong's Nourish the People on the making and remaking and regulating of agricultural markets.

books about Medieval and Renaissance urban development.

books about medieval guilds.

Robert S. Lopez' Commercial Revolution of the Middle Ages.

Joseph Gies' Merchants and Moneymen: the Commercial Revolution.

Pamela Smith, Paul Findlen ed. Commerce, Science, and Art in Early Modern Europe.

Ralph Davis' A Commercial Revolution.

Anthony Burton's The Canal Pioneers and The Canal Builders.

John Blair ed. Waterways and Canal-Building in Medieval England.

A.E.J Morris, History of Urban Form Before the Industrial Revolution.

[spockvarietyhour]

MAJOR DAVIS?!

[toofunktastic]

Here’s a dump of things I’ve gifted elsewhere but haven’t gifted here yet

Six - Second US National Tour (Boleyn)

April 2, 2023 - madeapactwithsatan

Matinée

Cast:

Gerianne Pérez (Catherine of Aragon), Zan Berube (Anne Boleyn), Alina Faye (Jane Seymour), Cecilia Snow (s/b Anna of Cleves), Aline Mayagoitia (Katherine Howard), Sydney Parra (Catherine Parr)

Notes:

Never to be posted on any form of social media including, but not limited to, YouTube/Instagram/TikTok

https://mega.nz/folder/7kUDAJSJ#6nS_R4lKk9AZNfbXmbOsrQ

Six - Second US National Tour (Boleyn)

April 5, 2023 - madeapactwithsatan

Cast:

Gerianne Pérez (Catherine of Aragon), Zan Berube (Anne Boleyn), Amina Faye (Jane Seymour), Terica Marie (Anna of Cleves), Aline Mayagoitia (Katherine Howard), Sydney Parra (Catherine Parr)

Notes:

Includes BCEFA speech. Recorded from front row. Dropped my phone right after Heart of Stone, but I picked it up before anything major happened. Never to be posted on any social media including, but not limited to, YouTube, Instagram and TikTok.

https://mega.nz/folder/Th0ghSQa#pYEP5D2mEqM_Y5UU4SZ0qw

Ain't Too Proud - The Life and Times of the Temptations

US National Tour

January 17, 2024 mat

Madeapactwithsatan's master

Cast:

**Jeremy Kelsey (u/s Otis Williams)**, E. Clayton Cornelious (Paul Williams), Harrell Holmes Jr. (Melvin Franklin), Jalen Harris (Eddie Kendricks), Elijah Ahmad Lewis (David Ruffin), **Treston J. Henderson (u/s Dennis Edwards)**, Felander (Lamont), **Brian C. Binion (u/s Berry Gordy)**, Ryan M. Hunt (Shelly Berger), Tiffany Francès (Josephine), Devin Holloway (Smokey Robinson/Slick Talk Fella/Damon Harris), Devin Price (Al Bryant/Norman Whitfield), **Nazarria Workman (u/s Diana Ross)**, Shayla Brielle G. (Mama Rose/Florence Ballard/Tammi Terrell), Brittny Smith (Johnnie Mae/Mary Wilson), Devin Holloway ("Gloria" Soloist/Interviewer/Delivery Man/Richard Street)

Notes: Amazing cast for this show. However it is a jukebox musical and thus has the normal issue of singing along, talking, phones ringing (and maybe even me sighing and saying to shut up). Gift upon request, but do not post any form of social media.

https://mega.nz/folder/r88XBRaB#sYHUFtMg8v4hcv1nNF-_iA

Mrs. Doubtfire - First US National Tour

February 10, 2024 matinée

madeapactwithsatan's master

Cast:

Rob McClure (Daniel Hillard), Maggie Lakis (Miranda Hillard), Giselle Gutierrez (Lydia Hillard), Cody Braverman (Christopher Hillard), Emerson Mae Chan (Natalie Hillard), Aaron Kaburick (Frank Hillard), Marquez Linder (u/s Andre Mayem), Romelda Teron Benjamin (Wanda Sellner), Leo Roberts (Stuart Dunmire), David Hibbard (Mr. Jolly/Judge), Jodi Kimura (Janet Lundy)

Notes:

This is a show I saw. Gift upon request. Do not post anywhere on any social media.

https://mega.nz/folder/Xl1BwQQY#BVT-MB9tf-ouXzrV49ebTQ

Waitress - Broadway Remount

September 16, 2021 - madeapactwithsatan

Cast:

Sara Bareilles (Jenna), Charity Angel Dawson (Becky), Caitlin Houlahan (Dawn), Drew Gehling (Dr. Pomatter), Joe Tippett (Earl), Dakin Matthews (Joe), Eric Anderson (Cal), Christopher Fitzgerald (Ogie), Nora Lincoln Weiner (Lulu), Tyrone Davis Jr., Matt DeAngelis, Henry Gottfried, Molly Jobe, Max Kumangai, Anastacia McCleskey, Stephanie Torns, Nyla Watson

Notes:

Very responsive crowd.

https://mega.nz/folder/fks0EAxR#zP0Yvhqp0Z5sK0jhueYrnw

Waitress - First US National Tour

February 13, 2018 - madeapactwithsatan

Cast:

Desi Oakley (Jenna), Charity Angél Dawson (Becky), Emily Koch (u/s Dawn), Bryan Fenkart (Dr. Pomatter), Jeremy Morse (Ogie), Ryan G Dunkin (Cal), Larry Marshall (Joe), Nick Bailey (Earl), Maiesha McQueen (Nurse Norma), Kimberly Tobin (Lulu), Kyra Kennedy (Francine Pomatter), Grace Stockdale (Mother), Jim Hogan (Father)

Notes:

Emily's third show as Dawn.

https://mega.nz/folder/r0Vl3TTL#pBQPDf9g5QGc3AXu_W6efQ

Waitress - Second US National Tour

March 29, 2022 - madeapactwithsatan

Cast:

Jisel Soleil Ayon (Jenna), Dominique Kent (Becky), Gabriella Marzetta (Dawn), David Socolar (Dr. Pomatter), Brian Lundy (Ogie), Andrew Burton Kelley (u/s Cal), Shawn W. Smith (Earl), Michael R. Douglass (Joe), Dayna Marie Quincy (Nurse Norma), Stephanie Feeback (Francine Pomatter), Olivia London (Mother), Woody White (Father), Elvie Ellis (Ensemble), Jake McCready (Ensemble), Zoë Brooke Reed (Ensemble)

https://mega.nz/folder/GpEwSJTC#giJ1UwBntSOxlshQ-DeOlg

Frozen

March 29, 2024

First US National Tour

madeapactwithsatan’s master

Caroline Bowman (Elsa), Lauren Nicole Chapman (Anna), Jeremy Davis (Olaf), Dominic Dorset (Kristoff), Preston Perez (Hans), Dan Plehal (Sven), Evan Duff (Weselton), Savannah Lumar (Young Elsa), Emma Origenes (Young Anna), Katie Mariko Murray (Queen Iduna), Kyle Lamar Mitchell (King Agnarr), Tyler Jimenez (Pabbie), Renée Reid (Bulda), Jack Brewer (Oaken)

Notes: It’s frozen so obviously there are a couple of kids talking, but otherwise not too much disruption. Includes BC/EFA speech. Gift upon request, but do not put on any form of social media.

https://mega.nz/folder/2hdRALbY#EuDCQU-2J5TCmVsxUg9yKQ

[mariacallous]

In August, a swarm of hopeless and horny romantics on Reddit disputed the pros and cons of Bumble, the dating app that requires women to make the first move.

“Besides barren wastelands like [Plenty of Fish] crawling with bots, scammers, hookers, and psychos, this app has to be the worst,” one user posted.

Said another, “Lots of fun conversations but ghost city when trying to get a number or plan a date.”

Other Redditors openly shared how they met their partners on the app, but the consensus was unequivocally clear: Bumble, like the majority of dating apps currently on the market, is bad. “If Bumble is the worst dating app, then what’s the best alternative—Tinder, Hinge?” asked one user. “They all suck so which one sucks the least?”

After a decade of swiping left and sliding into DMs, many people are now longing for a simplification of the dating pool. As with so much about the internet, online dating made everything accessible all at once and turned socializing into something of a competitive sport. Waves, swipes, likes, and roses embodied the desires of a generation of users ravenous to find connection however they could.

But the glow has worn off, and there is growing sentiment among young people that dating apps, once considered the future of romantic connection, are broken.

Facebook Dating is all old people. Raya is full of posturing. Hinge, which bills itself as the “dating app designed to be deleted,” conceals its most attractive daters behind a $50 monthly subscription (or, at least, that’s the theory according to a handful of TikTok users). As for Tinder, the app that revolutionized online dating when it launched in 2012, it “has become the dating air, or maybe the pollution, we all breathe,” writer Allison P. Davis observed last year, reflecting on the Olympian level of difficulty modern dating presents for many people thirsty for connection.

Dating app disillusionment is felt most strongly among college students, according to a new study from Axios and research firm Generation Lab. Most are forgoing regular app usage (79 percent) in favor of in-person connection, a fact that seems at odds with Gen Z’s innate gift for virtual expression on platforms like Snapchat and Twitch.

“Dating apps promised a quick fix to the messiness of love,” says Carolina Bandinelli, a professor at the University of Warwick whose research focuses on the digital culture of love. “Their promotional narratives spoke about reducing love to a simple procedure. Dating apps promised a love that ‘works.’ But they do not ‘work’ as they are supposed to, yet they create the expectation of love as an efficient business. Users get frustrated with this.”

That young people in college are choosing to forgo digital connection is not as shocking as the study suggests, says Paul Eastwick, a psychologist at UC Davis who specializes in the nature of attraction. “College students are in the fortunate position of being surrounded by many similarly aged peers, and their social networks are in a constant state of flux. Online dating sites and apps are typically going to be especially useful for folks whose networks feel frozen and who don’t have as many opportunities to meet new people through friends of friends,” he tells me. “So it makes sense.”

The culture of online dating will continue to evolve, as it has over the past decade. Although many young people are taking a more traditional alternative to apps—while also relying on options like Date Me docs—that has not stopped Gen Z from being vocal about the culture that surrounds modern relationships.

Since the publication of her 2008 book, Hooking Up: Sex, Dating, and Relationships on Campus, Kathleen Bogle, a sociologist at LaSalle University in Philadelphia, says the biggest evolution in dating culture was prompted by women, who have brought more transparency to the dating process. “Platforms like TikTok have created space for women to upload videos talking about their issues with the hookup culture, such as not getting what they want relationally, feeling used, the double standard, and, in some cases, the lack of sexual pleasure for women,” Bogle says. “In previous decades, women may have felt this way but only talked about it with their own friendship circle, not online to thousands of followers.”

Online dating is now a multibillion-dollar industry. From 2016 to 2021, global subscription rates for apps increased by 81 percent. Analysts predict that despite market saturation and a current decline in user growth, companies will pivot to monetization by any means, a move that could further spoil what people believe is an already poor user experience.

The current techlash is a byproduct of the environment dating apps have contributed to over the past decade. We are inching toward what Bandinelli refers to as a period of post-romantic love in our digital society, where conveniences such as dating apps play a hand in rewriting “the ethical codes of love with the objective of building a notion of love deprived of pain, loss, and negative emotions.” In this new notion of love, if it should even be called that, the human experience that characterizes dating, its highs and lows, is flattened through machined exchanges.

In a quest to streamline romantic connection, it seems we are losing all that makes it worthy of pursuit. “With new technologies, there is always a period in which they seem to take over what was in place before,” Bandinelli says of then and now. “Then there is a counterforce, and people want to retrieve what seems to have been lost.”

[ausetkmt]

WEMU: Author Veronica Johnson is capturing the stories of jazz women from Detroit

John Bommarito spoke to author Veronica Johnson about her oral history project about women in Detroit jazz on his program The Song Break.

TRANSCRIPTION:

John Bommarito: My guest on the Song Break today is a Detroit-based journalist and oral historian who is, in addition to her regular writing duties, working on something WEMU listeners will certainly be interested in knowing more about a project documenting woman in jazz music--Detroit Women in jazz music specifically. Welcome, Veronica Johnson, to the WEMU airwaves. How are you today?

Veronica Johnson: I'm good. Thanks for having me, John.

John Bommarito: It is my pleasure. Tell me a little bit about yourself. Where did you grow up?

Veronica Johnson So, I'm born and raised in Detroit, Michigan. Currently, I live in Redford, Michigan, which is just outside of Detroit. But, yeah, born and raised, west side of Detroit. So, I'm Detroit through and through.

John Bommarito: Very good. And what was on the radio when your parents were in charge of the dial versus when you took control?

Veronica Johnson: Well, I mean, my mom, she really loved my old school music. So, you know, I grew up being in a car listening to, like, the Isley Brothers or Earth, Wind and Fire, all of that. So, I'm definitely I think there are was also old soul. So, I've been listening to, like, that older R&B type of music all my life.

John Bommarito: Sure.

Veronica Johnson: And that's why I think I have definitely a great appreciation for it now, but I didn't really get into jazz until I got to college. I'm a minor with the music, and I took a music history course. It was on jazz, so it was just so much about the music that I didn't know. I was just like, "Wow!" you know, I heard of Miles Davis, John Coltrane, but just kind of really digging deep into their music and how much of an impact they had on the genre, as well as other genres as well. So, yeah, I just kind of got hooked on jazz music after that. And my major was actually in journalism, so I kind of fused my two passions together. So, that's kind of how I ended up writing about jazz music.

John Bommarito: Who got you interested in writing? Was there a particular author that inspired you?

Veronica Johnson: Well, actually, when I was younger, I started I kind of writing poetry. So, like, my grandmother, she was like a big inspiration on me. She wasn't a writer, but she kind of always championed my work. And, you know, I always would write different poems like that. And she always used to like to brag to her friends and have me read it aloud. So, I kind of started out writing poetry. But when I got in high school, I took a journalism class, and I realized I really kind of liked that art form and platform being able to kind of let people know what's going on. So, I definitely kind of started down the path of going into journalism after taking some courses in high school, and then I majored in it in college.

John Bommarito: My guest today on the Song Break is author Veronica Johnson, working on a project documenting Detroit women in jazz music. When did you start this project, and what was really your inspiration for starting? You just felt like Detroit needed a highlight?

Veronica Johnson: I mean, I've been covering jazz artists for a while on different outlets, but I'd say getting more into jazz and particularly learning more about Detroit jazz. I actually want to give a shoutout to my mentors like Charles Latimer. And he's a Detroit writer, Metro time jazz writer, and also Jim Gallert and Lars Bjorn. They actually wrote a book about Detroit jazz called "Before Motown: A History of Jazz in Detroit." So, just learning more about Detroit jazz and, obviously, so many obviously great male musicians from Detroit, likeMarcus Belgrave, Ron Carter, Paul Chambers, people like that. But, obviously, I was like, "Where's the female musicians? I know they're here." And I just really wanted to dig more deep into that. And I did a lot of research. You know, there's musicians that had a great impact on Detroit, like Terry Pollard, the great piano player. Alice Coltrane, obviously, everybody knows her being there with John Coltrane. She's from Detroit. She was a great piano player and harpist. So, yeah, I just really started digging deep into more on Detroit jazz. And I was just like, "I want to give a platform to these woman musicians. They're making just as much of an impact as male musicians, but I don't see a whole lot of them." And if I do, I don't see a lot written about them. So, I kind of just started on path, actually. My first interview was in 2018. I interviewed a musician named Carol McKinney. She's actually part of the--everybody knows--the McKinney kind of family, you know? Dalen, who's a great drummer from here in Detroit. This is her aunt. She's actually a saxophone player. So, I started playing at Bert one time, and I was just like, "Who is that? I really want to know about you. I don't see a whole lot of female saxophone players either."

John Bommarito: No.

Veronica Johnson: So, I actually did my first interview back in 2018. So, from there, I just kind of started musicians who I was familiar with. I've interviewed a lot of vocalists, a lot of piano players. Obviously, this kind of almost doesn't really have an end to it because there's so many female musicians that are doing so much great work here in Detroit and metro Detroit. Yeah, I've got about 21 interviews under my belt so far.

John Bommarito: Who have been some of the favorites that you've done so far?

Veronica Johnson: Well, I mean, everybody I think is special about this. Everybody has just, like, their own unique story. So, my thing is I just love hearing how they got started and things like that. I have the same questions like, "How did you get started in music and all that?" I guess if I just had to pick, I mean, like I've interviewed just about everybody from straight ahead. So, like, Mary Hayden--she's awesome. I got to mention Gaelynn McKinney. Mickey Braden, Elena Moore. So, those, I guess are some of the ones that have been really memorable. But, again, just musicians that are doing really great work. But, again, you don't hear about a lot of. A musician named Taslim Abay--she's a really amazing stride piano player. She had a really amazing story. I've interviewed a lot of vocalists--Ursula Walker, she's amazing. I interviewed her back in 2019. Those are the few that come to mind, but everybody I've interviewed definitely has a unique story.

John Bommarito: Who is still on the wish list? And how are you tracking these people down?

Veronica Johnson: Yeah, a lot of it, I mean, thankfully, I've connected a lot with musicians. When I do an interview, I'll say, "Hey, who do you think I should interview next?" or X-Y-Z. I'm going to get tons of names of different musicians, but definitely actually is next on my list. I've been doing a lot of local musicians, but I've actually would like to interview some people, obviously, that are like super national, like Regina Carter. I had an opportunity to interview her last year about the Detroit Jazz Fest when she was given the NEA jazz Masters and all that. But, obviously, she's from Detroit. So, even though she's obviously had a larger platform, but I definitely want to add her to the list. She's on there. Sheila Jordan is another one. You know, obviously, she's, I think, in her 90s, but she's from Detroit. So, I definitely want to get her story as well. So, yeah, I got a lot more to go obviously. But those are just a couple that I definitely want to get to sooner than later.

John Bommarito: Looking forward to when we were going to be able to consume this. When is it going to be able to be seen by the public?

Veronica Johnson: So, I'm actually working with a grassroots organization here in Detroit called The Detroit Sound Conservancy. I used to be a board member. I've been a part of it for a long time. So, they're really passionate about making sure that Detroit music is preserved. And they actually doing a lot of work at their store in actually the Bluebird Inn, which was a famous club back in like the 40s and 50s. They actually own the building now. And they're restoring it and turning into an archival location for Detroit music and things like that, so, working with them, trying to get it out there. I've worked with a couple of organizations who really anchor now with the Detroit Sound Conservancy. So, I'm hoping toget everything digitized. Everything obviously has been recorded, but just working with them to get everything digitized. And then, hopefully, my goal is to have everything--at least the interviews I've done so far--out there by next year. And, my goal is to work with BFC to do an exhibit. I would love to work with these musicians to, again, just have a place where they can go with the platform they have or other people that aren't familiar or may not be familiar with their music can go and learn more about them. And, you can check out their oral histories and all that. So, that's just a couple of things I have to work on.

John Bommarito: On the Song Break today, we're chatting with Veronica Johnson. Veronica, thanks for taking the time to explain what you're working on. And where can people find out more about you in particular at this point--about your writing and the things you've done so far?

Veronica Johnson: So, I do freelancing for a couple of publications: Metro Times, some stuff with them, Moderately Media. Also, I write monthly jazz reviews, album reviews for Downbeat, doing some stuff with them, hopefully doing some features soon as well. So, yeah, obviously, people can get in touch with me on Facebook as well. If there's, again, any musicians out there--female musicians--that you think I should be getting their story, definitely feel free to reach out to me on social media.

John Bommarito: I also found Roots Rhythm and Rhyme.WordPress.com is a place to find out some of your previous work, so I don't know if you're embarrassed by that. You shouldn't be, but that's a good resource as well. Roots Rhythm and Rhyme.WordPress.com. Check that out. Thank you so much for your time, Veronica. Good luck with the project. We look forward to seeing it when it's all finished and ready to go.

Veronica Johnson: Thanks for having me, John.

John Bommarito: My pleasure. Music from one of the artists you've spoken to up next. Joan Belgrave was on that list of people you sent me, so we're going to get something from her album "Excitable" right now on the Song Break on 89 one WEMU.