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#Marion Calvert
kwebtv · 6 months
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Earthsea - Sci-Fi - December 13 - 14, 2004
Fantasy (2 episodes)
Running Time: 172 minutes
Stars:
Shawn Ashmore as Ged / Sparrowhawk
Kristin Kreuk as Tenar
Danny Glover as Ogion
Isabella Rossellini as Thar
Sebastian Roché as King Tygath
Jennifer Calvert as Kossil
Chris Gauthier as Vetch
Mark Acheson as The Gebbeth
Supporting Characters
Alan Scarfe as the Archmagus
Mark Hildreth as Jasper 
Dave 'Squatch' Ward as Dunian
Alessandro Juliani as Skiorh
Katharine Isabelle as Yarrow
Amanda Tapping as Lady Elfarren
Erin Karpluk as Diana
Emily Hampshire as Rosa
John Tench as General Doar
Alex Diakun as Thorvald
Heather Laura Gray as Penelope
Betty Phillips as Marion
William Samples as Doctor Hand
Antony Holland as Master Namer
R. Nelson Brown as Master Herbal
Chris Britton as Master Summoner
Frank C. Turner as Avner
Stefan Arngrim as Shire Reeve
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merelygifted · 1 year
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Marion County Record publishes in defiance of police raid — and gets seized property back - Kansas Reflector
Marion County Record staff worked through the night to publish the paper’s weekly edition as scheduled Wednesday, days after police raided the newsroom and confiscated computers, cellphones and other items.
A single word screamed across the top of the paper in 200-point bold type — “SEIZED” — followed by a defiant statement: “… but not silenced.”
Authorities returned property taken by police during Friday’s raid but said they would continue to investigate whether a newspaper reporter had committed a crime by verifying information from a confidential source.
Eric Meyer, the owner and publisher of the newspaper, said it was important the newspaper prevail in this First Amendment fight.
“This just couldn’t stand,” Meyer said. “If it did, it would be the end of people ever being able to send anything anonymously to a newspaper. It would be the end of news organizations ever pursuing any sort of controversial story.”
Marion Police Chief Gideon Cody and his officers executed a search warrant last week at the newspaper office, Meyer’s home and a councilwoman’s home. The action attracted international attention — and contributed to the death of Meyer’s 98-year-old mother, who spent her final hours in anguish over the raid. Funeral services are planned for Saturday.
Meyer said his mother would be pleased by the outpouring of support the newspaper has received in recent days. That includes 2,000 new subscriptions for a newspaper that previously had a circulation of about 4,000.
As distribution staff waited for bundles of newspapers to arrive Wednesday morning from the press in Hutchinson, they handled an unrelenting stream of phone calls from people interested in purchasing a subscription. The calls came from New Hampshire, Florida, New Mexico, New York, Michigan, Texas, Vermont, Germany, Massachusetts, Illinois and Montana.  ...
...  Dennis Calvert drove from Wichita to purchase a six-month subscription. A U.S. Navy veteran who served on a nuclear submarine in the 1970s, he said many people have died to protect the kind of rights that Marion police violated when they raided the newspaper office.
“What the PD did here, in my opinion, from what I know, they are ****ing out of line,” Calvert said. “They are totally off the ****ing board. They’ve lost their morals, man.”
“It just shoves a burr up my butt,” he added. “This is the kind of stuff, it shouldn’t be tolerated. In my opinion, right now, the police chief should be sitting over here in the jail.”
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On to Round 2!
This is a wrap-up of the current standings. Polls for round 2 will be published starting this Saturday (12/16).
Congratulations to all the counties that progressed!
The state that is standing the strongest is New York, with 39 counties progressing to round 2! Albany, Allegany, Allegany, Broome, Cattaraugus, Chautauqua, Chemung, Chenango, Clinton, Columbia, Delaware, Franklin, Greene, Hamilton, Jefferson, Kings, Livingston, Nassau, New York, Niagara, Oneida, Orange, Otsego, Putnam, Rensselaer, Richmond, Rockland, Saint Lawrence, Saratoga, Schuyler, Steuben, Suffolk, Sullivan, Ulster, Warren, Washington, Wayne, Westchester, and Wyoming.
Next most powerful state is Virginia, which has 36 winning counties. Alleghany, Alleghany, Amherst, Augusta, Bedford, Brunswick, Caroline, Carroll, Charlotte, Chesterfield, Fairfax, Fauquier, Fluvanna, Gloucester, Goochland, Grayson, Halifax, Isle of Wight, James City, King and Queen, King George, King William, Lee, Louisa, Montgomery, Patrick, Pittsylvania, Prince Edward, Pulaski, Rockingham, Scott, Smyth, Southampton, Tazewell, Warren, and Wise.
Ohio is also standing strong with 27 advancing counties. Brown, Butler, Columbiana, Coshocton, Crawford, Defiance, Erie, Fulton, Geauga, Holmes, Jackson, Lake, Lawrence, Licking, Madison, Mahoning, Medina, Mercer, Monroe, Muskingum, Perry, Pickaway, Ross, Scioto, Seneca, Trumbull, and Van Wert.
North Carolina is up next with a solid 24 wins. Beaufort, Cabarrus, Caldwell, Camden, Carteret, Craven, Currituck, Granville, Harnett, Henderson, Hoke, Jackson, Johnson, Lenoir, Lincoln, Macon, Madison, Mecklenburg, Northampton, Onslow, Person, Robeson, Tyrrell, and Wake.
Only 1 more state has over 20 counties that made won their match-ups and that's my wonderful Washington. Adams, Asotin, Chelan, Clallam, Cowlitz, Ferry, Garfield, Grant, Grays Harbor, King, Kitsap, Kittitas, Klickitat, Lewis, Pacific, Pend Oreille, Skagit, Snohomish, Thurston, Walla Walla, Whatcom, Whitman, Yakima. Stay strong my soldiers.
A much higher number of states are comfortably in the middle of the pack. They are as follows:
Texas: 19 counties. Bosque, Collin, Dallas, Denton, Fort Bend, Goliad, Hockley, Jones, Lipscomb, Live Oak, Llano, McMullen, Milam, Ochiltree, Orange, Panola, Parker, San Patricio, and Travis.
California: 17 counties. Amador, Calaveras, El Dorado, Imperial, Lake, Mariposa, Monterey, Orange, San Benito, San Luis Obispo, Santa Barbara, Santa Clara, Santa Cruz, Solano, Tulare, Tuolumne, and Yolo.
Pennsylvania: 16 counties. Allegheny, Blair, Butler, Carbon, Dauphin, Franklin, Greene, Jefferson, Lancaster, Lycoming, Mifflin, Montgomery, Perry, Potter, Venango, and York.
Tennessee: 15 counties. Blount, Campbell, Carter, Cumberland, Hardin, Houston, Johnson, Knox, Madison, Maury, McNairy, Obion, Union, Williamson, and Wilson.
Nebraska: 13 counties. Adams, Buffalo, Cass, Cherry, Dakota, Keith, Knox, Nuckolls, Platte, Saunders, Stanton, Thayer, and Webster.
Nevada: 13 counties. Churchill, Clark, Douglas, Esmeralda, Eureka, Lander, Lincoln, Lyon, Mineral, Pershing, Storey, Washoe, and White Pine.
Illinois: 12 counties. Cook, DeKalb, Franklin, Jasper, Kane, Marion, McDonough, McHenry, Morgan, Peoria, St Clair, and Winnebago.
Maryland: 12 counties. Anne Arundel, Calvert, Carroll, Cecil, Dorchester, Frederick, Montgomery, Prince George’s, Queen Anne’s, Talbot, Washington, and Worcester.
Michigan: 12 counties. Barry, Berrien, Clinton, Genesee, Gogebic, Kalamazoo, Lake, Oceana, Ottawa, Rocommon, Sanilac, and Wexford.
Iowa: 11 counties. Dickinson, Fayette, Hancock, Hardin, Henry, Humboldt, Jefferson, Jones, Polk, Pottawattamie, and Wright.
Louisiana: 11 parishes. Ascension, Bossier, Cameron, Catahoula, Concordia, Jefferson, Lincoln, Natchitoches, St Bernard, St James, and St Tammany.
New Jersey: 11 counties. Bergen, Cumberland, Essex, Middlesex, Morris, Passaic, Salem, Somerset, Sussex, Union, and Warren.
Kentucky: 10 counties. Boone, Boyle, Breckinridge, Daviess, Leslie, Logan, Pike, Shelby, Trimble, Woodford.
Many of these poor cute states are barely hanging on. Please wish them luck.
Florida: 8 counties. Alachua, Bay, Miami-Dade, Monroe, Okaloosa, Osceola, Palm Beach, and St Johns.
New Mexico: 8 counties. Colfax, Curry, Doña Ana, Lincoln, Mora, Otero, Roosevelt, and Socorro.
Georgia: 6 counties. Bartow, Cherokee, Floyd, Fulton, Pierce, and Rockdale.
Indiana: 6 counties. Benton, Elkhart, Jennings, Marion, Marshall, and Starke.
Minnesota: 6 counties. Aitkin, Clearwater, Hennepin, Hubbard, McLeod, and Pipestone.
Wisconsin: 6 counties. Calumet, Fond du Lac, Osaukee, Portage, Racine, and Sheboygan.
Wyoming: 6 counties. Big Horn, Converse, Lincoln, Natrona, Park, and Teton.
Missouri: 5 counties. Clay, Gentry, Greene, Newton, and St Louis.
South Carolina: 5 counties. Anderson, Calhoun, Dillon, Dorchester, and Lexington.
Utah: 5 counties. Beaver, Summit, Utah, Washington, and Wayne.
Alaska: 4 boroughs. Anchorage, Juneau, Matanuska-Susitna, and Wrangell.
Arkansas: 4 counties. Cross, Searcy, Washington, and White.
Colorado: 4 counties. Douglas, El Paso, Fremont, and La Plata.
Oklahoma: 4 counties. Bryan, Payne, Rogers, and Washington.
West Virginia: 4 counties. Fayette, Marion, Monongalia, and Roane.
Alabama: 3 counties. Bullock, Cleburne, and Mobile.
Arizona: 3 counties. Coconino, Maricopa, and Yavapai.
Maine: 3 counties. Androscoggin, Hancock, and Washington.
Idaho: 2 counties. Bannock and Bonner.
Kansas: 2 counties. Atchinson and Johnson.
Massachusetts: 2 counties. Barnstable and Berkshire.
Montana: 2 counties. Gallatin and Silver Bow.
North Dakota: 2 counties. Benson and LaMoure.
Some states only have 1 county that progressed. They are: Delaware (Kent County), Hawaii (Maui County), Mississippi (Adams County), New Hampshire (Hillsborough County), Oregon (Linn County), and South Dakota (Bennet County).
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In addition to all the winning counties above, there will be 83 new county flags folded into round 2!!! (Because of math reasoning this had to happen) Get hyped
They are as follows:
Alexander NC, Allen OH, Alpena MI, Alpena MI, Alpine CA, Arapahoe CO, Ashe NC, Avery NC, Baldwin AL, Baltimore MD, Bell KY, Benzie MI, Bernalillo NM, Black Hawk IA, Brevard FL, Camden NJ, Campbell WY, Canyon ID, Centre PA, Charles City VA, Cheatham TN, Chester PA, Clark WA, Clarke VA, Cleveland OK, Cochise AZ, Columbus NC, Coweta GA, Darke OH, Davidson NC, Elko NV, Erie PA, Florence SC, Garrett MD, Goshen WY, Greene VA, Grundy IL, Gwinnett GA, Hidalgo TX, Highland OH, Hocking OH, Holt NE, Hot Springs WY, Howard MD, Huntingdon PA, Ingham MI, Island WA, Kankakee IL, Lackawanna PA, Lawrence PA, Leelanau MI, Lehigh PA, Leon FL, Liberty TX, Lucas OH, Madera CA, Mahaska IA, Manitowoc WI, McLennan TX, Meigs OH, Milwaukee WI, Nashville and Davidson TN, Northumberland VA, Orleans NY, Page VA, Porter IN, Sacramento CA, Salt Lake UT, San Diego CA, Sangamon IL, Sevier TN, Shelby TN, Skamania WA, Spotsylvania VA, Stafford VA, Sussex VA, Terrell TX, Trinity CA, Tulsa OK, Tuscarawas OH, Ventura CA, Wahkiakum WA, Yuma AZ
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lboogie1906 · 2 months
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Jacoby Rashi’d Jones (July 11, 1984 – July 14, 2024) was a football player who was a wide receiver and return specialist in the NFL. Selected in the third round of the 2007 NFL draft by the Houston Texans, he played with the Baltimore Ravens, San Diego Chargers, and Pittsburgh Steelers before playing with the Monterrey Steel of the National Arena League.
He played college football for the Lane College Dragons. He played for the Ravens and was selected for the Pro Bowl. He was known for two of the most memorable plays in the 2012 NFL playoffs as a member of the Ravens: catching a 70-yard game-tying touchdown pass in the final seconds of regulation in the AFC Divisional playoff game against the Broncos, which led the Ravens to double overtime victory; and a 108-yard kickoff return for a touchdown in Super Bowl XLVII against the 49ers, the longest play in Super Bowl history.
He grew up in New Orleans East. He attended St. Augustine High School and Marion Abramson High School. His godfather and the assistant principal of Abramson advised him to transfer to that school. He was a letterman in football, basketball, and track. In basketball, he was an All-Metropolitan selection and an All-Area selection. In track, he was an All-Metropolitan selection and an All-Area selection, with a personal best of 10.28 seconds in the 100 meters and 21.3 seconds in the 200 meters.
He enrolled on a track scholarship at Southeastern Louisiana University but transferred to Lane College. He became a three-time All-Southern Intercollegiate Athletic Conference player in his sophomore, junior, and senior seasons as well as a punt/kick returner. He was a member of Omega Psi Phi Fraternity.
He signed a one-day contract with the Ravens to retire as a member of the team.
He returned to his alma mater when he was named wide receivers coach. Calvert Hall College High School appointed him to a similar capacity. He coached the tight ends at Morgan State University. He joined the coaching staff at Alabama State University.
He was the first star announced to be on Season 16 of Dancing With the Stars. He partnered with Karina Smirnoff, they came in third place. #africanhistory365 #africanexcellence
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milliondollarbaby87 · 4 years
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One Hour Photo (2002) Review
One Hour Photo (2002) Review
Seymour Parrish works as a photo developer in a store and has an obsession with a family who have been using the service for almost a decade, feeling that he is part of the family and collecting the photos of them. ⭐️⭐️⭐️ Continue reading
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letterboxd-loggd · 3 years
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Devil’s Cargo (1948) John F. Link Sr.
September 5th 2021
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knittinghistory · 2 years
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Advertisement for volume 4 of The Minerva Knitting Book (1920), distributed by the Minerva Yarn Company. The ad promises that "famous actresses and stars of the screen have contributed to this remarkable book." Out of curiosity I purchased a .pdf copy to see who and what that means.
Billie Burke, wife of Florenz Ziegfeld of the Ziegfeld Follies and later Glinda the Good Witch in the 1939 Wizard of Oz is the model on the cover. Stars of stage and screen Helen MacKellar, Marion Davies, Nance O'Neill, Irene Bordoni, Ina Claire, Jeanne Eagels, Catherine Calvert each model a pattern as well.
The Delineator, July-Aug. 1920, p. 111.
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John Gilbert (born John Cecil Pringle; July 10, 1897 – January 9, 1936) was an American actor, screenwriter and director. He rose to fame during the silent film era and became a popular leading man known as "The Great Lover". His legendary breakthrough came in 1925 with his starring roles in The Merry Widow and The Big Parade. At the height of his career, Gilbert rivaled Rudolph Valentino as a box office draw.
Gilbert's career declined precipitously when silent pictures gave way to talkies. Though Gilbert was often cited as one of the high-profile examples of an actor who was unsuccessful in making the transition to sound films, his decline as a star had far more to do with studio politics and money than with the sound of his screen voice, which was rich and distinctive.
Born John Cecil Pringle in Logan, Utah, to stock-company actor parents, John Pringle (1865–1929) and Ida Apperly Gilbert (1877–1913), he struggled through a childhood of abuse and neglect, with his family moving frequently and young "Jack" having to attend assorted schools throughout the United States. When his family finally settled in California, he attended Hitchcock Military Academy in San Rafael. After he left school, Gilbert worked as a rubber goods salesman in San Francisco, then performed with the Baker Stock Company in Portland, Oregon, in 1914. He subsequently found work the following year as a stage manager in another stock company in Spokane, Washington, but he soon lost that job when the company went out of business.
After losing his stage job in 1915, Gilbert decided to try screen acting, and he quickly gained work as a film extra through Herschell Mayall. Gilbert first appeared in The Mother Instinct (1915), a short directed by Wilfred Lucas. He then found work as an extra with the Thomas Ince Studios in productions such as The Coward (1915), Aloha Oe (1915), Civilization (1915), The Last Act (1916), and William Hart's Hell's Hinges (1916).
During his initial years in films, Gilbert also performed in releases by Kay-Bee Company such as Matrimony (1915), The Corner (1915), Eye of the Night (1916), and Bullets and Brown Eyes (1916). His first major costarring role was as Willie Hudson in The Apostle of Vengeance, also with William S. Hart.[6] Viewed by studio executives as a promising but still "juvenile" actor at this stage of his career, Gilbert's contract salary was $40 a week ($940 today), fairly ample pay for most American workers in the early 1900s.[7] Gilbert continued to get more substantial parts at Kay-Bee, which billed him as "Jack Gilbert" in The Aryan (1916), The Phantom (1916), Shell 43 (1916), The Sin Ye Do (1917), The Weaker Sex (1917), and The Bride of Hate (1917). His first true leading role was in Princess of the Dark (1917) with Enid Bennett, but the film was not a big success and he went back to supporting roles in The Dark Road (1917), Happiness (1917), The Millionaire Vagrant (1917), and The Hater of Men (1917).
Gilbert went over to Triangle Films where he was in The Mother Instinct (1917), Golden Rule Kate (1917), The Devil Dodger (1917) (second billed), Up or Down? (1917), and Nancy Comes Home (1918). For Paralta Plays, Gilbert did Shackled (1918), One Dollar Bid (1918), and Wedlock (1918) and More Trouble (1918) for Anderson, but the company went bankrupt.[7] He also was cast in Doing Their Bit (1918) at Fox and then returned to Triangle for The Mask (1918). Gilbert also did Three X Gordon (1918) for Jesse Hampton, The Dawn of Understanding (1918), The White Heather (1919) for Maurice Tourneur, The Busher (1919) for Thomas Ince, The Man Beneath for Haworth, A Little Brother of the Rich (1919) for Universal, The Red Viper (1919) for Tyrad, For a Woman's Honor (1919) for Jess Hampton, Widow by Proxy (1919) for Paramount, Heart o' the Hills (1919) for Mary Pickford, and Should a Woman Tell? (1919) for Screen Classics.
Maurice Tourneur signed him to a contract to both write and act in films. Gilbert performed in and co-wrote The White Circle (1920), The Great Redeemer (1921), and Deep Waters (1921). As a writer only, he worked on The Bait (1921), which starred and was produced by Hope Hampton. For Hampton, Gilbert wrote and directed as well, but he did not appear in Love's Penalty (1921).
In 1921, Gilbert signed a three-year contract with Fox Film Corporation, which subsequently cast him in romantic leading roles and promoted him now as "John Gilbert". The actor's first starring part for the studio was in Shame (1921).[10] He followed it with leading roles in Arabian Love (1922), Gleam O'Dawn (1922), The Yellow Stain (1922), Honor First (1922), Monte Cristo (1922), Calvert's Valley (1922), The Love Gambler (1922), and A California Romance (1922). Many of the scenarios for these films were written by Jules Furthman.
Gilbert returned temporarily to Tourneur to costar with Lon Chaney in While Paris Sleeps (1923). Back at Fox, he starred in Truxton King (1923), Madness of Youth (1923), St. Elmo (1923), and The Exiles (1923). The same year he starred in Cameo Kirby (1923), directed by John Ford, co starring Jean Arthur. He went into The Wolf Man (1923) with Norma Shearer, not a horror film, but the story of a man who believes he murdered his fiancée's brother while drunk. Gilbert also performed in his last films for Fox in 1924, including Just Off Broadway, A Man's Mate, The Lone Chance, and Romance Ranch.
Under the auspices of movie producer Irving Thalberg, Gilbert obtained a release from his Fox contract and moved to MGM, where he became a full-fledged star cast in major productions. First starring in His Hour (1924) directed by King Vidor and written by Elinor Glyn his film career entered its ascendancy. He followed this success with He Who Gets Slapped (1924) co-starring Chaney and Shearer and directed by Victor Sjöström; The Snob (1924) with Shearer; The Wife of the Centaur (1924) for Vidor.
The next year, Gilbert would star in two of MGM's most critically acclaimed and popular film productions of the silent era: Erich von Stroheim's The Merry Widow and King Vidor's The Big Parade.
Gilbert was assigned to star in Erich von Stroheim's The Merry Widow by Irving Thalberg, over the objections of the Austrian-American director. Von Stroheim expressed his displeasure bluntly to his leading man: "Gilbert, I am forced to use you in my picture. I do not want you, but the decision was not in my hands. I assure you I will do everything in my power to make you comfortable." Gilbert, mortified, soon stalked off the set in a rage, tearing off his costume. Von Stroheim followed him to his dressing room and apologized. The two agreed to share a drink. Then Gilbert apologized and they had another drink. The tempest subsided and was resolved amicably. According to Gilbert, the contretemps served to "cement a relationship which for my part will never end."
The public adulation that Gilbert experienced with his growing celebrity astounded him: "Everywhere I hear whispers and gasps in acknowledgment of my presence... he whole thing became too fantastic for me to comprehend. Acting, the very thing I had been fighting and ridiculing for seven years, had brought me success, riches and renown. I was a great motion picture artist. Well, I’ll be damned!"
Gilbert was next cast by Thalberg to star in the King Vidor's war-romance The Big Parade (1925), which became the second-highest grossing silent film and the most profitable film of the silent era. Gilbert's "inspired performance" as an American doughboy in France during World War I was the high point of his acting career. He fully immersed himself in the role of Jim Apperson, a Southern gentleman who, with two working class comrades, experiences the horrors of trench warfare. Gilbert declared: "No love has ever enthralled me as did the making of this picture...All that has followed is balderdash."
The following year, Vidor reunited Gilbert with two of his co-stars from that picture, Renée Adorée and Karl Dane, for the film La Bohème (1926) which also starred Lillian Gish. He then did another with Vidor, Bardelys the Magnificent (1926).
In 1926, Gilbert made Flesh and the Devil (1926), his first film with Greta Garbo. Gilbert first encountered Garbo on the set during filming of the railway station scene, and the chemistry between the two was evidently instantaneous. Director Clarence Brown remarked approvingly that he "had a love affair going for me that you couldn’t beat, any way you tried." Garbo and Gilbert soon began a highly publicized romance, much to the delight of their fans and to MGM.
He made The Show (1927) with Adoree for Tod Browning then did Twelve Miles Out (1927) with Joan Crawford and Man, Woman and Sin (1927) with Jeanne Eagels.
Gilbert was reunited with Garbo in a modern adaptation of Tolstoy's 19th-century novel, Anna Karenina. The title was changed to Love (1927) to capitalize on the real life love affair of the stars and advertised by MGM as "Garbo and Gilbert in Love."
Gilbert made The Cossacks (1928) with Adoree; Four Walls (1928) with Crawford; Show People (1928) with Marion Davies for Vidor, in which Gilbert only had a cameo; and The Masks of the Devil (1928) for Victor Sjöström.
Though officially directed by Edmund Goulding, Gilbert, though uncredited, was responsible for directing the love scenes involving Garbo. He was perhaps the only person in the industry whose "artistic judgment" she fully respected. As such, MGM approved of this arrangement.
Gilbert and Garbo were teamed for a third time in A Woman of Affairs (1928). His last silent film was Desert Nights (1929).
With the coming of sound, Gilbert's vocal talents made a good first impression, though the studio had failed to conduct a voice test. The conventional wisdom of the day dictated that actors in the new talkies should emulate "correct stage diction". Gilbert's strict adherence to this method produced an affected delivery that made audiences giggle, and not due to any particularity in Gilbert's natural speech. Indeed, the "quality of his voice compared well with that of co-star Conrad Nagel, regarded as having one of the best voices for sound."
Gilbert signed an immensely lucrative multi-picture contract with MGM in 1928 that totaled $1,500,000. The terms of the agreement positioned MGM executives Irving Thalberg and Nicholas Schenck, both sympathetic to the star, to supervise his career. Gilbert, however, frequently clashed with studio head Louis B. Mayer over creative, social and financial matters. A confrontation between the two men, one that became physical, occurred at the planned double-wedding of Garbo and Gilbert and director King Vidor and actress Eleanor Boardman. Mayer reportedly made a crude remark to Gilbert about Garbo, and Gilbert reacted by knocking Mayer to the floor with his fist.[24] While this story has been disputed or dismissed as hearsay by some historians, Vidor's bride Eleanor Boardman insisted that she actually witnessed the altercation.
In the all-star musical comedy The Hollywood Revue of 1929 (1929), Gilbert and Norma Shearer played the balcony scene from Shakespeare's Romeo and Juliet, first as written, then followed with a slang rendition of the scene. The comic effect served to "dispell the bad impression" produced by Gilbert's original "mincing" delivery.
Audiences awaited further romantic roles from Gilbert on the talking screen. The next vehicle was the Ruritanian romance His Glorious Night (1929), directed by Lionel Barrymore. According to reviewers, audiences laughed nervously at Gilbert's performance. The offense was not Gilbert's voice, but the awkward scenario along with the overly ardent love scenes. In one, Gilbert keeps kissing his leading lady, (Catherine Dale Owen), while saying "I love you" over and over again. (The scene was parodied in the MGM musical Singin' in the Rain (1952) in which a preview of the fictional The Dueling Cavalier flops disastrously.)
Director King Vidor speculated that the late Rudolph Valentino, Gilbert's main rival for romantic leads in the silent era, probably would have suffered the same fate in the talkie era had he lived. Gilbert's inept phrasing, his "dreadful enunciation" and the "inane" script as the genuine sources of his poor performance, that drew "titters" from audiences.
The persistent myth that John Gilbert had a "squeaky voice" that doomed his career in sound films first emerged from his performance in 1929 with His Glorious Night. It was even rumored that Louis B. Mayer ordered Gilbert's voice to be gelded by manipulating the sound track to give it a higher, less masculine pitch. Later, after analyzing the film's sound track, British film historian Kevin Brownlow found that the timbre and frequency of Gilbert's speaking scenes in His Glorious Night were no different than in his subsequent talkies. Brownlow also reported from that analysis that Gilbert's voice, overall, was "quite low". With regard to the alleged manipulation of Gilbert's footage by Mayer or by anyone else, television technicians in the 1960s determined that the actor's voice was consistent with those of other performers on the same print, casting doubt that any targeted "sabotaging" of Gilbert's voice occurred.
Film critic John Baxter described Gilbert as having "a light speaking voice", a minor defect that both MGM and the star "magnified into an obsession." Despite any conflicting opinions or myths surrounding the actor's voice, Mayer's lingering resentment and hostility toward Gilbert remained apparent, especially after MGM's star signed a new contract for six pictures at $250,000 each. Those ill feelings fueled additional speculation that Mayer deliberately assigned Gilbert bad scripts and ineffective directors in an effort to void the contract.
Metro-Goldwyn-Mayer cast Gilbert in a film adaption of The Living Corpse by Tolstoy re-titled as Redemption (1929). The bleak atmosphere and maudlin dialogue presaged the disaster looming in the stars’ personal life and career. Gilbert's confident screen presence had vanished, while his use of the exaggerated stage diction that elicited laughs from the audience persisted. In one scene Gilbert declares ominously "I’m going to kill myself to let the whole world know what it has lost."[34]
MGM put him in a more rugged film, Way for a Sailor (1930) with Wallace Beery. He followed it with Gentleman's Fate (1931). Gilbert became increasingly depressed by progressively inferior films and idle stretches between productions. Despite efforts by studio executives at MGM to cancel his contract, Gilbert resolved to thwart Louis B. Mayer and see the six-picture ordeal through to the end.
Gilbert's fortunes were temporarily restored when MGM's production chief Irving Thalberg gave him two projects that were character studies, giving Gilbert an excellent showcase for his versatility. The Phantom of Paris (1931), originally intended for Lon Chaney (who died from cancer in 1930), cast Gilbert as a debonair magician and showman who is falsely accused of murder and uses his mastery of disguise to unmask the real killer.
Downstairs (1932) was based on Gilbert's original story, with the actor playing against type as a scheming, blackmailing chauffeur. The films were well received by critics and fans but failed to revive his career. In between, he appeared in West of Broadway (1931). Shortly after making Downstairs, he married co-star Virginia Bruce; the couple divorced in 1934.
Gilbert fulfilled his contract with MGM with a perfunctory "B" picture – Fast Workers (1933) directed by Browning. He left the studio in 1933, terminating his $10,000 a week contract.
Exhausted and demoralized by his humiliations at MGM and his declining success at the box office, Gilbert began to drink heavily, contributing to his declining physical and mental health.
Gilbert announced his retirement from acting and was working at Fox as an "honorary" director when, in August 1933, Gilbert announced he had signed a seven-year contract with MGM at $75–100,000 a picture. The reason was Greta Garbo insisted that Gilbert return to MGM to play her leading man in Queen Christina (1933), directed by Rouben Mamoulian. Garbo was top-billed, with Gilbert's name beneath the title. Queen Christina, though a critical success, did not revive Gilbert's poor self-image or his career. Garbo was reported to have dropped the young Laurence Olivier scheduled to play the part, but director Rouben Mamoulian recalled that Olivier's screen tests had already eliminated him from consideration.
Columbia Pictures gave Gilbert what would be his final chance for a comeback in The Captain Hates the Sea (1934) in which he gave a capable performance as "a dissipated, bitter [and] cynical" playwright. But the off-screen cast of heavy drinkers encouraged his alcoholism. It was his last film.
Biographer Kevin Brownlow's eulogy to John Gilbert considers the destruction of both the man and his career:
"The career of John Gilbert indicates that the star, and the person playing the star, were regarded by producers as separate entities, subject to totally different attitudes. Gilbert, as an ordinary human being, had no legal right to the stardom that was the sole property of the studio. When Gilbert, as an employee, tried to seize control of the future of Gilbert the star, the studios decided to save their investment from falling into the hands of rivals, [so] they had to wreck their property. Other properties – books, films, sets – could be destroyed with impunity. But the destruction of a star carried with it the destruction of a person…it seems somewhat abhorrent that it took such tragedies as that of John Gilbert to bring us our entertainment."
Gilbert was married four times. His first marriage, on August 26, 1918, was to Olivia Burwell, a native of Mississippi whom Gilbert had met after her family moved to California. They separated the following year and Burwell returned to Mississippi for a while. She filed for divorce in Los Angeles in 1921.
In February 1921, Gilbert announced his engagement to actress Leatrice Joy. They married in Tijuana in November 1921.[44] As Gilbert had failed to secure a divorce from his first wife and the legality of Gilbert and Joy's Mexican marriage was questionable, the couple separated and had the marriage annulled to avoid a scandal. They remarried on March 3, 1922. The marriage was tumultuous and, in June 1923, Joy filed for legal separation after she claimed that Gilbert slapped her face after a night of heavy drinking. They reconciled several months later. In August 1924, Joy, who was pregnant with the couple's daughter, filed for divorce. Joy later said she left Gilbert after discovering he was having an affair with actress Laurette Taylor.[47] Joy also claimed that Gilbert had conducted affairs with Barbara La Marr (with whom he had a romance before his marriage to Joy), Lila Lee and Bebe Daniels. Gilbert and Joy had a daughter, Leatrice Gilbert (later Fountain; 4 September 1924 – 20 January 2015). Joy was granted a divorce in May 1925.
In 1929, Gilbert eloped with actress Ina Claire to Las Vegas. They separated in February 1931 and divorced six months later. Gilbert's fourth and final marriage was on August 10, 1932, to actress Virginia Bruce, who had recently costarred with him on the MGM film Downstairs. The entertainment trade paper The Film Daily reported that their "quick" wedding was held in Gilbert's dressing room on the MGM lot while Bruce was working on another studio production, Kongo. Among the people attending the small ceremony were the head of MGM production Irving Thalberg, who served as Gilbert's best man; screenwriter Donald Ogden Stewart, whose wife Beatrice acted as Bruce's matron of honor; MGM art director and set designer Cedric Gibbons; and his wife, actress Dolores del Río. Bruce retired briefly from acting following the birth of their daughter Susan Ann; however, she resumed her career after her divorce from Gilbert in May 1934.
Before his death, Gilbert dated actress Marlene Dietrich as well as Greta Garbo. When he died, he had recently been slated to play a prominent supporting role in Dietrich's film Desire.
By 1934, alcoholism had severely damaged Gilbert's health. He suffered a serious heart attack in December 1935, which left him in poor health. Gilbert suffered a second heart attack at his Bel Air home on January 9, 1936, which was fatal.
A private funeral was held on January 11 at the B.E. Mortuary in Beverly Hills. Among the mourners were Gilbert's two ex-wives, Leatrice Joy and Virginia Bruce, his two daughters, and stars Marlene Dietrich, Gary Cooper, Myrna Loy, and Raquel Torres.
Gilbert was cremated and his ashes were interred at Forest Lawn Memorial Park, Glendale in Glendale, California.
Gilbert left the bulk of his estate, valued at $363,494 (equivalent to $6.7 million in 2019), to his last ex-wife Virginia Bruce and their daughter, Susan Ann. He left $10,000 to his eldest daughter Leatrice, and other amounts to friends, relatives and his servants.
For his contribution to the motion picture industry, Gilbert has a star on the Hollywood Walk of Fame at 1755 Vine Street. In 1994, he was honored with his image on a United States postage stamp designed by caricaturist Al Hirschfeld.
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strechanadi · 4 years
Note
Create a company: 12 principals, 10 first soloists, 10 soloists, splitting the genders equally.
Sir, yes, sir!
(And I’m gonna be a good girl and not gonna include retired dancers, but it’s gonna hurt, just so you know!)
Principals:
Alina Cojocaru Leonore Baulac Francesca Hayward Ludmila Pagliero Dorothée Gilbert Olga Smirnova Mathieu Ganio Edward Watson Adam Zvonař (I don’t have THREE more men! I just... don’t!) Karl Paquette Johan Kobborg Adam Cooper all basically retired, but see if I care!
First Soloists:
Marion Barbeau Ida Praetorius Melissa Hamilton Fumi Kaneko Claire Calvert Marcelino Sambé Hugo Marchand William Bracewell Matěj Šust Vincent Chaillet
Soloists:
Stina Quagebeur Francesca Velicu Marine Ganio Bianca Scudamore Aya Watanabe Calvin Richardson James Lovell Bradley Waller (a contemporary dancer, but I want him here) Max Westwell Francesco Scarpato
(Huh, that was much harder then I expected!)
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suzylwade · 5 years
Photo
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Women in Design “For too long their work has been lost in the mists of time and therefore gone unacknowledged. Our book’s central message to women following in the wake of these remarkable female design pioneers is: ‘Yes, you can, now go and do it!’” - Charlotte Fiell. Aino Aalto, Anni Albers, Laura Ashley, Gae Aulenti, Lina Bo Bardi. Cini Boeri, Irma Boom, Marianne Brandt, Vivianna Torun Bülow-Hübe, Margaret Calvert, Louise Campbell, Anna Castelli Ferrieri, Gabrielle 'Coco' Chanel, Louise ‘Madeleine’ Chéruit, Kim Colin (Industrial Facility), Collier Campbell, Matali Crasset, Lucienne Day, Carlotta De Bevilacqua, Elsie De Wolfe, Sonia Delaunay, Elizabeth Diller, Nanna Ditzel, Marion Dorn, Nipa Doshi, Dorothy Draper, Clara Driscoll, Ray Eames, Estrid Ericssson, Vuokko Eskolin-Nurmesniemi, Front, Georgina ‘Georgie’ Gaskin, GM’s ‘Damsels of Design’, Sophie Gimbel, Glasgow Girls, Lonneke Gordijn (Studio Drift), Eileen Gray, April Grieman, Maija Grotell, Zaha Hadid, Katharine Hamnett, Ineke Hans, Edith Head, Margaret Howell, Maija Isola, Grete Jalk, Betty Joel, Hella Jongerius, Ilonka Karasz, Susan Kare, Rei Kawakubo, Florence Knoll, Florence Koehler, Belle Kogan, Jeanne Lanvin, Estelle Laverne, Amanda Levete, Shelia Levrant de Bretteville, ’Lucile’ Lucy, Lady Duff-Gordon, Elaine Lustig Cohen, Märta Måås-Fjetterström, Greta Magnusson-Grossman, Cecilie Manz, Enid Marx, Bonnie MacLean, Grethe Meyer, Rosita Missoni, May Morris, Marie Neurath, Neri Oxman, Maria Pergay, Charlotte Perriand, Miuccia Prada, Mary Quant, Ingegerd Råman, Ruth Reeves, Lilly Reich, Lucie Rie, Astrid Sampe, Paula Scher, Elsa Schiaparelli, Margarete ‘Grete’ Schütte-Lihotzky, Denise Scott Brown, Inga Sempé, Alma Siedhoff-Buscher, Alison Smithson, Sylvia Stave, Varava Stepanova, Nanny Still McKinney, Gunta Stözl, Marianne Straub, Anne Swainson, Faye Toogood, Nynke Tynagel (Studio Job), Patricia Urquiola, Valentina Kulagina, Mimi Vandermolen, Lella Vignelli, Nanda Vigo, Vivienne Westwood, Yiqing Yin, Eva Zeisel, Nika Zupanc . ‘Women in Design: From Aino Aalto to Eva Zeisel’ by Charlotte Fiell, Clementine Fiell, published by ’Laurence King Publishing’. #neonurchin #neonurchinblog https://www.instagram.com/p/B7-yVKIA-t0/?igshid=zeffnlqo6xud
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extrabeurre · 5 years
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Gala Québec Cinéma 2019 : Les nominations
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Irlande Côté, Émilie Pierre, Jacob Whiteduck-Lavoie. Crédit photo : Julie Caron
Adoptant une nouvelle formule cette année, où le vote du jury est pondéré 50/50 avec le vote des membres votants de l'industrie, le Gala Québec Cinéma se retrouve avec des nominations qui offrent un bel équilibre entre le cinéma populaire et d'auteur.
Ainsi, dans la catégorie Meilleur film, les 7 finalistes incluent les gros succès 1991 de Ricardo Trogi (aussi Meilleure réalisation et Meilleur scénario) et La Bolduc de François Bouvier d'une part, et les productions acclamées par la critique À tous ceux qui ne me lisent pas de Yan Giroux (aussi Meilleure réalisation et Meilleur scénario), Genèse de Philippe Lesage, La grande noirceur de Maxime Giroux (aussi Meilleure réalisation), Répertoire des villes disparues de Denis Côté (aussi Meilleure réalisation), et Une colonie de Geneviève Dulude-De Celles (aussi Meilleure réalisation et Meilleur scénario).
La catégorie Meilleur scénario est complétée par deux excellents choix, Avant qu'on explose d'Éric K. Boulianne et Origami d'André Gulluni & Claude Lalonde.
Je me permets aussi de mettre en lumière ma catégorie préférée, Révélation de l'année, qui est dominée par les vedettes du brillant Une colonie, soit Émilie Bierre, Irlande Côté et Jacob Whiteduck-Lavoie, qui sont rejoints par Lévi Doré pour La chute de Sparte et Maripier Morin pour La chute de l'empire américain.
FINALISTES 2019 PAR CATÉGORIE 
Les finalistes sont présenté.e.s en ordre alphabétique 
MEILLEUR FILM Iris du Meilleur film
1991 - Go Films - Nicole Robert À tous ceux qui ne me lisent pas - micro_scope - Luc Déry, Élaine Hébert, Kim McCraw La Bolduc - Caramel Films - Valérie d'Auteuil, André Rouleau Genèse - L'Unité centrale - Galilé Marion-Gauvin La grande noirceur - Metafilms - Sylvain Corbeil, Nancy Grant Répertoire des villes disparues - Couzin Films - Ziad Touma Une colonie - Colonelle films - Fanny Drew, Sarah Mannering
MEILLEUR PREMIER FILM Iris du Meilleur premier film
Sera annoncé lors du Gala Québec Cinéma
MEILLEURE RÉALISATION Iris de la Meilleure réalisation
Denis Côté - Répertoire des villes disparues Geneviève Dulude-De Celles - Une colonie Maxime Giroux - La grande noirceur Yan Giroux - À tous ceux qui ne me lisent pas Ricardo Trogi - 1991
MEILLEUR SCÉNARIO Iris du Meilleur scénario
Guillaume Corbeil, Yan Giroux - À tous ceux qui ne me lisent pas Geneviève Dulude-De Celles - Une colonie André Gulluni, Claude Lalonde - Origami Eric K. Boulianne - Avant qu'on explose Ricardo Trogi - 1991
MEILLEURE INTERPRÉTATION FÉMININE | PREMIER RÔLE Iris de la Meilleure interprétation féminine dans un premier rôle
Josée Deschênes (Gisèle Dubé) - Répertoire des villes disparues Debbie Lynch-White (Mary Travers) - La Bolduc Brigitte Poupart (Marie-Claire Dubé) - Les salopes ou le sucre naturel de la peau Karelle Tremblay (Léo) - La disparition des lucioles Carla Turcotte (Sasha) - Sashinka
MEILLEURE INTERPRÉTATION MASCULINE | PREMIER RÔLE Iris de la Meilleure interprétation masculine dans un premier rôle
Jean-Carl Boucher (Ricardo) - 1991 Pierre-Luc Brillant (Steve) - La disparition des lucioles Martin Dubreuil (Yves Boisvert) - À tous ceux qui ne me lisent pas Patrick Hivon (Kevin) - Nous sommes Gold Théodore Pellerin (Guillaume) - Genèse
MEILLEURE INTERPRÉTATION FÉMININE | RÔLE DE SOUTIEN Iris de la Meilleure interprétation féminine dans un rôle de soutien
Sandrine Bisson (Claudette) - 1991 Céline Bonnier (Dyane) - À tous ceux qui ne me lisent pas Larissa Corriveau (Adèle) - Répertoire des villes disparues Mélissa Désormeaux-Poulin (Catherine Beauregard) - Dérive Natalia Dontcheva (Elena) - Sashinka
MEILLEURE INTERPRÉTATION MASCULINE | RÔLE DE SOUTIEN Iris de la Meilleure interprétation masculine dans un rôle de soutien
Robin Aubert (Henri) - Une colonie Pier-Luc Funk (Maxime) - Genèse Vincent Leclerc (Jean-Claude) - La Chute de l'empire américain Alexandre Nachi (Arturo) - 1991 Henri Picard (Marc) - À tous ceux qui ne me lisent pas
RÉVÉLATION DE L'ANNÉE Iris de la Révélation de l'année
Émilie Bierre (Mylia) - Une colonie Irlande Côté (Camille) - Une colonie Lévi Doré (Steeve Simard) - La chute de Sparte Maripier Morin (Aspasie / Camille Lafontaine) - La Chute de l'empire américain Jacob Whiteduck-Lavoie (Jimmy) - Une colonie
MEILLEURE DISTRIBUTION DES RÔLES Iris de la Meilleure distribution des rôles
Nathalie Boutrie (Casting NB) - La chute de Sparte Ariane Castellanos - Une colonie Chloé Cinq-Mars - Dérive Denis Côté - Répertoire des villes disparues Nolwenn Daste, Fanny Rainville, Kristina Wagenbauer - Sashinka
MEILLEURE DIRECTION ARTISTIQUE Iris de la Meilleure direction artistique
Sylvain Dion, Patricia McNeil - La grande noirceur Raymond Dupuis - La Bolduc Marie-Pier Fortier - Répertoire des villes disparues Marie-Claude Gosselin - À tous ceux qui ne me lisent pas Christian Legaré - 1991
MEILLEURE DIRECTION DE LA PHOTOGRAPHIE Iris de la Meilleure direction de la photographie
Steve Asselin - 1991 Ian Lagarde - À tous ceux qui ne me lisent pas François Messier-Rheault - Répertoire des villes disparues Sara Mishara - La grande noirceur Ronald Plante - La Bolduc
MEILLEUR SON Iris du Meilleur son
Mimi Allard, Sylvain Bellemare, Bernard Gariépy Strobl, Claude La Haye - Allure Claude Beaugrand, Michel B. Bordeleau, Luc Boudrias, Gilles Corbeil - La Bolduc Stéphane Bergeron, Olivier Calvert, Gilles Corbeil - La disparition des lucioles Luc Boudrias, Frédéric Cloutier, Stephen De Oliveira - La grande noirceur Sylvain Brassard, Michel Lecoufle - 1991
MEILLEUR MONTAGE Iris du Meilleur montage
Michel Arcand - La Bolduc Mathieu Bouchard-Malo - Genèse Mathieu Bouchard-Malo - La grande noirceur Elric Robichon - À tous ceux qui ne me lisent pas Yvann Thibaudeau - 1991
MEILLEURS EFFETS VISUELS Iris des Meilleurs effets visuels
Alchimie 24 - Jean-François "Jafaz" Ferland, Marie-Claude Lafontaine - La Bolduc Fix Studio - Aurélia Abate, Delphine Lasserre, Bruno Maillard | Oblique FX - Benoît Brière, Louis-Philippe Clavet, Valérie Garcia, Étienne Rodrigue - Dans la brume Fly Studio - Jean-Pierre Boies, Jean-François Talbot - 1991
MEILLEURE MUSIQUE ORIGINALE Iris de la Meilleure musique originale
Olivier Alary - La grande noirceur Philippe B - Nous sommes Gold Frédéric Bégin - 1991 Philippe Brault - La disparition des lucioles Peter Venne - Avant qu'on explose
MEILLEURS COSTUMES Iris des Meilleurs costumes
Caroline Bodson - Répertoire des villes disparues Mariane Carter - La Bolduc Mélanie Garcia - À tous ceux qui ne me lisent pas Anne-Karine Gauthier - 1991 Patricia McNeil - La grande noirceur
MEILLEUR MAQUILLAGE Iris du Meilleur maquillage
Audrey Bitton - À tous ceux qui ne me lisent pas Virginie Boudreau - 1991 Nicole Lapierre - La Bolduc Léonie Lévesque-Robert - Une colonie (ex aequo) Dominique T. Hasbani - Genèse (ex aequo) Dominique T. Hasbani - Répertoire des villes disparues
MEILLEURE COIFFURE Iris de la Meilleure coiffure
Nathalie Dion - À tous ceux qui ne me lisent pas André Duval - La chute de Sparte Daniel Jacob - 1991 Martin Lapointe - La Bolduc Dominique T. Hasbani - Répertoire des villes disparues
MEILLEUR FILM DOCUMENTAIRE Iris du Meilleur film documentaire
Anote's Ark - Matthieu Rytz | EyeSteelFilm - Matthieu Rytz L'autre Rio - Émilie Beaulieu-Guérette | Colonelle films - Fanny Drew, Geneviève Dulude-De Celles, Sarah Mannering Cielo- Alison McAlpine | Errante Producciones - Paola Castillo | Second Sight Pictures - Alison McAlpine Innu Nikamu : Chanter la résistance- Kevin Bacon Hervieux | Terre Innue - Ian Boyd Pauline Julien, intime et politique - Pascale Ferland | Office national du film du Canada - Johanne Bergeron
MEILLEURE DIRECTION DE LA PHOTOGRAPHIE | FILM DOCUMENTAIRE Iris de la Meilleure direction de la photographie | Film documentaire
Benjamín Echazarreta - Cielo Danae Elon, Itamar Mendes Flohr - A Sister's Song Sylvestre Guidi - New Memories Alexandre Lampron - Des histoires inventées Matthieu Rytz - Anote's Ark
MEILLEUR MONTAGE | FILM DOCUMENTAIRE Iris du Meilleur montage | Film documentaire
Mila Aung-Thwin, Oana Suteu Khintirian - Anote's Ark Natacha Dufaux - L'autre Rio Vincent Guignard, Alexandre Leblanc - A Sister's Song Catherine Legault - Les lettres de ma mère René Roberge - Pauline Julien, intime et politique
MEILLEUR SON | FILM DOCUMENTAIRE Iris du Meilleur son | Film documentaire
Claude Beaugrand, Luc Boudrias, Serge Giguère - Les lettres de ma mère Bruno Bélanger, Marie-Pierre Grenier, Francisco Heron De Alencar - L'autre Rio Cyril Bourseaux, Mélanie Gauthier, Simon Léveillé, Simon Plouffe, Lynne Trépanier, Jean Paul Vialard, Shikuan Shetush Vollant - Ceux qui viendront, l'entendront Olivier Calvert, Jean Paul Vialard - Pauline Julien, intime et politique Andrés Carrasco, Miguel Hormazábal, Mauricio López, Alison McAlpine, Rodrigo Salvatierra, Carlo Sanchez Farías, Claudio Vargas - Cielo
MEILLEUR COURT MÉTRAGE | FICTION Iris du Meilleur court métrage | Fiction
Brotherhood - Meryam Joobeur | Cinétéléfilms - Habib Attia, Sarra Ben-Hassen | Meryam Joobeur | Laika Film & Television - Andreas Rocksén | Midi La Nuit - Maria Gracia Turgeon Fauve - Jérémy Comte | Midi La Nuit - Maria Gracia Turgeon | Achromatic Media - Evren Boisjoli Lunar-Orbit Rendezvous - Mélanie Charbonneau | Hutte Films - Virginie Nolin Milk - Santiago Menghini | Newton's Cradle - Max Walker Mon Boy - Sarah Pellerin | La Boîte à Fanny - Fanny-Laure Malo, Annie-Claude Quirion
MEILLEUR COURT MÉTRAGE | ANIMATION Iris du Meilleur court métrage | Animation
Bone Mother - Dale Hayward, Sylvie Trouvé | Office national du film du Canada - Jelena Popović La chambre des filles - Claire Brognez | Les Films de l'Autre - Claire Brognez Mais un oiseau ne chantait pas - Pierre Hébert | Pierre Hébert Not Your Panda - Tigris Alt Sakda | Tigris Alt Sakda Le sujet - Patrick Bouchard | Office national du film du Canada - Julie Roy
PRIX DU PUBLIC Iris Prix du public
1991 - Ricardo Trogi | Les Films Séville | Go Films - Nicole Robert La Bolduc - François Bouvier | Les Films Christal | Caramel Films - Valérie d'Auteuil, André Rouleau La Chute de l'empire américain - Denys Arcand | Les Films Séville | Cinémaginaire - Denise Robert La Course des tuques - Benoit Godbout et François Brisson | Les Films Séville | CarpeDiem Film & TV - Marie-Claude Beauchamp La disparition des lucioles - Sébastien Pilote | Les Films Séville | ACPAV - Marc Daigle, Bernadette Payeur
IRIS HOMMAGE Iris Hommage
Sera annoncé ultérieurement
FILM S'ÉTANT LE PLUS ILLUSTRÉ À L'EXTÉRIEUR DU QUÉBEC Iris du Film s'étant le plus illustré à l'extérieur du Québec
La Chute de l'empire américain - Denys Arcand | Cinémaginaire - Denise Robert Cielo - Alison McAlpine | Errante Producciones - Paola Castillo | Second Sight Pictures - Alison McAlpine La Course des tuques - Benoit Godbout et François Brisson | CarpeDiem Film & TV - Marie-Claude Beauchamp La disparition des lucioles - Sébastien Pilote | ACPAV - Marc Daigle, Bernadette Payeur Eye on Juliet - Kim Nguyen | Item 7 - Pierre Even
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goalhofer · 2 years
Conversation
U.S. Daily Low Temperature Records Tied/Broken 4/11/22
Bald Mt. Summit, California: 26 (previous record 31 2018)
Unincorporated Butte County, California: 38 (also 38 2009)
Eldorado National Forest, California: 21 (previous record 24 1991)
Unincorporated Fresno County, California: 42 (also 42 1993)
Unincorporated Lake County, California: 29 (previous record 30 1998)
Unincorporated Lassen County, California: 18 (also 18 1991)
Mt. Zion summit, California: 34 (previous record 37 2018)
Unincorporated Placer County, California: 20 (previous record 24 1991)
Plumas National Forest, California: 25 (also 25 1997)
Round Mt. summit, California: 20 (previous record 21 1991)
Unincorporated Santa Barbara County, California: 28 (previous record 29 2001)
Santa Rosa, California: 41 (also 41 1993)
Unincorporated Shasta County, California: 31 (previous record 33 1999)
Tolyabe National Forest, California: 3 (also 3 1991)
Unincorporated Yuba County, California: 31 (also 31 2010)
Unincorporated Polk County, Florida: 47 (also 47 1973)
Wauchula, Florida: 40 (previous record 41 1996)
Kohala, Hawaii: 42 (also 42 2007)
Unincorporated Blaine County, Idaho: 15 (also 15 1999)
Unincorporated Caribou County, Idaho: 16 (previous record 18 1991)
Unincorporated Elmore County, Idaho: 17 (also 17 1991)
Unincorporated Lemhi County, Idaho: 11 (also 11 2021)
Unincorporated Oneida County, Idaho: 17 (previous record 21 2021)
Pierce, Idaho: 16 (previous record 18 2021)
Sawtooth National Forest, Idaho: 9 (also 9 1993)
Unincorporated Valley County, Idaho: 20 (also 20 2021)
Unincorporated Washington County, Idaho: 27 (also 27 2021)
Alberton, Montana: 20 (also 20 2021)
Havre, Montana: 10 (previous record 11 1997)
Missoula, Montana: 20 (also 20 1940)
Unincorporated Elko County, Nevada: 1 (previous record 16 1980)
Unincorporated Elko County, Nevada: 16 (previous record 17 1991)
Unincorporated Elko County, Nevada: 24 (also 24 1991)
Unincorporated Eureka County, Nevada: 16 (previous record 17 1991)
Fox Mt. summit, Nevada: 14 (also 14 1991)
Unincorporated Humboldt County, Nevada: 14 (previous record 20 2007)
Unincorporated Humboldt County, Nevada: 22 (previous record 23 2021)
Unincorporated Sandoval County, New Mexico: 26 (previous record 27 2001)
Calvert Peak summit, Oregon: 24 (previous record 25 2021)
Unincorporated Jackson County, Oregon: 26 (previous record 29 1998)
Unincorporated Jefferson County, Oregon: 22 (previous record 23 1997)
Unincorporated Josephine County, Oregon: 25 (previous record 26 1991)
Unincorporated Lane County, Oregon: 29 (previous record 31 2021)
Unincorporated Lane County, Oregon: 31 (also 31 1986)
Unincorporated Marion County, Oregon: 0 (also 0 2021)
Onion Mt. summit, Oregon: 22 (previous record 23 1993)
Portland, Oregon: 31 (previous record 34 2021)
Rogue River-Siskiyou National Forest, Oregon: 27 (also 27 1993)
Saddle Mt. summit, Oregon: 27 (previous record 28 2021)
Santiam State Forest, Oregon: 25 (also 25 2021)
Silver Butte summit, Oregon: 24 (previous record 25 2021)
Unincorporated Wasco County, Oregon: 26 (previous record 27 2021)
Willamette National Forest, Oregon: 21 (previous record 24 2021)
Andrews, South Carolina: 33 (also 33 1996)
Mt. Juliet, Tennessee: 34 (also 34 2018)
Kodachrome Basin State Park, Utah: 18 (also 18 1999)
Uintah, Utah: 25 (also 25 1997)
Concrete, Washington: 31 (also 31 2021)
Deer Mt. summit, Washington: 23 (previous record 25 2021)
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if-you-fan-a-fire · 3 years
Photo
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“Fire Damage $100,000,” Toronto Star. March 11, 1932. Page 2. ---- Fire that destroyed the modern Kneider business block in Dunnville yesterday did damage estimated at $100,000. Chainway Store where heaviest damage was done is shown in (1). Marion Calvert (3), telephone exchange operator, was warned by a short circuit that something was amiss. Arousing the firemen and provincial police, she was instrumental in saving the business section of the town. Percy Kelegian (2) and C. Kneider (4) were attempting to save a costly radio from the Kneider store when the floor supports gave way. They jumped to safety.
0 notes
demonolauren · 2 years
Text
Tanner & Lauren’s Wedding
Knights of Columbus
63 Seward Ave, Port Jervis NY
7 PM - 6 AM
Theme: Night Club
Dress According to The Theme, Please
We Will Keep You Updated!
Invited Guests +1 (Please feel free to Bring a Date)
“When 2 or more gather in My Name, there am I with them.” -Bible Verse
1. Donald Smith
2. Rob Marion
3. Chris Calvert
4. Alex Gordon
5. Scott Ryerson
6. Ruscher Twins
7. Curtis Stroman
8. Chris Snyder
9. Jesse Clemente
10. Jimmy & Timmy Mills
11. Jenn Millman
12. Gerrod Degraw
13. Chris Boria
14. Alex McKeon
15. Jose Serrano
16. Brendt Pantley
17. Joshua Millman
18. Randy Bayo
19. Jordan Moy
20. Neal Sutera
21. Matt Ruscher
22. Joshua Lovelace
23. James Ricciardi
24. Andrew Amerault
25. Bobby Jakubowski
26. Charles Cable
27. Brian Vasilev
28. Bryan Kizer
29. Nicole Prunka
30. Al Conklin
31. Tricia Hess
32. Caleb Russell
33. Dan Curreri
34. Trebor Simonson
35. Adam Masters
36. Eric Cummings
37. Chris Dougherty
38. Harold Hoyt
39. John Henry
40. CJ Mantz
41. Joshua Ogradnick
42. Kawecki Sisters
43. John Vorhees
44. Alexandra Vega
45. Chris Vasilev
46. Dustin Gochenour
47. Roxan “Sissy” Simonson
48. Megan Nason
49. Lauren Goff
50. TJ Suchoruki
51. TJ Oscapinski
52. Brian Sites
53. Ashley Anderson
54. Andrew Burkett
55. Rebecca Hill
56. Owen Tate
57. Jessica Amato
58. Tyler Campbell
59. Billy Acton
60. Nikki Natale
61. Katrina Neathery
62. Nicole Lamboy
63. Kristin Senkiew
64. Curt Kanitz
65. Alex Klenck
66. Jordan Young
67. Heather Davenport
68. Chris Ricciardi
69. Lacey Dimarsico
70. Mike Orrego
71. Mike Phillips
72. Danielle Brandigee
73. Matt (The Hippie Out-of-Towner)
74. Benjamin Knoble
75. John Gleason
76. Zack Shaffer
77. Anthony Ramirez
78. Paul Miglino
79. Janel Keys
80. Matt Lemke
81. Jeff Vicharello
82. Alysia Cawley
83. Derek Ricciardi
84. Ashlee Carver
85. Joshua Adams
86. Sean Asam
87. Noah Knesel
88. Anthony Latini
89. Chris Latini
90. Danny Miglionico
91. Danny Cox
92. Joe Serrano
93. Derek Abrahamson
94. Kurt Abrahamson
95. Ryan Talmadge
96. Alyssa Cappiella
97. Jessica Nivens
98. Nick Sorenson
99. Tyler Campbell
100. Bennie, Binghamton NY
101. Dimon, Binghamton NY
102. Eddie, Middletown NY
103. Harley, Middletown NY
104. Brian Lopez
105. Patrick Rogers
106. Kalyn DeMono
107. Amanda Conklin
108. Keith Cawley
109. Ryan Delphos
110. Anthony Pinzone
111. G, Middletown NY
112. Nina, Middletown NY
113. Black, Middletown NY
114. Shadelle, Middletown NY
115. Ricky, Middletown NY
116. Brandon Benson
117. Mike Mineau
118. Ryan Mead
119. Jeremy Talmadge
120. Matt Dloughy
122. Adam Weingartner
123. David Gaines
124. Amanda Shoemaker
125. Lisa Dougherty
126. Brett, Middletown NY
127. Jesse Kalin
128. Kevin Rifflard
129. Tanner’s Family
130. My Sons
131. My Daughters
132. The Fathers of My Sons
133. The Fathers of My Daughters
134. Punk Rocker Stalkers
135. Glen Spey !!
136. Your Ma
137. Your Pops
138. Your Brothers
139. Your Sisters
140. Your Family
141. The DeMono Family
142. Don Nardone & Family
143. Ralph Cardinale & Family
144. Ralph DeMono & Family
145. Griffin Raap
Please Be Respectful or Do Not RSVP
—Thank You in Advance for Celebrating
Tanner & Lauren’s Marriage with Us !!—
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wutbju · 3 years
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John Richard Calvert, 77, of Ooltewah, passed away on Tuesday, June 22, 2021.
In 1961, he graduated from Lincoln High School in Ellwood City, Pa. He obtained a degree in Chemistry from Bob Jones University; and John was employed and retired from E.I. Dupont after 26 years.
John was a member of Berean Baptist Church in Hixson, where he served as a deacon and trustee, was active in the choir, and served on the board for Berean Academy.
He was an avid gardener and loved fishing in Alaska.
John was preceded in death by his father, Marion Calvert, and his Mother, Grace Calvert.
He is survived by his wife of 56 years, Carol Lee Calvert; son, John (Laura) Calvert, Jr.; daughter, Rebecca (Deane) Webb; six granddaughters, Tori Calvert, Juliana Calvert, Sarah Webb, Katelynn Calvert, Ashlyn Webb, and Meagan Calvert; two sisters, Roberta Hermann, and Bonnie Gregory; two brothers, George Calvert, and Dan Calvert; his aunt, Carolyn Hazen; and several nieces and nephews.
Funeral services will be conducted from the North Chapel of Chattanooga Funeral Home on Friday, June 25, at 11 a.m. Entombment will follow in Hamilton Memorial Gardens. The family will receive friends from 5-8 p.m. on Thursday, and Friday, from 10 a.m. until service time at North Chapel.
Arrangements are by the North Chapel of Chattanooga Funeral Home, Crematory, and Florist, 5401 Highway 153, Hixson, Tn. 37343.
Please share your thoughts and memories at www.chattanooganorthchapel.com.
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irlsophielindsay · 3 years
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WOMENS HISTROY SHEET: 5 HOURS
Below are the 20 women I have researched and collated into the spreadsheet. I put in the women's names, my initials, their area of work, year of birth and death, a link to an article, a link to an image of the women and then the text edits we were to do. There are two rows at the end that get a green box if they have looked the text over and is okay, the other green box is whether the photography students have done the image edit of the women. This sheet took 5 hours to work on. I ran into a lot of complications with the information jumping to random areas of the sheet and some edits disappearing too. I had to retype the information in 3 times because of this. Because of my Wi-Fi having so many complications, the spreadsheet froze before it saved twice, which lead me to have to refresh the page and lose my progress. 
1-5: Margaret Calvert, Nanna Ditzel, Aino Aalto, Lady Anne Clifford, Sophia Hayden
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6: Marion Mahony Griffin
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7-10: Swoon/ Caledonia Curry, Anne Whitney, Vinnie Ream, Augusta Savage
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11-13: Claude Lalanne, Dorothy Draper, Judith Schaechter
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14-16: Joan Mitchell, Lotte Reiniger, Suzanne Belperron
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17-20: Sonia Rykiel, Stella McCartney, Zaha Hadid, Norma Merrick Sklarek
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