#Matt Cochrane

[letterboxd-loggd]

Boston Strangler (2023) Matt Ruskin

May 4th 2024

[moviemosaics]

Boston Strangler

directed by Matt Ruskin, 2023

[genevieveetguy]

How am I supposed to get experience when you won't give me a shot?

Boston Strangler, Matt Ruskin (2023)

[movienized-com]

Boston Strangler (2023)

Boston Strangler (2023) #MattRuskin #KeiraKnightley #DavidDastmalchian #CarrieCoon #RobertJohnBurke #RoryCochrane Mehr auf:

Jahr: 2023 (März) Genre: Krimi / Drama / History Regie: Matt Ruskin Hauptrollen: Keira Knightley, David Dastmalchian, Carrie Coon, Robert John Burke, Rory Cochrane, Alessandro Nivola, Chris Cooper, Morgan Spector, Jon Lindstrom, Mellanie Hubert, Kris Sidberry, Greg Vrotsos, Richard O’Rourke, Ivan Martin… Filmbeschreibung: Die US-Ostküste im Juni 1962: Im Bundesstaat Massachusetts werden…

[watchingalotofmovies]

Boston Strangler

Boston Strangler    [trailer]

A reporter becomes the first journalist to connect the Boston Strangler murders. As the mysterious killer claims more and more victims, she attempts to continue her investigation alongside a colleague, yet the duo finds themselves stymied by the rampant sexism of the era.

The movie that comes to mind is Zodiac. It's not as exhaustive as that one, but it's also about how difficult investigations can be in real life. I enjoy movies that show that.

The film adds another layer by describing how, besides trying to solve the already complicated case, the two women had to fight to be taken seriously by colleagues and institutions.

As for the case itself, while the movie seems to take some factual liberties, it's still a hard to believe story.

[louisupdates]

FITFWT23: LOS ANGELES RECAP

Concert number: 21

Date: 30 Jun 2023

Place: THE HOLLYWOOD BOWL

Capacity: 17,500

Venue: [x] [jdelf] [edison lo] [matt vines] [cornishman_on_tour] [oli crump] [oli crump]

Livestream [1, 2, 3, 4], [partial] [partial] [complete]

Louis’ IG post, two days in a row

LTHQ Twitter and Instagram [x]

Concert Group Picture

Fashion: Adidas x Wales Bonner track jacket, Stone Island jacket for Hollywood Bowl ad

Lithograph

Openers: Andrew Cushin, The Snuts

Setlist

Photos: [HQ] [smiling HQ] [HQ] [HQ] [HQ armpit] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [HQ] [orange HQ] [HQ] [b&w HQ] [HQ] [sweaty b&w] [rainbow x] [baby] [wide] [wide] [wide purple] [wide blue] [blue BACK] [purple] [armpit] [biceps] [mesh tank] [transparent mesh tank] [krystle] [x] [arms up] [hot] [waist] [x] [x] [blue silhouette] [uh] [HQ][barricade] [x] [gifs] [smiling gifs] [helen seamons] [x] [with jacket] [Oli’s GO TOMMO GO sign] [x] [sweet] [x] [glitch]

Videos: [x] with more photos

Speeches: Look at the fucking venue we’re in! Hollywood Bowl, it’s been a fucking dream to play here tonight; Spark your joints; This might be the only time I play Hollywood Bowl; lad Freddie; I’m knackered

Outro: California Love by 2Pac ft Dr. Dre & Roger Troutman

Press: greatergoodmusiccharity, ladreamcenter, ascribemagazine, ascribemagazine, unpublishedzine

Trends: [x]

Hollywood Bowl video, Louis’ quote, Joshua Halling IG, exclusive merch, Louis promo at a Hozier concert, Louis follows Jack Cochrane of The Snuts. Greater Good Music posted about Louis’ donation to decrease hunger.

[sugdenlovesdingle]

Re books req, are you wanting happy/romantic ala Red White and Royal Blue?

Boyfriend Material by Alexis Hall is a great book. There is also a sequel called Husband Material and the 3rd and final installment called Father Material will be out next year

I also liked one called The Charm Offensive by Alison Cochran it's in the same vein as the others. But again super cute read.

If you're wanting something a little meatier or heavier Fellow Travelers by Thomas Mallon will break your heart in pieces but it was a genuinely good book.

happy romantic is good but I'm open to anything! I've seen Boyfriend Material pop up on Amazon in the "people who bought this also bought this" for RWRB. That looked good. And I think I've come across The Charm Offensive too.

And isn't Fellow Travelers a tv show with Matt Bomer and Jonathan Bailey now too? I've seen gifs on here and people crying over their broken heart

Thanks for the recs! I'll definitely check them out!

[benandstevesposts]

The country singer Ty Herndon tied the knot with Alex Schwartz on Saturday in an outdoor ceremony in Chapmansboro, Tennessee.

Star-Studded Lineup For The Grooms.

The wedding was directed by Herndon’s longtime friend Bonnie Hadden, who runs his fan club, and officiated by Melissa Greene, a former member of the contemporary Christian band Avalon. Groomsmen included former Avalon member Michael Passons, Herndon’s manager and former GLAAD VP Zeke Stokes, and Herndon’s longtime producer and guitarist Erik Halbig. 

Special Guest and Performers Present. Plus the food!

There were musical performances by Anita Cochran, Matt Bloyd, Jamie Floyd + Jimmy Thow, and Shelly Fairchild throughout the event.

When it came to food, Herndon says they wanted a "southern feast" for guests. Al’s Diner and Deli in Nashville catered the plated dinner, which included chicken, pork, macaroni and cheese, mashed potatoes, green beans, and salad with iced tea.

The couple’s cake was a three-tier with almond butter creme and blueberry lemon tiers, created by Ivey Cake in Nashville. Plus, an ice cream bar and a chocolate station. 

Ahead of the couple's nuptials, Herndon said he couldn't wait to celebrate with their closest friends and family and feel the "love that folks are bringing from all across the country and around the world to be a part of our special day.”

Herndon and Schwartz also honored family special family members during the day.

Herndon says ––– “My father has been deceased for a long time, so we had a beautiful photo of him on a table alongside Alex’s baby brother, who passed away.”

Click here to get the complete scoop on the couple's wedding.

[twittercomfrnklin2001-blog]

Maestro

Remember the old Hollywood composer biographies. They had terrible, usually fraudulent scripts, but they also had rafts of guest stars showcasing the subjects’ works. Sure, you had to slog through some terrible writing, but you were rewarded by hearing Judy Garland sing or watching Gene Kelly or Ann Miller dance or catching some hot jazz from Lena Horne or Hazel Scott. The only attempt to do anything like that recently was DELOVELY (2004), which had some good musical guests (and a few clinkers; if you did to Sheryl Crow what she did to Cole Porter you’d be on death row). When Nick Blaemire and Mallory Portnow, as Adolph Green and Betty Comden, gave out with a spirited rendition of “Carried Away” from ON THE TOWN in Bradley Cooper’s MAESTRO (2023, Netflix), I kept wishing he’d made the film in that mold. Cooper is a good director, but his script, written with Josh Singer, does him a terrible disservice. It lurches through history and somehow leaves out a lot of the character motivations, while occasionally stooping to rank cliches. When Cooper’s Bernstein and his wife, Carey Mulligan as Felicia Montealegre, fight, she says his conducting comes out of hate, not love. After they’ve become estranged, she attends his performance of Mahler’s 2nd and says, “There is no hate…there is no hate in your heart.” Why? What’s changed? Is it because he’s had a few years of good loving from his assistant (Gideon Glick, who sadly comes across as just a boytoy instead of the accomplished musician Tommy Cochran was)? Or is she lying so he’ll go with her when she undergoes cancer testing? Who knows? The writing would be a lot easier to forgive, and they might have to cut some of the repetition, if they’d throw in some good numbers. Imagine Annaleigh Ashford belting out “Swing” from WONDERFUL TOWN or Isaac Powell singing “Something’s Coming” from WEST SIDE STORY or June Gable doing “I Am Easily Assimilated” from CANDIDE instead of just appearing as an in joke to ask how to pronounce Spanish she had delivered expertly in the show’s 1974 revival.

What’s harder to forgive is the way the film seems to demonize Bernstein’s sexuality. He jumps from lover Matt Bomer’s bed to courting Mulligan in what feels like a heartbeat and then heartlessly introduces the two as if they should be happy to share him. And treating Glick’s character as just his boyfriend reduces a relationship founded in respect and artistic creation to lust. I get the point that Bernstein was a hedonist who gave in to all of his appetites (Cooper rarely has a cigarette out of his mouth), but the film focuses so much on how he does his wife dirt, it probably should have been called VICTIM.

Anyway, Cooper makes some strong directorial choices when the script isn’t getting in the way. At the start, Bernstein learns he’s to conduct the New York Philharmonic for the first time — the concert that made his name — and runs jubilantly from his bedroom into the auditorium as the score to ON THE WATERFRONT plays. At the premiere of MASS, the camera pans over Bernstein’s box, with Glick, Cooper and Mulligan capturing their different reactions to the music and their personal romantic triangle. Mulligan is incandescent as Monteleagre. She lives the role so completely you may not notice how underwritten it is. Cooper tries, but in contrast, he seems just to be a voice and makeup job. He never disappears into the character. The only supporting cast members who gets any chance to register are Bomer and Sarah Silverman as Bernstein’s sister. For the rest, the film is dismally underpopulated despite having actors playing major figures in Bernstein’s life and American arts.

[lunarserpentlibrary]

Telezma Tarot 1st edition Acquired 2022

Created by Tara Cochrane Published by Tara Cochrane (Indie) 78 card deck Thoth inspired 90x146mm 400gsm (coreless?), stiff, matte finish Includes gold gilding, bound guidebook

[samplingsofsam]

KFC 'BBQ SEASON' from Sam Pilling on Vimeo.

British summertime is here in all it's glory - but come rain, or indeed more rain... the new Ultimate BBQ Burger from KFC gives you all the inner sunshine!

Starring: KATLO with Georgia Valentino, Brigid Lohrey and Ezra Elliott

Agency: Mother London ECD: Martin Rose CD: Mico Toledo Creative: Dom Nazeri Agency Producer: Jenny Fan Production: Magna Studios MD: jsorton Director: Producer: Neil Andrews DP: Harry Wheeler Steadicam: Matt Allsop Production Designer: Kave Quinn Casting: Kharmel Cochrane Choreographer: Charlie Mayhew Wardrobe: BRATSK HMU: Sophie Scott 1st AD: Rob Blishen Locations: Humphrey Milles Production Manager: Fran PA: Hayley West Rain: SVFX Rain SFX Supervisor: Richard Vanessa Den Burgh Wires: Matt Sherran Focus: Phil Heron Key Grip: Pete Olney Gaffer: Andy Mac Playback: Nick Barber Sound: Paddy Owen Edit: Ellie Johnson at Tenthree Editing VFX: Black Kite VFX Supervisor: Tito VFX Lead: Paul Wilmot VFX Producer: Jade Denne Colourist: Tom Mangham Music: Michael McDonald ‘I Keep Forgetting’ Sound Design: Sam Robson at No.8 Stock: Kodak Scans: Cinelab

[thornyrose463]

Opening Night (Cobra Kai one-shot)

This is a Cobra Kai (Netflix series) one-shot. The gifs are not mine. I found them here on tumblr. All credit goes to the rightful owners.

Summary: Nina Hale is a senior at West Valley High School. She is friends with Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine. She has been cast as Lucy Harris in the school’s production of Jekyll & Hyde: The Musical.

Rating: T

Warning: Swearing

Cast

Xolo Maridueña as Miguel Diaz

Mary Mouser as Samantha “Sam” LaRusso

Tanner Buchanan as Robert “Robby” Keene

Peyton List as Tory Nichols

Jacob Bertrand as Eli “Hawk” Moskowitz

Hannah Kepple as Moon

Gianni DeCenzo as Demetri Alexopoulos

Annalisa Cochrane as Yasmine

Matt Cornett as Jason Gilbert

Olivia Rose Keegan as Nina Hale

Author’s note

There are some things you need to know before you read this one-shot.

This one-shot isn’t set in a particular season, but the characters are in their senior year at West Valley High School, with the exception of Robby, who is working on getting his G.E.D., and Hawk has a blue mohawk.

Whether or not West Valley High School has a drama club is unknown, but it does in this one-shot.

Robby and Tory left Cobra Kai and joined Daniel and Johnny’s combined dojo. They are friends with Miguel, Sam, Hawk, Moon, Demetri, and Yasmine.

Miguel is dating Sam. Robby is dating Tory. Hawk is dating Moon. Demetri is dating Yasmine.

Nina Hale and her boyfriend, Jason Gilbert, were seniors at West Valley High School. They were friends with Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine.

Nina and Jason didn’t do karate. They were members of the drama club at West Valley High. They joined the club in sophomore year. They started dating a few weeks after joining the club.

The drama club was putting on a production of Jekyll & Hyde: The Musical.

The musical was set in 19th-century London, but because some members of the cast didn’t know how to do British accents, the director had told everyone to speak in their normal voices. The song Bring on the Men had to be replaced with the song Good 'N' Evil, as Principal Lopez considered Bring on the Men to be too risqué for a high school production. Most of the budget went to the music, the sets, and the lighting, so the costume designer didn’t have money for corsets.

Jason was playing Henry Jekyll and his alter ego, Edward Hyde. Nina was playing Lucy Harris. The other students who had auditioned for the musical were playing the rest of the characters.

Anyone from the Valley could watch the musical, as long as they purchased a ticket. Tickets could be purchased on West Valley High’s website and at various stores in the Valley.

On the opening night of the musical, Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine walked into the auditorium at West Valley High and found their assigned seats.

Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine were in the fourth row.

The director of the musical appeared on the stage. She was the drama teacher at West Valley High. She ran the drama club.

“Good evening, everyone. Welcome to the opening night of Jekyll & Hyde: The Musical. Thank you for being here. Enjoy the show!”

The audience applauded.

The director walked off the stage.

The lights in the auditorium turned off. The curtains opened. A white spotlight turned on, and the show began.

A few minutes after the show began, the white spotlight turned off, the curtains closed, and the lights in the auditorium turned on. The director appeared on the stage and told the audience that there would be a 15-minute intermission. The audience gathered in the lobby.

The intermission ended. The audience returned to their seats. The lights in the auditorium turned off. The curtains opened. A white spotlight turned on.

A balcony was in the middle of the stage. Behind the balcony, there was a piece of plywood that was painted and positioned so as to give the appearance of buildings and a street. A window was positioned in front of the wall.

Jason appeared on the stage. "Dearest Lucy…"

Jason was 6 feet tall. He had fair skin and blue eyes. His short, straight brown hair was slicked back and parted to the left. He was clean-shaven. His body was slender but muscular. He was wearing an unbuttoned knee-length black coat, a black vest with a single button in the front, a black necktie, a white dress shirt tucked into black dress pants, and black dress shoes with black laces.

Nina looked at Jason before looking at the floor.

Nina was 5 foot 4. She had fair skin, blue eyes, and a slim build. Her blonde hair reached her chest. It was parted in the middle and styled in barrel curls. She was wearing ankle-length black leather boots that laced up in the front and had low heels and a red dress with a black lace overlay, a sweetheart neckline that turned into off-the-shoulder sleeves, and a floor-length skirt. The neckline showed a hint of cleavage. She had on a light amount of black eyeliner, a light amount of black mascara, and soft brown eyeshadow. Her lips were strawberry red.

“For a moment, I thought you were someone else." Nina said, slightly panicked.

"For a moment, it almost was." Jason made his way to the middle of the stage. "I have some rather sad news, Lucy." He looked at Nina and started to walk towards her. "I have to go away for a while. A friend and I have a little dispute to settle." He looked at the floor and continued to walk. She crossed her arms and looked at the audience. "Are you glad to see me go?"

Nina shook her head and dropped her arms so they were by her side. "No."

Jason shook his head in a way that made him appear quite unsettling. Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine could feel chills running up their spines. “You're lying to me."

Jason picked up a piece of hair that had been on Nina’s shoulder. "I can always tell when you're lying."

"When will you be back?" Nina asked, looking at Jason out of the corner of her eye. He played with the piece of hair and laughed bitterly.

Jason moved to the other side of Nina. "There is no knowing."

"But God help you if you're not waiting for me when I return," Jason sing-songed.

Nina looked at the floor. Jason moved her hair to the side of her neck, and she looked at him slightly. His hands moved up her body to touch her shoulder.

Music started playing.

Nina began to sing.

"I feel your fingers

Cold on my shoulder

Your chilling touch

As it runs down my spine."

Jason’s hands moved up and down the top of Nina’s arms. She looked straight ahead before turning to face him.

"Watching your eyes

As they invade my soul."

Jason’s hands moved down Nina’s arms.

"Forbidden pleasures

I'm afraid to make mine."

Jason’s lips ghosted over Nina’s neck, and his hands held hers tightly, bringing her right one up to her shoulder.

"At the touch of your hand

At the sound of your voice…"

Jason let go of Nina. Her fingers lightly touched his arm.

"At the moment your eyes meet mine…"

Jason moved Nina’s hair from her shoulder so it was resting on her back instead.

"I am out of my mind

I am out of control

Full of feelings I can't define."

Jason wrapped his arms around Nina’s waist, holding her tightly.

"It's a sin with no name," Jason sang.

"Like a hand in a flame," Nina sang.

"And our senses proclaim it's a dangerous game," Jason and Nina sang.

"A darker dream that has no ending." Jason let go of Nina. "That's so unreal, you believe that it's true." He gripped her arm, and she looked at him as she followed him across the stage. She stopped on the other side of the stage, and he walked up a few of the steps on the staircase. "A dance of death out of a mystery tale. The frightened princess doesn't know what to do." He cornered her on the stairs, looking at her harshly. She looked at the floor, slightly panicked.

"Will the ghosts go away?" Jason sang, burying his head in the crook of Nina's neck.

"No!" Nina sang. She sounded scared.

"Will she will them to stay?" Jason sang.

"No!" Nina sang. She sounded scared.

"Either way, there's no way to win," Jason sang.

Nina stumbled away from Jason.

"All I know is I'm lost, and I'm counting the cost. My emotions are in a spin. I don't know who's to blame." Nina walked up the stairs to the balcony, looking behind her to see Jason following her.

"It's a crime and a shame," Jason sang.

"But it's true all the same," Nina sang.

Nina walked backwards across the balcony. Jason caught up with her.

"It's a dangerous game," Jason and Nina sang.

Jason and Nina hit a high note. "No one speaks."

Jason grabbed Nina’s arm and pulled her in front of him.

Jason and Nina hit a high note. "Not one word."

Jason and Nina hit a high note. "All the words are in our eyes."

Jason held Nina tightly.

Jason and Nina hit a high note. "Silence speaks."

Jason and Nina hit a high note. "Loud and clear."

Nina walked away from Jason slightly.

Jason and Nina hit a high note. "All the words we don't want to hear!"

Jason and Nina looked at each other before facing the audience.

"At the touch of your hand…"

Jason grabbed Nina’s hand and put it on his neck.

"At the sound of your voice…"

Nina’s hand slowly moved down Jason’s body.

"At the moment your eyes meet mine…"

Jason and Nina turned to face each other. Her hands cupped his cheeks as she walked further along the balcony.

"I am losing my mind

I am losing control

Fighting feelings I can't define."

Nina let go of Jason and walked away, looking at the floor, slightly panicked.

"It's a sin with no name," Nina sang.

Jason slowly followed Nina.

"No remorse, and no shame. Fire, fury, and flame," Jason sang.

Nina hit a high note. "'Cause the Devil's to blame!"

Jason and Nina hit a high note. "And the angels proclaim…"

Jason was standing behind Nina. She was facing away from him. He grabbed her waist and turned her around. They took a deep breath before singing the final line. "It's a dangerous game."

Nina moved backwards slightly. Jason's hand went to the back of her neck and pulled her into a kiss. She pulled away a few seconds later. They walked off of the stage. Once they were backstage, they could hear the audience cheering.

Tory looked at Robby and whispered, “They’re really good.”

Because she was the newest member of Robby’s friend group, this was Tory’s first time watching something performed by the drama club.

Robby nodded in agreement. “Yeah,” he whispered.

A few minutes passed.

The stage was empty.

Jason stood on the side of the stage, a white spotlight shining down on him as he looked at the floor.

Jason was wearing a brown vest with a single button in the front, a white dress shirt tucked into brown dress pants, and brown dress shoes with brown laces.

Music started playing.

Jason began to sing.

"It's over now

I know inside

No one will ever know the sorry tale of Edward Hyde and those who died

No one must ever know

They'd only see the tragedy

They'd not see my intent

The shadow of Hyde's evil would forever kill the good that I had meant

Am I a good man?

Am I a mad man?

It's such a fine line between a good man and a..."

A red light appeared in the middle of the stage, and Jason walked towards it, the white spotlight following him.

Jason hunched forward, a shadow appearing behind him. There was a transparent curtain between him and the audience.

"Do you really think that I would ever let you go?" Jason sang.

Jason hit a high note. "Do you think I'll ever set you free?"

"If you do, I'm sad to say it simply isn't so," Jason sang before quickly turning right.

Jason hit a high note. "You will never get away from me!"

The white spotlight reappeared, and Jason stood up straight.

"All that you are is a face in the mirror. I close my eyes, and you disappear," Jason sang.

The light turned red, and Jason hunched forward, a shadow appearing behind him.

"I'm what you face when you face in the mirror. As long as you live, I will still be here," Jason sang.

The white spotlight reappeared, and Jason stood up straight.

"All that you are is the end of a nightmare. All that you are is a dying scream," Jason sang.

Jason hit a high note. "After tonight, I shall end this demon dream."

The next time the light turned red, Jason looked like he was dragged back into a hunching position as the shadow appeared behind him.

"This is not a dream, my friend, and it will never end!" Jason sang.

Jason hit a high note. "This one is the nightmare that goes on!"

Jason quickly turned the other way.

"Hyde is here to stay, no matter what you may pretend," Jason sang.

Jason hit a high note. "And he'll flourish long after you're gone!"

The white spotlight reappeared, and Jason stood up straight.

"Soon, you will die, and my memory will hide you. You cannot choose but to lose control," Jason sang.

The light turned red, and Jason hunched forward, a shadow appearing behind him.

"You can't control me! I live deep inside you! Each day, you'll feel me devour your soul!" Jason sang.

The white spotlight reappeared, and Jason stood up straight.

"I don't need to survive, like you need me. I'll become whole as you dance with death," Jason sang.

Jason hit a high note. "And I'll rejoice as you breathe your final breath!"

The light turned red, and Jason hunched forward, a shadow appearing behind him.

Jason hit a high note. "I'll live inside you forever!"

The white spotlight reappeared, and Jason stood up straight.

"No!" Jason screamed.

The light turned red, and Jason hunched forward, a shadow appearing behind him.

Jason hit a high note. "With Satan himself by my side!"

The white spotlight reappeared, and Jason stood up straight.

"Noooo!" Jason screamed. His hand reached up desperately, like he was trying to hold on to the good side of him, but it was no use. He was literally dragged back down, and the shadow was now looming over him and the audience.

Jason hit a high note. "And I know that now and forever, they'll never be able to separate Jekyll from Hyde!"

Jason was standing up straight again. His hand was in his hair.

"Can't you see it's over now? It's time to die!" Jason yelled desperately, looking around him.

"No, not I! Only you!" Jason yelled.

"If I die, you'll die too!" Jason yelled.

Jason was quickly hunched over again.

"You'll die in me. I'll be you!" Jason yelled.

"Damn you, Hyde! Leave me be!" Jason yelled, voice shaking. He was very good at expressing how desperate Jekyll was.

"Can't you see? You are me!" Jason yelled.

"Nooo!" Jason screamed. "Deep inside…"

"I am you! You are Hyde!" Jason yelled.

"No! Never!" Jason yelled desperately.

"Yes! Forever!" Jason yelled evilly.

"God damn you, Hyde! Take all your evil deeds, and rot in Hell!" Jason yelled angrily.

"I'll see you there, Jekyll," Jason sneered before standing up straight again. The light flashed white before going back to red, and then the shadow slowly appeared until the stage became enveloped in darkness.

The curtains closed, and the audience cheered.

Hawk looked at Demetri and whispered, “That was fucking awesome.”

After the curtain call, Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine met up with Nina and Jason in the lobby.

Nina and Jason had changed out of their costumes.

Moon smiled and pulled Nina and Jason into a hug. “Hey. Great job, you two!”

“Thanks.” Nina and Jason said.

Miguel smiled at Nina and Jason. “Hey. You were awesome.”

“Thanks.” Nina and Jason said.

Sam smiled at Nina and Jason. “Hey. You were really good.”

“Thanks.” Nina and Jason said.

Robby smiled at Nina and Jason. “Hey. You were awesome.”

“Thanks.” Nina and Jason said.

Tory smiled at Nina and Jason. “Hey. You did a great job.”

“Thanks.” Nina and Jason said.

Hawk smiled at Nina and Jason. “Hey. You were awesome.”

“Thanks.” Nina and Jason said.

Demetri smiled at Nina and Jason. “Hey. You did a great job.”

“Thanks.” Nina and Jason said.

Yasmine smiled at Nina and Jason. “Hey. You were really good.”

“Thanks.” Nina and Jason said.

“We’re going to go get some milkshakes. Do you want to join us?” Miguel asked Nina and Jason.

Nina and Jason nodded.

Nina and Jason followed Miguel, Sam, Robby, Tory, Hawk, Moon, Demetri, and Yasmine out of the school.

THE END

[kunesfilmproduction]

Three - Phones Are Good from Ian Pons Jewell on Vimeo.

Production: Friend London Director: Ian Pons Jewell Executive Producer: Luke Jacobs Producer: Jon Adams Director of Photography: Mauro Chiarello Production Designer: Mark Connell Costume Designer: Ameena Callender Service Company: Radioaktive Film Casting: Kharmel Cochrane Storyboard: Oliver Harud

Agency: Wieden + Kennedy London Creative Director: Hollie Walker Creatives: Tom Bender, Tom Corcoran Executive Creative Directors: Iain Tait, Tony Davidson TV Producer: Richard Adkins TV Production Assistant: Aran Patterson

VFX: Time Based Arts VFX Supervisor: James Allen VFX Head of Production: Josh Robinson VFX Production Assistant: Sean Ewins Lead VFX Artist: Luke Todd Flame Artists: Matt Jackson, Leo Weston, David Birkhill, Stephen Grasso, Jamie Crofts Nuke Artists: Leandro Vazquez, Matt Shires, Bernardo Varela, Sarah Breakwell, George Cressey, Ralph Briscoe, Manolo Perez CG Artists: Oscar Diez, James Spillman, Mike Battcock, Jon Park, James Mann, Nigel Timms, Daniel Davie, Gareth Bell, Cesar Eiji Nunes, David Loh, Michael Hunault, Federico Guzzardo, Florian Mounie, Dan Hope Matte Painters: Lisa Ayla, Sylvie Minois Colorist: Simone Grattarola

Edit: Cut & Run Editor: Ben Campbell Edit Assistant: Chris Hutchings Edit Producer: Ruth Minkley

Sound Company: 750mph Sound Designer: Sam Ashwell, Jake Ashwell Sound Producer: Mary-Ann D’Cruz

Music Supervisor: John Connon @ Mr. Pape

[david-d-levine]

My OryCon Schedule

OryCon 43 is coming, November 10-12 at the Holiday Inn Portland – Columbia Riverfront, and I'll be appearing in the following program events!

NOVEMBER 10 • FRIDAY

4:00pm – 4:50pm: Returning from Hiatus, White Stag

Speakers: Christopher Sebela, David D. Levine, Anthony Pryor You're finally ready to start creating again, but you feel like your creative muscles atrophied. How do you take the shaky first steps? What pressures do you face from yourself and society to suddenly run and catch up?

5:00pm – 5:50pm: Creators in Chaos, White Stag

Speakers: Theresa Reed (M), David D. Levine, Matt Haynes, John M Lovett, Anthony Pryor To be alive is to exist in chaos. There's always something to interrupt. Family, finances, death, disarray. You say, I would make that, but- and most excuses are genuine concerns. How do you prepare for the worst, get organized, and focus enough to create?

NOVEMBER 11 • SATURDAY

11:00am – 11:50am: Beyond One World and One Species, Rm 256

Speakers: Walt Boyes, Mark Niemann-Ross, Manny Frishberg, David D. Levine, G. David Nordley Millennia of diaspora from Old Home Terra would almost certainly produce any number of subvariants of humanity including genetically engineered transhumans and cyborgs. Consider not "the" future of humanity but "the futures" of humanity. Save for a common heritage distant in time, they might be alien species. What might that be like?

12:00pm – 12:50pm: The Sensitive Manly Man, Pendleton

Speakers: Neil Cochrane (M), Steven Barnes, Stoney Compton, David D. Levine, Frog Jones Empathy, reflection, and emotional vulnerability are essential to character growth, but not easy to employ if your protagonist is cut from the patriarchy. How do you give depth and redefine masculinity with today's gender norms evolving?

3:00pm – 3:50pm: David D. Levine Reading & Novel Launch, Flanders

Speakers: David D. Levine David D. Levine discusses and reads from his new novel, The Kuiper Belt Job.

4:00pm – 4:50pm: Science and Speculative Fiction, Lovejoy

Speakers: David D. Levine (M), Alma Alexander, Rhiannon Held/R. Z. Held, Walt Boyes What role does science play in fantasy and horror (as opposed to "hard" science fiction), particularly in light of genre conventions? To what extent can speculative fiction authors and creators play "fast and loose" with science?

NOVEMBER 12 • SUNDAY

2:00pm – 2:50pm: The Concept of "Civility": Needful Myth or Trap?, Pettygrove

Speakers: David D. Levine (M), Andrew M Ross, Andrew Nisbet, Manny Frishberg Definitions of "being civil" span a range in communities with wide world views. How does the idea of "civility" influence writing, art, and media in the sci-fi/fantasy creation community? Does "being civil" limit free expression, or expand it?

[johnbrownnn]

Celtic restored their seven-point lead at the top of the Scottish Premiership with a thumping 4-1 win over Hearts at Tynecastle.The champions made an extremely fast start as Matt O'Riley's fine first-time volley (4) gave them the lead. Celtic were dominant, and they extended their advantage midway through the first half when Daizen Maeda (23) bundled Reo Hatate's cross over the line from inside the six-yard box.The visitors had the chance to make the game safe early in the second half when Kyogo Furuhashi went to ground in the penalty area under a challenge from Alex Cochrane, but Hatate spurned the opportunity, striking his spot-kick against the foot of the post.However, Brendan Rodgers' side did not have to wait too much longer for a third as Kyogo (51) thumped home his eighth goal in eight games against Hearts. There was a glimmer of hope for the hosts, who were booed off at half-time, when Lawrence Shankland (61) ended his eight-game goal drought to pull one back, but Tomoki Iwata's emphatic finish (81) sealed a comprehensive victory for the league leaders, who continue their unbeaten start to the season. More to follow. The goals... Please use Chrome browser for a more accessible video player Matt O'Riley gets on the end of Luis Palma's ball and finishes with a fine strike to give Celtic an early lead against Hearts Please use Chrome browser for a more accessible video player Daizen Maeda latches on to Reo Hatate's cross to slot home from close range to give Celtic a 2-0 lead Please use Chrome browser for a more accessible video player Kyogo finishes from close range to make it 3-0 Please use Chrome browser for a more accessible video player Lawrence Shankland scores for Hearts with a super strike from outside the box Please use Chrome browser for a more accessible video player Tomoki Iwata adds a fourth for Celtic through an incredible strike which cannons off the underside of the crossbar What's next?Celtic host Atletico Madrid in the Champions League on Wednesday October 25, kick-off 8pm. They then return to league action three days later at Hibernian. Kick-off 3pm.Meanwhile, Hearts travel to Rangers on Sunday October 29 at 3pm. Source link

[soylazaro]

Channel 4 "Idents" from ELLIOTT POWER on Vimeo.

Client: Channel 4 Agency: 4creative Production: Art Practice Executive Creative Director: Lynsey Atkin Creative Directors: Mike Skrgatic, Daniel Wolfe, Lynsey Atkin, Bafic

Directors: Elliott Power, Saman Aminzadeh, Optical Arts, Bafic, Mike Battcock, Will Dohrn, Daniel Eatock, Mike Skrgatic and James Allen, Verity May Lane, Maria Lax, The Line, Louis McCourt, Justyna Obasi, The Romantix, Dan Tobin Smith, Daniel Wolfe & Matthew Watson

Voiceover: John Joseph Holt 4Creative

Executive Creative Director: Lynsey Atkin Managing Director: Katie Jackson Executive Producer: Louise Oliver Senior Producer: Lauren Holden Production Manager: Hope Sutherland Junior Producer: Jazz Stradling Channel 4 Chief Marketing Officer: Zaid Al-Qassab Marketing Director: Amber Kirby Head of Brand Transformation: Matt Berry Marketing Lead, Brand Transformation: Simi Murthy Marketing Executive, Brand Transformation: Lana Camp Art Practice x Love Song Creative Director (Art Practice): Mike Skrgatic Creative Director (Love Song): Daniel Wolfe

Executive Producer: James Guy Producer: Bonnie Anthony Production Manager: Julia Guignabel Production Coordinator: Shirley Crawford Production Assistant: Katie Reid

Directors of Photography: Daniel Landin, Eponine Momenceau Moco Supervisor: Simone Tartaglia Moco Operator: Tomi Keeling 1st Assistant Director: Rob Blishen Production Designer: Arthur De Borman Art Directors: Matthew Fraser, Imogen Grant Toner Casting Directors: Kharmel Cochrane, Claire Catterson, Found Casting, Belinda Norcliffe Costume Designers: Hannah Edwards, Bratsk Collective, Ella Lucia Hair & Makeup: Lu Hinton, Ainslie Currie Editor: Fouad Gaber, Trim Editing VFX and Post Production: Time Based Arts Audio Post Production: String and Tins

Time Based Arts

Producer: Chris Aliano 2D Supervisors: Stephen Grasso, Leo Weston, Miguel Wratten CG Supervisors: Mike Battcock, Sam Osborne, Nick Smalley 2D Team: Manolo Perez, Jamie Crofts, Olivia O’Neil, Lucy Lawrence, Valeria Scalamandre, Eleonora Laddago, Bernie Varela, Chris Fraser, Dan Cowley, Tom Robinson CG Team: Ben Cantor, Nigel Timms, Bethan Williams, Ian Baird, Jordan Coles, Maxime Ponsart, Joe Ibbett, Teodora Retegan, Quentin Corker-Marin, Stephen Ross Grading: Max Ferguson Hook, Simone Grattarola

String and Tins 

Audio Post Production: String and Tins Sound Supervisor: Will Cohen Sound Designers: Lawrence Kendrick, Culum Simpson, Jim Stewart, Kaspar Broyd, Adam Smyth, Joe Wilkinson, Adam Hare, Will Cohen, Mike Bamford Music Composers: Will Cohen, Culum Simpson, Adam Smyth, Jim Stewart, Kaspar Broyd, Miink, Cal Swingler, J. Caesar, Matthew Watson, Daniel Freeman, Anthony Moore Music Supervisors: Laura-Leigh Smith and Mike Bamford Audio Producers: Laura-Leigh Smith and Rachel Hough

Optical Arts & Dan Tobin Smith

Founder / Creative Director: Dan Tobin Smith EP / Studio Director: Hannah May Creative Directors: Fabrice Le Nezet, Martin Pryor, Joe Jackson CG team: Nicolas Damour, Flora Macleod Creative Assistant: Minna Griffiths Production Assistant: Stephanie Skarbek

The Line 

Directors: Tim McCourt, Max Taylor Executive Producer: Laura Breaden Producer: Macarena Gaset