#Mbaqanga

[ultimate-word-tournament]

Ultimate Word Tournament!

mačka (Bosnian, Croatian) machka [mât͡ʃka] a cat.

mbaqanga (Zulu) [mɓaˈǃáːŋga] a style of South African music with rural Zulu roots that combines traditional elements (such as chanting and drumming) with elements of modern music (such as jazz).

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Tracklist:

The Boy In the Bubble • Graceland • I Know What I Know • Gumboots • Diamonds on the Soles of Her Shoes • You Can Call Me Al • Under African Skies • Homeless • Crazy Love, Vol. II • That Was Your Mother • All Around the World or the Myth of Fingerprints

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a curated playlist of African hits from the 1970s to the early 2000s. journey through genres like jazz, zouk, highlife, shambo, zilin, gnawa, mbaqanga, jive, and many more. let the melodies transport you to the soul of Africa's rich musical heritage.

enjoy!

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[hontokana]

Jonas Gwangwa - Sounds From Exile Region: South Africa / Style: Mbaqanga / Year: 2001 LIKED

[theparanoid]

Lizzy Mercier Descloux - I'm Liquor

From The Album: Zulu Rock (1984/2006)

[French Pop, Art Pop, Pop Soul, New Wave, Mbaqanga]

[kaeiyokotoro]

Hello here for another request!

Can i request hcs of Al Haitham and Kaveh sharing a s/o who's a dancer? Tysm!

- Rosey anon

"SO,

YOU WANNA

MARRY DAISY?"

note: title is taken from the song "So You Wanna Marry Daisy?" by Spence Hood.( ↓ )

summary : al haitham and kaveh coming to [m/c's] dance practices and helping them with outfits.

ships : kaitham + [m/c].

genre : fluff, comfort.

pronouns used : they/them.

characters used : al haitham, kaveh.

trigger warnings : none.

pov : 2nd[?], 3rd.

extra : lowercase intended. sorry that this might not be as good as my other writings, rosey anon, i don't know much about these two.

words :

characters :

KAVEH

&

AL HAITHAM

kaveh and al haitham seem like the type of people who would spoil you rotten if you did ballet, or just danced in general.

whether it's part of your cultural dances: mbende jerusarema, kabuki, balinese kekak dance, dabke, the haka, the hopak, isitshikitsha, imbube, mbaqanga, amantshomani and amabhiza, etc.

or

hobby dances, like: ballet, hip-hop, ballroom, contemporary, jazz, tap dance, folk dance, irish dance, etc.

they would buy you everything you need.

new ballet or tap shoes? al haitham is on his way with the shiniest pairs of tap shoes, or the most comfortable ballet shoes that are easy for you to break the point of and get more comfortable using.

you need new fits or an outfit sown for your traditional dances? or even a new hip hop outfit so you're more comfortable? kaveh is pulling out a sowing machine and or his wallet just for you.

these two 100% go to all your recitals, nebe missed one of them; they are even there for you when you are bummes out that you didn't win, even if you are a good sport about losing.

the two of them may never get along one on one, but they would sell their soul to have a dance with you, whether it's just you and kaveh, or you and al haitham, they low watching you move so gracefully, it's intoxicating watching you dance so well.

END

a/n : i hope this turned out good for you rosey anon, im not to sure if i got these cultural dances' names right, or even how you break ballet shoes. i tried my best while researching, if im wrong, please correct me. im not a dancer since i play in band and do color guard.

[alice-makes-things]

[Mean Girls Musical Film Adaptation (2024) rant] Probably nobody cares about this except me, but the film version of Stupid With Love is *not* sung by a Cady Heron who truly loves Ladysmith Black Mambazo.

The Broadway cast recording for Mean Girls (2018) is fantastic, and I love the South African Mbaqanga-inspired composition. It's clever, it's funny, and it's in keeping with Cady's character and interests at that point in the story.

2024's version is...lacklustre and boring in comparison. Yes, there's some acapella stuff going on, which does give Ladysmith vibes, but the whole character of the number is off.

Anyway, my whole response is just...

[gerogerigaogaigar]

Jay-Z - The Blueprint

Nobody in their right mind would disagree that this is Jay-Z's best album. Hova is at his peak in terms of rhyme schemes, flow, and confidence. But he's got one more thing in his back pocket that blasts The Blueprint into the stratosphere and that's amazing beats. The production team features a few names that you don't recognize: Bink, Just Blaze, Taskmasters. But Kanye fucking West brings the heat on Takeover, Heart Of The City, and Izzo (H.O.V.A.) and it's the latter of the three that wound up being the lead single and one of Jay-Z's biggest hits. The way that these beats seem to challenge Jay-Z to get even more creative with his rhymes and lyrics is apparent when you hear how he wraps verses around the Jackson 5 sample in Izzo. The Blueprint is one of the best hip hop albums of all time and honestly I think it really does belong in the top 50.

OutKast - Aquemini

The funkiest OutKast album and the one that took them to the top of the charts. The massive hit Rosa Parks shows off all the group's strengths. Andre 3000's complex rhyme schemes contrast with Big Boi's straightforward lyricism tied together with a funky hook and more than a little bit of country influence. The whole album is like that, but Rosa Parks is an exemplary song if you wanna hear what the peak of dirty south hip hop is like.

Bob Marley And The Wailers - Legend

Holy shit c'mon you already had Exodus on this list are you really gonna say that a greatest hits is better than that? Hell half of Exodus is on this fucking comp. I'm gonna start biting soon I swear to god.

Ramones - s/t

This album more than any other wound up being the blueprint for the US punk rock scene. Short, fast and stupid these songs are the perfect teenage rebellion. There is more vibe than meaning and Joey Ramone's vocals are bare comprehensible most of the time anyway. It captures the raw punk rock spirit of aimless rebellion against a world that is alienating.

Paul Simon - Graceland

Graceland may be a Paul Simon album, but it is anything but a solo effort. Every song on the album features significant contributions from a monstrous cast of both South African and American artists. Diamonds On The Soles Of Her Shoes and Homeless heavily feature isicathamiya group Ladysmith Black Mambazo and band leader Joseph Shabalala shares writing credit on both. Bakithi Kumalo's fretless bass permeates the entirety of Graceland and lends a unique cohesive sound to the musically diverse album. The title track is a peak example of South African and American fusion, Simon seeking to make an mbaqanga track, got guitarist Ray Phiri. Phiri was inspired to emulate American folk and country based on the Graceland theme and the result is something that sits perfectly in between, not quite an American folk song and not quite a South African mbaqanga song. There are a diverse cast of non South African musicians here too, Senegalese pop star Youssou N'Dour makes an appearance and American acts The Everly Brothers, Linda Ronstadt, and Los Lobos get to hang. Graceland is an incredibly unique mix of styles, ridiculously catchy, unrelentingly beautiful. It is one of my favorite albums of all time. I listen to it on a monthly basis probably.

Prince - Sign O' The Times

I don't get why Prince isn't considered a queer icon. He changed his name to a symbol that was a mix of male and female gender symbols, his own lesbian band mates called him a "fancy lesbian", he cancelled an entire album because he was scared that his female alter ego was trying to escape and take over his life. Sign O' The Times has a song called If I Was Your Girlfriend. This is such a queer album. It's also funky and super fun and horny as shit. Prince is great.

Nas - Illmatic

East coast hip hop peaked with Illmatic. Nas engages in the tightest internal and multisyllabic rhymes without ever sacrificing clarity of purpose. The beats are sparse and reflect the stark subject matter. There's no bragging, it's actually much more pessimistic than that "Life's a bitch and then you die, that's why we get high, cause you never know when your gonna go" "I never sleep cause sleep is the cousin of death". The lyrics speak of a difficult life with no room for braggadocia. Not only is Illmatic gunning for GOAT of GOATs status, but it is also one of the most destructively influencial albums in musical history. Until Illmatic the most successful hip hop albums were the work of single dedicated producers, but Illmatic features a large production crew. The producers on Illmatic all work well together and there was a concentrated effort to keep the album cohesive, but all imitators saw was a laundry list of famous names and from them on hip hop production teams became bigger and bigger. So every time you hear a completely disjointed album where all the tracks sound like they belong on a different album you can thank Illmatic. Oops.

A Tribe Called Quest - The Low End Theory

Hip Hop and jazz are obviously highly linked genres, and a lot of hip hop artists use jazz samples, but only A Tribe Called Quest would get legendary jazz bassist Ron Carter as a feature. The interplay between rappers Q-Tip and Phife Dawg is pretty much the basis of A Tribe Called Quest's sound and they are at their tightest here trading verses casually and playing point with incredible skill. The production is probably the most meticulous since I reviewed Aja. Every sample has been scrubbed clean until there is no surface noise and the balance of melodic bass lines and punchy drums is unparalleled among hip hop records. The Low End Theory sounds perfectly clean and crisp, every element completely essential and placed perfectly where it belongs. It's an incredibly precise album and the production matches the tight and precise rapping.

Radiohead - OK Computer

Their sophomore record, The Bends, may have been an exquisite piece of alt rock but OK Computer is when Radiohead really started to flex their creativity. Stepping slightly outside of rock they experiment with some electronic sounds while still keeping the songs mostly fairly catchy. No one song is completely experimental or completely mainstream alternative. There's a balance here that is very delicate. Admittedly I think that the completely, unabashedly experimental Kid A is their best work, but there is something to be said for a good catchy hook too.

The Rolling Stones - Let It Bleed

This is the best Stones album by a narrow margin. From the psychedelic anxiety attack of Gimme Shelter to the country rock of You Got The Silver to the heavy blues of Midnight Rambler this has the best variety of any Stones album. Keith Richard's blues guitar solos are the best they will ever get and Mick Jagger really stretches out his vocal chords on the aggressive Monkey Man and the deranged serial killer energy of Midnight Rambler.

[berlysbandcamp]

The story of The Movers began in 1967 when two unknown musicians – the brothers Norman and Oupa Hlongwane – approached Kenneth Siphayi a stylish and wealthy businessman from the Alexandra township to ask if he could buy them musical instruments. In return he would receive a cut from future life shows and record deals. Kenneth, ended up doing much more, becoming their manager, setting them up in a rehearsal space, and introducing them to an organist who would prove to be the missing link in the band’s skeletal sound. He also gave them their name: The Movers … because, as he said, their music was going to move you, whether you liked it or not. The band exploded onto the country’s racially-segregated music scene at the dawn of the 1970s with a sound that applied the rolling organ grooves and elastic rhythms of American soul to songs that came straight from the heart of the townships. Rumours of the band started to spread throughout the country and soon the record labels were sending their talent scouts to the Alexandra township to hear it for themselves. The Movers finally signed to Teal Records in 1969, and their first album, Crying Guitar, went on to sell 500,000 copies within the first three months, launching them into the front rank of South African bands. In their first year they went from local sensations to being the first band of black South Africans to have their music cross over to the country’s white radio stations. Although the first record was entirely instrumental, The Movers started working with different singers soon after – scoring an early hit with 14 year old vocal prodigy Blondie Makhene – and enriched their sonic palette with horns, extra percussion and various keyboards. Their stylistic range also expanded, incorporating elements of Marabi, Mbaqanga, jazz, funk, and reggae into their soul-steeped sound. But the essence of their music came from the almost telepathic connection of its founding members: the simmering organ of Sankie Chounyane, the laid-back guitar lines of Oupa Hlongwane, the energetic bass grooves of Norman Hlongwane and the simmering rhythms of drummer of Sam Thabo. The band reached their apex in the mid-1970s, and their hit ‘Soweto Inn’, sung by Sophie Thapedi, became inseparable from the student revolts that signalled a new resistance to the apartheid government. In 1976, however, their manager was forced out, and their producer started to play a more active role in the band’s direction. By the end of the decade there were no original members left. But at their height The Movers were titans of South African soul who left a legacy of over a dozen albums and countless singles of pure groove. On The Movers 1970–76, Analog Africa presents 14 of the finest tracks from the band’s undisputed peak.

[sugarmusicnews]

Mmalo-We – Bayete & Jabu Khanyile

Mmalo-We – Bayete & Jabu Khanyile The roots of Bayete go back to a band called Jaws which was formed to support mbaqanga stars The Soul Brothers. After various changes in members, they would eventually morph into Bayete and Jabu Khanyile would be their lead vocalist for a period. That period included 1993 when this gentle track, the title cut from their album, would appear. The album would…

[ultimate-word-tournament]

vote mbaqanga! the word literally means "an everyday cornmeal porridge", a name derived from the fact that it was seen as people's "musical daily bread" in a time when the culture and creative expression of black south africans was being heavily suppressed by the country's colonial rulers

huh, very interesting!

[mabriga]

Commemorating The Memory of Lucky Dube

Wednesday October 18th marked 16 years since the untimely demise of one of South Africa’s greatest musical stars, Lucky Dube. In light of this, Gallo Music will pay homage to the musical giant over the next two weeks.  Across a storied 25-year career, Lucky Dube released 22 albums with the aim of conscientising society. Having started out as a Mbaqanga artist, Dube embraced reggae and used his…

[ipodroxo]

álbum: the indestructible beat of soweto

artista: vários

ano: 1985

gênero: mbaqanga, maskanda, mqashiyo, isicathamiya

posição RS500: 497

capa: 4/5

nota: 9/10

música(s) favorita(s): indoda yejazi elimnyama, emthonjeni womculo

música(s) que menos gostei: nenhuma, achei todas ok

destaque(s): mesmo sem saber as letras achei legal

já tinha escutado: nada

comentário: isso aqui com certeza influenciou o vampire weekend, e é um ótimo exemplo de música que não é parte do meu cotidiano, mas não deixa de ser bom.

[latestamapianoo]

The Story of Maskandi: A Unique South African Genre

South Africa is a country renowned for its diverse and vibrant music scene, where a multitude of genres and traditions coexist. Among the rich tapestry of South African music, one genre stands out for its unique sound, deep cultural roots, and enduring popularity: Maskandi. In this article, we will delve into the story of Maskandi, exploring its origins, characteristics, and significance in South African music and culture.

Origins of Maskandi

Maskandi is a traditional Zulu music genre that traces its roots back to the Zulu people, one of South Africa's largest ethnic groups. The genre emerged in the early 20th century as a form of folk music, primarily played on acoustic string instruments. Its name, "Maskandi," is derived from the Zulu word "iskhanda," which means "head," referring to the signature Zulu headgear worn by traditional Zulu men.

Instruments:

Maskandi is characterized by its distinct instrumentation, which includes the guitar, concertina (accordion-like instrument), and the distinctive Zulu bow, known as the "umakhweyana." These instruments create the genre's distinctive sound, blending melodic guitar lines with rhythmic bow playing.

Characteristics of Maskandi

Maskandi music is known for its unique characteristics that set it apart from other South African genres:

1. Storytelling Through Song:

At the heart of Maskandi lies the tradition of storytelling. Songs often narrate tales of love, historical events, social issues, and everyday life in Zulu communities. Maskandi musicians are praised for their ability to craft intricate and evocative lyrics that captivate listeners.

2. Virtuoso Guitar Playing:

Maskandi guitarists are celebrated for their virtuosity. They employ fingerpicking techniques and intricate guitar solos that add depth and complexity to the music.

3. Fusion of Tradition and Modernity:

Maskandi is unique in its ability to blend traditional Zulu elements with modern influences. While deeply rooted in Zulu culture, it has adapted to contemporary musical trends, incorporating elements of jazz, blues, and even rock.

Significance in Zulu Culture

Maskandi is not only a genre of music but also an integral part of Zulu culture. It plays a significant role in various aspects of Zulu life:

1. Cultural Identity:

Maskandi music is a source of cultural pride and identity for the Zulu people. It reflects their traditions, values, and experiences, fostering a sense of belonging and unity.

2. Social Commentary:

Maskandi musicians often use their music to comment on social and political issues, addressing topics such as poverty, inequality, and the challenges faced by Zulu communities.

3. Preservation of Tradition:

Through Maskandi, Zulu traditions and oral history are preserved and passed down to younger generations. The genre ensures that cultural knowledge and stories continue to be shared and celebrated.

Maskandi's Influence on South African Music

While Maskandi is deeply rooted in Zulu culture, its influence extends beyond its cultural boundaries. The genre has inspired and contributed to the broader South African mp3 landscape. Elements of Maskandi can be heard in various contemporary South African genres, such as Mbaqanga, Afro-pop, and even hip-hop.

Prominent Maskandi Artists

Several Maskandi artists have achieved fame and recognition both within South Africa and internationally. Some of the genre's prominent figures include:

1. Phuzekhemisi (Bheki Ngcobo):

Phuzekhemisi is known for his socially conscious lyrics and masterful guitar playing. His music addresses issues affecting Zulu communities and South Africa as a whole.

2. Shwi Nomtekhala:

This dynamic duo combines Maskandi with elements of contemporary South African music, creating a fusion of sounds that appeals to a wide audience.

3. Johnny Clegg:

While Johnny Clegg is primarily known for his fusion of Western and African music, he collaborated with Maskandi musicians, including Sipho Mchunu, to create music that celebrated Zulu culture and traditions.

Conclusion:

Maskandi is a testament to the enduring power of music to preserve cultural heritage, tell compelling stories, and foster a sense of identity and unity. Its unique blend of tradition and modernity continues to captivate audiences, ensuring that the rich musical heritage of the Zulu people remains vibrant and relevant in the diverse landscape of South African music. As Maskandi continues to evolve and adapt, it reminds us of the beauty of cultural diversity and the timeless resonance of authentic storytelling through music.

[metalshockfinland]

SHAMELESS Release Single & Video 'Victim of Data'

SHAMELESS are a trio from Soweto, South Africa, where they are one of a few rock/alternative bands. Their music is influenced by the music they grew up with, they have dubbed their sound Nkabi Rock / I Rock Yase Kasi (Assassin Rock / Rock from The Township, in isiZulu). They describe their sound as “an extension of rock” which fuses metal, blues, kwaito, mbaqanga, isigxaxa and a smattering of…

[vantagevu]

The Life and Times of Soul Brothers through the Eyes of Black Moses Ngwenya

South African Mbaqanga group from KwaZulu-Natal, aka Soul Brothers celebrates Heritage Month and their journey by releasing a book titled “The Life and Times of Soul Brothers” written by Sydney Maluleke. The book launch event will be held at the Joburg Theatre on September 3, 2023, from 2 p.m. until late, and the band will be performing live on the day. Book launch tickets can be purchased…