The Ascension of Christ (from the San Pietro Polyptych), Pietro Perugino, 1495-98
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Ganonjo-afrikan demon one (musee des beaux arts de lyon) place des terreaux 69001
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Henriette Morel (1883-1956, French)
Born in a large family (four girls and a boy), Henriette followed the lessons of Jean-Louis Loubet and Claude Lucien Barriot, painters from Lyon. The girls were not admitted to the Ecole des Beaux- Arts until 1907.
Henriette became the muse, the model, then, perhaps, the mistress of the painter Pierre Combet-Descombes with whom she shared the life of a painter. An independent and modern woman, she exhibited in 1903 at the Salon des Beaux-Arts in Lyon, then at the Salon d'Automne in the same city and at the Salon Sud-Est. Several paintings are purchased by the State, others by the city of Lyon. She was a teacher appreciated by her students, some of whom became known painters, notably Hélène Mourriquand.
She practices pastel, watercolor and oil painting, she paints nudes, landscapes and portraits.
Bio & other works: http://solko.hautetfort.com/archive/2011/12/22/henriette-morel-le-temps-des-individus.html
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” Scene from the Great Flood ” (1827)
Artist
Joseph-Desiré Court (Rouen, 1797–1865, Paris) was a French painter of historical subjects and portraits, and curator.
Genre: religious art
oil on canvas: 279 cm (109.8 in); width: 221 cm (87 in)
Collection
Musee des Beaux-Arts, Lyon, France.
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Fig. 318: Jan Brueghel I & Hendrik van Balen I, Air (detail), 1611, oil on canvas, 46 x 83 cm, Lyon, Musée des Beaux-Arts de Lyon.
"The first dated representation of a telescope in paint can be found in Brueghel I’s Air [Fig. 317] made in collaboration with Hendrik van Balen I in 1611. The telescope depicted in this painting has previously gone unnoticed. It was thought to be included first in the allegory of Air or Optics of 1621 [Fig. 316], created for Brueghel’s patron Cardinal Federico Borromeo.1286 A telescope can nevertheless also be discerned in the Air signed and dated 'Brueghel 1611,' the last in a series of the four elements presumably created for the Archdukes.1287 The personification of Aurora or Urania (the Muse of astronomy) holds feathers and a bird-of-paradise in her left, and an armillary sphere in her right hand. Next to the armillary sphere, partly covered by her right arm, a telescope is visible, to which an eagle turns its intense gaze [Fig. 318]."
Quote taken from my dissertation Visualizing Visions: Re-viewing the seventeenth-century genre of constcamer paintings, University of Luxembourg 2021, p. 373.
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Collections du musée des beaux-arts de Lyon | Sur les routes des parfums
Collections du musée des beaux-arts de #Lyon, Sur les routes des parfums #Exposition #Oman #Mascate https://www.artlimited.net/agenda/collections-du-musee-des-beaux-arts-de-lyon-sur-les-routes-des-parfums/fr/7585125
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Hey
Hey hey hey
Look at this fine ass I made
The theme was 'erotism of the body though the arts' and we had to have at least one hand that don't belong to the body. And there was no model this time so little extra difficulty :)
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Augustin Pajou (1730-1809)
"Neptune" (1767)
Marble
Located in the Musée des beaux-arts de Lyon, Paris, France
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Nicolas Poussin, Flight into Egypt, 1658
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Caesar Giving Cleopatra the Throne of Egypt, Pietro da Cortona, ca. 1637
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Henri Fantin-Latour, La lecture, 1877.
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TF did you just say to me?
Odalisque by James Pradier at Musee des Beaux Arts de Lyon, France
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Louis Janmot, Fleur des champs (detail), 1845, Musee des Beaux-Arts de Lyon, Photo: Alain Basset
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Collections du musée des beaux-arts de Lyon | Sur les routes des parfums
Collections du musée des beaux-arts de #Lyon, Sur les routes des parfums #Exposition #Oman #Mascate https://www.artlimited.net/agenda/collections-du-musee-des-beaux-arts-de-lyon-sur-les-routes-des-parfums/fr/7585125
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