#Museo Prado

[molecoledigiorni]

Caravaggio

Davide con la testa di Golia olio su tela

Madrid, Prado

[ateneomuseoutoplia]

Contrapunto.

[lionofchaeronea]

The Earth, Maerten de Vos (1532-1603)

[famousharmonyluminary]

Maryja Velazqueza

Bardzo lubię ten obraz Velazqueza. Diego Rodriguez de Silva y Velázquez, The coronation of Maria Diego Rodriguez de Silva y Velázquez, The coronation of Maria Tak na dobra sprawę to mało przypomina Velazqueza – nawet kolory są trochę jakby nie z jego palety. Scena ma coś z bajki, z opowieści religijnej z czasów dzieciństwa. Ale jednocześnie jest głęboka teologia. Maryja. Matka Boga. Bóg. Syn…

[7pleiades7]

María Hahn, the Painter’s Wife (1901), (detail), by Raimundo de Madrazo y Garreta (Spanish, 1841-1920), oil on canvas, 192 × 128 cm, Museo Nacional del Prado, Madrid

[life-imitates-art-far-more]

Salvador Viniegra (1862-1915) "The First kiss of Adam and Eve" (1891) Located in the Museo Del Prado, Madrid, Spain

[sictransitgloriamvndi]

[lostincitylight]

Caravaggio at the Prado Museum, Madrid.

[collectionstilllife]

Luis Egidio Meléndez (Spanish, 1716–1780) • Still Life with Green Olives and Jar • 1760 • Museo del Prado, Madrid

[tragediambulante]

Justice and peace, Corrado Giaquinto, 1753-54

[artandthebible]

Noli Me Tangere

Artist: Correggio (Antonio Allegri) Italian, 1489-1534

Genre: Religious Art

Date: c. 1525

Medium: Oil on Canvas

Collection: Museo del Prado, Madrid, Spain

Description

The scene is taken from events narrated near the end of the Gospel of John, in which Mary Magdalene returns to Jesus' tomb after having found the body missing. There, in her sorrow, she is greeted by two angels and then by Christ himself.

"And as she wept, she stooped down, and looked into the sepulchre, and seeth two angels in white sitting, the one at the head, and the other at the feet, where the body of Jesus had lain. And they say unto her, Woman, why weepest thou? She saith unto them. Because they have taken away my Lord, and I know not where they have laid him. And when she had thus said, she turned herself back, and saw Jesus standing, and knew not that it was Jesus. Jesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away. Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say, Master. Jesus saith unto her, Touch me not; for I am not yet ascended to my Father: but go to my brethren, and say unto them, I ascend unto my Father, and your Father; and to my God, and your God." ~ John 20:11–⁠17 KJV

[fashionlandscapeblog]

Miguel Blay y Fábrega

Eclosión, 1905

[lionofchaeronea]

Roman Athletes, Aniello Falcone, ca. 1640

[geritsel]

Hieronymus Bosch - The right panel of the triptych The garden of Earthly Delights, The Last Judgement (Hell), with vivid details. C. 1495–1505.

[7pleiades7]

Portrait of a Lady (1565-1575), (detail), by Anthonis Mor (1516-1576), oil on canvas, 95.8 × 77 cm, Museo del Prado, Madrid

[life-imitates-art-far-more]

Luis Egidio Meléndez (1716-1780) "Still life with watermelons and apples in a landscape" Oil on canvas Located in the Museo del Prado, Madrid, Spain