Cornelis Cornelisz. van Haarlem, The Fall of the Titans (detail), 1588-1590. Oil on canvas, 239 x 307 cm. National Gallery of Denmark, Copenhagen.
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Floral study with butterfly (1763 - 1825) by Willem van Leen.
Ink and watercolour.
Rijksmuseum.
Wikimedia.
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"For though this appeare a proper pulpet peece, yet whan the fox preacheth, then beware your geese."
This proverb, one of many from the Collection by John Heywood (1497-1580), is descriptive of the common imagery seen in many examples of Medieval art: a fox, dressed as a monk, is preaching to a flock of oblivious geese.
On this spoon, which dates back to 1430 and presents an example of South Netherlandish Gothic art, a similar scene is depicted: a fox, disguised as a monk, is carrying three dead geese on its back - in its hand, there's a scroll or another document with the word "pax", peace. The second fox is seizing the geese as they are being distracted by the fox priest.
Pieces such as this one were often created during the Medieval Times to mock the hypocrisy of the church and the clergy, which preached to the masses they prey on.
This specific object might have been made for Philip the Good, Duke of Burgundy and a great patron of arts.
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The Healing of the Paralytic at Bethesda, unknown Netherlandish artist, ca. 1560
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For #NarionalDolphinDay 🐬:
#Dolphin Pendant, c.1600 (#Baroque)
Netherlandish (?) artist
gold, enamel, emeralds, pearls, H: 3 5/8 in. (9.2 cm)
The Walters Art Museum 44.443
“This wonderfully flamboyant design is close to the model on the title page of the second part of Hans Collaert's stunning series of pendant designs published in Antwerp in 1582: ‘Virtuosic Designs for Golden Ornaments.’ In the engraving, it is the god Apollo riding a sea monster, but the similarities remain strong.”
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up to no good by bobbi essers, 2023, oil on canvas, 220 × 175 centimeters
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Monica Bellucci
Detail of Hell, showing a head on a pike and a man being tortured and sodomized by a fantastical creature. Circa 1538 - circa 1548. Henri de Bles, also called Henri Blès, Herri de Dinant, Herry de Patinir, and il Civetta (Netherlandish, c. 1490 – after 1566).
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still lifes by pieter claesz (1643 and 1628, respectively).
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Cornelis Cornelisz. van Haarlem, The Fall of the Titans (detail), 1588-1590. Oil on canvas, 239 x 307 cm. National Gallery of Denmark, Copenhagen.
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The Adoration of the Magi, Hieronymus Bosch (c. 1475). Metropolitan Museum of Art, New York.
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Stillleben mit Nelken in einer Glasvase
Willem Frederik Boekstal (1887-1957, Netherlandish)
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Pigeon sitting (Netherlands, 1802) by Jean Bernard.
Watercolour and crayon.
Rijksmuseum.
Wikimedia.
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Pieter van Laer (Netherlander, 1599-1642)
The Flagellants, Detail, c.1635
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