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jemch · 3 years

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How It’s Made Index（S21~S30）

How It’s Made是由 Discovery Channel 制作一款王牌节目，又被翻译为制造的原理或造物小百科，本片从2001年推出至今，涵盖了几乎所有的制造技术，非常适合机械专业和对此感兴趣的同学。希望大家享受这趟制造的艺术之旅！

第二十一季推出时间为2013-04-04至2013-08-01

S21E01 Rubber Gloves; Soap Carvings; Aircraft Cabinets; Motorcycle Brake Locks 橡胶手套，肥皂雕刻，飞机木柜，摩托车制动锁

本集看点：极其舒适的橡胶手套制作过程；

S21E02 Powder Horns; Handcrafted Molds; Perogies; Inner Tubes 粉角，手工模具，饺子，内胎

S21E03 Lace; Antique Frame Replicas; Orchids; Unicycle Wheel Hubs 蕾丝，古董架复制品，兰花，独轮车轮毂

S21E04 External Hard Drives; Frozen Shrimp; Thai Rice Boxes; Paper Towel 外置硬盘，冷冻虾，泰国米箱，纸巾

本集看点：硬核的西部数据移动硬盘组装制程；

S21E05 Tea; Roof Finials; Artificial Flowers; Alloy Wheels 茶，屋顶饰物，人造花，合金轮毂

S21E06 Gel Caps; Playground Spring Riders; Frozen Pancakes; Natural Rubber 胶囊，摇摇玩具，冷冻煎饼，天然橡胶

S21E07 Paper Umbrellas; Coal; Aircraft Seats; Urns 纸伞，煤，飞机座椅，瓮

S21E08 Aluminum Canoes;Wood Bowls;Wheelchair Accessible Vans;Marimbas 铝独木舟，木碗，残疾人改装车，木琴

S21E09 Indy Car Seats; Paper Flowers; Stand-by Generators; 赛车座椅，纸花，备用发电机

S21E10 Knee Replacements; Leaf Springs; Lavender; Rivets and Rivet Tools 膝关节置换，钢板弹簧，薰衣草，铆钉和铆钉的工具

本集看点：另外一种大型弹簧结构；铆钉的工作原理；

S21E11 Cast Iron Stoves; Ultralight Aircraft; Snow Groomers; Rubber Bands 铸铁炉具，超轻型飞机，推雪车，橡皮筋

S21E12 Barber Chairs; Sewage Pumps; Bimini Boat Tops; Diesel Filters 理发椅，污水泵，比米尼游乐船，柴油过滤器

S21E13 Car Tires; Silk; Art Conservation; Scuba Tanks 汽车轮胎，丝绸，艺术保护，潜水氧气瓶

本集看点：铝合金终极冲压教程；

本季资源链接：

magnet:?xt=urn:btih:8e3c0ca289825ca99cbb7699dcbaf926aeb42265&dn

第二十二季推出时间为2013-10-10至2014-01-16

S22E01 Electric Stand-Up Vehicles; Frozen Fruit; Beer Coasters; Forged Door Handles 电动站立车，冰冻水果，啤酒杯垫，锻造门把手

本集看点：专业铁匠；

S22E02 Rock Crushers;Fabric Lampshades;Cake Sprinkles;Steam Irons 岩石破碎机，织物灯罩，蛋糕彩条，蒸汽熨斗

S22E03 Indy Steering Wheels;Mixed Salad;Wind Turbines 印地赛车方向盘，什锦沙拉，风力涡轮机

S22E04 Blast Doors; Lipstick; Artificial Palm Trees; Brass Plaques 防爆门，口红，人造棕榈树，黄铜牌匾

S22E05 Carbon Fiber; Antique Frame Restoration; Railcar Movers; Hood Ornaments 碳纤维，古董保存架，有轨机车，车头装饰品

S22E06 Sawhorses and Toolboxes;Sorbet Pops;School Buses 史丹利工具箱，便携汁冰糕，校车

S22E07 Sanders;Solid Terrain Models;Stucco;High-Speed Roll-up Doors 抛光机，固体地形模型，水泥，高速卷门

S22E08 Pressed Glass;Pickup Truck Caps;Alpaca Yarn;Utility Knives 压制玻璃，敞蓬小型载货卡车，羊驼纱线，工具刀

S22E09 Body Casting; Downdraft Stoves; Compression Garments; Electric Motorcycles 身体模型，气流炉灶，长袜，电动摩托车

S22E10 Sidecars;Frozen French Toast;Refrigerator Compressors;Superchargers 摩托侧箱，冷冻法式土司，冰箱压缩机，增压器

S22E11 Custom Knee Braces;Air Conditioners;Window Films;Motorcycle Exhaust 定制膝盖支撑，空调，窗户贴膜，摩托车排气管

S22E12 Solid State Drives;Eye Shadow;Limousines;Dead Blow Hammers 固态硬盘，眼影，豪华加长轿车，香槟锤

本集看点：先进半导体制程制作的硬盘；

S22E13 Dragster Tires; Icing; Floating Docks; Spiral Pipes 赛车轮胎，冰淇淋，飘浮船坞，螺旋管

本季资源链接：

magnet:?xt=urn:btih:c1ddbd38f95041c1482295587ae0c59e19416937&dn

第二十三季推出时间为2014-04-03至2014-07-03

S23E01 Motion Sensors; Belt Loaders; Pheasant Breeding; Diving Helmets 运动传感器，带式装载机，野鸡养殖，潜水头盔

本集看点：先进半导体制程制作的传感器芯片；

S23E02 Rawhide Lampshades; Chocolate Chip Cookies; MRI Scanners 皮灯罩，巧克力饼干，核磁共振成像扫描仪

S23E03 Noise Barrier Walls; Front-Load Washers; Bourbon; Flexible Circuit 声音屏障墙，滚筒洗衣机，威士忌，柔性电路板（FPC）

本集看点：柔性电路板是如何加工的；

S23E04 Railway Bridge Ties; Membrane Filters; Hydraulic Post Drivers; Bi-Planes 铁路桥梁枕木，膜过滤器，桩机，四翼飞机

S23E05 Hospital Laundry; Brass Instrument Restoration; Horse Replicas; Excavation 医院洗衣，铜管乐器修复，马复制品，挖掘机挖斗

本集看点：用玻璃纤维制作空心复制品；巨厚钢板的激光切割，折弯与焊接；

S23E06 Ceramic Fireplaces; Synthetic Corks; Parking Garage Floor Slabs 陶瓷壁炉，合成软木塞，车库楼板

本集看点：多种塑胶粒子组合的连续注塑；

S23E07 Oil Pressure Sensors; Printing; Equipment Simulators; Head & Neck Restraints 油压传感器，大型印刷，设备模拟器，护颈

本集看点：打金线制程；

S23E08 Mobile Concert Stages; Mascara; Continuous Miners; Wood Gift Boxes 移动音乐会舞台，睫毛膏，挖煤机，木制礼品盒

S23E09 NASCAR Car Bodies; Hurley Sticks; Tube Amplifiers; Thermal Coffee Pots 纳斯卡跑车车身，赫尔利球球棒，声音放大器，热咖啡壶

S23E10 Electric Vehicle Charging Stations; Grappa; Lunar Rover Replicas 电动汽车充电站；格拉巴酒；月球车复制品

S23E11 Slate Tiles; Hot Dog Carts; Garage Door Openers; Bicycle Seats 板岩瓷砖；热狗车；车库门开启器；自行车座椅

S23E12 Racing Leathers; Evaporative Cooling Towers; Rocking Chairs; Wire Wheels 赛车皮革；蒸发冷却塔；摇椅；钢丝轮

本集看点：滚丝螺纹工艺；

S23E13 Mountain Bikes; Rice; Lever Action Rifles 山地自行车；大米；杠杆动作步枪

S23E14 Shark Week Edition: Surfboards; Diving Regulators; SCUBA Tanks; Water Skis 回收冲浪板；潜水调节器；潜水氧气瓶；滑水板

S23E15 300th Episode - Shark Week Edition: Sails; Reef Aquariums; Oceanographic Buoys; Folding Kayaks 风帆；珊瑚礁水族馆；海洋浮标；折叠皮划艇

本季资源链接：

magnet:?xt=urn:btih:33139d133183e8bf6e6dfec6684ca9f07bec0982&dn

第二十四季推出时间为2014-09-25至2015-01-15

S24E01 Saunas; Wheelchair Lifts; Dioramas 桑拿；轮椅升降机；立体模型

S24E02 Oil Lamps; Chocolate Mints; Underfloor Heating; Pillows 油灯；巧克力薄荷糖；地板采暖; 枕头

S24E03 Upright Pianos; Flags; Wet/Dry Vacuums; Medieval Axes 立式钢琴；旗帜；湿式/干式吸尘器；中世纪斧头

S24E04 Skeletal Replicas; Ice Buckets; Dining Chairs; Inground Pools 骨骼复制品；冰桶；餐椅；地下游泳池

S24E05 Automatic Sliding Doors; Gin; Firearms Restoration 自动推拉门；杜松子酒; 枪械修复

S24E06 Scuba Lights; Sandals; Race Car Simulators; Fibreglass Doors 潜水灯；凉鞋；赛车模拟器；玻璃钢门

S24E07 Wood Windows; Cashmere Fabric; Plastic Recycling; Architectural Glass 木窗；羊绒面料；塑料回收；建筑玻璃

S24E08 Gas Barbecues; Mattress Pads; Ear Prostheses 燃气烧烤炉；床垫；耳假体

S24E09 Recycled Skateboards; Braided Pastry; Construction Trailers; Vises 回收滑板；编织糕点；施工拖车；虎钳

S24E10 Plasma Gems; Special Effects Snow; Piano Restoration 等离子宝石；特效雪；钢琴修复

S24E11 3-Wheel Electric Bikes; Skin Cream; Patio Heaters; Wood Wheels 三轮电动自行车；润肤霜; 天井取暖器；木轮

S24E12 Old West Holsters; Underwater Video Housings; Soy Beverages; Pet Nail Trimmers 老西部皮套；水下视频外壳；大豆饮料；宠物指甲修剪器

S24E13 Wood Garage Doors; Sand and Salt Spreaders; Animatronic Dinosaurs 木车库门；沙子和盐撒布机；电子动画恐龙

本季资源链接：

magnet:?xt=urn:btih:0a4eda224bbaf24666bb12c13bf1cd5732bf51fd&dn

第二十五季推出时间为2015-04-02至2015-07-02

S25E01 Grammy Awards; Bicycle Lights; Above-Ground Pools; Foldable Solar Panels 格莱美奖; 自行车灯；地上游泳池；可折叠太阳能电池板

S25E02 Led Stage Lights; Apple Cider; Chemical Tank Trailers; Ornate Stone Floor LED舞台灯；苹果酒; 化学品罐拖车；华丽的石地板

S25E03 Fishing Line; Industrial Mixers; Natural Baking Soda; and Tow Trucks 钓鱼线; 工业搅拌机；天然小苏打；拖车

S25E04 Storage Sheds; Industrial Fans; Parchment Paper; and Climbing Walls 储藏棚；工业风扇；羊皮纸；攀岩��

S25E05 Precast Concrete Walls; 3D Printers; Telescopic Cranes; Kerosene Lamp Burners 预制混凝土墙； 3D 打印机；伸缩式起重机；煤油灯燃烧器

S25E06 Car Headlamps; Directional Drills; Pet Combs; and Stained Glass Restoration 汽车大灯；定向钻；宠物梳子；彩色玻璃修复

S25E07 Handcrafted Skis; Septic Tanks; Hydroformed Chassis Parts; Aquarium Windows 手工制作的滑雪板；化粪池; 液压成型底盘零件；水族馆窗户

S25E08 Zip Line Brakes; Silk Fiber Lamps; Round Balers; Comfort Shoes 拉链线制动器；丝纤维灯；圆形打包机；舒适鞋

S25E09 Armored Vehicles; Tension Fabric Buildings; Rowers; Sculpture Enlargements 装甲车；张力织物建筑；划船者；雕塑放大

S25E10 Mountain Bike Suspensions; Surgical Sutures; Grain Dryers; and Frying Pans 山地自行车悬架；手术缝合；谷物烘干机；煎锅

S25E11 Downhill Ski Bindings; Immersion Washers; Mining Ventilation; Pencil Sharpeners 速降滑雪绑定；浸入式垫圈；矿用通风；卷笔刀

S25E12 Gingerbread Houses; Livestock Trailers; Hangar Doors; and Toy Figurines 姜饼屋；牲畜拖车；机库门；玩具公仔

S25E13 Traffic Signal Poles; Coffee Filters; and Chainsaw Mining Machines; 交通信号杆；咖啡过滤器；链锯采矿机；

本季资源链接：

magnet:?xt=urn:btih:78ae318559e0477f5bb1db0abb0fcfa841e491be&dn

第二十六季推出时间为2015-09-10至2015-12-17

S26E01 Time-Delay Locks; Brownies; Pallet Dispensers; and Crystal Chandeliers 延时锁；布朗尼; 托盘分配器；水晶吊灯

S26E02 Bead Wire; Mini Pepperoni; Irrigation Sprinklers; and Leather Gloves 珠线；迷你意大利辣香肠；灌溉喷头；皮手套

S26E03 Mouth-Blown Window Glass; Water Pumps; Sake; Tweezers 口吹窗玻璃；水泵; 清酒; 镊子

S26E04 Statue Restoration; Tripods; Polish Sausages; Welding Guns 雕像修复；三脚架；波兰香肠；焊枪

S26E05 Champagne; ATMs; Marine Turbochargers; 香槟酒; 自动取款机；船用涡轮增压器；

S26E06 Sharpening Steels; Bladder Pumps; Ironing Boards; and Kayak Paddles 磨刀钢；膀胱泵；烫衣板；皮划艇桨

S26E07 Champagne Hoods; Pneumatic Systems; Espresso Machines; Pizza Ovens 香槟罩；气动系统；浓缩咖啡机；比萨烤箱

S26E08 Stile & Rail Doors, Steam Cleaners, Hand-Held Pizzas, and Power Brushes 轨道门；蒸汽清洁器；手持比萨饼；电动刷

S26E09 Industrial Casters; Wedding Cakes; THz Spectrometers; Racing Catamarans 工业脚轮；婚礼蛋糕；太赫兹光谱仪；竞速双体船

S26E10 Ceramic Grills, Pneumatic Punchers, Water Jet Fountains, Wooden Surfboards 陶瓷烤架、气动打孔机、喷水喷泉、木制冲浪板

S26E11 Vibrating Mining Screens; Whoopie Pies; Utility Poles; Roller Conveyors 振动采矿筛；百日咳派；电线杆；滚筒输送机

本集看点：电线杆也内卷；

S26E12 Exercise Bikes; Cornish Pasties; Pasta Makers; Slate Products 健身车；康沃尔馅饼；面食制造商；板岩产品

S26E13 Channel Signs, Wetsuits, and Aluminum Aircraft 航道标志；潜水服；铝制飞机

本季资源链接：

magnet:?xt=urn:btih:85892a96e09b0d9f596d98bcd450aeb870a6af3d&dn

第二十七季推出时间为2016-05-19至2016-08-15

S27E01 CNC Assembly Machines; Lemon Tarts; Miniature War Figures 数控组装机；柠檬馅饼；微型战争人物

S27E02 Chemical Tank Pressure Vents; Candy Wafers; Food Trucks; Traditional Ropes 化学品罐压力通风口；糖果晶圆；食品卡车；传统绳索

S27E03 Graphene; Worlds Smallest Car; Force Testers; Composite Cans 石墨烯；世界上最小的汽车；力测试仪；复合罐

本集看点：单层的石墨烯是如何分离出来的；

S27E04 LED tubes; chocolate peanut butter bars; robotic medication dispensers. LED灯管；巧克力花生酱棒；机器人配药器

S27E05 Commercial drones; aquarium fish; runway cleaners. 商用无人机；观赏鱼；跑道清洁工

S27E06 Wooden Matches, Tillage Machines, Telescopic Gangways 木火柴、耕地机、伸缩式舷梯

S27E07 Mosquito Coils, Solar-Assist Tricycles, Palm Oil, Fiberglass Chopper Guns 蚊香、太阳能辅助三轮车、棕榈油、玻璃纤维斩波枪

S27E08 Wood Toys, Retro Toasters, Laboratory Furnaces, Aerogel 木制玩具、复古烤面包机、实验室炉、气凝胶

S27E09 Combination Squares, Farmed Shrimp, Ball Valves and String Trimmers 组合方形、养殖虾、球阀和切线器

S27E10 Chinese-style Furniture, Electrical Switches, Thai Fish Sauce, Cappers 中式家具、电器开关、泰式鱼露、压盖机

S27E11 Mortars and pestles; bowling lane conditioners; crematories 研钵和研杵；保龄球道调节器；火葬场

S27E12 Race Car Oil Tanks; Plaster Mouldings; Lemongrass Oil 赛车油箱；石膏线条；柠檬草油

S27E13 Coconut Charcoal; Dial Indicators; Wet Downdraft Tables; Bassoon Reeds 椰子炭；表盘指示器；湿式下吸台；巴松管簧片

本季资源链接：

magnet:?xt=urn:btih:5289719d3944f98f2c2d425cd79b0487aec36fc7&dn

第二十八季推出时间为2016-08-22至2016-11-03

S28E01 Classic Car Gauges; Chocolate Marble Cake; Ghillie Kettles 经典汽车仪表；巧克力大理石蛋糕；吉利水壶

S28E02 Pasta Dies; Blueberries; Composting Toilets; Surge Arresters 面食模具；蓝莓; 堆肥厕所；避雷器

S28E03 Angle Grinders; Berry Baskets; Omnidirectional Speakers 角磨机；浆果篮；全向扬声器

S28E04 Cartridge Blades; Chocolate Banana Loaves; Vending 墨盒刀片；巧克力香蕉面包；自动售货机

S28E05 Ultra-Thin Glass; Pallet Dismantlers; Cupcakes; Stainless Steel 超薄玻璃；托盘拆卸器；纸杯蛋糕; 不锈钢

本集看点：溢流熔融法制作的柔性超薄玻璃（应该是康宁）；

S28E06 Potash; Leather Bracelets; Wild Rice; Hex Key L Wrenches 钾肥；皮革手链；野米; 六角扳手 L

S28E07 Nail Files; Birch Canoes; Boat Hardtops; High Voltage Circuit 指甲锉；桦木独木舟；船硬顶；高压电路

S28E08 Macarons; Pine Needle Baskets; Micrometers 马卡龙；松针篮；千分尺

S28E09 Endoscopes; Megaphones; Uranium 内窥镜；扩音器；铀

S28E10 Hollow Disk Pumps; Palm Sugar; Yachts 空心圆盘泵；棕榈糖; 游艇

S28E11 Abalone Collagen; Digital-to-Analog Converters; Embosssed 鲍鱼胶原蛋白；数模转换器；压花

S28E12 Thai Barbecues; Diving Masks & Fins; Bassoons 泰式烧烤；潜水面罩和脚蹼；巴松管

S28E13 Wooden Utensils; Transport Refrigeration Units; Moccasins 木制餐具；运输制冷装置；莫卡辛鞋

本季资源链接：

magnet:?xt=urn:btih:6b3298e03c0e32ede5bc1b81e13a315adae86528&dn

第二十九季推出时间为2017-06-22至2017-09-24

S29E01 Skateboard Wheels; Baklava & Galaktoboureko; CO2 滑板轮；千层酥皮奶冻玉米糕；二氧化碳

S29E02 Nuno Felt; Drum Crushers; Kimchi; Parquet Floors 努诺毡；鼓式破碎机；泡菜；镶木地板

S29E03 Wood Watches; Steel Bicycles; Raw Pet Food; Replica Police 木表；钢制自行车；生宠物食品；复制警察

S29E04 Thermoplastic Fire Helmets; Basketry Sculptures; Coffee 热塑性消防头盔；篮子雕塑；咖啡

S29E05 Office Chairs; Vinobrew; Reconditioned Sander Drums 办公椅；酒酿；翻新砂光鼓

S29E06 Fireplace Bellows; Calissons; Diving Watercraft 壁炉波纹管；卡利松；潜水艇

S29E07 Artist Brushes; DEF Tank Heaters; Game Tables; Art Glass 艺术家画笔； DEF 储罐加热器；游戏桌；艺术玻璃

S29E08 Flying Water Bikes; Throttle Position Sensors; Cinnamon 飞行水上自行车；油门位置传感器；肉桂

S29E09 Foosball Tables; Marseille Soap; Laguiole Pocket Knives 桌上足球桌；马赛皂；拉吉奥小折刀

S29E10 Berets; Pastis; Stationary Bikes 贝雷帽；意大利面食；固定自行车

S29E11 Bistro Sets; Letterpress Printing; Bamboo Lights; Asphalt 小酒馆套餐；凸版印刷；竹灯；沥青压车

S29E12 Technological Corks; Zinc Gutters; Traditional Ham; Chisteras 技术软木塞；锌天沟；传统火腿；奇斯特拉斯游戏手臂

S29E13 Pentanque Ball; Biologic Medicines; Asphalt Pavers; Basques 滚球；生物药物；沥青摊铺机；巴斯克鞋

本期看点：空心半铁球焊接，再两步CNC制作出完美球形；

本季资源链接：

magnet:?xt=urn:btih:971ec4ef1ce447538e18d1305ec2f8103daee29d&dn

第三十季推出时间为 2017-09-11至2017-12-18

S30E01 Leather Basketballs; Flood Gates; Wood Panel Canvases; Shoelaces 皮革篮球；防洪闸；木板画布；鞋带

S30E02 Power Steering Pumps; Asian Bowl Meals; Walking Canes 动力转向泵；亚洲碗餐；手杖

S30E03 Plant Oil Extractors; Custom Chandeliers; Power Trainers; Coffee Pods 植物油提取器；定制吊灯；力量训练器；咖啡包

S30E04 Witness Samples; Pressure Washers; Bee Hives; Cast Iron Cookers 见证样品；压力垫圈；蜂箱；铸铁炊具

S30E05 Leather Sculptures; Travel Hot Plates; Ochre; Hurdy Gurdies 皮革雕塑；旅行热板；赭石；赫迪·古尔迪斯

S30E06 Spiral Stairs; Pita Bread; Exhaust Headers; Molded Limestone Artwork 螺旋楼梯；皮塔饼；排气集管；模压石灰石艺术品

S30E07 Recycled Skateboard Guitars; Solar Street Lights; Dolls 回收的滑板吉他；太阳能路灯；娃娃

S30E08 Glass Sculptures; Racing Pulley Systems; Inductors; Medicine Balls 玻璃雕塑；赛车滑轮系统；电感器；药丸

S30E09 Fish Rubbings; Clay Shooting Machines; Almonds; High-End Motorcycles 鱼拓片；粘土射击机；杏仁; 高端摩托车

S30E10 Throttle Bodies; Limestone Fireplace Mantels; Candied Fruit & Fruit Jellies; Linen Ukulele 节气门体；石灰石壁炉架；蜜饯和果冻；亚麻尤克里里

S30E11 Rubber Balls; Motion Chairs; Montreal Smoked Meat; Motorized Scooters 橡胶球；运动椅；蒙特利尔熏肉；电动滑板车

S30E12 Aerospace Fasteners; Cactus Pear Puree; Lab Reactors 航空紧固件；仙人掌梨泥；实验室反应器

S30E13 Wall Beds; Sundae Cups; Digital Paintings; Badminton Rackets 壁床；圣代杯；数字绘画；羽毛球拍

本季资源链接：

magnet:?xt=urn:btih:cc865a515b621051b71e833bd62e466fc45949d3&dn

#how it's made

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polishtamales · 4 years

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It Started with the Hawkeye Initiative & Ended with Safespace & Snowflake: GAME OVER

This is how the comic book industry dies. Or is it a dawn of self-publishing?

If it wasn’t for years of horrific ad sales, it was definitely insulting the vast majority of it’s consumer base. Or more specifically for Marvel’s case, CATERING AN ENTIRE MARKET THAT DOESN’T BUY COMICS IN THE FIRST PLACE. Regardless of intentions, YOU CANNOT MAINTAIN A BUSINESS OF CONSTANTLY FLIPPING OFF YOUR FANS AND EXPECT THEM TO PAY YOU FOR YOUR VIRTUE SIGNALING.

There’s a difference between being progressive with fiction and being a radical activist for the sake of retweets and likes, followed by a selfie for more self-esteem boosts. In a society where there’s no turning back from capitalism, money is your God, whether it’s right or wrong. You could suddenly be hit with a car and you better damn respect that the more money you have, the more likely everything will be fine afterwards. It pays the bills, it puts food on the table, and you better understand, it’s not going to change, outside of an act of God or Aliens simply invading our planet and enslaving humanity. Your pick.

It’s no secret that working in comics sucks, regardless of country. The pay is bad, the deadlines are killer and it has always been the least practical way of storytelling for a mass market, especially in America. Case in point, you don’t really need a colorist, a letterer or anything else, outside of a distributor (RIP DIAMOND). Anyone with a graphic design degree knows, you can easily be a one-man publisher without the need of an entire crew of mouths to feed. Not saying it wouldn’t be helpful, but given the future economy, it will be the norm.

See, the old buzz word of digital publishing really is a big deal, especially when it comes to the incoming job market change. No longer can you simply “specialize” in just one area of expertise, but you will be expected to fill in multiple roles to be successful. Even if time is against you in certain projects, it is entirely possible to save more money by just doing everything yourself. Here are the major hurdles and solutions to creating a new comic in the new landscape of comics next year:

1. STORY - This is where EVERYONE gets it wrong. Do not follow the trend of IDW publishing by planning out an ENTIRE world building graphic novel that will span DECADES.

Stick to what exactly you’re good at telling. Tell a short story. Polish every line of dialog. Make it shorter. Polish every line of dialog, make it shorter.

Third and most important advice is leave politics out of your story, unless it is about politics. Most older women buy trashy romance novels to escape their shitty sex life. Most middle-aged men by comics for the tits and ass and possibly the articles? Again, all ways of escape reality, yet you have Marvel comics for years that kept interjecting real world politics and views in their titles. Trust me when I say this, less than 10% of the United States is on Twitter. That means most people could give two fucks and a shit about Trump, Biden or Bearnie, BELIEVE OR NOT. So when most of America retreats after a long day of work and not TWITTER, they are spending money on things to make their lives tolerable. Being told Orange Man Bad is not one of those things, nor is bringing up Obama, again and again. Don’t make market assessments based on social media, leave politics out of your comic. Additionally, learn about basic story telling and especially learn from other mediums outside of comics. Films and actual books will teach you a lot about pacing. You can learn basic writing skills by taking a community college course or higher. The goal and mindset should be to be humbled and not a place to be bitter when you get criticism.

2. ART - KNOW YOUR AUDIENCE. If you’re catering towards a WOKE AS FUCK CROWD OF TRUMP HATING LIBERALS, make sure you book will actually sell and not retweeted... Simply collecting a check and going unemployed for months on end is not an actual goal in life, much less beg your followers for coffee money. Example, see the animation industry.

Art is your mode of presentation, the book cover (not literally), the point of sale. If you want to cater towards a crowd of people of color, who happen to be gay, trans, and dealing with PTSD, etc, then make fucking sure your art matches with the story. You cannot have “tumblr” artists doing action intensive comics, where they spend more time creating people of color of diverse identity politics, than learning to draw a simple choreographed action sequence. You can’t have an action comic with ONLY 2 small panels of action to sell your comic. Again, no shame or secret to point out that the VAST majority of comic sales are made off of issue #1s and tits and ass. Disposable income of middle-aged men cannot be underestimated, regardless of what cherry pick data you want to argue with. The older you get, the less progressive and liberal most Americans become as well. That’s called “reality” of real politics. So my advice, if you’re into action comics, learn to draw action, learn about the demography that buys those titles and don’t interject your politics in it, especially if you want to put food on the table. I’m not telling anyone to suddenly put Trump as the “good guy” president, but I am telling you that you shouldn’t include real world politics in your comic. You’re not offending either side of the political spectrum, IE, you’re not insulting your customers.

If you want to make a rom-com comic like Archie, sure those years of learning tutorials off of tumblr might pay off, but again, know your audience. Archie continues to sell steadily with a profit from the boomer generation, white women (vast majority), Christians, etc. Don’t expect your rom-com comic of a gender-less trans-protagonist that may or may not want to be dependent relationship with another person of color. You see where I’m getting with that? You’re welcomed to write and draw a book like that, but don’t expect anyone to buy it. Getting your book retweeted by your favorite SJW, doesn’t mean sales, it just spells virtue signaling for them.

My advice in the art category is DIVERSIFY your portfolio. Don’t just learn off tumblr. That boat has sailed and failed, as seen with every sale of tumblr picked artists at Marvel. Go out there (when the virus gets under controlled) and learn to draw from life. Don’t worry about gender, people of color, none of that stuff. Draw stuff that you actually care about and not for political points with your peers. If you wanna draw short men struggling to open a can of coke, then draw. If you wanna draw hot women, draw hot women. You wanna draw a cute tennis player with short shorts and looks like Swedish male model, then pack some sun screen. You’re not looking to be judged, you’re not looking for internet points of how woke you are. You are simply expanding on things that interest you and how it will indirectly help you grow.

Think Mr. Miyagi, but do it 80,000 times. You’ll master drawing short men struggling to open cans of soda!

When creating the art, DO NOT THINK ABOUT COLORING. It is way more profitable to create BW comics than color. Not only do you save money printing, but the amount of time you free up helps you to micromanage yourself better.

3. DIGITAL PUBLISHING - You don’t need anyone else if you have a computer and some basic digital programs. Once you understand how to write a short story, present marketable characters, then you’re set. The only enemy is time.

Learn Adobe Illustrator and Photoshop for art. Learn Adobe Indesign for lettering, page layouts, etc. A few talks with a local printer and you can independently self-publish any book.

So to sum things up, learn to self-publish, respect your readers and the politics/baggage that industry houses and understand that things revolve around money. If you want to be a stereotypical far-left wing tumblr artist that wants to create a superhero of a trans-black girl/binary that may or may not want to be involved in a relationship with another binary/trans person, which could be their sister/brother/internet gas, then by all means make that comic. It won’t be profitable nor will it sell compared to other titles, but I guess you can’t claim victim-hood without a self-afflicting handicap and an arrow to the kneecap.

After all, Marvel’s done it for years without profitability and look where the industry is headed towards... This was all pre-Covid-19 mind you. The virus, if anything, is just the nail on the coffin after Diamond distributors quit. The comic industry might be dead, but books as a medium will never die.

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purplesurveys · 4 years

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688

Have you today?

Looked in a mirror? Not on purpose. We just have several mirrors in the house that I unavoidably pass by and look at.

Watered a plant? Not today, but my dad has asked me to do it a couple of times in the last week.

Worn denim? I haven’t worn outside clothes in almost a monthhhhh. And that includes denim.

Washed your hair? Technically yes. I took a shower at around 1 AM? before heading to bed.

Been in pain? Kind of. My left eye has been irritating me almost every night/morning since the year started; sometimes it gets incredibly swollen, sometimes it just feels like something is stuck in my eyelid. Either way it’s always uncomfortable and painful.

Had a nap? Haha, not yet. But since the lockdown started I’ve been having an afternoon siesta everyday. Brushed your teeth? Yeah, it came along with the ^ above 1 AM shower. Kissed someone? I haven’t been able to kiss my girlfriend in almost three weeks now and I’m miiiiiserable. Used a cheese grater? Nah, I haven’t used one in a while.

Eaten something sweet? Not yet. I might eat a few pieces of chocnut later though. Spoken to a stranger? Not today, but we did have a village guard knock on our door earlier to give my dad a quarantine pass – it’s to confirm that he’ll be the only one in the family allowed to leave the house in case we need to go to the groceries or something. I peeked by the front door to listen to the interaction, but I didn’t speak with the guard myself. Dropped something? Sure. My bottle of eye drops. Felt upset in some way? You can say that. There’s a new trend on Facebook where groups are created so certain universities can just trashtalk one another as a joke. It was funny at first but there are some posts that have gone too far, personal, or both, and it obviously hasn’t been good for my mental health lol. Drank coffee? Not yet today. I usually have it in the evening. Walked for more than thirty minutes? I also haven’t walked much in three weeks. That’s kinda what’s supposed to happen when your entire city is put on lockdown. Signed up for something? No. I’ve logged in to certain sites, though. Travelled in a car? I also haven’t been in a car in the last couple of weeks. I was able to ride with my dad the night before they imposed the lockdown – we were visiting my grandpa in the columbary because it would’ve been his 80th birthday that day. Opened a can? Nope. Thought about doing something crazy? At the back of my head I always think of driving up to see Gab because I miss her a lot, but it just remains a crazy thought in my head. Listened to a new song? Yeah. I have a couple of saved playlists and I don’t know like 94% of the songs in both of them, so I’m always listening to a new song everyday. Written in a notebook? I haven’t. I’ve written on a piece of paper, though. Fed an animal? Yup, my dog needs his breakfast. Checked your emails? LOL NOPE, and I don’t plan to check them any time soon. Told someone you love them? Yeah, before we both turned in at like 3 AM lol. Made a phone call? Yeah I also called my girlfriend earlier.

Have you in the last week?

Update: I skipped this survey the whole day and now it’s 10:30 in the evening, and I’ve already done a bunch of stuff I said no ^ to earlier lmao but am too lazy to change. Let’s gooooooo

Travelled on a bus? Nah. The bus personally isn’t my main mode of transpo and I only get to ride them when I’m in a group and there’s no choice but to ride a bus, like for field trips or for group itineraries during vacations.

Washed your face? Yeah. I did this today because my face was feeling annoyingly oily. Put a face mask on for the first time in a long time.

Used a blender? No. I don’t think we even have a blender at home, cos no one ever makes stuff that needs to be blended.

Received a phone call? Sure. Gab and I called several times in the last week, and my grandma has also called from time to time to check up on us because the lockdown has kept us from seeing her regularly.

Talked to someone you dislike? I...don’t think so. If I did I’d definitely talk to Gabie about it, and I haven’t done that with her haha.

Consumed alcohol? Ugh, bleck. Yeah. I wanted to get buzzed last week and a bottle of Jack Daniel’s is the only thing we have in the house so I had a small sip and just... disgusting. Whiskey is just not my thing, so never again.

Eaten pasta? Spot on. We had spaghetti for dinner tonight.

Planned for an event? There is no event to plan, and it’ll stay like this for the next 3-4 months probs.

Asked someone for a favour? Sure, I asked Gab to be the one to write the write-up that’s going to be on my college yearbook.

Watched something funny? I’ve been watching tons of these to fight off boredom during the break.

Trimmed your nails? Yep, they were getting long and uncomfortable so I got rid of them.

Browsed Reddit? Also yep. School kept me busy for a couple of months and I wasn’t able to use Reddit then because I’d usually pass out by evening. But right now I have more than enough time to browse it, so I’ve been doing some catching up.

Talked to yourself? I guess? Not as much as before the lockdown though, because I’ve already been usually by myself throughout this break, and don’t feel the ~need to talk to myself.

Purchased tickets for something? Nah. They cancelled almost all future events up until May or June...there’s no tickets to be bought at all to begin with.

Felt like you were annoying someone? Meh, it happens every now and then.

Cleaned a toilet? I’ve never done this at all.

Reminisced about the past? LMAO yeah. Someone created a Facebook group that lets alumni from my high school just shit-talk the school and bring back (and reveal) old drama, scandals, and controversies. It’s hilarious, it hasn’t pissed me off, and past students exposing teachers who turned out to be trash and/or perverts is so satisfying.

Used headphones? I haven’t had headphones in a while.

Laughed with a friend? Yeah, but just virtually. I haven’t heard most of my friends’ voices in a while.

Cooked dinner and then didn't feel hungry? Nah. I HAVE helped my dad make dinner a few times this week, which is like huge baby steps for me in learning how to cook haha.

Written a list? I don’t think I have in the last week.

Played an instrument? Nope. Felt jealous or envious? It happens. Ignored a text message on purpose? Lol yeah I guess. There were times I got fed up with Gab being such a slow replier that when she replies, I stopped wanting to open my inbox. Congratulated someone? I just did! UP’s med school results were released a few hours ago and I congratulated my friend Michelle for passing. Her decision was super clutch – she initially passed med school as early as high school but she declined it so she can take journalism instead, because it’s what she thought she liked at the time. Four years into the course and she realizes she hated it, so she made the really clutch decision to review for med school exams and she ended up passing every single one she took, UP being the icing on the cake. Honestly I wish I had balls like her.

Have you in the last month?

Made a piece of art? I don’t think so.

Rewatched one of your favourite tv shows or movies? I rewatch Friends at least once or twice a month, so ya got me there.

Called a plumber? We haven’t needed to do this.

Been to a see a doctor? Yup, an optometrist. Something’s been going on with my left eye for a while, so I went in to have a checkup a couple of weeks ago.

Finished a book? I did :o I had to read an entire book to make an essay for my business news class. It’s an investigative piece on the fast food industry, which I honestly dig, so I didn’t have a hard time reading and finishing it.

Had a crush on someone? Sure.

Travelled on a train? Definitely haven’t done this at all, except for that one time three years ago when I had to do it with Jum to go to the House of Representatives in Manila.

Worn heels? I don’t think I did, no. Been to a friend's house? Yeah, I was at Gabie’s a couple times before the lockdown started. Shared a bed with someone? ^ Just her. Been to see a movie at the cinema? Haven’t been to since Knives Out last December. Paid attention to celebrity drama? Nah. High school drama though, I’ve been all over that the last couple of days lmao. Felt anxious? I feel it at least once a day. Taken an elevator? Sure. Given someone the cold shoulder? Only when I don’t reply to Gab because she takes too long to reply, lol yeah. It doesn’t last too long though; it’s just a playful tantrum thing. Purchased a new book/game/movie? Nah, I think I find most of my content on YouTube/Netflix anyway. Applied for a job? Hahahahahahahahahahhaha not yet don’t rush me. Used a printer? I don’t think so. Had lunch in a park? But do we have parks at all? Lmaooooooooo Gotten a manicure or pedicure? Definitely not into those. Made an appointment? Ish? If the one with the optometrist counts. Had a blood test done? Not since 2010. Suffered from a major bruise? Lol dude I haven’t moved a lot in the last few weeks, there’s absolutely no reason for me to get a bruise. Researched a topic in-depth? Yes. I am in school, after all.

Have you in the last year?

Been to the beach? Yep, but it’s been a literal year and not less than, and I am haaaaaardcore missing the beach. No idea when I’ll be coming back.

Visited someone in the hospital? No and I hope I won’t have to for now, given what’s been going on.

Played pinball? Ooh I just did earlier this month! Gab and I went to BGC for a whole night of partying, and when everyone went home we stayed so we can go bar-hopping, and there’s a place called Barcade that’s...well, you get the name. ANYWAY they had sooo many vintage arcade games and a couple of pinball machines, and we didn’t waste time playing each of them. It was sooooo fun.

Travelled on a plane? A couple of times.

Worn a costume? I was Dora for Halloween, so yup.

Been thrift shopping? I don’t...think so?

Thought about getting pregnant or got pregnant? Hell no.

Made a big life decision? Not really. Hasn’t everyone’s lives been put on hold because of this stupid virus?

Changed a lightbulb? Never had at all, really.

Framed something and put it on your wall? Nah. I’m not really that kind of person.

Been stargazing? I’ve been doing this a lot recently cos I’ve been staying at the rooftop at night more often. And with everyone at home, the light pollution has been clearing up and the stars have been so much easier to see.

Made a new friend? If the new applicants for our org count, then yes.

Added to a collection? I don’t have any.

Been to the dentist? Oh yeah. I had a really bad toothache throughout December but the dentist took it all away ahhdkjfhdjsfhsf I’m so grateful lmao.

Broken up with someone? Nope.

Held a baby? That’s a bigger nope.

Created a budget? Nah lmao I would never be able to follow it.

Confessed feelings for someone? Already did.

Had surgery of any kind? Nope and I hope I’ll never need one.

Quit a job? Never had a job,

Been in a car accident? NO thank god hahahahahahaha Purchased something worth over a grand? Yep, one of my Christmas gifts for Gabie was well around two grand. Pesos though, so that’s like roughly $40. Been on vacation at least 500km/300mi from home? Yeah, we always do at least one of these when my dad’s home. Applied for an academic course? Does enrolling count? I’m still in college lmao. Had your photo taken by a professional? I had my grad shoot taken last January.

#survey #surveys

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donails · 3 years

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Nail art printer market will expect to grow at a rate of 7.30% for the forecast period of 2020 to 2027. Nail art printer market report analyses the growth, which is currently being growing due to the highly preferred beauty routine which leads to increase the demand in the market.

Nail art printer Market report provides with the list of leading competitors alongside the strategic insights and analysis of the key factors influencing the Nail art printer Market industry. This market document also measures the prevailing development trends and patterns alongside distribution and Market channels. The report exhibits important product developments and tracks recent acquisitions, mergers and research within the Nail art printer Market industry by the key players. This Market research report provides the market potential for every countryside supported the expansion rate, macroeconomic parameters, consumer buying patterns, and market demand and provide scenarios. Global Nail art printer Market business research report acts as a robust backbone for Nail art printer Market industry with which it can outdo the competition.

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pampertree · 3 years

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Let Your Nails Make A Statement

Everyone is wanting to break free and express themselves following lockdown and so that upcoming nail appointment is your chance to make a splash! If you still want to go for something traditional that’s OK but why not get adventurous? Go for galaxy nails and you will love them to the stars and back. It really looks like this will be an exciting year for nail trends available at the nail salons in London! So don’t get left behind with last year’s boring shades, not when you can draw envious looks with your 2021 statement nails. It’s time to go for………………..

· Metallic Nails. …

· Galaxy Nails. …

· Jewel Nails. …

· Pastel Nails. …

· Green Nails. …

· Pastel Rainbow. …

· Gradient Pastels…

· Nude and Neon…

· Negative space nails.

If you think a French manicure is so last year think again. 2021’s twist is chrome finishes and gold chrome is stealing the limelight! The nailistas in the top salons are ready to transform you and every fashionista is ready to embrace the new looks.

Go for a Pro Finish

A set of professionally manicured nails just make you feel different. Whether you are looking for those ultra long coffin nails, or a set of made to last shellac nails, the nail bars in London are ready. The nail artists are eager to apply some amazing nail art, something customised perhaps?

Alternatively, influencers are currently going for sleek manicures and it is true that hand care has reached an all-time high for many because of the frequent hand washing. After such a long time since a professional tended your nails,the nails have had a good rest and are ready to be taken to the next level.

It’s your choice whether you opt for acrylic, gel or shellac. But one thing we are sure of, your time and date are already set at one of your favourite nail salons near you! You will not be able to wait to even leave the salon before posing your hands to capture their look and hit your Instagram page. The last thing on your mind is how much does it cost to get your nails done in London? Who can put a price on that feeling?

Finding the Perfect Nail Bar

If you find yourself overwhelmed by the choice of salons, bars and spas available, you may just end up wondering, where can I get my nails done in London? Sometimes it can be trial and error. Prioritise whether you are looking for the skilled technicians, the creative artists, even a salon with a nail art printer, or the vibe of the salon itself. It depends on whether you are looking for pristine white surfaces, or plush pink manicure booths.

Do you prefer the feminine atmosphere or the semi industrial look? Or are you simply committed to a certain method and are looking for the best acrylic nail salons in London. Or if you prefer, gel nail salons in London?

Of course you may need to know who offers vegan and cruelty free products. Hunting down the venue that could be what you want can be easier with the PamperTree search bar. No need to try one salon after another. This way you get to see the top rated salons, including their award winning artistes. You will be on the right track to the best looks for nail this year. The latest trends right now and the inspirational innovators who anticipate future trends!

#nail salon #nail salons in London

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marketing-expert24 · 4 years

Text

How to Start a Business: A Step-by-Step Guide

written by:

Joshua Stowers

Business News Daily Writer

sponsored: www.developermosarrof.com

Starting a new small business? Find out where to begin and how to achieve success.

You want to make sure you prepare thoroughly before starting a business, but realize that things will almost certainly go awry. To run a successful business, you must adapt to changing situations.

Conducting in-depth market research on your field and the demographics of your potential clientele is an important part of crafting a business plan. This involves running surveys, holding focus groups, and researching SEO and public data.

Before you start selling your product or service, you need to build up your brand and get a following of people who are ready to jump when you open your doors for business.

Talk to any entrepreneur or small business owner and you'll quickly learn that starting a business requires a lot of work. An idea doesn't become a business without effort.

Some budding entrepreneurs understand the effort necessary to create a business, but they might not be familiar with the many steps required to launch a business venture. If you're willing to put in the effort to build a business, you're going to want to know the steps needed to reach your goals.

Tasks like naming the business and creating a logo are obvious, but what about the less-heralded, equally important steps? Whether it's determining your business structure or crafting a detailed marketing strategy, the workload can quickly pile up. Rather than spinning your wheels and guessing at where to start, follow this 10-step checklist to transform your business from a lightbulb above your head to a real entity.

1. Refine your idea.

If you're thinking about starting a business, you likely already have an idea of what you want to sell, or at least the market you want to enter. Do a quick search for existing companies in your chosen industry. Learn what current brand leaders are doing and figure out how you can do it better. If you think your business can deliver something other companies don't (or deliver the same thing, only faster and cheaper), you've got a solid idea and are ready to create a business plan.

"In the words of Simon Sinek, 'always start with why,'" Glenn Gutek, CEO of Awake Consulting and Coaching, told Business News Daily. "It is good to know why you are launching your business. In this process, it may be wise to differentiate between [whether] the business serves a personal why or a marketplace why. When your why is focused on meeting a need in the marketplace, the scope of your business will always be larger than a business that is designed to serve a personal need."

Another option is to open a franchise of an established company. The concept, brand following and business model are already in place; all you need is a good location and the means to fund your operation.

Regardless of which option you choose, it's vital to understand the reasoning behind your idea. Stephanie Desaulniers, director of operations and women's business programs at Covation Center, cautions entrepreneurs from writing a business plan or brainstorming a business name before nailing down the idea's value.

"Many people think they have a great idea and jump into launching their business without thinking through who their customers will be, or why these people should want to buy from or hire them," Desaulniers said.

"Second, you need to clarify why you want to work with these customers – do you have a passion for making people's lives easier? Or enjoy creating art to bring color to their world? Identifying these answers helps clarify your mission. Third, you want to define how you will provide this value to your customers and how to communicate that value in a way that they are willing to pay."

During the ideation phase, you need to iron out the major details. If the idea isn't something you're passionate about or if there's not a market for your creation, it might be time to brainstorm other ideas.

2. Write a business plan.

Once you have your idea in place, you need to ask yourself a few important questions: What is the purpose of your business? Who are you selling to? What are your end goals? How will you finance your startup costs? These questions can be answered in a well-written business plan.

A lot of mistakes are made by new businesses rushing into things without pondering these aspects of the business. You need to find your target customer base. Who is going to buy your product or service? If you can't find evidence that there's a demand for your idea, then what would be the point?

Conduct market research.

Conducting thorough market research on your field and demographics of potential clientele is an important part of crafting a business plan. This involves conducting surveys, holding focus groups, and researching SEO and public data.

Market research helps you understand your target customer – their needs, preferences and behavior – as well as your industry and competitors. The U.S. Small Business Administration (SBA) recommends gathering demographic information to better understand opportunities and limitations within your market.

The best small businesses have products or services that are differentiated from the competition. This has a significant impact on your competitive landscape and allows you to convey unique value to potential customers. A guide to conducting market research can be found on our sister site, business.com.

Consider an exit strategy.

It's also a good idea to consider an exit strategy as you compile your business plan. Generating some idea of how you'll eventually exit the business forces you to look to the future.

"Too often, new entrepreneurs are so excited about their business and so sure everyone everywhere will be a customer that they give very little, if any, time to show the plan on leaving the business," said Josh Tolley CEO of both Tribal Holdings and Kavana.

"When you board an airplane, what is the first thing they show you? How to get off of it. When you go to a movie, what do they point out before the feature begins to play? Where the exits are. Your first week of kindergarten, they line up all the kids and teach them fire drills to exit the building. Too many times I have witnessed business leaders that don't have three or four pre-determined exit routes. This has led to lower company value and even destroyed family relationships."

A business plan helps you figure out where your company is going, how it will overcome any potential difficulties and what you need to sustain it. Check out our full guide to writing a business plan, and when you're ready to put pen to paper, these free templates can help.

[See related story: The Best Business Plan Software]

3. Assess your finances.

Starting any business has a price, so you need to determine how you're going to cover those costs. Do you have the means to fund your startup, or will you need to borrow money? If you're planning to leave your current job to focus on your business, do you have money put away to support yourself until you make a profit? It's best to find out how much your startup costs will be.

Many startups fail because they run out of money before turning a profit. It's never a bad idea to overestimate the amount of startup capital you need, as it can be a while before the business begins to bring in sustainable revenue.

Perform a break-even analysis.

One way you can determine how much money you need is to perform a break-even analysis. This is an essential element of financial planning that helps business owners determine when their company, product or service will be profitable.

The formula is simple.

Fixed Costs / (Average Price – Variable Costs) = Break-Even Point

Every entrepreneur should use this formula as a tool because it informs you about the minimum performance your business must achieve to avoid losing money. Furthermore, it helps you understand exactly where your profits come from, so you can set production goals accordingly.

Here are the three most common reasons to conduct a break-even analysis:

Determine profitability. This is generally every business owner's highest interest. Ask yourself: How much revenue do I need to generate to cover all my expenses? Which products or services turn a profit and which ones are sold at a loss?

Price a product or service. When most people think about pricing, they consider how much their product costs to create and how competitors are pricing their products. Ask yourself: What are the fixed rates, what are the variable costs, and what is the total cost? What is the cost of any physical goods and what is the cost of labor?

Analyze the data. What volumes of goods or services do you have to sell to be profitable? Ask yourself: How can I reduce my overall fixed costs? How can I reduce the variable costs per unit? How can I improve sales?

Watch your expenses.

Don't overspend when starting a business. Understand the types of purchases that make sense for your business and avoid overspending on fancy new equipment that won't help you reach your business goals.

"A lot of startups tend to spend money on unnecessary things," said Jean Paldan, founder and CEO of Rare Form New Media. "We worked with a startup that had two employees but spent a huge amount on office space that would fit 20 people. They also leased a professional high-end printer that was more suited for a team of 100 (it had keycards to track who was printing what and when). Spend as little as possible when you start and only on the things that are essential for the business to grow and be a success. Luxuries can come when you're established."

If you need financial assistance, a commercial loan through a bank is a good starting point, although these are often difficult to secure. If you are unable to take out a bank loan, you can apply for a small business loan through the Small Business Administration (SBA) or an alternative lender. [See related story: Best Alternative Small Business Loans]

Startups requiring significant funding upfront may want to bring on an investor. Investors can provide several million dollars or more to a fledgling company, with the expectation that the backers will have a hands-on role in running your business.

Alternatively, you could launch an equity crowdfunding campaign to raise smaller amounts of money from multiple backers. Crowdfunding has helped numerous companies in recent years, and there are dozens of reliable crowdfunding platforms designed for different types of businesses.

You can learn more about each of these capital sources and more in our guide to startup finance options.

Choose the right business bank.

When choosing the right business bank, size matters. Marcus Anwar, co-founder of OhMy.Canada recommends smaller community banks because they are in tune with the local market conditions and will work with you based on your overall business profile and character.

"They're unlike big banks that look at your credit score and will be more selective to loan money to small businesses," Anwar said. "Not only that, but small banks want to build a personal relationship with you and ultimately help you if you run into problems and miss a payment. Another good thing about smaller banks is that decisions are made at the branch level, which can be much quicker than big banks where decisions are made at a higher level."

Anwar believes that when choosing a bank for your business, you should ask yourself these questions:

What is important to me?

Do I want to build a close relationship with a bank that's willing to help me in any ay possible?

Do I want to be just another bank account like big banks will view me as?

Ultimately, choosing the right bank for your business comes down to the needs of your business. Writing down your banking needs can help narrow your focus to what you should be looking for. Schedule meetings with various banks and ask questions about how they work with small businesses to find the best bank for your business. [See related story: Business Bank Account Checklist: Documents You'll Need]

Editor's note: Looking for a small business loan? Fill out the questionnaire below to have our vendor partners contact you about your needs.

4. Determine your legal business structure.

Before you can register your company, you need to decide what kind of entity it is. Your business structure legally affects everything from how you file your taxes to your personal liability if something goes wrong.

If you own the business entirely by yourself and plan to be responsible for all debts and obligations, you can register for a sole proprietorship. Be warned that this route can directly affect your personal credit.

Alternatively, a partnership, as its name implies, means that two or more people are held personally liable as business owners. You don't have to go it alone if you can find a business partner with complementary skills to your own. It's usually a good idea to add someone into the mix to help your business flourish.

If you want to separate your personal liability from your company's liability, you may want to consider forming one of several types of corporations. This makes a business a separate entity apart from its owners, and, therefore, corporations can own property, assume liability, pay taxes, enter contracts, sue and be sued like any other individual.

One of the most common structures for small businesses, however, is the limited liability corporation. This hybrid structure has the legal protections of a corporation while allowing for the tax benefits of a partnership.

"Corporations, especially C-corporations, are especially suitable for new businesses that plan on 'going public' or seeking funding from venture capitalists in the near future," said Deryck Jordan, managing attorney at Jordan Counsel.

Ultimately, it is up to you to determine which type of entity is best for your current needs and future business goals. It's important to learn about the various legal business structures that are available. If you're struggling to make up your mind, it's not a bad idea to discuss the decision with a business or legal adviser.

5. Register with the government and IRS.

To become an officially recognized business entity, you must register with the government. Corporations will need an "articles of incorporation" document, which includes your business name, business purpose, corporate structure, stock details and other information about your company.

Otherwise, you will need to register your business name, which can be your legal name, a fictitious "doing business as" (DBA) name (if you are the sole proprietor), or the name you've come up with for your company. You may also want to take steps to trademark your business name for extra legal protection.

Most states require that you get a DBA. If you're in a general partnership or a proprietorship operating under a fictitious name, you may need to apply for a DBA certificate. It's best to contact or visit your local county clerk's office and ask about specific requirements and fees. Generally, there is a registration fee involved.

After you register your business, you may need to get an Employer Identification Number (EIN) from the IRS. While this is not required for sole proprietorships with no employees, you may want to apply for one anyway to keep your personal and business taxes separate, or simply to save yourself the trouble later if you decide to hire someone. The IRS has provided a checklist to determine whether you will require an EIN to run your business. If you do need an EIN, you can register online for free.

You also will need to file certain forms to fulfill your federal and state income tax obligations. The forms you need are determined by your business structure. A complete list of the forms each type of entity will need can be found on SBA's website. You will need to check your state's website for information on state-specific and local tax obligations.

"You might be tempted to wing it with a PayPal account and social media platform, but if you start with a proper foundation, your business will have fewer hiccups to worry about in the long run," said Natalie Pierre-Louis, an attorney with NPL Consulting.

Obtain all required licenses and permits.

Some businesses may also require federal, state or local licenses and permits to operate. The best place to obtain a business license is at your local city hall. You can then use the SBA's database to search for licensing requirements by state and business type.

Businesses and independent contractors in certain trades are required to carry professional licenses. One example of a professional business license is a commercial driver's license (CDL). Individuals with a CDL are allowed to operate certain types of vehicles, such as buses, tank trucks and tractor-trailers. A CDL is divided into three classes: Class A, Class B and Class C.

You should also check with your city and state to find out if you need a seller's permit that authorizes your business to collect sales tax from your customers. A seller's permit goes by numerous names, including resale permit, resell permit, permit license, reseller permit, resale ID, state tax ID number, reseller number, reseller license permit or certificate of authority.

It's important to note that these requirements and names vary from state to state. You can register for a seller's permit through the state government website of the state(s) you're doing business in.

Jordan says that not all businesses need to collect sales tax (or obtain a seller's permit). "For example, New York sales tax generally is not required for the sale of most services (such as professional services, education, and capital improvements to real estate), medicine or food for home consumption," Jordan said. "So, for example, if your business only sells medicine, you do not need a New York seller's permit. But New York sales tax must be collected in conjunction with the sale of new tangible personal goods, utilities, telephone service, hotel stays, and food and beverages (in restaurants)."

6. Purchase an insurance policy.

It might slip your mind as something you'll "get around to" eventually, but purchasing the right insurance for your business is an important step that should happen before you officially launch. Dealing with incidents such as property damage, theft or even a customer lawsuit can be costly, and you need to be sure that you're properly protected.

If your business will have employees, you will, at a minimum, need to purchase workers' compensation and unemployment insurance. You may also need other types of coverage depending on your location and industry, but most small businesses are advised to purchase general liability (GL) insurance, or a business owner's policy. GL covers property damage, bodily injury and personal injury to yourself or a third party.

If your business provides a service, you may also want to consider professional liability insurance. It covers you if you do something wrong or neglect to do something you should have done while operating your business. Learn more about the types of insurance policies your business might need.

7. Build your team.

Unless you're planning to be your only employee, you're going to need to hire a great team to get your company off the ground. Joe Zawadzki, CEO and founder of MediaMath, said entrepreneurs need to give the "people" element of their businesses the same attention they give their products.

"Your product is built by people," Zawadski said. "Identifying your founding team, understanding what gaps exist, and [determining] how and when you will address them should be top priority. Figuring out how the team will work together ... is equally important. Defining roles and responsibility, division of labor, how to give feedback or how to work together when not everyone is in the same room will save you a lot of headaches down the line."

8. Choose your vendors.

Running a business can be overwhelming, and you and your team probably aren't going to be able to do it all on your own. That's where third-party vendors come in. Companies in every industry from HR to business phone systems exist to partner with you and help you run your business better.

When you're searching for B2B partners, you'll have to choose carefully. These companies will have access to vital and potentially sensitive business data, so it's critical to find someone you can trust. In our guide to choosing business partners, our expert sources recommend asking potential vendors about their experience in your industry, their track record with existing clients and what kind of growth they've helped other clients achieve.

Business News Daily offers reviews of the best vendors across a wide range of B2B product and service categories. Visit our Find a Solution section to find our recommendations.

9. Brand yourself and advertise.

Before you start selling your product or service, you need to build up your brand and get a following of people ready to jump when you open your literal or figurative doors for business.

Create a logo that can help people easily identify your brand, and be consistent in using it across all of your platforms, including your all-important company website. Use social media to spread the word about your new business, perhaps as a promotional tool to offer coupons and discounts to followers once you launch. [See related review: Best Email Marketing Software and Services for 2020]

Be sure to also keep these digital assets up to date with relevant, interesting content about your business and industry. According to Ruthann Bowen, client relations specialist at EastCamp Creative, too many startups have the wrong mindset about their websites.

"The issue is they see their website as a cost, not an investment," Bowen said. "In today's digital age that's a huge mistake. The small business owners who understand how critical it is to have a great online presence will have a leg up on starting out strong."

Creating a marketing plan that goes beyond your launch is essential to building a clientele by continually getting the word out about your business. This process, especially in the beginning, is just as important as providing a quality product or service.

Ask customers to opt-in to your marketing communications.

As you build your brand, ask your customers and potential customers for permission to communicate with them. The easiest way to do this is by using opt-in forms. These are "forms of consent" given by web users, authorizing you to contact them with further information about your business, according to Dan Edmonson, founder and CEO of Dronegenuity.

"These types of forms usually pertain to email communication and are often used in e-commerce to request permission to send newsletters, marketing material, product sales, etc. to customers," Edmonson said. "Folks get so many throwaway emails and other messages these days, that by getting them to opt-in to your services in a transparent way, you begin to build trust with your customers."

Opt-in forms are a great starting point for building trust and respect with potential customers. However, it's important to know that these forms are required by law. The CAN-SPAM Act of 2003 sets requirements for commercial email by the Federal Trade Commission. This law doesn't just apply to bulk email, it covers all commercial messages in which the law defines as "any electronic mail message the primary purpose of which is the commercial advertisement or promotion of a commercial product or service." Each email in violation of this law is subject to fines of more than $40,000.

10. Grow your business.

Your launch and first sales are only the beginning of your task as an entrepreneur. To make a profit and stay afloat, you always need to be growing your business. It's going to take time and effort, but you'll get out of your business what you put into it.

Collaborating with more established brands in your industry is a great way to achieve growth. Reach out to other companies or even and ask for some promotion in exchange for a free product sample or service. Partner with a charity organization, and volunteer some of your time or products to get your name out there. To grow your business quickly, check out our business growth tips.

While these tips will help launch your business and get you set to grow, there's never a perfect plan. You want to make sure you prepare thoroughly for starting a business, but things will almost certainly go awry. To run a successful business, you must adapt to changing situations.

"Be prepared to adjust," said Stephanie Murray, CEO and founder of Fiddlestix Candy Co. "There's a saying in the military that 'no plan survives the first contact,' meaning that you can have the best plan in the world, but as soon as it's in action, things change, and you have to be ready and willing to adapt and problem-solve quickly. As an entrepreneur, your value lies in solving problems whether that is your product or service solving problems for other people or you solving problems within your organization."

#make money online #business #online business #new business #enterpreneur

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washpump · 4 years

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Selecting the pattern and the corresponding finger

Casio pointed out that it hopes to achieve 'just reach out' fully automated printing in the future. Casio pointed out that the Nail Printer nail machine is equipped with technology that can recognize nail shape, curvature, contour correction and other image recognition, printing control and other technologies originally used for cameras and printers. If this goal is achieved, the equipment can be installed in convenience stores, wedding banquet venues, scenic spots, etc.

CO for salons, the nail machine PriNail developed by Koizumi Chengki, and the CureNel developed by Funai Electric. As early as December 17, 2019, KOSÉ’s Maison KOSÉ, an experiential concept 50g Acrylic Cream Jars Manufacturers store in Ginza, set up 5 Nail Printer nail machines for testing.

On April 2, the famous Japanese watch manufacturer Casio joined forces with the Japanese beauty group Kose to release a prototype Nail Printer, officially entering the nail industry. 'Many people respond that they hope there is a machine for toe nails. (Note: Gel Nail, nail pieces made with a gel-like base liquid, and nail art technology with UV fixation. Casio CEO Toshiyuki Iguchi pointed out that the ultimate goal of the group is to 'commercialize nail art machines.

Using the nail machine can provide a perfect solution, and it can also be customized in a short time. (If you want to last longer), you must apply a primer beforehand and a protective layer afterwards. The printing time of a single nail design is 15 seconds. Casio said that this cooperation intends to further utilize the group's expertise and technology accumulated in the fields of digital cameras and inkjet printers.

Casio’s competitors include: e-commerce giant Qianquhui’s fast nail gel Nail system TSUME. The specific method of the Nail Printer nail machine is as follows: the user first coats the Nail Holic developed by Kose on the nails as a primer (drying time is 5 minutes), and then coats the pre-printed layer (drying time 3 minutes), after selecting the pattern and the corresponding finger , Put your hand into the machine, and after printing, apply two transparent protective layers., while introducing local distinctive characters to create new market demand.' In the future, Casio may even be able to do manicures on toes. At that time, the store offered 6 pattern choices designed by Jill Stuart and Tarte.

#50g Acrylic Cream Jars Manufacturers

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annubs-tcs · 4 years

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notjustagirltattoopodcast · 4 years

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Not Just A Girl: Trailer Trash

You can listen to the fourth episode with Mimsy Gleeson here. Or you can view the footage of this interview on YouTube with English subtitles/closed captions here.

NOT JUST A GIRL: Tattoo Podcast

EPISODE TRANSCRIPT

Season 1, Episode 4: Trailer Trash

Eddy: Hello friends and welcome to Not Just A Girl, you're friendly feminist tattoo podcast. I'm Eddy and I'm back to share with you the experiences of artists whose practice is having a positive impact on tattooing. On the fourth episode, we'll be discussing painting for fun, respecting tattoo traditions and running a studio.

Before we begin, I would like to acknowledge the Aboriginal and Torres Strait Islander people whose land was stolen and never ceded. I am honored to be on the ancestral land of the Awabakal people. I pay respect to the Elders past and present and extend my recognition to their descendants.

My guest today is someone that I have looked up to since before I even started tattooing. Um, I've loved her work and even had printouts of it on the wall above my desk. Um, her kindness, uniqueness, um, and respect for the traditions of tattooing are part of why she continues to inspire me. I have the great honor of speaking to Mimsy Gleeson today. Um, Mimsy works at her studio Trailer Trash in Brisbane. Um. Her work, as many of you would know, is probably best described as kawaii traditional. It's all bubblegum and glitter and all kinds of adorable. Um, thank you so much Mimsy for joining me today. It's so good to talk to you.

Mimsy: Hi Eddy. That was, so lovely. Thank you so much. You're amazing.

Eddy: You know, I'm one of your biggest fans.

Mimsy: I don't know what to say that was, that was really beautiful. And, um. I love your description of my style because I struggle with that myself so much. Thank you very much I'm really stoked to be here.

Eddy: Well, um, I guess to start with one of the, I guess probably most common questions, like, um, how long have you been tattooing and what did you do beforehand that led you to tattooing?

Mimsy: Ooh, yeah I struggle with this question because when I started tattooing, there was not I didn't even have a mobile phone, so I don't even know. Like I wish I had a date that I started, but basically I started working in a tattoo shop when I was 20 and I'm 43. Uh, the first year was just, you know, answering the phone and cleaning the studio. Um, so it's been over 20 years. What did I do before that? Well, I was only 20, so it wasn't a heap of time to do too much before tattooing.

Eddy: Still a baby

Mimsy: Yeah. Well, I felt like it, but I have to say, I do know a lot of people who started a lot earlier than that. So. Um, to me, I felt like that was really young to start at 20. So I really feel like I grew up in a tattoo studio. Um, but before that I tried going to uni. I studied, um, gold and silver smithing at uni. Um, yeah, at the Queensland college of art. And I really only did that because I couldn't get into the course that I wanted to do. I wanted to do fine art, um, which is just hilarious to me now because obviously that is not my jam.

Um, and I, they knew that. Um, so I, I did study a little bit at uni. Um, I didn't finish my degree. Um, uh, was partying a bit too much at that age.

Eddy: Who wants to do uni anyway?

Mimsy: Yeah, I think it would have been really valuable. I actually learnt a lot when I was there.

Eddy: That's awesome.

Mimsy: Yeah. But other than that, um, previous to that I just did odd jobs. I worked at a screen printing company, um, and I did a lot of designing for them as well for their t-shirts. Um,

Eddy: So you've always circled around creative industry, like even before you were in tattooing?

Mimsy: Well, I do a lot of like I was a checkout chick and you know, I did that, kind of worked at a sandwich bar for a couple of months. Um, but when I could, yeah. The working for the screen printing company, I think I was only 17. That was amazing because they put a lot of my designs on their t-shirts. Um, so that was, that really sparked a, um something in me I suppose. But yeah, definitely. I've always, I've always created since I was, can remember. Yeah.

Eddy: Oh that's so interesting that you worked for a screen printer cause you do so much cool merch and stuff now. Like I've got a whole bunch of your shirts at home and you're always like bringing out like interesting stuff. Like you did, um, a collaboration with a clothing label as well. Didn't you?

Mimsy: Yeah. For awhile there I did heap of stuff with Sour Puss clothing and I loved that collaboration because I love seeing my artwork on clothing, but I am not interested in marketing, marketing myself. I find that business side of things kind of boring. I just want to do the creating and then pass it to someone else. So that company was great to work for because they had the you know, they're like a worldwide company. Um, and they're so great at marketing and putting their little labels on everything. Um, so that was super fun. Yeah. I love doing that. They do dresses and shirts and shower curtains were really popular. Yes

Eddy: That's awesome.

Mimsy: That's where I knew I made it, I made it to a shower curtain.

Eddy: Your stuff lends itself so well to that rockabilly culture and that style of clothing as well. Like it's such a perfect match.

Mimsy: Yeah, I hope so. I love that style. I love that um, yeah, that sort of cheesy nineties, sort of, uh, yeah, rockabilly, psychobilly kind of style. So, yeah, it was heaps of fun.

Eddy: That's perfect. That's so good. Um, like with your kind of kawaii style that you've come to now, have you always done that or is that just something you developed over the years? Like did you always have the cute pink, bubbly, glittery kind of look in your work?

Mimsy: I probably, ah, that's a tough one. I've probably always wanted to, but never quite maybe knew how. I've always loved that style. Um, my Bible has always been a book called Hell Babies called Jun, uh, by Junko Mizuno. Um, I don't know if you've heard of it.

Eddy: No.

Mimsy: Anyway. Um, uh, yeah, I love that stuff but I also, I'm torn because I feel like that's not really taken that seriously.

So, but I love that you described my style as kawaii traditional because I really still do like to have my roots in, um, more of a traditional style as well. Um, yeah, I'm, I'm torn with that stuff, but I don't know. I don't know why I do what I do. I just, there's no thought behind it. It's all impulsive. It's just like, Oh yeah, I feel like doing this?

Eddy: That's perfect though because then it's really genuine.

Mimsy: There is no method to the madness. Honestly, every day I go for a walk and something stupid pops into my head and I'm like, Oh yeah, I've got to do this, or, yeah. Yeah, I can't, I can't stop myself once I get a silly thought in my head, I have to just do it even if it doesn't work out.

I dunno if that answered your question. Uh, it's always been an influence. Um, but yeah, like I said, I've always really admired people who could mix that kawaii traditional style, like Japanese tattooers, I suppose would be a good example. Um, someone like Sabado, back in the early two thousands, um, was doing all this epic like bodysuit work, but it was also really kawaii, like Japanese style back pieces, but it was just like a giant cat with eyelashes

Eddy: Oh my god

Mimsy: And cherry blossoms. Yeah so

Eddy: I can see traditional Japanese influence in your work, like the way that you do backgrounds and stuff like the clouds and the waves and all that.

Mimsy: I love Japanese tattooing. That's my favorite style. I don't proclaim to be able to do it or even know really hardly anything about it but to me that would be the pinnacle of tattoo style for me, is to treat the body as one canvas. And I'm just big bold work that's not necessarily anywhere near perfect, but just the overall look of a full body. Yeah. So, yeah, I love that style.

Eddy: So amazing. I love when you see um a Japanese backpiece, that's just one subject matter, but huge like a giant koi just across the whole back. It's stunning cause it's beautiful from any distance that you look at it.

Mimsy: Yeah. Yes. That would be the dream. More back pieces

Eddy: I like. I love that back piece you did. Um, that had light was it a backpiece? That's like all mermaids and like sea creatures and stuff or was it a sleeve, I can't remember now. It was like a mer. I'll find a picture.

Mimsy: I think I've done a few like that. To be honest. The idea of doing a back tattoo is terrifying at the moment I might have to wait a while to get back into that.

Eddy: Yeah, we'll ease back into it slowly. Yeah. I love how you, you do mix the cute into it. Like when Sophie and I came and got tattooed by you and you had that entire little flash sheet for us, which I've still got on my wall with all the little cat, things like those cat banana, and I got a cat lady. And Sophie got the little, um, cat makeup compact.

Mimsy: Thank you, Eddy. It's just silly stuff.

Eddy: I don't know. Like you say that your stuff's not taken seriously, but I think that there's a really important place for cuteness in tattooing because I think you know, now more than ever, women are getting tattooed far more than men. And I dunno for some, some, some women getting like big serious, like angry dragons might not be their thing, or like a big angry skull might not be their thing, but if it's something that they feel is like cute and makes them feel beautiful and adorable in their own skin, like that's really powerful for a woman like that, you're doing more than you realize.

Mimsy: That's a good way of looking at it. And I mean, obviously when it comes to that style, the, the industry has changed exponentially over the last 10 years. There's so many of us doing that style. I mean, I don't even know if I can say I do that style because there's so many people that do it way better and like really nail it and do exquisite work in that sort of genre. So I feel like I'm like, I've got to take a step back because I can't even

Eddy: You paved the way, you paved the way for cute tattoos in Australia.

Mimsy: Thank you, Eddy. You know what? A lot of people have said that to me over the years, and even though I feel obviously really uncomfortable and awkward. I also feel really, I feel really grateful and I'm proud of the next generations for being able to, um, express that to me and and I accept that now. I feel really, I'm honored and I feel like I, that's how I feel about a lot of my peers who are older than me and paved the way for me. So I really appreciate that the younger generation or the new, newer tattoo generation, um, are really respectful of people who've gone before them. So thank you.

Eddy: That's alright. I think that's a really important part of tattooing and in some groups that's been lost, like you know, the good traditions of tattooing and respecting the past and the history and how it's come to be where it is now. Like if we can't look back with respect, it's really difficult to imagine how we can look forward.

Mimsy: That's what tattooing is all about for me. That is the bottom line. That is everything is the people who paved the way for me and you. That is, that's, that's our religion. You know, this, you know, if you don't have that, you know, you're right. You've got nothing. So, yeah, I agree.

Eddy: Yeah. I remember another thing like, cause I've, I've always picked that up from from watching you just like online and just from following you and being a fan, like how much respect you have for the past. But I remember the first time I ever met you in person when I guested with you, like a million years ago now but, um, you told me that, you know like to have a good, successful tattoo career. It's not about like fame or likes or followers. It's all about like the customers and those regular customers who come back to you and showing them respect and being kind to them. And that's always stuck with me because our careers are made on those people. And without them we have nothing. And I think like that's a really important thing as well. Like that kindness to our clients.

Mimsy: Yeah. Well that's really cool that you still think of that. Um, probably my horrible voice haunting your, your brain. Um, but I do say that I'm, I say that to any, you know, tattoo apprentice or anything. The first 10 years of tattooing, I was terrible at least, and sometimes I still am, to be honest, but the thing that's always gotten me through is just the connection to my customers being super kind and polite and just the utmost respect for everyone that walks in the door if they're showing it to you.

Eddy: Yeah

Mimsy: Of course. Um, yeah. That is everything is to treat each person like they are the most important part of your life when they in your, in the, in your tattoo chair. So even though, Oh my God, I've done so many terrible tattoos, but those people in those beginning years, a lot of those custumers most of them still come in and get tattooed by me because we have, we have that connection. You know, you become family. Yeah. I strongly feel that one side of tattoo, do you your, you're in my fold. You know, you're in my circle.

Eddy: Yeah. It's more than just a customer for sure. Like because you're spending prolonged periods of time with them, like it's much more intimate and you actually get to know them as people.

Mimsy: Yeah, definitely. And that's why I don't have any friends cause I just don't really need them. I get that I get that interaction with my clients, you know, and they become my friends. Um, so that can be, yeah, that can be a bit dangerous, actually, not yeah. For me, I, I tend to lose, um social skills in the outside world because I get that from my clients. Yeah.

Eddy: It's so funny how like tattooers like a so used to just like in the tattoo shop and interacting with clients and colleagues a certain way that in the real world we're just like, I don't know. It's like there's normies and then there's us.

Mimsy: Yeah. Well, I don't so much feel that, but I definitely feel hermit life and being in, being in isolation for two months, it's not a stretch for me. I love it. Yeah. I'm not, yeah. I don't really feel like I missed, um social life or going out or anything like that. I want more time. It's never enough time for me. I want to paint more. Um

Eddy: Yeah, you've been painting like mad.

Mimsy: Yeah, but it's not enough. That's all I can think about honestly. It's all I want to do.

Eddy: Amazing. But like you can do that. You don't have to tattoo all the time as well. You can just paint if you want to.

Mimsy: Yeah, well, it's been a really interesting experiment because I've always wondered if I could make a living off my art. I did that. Again,

Eddy: No quotation marks, it's art.

Mimsy: Well, I've always wondered that, and it turns out at the moment, I probably could. Um, yeah, I don't really feel like I need to go back to tattooing as extreme as I was. Um. But I can't because I have to get up every 20 minutes and make my teenage kids food. And they're pretty good, honestly. But it's hard because I get interrupted a lot, so I'm glad that they're going back to school in two weeks.

Eddy: It must be hard like you know, being a business owner, being an artist, being a tattooer, and being a mom as well as a partner an all in one thing and then just being stuck in isolation with all of these different hats you have to wear all at once.

Mimsy: Uh, I have a really amazing husband who pretty much just does everything for me and allows me to just function like a toddler most of the time.

Eddy: Pony's so lovely

Mimsy: Uh, yeah, he really just, uh, yeah, we we're a team like that. So he is so supportive of my art that he just allows me to create all day long and he runs around and does all the errands

Eddy: That's perfect.

Mimsy: And, um, all the boring like business stuff. That's, that's all him to be honest.

Eddy: That's awesome

Mimsy: Um. I do take the lead more so on, um, managing the people at the studio that I run. Um, I know that's not specifically what you asked, but I think it's interesting to note, and you might be able to relate to this. Um, I think it's really important that the person managing the people in your studio is also a tattooer

Eddy: Yep, I agree.

Mimsy: Or at least have. Or at least has been,

Eddy: Yeah.

Mimsy: Is very strongly, passionately connected to tattooing

Eddy: Well, you can't really understand how they feel unless you've been in their shoes. Because you know, I think maybe sometimes from an outsider perspective, you might think, Oh, they're just a bunch of babies. Like, but when you're in their shoes and you feel that pressure and stress, you can understand where artists come from with certain behaviors or things they do. So it's maybe a bit easier to have empathy and to approach it in a way that they can understand.

Mimsy: And I'm sorry cause I did just change the subject that you asked me,

Eddy: No

Mimsy: But I've always felt like it's really important as someone who runs a studio to be on the front line with your crew, with your co coworkers always, I'm not a boss, I'm a coworker. I'm on the front line. And that's why as tempting as it has been over the years to not tattoo as much, um, I feel like it's really important to keep that connection and to be there most days alongside them on the same level, doing the same stuff, getting in there, cleaning, whatever, you know, you can't be, there's gotta be someone running a studio that is here with with everyone, you know?

Eddy: Yeah, I agree a hundred percent and I think artists appreciate that too. Like for myself, having worked in studios where it was a clearcut, I'm the boss you do what I say, you're less because you're a tattooer and you work for me and you rely on me. It's kind of like, it feels a little bit belittling, but when you work with someone who's also an artist, they understand you. You can communicate to each other. Like, and you don't feel like they're better than you, like you're just learning together. It's so much like, I think it's a better creative environment as well.

Mimsy: Yes. It's a co-op. We're all in it together. Um, and I really think it's the only way it could work nowadays anyway. The industry is too competitive. Um, you know, your artists could just go and work at their home and register their business at home. So what, what's in it for them if they're going to be treated like they're not on the same level you know.

Eddy: Absolutely.

Mimsy: But I didn't really answer your question. You were talking about all the hats and mum being a mom and stuff. Um, yeah, I guess I could say, you know, my kids are 13 and 15 so they're really self-sufficient.

Eddy: That's awesome

Mimsy: They really, they just want to be in their bedrooms, playing video games or watching trashy YouTube anyway. Um, but they've really, they've really grown up with me, um, being absorbed in my work. Um, and I do have a lot of mum guilt about that, which I'm sure you've probably sort of touched on that subject with other artists before as well. Um, but, um, a lot of other people I've gotten feedback about that, um, seem to think that that might benefit them later on being influenced or having a mom who is really self motivated and focused on, um, you know, providing for my family. Hopefully that will translate to them as well. Um

Eddy: Yeah absolutely. And the fact that you and Pony are able to like work together as like parents and business partners. I think that sets a really good example as well for children that, you know, um, it's, it's got nothing to do with gender. It's just like people doing what they do best and working together with their skills to create an outcome.

Mimsy: Yeah. It's quite awesome for business Biz and Lula because there are no gender roles in our relationship. Um, apart from doing the washing Pony does all of that. But yeah. Um, no we don't. Yeah. Pony has always been the Mr mom, like he ever since they were little kids, he was the one who took them to a kindy every day and hung out with the other moms and he joined the PNC. I was never on the PNC. He became the ah treasurer, I think he was of the PNC when they're in primary school and used to hang out with the other moms. And, um, uh, when my kids were really young, um, my daughter got sick and he decided, uh, we both decided that I would go to work tattooing and that he would look after my daughter. Um, so that was a role reversal because he was full time dad, you know, I was full time work, but he was still working in the business as well. Um, so yeah, that, that was a bit of a role reversal at the time. Um, I think things have changed a lot now in the world, and there's a lot more dads doing that nowadays.

Eddy: Which is amazing.

Mimsy: It's amazing. And there's no need for that. You know this. It's the ebb and flow, you know, cause one day the balance could change. It doesn't matter. Male, female. It's just about the partnership and helping each other out.

Eddy: Absolutely. Like that's the rule. My husband and I have, it's just like, you know, if I've worked a longer day, he does more of the house stuff and vice versa. Like we always try to meet each other equally and contribute equally to our lives as a whole. But it's never like a fight or an argument. It's just like you do what your part because you're a human and like nothing else matters apart from making sure that your lives run easily.

Mimsy: Yeah. Yeah. Well. You're very lucky too, because you've got an amazing partner as well, so

Eddy: He's lovely.

Mimsy: I mean, I can't really see it working any other way, and I feel sorry for anyone who doesn't have that. I suppose really, to me, it just seems like the norm. I don't really see gender roles or, you know, I don't really see any of that in my, in my world.

Eddy: Yeah. I think we're really lucky, like I think especially now in the world we're in where we can just focus more on being humans and on creating equity and not focusing on all that like bullshit that we've been programmed with and just be nice, have a good life.

Mimsy: I hope so. And it's interesting because you know, you've put together this amazing, um, movement with the, Not Just A Girl, you know, starting with the flash day and now this podcast. Um, so, but yeah, for me personally, it's, I feel weird about it because I just don't see it. Like I, I guess I'm just in my bubble and it always shocks me when I meet or see people on TV or anything like that who don't have, you know, gender equality, I suppose. So

Eddy: Yeah. We are very, very privileged to be in our little bubble where we are treated with respect and where we're safe and yeah, I think

Mimsy: That is a very good point.

Eddy: Yeah. I think, you know. Sometimes like that's because that's what we create for ourselves. Like, you know, we do have the privilege of creating that. Not everyone does, but you know, for myself, I don't allow toxicity into my life because I'm not going to have anything that's going to affect me negatively or get in the way of what I need to do. And for me, my focus is producing art and being happy. So like that's everything in my life is centered around making that happen in a positive way.

Mimsy: You're a very amazing role model when it comes to, uh, yeah the self-awareness like that. And I think you are really inspiring. And I wonder what's led you to, to that path and having such a clear vision of, um, of what you, what your beliefs are as well.

Eddy: Well, I've got a, I've got a strong, I got a very strong mom who like from a very young age, was just like you never accept anything less than what you feel you deserve. If you treat other people with kindness and you don't hurt other people, you have a right to like be respected, to be treated with kindness in return and just like respect yourself enough to demand what you deserve. And that was like the biggest thing and taking responsibility for everything you do and feel as a human like cause once you take responsibility then everything else kind of gets a bit easier to cope with. I think so. I'm very, very lucky that my mother is so strong and has set me up to a point where I can maybe try to do good for others in return.

Mimsy: Amazing. Thank you Eddy's mum, you created a beautiful human

Eddy: Big Don. Um. Yeah. Anyway, we got, we got totally off the topic, but that was lovely. I love mom.

Mimsy: I'm sorry I do that.

Eddy: It was mother's day yesterday, so happy mother's day for yesterday, by the way.

Mimsy: I got Kmart vouchers, so I'm stoked

Eddy: Awww, Kmart. Didn't you do a Kmart flash sheet one time?

Mimsy: Yeah I did

Eddy: I love um with your work, how it's just like, there's a lot of humor in it. Like there's a lot of like sarcasm and irony and like you're always kind of, even though you know, not overly like outspoken about lots of different things, you can always like just get like little hints of humor and like ideas and opinions in your work. But it's in a really like cute and easy to digest way.

Mimsy: Thank you for noticing that. That means a lot to me. Um, what can I say about that? That's my way of coping, I suppose. Um, yeah. I've never been, I've tried being a little bit of an activist about certain things over the years that I feel strongly about. Um, but I do feel like artists, um, if any, actually anyone who has an audience has a vehicle to affect people.

Eddy: Yeah.

Mimsy: I don't want to say that I have a responsibility to, cause I don't, I don't know about that. But I do feel like, you know, if, if I've got an audience, like it's, it's not much, but I have a few people following me on Instagram or you know, anyone looking at the piece of paper in front of them, you know, if I can make them think a certain way that's what it's all about to me. I just want to affect people somehow. Like when I go, see, when I go to the cinema and I see a movie, I want to come out of there feeling something. I don't care what it is. I just want to feel something. So yeah, to me, I want people to look at my art and if it makes them have just a little bit of a smile, just even a little bit, I'm like, fuck yeah or something, or sad or anything. I just want people to feel something. That's what, that's what gives me joy, I suppose.

Eddy: I think. I mean, having a message is inherent in our work. Like you said, anyone who's got an audience, it's just inherent part of it. Even if it's not what you're trying to do, you're still, even if you're not putting a message out there on purpose, it still is impacting people and influencing people in a way. But I think, yeah, your stuff definitely has that happiness, like that joy in it. Like, you know, you did a cute little vegan flash sheet cause I know that veganism is something really important to you. And at first you're like, Oh, it's just so cute. All these cute little things. And then you look at it again, you're like, Oh, it's like a vegan thing. I'm like, Oh yeah, like, and then it kind of gets that conversation going about those things and those thought processes, which is really good.

Mimsy: I like to sucker punch people, you know like do just yeah like, just shock people a little bit. If you can just do the juxtapose of things or, yeah. You look at something and think, Oh, that's so beautiful, but then if you look closer, it's actually really disturbing.

Eddy: Like your little COVID drawings you're putting up at the start of isolation I was losing my shit over that.

Mimsy: We're all fucked. You got, I mean, if you don't laugh, you cry right.

Eddy: Absolutely

Mimsy: Kind of a helpless feeling where you just got to go, Oh, well, I'm just going to do something completely fucking ridiculous because who cares anyway?

Eddy: Yeah. I think it's cool to let go of that idea of like worrying about what people think and just do something fun and ridiculous because that's what's going to lead you to something more impactful anyway.

Mimsy: Yes. It's hard sometimes to let yourself or to, yeah. To get your head around that. Um, but that's, to me, that would be the ultimate goal as an artist, is just to never have a design brief and just take, take things too far as you could and further because you're creating it. There's no, I mean, I'm talking about, you know, like not necessarily tattooing because I guess there are constraints, but you've got the ability to make something look like it's flying or, um, I dunno anything, take, take it as far as you can. If that's what you want to do, you're not confined by anything. So

Eddy: Yeah, we don't have restrictions with artists really. Like when we're creating work for ourselves.

Mimsy: That's the dream.

Eddy: Yeah. That's what I feel like, like for those of us who are privileged in this situation, to be able to get like welfare or whatever and live comfortably and not have too many stresses, you know, we can explore those things and like a lot of the people I've spoken to a realize that, Oh, Hey, after this I can actually make time for my art because I realized how important it is in my life and process. And so like coming into this new world after, you know, COVID or whatever, we can still tattoo but we can still have time for art and be a more full version of ourselves.

Mimsy: I don't know how I'm going to have time to do it all. Honestly, I, I'm scared. Yeah. I don't know. It's going to be so weird trying to fit tattooing back into my life.

Eddy: Yeah.

Mimsy: Because yeah, I'm going to have to start slowly I think

Eddy: Definitely cause I mean making art is in itself is a pretty big job.

Mimsy: Yeah. It's definitely a mental sort of a thing that's always there, isn't it? It's just always there.

Eddy: Yeah.

Mimsy: The responsibility yeah I'm not saying it's bad it's just, you know

Eddy: It's different

Mimsy: Probably been good for everyone to have a little break, right?

Eddy: Yeah, I think so. I've really enjoyed it, actually, like aspects of it, obviously. But yeah, it's, it's nice to like not be boss for a bit and just be another person who can't tattoo.

Mimsy: Yeah, yeah. Well we're all, we're all in the same boat, aren't we? Everyone's. Yeah. Um, I can't remember what I was going to ask. You can ask me something cause I forgot what I was going to say.

Eddy: Well, um one of the, one of the things like. Like, I've always wondered about, like, you know, with your studio, like Trailer Trash, it's so iconic. Um, you know, I remember when I first started tattooing, and I think even before when I was going to conventions, you know, your trailer was always the highlight you had your pink sparkly trailer, the grass, like the fake grass, the little white picket fence, the pink flamingos everywhere. Everything was just like so fun. And it's literally the only thing I remember about conventions, like the Trailer Trash thing and it was the same when I came to visit your studio when it was at Archerfield airport, like just how cute it is. Like is that, was that always the plan to have this like studio that's literally a whole other world and experience. Or it, is that just something that came about naturally, like, yeah, I've always wondered about that.

Mimsy: Yeah. Well, I think it's a bit of both, to be honest. Um, I'd always wanted a fifties caravan, like obsessively, I needed a fifties caravan and I had one, I had a couple, and then I spent, I realized, I mean, I love. I love that era and I loved the caravan and I love tattooing. Hello.

Eddy: Yeah.

Mimsy: Hello. Just makes sense. Right? It was like, Oh my God, this it's in front of me like this. This is what I'm meant to do.

Eddy: It's such a perfect fit

Mimsy: I was so excited. And then the name, I mean, I don't even know if it's very politically correct, but to me the name, um, Trailer Trash Tattoos represented, uh, the idea of this is what I am, take it or leave it. I'm not saying I'm perfect. I just do me. I do trailer trash, tattoos. Like, I just, I just do like, sorry, I can't be this fine artist that you want probably it's just who I am. So it was like, I'm just putting myself out there. The way that I am, take it or leave it. Um, so yeah, when, when I got the trailer and I realized that, and then I found out that I could legally do it, um, that was pretty exciting. Uh, my dream at that point was to tattoo in the trailer full time. Um, and then my dream was to actually own a trailer park

Eddy: That's amazing

Mimsy: where it was all. I know that was my dream. So then when I started, um, when I opened the Archerfield studio, we found a warehouse, as you may remember, cause you worked there. Um, I want, I wanted a warehouse. And to set up a trailer park in the warehouse.

Eddy: It's so good

Mimsy: And so my, the only way I could do that financially was I had three three fifties trailers in the warehouse. Um, but then I realized it's not really very comfortable and no, no other artist is gonna want to do that. So there was a mezzanine level and I wanted that to overlook the trailer park. That was my dream. I wanted like a panoramic view looking down on the trailer park that was in the warehouse. But of course the reality was the window that we could cut into that wall was only so big. It wasn't, yeah. It wasn't a panoramic

Eddy: You could still see the trailer park.

Mimsy: You could. So in my mind it was this, you know, trailer park in a warehouse and I tattooed in the trailer, and then I had people tattooing on the mezzanine as well. And it was the whole yeah step into my world. Like a, like a museum, like a fifties trailer park um, all set up. And I'd be all dressed up and it'd be just the full experience. Yeah. Cause you can right, there's. Well, like who's to tell you what you can and can't do, except for the government? Of course,

Eddy: They love to tell you what you can and can't do.

Mimsy: So there was that restriction. So to be honest, that's, that's where my mindset was at it was just like, wow, I'm going to do this ridiculous thing. And of course the reality was it got whittled down to the you know, three caravans in a warehouse

Eddy: It's still worked. It's still had its impact.

Mimsy: Yeah. It was. We Pony and I, like I was saying before, we took things as far as we could, it was completely impractical. Um, yeah. And we lasted I think we were there for five or six years, which is insane, because it was in the middle of nowhere. It was literally in the middle of nowhere. It was ridiculous, and somehow, I don't know how we attracted all these incredible guests artists like yourself, and I could name 20 other artists. They will all, they all want it to be a part of this from the start they wanted a piece of this ridiculousness.

Eddy: It's so good though. I feel like it's become a part of Australian tattoo history though. Like just this crazy other world that you created.

Mimsy: I hope so but I have to admit it's gotten harder now that we're it's gotten harder for me to preserve that part of myself, but I hope to go back to it in some way.

Eddy: Yeah.

Mimsy: Yeah. It's not all written. The books aren't closed on that because there's possibility there could be a reinvention, some point in my career.

Eddy: I look forward to seeing that. But it's cool that you're able to just like go with the flow and just work with what you're given as well. Like, you know, you're in a beautiful building now, although you guys haven't had the best year with the fire and everything, but yeah, like you still always got a beautiful space to work with.

Mimsy: Yeah. Well, we, when we moved there, which is in Annerly, which is about 15 minutes from Brisbane CBD, um, we were actually looking for a space that was a street shop. Uh, of course, Pony and I got led carried away by our hearts when we found this old Queenslander building and we'd moved into that space, which is where we are now. Um, so it wasn't really the plan, but to be honest, the reason we, you know, I've evolved in that direction is because of my workmates. I haven't really, um, worked with anyone who particularly really wanted to be in my kawaii bubble. I don't even know if there is anyone else in the world that would want to, because its a bit weird in there.

Eddy: You're in a world of your own.

Mimsy: The idea. Right. So the idea with this evolution of trailer trash is to include everyone. So not I, you know, not, it's not all pink and sparkly and whatever. The studio, it's more inclusive and for all, for everyone's clients as well. It's still beautiful. And my room that I work in is still pink, but the idea behind this evolution was to respect everyone that I work with in the way that I represent the studio.

Eddy: Yeah. That's so beautiful. And that's like, I think a really good example for other studios to follow that you know, it's important to be inclusive and not just like focus on your own ideas, but include everyone you work with because that creates more diversity and invites more people into the space.

Mimsy: Yeah, I always want, um, the people that I get to work with, I always want them to have their own space to create as well. I think that's really important. Even if it's only a wall or a couple of walls or a corner, everyone needs to be able to express themselves cause we're artists. Um, that's, that's how I feel. Um, so we're really lucky. Even though we did have like you were saying that you have bad luck at the beginning of the year with with our fire. Um. We're really lucky that now we have a space where a Swazi and Alegra and I all have our own room, and then we have a whole downstairs level as well. So there's heaps of space for us now, which is going to become really handy because we're all gonna have COVID safe.

Eddy: Hmm.

Mimsy: Plans going forward. So that's going to be handy for us, even though, like you said, we did experience some bad luck. Um, on the flip side, the positive is now that the studio is being renovated again after the fire, a lot of us can have our room and we've heaps of space to spread out.

Eddy: That's awesome. And you've got such a good team to work with as well. You've always got the most incredible lineup of artists at your studio.

Mimsy: Yeah, we're very lucky. We're very lucky, but also probably not just luck. Um, I'm pretty, how would you say, yeah, I'm pretty full on when it comes to two first impressions and also it takes quite a lot for me to completely trust someone. So when I put someone on full time, you know that I think that they're worthy cause I'm not mucking around. I'm 43 I've been tattooing for over 20 years. If you're, you're not going to take things seriously, or you know, be a good person is the main thing.

Eddy: Yeah.

Mimsy: That's number one.

Eddy: Absolutely

Mimsy: I'm not muckin I'm just not mucking around.

Eddy: Yeah, that's, that's good though. You go to set boundaries. I do the same here. Like my most important thing is that the person is a kind person who's inclusive and thoughtful and respectful. And then after that it's their work and how they treat their customer. And then, you know, like a whole array of other things. But everyone has to be able to work together or not at all.

Mimsy: Yeah. Yeah. It's a, it's a tricky balance, but we do it.

Eddy: It can be hard managing tattooers egos, cause we've all got them, whether we like to admit it or not. But

Mimsy: Yeah. Well, I have to say that's probably the secret of the success of the current crew that I have is that there's really not much of that at all.

Eddy: That's amazing.

Mimsy: That's just out the window, like were all just nerds or you know, just social dysfunctional people. Like they're just, there is just no ego in our studio at the moment. It's really easy to go to work every day, and I love that feeling when you just, you feel like you could go in your pajamas and no one would bat an eyelid. Do you know what I mean?

Eddy: That's the best

Mimsy: Just noone cares, all we care about is the tattooing. You know, and just looking at what each other does. And, um, yeah, that's, that's all we care about is that, that's our connection with each other. Yeah.

Eddy: I love that. When you're in a studio where everyone's looking at each other's work and enjoying each other's work, that's just like, that's the best feeling ever.

Mimsy: Yeah. Well, we, weirdly enough, another great thing that came out of the fire that we had is that we all had to move downstairs. So there were, I think there was seven of us, or eight of us. Sorry, I'm really bad at remembering. We were all tattooing sort of in the same space and really closely. And I'll, cause usually I'm upstairs in my own room, so was Chantelle and Alegra and Swazi, but we all converged downstairs for a few months. And um it really bonded us. But now we're separating again cause when we're ready to be apart again

Eddy: I think customers enjoy it too when there's, um, a good relationship between the tattooers like, it makes them feel more comfortable and safe to come in as well. And like, you know, whether another tattooer comes up to them and goes, I really love the tattoo you've just got a really like enforces for them that, Oh yeah, I did, I made the right decision with this life changing thing that I've just done to my body.

Mimsy: They love it. And also you might be able to relate to this. Um, the upstairs level of trailer trash is all girls and it didn't intend to be that way. It just evolved that way and it's been so great, like a lot of our, well, not just female customers. A lot of our customers just feel so relaxed and just, yeah. I mean, there was no ego anyway, but there's definitely no ego when you're. I don't know, it's been, it's been so good and just so easy.

Eddy: Yeah.

Mimsy: Do you have any comments on that? Is that a tricky subject?

Eddy: No, like I think it does change the dynamic. Like I, in the last year I was at STR, I worked with two guys or three guys, sorry, who were amazing and there wasn't any issues with them at all. Like I absolutely loved working with them, but then when I came and opened FLT, I had no intention of like hiring only like female identifying people. But that's just what happened. And even though I loved working with these boys, working with just the girls for a while, it was actually like really a welcome change. Like again, I don't judge people on their gender or anything like that, but it just was different. Like, you know being able to come to work and not really worry about what I was wearing, how I looked. I could talk about menstruating and like PMS and all of those things that I felt awkward talking in front of other people about. But then suddenly it was just like everything's on the table. And then it was like there were no walls anymore.

Like talking about all kinds of personal things, like there's no such thing as too much information anymore. We're just so comfortable. And that made our customers more comfortable as well. And so even though now we've got Paul working with us, I'm like, it still hasn't changed. Like he's just fit into that, that thing like that, I guess new vibe where it's just all about being yourself, being comfortable, being honest and not competing, not trying to have this like weird bravado or anything like that. And it's made work coming to work so much more pleasant.

Mimsy: Hmm. Amazing. And it is a tricky subject though, cause I think you actually used to get asked that a lot before you had, is it Paul before you had, yeah, it is a tricky subject. And like I was saying, to be honest, it was really refreshing going back downstairs and working with all the guys again as well. Yeah, I'm the same. It doesn't matter. I don't care. It's your personality that the clincher it doesn't matter. But

Eddy: People really grasp onto it though. Like we were always like, Oh, you're the girl shop, aren't you? And I'd just be like, no, we're the tattoo shop, we happen to identify as women, but we are tattooers. Tattooers first and foremost. None of the other stuff matters. But people would really like get funny about it. Like we had one guy who canceled, um, a full day appointment when he found out there was no men here because he didn't he didn't feel comfortable being tattooed when there were no men around.

Mimsy: Whoa.

Eddy: Yeah. And we had,

Mimsy: I don't know, I mean, I guess he can't judge like can you, cause maybe that's a valid feeling that someone has.

Eddy: Yes, It's really interesting that like that toxic masculinity, that that idea of like he could not trust women to do as good a job as as men. And cause the way he worded it, that's what it had actually come down to. Like, I do find that I've had a few incidents like that where it's like, people were shocked that like, you know, they would often ask me if my husband was running the studio with me. Like as if I couldn't do it without a man behind me. Or like, I dunno, like, well I'm safe in my world and I'm not judged on based on my gender, I'm only judged on my abilities. You know, it's interesting people who are outside my little social circle coming in and being like, Oh, why aren't they boys here? Like, you know, it's a different tattoos shop, it's just a tattoo shop. You know? No one questions, whether it's okay for a woman to go and get tattoed at a shop where only men are working, but then we would always be like, Oh, what are men allowed to get tattooed at your shop because there's only a female tattooers. And I'm like ofcourse everyone is welcome here. You're all safe. You're all welcome. Please come. But please treat us with respect to, but yeah

Mimsy: I know that feeling really well, but I guess I'm kind of shocked that that is still happening so much. When I started tattooing, because I was only 20 so I looked like I was 10 I was so young. But then people that walked in the shop I think it was probably women too, probably. Um, yeah. They wouldn't take me seriously. That'd be like, Oh, I was one of the guys here

Eddy: Yeah.

Mimsy: To talk to. That was a combination of me being female and young, so I get, I get the inexperienced thing. Yeah. I'm a bit shocked that that's still a thing. I don't, I don't really come across it anymore myself, but I wonder if that's just because I just, I mean, you're the same though. I just have a zero patience for that at all, and I think I put that vibe out there so strongly because I've been in the industry so long, I'm really confident with people who are going to act like that and I just, they just don't last very long around me, I suppose.

Eddy: I think the way that we come across on social media, we attract the kind of customers who are going to treat us with respect. Like. I think when they take a look at our work or our social media or whatever, like they know that they're not going to get away with that. You know, like on my bio, it's hashtag feminist, you know, so they know that it's not going to fly here, but it's see and that's where I can't tell if it's happening less or it's just that I'm not attracting those kinds of clientele anymore. But like, I remember the first time I really noticed the difference. Like I always knew that, you know, I was always asked if I was the receptionist and all that, but I remember one time I went to a customer with a design and they were like, this is terrible. I want this and this and this changed. And I explained to them from a technical point of view why these things wouldn't work as a tattoo and what we would do instead and what their options were. They were like, no. No, I want what I want. And then my colleague, um, Drew came over and repeated exactly what I said, and they were like, Oh, yeah. And he just turned around and he was like, what the hell, yup, that's what it's like.

Mimsy: Yeah, I'm sure. Yeah. I'm sure it probably still. Yeah. I mean, let's, let's get into it. I feel like the tattoo industry is still, females are still very underrepresented. Um, in this industry. So I suppose that's kind of related, it's all, it's all connected, isn't it?

Eddy: Yeah. That's why I wanted to do this because I've been in isolation. I've been listening to podcasts, and there's some amazing podcast out there that I've really enjoyed, like tattoo themed ones. But the vast majority of the people who were being spoken to are white cis-het men. Like they're just. It's bro culture and I can't relate to that, and it's great that they've got a platform, but we would also like a platform.

Mimsy: Yeah. Thank you, Eddy. That's awesome. It's always been something that's really bothered me in this industry. I remember the first tattoo convention I went to. They had a press conference, um, at the beginning of it, which is weird. I didn't know they did that. They had a panel and there was media there and stuff, and there were 10 people on the panel representing the tattoo convention, not a single female on the panel. And I just was watching this thinking, there's nothing for me here. I this. Yeah. And anyway, even now. It really irks me. There's so many things, like, you know, art shows, for example, to tattoo art shows that, and they're not, they're not like um meant to be a particular thing, but you'll see a lineup of 40 artists tattoo artist and maybe there's one more two females on there. I mean, what's with that?

Eddy: Yeah. It's like you've got your token woman to shut them up.

Mimsy: Yeah

Eddy: But yeah,

Mimsy: I mean, if you have to go out of your way and represent fairly, if you don't know any female tattooers that you can invite, you know, if, if your circle of friends is all male and you're organizing this art show or whatever. Well guard or some trouble and get some more females on there. Like why wouldn't you?

Eddy: Yeah

Mimsy: It's just weird. It's weird to me.

Eddy: We need to be more inclusive. Like it's the only way to make people feel more comfortable and safe. And I think as well, like the more inclusive we strive to be, the less we're going to see issues with abuse and stuff in the tattoo community be that of artists or clients.

Mimsy: Oh, that sounds, that sounds like a can of worms that I don't know about.

Eddy: Yeah. Let's not go down that route. But yeah. But I feel like there are some conventions. Like going back to the convention thing, like there are some where they're trying to be more inclusive. Like, like we both love the New Zealand. Um, tattoo and art festival, cause that does I as a woman there, I don't feel objectified. And same as Literary Ink, um, in Chattanooga in Tennessee. Like that was one, it was probably the most inclusive and safe convention I've ever seen in my life.

Mimsy: Wow. It looks amazing. Okay, so cool. Yeah. I've never thought about feeling objectified, but maybe that's because I'm usually like in like with my trailer all trashed up. Maybe I objectify myself in some weird way. So I don't know.

Eddy: You're in your little bubble.

Mimsy: Yeah. Yeah. I don't know. The pendulum has swung so far on one side, for all of humanity

Eddy: Yep

Mimsy: If it swings a little bit too much this way for a while. That's the way it's meant to be maybe so that seeing things can come back here.

Eddy: Yeah.

Mimsy: But if it has to swing a bit this way for women for a while. It's because it's swung that way.

Eddy: Yeah. I think that's the only way to achieve true equity anyway. Like you can't just suddenly turn around after years of like you know, inequality and oppression and whatnot, and just be like, okay, now we're going to treat everyone equally. No, you've got to like first raise women up raise trans and non binary people up and give everyone an equal footing to then start from and to go from there and yeah. That's, I'm seeing more and more groups generally, but in tattooing where they actually fighting for space and for a platform to say, no, I'm going to be heard from now on.

Mimsy: Wow. Sounds amazing.

Eddy: It does let's hope that like, you know, in, in 20 years time, like people coming into the industry are all treated with much more kindness and equality and not mistaken for a receptionist.

Mimsy: It's hard to imagine what the tattoo industry would be like in 20 years time, isn't it?

Eddy: Yeah. Well, I guess that would be a good. A good question to finish on, like what would you like want to impart on future tattooers or even like people recently coming into the industry, like from your 20 years of experience and seeing things change so much, like what would you love to see people bringing into it moving forward.

Mimsy: Well, firstly, I guess I have to comment that my 20 years is a drop in the ocean. I feel like I'm only half way to earning some kind of a respect as being like a, you know, uh whatever, whatever you want to think of it. Um, because I look up to tattooers who've been tattooing for 50 40 50 years, and they're the people who I go, wow, you know, you've paved the way. So I don't feel like 20 years is anything, but anyway, what would I, what would I impart.

Just, yeah. Just to respect the people who've, who've gone before you and to, to understand that. And, uh, it's, I can't, I can't relate to the newer generations. I just can't because I, yeah I didn't even have a mobile phone until I was 25. Like I'd already been tattooing five years, so there was no Google or anything like that. It's really hard for me to relate to the younger generations or people who are coming into tattooing, but I guess, you know what it just comes down to is just be passionate about it. Just be obsessed with it and love it. Otherwise. Just don't bother, um

Eddy: It's almost like it's almost like a kick in the kick in the back or something when they don't love it.

Mimsy: Well, yeah, you mean the, I, I'm not don't want to judge anyone, but I just think if you, if you love and are passionate enough about something. Then you will research it properly and treat it with, with the care that it deserves. This craft that has been handed down person to person needs to be kept and treated really carefully and gently and, um, with respect. And that could be, that could mean so many things. But I dunno, I just stay connected and um, yeah, it's, stay connected to you to your pencil and your paper as well, and not just your iPad maybe as well. Um,

Eddy: You do get a disconnect with the iPad, I think, like I was using iPad almost exclusively for about a year. Like I just kind of eventually slowly went over to that and then in isolation started sketching in my sketchbook again and it was just like, I guess this cause it's so much more tactile and there's like a transfer of energy or something and just the feeling of the tooth of the paper under your pencil. There's something special about that that we should definitely never lose.

Mimsy: Well, don't get me started on the iPad. All it's done is confused my brain. I've got one, I think it was probably just over a year ago, and what has happened to me is exactly what I thought would happen. Now I'm just stuck in like a limbo between two worlds because you're right. I feel like you need to just work on the iPad for a long time to master it or to be any good at it. Um, to just dabble in it like I really can hardly do anything on it, but if I'm on the iPad for a prolonged amount of time I'm so disconnected from painting and drawing. That's really hard to get back into that.

Eddy: Yeah.

Mimsy: So to do, to do both is really hard and confusing.

Eddy: Yeah. I think there's definitely a place for both, but I think it's, if it's possible, like not losing a connection with just pencil and paper, I think will help people and their art making so much more.

Mimsy: I guess so, but I would never want anyone to feel like I'm judgy or like have a preconceived idea of what an artist should be either.

Eddy: Yeah.

Mimsy: You write your own book when it comes to that. But, um, I guess I can only just say from my own sort of perspective, maybe that's my advice to myself. I don't know if I can give anyone any advice that would, that would seem like I'm some kind of a, um yeah like, like, I know what I'm doing.

Eddy: We're all just like chickens with our heads chopped off, running around trying to figure shit out.

Mimsy: Pretty much.

Eddy: Oh, it's been so good talking to you.

Mimsy: Thank you Eddy. It's been great. Even just to see your face and have a chat too. Cause you know, I don't really talk to many people nowadays.

Eddy: I think the last time I saw you was in New Zealand last year.

Mimsy: Yeah. Well, we'll see if it's on again this year. Were you booked to go?

Eddy: Yeah, I was, I was going to take, um, some of the crew as well this time and

Mimsy: It was going to be November. But yeah, I mean, I think we'll be lucky if it is on hey.

Eddy: Yeah. If not, it'll happen again.

Mimsy: Um I was meant to be tattooing in Melbourne last weekend too, so I'm wondering, yeah, I'm wondering if our borders will reopen, but I don't want them to reopen until it's safe though.

Eddy: Yeah. Exactly. It's like, you know, part of you is like desperate to be able to travel and do all the things you used to do, but then you kind of like people safety is actually more important right now.

Mimsy: Yeah, I'm not, I'd rather just stay here in my office and paint everyday, I feel bad cause I've still got, you know, deposits from 20 people who have booked in with me in Melbourne. So it's just, that's how, that's why I feel bad and I'm going to get down there

Eddy: Yeah, you'll get there eventually.

Mimsy: Yeah. Well, thank you so much for including me in your amazing podcast, and I wish you all success in the world with this Eddy. It's a really great way to reinvent, um, the Not Just A Girl concept. Um, and you know, I'm really grateful that we ha, you know, in Australia we have you as our icon for. For that, and you really are, you really become that for us and you, you become a real leader and someone who inspires. Um, and that's really important and just, I have to say you're really brave as well for doing that. Um

Eddy: I just feel like I'm doing what I need to do. Like, just want to uplift other, other women, other people, like just want to do my bit to make tattooing happier and safer.

Mimsy: It's amazing that you feel that calling and that you're acting on it because that does take a lot of bravery to physically go out and do something about it. And you know, we owe you a lot for that, so thank you.

Eddy: Oh, I don't think so. See, I feel like, you know, it's women like you paving the way, like inspiring, you know, my generation to tattoo is like, we owe you all our gratitude.

Mimsy: Well, thank you. And I love you too.

Eddy: Well, um, just to our listeners, if you'd like to, um, check out the footage, you can see our YouTube channel. Um, you can follow us on Instagram at Not Just A Girl underscore Tattoo for regular updates. Um, in the show notes, I'll link all of Mimsy's details and Trailer Trash details so that you can see their wonderful work. Um, please subscribe, follow and share and help spread the love of tattooing. Huge thank you to the wonderful Mimsy for joining us today and sharing your story. Um, yeah. Like I really appreciate you coming on and I really appreciate everyone for listening. So thank you so much. I love you Mimsy

Mimsy: Love you, thank you, stay cute.

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