#Neill

[codeandcanvas]

A note from “Getting real with Timothée Mathon”

“About Artstation, I see that like it’s Instagram for art. Like, you see on Instagram the body shapes and the lifestyle that you see on the front page of Instagram? It’s not the norm–it’s not even what is recommended, for a lot of people. It’s just what a lot of people like to consume. And it’s the same for Artstation: what you see on the front page of Artstation, even when you log off and just have the Artstation–not the thing curated to you–the Artstation selection, it’s not what the industry needs, it’s not what the industry has done, even when there’s a logo from a game because it’s just a curated version of that, they never show the crappy sketches.

Because on(sic) an investment standpoint, an investor (who) will see the sketches will not have the eye, and will be like ‘ok, you(r) artists are garbage, what the hell is happening righ there?’.

So, they want to show the sexy stuff, and this is just what people like to consume and press like on, and the algorithm wanting you to stay for as long as possible, just like any other social media, rewards that.

And what you see on the front page you might think it’s good, it’s the norm. For some people, it’s very good, of course.

But this is not what the industry needs.”

I put this interview on during my study of Kapitzki’s “Programmiertes Gestalten”, which I am glad to say I now have two in my possession, temporarily, and the thought kept crossing my mind, that what I am currently doing, is taking a workation to work on the things which are the junior level designer tasks: the things which Feng Zhu calls people out for calling them “easy”.

The quote above can be found at around https://youtu.be/jzJodyjVlls?si=tdMePvTb4hPMHt95&t=2423 but I would listen to it in context if I were you. Also, as a bonus, here is the video Mathon and Neill talk about, from Zhu:

As someone who is interested in freelance work, I am especially interested in everything which backs me up in my need to rebuild and cement my design foundation from my graphic design study, well above passing grades.

Because it is not about passing. It is about becoming so good, that all of the work becomes play again.

[livethebruise]

[goldsainz]

# FC43 — A WAG PROMOTION !

MASTERLIST !

001. SUMMARY !

✯ a new f1 driver means a new f1 wag.

002. NOTE !

✯ first fic with these theme (& also first franco fic) pls tell me how you all feel🙏 honestly i’ve become obsessed with making insta stories so ignore my repeated use of them (or don’t).

yourusername updated their instagram story!

yourusername updated their instagram stories!

liked by lilymhe, bizarrap and 208,563 others

yourusername monza, forever in our hearts.

view all 3,128 comments

francolapinto El de azul 🤤

⤷ yourusername he’s mine, back off

francofan1 HE DID SO GOOD

francofan2 omg lily liked!!!!

ynfan1 officially the best dressed f1 wag

⤷ francofan3 ate all the other girlies up

ynfan2 that yellow look is to die for

ynfan3 mother is mothering

francofan4 awww they’re so cute 🥹

francofan5 how did he bag her

⤷ francolapinto es un secreto pero veni… ser argentino 🤫

⤷ ynfan4 BYE HE’S NOT SERIOUS

[filmgifs]

JURASSIC PARK (1993) Dir. Steven Spielberg "Just think of it as... kind of a big cow."

[losthavenmine]

Jurassic Park (1993)

[cosmonautroger]

Isabelle Adjani, Sam Neill, Possession, 1981

[lostsoulincssea]

HAPPY BIRTHDAY, LOIS LANE! (AUGUST 17)

You want to see real courage, look at someone like Lois. She's as vulnerable as you or me, but still she goes looking for trouble again and again. — Clark Kent, Superman Adventures #4

[wally-b-feed]

Anthony Fineran (B 1981), Beige Neill Terry, 2022

[geminiscene]

isabelle adjani and sam neill in possession (1981) dir. andrzej żuławski

[in-love-with-movies]

Jurassic Park (1993)

[the-cricket-chirps]

John Rea Neill, Illustration

Jack Pumpkinhead and the Sawhorse

By L. Frank Baum, 1913

[six-demon-bag]

LAURENCE FISHBURNE as Captain Miller SAM NEILL as Dr. Weir EVENT HORIZON (1997)

[thelighthouseandthekraken]

in regards to Con O'Neill coming out as queer:

do not make him regret his vulnerability with us.

Our Flag Means Death and the fandom helped him feel more comfortable sharing a personal detail with us, but he doesn't owe us anything more.

He doesn't owe us specific labels

He doesn't owe us any explications.

We do not need to speculate on his identity, it is not our business.

He has been incredibly generous with the fandom (much of the cast and crew have been) and it was a very intimate thing he decided to share with us.

It's enough

Be respectful of his privacy

[artostattoo]

Tyler O'neill Tattoo

You Must Know Tyler O'neill Tattoo. Ago if you notice, the tattoo on his upper left arm is a cross. He's also got his arm done.

St Louis Cardinals Tattoos from tattoo-awe.blogspot.com

Tyler o'neill of the st. This young man has ink on his chest too. Louis cardinals' tyler o'neill, left, is.

Source: www.inklocations.com

He (literally) bleeds canadian, with a sweet mapleleaf tattoo on his arm. Tyler alan o'neill is a canadian professional baseball left fielder for the st.

Source: www.inklocations.com

He's also got his arm done. Once tyler o’neill got the call, he could care less that he was running on fumes when arriving at wrigley.

Louis Cardinals' Tyler O'neill, Left, Is.

He made his mlb debut on april 19, 2018. Tyler o'neill of the st. Ago if you notice, the tattoo on his upper left arm is a cross.

This Young Man Has Ink On His Chest Too.

Louis cardinals of major league baseball. And the three black bands around his wrists symbolize rubber. It's the full hand and neck tatts that have me intrigued [deleted] • 6 yr.

He (Literally) Bleeds Canadian, With A Sweet Mapleleaf Tattoo On His Arm.

Tyler alan o'neill is a canadian professional baseball left fielder for the st. He's also got his arm done. Once tyler o’neill got the call, he could care less that he was running on fumes when arriving at wrigley.

See More Ideas About Traditional Tattoo Sleeve, Old School Tattoo, Traditional Tattoo.

[heaven-knows-what]

Isabelle Adjani on the set of Possession (1981)