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filmgifs · 21 minutes
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Eat Drink Man Woman (1994) dir. Ang Lee
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filmgifs · 2 hours
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Late Night with the Devil 2024 | dir. Colin and Cameron Cairnes
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filmgifs · 3 hours
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THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001)
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filmgifs · 4 hours
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DERMOT MULRONEY Breakwater (2023)
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filmgifs · 4 hours
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CILLIAN MURPHY as DAMIEN O'DONOVAN THE WIND THAT SHAKES THE BARLEY (2006) dir. Ken Loach
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filmgifs · 5 hours
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❝ To come to the end of a time of anxiety and fear! To feel the cloud that hung over us lift and disperse—the cloud that dulled the heart and made happiness no more than a memory! This at least is one joy that must have been known by almost every living creature. ❞
WATERSHIP DOWN (1978) dir. Martin Rosen adapted from the novel by Richard Adams
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filmgifs · 6 hours
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Star Wars: Episode IV – A New Hope dir. George Lucas | 1977
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filmgifs · 7 hours
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I find the world a bitter and complicated place. And it seems to feel the same way about me. You and I have that in common, I think.
The Holdovers (2023) dir. Alexander Payne
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filmgifs · 7 hours
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Well I know this sounds corny, but whenever I feel the temptation of peer pressure, I turn to God and he helps me through the problem.
CRUEL INTENTIONS (1999) dir. Roger Kumble
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filmgifs · 7 hours
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Miss Congeniality (2000) dir. Donald Petrie
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filmgifs · 8 hours
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10 THINGS I HATE ABOUT YOU (1999) dir. Gil Junger
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filmgifs · 8 hours
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SPIRITED AWAY (2000) HOWL'S MOVING CASTLE (2004)
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filmgifs · 8 hours
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Academy Award Winners for Best Cinematography: 2005 — Robert Richardson, ASC The Aviator (2004) Directed by Martin Scorsese Aspect Ratio: 2.39 : 1
“Prior to my involvement, Marty designed a color timeline that influenced every creative department. He wanted the progression from a two-color palette to a three-strip palette to approximate the technological advances of the film industry at that time, but more importantly, he felt it would mirror the characters’ emotional evolution. The first act, which covers Hughes’s early career in Hollywood, was supposed to have Technicolor’s two-color look. With the second act, which begins after Hughes sets a speed record flying across the continental United States [in 1937] and goes with Katharine Hepburn to Connecticut, we transition to that vibrant, three-strip look that most of us associate with the glorious Technicolor years. Then, when Hughes almost dies crashing the XF-11, we were going to cut into a more contemporary look without either Technicolor process applied.”  — Robert Richardson for American Cinematographer, January 2005
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filmgifs · 10 hours
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Devil (2010)
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filmgifs · 10 hours
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🎬 Aftersun 2022, dir. Charlotte Wells
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filmgifs · 10 hours
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THE LAND BEFORE TIME (1988) dir. Don Bluth
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filmgifs · 11 hours
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bru & dee’s friday movie night (4/?) ◆ rear window | 1954
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