#Nicholas hatcher

[xmadnesslikegravity]

“And you are?” (Hatcher, very confused clint)

Answered here! 🪓

[grimmusings]

starter call for some of my smaller fandom muses. may dm for plots / may just be chaos. feel free to specify your muse, or i’ll try to leave it open-ended!

🏍️ David Powers (The Lost Boys) 💀 Edward Forrester (Anita Blake: Vampire Hunter) 🩸 Jerry Dandridge (Fright Night) 🎃 Laurie Strode (Halloween) 🖤 Leo Barnes (The Purge) 💛 Nancy Callahan (Sin City) 🦁 Nicky Murdoch (Anita Blake: Vampire Hunter) 🪓 Nicholas Hatcher (Alice) ♥️ Red (The True Lives of the Fabulous Killjoys) 🎲 Surprise me!

please check posted intros/bios for triggers before interacting, as these all contain dark themes.

[emilythezeldafan]

Mel's muse list [copy-pasted from Quotev]

A/N: I'll add OC journals whenever I finish them

OCs

Evelyn Hart (DC) (Evelyn Hart Muse Journal 2.0)

Erica Nygma (DC)

Justice Myth (Marvel) (Justice Myth Muse Journal V2)

Scarlett Myth (Marvel) (Scarlett Myth Muse Journal 2.0)

Persephone Odinsdottir (Marvel) (Persephone Odinsdottir Muse Journal 2.0)

Cassandra Jones (Marvel)

Helena Stark (Marvel)

Irena Banner (Marvel)

Alora Eirsdottir (Marvel)

Skye Taylor (In Sound Mind)

Emily Winters (WKM) (Youtuber Emily Muse Journal (Youtube))

Lizzie Barnum (WKM) 

Violet Hope (WKM) (Violet Hope Muse Journal 2.0)

Marcia Krolik (WKM)

Emma Cipher (Gravity Falls) (Emma Cipher Muse Journal 2.0)

Amerie Rowe (Doctor Who)

Adriana Rowe (Doctor Who)

Rose Aguillard (Multi) (Rose Aguillard Muse Journal 2.0)

Samantha Gordon (DC)

Katrina Lancaster (DC)

Johanna Crane (DC)

Amara "Amy" Cobblepot (DC)

Maddie Amherst (FNAF) (Maddie Amherst Muse Journal 2.0)

Victoria Reynolds (FNAF)

Laura Reynolds [FNAF]

Lilac Strange (DC/Egos) (Lilac Strange Muse Journal 2.0)

Lyra Krolik (DC/Multiple)

Annabelle Underwood (Once Upon A Time)

Leilah Rattigan [Generation Loss]

Maria Shuster [Generation Loss]

Andrew Shuster [Generation Loss]

Alexandra Williams [Generation Loss]

Mariana Dragmire (The Legend Of Zelda)

Marissa Harkinian (The Legend Of Zelda)

Isabella Dreemurr (Undertale)

Chloe Moore (X-Men) (Chloe Moore Muse Journal 2.0)

Petra Rose (X-Men)

Aria Harper (SCP Foundation)

Lucy Macnamara (Starkid)

Thea Carvour (Starkid)

Winter Cross (Starkid)

Hazel Avery (Marble Hornets)

Bella The Ballerina [Hello Puppets/Hello Puppets: Midnight Show]

Ashley Anderson [Hello Puppets/Hello Puppets: Midnight Show]

Olivia Gubberson [Hello Puppets/Hello Puppets: Midnight Show]

Natalie Bates [Psycho Franchise/Slasher Fandom]

Melissa Myers [Halloween Franchise/Slasher Fandom]

Samara Macher [Scream Franchise/Slasher Fandom]

Charles Hopkins/Woormy Charles/Mr. Hopps (Multi)

Glitch/Rosa Hatcher/Juanita Garcia (None/Multi)

Marvel/MCU

Agatha Harkness

Wanda Maximoff

Tony Stark

Starkid/Tin Can Bros

Wilbur Cross/Uncle Wiley

DC

Oswald Cobblepot/The Penguin

Harleen Quinzel/Harley Quinn

The Legend Of Zelda

BOTW Princess Zelda 

Astor

Doctor Who

Jack Harkness

Amy Pond

Clara Oswald

Jacksepticeye, Markiplier & Natewantstobattle Egos

Antisepticeye

Actor Mark

Canon Actor Mark

Natemare 

Guard Mark

Creepypasta/Slenderverse

Tim Wright/Masky

Nikolai Krolik (his Glitchverse name)/HABIT

Tim Burton (does his movie fanbase have a name?)

Beetlejuice (from Beetlejuice the Musical)

Friday Night Funkin'

Jackson Prince (his Glitchverse name)/Senpai

IMSCARED a pixelated nightmare

Gavin Johnson (his Glitchverse name)/White Face

Spooky's Jumpscare Mansion

Jamie/Monster 1

Spooky

Woormy Charles 

Mr. Hopps Playhouse 

Mr. Hopps

Mr. Stripes

Ms. Bo

Hello Puppets/Hello Puppets: Midnight Show

(Human) Riley Ruckus

(Human) Nicholas "Nick" Nack

IB

Mary

[cowerkerdouch]

Hey @oki-doki-oppai check out the new pic I made for you merry Christmas 🎁

[adamwatchesmovies]

The Good Liar (2019)

Sticking your landing counts for a lot. If you’re going to show weakness, make it at the beginning of your movie and then recover so people leave with a good feeling. The Good Liar loses confidence during its last act and pulls some cheap, borderline contrived moves that leave a bad taste in your mouth. Everything else about it is so engaging and intriguing it overcomes this flaw but a new cut with a couple of differently-written lines would do wonders for this crime thriller.

Roy Courtnay (Ian McKellen) is a professional con artist. He and his partner, Vincent (Jim Carter), decide to target Betty McLeish (Helen Mirren), a widow with a fortune to her name. Despite the suspicions of her grandson (Russell Tovey), Roy worms his way into Betty’s home.

I hope 80-year-old Ian McKellen never retires. He’s excellent in this role. Roy is a terrible person. He's stealing Betty’s money purely out of greed. He’s good at conning others out of their money so you respect and in a way like him but he’s taking it too far this time. You’re ready to write him off despite his charismatic nature but then, something happens. Bit by bit, we get tiny glimpses into his past and he slowly becomes more sympathetic. You think he may actually be falling for Betty. Perhaps this is actually a drama rather than a thriller? You want him to forget his old ways and settle down before he makes an unforgivable mistake.

While that's happening, there are hints of something amiss going on. You figure it’s got something to do with Betty but you’re unsure. It could simply be a previous con returning to haunt him - I had the feeling it was something else. Either way, it makes for excellent thrills.

Frequent McKellen collaborator Bill Condon keeps us unsure whether we should sympathize with Roy or not… until the last act of the film. The uncertainty we felt before evaporates with a couple of reveals. It feels cheap and more than a bit lazy. Not to mention it basically comes out of nowhere. Is it enough to take the entire movie down with it? Ultimately, no. Everything you liked beforehand remains intact. You just wish it was handled with more confidence and subtlety. We're adults. We can take moral dilemmas.

The first two-thirds are solidly directed and the whole thing features a terrific performance from Ian McKellen. Helen Mirren has a much smaller role and doesn’t get as much of a chance to shine but she’s pulling her weight too. They’re at the mercy of a screenplay that lets them down… but only at the very end. Since most of this is robust, I’m going to say you should check it out. Perhaps with lowered expectations, you’ll leave from The Good Liar delighted. (Theatrical version on the big screen, September 20, 2019)

[tvseriemoviemypassions-blog]

(Capitol) Trey presenta Angelica alla famiglia Clegg

[katewellscapitolcharacter-blog]

(Capitol) Kate mostra casa Clegg ad Angelica

[gradling]

The thing about the anti-Asian racism that has been receiving attention recently is that none of this has been shocking to me; frankly, I’ve been anticipating violence for a while now. The Asian American friends I’ve been processing this with have been telling me they feel similarly. You may notice that a lot of posts on social media include long lists of the anti-Asian racism the OPs have encountered over the years. The tragedy of the shooting in Atlanta, coupled with the rise in anti-Asian violence associated with Covid, isn’t as new as much of the media paints it to be, and, as Nicholas Hatcher describes in his article “Recent Rise in Anti-Asian Hate Crimes Doesn’t Mean Anti-Asian Racism is New” with TeenVogue, responding to it as new is a trap. The more recent rise in anti-Asian racism is intimately tied to colonial, racist, orientalist histories both on institutional and societal levels. As grief-inducing as the recent violence has been, it’s the same grief and anger as existed before. The (for me) new frustration and anger is at the continued denial that this violence is motivated by racism and white supremacy or that this violence has connections to longer histories of violence.

[leanstooneside]

TV STARS

- CLAIRE DANES'S THUMB (ROUND)

- MAGGIE GYLLENHAAL'S ANKLE

- NICHOLAS HOULT'S LOWER LEG

- TOBY KEITH'S FOREHEAD

- JENNIFER GREY'S WAIST

- VERA WANG'S KNEE

- RICKI LAKE'S THUMB

- TAYLOR MOMSEN'S MOUTH

- TINA FEY'S BREAST

- KATE BOSWORTH'S FIST (RICH)

- JOSH HARTNETT'S TOOTH

- ARNOLD SCHWARZENEGGER'S FIST

- CRISS ANGEL'S THIGH

- SHANIA TWAIN'S CHIN (CONNECTED)

- HEIDI MONTAG'S CHEEK

- DEBRA MESSING'S ARM

- MILO VENTIMIGLIA'S EYELASH

- ANNETTE BENING'S ARM

- JESSICA SIMPSON'S FIST

- KRISTEN BELL'S BOTTOM

- BOBBI KRISTINA BROWN'S ANKLE

- FREDDIE PRINZE, JR.'S NECK (SMOOTH)

- SOPHIE MONK'S TONGUE

- KELLAN LUTZ'S FOOT (RETICENT)

- HAYDEN CHRISTENSEN'S THIGH (DEPTH)

- KELLY OSBOURNE'S NECK (DEPTH)

- JAIME PRESSLY'S EYELASH (OAKY)

- CURTIS STONE'S HAIR

- BRITNEY SPEARS'S EYE

- BETH OSTROSKY STERN'S WRIST

- MATT LANTER'S BOTTOM

- JACKSON RATHBONE'S KNEE

- WILL ARNETT'S WAIST (COARSE)

- TIESTO'S NOSE

- BALTHAZAR GETTY'S FOREHEAD

- VANESSA HUDGENS'S WRIST

- PRINCE CHARLES'S FIST

- TERI HATCHER'S EAR

- MICHAEL BUBLÉ'S LEG

- SOFIA VERGARA'S WAIST (FRESH)

- JESSE WILLIAMS'S SHOULDER

- MICHAEL BOLTON'S TOOTH

- BRAD WOMACK'S LIP

- LORDE'S CALF

- JOHN CUSACK'S ELBOW (ALCOHOLIC)

- JESSE EISENBERG'S FIST

- GABOUREY SIDIBE'S THIGH (JUICY)

- CHRIS BROWN'S HAND

- LAUREN GRAHAM'S LIP

[grazer-razor]

welcome to 2020 youtube!

so far, the following videos have been marked as “for kids”:

-a clip from pizza tower depicting peppino in the iconic peter griffin pose

-mr. peanut’s death

-a literal “ran ran ru” meme

-an tutorial for how to build self-moving animals out of legos. and all the other videos from that youtuber aren’t marked as “for kids”.

-the scene where spongebob says “am i a pretty girl?”. the krabby patty introduction scene from the krusty krab employee’s training video episode wasn’t marked as “for kids”, though.

-a garfielf meme involving nicholas cantu as gumball and callmecarson as darwin

-a ben 10 X man behind the slaughter meme

-”bikini bottom flood”

-”types of people portrayed by spongebob”

-a gumball meme involving youtube. how are toddlers going to get something like meta memes?

-a ted talk where the main speaker was a kid

-a video about a bear catching a piece of bread

-a video where two baby orangutans get in a climbing mishap and potentially get injured. WHY.

-EVEN HAMOOD HABIBI. EVEN HAMOOD HABIBI.

-a video from tech deck that showcases the basics of the toys. i mean, it kinda had it coming, BUT STILL.

-a video showcasing all the eggs you can find in billy hatcher

-a meme involving the burger king foot lettuce copypasta in lucas from mother 3′s voice

-a splatoon MMD titled “it’s not fair”

-”mario to yoshi no boken land”

-”blinx the time sweeper publicité”(it’s an obscure video, not easily able to be found by searching. i just saw it on discord.)

-a japanese animation where cats get fruits thrown in their mouths. it’s worth noting that similar animations have been uploaded by this user, and haven’t been marked as “for kids”.

-nitrome’s trailer for Roller Polar

-a popeye jojoke

now for some videos i don’t have the links to.

-cuphead’s tutorial theme

-the intro theme from hong kong phooey

-monkey island’s theme from super monkey ball: banana blitz

-a video from creamheroes where the cat CoCo had to go to the vet

-ALL OF THE WEAPONS CUTSCENES FROM RATCHET AND CLANK: A CRACK IN TIME.

-peace is nice, looped 10 hours. i don’t think those comments deserved to be slaughtered...

-some music from nitrome’s hop swap

-the badass music from club penguin’s system defense minigame

-a HD intro for the original ben 10

was it worth it? was it worth it deleting a whole decade’s worth of comments just to “protect the kids”?

[blackkudos]

Walter Washington

Walter Edward Washington (April 15, 1915 – October 27, 2003) was an American civil servant and politician. He was chief executive of Washington, D.C. from 1967 to 1979, serving as the first and only Mayor-Commissioner from 1967 to 1974 and as the first home-rule mayor of the District of Columbia from 1975 to 1979.

After a career in public housing in Washington, DC and New York City, he was appointed as mayor-commissioner of Washington, D.C. in 1967.

Congress had passed a law granting home rule to the capital, while reserving some authorities. Washington won the first mayoral election in 1974, and served from 1975 until 1979.

Early life and family

Washington was the great-grandson of enslaved Americans. He was born in Dawson, Georgia. His family moved North in the Great Migration, and Washington was raised in Jamestown, New York, attending public schools. He earned a bachelor's degree from Howard University and a law degree from Howard University School of Law. He was a member of Omega Psi Phi fraternity.

Washington married Bennetta Bullock, an educator. They had one daughter together, Bennetta Jules-Rosette, who became a sociologist. His wife Bennetta Washington became a director of the Women's Job Corps, and First Lady of Washington, D.C. when he was mayor. She died in 1991.

Career

After graduating from Howard in 1948, Washington was hired as a supervisor for D.C.'s Alley Dwelling Authority. He worked for the authority until 1961, when he was appointed by President John F. Kennedy as the Executive Director of the National Capital Housing Authority. This was the housing department of the District of Columbia, which was then administered by Congress. In 1966 Washington moved to New York City to head the much larger Housing Authority there in the administration of Mayor John Lindsay.

Mayor of the District of Columbia

1967-74: Mayor-Commissioner

In 1967, President Lyndon Johnson used his reorganization power under Reorganization Plan No. 3 of 1967 to replace the three-commissioner government that had run the capital since 1871 under congressional supervision. Johnson implemented a more modern government headed by a single commissioner, assistant commissioner, and a nine-member city council, all appointed by the president. Johnson appointed Washington Commissioner, which by this time had been informally retitled as "Mayor-Commissioner." (Power brokers such as Katharine Graham, publisher of the Washington Post, had supported white lawyer Edward Bennett Williams.) Washington was the first African-American mayor of a major American city, and one of three blacks in 1967 chosen to lead major cities. Richard Hatcher of Gary, Indiana and Carl Stokes of Cleveland were elected that year.

Washington inherited a city that was torn by racial divisions, and also had to deal with conservative congressional hostility following passage of major civil rights legislation. When he sent his first budget to Congress in late 1967, Democratic Representative John L. McMillan, chair of the House Committee on the District of Columbia, in an unconscionable act if racism, responded by having a truckload of watermelons delivered to Washington's office. In April 1968, Washington faced riots following the assassination of Martin Luther King Jr. Although reportedly urged by FBI director J. Edgar Hoover to shoot rioters, Washington refused. He told the Washington Post later, "I walked by myself through the city and urged angry young people to go home. I asked them to help the people who had been burned out." Only one person refused to listen to him.

Republican President Richard Nixon retained Washington after being elected as president in 1968.

1975-79: Elected Mayor

Congress enacted the District of Columbia Self-Rule and Governmental Reorganization Act on December 24, 1973, providing for an elected mayor and city council. Washington began a vigorous election campaign in early 1974 against six challengers.

The Democratic primary race—the real contest in the overwhelmingly Democratic and then-majority black city — eventually became a two-way contest between Washington and Clifford Alexander, future Army Secretary. Washington won the tight race by 4,000 votes. As expected, he won the November general election with a large majority. Home rule took effect when Washington and the newly elected council–the city's first popularly-elected government since 1871–were sworn into office January 2, 1975. Washington was sworn in by Supreme Court Justice Thurgood Marshall.

Although personally beloved by residents, some who nicknamed him "Uncle Walter," Washington slowly found himself overcome by the problems of managing what was the equivalent of a combination state and city government. The Washington Post opined that he lacked "command presence." Council chair Sterling Tucker, who wanted to be Mayor, suggested that the problems in the city were because of Washington's inability to manage city services. Council Member Marion Barry, another rival, accused him of "bumbling and bungling in an inefficiently run city government." Washington was also constrained by the fact that then as now, the Constitution vested Congress with ultimate authority over the District. Congress thus retained veto power over acts passed by the council, and many matters were subject to council approval.

The Washington Monthly noted that Washington's "gentle ways did not move the city's bureaucracy. Neither did it satisfy the black voters' yearning to see the city run by blacks for blacks. Walter Washington was black, but many blacks were suspicious that he was still too tied to the mostly white power structure that had run the city when he was a commissioner." During his administration he started many new initiatives, for example, the Office of Latino Affairs of the District of Columbia.

In the 1978 Democratic mayoral primary, Washington finished third behind Barry and Tucker. He left office on January 2, 1979. Upon his departure from office, he announced that the city had posted a $41 million budget surplus, based on the Federal government's cash accounting system. When Barry took office, he shifted city finances to the more common accrual system, and he announced that under this system, the city actually had a $284 million deficit.

Later life

After ending his term as mayor, Washington joined the New York-based law firm of Burns, Jackson, Miller & Summit, becoming a partner. He opened the firm's Washington, D.C. office.

His first wife, Benneta, died in 1991. In 1994, he married Mary Burke Nicholas, an economist and government official. She died November 30, 2014 at age 88.

Washington went into semi-retirement in the mid-1990s. He fully retired at the end of the decade in his early eighties. Washington remained a beloved public figure in the District and was much sought after for his political commentary and advice. In 2002, he endorsed Anthony A. Williams for a second mayoral term. Washington's endorsement carried sufficient weight to be noted by all local news outlets.

Washington died at Howard University Hospital on October 27, 2003. Hundreds of mourners came to see him lying in state at the John A. Wilson Building (City Hall), and also attended his funeral at Washington National Cathedral.

Legacy and honors

13½ Street, the short alley running alongside the east side of the Wilson Building, was designated Walter E. Washington Way in his honor.

A new housing development in Ward 8 was named the Walter E. Washington Estates.

In 2006, the Council of the District of Columbia named the Washington Convention Center at 801 Mt. Vernon Place NW, as the Walter E. Washington Convention Center.

[xmadnesslikegravity]

⭒˚⭒ NICHOLAS HATCHER ⭒˚⭒ has just turned to a new page in their story. They're a [ 35 ] year old cismale (he/him), and you might know them better as THE MAD HATCHER from Alice. They're currently working as a boxing instructor. They look a lot like ⭒˚⭒ SEBASTIAN STAN ⭒˚⭒ and come from a world of [ magical realism ], but you'll know them best by their bloody knuckles, wolf stare, madman with an ax vibe. ⭒˚⭒

[bondenargentina]

“El Mañana Nunca Muere”: Sabotear lo mediático para salvar el mundo

Por Lucas Manuel Rodríguez* GoldenEye (1995) había sido un éxito absoluto del marketing mundial, por lo que era esperable que la siguiente película de Pierce Brosnan en 007 diera a luz lo más pronto posible. Fue entonces que la productora puso manos a la obra para preservar la dieta temporal de una película cada dos años, que bien se marcó en las últimas siete realizadas entre los períodos de Moore y Dalton, y en cuestión de meses la secuela ya era anunciada.

Soluciones para el regreso inmediato

En medio de las presiones por parte de la Metro-Goldwyn-Mayer (MGM) de replicar el impacto de su antecesora, los productores Barbara Broccoli y Michael G. Wilson hicieron lo posible por recuperar a Martin Campbell para la dirección de El Mañana Nunca Muere (primer título que nada tiene que ver con el legado del autor Ian Fleming), sin embargo el neozelandés declinó y todo quedó en manos del director de nacionalidad canadiense y británica, Roger Spottiswoode, heredero del veterano Sam Peckinpah y con el aclamado debut en cines de Los Perros de Paja (1971), pero también con otros repudios como ¡Para! O mi mamá dispara (1992). Por otra parte, lo que sí se mantuvo para esta entrega fue la pauta de Campbell de “construir la historia en imágenes”, para esto se volvió a contratar al guionista Bruce Feirstein y a Martin Asbury para el diseño de guiones gráficos. A pesar de que esta sea una película con reseñas divididas en sitios como Rotten Tomatoes o Metacritic, los críticos coinciden que en materia acción esta Bond no defrauda para nada, y eso queda claro desde la primera secuencia, la que se mantuvo tal cual a las indicaciones planteadas entre Feirstein y Asbury.

Un Mundo-Bond sin Ley de Medios Audiovisuales

En El Mañana Nunca Muere tenemos el último regreso del MMM, o Malvado Megalómano Millonario, acuñado por Alberto Salas en en10puntos (ver nota de La Espía Que Me Amó publicada en Bond En Argentina). El villano de turno es Elliot Carver, un magnate multimediático con la meta final de disolver a China para conseguir exclusividad en sus derechos de radiodifusión para los próximos cien años de su Grupo de medios, Carver Media Group Network (Grupo Carver de Red Mediática), con Tomorrow (o El Mañana) como medio gráfico cabecera. Su método sigue los pasos de William Randolph Hearst, en tanto que les pide las imágenes a sus empleados y él asegura que con ellas brindará la guerra. Para esto genera tensiones entre las potencias de China e Inglaterra, perforando submarinos de los ejércitos de estas dos naciones con su taladro acuático (o Sea-Vac), con la mano de obra de tropas militares que realizan y filman estos sabotajes. Spottiswoode estaba fascinado con el desempeño de Jonathan Pryce en el musical de la década de 1980, Miss Saigon, por su capacidad de ser “creíble, versátil y con un malvado sentido del humor”, y el actor se sumó al elenco después de rodar sus escenas como el presidente Juan Domingo Perón en Evita (1996) de Alan Parker, y con Madonna encarnando a su esposa y protagonista que da título al film. Pryce quizás sea más reconocido mundialmente por protagonizar al padre de Keira Knightley en las tres primeras Piratas del Caribe (2003-2007), el gobernador Weatherby Swann.

Confrontaciones tecnológicas

Recordemos que a Bond le conciernen las actividades terroristas de Carver ya que es un Comandante Naval por oficio, siendo esta la tercera y última vez que lo vemos usar un traje formal correspondiente a su rango, pero esta seriedad le dura poco. El reconocido espía cuenta nuevamente con los artilugios de la Sección Q y en la secuela de Brosnan se divierte con ellos como en no tantas ocasiones, siendo la secuencia más querida la que involucra el uso del BMW 750iL con todas, y absolutamente todas, sus utilerías: ametralladoras, misiles y rastreo GPS controlados desde el teclado táctil de un celular Ericsson (con pantalla de alta definición y sistema de seguridad incluidos, todo un avance pionero en el desarrollo de Tecnologías de Información y Comunicación de los 90’s). Sobre la mencionada secuencia se suele decir que fueron destrozados entre diecisiete y dieciocho BMWs, sin embargo el director asegura que “solo fueron quince”. Ya sea para el manejo de la acción o la filmación de todos los estudios de Carver, Spottiswoode alaba la administración de cámaras del Director de Fotografía Robert Elswit, usual colaborador de Paul Thomas Anderson, y responsable en el mismo puesto de las partes Protocolo Fantasma (2011) y Nación Secreta (2015) de la saga Misión Imposible. Esto se debe a que las cámaras brindadas por la MGM eran Panavision con poca profundidad de campo, y para el director los sets fueron filmados e iluminados magníficamente.

Dicotomías en el recurso femenino

Por el lado de las “Chicas Bond”, las dos que más participación tuvieron en la trama fueron Paris Carver (interpretada por Teri Hatcher) y la agente del servicio chino Wai Lin (Michelle Yeoh). Se suele decir que la relación entre Brosnan y Hatcher, en y fuera de la filmación, resultó bastante conflictiva, más porque la actriz protagonista de Amas de Casa Desesperadas (2004-2012) estaba embarazada en su momento y su participación en cámaras fue filmada con tiempos acelerados, pero esto no es algo que se exprese en entrevistas filmadas o de audio. Paris Carver es la actual esposa del mismísimo Elliot, y ex-pareja de Bond, por lo que debe acudir a ella para obtener toda información respecto al caso en beneficio del Servicio Secreto Británico. En el caso de Wai Lin, Yeoh ya era una actriz estrella de Hong-Kong, destacada, entre otras habilidades, por haber estudiado ballet en Inglaterra, y esta fue la película que la catapultó a Hollywood, ya sea por sus buenos intercambios con Brosnan en pantalla y/o por su participación en las escenas de riesgo, al punto de que eran muy fuertes los rumores de una saga paralela a 007, con Lin como personaje principal.

Otra cuestión respecto a los desempeños femeninos se dio en el caso del tema principal de esta Bond 18. Fueron seleccionadas dos canciones cuyas letras mencionan al título original de la película, Tomorrow Never Dies, pero solo la versión de Sheryl Crow se quedó con dicho nombre y fue puesta en los créditos iniciales, mientras que la de K.D Lang se tituló Surrender, y fue reproducida recién en los créditos finales. A la fecha, se suele escuchar en círculos de fanáticos la preferencia por la labor de Lang, de la cual se dice que conserva lo mejor del glamur de la saga, y se repudia la de Crow por “parecer” digna de una publicidad de perfumes. A mi gusto, ambos son excelentes.

Opacados por otras aguas

Aunque no superó a su antecesora, El Mañana Nunca Muere cuenta con una recaudación mundial de más de 335 millones de dólares, lo cual es un mérito si lo comparamos con el presupuesto inicial de 110 millones, si bien no tan extraordinario ya que no se tiene en cuenta lo invertido en publicidad. En Argentina se estrenó en cines el 15 de enero de 1998 con un promedio de 309.774 espectadores que la vieron en su tiempo de exhibición. Sucede que el estreno de Titanic al mes siguiente (y previamente en diciembre en países anglosajones) prolongó su estadía en la pantalla grande durante casi un año de proyección, siendo que fue la primera película que registró Ultracine de haber superado los cuatro millones de espectadores en los cines argentinos, además de ser, junto con Avatar (2009), una de las dos primeras en superar el billón de dólares en la taquilla mundial. Aún así, la crítica especializada fue generalmente favorable, incluso tres de los principales medios gráficos de acá (Clarín, La Nación y Ámbito Financiero) le dieron la calificación de “Muy Buena”, resultado unánime que no volvió a verse, y la franquicia recibió luz verde para la vigésimo novena aventura de Bond, que resultó ser El Mundo No Basta.

Ficha Técnica: Título original: Tomorrow Never Dies. Año: 1997. Duración: 119 min. Países: Reino Unido, Estados Unidos. Dirección: Roger Spottiswoode. Guión: Bruce Feirstein; Nicholas Meyer, Daniel Petrie Jr. (no acreditados). Música: David Arnold. Fotografía: Robert Elswit. Edición: Michel Arcand, Dominique Fortin. Reparto: Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Joe Don Baker, Judi Dench, Samantha Bond, Desmond Llewelyn. Productora: Eon Productions, Metro-Goldwyn-Mayer. Distribución: MGM Distribution CO., United International Artists. Productores: Barbara Broccoli, Michael G. Wilson. – Datos de producción extraídos del material extra y los audiocomentarios del Blu-ray editado en 2012.  – *Licenciado en Comunicación Social por la Universidad Nacional de Quilmes. E-mail: lucasmanuel9894@gmail.com.

[cowerkerdouch]

This is me Nicholas Hatcher, I made this artwork with lots of paint on the computer of mine i just want some note on all of my pitcures on my blog so I might draw more of these later on. See you very soon.

[potterish]

O elenco original de Harry Potter and the Cursed Child, responsável pela estreia da peça em Londres e na Broadway, deixará a produção em março. Os atores que farão parte do novo elenco já foram anunciados.

O trio de ouro será interpretado por James Snyder como Harry Potter, Jenny Jules como Hermione Granger e Matt Mueller como Rony Weasley. Diane Davis e Jonno Roberts serão Gina Weasley e Draco Malfoy, respectivamente.

O elenco protagonista do segundo ano da peça na Broadway

Nicholas Podany interpretará Alvo Potter, enquanto Bubba Weiler será Escórpio Malfoy. Rosa Granger-Weasley será vivida por Nadia Brown.

Aaron Bartz, Will Carlyon, Kimberly Dodson, Patrick Du Laney, Sara Farb, Jonathan Gordon, Steve Haggard, Eva Kaminsky, Jack Koenig, Rachel Leslie, Sarita Amani Nash, Fiona Reid, Katherine Reis, Kevin Matthew Reyes, Antoinette Robinson, Stephen Spinella, Tom Patrick Stephens, Erica Sweany e Karen Janes Woditsch também se juntam à produção. Permanecem no elenco os atores Brian Thomas Abraham, Olivia Bond, Stephen Bradbury, James Brown III, Lauren Nicole Cipoletti, Zoe Feigelson, Jack Hatcher, Edward James Hyland, Joey LaBrasca, Landon Maas, James Romney e Alex Weisman.

Novos membros do elenco do segundo ano da peça na Broadway

A última apresentação do elenco original, composto por Jamie Parker, Paul Thornley, Noma Dumezweni, Poppy Miller, Alex Price, Sam Clemmett e Anthony Boyle, acontece no dia 17 de março de 2019. Já o novo elenco inicia as apresentações em 20 de março de 2019. Os ingressos para ambas apresentações já estão à venda.

Sucesso de público e crítica, Harry Potter and the Cursed Child está em cartaz no Palace Theatre, em Londres, e no Lyric Theatre, em Nova York. Em 2019, a peça estreará no Princess Theatre, em Melbourne, na Austrália, e no teatro Curran, em São Francisco, nos Estados Unidos.

The post Elenco original de Harry Potter and the Cursed Child deixará a Broadway em março appeared first on Potterish.com.

[tvseriemoviemypassions-blog]

(Capitol) Trey presenta Angelica, sua moglie, alla famiglia Clegg