#Nick Mira loop

[complicitsacrilege]

Tagged by: sent by a friend on Discord!

nicknames: Nick, Nickel, Nicholas Nickelby, Nickelback, Knickerbocker literally any name with Nick in it that my colleagues come up with LMAO

sign: Taurus☀️ Capricorn🌙 & ⬆️

height: 5'5

last thing i googled: "best trans masc romance novels"

song stuck in head: I've been looping Brutal Swing by Igorrr & Of Kali Ma Calibre by Diablo Swing Orchestra lately

dream job: artist/writer! I'm really into ceramics & getting into digital art

wearing: black house robe + slippers

favorite movies/shows: Hellraiser 1 + 2, Alien 1 + 2, Lawrence of Arabia, Only Lovers Left Alive, the IWTV show, John Wick, Blade Runner, House of 1000 Corpses {most Rob Zombie movies ngl}, & Chopping Mall

favorite song: too many to choose just one so I'll give a few bands! Murder By Death - top fave band. Love them to pieces. Igorrr - weird af but my hyperfocus/panic de-escalation {don't ask why idfk} music of choice. Shostakovich - self explanatory, Shostakovich slaps. Handel - again, self explanatory. Creature Feature - when I'm feeling like a weird creature. Rammstein - uhh who doesn't love Rammstein?

favorite instrument: I've played several, but my favorites are viola da gamba and cello

aesthetic: comfy goth? Is that a thing?

favorite author: can't pick just one! My fave genres are horror & romance {monster erotica lately} for sure, but some authors I love are Anne Rice, Iain Reid, Seanan McGuire/Mira Grant, Tolkien, T. Kingfisher, Rachel Harrison, Alisha Rai, Alyssa Cole, and Holly Black

random fun fact: my favorite scents are lavender/vanilla and peppermint/vanilla depending on my mood. Also rain/the smell just after a thunderstorm. And the smell of my pup's fur.

Tagging anyone who wants to do a thing {tag me if you do, I wanna see}!

[bekah-reading]

58/120

4/5

My next TBR pull was this short story collection. I did mean for it to be like a story a day type thing but I hung out with a friend today, she was watching a show and so I read my book. I started it last night at like 3 AM before bed, and after I had just finished The Stardust Thief, and I just finished it.

This is a short story anthology that is focused on urban horror- specifically in cities. Christopher Golden curated these stories around a quote.

“New York is the City that eats its young, with high-rise teeth and pavement tongue. I came. I saw. I was digested.”

I bought this because of 8 authors. And the author that is the editor, also has a story and I went in knowing that that story might be one that I didn’t like. The story that started it was by Scott Smith, and it was a good start. It was a pretty middle lane type of story. The thing that through me for the loop was that some stories were really fast paced and then the others were really slow. The pacing was whiplash inducing, and I found it to be a weak point in this anthology.

Nick Cutter’s story was my favourite out of the lot. Sranan McGuire (Mira Grant) had a story in this as well, and that is my second favourite. Tim Lebbon’s was good. Another one that stuck out was for sure Paul Tremblay’s story.

I didn’t like Christopher Golden’s story, but I don’t like his writing style so it wasn’t a surprise.

In the back they had other anthologies listed and I am thinking about looking at those as well.

[luckyclover]

Nick Mira Making Beats & Loops From Scratch 🔥🔥

[beatsbythekilo]

BEATS BY THE KILO -LIVE Breaking Down How to Make Beats & Songs With rio leyva making beats live fl studio paryo making beats live fl studio tutorial nick mira live nick mira making beats producer community nick mira stream paryo making beat nick mira rio leyva making beats,nick mira live stream nick mira cook up fl studio 20 paryo making loops music producer cashmoneyap how to make melodies music production cxdy how to sample pvlace gunboi mpc nickmira its2ezzy beats ableton free beat type beats dro kenji rio leyva Discount When You Go To www.vidiq.com/BeatsbyTheKilo on Breakfast Club The Joe Budden Podcast M.E.O. My Expert Opinion Math Hoffa Everybody loses, about about how u handle it that defines u!! - ME

[jononeillbeats]

[Instrumental] "Alone" - Nick Mira guitar 2021 type beat

[xander-of-xtbxander]

Hi, I m Xander. I make music and I like puppies🙃 I also made a loop kit/ melody pack with 21 loops and i think their really good. Get it and make fire beats❤🤞

[deadcactuswalking]

REVIEWING THE CHARTS: 31/10/2020 (Ariana Grande, KSI, Little Mix)

I haven’t heard that Ariana Grande album yet as of writing this but the lead single – and title track – “positions” has just debuted at #1 on the UK Singles Chart, her seventh song to hit the top and second this year after “Rain on Me” with Lady Gaga. Hence, that’s today’s #1 and we have a busy and pretty chaotic week of new arrivals. Welcome to REVIEWING THE CHARTS.

Dropouts & Returning Entries

A lot of their debuts from last week were completely wiped out on this week’s chart which surprises me, especially for songs I thought would hit it big like “One More Time” by Not3s and AJ Tracey. Our notable dropouts here range from bonafide smash hits like “Roses” by SAINt JHN and remixed by Imanbek, which hit #1, although I always preferred “Swoosh” from the same album, to pretty easy and quick fall outs from songs I’ve reviewed in the past few weeks. We’ve got songs that peaked in the top 10 like “Rover” by S1mba and DTG and “I Dunno” by Dutchavelli, Tion Wayne and Stormzy but otherwise that’s mostly it as a lot of these drop-outs are just songs that didn’t really reach their charting potential or have mostly had their day in streaming, like the surprisingly quick drop for “my ex’s best friend” by Machine Gun Kelly and blackbear, as well as “Destiny” by D-Block Europe, “Tap In” by Saweetie, “FRANCHISE” by Travis Scott, Young Thug and M.I.A., “OK Not to Be OK” by Marshmello and Demi Lovato, “Airplane Mode” by Nines and NSG and even “Outta Time” by Bryson Tiller and Drake. If you’re worried about the loss of MGK’s song being too soon for whatever reason, don’t fret as “forget me too” with Halsey, a much better song, is here at #72, our only returning entry for the week. I might as well run through the biggest gains and falls, those both being last week’s debuts. “Train Wreck” by James Arthur absolutely surged up to #24 whilst “Hold” by Chunkz and Young Filly absolutely purged down to #59. To be fair to the general public, I think I’d rather listen to something from four years ago than that song as well. Anyway, let’s start our new arrivals with a couple really interesting choices...

NEW ARRIVALS

#75 – “Sofia” – Clairo

Produced by Rostam

Clairo is one of those artists where I feel completely out of the loop on, especially with all the recent buzz from TikTok, and I was not checking for that album last year, and whilst I didn’t mind her feature on Wallows’ “Are You Bored Yet”, I’d never been intrigued enough to check out the solo work until I guess here we see it on the chart, which is big for the genre of bedroom pop, which again I know next to nothing about. Now, I like lo-fi indie rock fine, but I’ve never really tried to look into the bedroom pop micro-genre – if anyone has any recommendations, that would be appreciated – so this will pretty much be a first gaze into not just Clairo but the entire scene surrounding her. I’m not a Vampire Weekend fan by any means but Rostam on production just give me hope, even if the mix here is a bit too drowned in reverb and echo to give the guitars any more impact when they really should have, at least I think so, they’re pushed back in a way that makes an already pretty calm, fleeting indie single even more lacking sonically. Clairo sounds great on this instrumentation, admittedly, albeit kind of uninterested, but it really is about that fuzzy distortion in the drop that feels... oddly anti-climactic and seemingly pointless considering how little progression is made before or after it. Maybe this genre just isn’t for me, but I feel myself turned off from how Clairo’s pretty beautiful vocal harmonies are not reflected by the production here, whether it be the stiff percussion, abrupt ending or overall lack of substance. This is kind of disappointing as I really wanted to like this. The song is a pretty vague but longing ballad mostly revolving around her crushes on people she saw in the mind, particularly Sofia Vergara and Sofia Coppola, hence the name, and I think it’s actually really well-written. I especially love how the chorus seems to acknowledge that not only are these crushes clearly out of her reach as a teenage girl just discovering her sexuality but also mentioning how afraid she is to really develop on any of these feelings because of how it’s prejudiced against and in some countries outlawed, but the song easily works as just a confession of love without really realising the statement, so it doesn’t feel forced or unnecessary. Sadly, I guess Rostam had to put his prints on this one, but the song itself isn’t bad at all. Hey, I’m not going to complain about a song where I can look at pictures of Sofia Coppola for “research”.

#74 – “All Girls are the Same” – Juice WRLD

Produced by Nick Mira

It’s so odd and kind of heartbreaking to see the Genius comments for this track where they say Juice is “up next for 2018”. It’s also pretty amusing to see some of these annotations...

God, I love Genius.com. This is a 2017 Juice WRLD track from the late rapper that was released as a single from his debut album, Goodbye & Good Riddance. I don’t really understand why this had a resurgence – again, I’m going to assume TikTok or some kind of remix – but it is funny to see a bitter, immature and sloppily-written song about heartbreak and how “all girls are the same” next to a lesbian love ballad on the chart... and above said ballad because we clearly live in a society. I’m not going to mince words here: this is a pretty bad song, at least in my opinion. All respect to Juice but he’s clearly not on top form here, with an uninterested and badly-mixed vocal delivery over a really dull, jingly trap beat with awful bass mastering. In fact, the whole song is mixed awfully and sounds really muddy which may have been the point but it doesn’t complement Juice at all. The lyrics here are purposefully immature and at times stupid, especially when he compares himself to John Lennon and is so desperate for a rhyme the dude says this unnamed girl is from Colorado. I’m not going to deny some of the lyrics here are kind of haunting now due to tragic circumstances but I still get a chuckle out of the vocoder on his voice after massive empty spaces in both the beat and vocal track that makes the song sound clearly amateurish (to be fair to Juice, he clearly didn’t have access to the best studio equipment but it doesn’t excuse the major-label streaming release sounding this sloppy), as well as that opening line.

Broke my heart, oh, no, you didn’t!

Yeah, I’ll take “Robbery” over this any day, or even “Righteous”. Sorry.

#73 – “Martin & Gina” – Polo G

Produced by Hagan, Lilkdubb and Tahj Money

It seems we have two melancholy trap-rappers from Chicago appear consecutively on the chart. I love those types of oddities. If you don’t know Polo G, you probably should, at least from his hit “Pop Out” with Lil Tjay last year, and this is his most recent hit. I typically find his brand of mournful Auto-Tuned crooning about life on the streets remarkably genuine in comparison to most rappers but also admittedly really boring, at least for now. I can see this guy becoming a lot bigger and better but as of now he releases so much music and the quality and effort seems to fall by the wayside more often than not. In typical 2000s bling-rap fashion, this hardcore street rapper’s biggest hit from the album The GOAT (perhaps a bit early to call there, Mr. G) is a guitar-based R&B love jam for the ladies, except it’s not a sex jam...

Girl, I can’t wait ‘til I get home to f*** the s*** out of you

Okay, well, that’s one line.

Man, I’m tryin’ to get to know you sexually

Okay, but at least he’s trying to get to know her. The song’s lyrics do have a genuine heartfelt sense of love and companionship with his unnamed woman, and some of these lyrics are pretty funny and pleasant, albeit shallow. I love how in the first verse he says that even on her worst days she still looks “kind of cute”, in a way that makes this song more down to Earth than other thugs-need-love-too songs, especially when he acknowledges the troubles in their relationship, which may be undermined by the unfortunate implications that come with that “Martin & Gina” comparison but that’s really not the focus of the song, even if it is the title. He may talk about the shopping sprees now but there is evidence here that Polo G genuinely wants to live his life with this woman, especially when he says he wants them to move out to California and live in a mansion. There’s flexing there for sure but it’s less out of a desire to sound “cooler” than the other rappers or the audience, and more out of a desire to make the most out of this relationship in case, as he knows he might have to, he should “pull the stick out and shoot” to protect her. It helps that this is a damn good song with Polo’s catchy flow in both the verses and that infectious chorus, as well as a really slick guitar lick behind that trap knock. Yeah, this is pretty great. Check it out.

#71 – “Spicy” – Ty Dolla $ign featuring Post Malone

Produced by Ty Dolla $ign, Westen Weiss and damn james!

It seems that Ty Dolla $ign has finally clocked that people like him for his features and not his solo work as he has released his most recent album fittingly named Featuring Ty Dolla $ign, following a trend of recent massive collaborative albums in pop music. This particular album features the likes of Kid Cudi, Kanye West (twice), Anderson .Paak, Nicki Minaj, Big Sean, Future, Young Thug, FKA twigs because, well, sure, and obviously, Post Malone. I haven’t listened to the album yet, I mean it sounds exhausting but I don’t necessarily like what I’ve heard. “Expensive” with Nicki Minaj is soulless, “Ego Death” with Skrillex, Kanye and FKA twigs is chaotically misguided and a massive disappointment, “Track 6” with Kanye, .Paak and Thundercat is way too boring for these four artists, and that’s all I’ve heard, except that “Dr. Sebi” interlude with Young Thug that I thought was actually pretty damn good for a one minute snippet. I did brief through some songs on the album right now as I was writing this and I wasn’t really a fan of any of it, not even the songs with Future and Young Thug, artists I actually really like. The song with Kid Cudi was pretty amazing though, which I pretty much expected, I mean it is Cudi after all and he’s really felt revived this year, even if he feels out of place on a sex song. The serpentwithfeet interlude definitely adds to that song though, and it actually leads into this track with Post Malone. This is their second collaboration after their #1 hit “Psycho”, but it’s a lot less interesting, replacing the serenity and smooth flows with more fast-paced trap skitters, hit-and-miss flows that only make Ty$ sound all that great in the tail-end of his verse. Post’s verse is out of place and feels like a regression for him, with the verse sounding like it was taken straight out of the Stoney sessions. The guys have no chemistry and Post doesn’t even contribute to a final chorus, which feels particularly odd as there’s not a bridge to round any of this out properly as it just transitions awkwardly to the sixth track, titled “Track 6”. At least Ty$ isn’t facing 15 years in jail for cocaine possession now, which is something I brought up a disproportionate amount of times in older episodes of this show, because, well, sure.

#69 – “Whoopty” – CJ

Produced by Pxcoyo

CJ is an “up-and-coming” rapper with only one song that pretty quickly went viral. There’s something fishy about this. The only other song by CJ on Spotify and I assume other streaming services is this CashmoneyAP-produced trap song called “On Me” that is completely garbage. It does sound pretty odd that while he doesn’t sound dissimilar in “Whoopty”, this uninterested Auto-Tuned mumbler took three years to get another song on streaming and now he’s an energetic New York rapper using a beat that was literally uploaded to the producer’s website as a “Pop Smoke type beat” weeks before “Whoopty” was released, which, by the way, was an immediate viral hit on YouTube. Very strange, very unusual but not very worth talking about as the one thing “On Me” and “Whoopty” have in common is lack of quality. Sure, I like the Indian sample but it’s quickly drowned out by the booming 808s and pretty rote drill beat. Somehow, CJ sounds too energetic and excited to the point where he’s out of place on a beat this menacing. He sounds like a joke made by a record label to create some kind of popular generic drill track and it does not help that there’s a single verse, with part of it repeated as a bridge, and two repetitions of the same over-long chorus. When Pop Smoke rapped over beats, he was aggressive, sure, but had a smoky voice and a lot more charisma than this flat tonal sandpaper CJ brings to the table. It’s almost offensive to Pop Smoke’s legacy that this was rapped over his “type beat”.

#57 – “SO DONE” – The Kid LAROI

Produced by Omar Fedi and Khaled Rohaim

I figured I’d have to talk about this guy at some point, well, what better time than in the midst of a lot of mediocre American hip hop, although this isn’t American, rather it’s actually an Aussie at it this time, with this 17-year-old kid propped up by Internet Money and Lyrical Lemonade and mentored by the late Juice WRLD. This kid really likes capital letters, and naturally I listened to his last hit “GO!” with his mentor Juice... and, yeah, it’s not good. That hook is stupidly infectious – and the pre-chorus is actually more so – but his delivery is obnoxious and unconvincing, especially in comparison to Juice on the same song. Man, I wish that entire song was as good as its pre-chorus. Anyway, this is a new song, not taken from his debut mixtape aptly and rather politely titled F*** LOVE. It uses an unorthodox ukulele loop as its main sample but once again I’m not a fan of this guy’s immature delivery. Maybe in a few years this Kid LAROI will sound less like a Kid LAROI and more like a genuine rapper but right now he is just barely keeping on beat with a jangly pop beat that would sound really interested if accentuated by the right rapper but here it doesn’t work at all. I do actually appreciate some of the lyrics here, even if they are repetitive and vague. Hey, at least they’re family-friendly PG clean for the most part so he’ll get that radio push, but it’s not like it’s matters here in the UK. I’m sure this lad is the hottest thing to come from Australia this year... okay, well, maybe the second hottest – but I’m not a fan, even if some of these melodies are promising. In fact, I really like some of his ideas, especially in the chorus, I just think that tragically, Juice could have done them more justice than this Kid LAROI ever could. Sorry.

#47 – “Bad Guy” – Morrisson and Loski

Produced by BKay and Harry James

Duh. Okay, so these are both UK drill rappers who I’m not very familiar with although I’ve heard of Loski before. Morrisson is a complete unknown to me. They’re both from London, as one would expect. Is the song any good? Well, I do like that chopped violin sample but Morrisson is only vaguely convincing when he claims to know Vinnie Jones and to be Stone Cold Steve Austin, and when he mentions getting “white-boy wasted” with a woman sniffing coke, it leaves a bad taste in my mouth, but that’s actually the point. I mean, the chorus says this:

You need people like me so you can point your f***ing fingers and say, “That’s the bad guy”

The issue here is I’m not convinced. Morrisson’s double-tracked vocals aren’t intimidating or menacing and are mostly overshadowed by a pretty great beat. His delivery is also something I’m not a fan of and while I can’t say he’s uninterested or not putting his all into it, it just sounds weak, especially when pitted against this beat. Loski is here too, but he doesn’t add much to the “bad guy” idea, especially when he starts talking about The Simpsons and Family Guy. Not Mr. Burns or even that angry chicken that fights Peter, just Stewie, Brian, Bart and Homer. Admittedly, “shell out the whip like Mario Kart” is a pretty fun line and I appreciate his flow more than Morrisson’s... but, yeah, I’m not really a fan. I like the concept but it misses the mark on execution.

#44 – “Golden” – Harry Styles

Produced by Kid Harpoon and Tyler Johnson

So this is the opening track to Styles’ sophomore effort, Fine Line, an album I thought was mildly entertaining pop rock at best and lazy, absolutely worthless trite at worst. I don’t mind Styles’ take on classic 70’s pop and glam rock but I’ve also never found it interesting, and the songs are at times disjointed and at most times just plain boring. I understand I’m probably alone in this but I really disliked this album and I’m not excited that he’s pushing yet another single. The beeping keys that start the song are immediately met with the crash of a drum beat that sounds as flat as Harry’s singing in that obnoxious, sloppy intro refrain. The verse is equally as awkward, with the song lacking in any kind of substance other than that one line of “You’re so golden” which has been overly annotated by fans on Genius to mean a lot more than it does and should. It’s a confession of love but unlike “Sofia”, there’s very little to grab onto in terms of compassion for the singer and I quickly lose interest in what little story there is to the track. The bridge with the high-pitched guitar squealing and squeaky pitch-shifted murmuring is over and done with as slowly as possible and that refrain of nonsense vocalisations just continues without fear or even self-awareness of how annoying it is. This is probably ultimately harmless but it annoys the hell out of me and whilst I predict success for the track, I really hope against it as I absolutely do not like this at all.

#39 – “Teadrops” – Bring Me the Horizon

Produced by Jordan Fish and Oliver Sykes

Yes, that Bring Me that Horizon. Yes, the metalcore band. At least they used to be metalcore and definitely on that heavier side of Kerrang!-core, but what I’m more amazed by is how they continue to ditch the sound and continue to get bigger as they do so. After 14 years, you’d think these guys would stop getting Top 40 hits – hell, the only other hit they had before 2020 was “Drown” – but this is their third this year! I’ll admit I’m not really up to speed on Bring Me the Horizon – I listened to their last record (which was just fine but honestly probably worth listening to for “wonderful life” alone) but not this EP that the singles have been from, and definitely not their older stuff. For the sake of REVIEWING THE CHARTS, however, I did listen to their earlier singles – you can’t say I don’t do much for this show – and I’m overall not really sure on how to feel about this stuff. I still like “Drown” – and always have – but I’ve never been too big on metalcore so I’m actually surprised how much I really enjoyed the Linkin Park rip on “Sleepwalking” (which I’m impressed I remembered the chorus for). I remember liking the practically nightcore track “ouch” and, yeah, it still slaps. Some tracks are very heavy on the electronic, and “Can You Feel My Heart” is reliant on that vocaloid drop, about two years before that became the norm in pop. Just from a skim of their biggest singles, I’m honestly kind of a fan, especially “Throne”, even if I feel like the EDM influences just kind of go nowhere. Also, none of this screams “metalcore” to me but I don’t know, these guys seem to change their style a lot with the only thing staying consistent being Oliver Sykes, and his tone that shifts between nasal pop-punk-style crooning and chopped-up Auto-Tune growling. I talked to a friend about them and they like their earlier stuff mostly, although he “wouldn’t recommend” their debut album to anybody at all. Another friend said he refuses to listen to their music based on the pretentious title of their third record and honestly I think that’s a pretty fair decision. This song sounds like pretty standard BMTH, or at least from what I can gather from the singles and the formula they follow. It starts with a funky and cute, chirpy electronic groove before it’s drowned out by heavier drums and heavy metal guitar riffs, but this time said electronic groove is less integral to the instrumental and the shift to a funkier bassline in the verse might honestly be for the best, although I do love the way the instrumental is chopped up a bit at the end of each repetition of the chorus. It makes the song sound a lot more unique and even if it sounds just as 2012 as their 2012 stuff, I honestly think that’s fine, especially with that abrupt sharp contrast of his raspy yelling over breakbeats quickly followed by some crooning with light piano backing, which may make the song feel messy or structurally disjointed but honestly it works for the chaotic tone of the track and the angst that is presented in the lyrics. Also, although I haven’t evaluated this band since I watched a couple videos on Kerrang!, this feels oddly nostalgic. Huh. Some additional musings: That falsetto Sykes hits in the chorus is great. My friend said that he couldn’t finish the last album they put out which isn’t a good sign but to be fair to them it was an hour-long IDM record, because, well, sure. I’ve written way too much about Bring Me the bloody Horizon at this point so I’ll just move on but I’ll make sure to check out some of their stuff after this.

#37 – “Loading” – Central Cee

Produced by HARGO

Now back to normality, at least I think so. This is another UK drill artist I’ve never heard of. I like this beat, especially that sample of the horns that I’m surprised wasn’t found by crate-digging but it works pretty well under the drill beat; it sounds like a menacing “gangster” song, especially because of how that sample reminds me of 1930s Chicago. I’m not good on my American (or gang) history so that might be nonsense but you know what I mean, right? Black-and-white footage of men in suits gambling whilst women surround them and they all got their money from drug trafficking and they send out hits. Something like that, I don’t know. The song is kind of boring though, this Cee guy has zero charisma and the references to COVID make this immediately dated (not that this song is lyrically all that interesting anyway), and by two minutes the beat has run its course and just starts getting annoying. Yeah, not much to say about this one at all, but it could have been better.

#8 – “Sweet Melody” – Little Mix

Produced by Peoples, MNEK, Morten “Rissi” Ristorp, Oliver Frid and Tayla Parx

I wonder if now that I listened to Bring Me the Horizon for half an hour straight that the last four songs all sound worse, or at least less interesting, in comparison. Well, I doubt that really, I think these songs will just end up being less interesting. I mean, five separate producers on a simple three-minute pop track? This’ll be as market-tested and manufactured as possible, as one would expect from Little Mix. I didn’t mind their last couple promo singles but this song seems to have some actual traction and even a high-budget video behind it and hence it debuted as high as #8. Well, is it any good? Well, it’s no 2013 Bring Me the Horizon, that’s for sure. Jokes aside, the nonsense vocal refrain is kind of awkward and the R&B production here is kind of minimal and just... off, particularly in the first verse and refrain, where the singing and hard 808 is met with only accompaniment from one stray snare that is just... there? The drop doesn’t feel like it has a proper build-up either, and doesn’t even feel like it lives up to that non-existent tension. I do love the harmonies towards the end of the track and the “he would lie, he would cheat over syncopated beats” line is kind of a bar, I suppose, but yeah, this production is awkward and I’m not sure if it really does the girls’ talent justice. I would have preferred something more dramatic and with more of a climax than the skittering hi-hats and vaguely dancehall-inspired bass grooves, but alas, here we are with a pretty mediocre, uninteresting track, which wasn’t exactly unexpected.

#3 – “Really Love” – KSI featuring Craig David and Digital Farm Animals

Produced by Digital Farm Animals and Mojam

Ah, the trio we all didn’t know we wanted but definitely deserved(?): YouTuber KSI, legendary R&B singer Craig David and a couple virtual elephants. KSI is more than a YouTuber or prankster now to be fair to the guy, with songs like “Lighter” he has cemented himself as a genuine pop star and not in the way that songs used to get viral or even back in 2017 with Jake Paul. KSI is taking this stuff seriously and having fun with it, and, hey, he beat up Logan Paul once or twice so I guess I respect the man to some extent. I’m honestly surprised he got Craig David to be on the song with him. I mean KSI may be popular but I never put much thought into his music or even think it’s any good although the song has clearly debuted this high for a reason. Craig David has a janky hook that just plopped onto the track for a chorus and bridge, with pretty generic lyrics about love, which KSI develops on in some oddly specific ways. He’ll buy this woman Amazon Prime – I hope you enjoy the Borat sequel, guys – and she’ll “wreck his balls like Miley”. Classy. Honestly, the song is mostly fine – KSI’s flow is kind of awkward and stiff still but it’s a lot smoother than it usually is and he does deliver a pretty convincing performance here, as does Craig David, who sounds as great as he did 20 years ago over this groovy house instrumental, with a great bassline that really does fit Craig David more than it does KSI. The trap breakdown is pretty well done as well, which surprised me as I assumed the song would lose all momentum afterwards but, no, it keeps on chugging. This is listenable and far from bad but it’s mostly just a serviceable pop tune. I have no issue with this sticking around as it probably will. Now for the big one:

#1 – “positions” – Ariana Grande

Produced by TBHits, Mr. Frank and London on da Track

Man, I’ve just reviewed 12 songs, I do not feel like talking about the biggest and most important one now. Well, maybe it’s not that and instead the fact that I have this conflict with Grande’s music where someone so unbelievably and obviously talented sounds so incredibly disinterested in the songwriting and production, to the point where her performance is irrelevant. Sure, sweetener and thank u, next had their highs but the former is a complete mess and the latter feels so dull and oddly characterless. Again, these albums aren’t all bad but I feel like they’re still so rushed and infuriatingly so, with Grande having very little involvement, or at least it sounds like that in these albums. Regardless of how much she contributes to each record, it always comes out the other end sounding impersonal, so I’m actually glad she dropped the pretence and is now just doing purely sexy R&B stuff. I haven’t listened to the full album yet but with song titles like “34+35”, I can kind of expect what I’m going into here. That said, I’m not really a big fan of the title track and lead single here, although I can understand why it debuted at #1. Firstly, the video where she becomes the President of the United States for practically no reason is great. Secondly, the beat is pretty good and produced by London on da Track, who I’m kind of disappointed didn’t put his producer tag here. It would have at least been kind of funny hearing it transition into Grande’s sweet whispery vocal tone. I like the slick trap percussion, cricket sound effects and that chirpy guitar pluck, and especially those strings in the second pre-chorus which sound genuinely awesome. Ariana’s a great performer but the chorus is kind of weak, especially lyrically – I don’t mind the opening and main line about switching positions, hell, it’s kind of clever, but “I’m in the Olympics the way I’m jumping through hoops”? Really? The bridge is also pretty short and lazy; I feel like it could have actually been done away with or put as an intro and would have worked just as well replacing the second chorus with that final chorus, background whistle notes and all. That said, the song is a solid lead single and I am kind of excited to hear the rest of the album, even if this is at least somewhat of a retread.

Conclusion

What a mixed bag. I’m generally pleased with what we have here though and I am going to give Best of the Week to “Teadrops” by Bring Me the Horizon with an Honourable Mention to Polo G for “Martin & Gina”, although Clairo would have gotten close without Rostam on the boards. There’s nothing all that bad here except “Golden” by Harry Styles which does get an easy Worst of the Week, with a Dishonourable Mention to CJ’s “Whoopty” for just being lazy. Here’s this week’s “spooky” top 10 – it is Halloween after all:

You can follow me on Twitter @cactusinthebank for political ramblings if you so wish but I wouldn’t recommend it, especially if you like Keir Starmer, but all politics aside, thank you for reading this far and I’ll see you next week.

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Loops 4 Producers Essential Piano [WAV] free Download Latest. It is of Loops 4 Producers Essential Piano [WAV] free download. Loops 4 Producers Essential Piano [WAV] Overview ‘Essential Pianos’ is an Piano loops sample pack. This hiqh-guality piano sample park was inspired by alpinists like Nick Mira, John Leqend, Ed Sheeran, Arianna Grande, Scott Storch and more. You May Also Like Latest Post…

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Os 12 melhores filmes de mistério para ver na Netflix

A Bula reuniu em uma lista 12 ótimos suspenses cheios de mistério para assistir na Netflix. Foram escolhidos longas com reviravoltas surpreendentes, que brincam com a expectativa de quem assiste. A seleção contempla tanto filmes recentes quanto clássicos, todos bem-avaliados pelo público e pela crítica especializada em cinema.

A Bula reuniu em uma lista 12 ótimos suspenses cheios de mistérios instigantes para assistir na Netflix. A seleção contempla tanto filmes recentes quanto clássicos, todos bem-avaliados pelo público e pela crítica especializada em cinema. Foram escolhidos longas com reviravoltas surpreendentes, que confundem e brincam com as expectativas de quem assiste. Dentre eles, destacam-se “Lost Girls: Os Crimes de Long Island” (2020), de Liz Garbus; “Rastros de Um Sequestro” (2017), de Jang Hang-jun; e “Se7en — Os Sete Crimes Capitais” (1995), de David Fincher. Os títulos foram organizados de acordo com o ano de lançamento e não seguem critérios classificatórios.

Imagens: Divulgação / Reprodução Netflix

Legado nos Ossos (2020), Fernando González Molina

Um ano após prender o criminoso responsável por uma série de assassinatos na pequena cidade de Baztán, na Espanha, a inspetora Amaia precisa retornar ao local para uma nova missão. Agora, ela deve descobrir quem está por trás do suicídio de vários presos, que deixam como pista um bilhete escrito “tarttalo”. “Legado nos Ossos” é continuação do filme “O Guardião Invisível” (2017), também disponível na Netflix.

Lost Girls: Os Crimes de Long Island (2020), de Liz Garbus

Quando a filha de Mari Gilbert desaparece, ela passa meses fazendo uma campanha para que a polícia investigue corretamente o caso. Mas, diante da indiferença das autoridades, Mari começa a seguir as pistas e procurar a filha por conta própria no condomínio fechado de Long Island, onde ela foi vista pela última vez. Durante a busca, Mari descobre que várias outras mulheres desapareceram nas mesmas condições. O filme é baseado em fatos reais.

Fratura (2019), Brad Anderson

Ray viaja por uma estrada isolada com sua mulher, Joanne, e sua filha de seis anos, Peri. Quando eles param para descansar, Peri cai em uma vala e quebra o braço. Preocupado, Ray dirige para o hospital mais próximo e implora para que atendam a garota rapidamente. Enquanto Joanne leva Peri para fazer um exame, Ray acaba dormindo na sala de espera. Quando acorda, ele descobre que sua família desapareceu.

A Morte te dá Parabéns (2017), Christopher B. Landon

Tree é uma estudante universitária presunçosa e arrogante, que não se importa em maltratar as pessoas. No dia de seu aniversário, ela é brutalmente assassinada por um homem de máscara. Mas, logo depois ela acorda no início desse mesmo dia, sendo morta novamente. Tree percebe que está em um looping, retornando no tempo repetidamente. Mesmo sem saber por que isso está acontecendo, ela resolve aproveitar a oportunidade para descobrir quem é seu assassino.

Rastros de um Sequestro (2017), Jang Hang-jun

Jin-Seok é o maior admirador de seu irmão mais velho, Yoo-Seok, famoso por ser um excelente aluno e músico. Mas, logo após se mudarem para uma casa nova, Yoo é sequestrado sem deixar pistas. Ele reaparece 19 dias depois, dizendo não lembrar de nada que aconteceu. Percebendo o comportamento estranho de Yoo, Jin desconfia de que a pessoa que voltou para casa não é seu irmão e resolve investigar o sequestro sozinho.

The Discovery (2017), Charlie McDowell

Will é filho de Thomas Harbor, um cientista que conseguiu provar a existência de vida após a morte. Depois dessa descoberta, os números de suicídio aumentaram muito em todo o mundo e Will acredita que seu pai é o culpado. Em uma viagem de balsa, Will conhece Isla, uma garota misteriosa, e se apaixona por ela. Mas, com o tempo, ele percebe que Isla esconde muitos traumas e pensamentos suicidas.

Um Contratempo (2016), Oriol Paulo

Adrian Doria é um jovem homem de negócios que vive uma ótima fase tanto na vida profissional quanto familiar. Até que um dia ele acorda num quarto de hotel e encontra sua amante morta no banheiro. Com medo de ver sua vida desmoronar, Adrian contrata a melhor advogada de defesa da Espanha, Virginia Goodman, que o ajudará a descobrir o que realmente aconteceu naquela noite.

Garota Exemplar (2015), David Fincher

No dia de seu quinto aniversário de casamento, Amy desaparece sem deixar pistas. Quando as aparências de uma união feliz começam a ruir, Nick, seu marido, torna-se o principal suspeito para a polícia. Mas, Nick alega não ser o culpado e fará de tudo para provar sua inocência, ao mesmo tempo em que investiga o que realmente ocorreu com Amy. O longa é baseado no livro homônimo escrito por Gillian Flynn.

El Desconocido (2015), Dani de la Torre

Carlos é um executivo bancário que está passando por uma crise em sua vida pessoal. Seguindo sua rotina, ele se prepara para levar os dois filhos na escola. Ao ligar o carro, ele recebe uma ligação informando que uma bomba foi implantada debaixo de seu assento. Caso o veículo pare, ela será acionada. Para não colocar os filhos em perigo, Carlos deve seguir atentamente as ordens da voz desconhecida.

Ilha do Medo (2010), Martin Scorsese

Teddy Daniels e seu parceiro de trabalho Chuck Aule investigam o desaparecimento de uma assassina no hospital psiquiátrico de Shutter Island. Ao chegarem no hospital, eles descobrem que os médicos estavam agindo sem ética, realizando procedimentos proibidos nos pacientes. E, para tornar a investigação mais difícil, os funcionários se recusam a mostrar os arquivos antigos dos pacientes. Enquanto isso, um furacão se aproxima da ilha, precipitando uma rebelião ente os presos.

A Filha do General (1999), Simon West

Joe Campbell é um conceituado general, cotado para compor uma chapa que concorrerá à presidência dos EUA. Mas, seus planos são interrompidos quando sua filha, a bela capitã do exército Elizabeth, é brutalmente assassinada. O detetive Paul Brenner e a psicóloga Sarah Sunderland são chamados para investigar o caso. Juntos, eles descobrem que corruptos do exército estão envolvidos no assassinato.

Se7en — Os Sete Crimes Capitais (1995), David Fincher

Prestes a se aposentar, o detetive experiente William Somerset se une a David Mills, um jovem policial, para investigar uma série de assassinatos em Los Angeles. Durante a investigação, eles descobrem que o assassino é um psicopata que tem como alvo pessoas que representam os sete pecados capitais. Eles armam um plano para prendê-lo, mas não imaginam que também estão na mira do criminoso.

Os 12 melhores filmes de mistério para ver na Netflix Publicado primeiro em https://www.revistabula.com

[theproducervibes]

Juice Wrld + Nick Mira Loop Kit | Juice Wrld Loop Kit | Juice Wrld Loop ...

[axlbeats]

Free Sample Pack/Loop Kit "Supreme Kai" (Nick Mira, Taz Taylor, SidePce)

[jononeillbeats]

"First Off" - Nick Mira 2021 guitar type beat

[cupcakentea]

Ten Songs I’m Obsessed with

darling @alienfuckeronmain tagged me on this a few days ago and sadly i’m in one of those moods where I listen to the same things on a loop for months on end so it’ll probably be very much alike to what I’ve listened to last time but here we go !

Let Me - Zayn : I think this is gonna be something I say for almost every song in this list but I’ve been listening to Icarus Fall on a loop again (actually I jump from album to album from this list and very few other stuff) and Let Me is one of my fave honestly this album is an almost no skip album for me and with the sheer number of songs on it that’s an amazing feat to me anyway incredible album incredible song really fun and a bit languid and his voice is as good as ever

Landslide - Fleetwood Mac : I’ve been re-diving into Fleetwood Mac and going to LA and seeing Stevie Nicks singing this live unearthed all of the feelings I have tied to this song. It’s so raw and bare and makes me cry every single time so I’ve been gently crying and singing to it for a few weeks now.

Pienso En Tu Mira - Rosalia : the entire album SLAPS but this songs just sends me. Her voice and delivery is unreal but the rhythm and the chorus are just on another level honestly such an incredible singer and performer i so desperately want to see her live.  

Cruel Summer - Taylor Swift : I really love some songs from her from time to time but I never manage to really get into her albums as a whole ? but I really like the last one and so many songs from it, and cruel summer is one of those songs I just find myself humming or singing without noticing so heck yeah (also found the cutest Taylor stickers for a friend of mine who’s a friend i love them)

Cut to the Feeling - Carly Rae Jepsen : Carly forever UNDERRATED also I always forget that this song isn’t on Emotion but then I listen to the entire album and I don’t hear it and i’m like whaaat ??? Anyway just walking with this song on is an Experience and it’s the best and makes me super pumped always

Sunflower Vol.6 - Harry Styles : I really hesitated between that one and Canyon Moon I’d say I’m equally obsessed except that Sunflower makes me smile everytime and Canyon Moon has a very weird effect which is to make me laugh and cry all at once anyway another one of those songs I suddenly sing without thinking about it and find myself dancing to without listening it’s very vibey and sunshiney and weirdly lovey and i love it also makes me think about LA sunshine now

Grease - Frankie Valli : I bought the Grease OST vinyl not too long ago and I just listened to it yesterday but this entired time I had the opening bars of Grease in my head popping in from time to time and I got to listen to it fully yesterday and GOD was it satisfying and full of nice memories and what a gooood groovy song

Damn, dis moi - Christine & the Queens : sometimes, a few of my friends from uni and me we just sing the opening bar and the “Chriiis” or burst into singing with that song. I don’t really know how we came to do that but I really like it and now i got that song in my head when I see them

Greedy - Ariana Grande : I’ve been listening to Dangerous Woman on a loop for an entire week not too long and what an album !! Just like Zayn honestly almost no skip album and so many good songs and I really love that one and I dance to it often when it’s 3 am and I’m bored

Trust Nobody - King Princess : I really like her album and a few of the songs resonate with me a lot and Trust Nobody is one of them. I feel like the lyrics are always very simple and honest, no sugar coating without losing any of the complexity and the album feels very real in many ways and this one was one of those song that gets incarnated in real life by someone you know. 

Everyone probably did this already since I’m so late but if anyone that sees this wanna do it please feel free, you’re now tagged !

[claramarsmars]

la concha de tu madre ol’ boy’

Al leer la propuesta pensé que : otra vez lo mismo. el mismo lugar, con la misma gente, con los mismos platos con la misma sensación de cuando entras a netflix cada dia: esto ya lo ví. 4 platos con nombres que desconozco, tal vez, por que mezclan tanto idiomas como etnias, como que no entendieron que el pasto es algo que comen las vacas y que un ser humano comun, a menos que se encuentre en una situacion extrema, jamas consumiria.

esto ya lo vi.

quiero que alguien me invite a un lugar en donde la carta descarte las palabras como: reducción de - frappé - funghi - rucula & parmesano -  hotdog - jengibre. cuadrillé es un termino de modista, mi comida no es un vestuario...o tal vez si? que es esto? mil personas demasiado vestidas para una cena un jueves a la noche y pareciera que los platos estan envenenandos. esto ya lo vi. los lugares que son caseros no aclararan lo caserito que es su plato o su aretsanal cerveza. no es necesario.

esto ya lo ví. fui fotografa de productos. Basicamente preparas un plato ficcional: superficialmente se ve insuperable pero NO se debe comer, se alteran los ingredientes para controlar el brillo, textura y demas en base al flash y demas tecnicismos que poco importan ahora

en todos los lugares como este los platos son para fotografiar y nadie los come. en el mundo ahora como esta la gente se ha vuelto ese plato. por esto seguramente son tecnicismos, detalles que poco importan ahora. y entre medio estas vos, que no elegiste este lugar por motus propio, y que por eso sigo aca, el espectador omnisciente. visiones de un paraíso para escapar de este momento: un lugar en donde el mozo no sepa que es un frapuchino un lugar en donde la carta tenga errores de tipeo y escrita en arial (comic sans ya es un chiste interno). un lugar en donde no hay un RRHH, un community manager, un diseñador grafico diseñando nada. un lugar que no esté en redes.  un lugar que literalmente no exista si queres etiquetarlo en ubicacion siquiera. hay un par, y cada vez menos, lugares en donde el dueño decoro su boliche. que linda palabras bolcihe un lugar cuyo nombre no comience con: tienda de, despacho de, almacen de, kiosco de, experiencia ______,  hay una cosa peor que el cheto, y es el cheto que se quiere hacer lo que no es: de barrio. ¿en que universo paralelo podria yo llevarte a la mezzeta? podrias apreciar el fin del capitalismo en un tugurio en donde no hay sillas, en donde la mitad del publico es taxista y habla del partido, solo eso, y no se pasan contactos no tienen instagram y si lo tienen las fotos con con los hijos, en fuera de foco, con luz tungsteno. podrias apreciar que no nos sirvan en el mesa, que hay un mostrador, que no hay carta, que el cartel en donde lees los platos no se renovo con el 2000-2009-ahora podrias apreciar el baño, el bendito baño despojado de reboque, porcelana fina barugel, inventos de multisex, polisex, ?sex, un baño en donde coger no represente un desafio sexual sino un real riesgo de muerte a causa de bacterias y errores de deshigienizacion?

una puerta de un baño en donde jamas se hayan borrado escritos? en donde no hay ni una frase motivational como: keep calm and whatever, como you are what you whatever, en donde no haya citas a frases de bandas como The Maccabees. una puerta de un baño en donde compita la declaracion de stella maris por ezequiel y que mariel comente abajo porque el wacho es de ella, con river-boca-platense-allboys todos jugando en los bordes?  una puerta en donde se sienta la sangre de quien escribio la frase y no la fragilidad de un sticker con frases armadas para sentirte para el orto con tu vida? una puerta de un baño en donde jamas se citará a The rapture pero renacera por siempre el indio, sumo, los redonditos de ricota. una vez lei en un baño de fadu, en donde ya de porsi era un milagro que...haya una puerta...pero que obviamente no cerraba, decia “Gozar es tan necesario mi amor” eso si me dejo pensando. en el escritor, en el momento en el cual lo escribio, en como hizo para hacerlo mientars meaba ya que la puerta no cierra, en si se abra podido lavar las manos depsues...el agua en el subsuelo no suele salir. uno se cansa pero sigue viviendo en el loop yendo al mismo espacio, con la misma gente con distinto rostro pero la misma gente el mismo panico al silencio el mismo panico al no existir si no lo mostre el mismo loop de que sacas la foto al que saca la foto pero seguramente vos tmb seas el pelotudo instagramer de la foto de alguien mas. esto ya lo vi.

entonces, no te veo, lo veo, lo veo mirar stories cuando estamos solos. estamos solos en esta mesa y en este patio y en esta terraza con las luces amarillas de bombilla folk, los veo reirse, sacar la foto, y pasarsela y subirla y nos veo: un chico mirando su celular queriando cortejar a una chica que mira para los costados, en un vertigo de si deberia hacer lo mismo o afirmarse como marginal y dejar el celular en la mochila, en animarse a observar a la gente a los ojos aun a lo lejos. entonces, no te veo, lo veo mirando su celular, cuando estamos solos.

me imagino en casa, escuchando a nick y me imagino al libro de juan coronel, de henry miller, siento un breve alivio en el pecho. en breve esto se termina y tal vez zafe de la incomoda caminata post encuentro en donde pueda ver todas las ecuaciones mentales de al lado esto ya lo vi. no te veo, los veo estamos solos.

[grimacebeats]

Download WorldWide Kit [FREE] - https://ift.tt/35g4rgd The New Culture loop kit is a thank you to all of my subscribers who have been active on my channel, once we hit 250, 300, and 400, I will drop more free loop kits. At 500 subscribers, I will make a free drum kit for you guys with NO recycled sounds. Don't forget to subscribe and turn notifications on and thank you. 🌐 Website - http://sclk.co/r/bushy 📷 Instagram - https://ift.tt/2RJPEo0 🐦 Twitter - https://twitter.com/Gr_mace 💭 Soundcloud - https://ift.tt/2SO39HC 📬 Email - grimaceproduction@gmail.com Subscribe to the channel for more beats. #freeloopkit #freemidikit #worldwide (FREE) WorldWide | LOOP / MIDI KIT [Prod. Grimace BEATS] Music, Beat, Type, Trap, Rap, Hip-Hop, Rapper, free loop kit, free sample pack, loop kit, sample pack, free omnisphere bank, cubeatz, Frank Dukes, YSL, Chill, Sad, Melodic, cymatics, dark, Melodic, Nick Mira